[ { "id": 204276, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 44, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n40\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nheroes have remained favourites.\" On the stage, a knight errant is easily distinguishable from a general: the former usually wears a short jacket and trousers and wields a sword or club, while the latter wears full armour with banners behind his back and uses a spear or halberd,\n\nWe now come to the last stages in the evolution of chivalric literature. In the Ming and Ch'ing periods, two notable trends developed in chivalric fiction. On the one hand, in some stories of chivalry, the supernatural element was increasingly emphasized, so that a type of knight with “flying swords\" and magic power became popular. On the other hand, some tales of knightly deeds became mixed with stories about “legal cases”, so that a new type of fiction, which may be called chivalric-romance-cum-detective-story, developed. An early example of the first type is a novel called The flying sword (Fei-chien chi), published in the Ming dynasty, about the Taoist immortal Lü Tung-pin and his acquisition of magic powers. Later examples are too numerous to mention. In fact, such stories are still being written now in Hong Kong. Sometimes they are presented in the form of comic strip cartoons, known as \"serial pictures\" (lien-huan t'u-hua), obtainable from small book stalls and pavement lending libraries. The second type, which combines tales of chivalry with detective stories, has also remained popular to the present day and is still being written. There is an interesting difference between this type of fiction and earlier tales of chivalry. In stories belonging to this type, the knights errant are usually on the right side of the law, instead of rebelling against it. For instance, in popular stories about Judge Pao, the Chinese Solomon, various knights errant help him in detecting crimes and arresting bandits and local bullies. Originally these stories about Judge Pao only dealt with crime and detection. They were first joined together and published as a novel entitled The cases of Judge Pao (Pao-kung an) about 1600. Later, the knights who helped Judge Pao assumed greater importance in these stories, which formed the basis of another novel, Three knights and five righteous men (San-hsia wu-yi), published in 1879. This was revised by Yu Yüeh and given the title Seven knights and five righteous men a few years later, and achieved great success. It was followed by a sequel, the Junior five righteous men (Hsiao wu-yi), and further supplements. Imitations also followed. Among these may be mentioned The cases of Judge Shih, first published in 1838, and The cases of Judge P'eng, first published about 1895. These were based vaguely on recent historical figures, and the knights errant in these novels were probably in\n\n24 Plays about the Shui-hu heroes have been collected by Fu Hsi-hua and Tu Ying-t'ao in Shui-hu hsi-ch'ü (Shanghai, vol. I, 1957; vol. II, 1958).\n\n25 Sun K'ai-ti, op. cit., p. 170.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204305, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 73, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n69\n\nChou of Shang\n\nby King Wu of Chou about 2100 B.C. However, this merely serves as the basic skeleton of the novel, to which many supernatural incidents are added. Some of these supernatural incidents in the novel are taken from the prompt-book Wu-wang Fa-Chou P'ing-hua ENT (\"King Wu's Expedition against King Chou\"), which was current in the Yüan period, about 1321-1323.\n\nHowever, the author of the Féng-shên took his material from various other sources, for he was an extraordinary character. He was at first a Confucian scholar; then, after failing nine times to pass the official examination, he became a Taoist priest. But in his last years he showed a leaning to Tantric Buddhism, and his work on the Surangama-sutra (VR) is included in the Second Collection of the Tripitaka in Chinese. Even now in Hong Kong he is regarded by Taoists as one of their patriarchs and referred to as \"Lu tsu Hsi-hsing\", or \"Patriarch Lu Hsi-hsing\", though in fact he combined the teachings of Confucianism, Taoism, and Buddhism. In his novel, he divided the Taoist gods into two categories. The benevolent ones he called Shan Chiao W, or The Promulgating Sect, led by Yüan-shih T'ien-tsun, or The Celestial Honoured Primordial, and Lao-tzu; the malevolent ones he called Chieh Chiao #, or The Intercepting Sect, led by T'ung-t'ien Chiao-chu #, or The Patriarch of All Heaven. When, in the novel, King Chou and King Wu are going to fight a decisive battle, the gods come down from heaven to take part. Naturally, the gods of the Promulgating Sect help the good King Wu, while those of the Intercepting Sect lend their aid to the wicked King Chou. All kinds of magic weapons are used, everything that the sixteenth century Chinese mind could conceive, even plague-carrying seeds (a sort of germ warfare!). The climax is reached after \"the battle of ten thousand gods\", when the leader of the Intercepting Sect is badly defeated. However, the common master of all the three leaders appears and makes peace among them. The author thereupon concludes:\n\nLike the red lotus flower, its white root, and its green leaves,\n\nThe Three Teachings are really one and the same.\n\nNow, the term \"the Three Teachings\" usually refers to Confucianism, Buddhism, and Taoism, but in the novel the usage of this term is not always clear. Sometimes it seems to refer to the Promulgating Sect, the Intercepting Sect, and common mortals. At other times, Buddhism seems included. The author has included among Taoist gods of the Promulgating Sect certain Buddhist deities such as Mañjusri (Wên-shu), Samantabhadra", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204317, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 85, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n81\n\nand strong and victorious in fighting. Now the king sent them to invade their own country, and the father was much worried.\n\n24\n\nThis kind of Buddhist story would not pass without leaving some traces in the prompt-books, sources of which are predominantly Buddhist ballads. For instance, in the prompt-book Hsin-pien Wu-tai Liang-shih P'ing-hua (“Popular Tales of the Five Dynasties, Period of Liang”), chüan 1, we read,\n\nThe wife of Huang Tsung-tan was pregnant for fourteen months. One day she gave birth to a substance which looked like a lump of flesh, but inside it was a piece of purple silk gauze in which was wrapped a baby. When the wrapper was opened, purple mist of dazzling brilliance filled the room.\n\n25\n\nThus his mother gave birth to Huang Ch'ao. Again in the Ch'ien Han-shu P'ing-hua (“Han Hsin's Death at the Hands of Empress Lü”), chüan 3, when \"Madam Po (a concubine of the first emperor of the Former Han dynasty) was in labour, Empress Lü went to see her. She was glad to find that the baby was a freak without eyes or eyebrows, like a lump of flesh.\"\n\nIn the anonymous Yüan play, Chin-shui-ch'iao Ch'ên-lin Pao Chuang-ho, in Act 2, when Empress Liu ordered the palace maid K'ou Ch'êng-yü to stab the baby prince and throw him into the river from the bridge, the latter hesitated for she saw \"red light and purple mist enshrouding the body of the prince.\"\n\nWe may now admit that the novel Fêng-shên Yen-i has a closer relation with the \"Four Travels\" than with other prompt-books. In Ch.8 of the Nan-yu-chi, the Buddha of Light told the Flowery Light “to be re-incarnated in the shape of a lump of flesh.” Consequently the Flowery Light, floating about in the air, arrived at the village Hsiao-chia Chuang of Wu-yüan, Anhwei, and darted into the womb of Madam Hsiao who had been pregnant for twenty months. \"Now the maid came out to report to the elder, 'Madam has given birth.' 'A boy or a girl?' the elder asked. 'It is neither a boy nor a girl. It is just like the belly of an ox.' The elder was very much frightened. When they decided to throw the lump away into the river, it...\n\n24 Fu-kuo Chi, translated by James Legge as \"A Record of Buddhistic Kingdoms\", Oxford, 1886, Ch. 25, p. 73.\n\n25 Hsin-pien Wu-tai Shih P'ing-hua, photolithographed edition, published by Prof. Tung K'ang, Wu-chin Tung-shih Sung-fên-shih (AAS), 1911. There are also several popular editions available.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204321, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 89, "title": "RAS-1961", "content_text": "Vol. 1 (1961).\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nISSN 1991-7295\n\n85\n\nNo-cha then partially pulled off the celestial robe of the dragon-king and revealed the scales under his left ribs. He tore off some forty or fifty of the dragon-scales and the dragon-king was wounded and suffered a violent pain. He begged his assailant to spare his life. No-cha said, “If you want me to spare your life you must give up your law-suit against me before the Jade Emperor, and follow me back to Ch'ên-t'ang Pass.\" The dragon-king could not free himself and yielded to No-cha. Transforming himself into the shape of a small black snake, he hid in No-cha's sleeve and they descended from heaven. (Ch.13)\n\nSome references can be cited here for comparison and we can see how clever the author was in composing his ingenious and complicated plot which surpasses all the materials he made use of.\n\nIn the prompt-book Ch'in Ping Liu-kuo P'ing-hua (\"The Annexation of the Six States by the Emperor of Ch’in”), chüan 2, there is a sentence, \"to fasten the cuirass he should use the sinews of the old dragon.\" In the Ta-T’ang San-tsang Ch’ü-ching Shih-hua (\"Tripitaka's Search for Buddhist Sutras\"), chuan 2, (7), the Monkey-monk (Hou Hsing-chê) pulled out the sinews from a dragon with nine heads for a belt to hold the cuirass.\n\nAccording to the Min Shu (M), there was a Taoist priest named Yu Chên-chai (2) living in the epoch of Hung Wu, who was called upon by an old woman:\n\nShe was a female-dragon... and was to be struck to death by lightning on account of her failure in regulating the rains. She begged him to save her life. Yü said, “Can you transform yourself to a small shape so that I may hide you in my alms-bowl?\" The dragon followed his advice and transformed herself into a snake wriggling into the bowl.\n\nThe story of No-cha goes on as follows:\n\nOne day as the weather was excessively hot, he felt restless and annoyed, and ascended the tower over the city-gate. On the weapon-stands he found a wonderful bow called ch'ien-k'un kung (the cosmic bow) and three arrows called chên-t'ien chien (heaven-shaking arrows) which he appreciated very much, and did not know that they were left by the Yellow Emperor and since then no one had been strong enough to use them. He was so glad of this discovery and he seized the bow and shot an arrow toward the south-west. With a startling sound the sky was covered with red mist and auspicious clouds floated around. (Ch.13)\n\nIn chuan 13, in the chapter of the \"Competition in Martial Exercises for the Hand of Yasodhara\" of Abhiniskramana-sutra (DATE · #), we have the following paragraph:", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204333, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 101, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n97\n\nthree chapters (Ch.12-14) of the Fêng-shên Yen-i and all the other chapters except those parts inherited from the prompt-book Wu-wang Fa-Chou P'ing-hua3 and Lieh-kuo Chih-chuan (@) are the original work of the author.\n\n39\n\n40\n\n38\n\nLu Hsün told us that the approximate dates of Wu Ch'êng-ên are about 1510-1580, and the earliest editions of the Hsi-yu-chi by Wu Ch'êng-ên we have were all published late in the Wan Li period, probably after 1592. It is therefore safe enough if we suppose that the novel Fêng-shên Yen-i was first compiled in the middle of the Chia Ching period (about 1545).\n\n4\n\n38 \"King Wu's Expedition against Chou\", the original copy of which is from an edition dated Chih Chih (a), the reign of Emperor Ying Tsung (1321-23) of the Mongol Yüan dynasty. It was published in Chien-an (# now Chien-yang of Fukien province), then a very famous paper-manufacturing and publishing centre. No less than five different prompt-books of the same sort, historical and fictional, including the Wu-wang Fa Chou, have been found, now kept in the Japanese Cabinet Library, bearing the same sub-title as \"published by the Yu family of Chien-an\" (ZREKƒ). A complete English translation of the last-named is included in my \"The Authorship of the Fêng-shên Yen-i”,\n\n39 The Lieh-kuo Chih-chuan FHEN, a book in a very rare edition, copies of which are now preserved only in a few libraries. See my article \"The Discovery of the First chuan of the Lieh-kuo Chih-chuan and Its Relation to Wuwang Fa Chou P'ing-hua and the Novel Fêng-shên Yen-i\" (元至治本全相武王伐紂話明刊本列國志傳一與封神演義之關係), The New Asia Journal, Vol. 4, No. 1, Aug. 1959.\n\n4o Chung-kuo Hsiao-shuo Shih lüich, Ch. 17, p. 168. Yang's translation, p. 210. cf. (2).\n\n41 See Prof. Sun K'ai-ti's (H) Jih-pên Tung-ching So Chien Chung-kuo Hsiao-shuo Shumu (B££££+5), pp. 101-2, Shanghai, 1953. Shih-tê Tang (H) edition, dated \"the fourth day of the fifth month in the year jên-chên (IR)\",", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204470, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 102, "title": "RAS-1962", "content_text": "LIFE IN THE NEW TERRITORIES \n\n91 \n\nwhich it had supplanted eighteen years before. Great hardship was encountered which is hardly surprising, and the people were eternally grateful to their benevolent officials and commemorated them in several temples dedicated in their honour. One of these was burned down in 1955 during the fire which destroyed Shek Wu Hui near Fanling, and others are to be found at Sha Tau Kok and Kam Tin, and Sai Heung in Chinese Territory. In addition a school was named in their honour at Kam Tin, and when it was repaired in 1744 the San On magistrate of the time composed a Confucian discourse which was inscribed on the wall of the restored building, to instruct the pupils and their parents. An interesting survival which still existed in 1898 was the appearance of an old beggar in the Yuen Long villages every Chinese New Year who brought statues of WONG and CHOW for the people to worship, and incidentally to supply him with food and money.'' To these men-become-gods for whom the construction of a temple was necessary to ensure their better worship and resulting favours, there must be added an equal and possibly much older faith in sacred tree spirits and the multitude of earth spirits known as pak kung ih, tai wong ★, and ordinary she taan 4, who look after villages and localities such as passes, bridges, and fords over streams.\n\nThis insurance with the spirits who ruled this world and would assuredly be encountered in the next was expressed in the continual reconstruction of temples. A great many of the temples in the New Territory to-day owe their present fabric, or a great part of it, to repairs made during the last fifty years of the Ching dynasty. It was evidently a highly necessary part of the proceedings that the god should be informed of the names of the contributors so that his benefits should not pass anyone by, since their names, and often the amounts they gave, were scrupulously inscribed on the commemorative tablet which was always let into the wall to mark the occasion. Sometimes over a thousand names had to be recorded in this way, most of them in respect of trifling amounts, even for a small and out of the way temple, as in the reconstruction of the Tin Hau temple at Cheung Chau in the second year of the last Ch'ing Emperor (1909).\n\nThe magistrate, too, was expected to play his part in warding off disaster. The District History mentions that CHAN Kuk", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204634, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 115, "title": "RAS-1963", "content_text": "102\n\nJ. W. HAYES\n\n36 shops from Hong Kong, 28 from Peng Chau and 15 from Tai O contributed to the Po On study (presumably all or mainly of Tung Kwun origin); a few outside shops sent donations to repair the Tin Hau temple; hardly surprisingly no outside shops contributed to the Defence Bureau; but the subscriptions for the Fong Pin hospital came from a wide area and the list included over 20 shops and 40 individual persons (including 2 tongs from Tung Kwun and Hok Shan), from Canton, Pun Yue, Tung Kwun, Nam Hoi, Shun Tak, Macau, and other areas of the province,\n\nMost of the temples still contain tablets and other dated items which record their repair from time to time. However, the series is far from complete and many tablets have been lost. A typical instance is the loss of commemorative tablets from the Tin Hau Temple at Tai Shek Hau (the local place name). A prominent citizen remembers seeing a whole row of them fronting an outside wall when he was a young man, about thirty years ago, but they have now all vanished without trace.\n\n15 For mention of these Cheung Chau posts see the following tablets: salt (Tin Hau and Fong Pin), stamp (Tin Hau and Fong Pin), customs, e.g. tax on kerosene (Fong Pin). There was also a customs post on Lamma (Fong Pin), and there were various patrol boats (both tablets). The officer in charge of the military post on Cheung Chau is mentioned on the Tin Hau tablet, whilst the Fong Pin tablet lists eight officers of the Tai Pang battalion.\n\n16 Only the defence bureau tablet gives donors their official ranks, though comparison with others shows that some of the graduates are mentioned there without their titles, i.e., persons mentioned in these tablets may also have been graduates. A comparison of the Tong's genealogical record with the names on the tablets is at first sight disappointing. The genealogical record does not record titles for the later generations, i.e. those of the generation whose names appear on the tablets. An additional confusion is that the clan generation names may not have been used on the tablets where business or personal names may have been recorded instead. However, I think we can be fairly certain that most of the WONGS on the tablets belonged to the Tong.\n\n17 I have translated \"WU\" as \"petitioned the district magistrate\".\n\n18 See Kung-Chuan HSIAO Rural China; Imperial Control in the Nineteenth Century, (Seattle, University of Washington Press 1960), pp. 294-306 for defence organisations in this period.\n\n19 His precise title was described on the Cheung Chau tablet as 城鎮 *which was probably the equivalent of colonel. A few years later he presented a large painted wooden commemorative tablet to the Hau Wong temple outside Kowloon City, on which his rank is described as tsung-ping or brigadier-general (see Ralph L. Powell The Rise of Chinese Military Power 1859-1912 (Princeton University Press, 1955) pp. 15 and 367). \"The brigadier-generals were semi-independent, yet their units were scattered and practically sedentary,\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 205081, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 37, "title": "RAS-1966", "content_text": "32\n\nHUGH D. R. BAKER\n\nable foodstuffs. On a more speculative level, however, it is worthy of note that relics of an old market called Kak Chun Hui7% are still turned up by the plough near Hang Tau Tsuen.\" Apparently this market disappeared some 300 years ago, possibly with the original rise of Shek Wu Hui. It is close to the Hau villages of Ho Sheung Heung and Yin Kong, and may have been controlled by them, in which case its demise may have been the result of rivalry between the Haus and the Lius. Obviously, with high rents coming in from markets, the two clans would have had reason to try to monopolise local buying and selling.\n\nIn general, land-holdings may be equated with wealth. The possession of wealth meant changes in the life of a lineage. The leadership based on the age-hierarchy tended to lose its importance when there were wealthy men in the village, and this seems to have been the case in the five clans. With unequal wealth in a lineage, one or two men must be thrown up who are clearly richer than the rest, and it was these men who assumed unofficial leadership in the group. This situation has been dealt with at some length before and need not be gone into here:78 but it is worth stating that at the present time the leadership in lineage villages is of exactly the same kind. The age-hierarchy leadership still exists formally, but the actual leadership rests with men who are educated, and wealthy and powerful in their own right—though now they are dignified with an official title, 'Village Representative',79 by the British Government.\n\nA wealthy lineage could afford to educate its sons, and in nearly all of the villages of the five clans tutorial schools were run. Frequently these would be held in the ancestral halls, but some villages had special school-rooms-cum-libraries built, and these survive to the present day in Fan Ling, Kam Tin, Tai Po Tau, Lung Kwat Tau and several other places. Education was a means to consolidate wealth, for it was through education that men could enter official life up the steep path of the examination system. A scholar-official was in a position not only to make money, but also to advance the interests of his kin through his contacts with other officials. All the five clans have produced scholars, some of whom became officials, the Tangs being particularly noteworthy in this respect—a fact which accords well with their having superior wealth. During recent years the clans have", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205085, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 41, "title": "RAS-1966", "content_text": "36 \n\nHUGH D. R. BAKER \n\none's own lineage or clan, nor indeed from any of the other four clans, I think. Descendants of these people still live amongst the master clans, though their servitude ended in most places shortly before the Second World War.89 Thus, single-lineage settlements often contained more than one surname due to this system, the Sai Man sometimes now constituting quite a high proportion of the total as is the case in the Hau village of Ping Kong, for instance, but politically the Sai Man were not to be reckoned with, and I was told, “As with women, we don't count them.\" \n\nNowadays, however, they tend to be treated as near-equals by members of the master-lineages, certainly as superior to other outsiders. For instance, Sai Man descendants surnamed Lam still live in Sheung Shui, and their children attend a private kindergarten run by the Lius at the same reduced fees which Liu children pay; in fact, they do not count as 'outsiders', who have to pay the full fee. In the Mung Yeung School at Kam Tin, the list of subscribers to the fund raised to found the school includes one man of the surname Sham,92 a descendant of a Sai Man family of Kam Tin, who has become wealthy.93 In Ping Kong, as noted above, many Sai Man descendants are still living; but yet other descendants of these people in the various villages have removed out of the villages of their ancestors' degradation now that they are free to do so. Near the town of Shek Wu Hui there is a small village started some years ago by such Sai Man descendants of the surname Chiu.94 \n\nFinally, in our discussion of the effects of landed wealth, we may point out that it has made a difference to the adaptability of the five clans to recently developed ways of acquiring money. For several generations now, smaller lineages and mixed-lineage villages have been sending men overseas on a large scale, and amassing a great deal of money, which is invested in better housing and sometimes in urban business ventures. Already wealthy, the five clans did not feel the need to indulge in this kind of enterprise on a large scale, and only since the 1950's have they succumbed to the lure of the easy money to be earned in the United Kingdom, France, Germany, and other overseas territories. Particularly since the Communist victory on the Mainland, agriculture has been hard hit in the New Territories. Pigs and chickens cannot be raised to sell at a competitive price with", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205087, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 43, "title": "RAS-1966", "content_text": "38\n\nHUGH D. R. BAKER\n\nmen temples were built and dedicated to them in many parts of the effected area. In the New Territories there were three such temples - one at Sha Tau Kok,10 one built by the Kam Tin lineage of the Tang Clan,102 and a third in the market town of Shek Wu Hui known as the Chau Wong Yee Yuen,103 which was built by the five clans and endowed by them with land for its upkeep. It was not the five clans as clans which did this, but rather lineages of the five clans which came together and each purchased a share in the temple.104 The Man Clan took two shares in the temple, one purchased by each of the two lineages; as was the case with the eastern Tangs.105 The Pangs, Hau* and Lius each had one share. Not only was land purchased and a temple106 built with this money, but also a ferry boat was bought to assist all members of the five clans to cross the Sham Chun River107 to get to the large market town of Sham Chun, with which all had dealings. The share-holding lineages took part in an annual feast at which the business of the temple was discussed, the feast being paid for out of temple funds. As might be expected, however, the history of this temple association has not all been peaceful, and recently a major dispute has arisen, three members108 claiming complete control of the funds to the exclusion of the others.109 The matter quickly escalated to a point where both sides hired lawyers and placed vituperative advertisements in the Colony's newspapers. Eventually, after three years of argument, it was settled in 1963.\n\nThe second example of cooperation between the clans is of the army which they raised between them to oppose the arrival of the British when they took control of the New Territories in 1899. Under the leadership of literati of the Tang Clan, working from the ancestral hall of the Ha Tsuen lineage,110 they mustered men, arms and supplies in quantity and attacked the British at their landing point in Tai Po. Unfortunately they lacked training and could do no more than fight an ignominious retreat back over the hills. Some records of the organisation of this force are still available through documents captured by the British at the time, and it is obvious that all the planning was done by and communications established at the level of the literati of the five clans. It seems that these men kept up some kind of informal contact, and there is mention of an organisation called the Tung P'ing Kuk112 in the first British reports on the area, which was said\n\n*Hau is the correct spelling, not \"Haus\". I've made the correction. \nPlease let me know if you need further assistance.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205139, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 95, "title": "RAS-1966", "content_text": "90\n\n1897-1904 ― HOLMES WELCH\n\nChristian missionary to the Jews of Hamburg and Montreal, first as a Presbyterian, then as an Anglican clergyman; finally curate in an English country village.\n\n1904-1906 Odd jobs in London.\n\n1906-1909 Director of a large socio-economic survey of Belgium.\n\n1909-1915 Member of Parliament, speculator in Rumanian oil fields, forger of cheques,\n\n1915 Would-be German spy, who, after escaping from Britain, then escaped from the New York police.\n\n1916-1919 In English prison for forgery.\n\n1919-1922 Plotter in the Kapp Putsch in Berlin; salesman of information about other proto-Facist plots in several European countries; again in jail.\n\n1922 To the Far East.\n\n1922-1924 Advisor to a succession of Chinese warlords (Yang Shen, Wu P'ei-fu, Ch'i Hsi-yüan). Back to Europe, then to the U.S., then to China again, where he resolved to enter a Buddhist monastery.\n\n1925-1926 In Colombo, Ceylon, where he began to dress as a Buddhist monk and lecture on Buddhism; returned to Europe for an unsuccessful attempt to save his son from execution for murder in England.\n\n1927-1928 Buddhist missionary in San Francisco; then back to China.\n\n1928-1931 Whereabouts generally unknown, but sometimes living in Buddhist monasteries in Shanghai and Hangchow. From July 1929 to June 1930 on a tour of Europe, lecturing on Buddhism, dressed in Buddhist robes and signing hotel registers \"Chao-k'ung\".\n\nIn May 1931 he became Chao-k'ung officially when he was ordained at Pao-hua Shan, the most illustrious ordination center in China. The next year he went to Europe to collect disciples and arrived back in Shanghai with them on July 25, 1933.46 There were twelve of these disciples - English, French, Italian, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205745, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 51, "title": "RAS-1969", "content_text": "MILITIA, MARKET AND LINEAGE\n\n45\n\ndanger. Certainly people are dissatisfied at this and have determined to resist the barbarians. If our firearms are not good we shall be unable to oppose the enemy. So we have appointed an exercise ground and gather all together as patriots to drill with firearms. To encourage proficiency rewards will be given. On the one hand we shall be helping the [Chinese] Government; on the other we shall be saving ourselves from future trouble. Let all our friends and relatives bring their firearms to the ground and do what they can to extirpate the traitors. Our ancestors will be pleased and so will our neighbours. This is our sincere wish. Practice takes place every day.\"57\n\nLess detail is known of the preparations for resistance in the Sheung U Division. However, two centres of organization clearly emerge: the Man Mo Miu at Tai Po (new) Market and the Chau Wong Yee Yuen at Shek Wu Hui. The temple of Chau Wong Yee Yuen had been established to commemorate Chau Yau-tak and Wong Loi-yam, two 17th century provincial officials. Seven lineages held shares in the temple. These were the Man lineages of Tai Hang and San Tin, the Tang lineages of Lung Yeuk Tau and Tai Po Tau, and the Pang, Hau (Mandarin: Hou), and Liu lineages resident near Shek Wu Hui.58 After 1st April this temple served as the resistance headquarters for the north-central part of the Sheung U Division. Instructions were issued from the temple that villages with \"trainbands\" (militia) should bring them to a state of readiness. A fund was established to finance the organization of the resistance and provision was made for the care of the wounded. Export of grain from the Division was prohibited, although other trade was allowed to continue.\n\nThe Man Mo Miu (Civil and Military Temple) performed a similar function in the Tai Po area. When the Ts'at Yeuk was established in 1893 it became both an administrative and religious centre for the association. Resistance in the Tai Po area was at first offered almost exclusively by the Ts'at Yeuk, and the temple provided an established headquarters for the co-ordination of military activities.\n\nLeaders of the Pang and Man (Tai Hang) lineages participated in the activities of both the Chau Wong Yee Yuen and the Man Mo Miu. Both lineages were 'founder members' of the Chau Wong", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205812, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 118, "title": "RAS-1969", "content_text": "112\n\nVI.\n\nJOHN MCCOY\n\n師姓齊,姐姓齊,\n\n贈嫁箇了頭也姓齊,\n\n齊家囡嫁來齊家去,\n\n半夜裏番身齊對齊。\n\n\"The groom was named Ch'i, the bride was named Ch'i,\n\nWith the dowry was a serving girl, also named Ch'i.\n\nCh'i family girls came in marriage into a Ch'i family.\n\nThrough the middle of the night it was bodies turning, Ch'i against Ch'i,'\n\n1) Here the surname (M) ch'i\n\nis an obvious pun on the 'navel'. Feng records another\n\nhomophonous word (M) ch'i version in which the surname (M) máo, also meaning 'fur, body hair', is substituted throughout for ch'i,\n\n2) of some anthropological interest is the single surname wedding which took place in this poem. Although frowned upon by Chinese tradition, this type of marriage probably occurred from time to time throughout China.\n\nBIBLIOGRAPHY\n\nChao, Yuen-ren (1928). Studies in the Modern Wu-Dialects. Tsing Hua College Research Institute Monograph No. 4. Peking.\n\nFeng, Meng-lung, compiler, Shan Ko (Mountain Songs). From the Ming-Ch'ing Min-ko Shih-tiao Tsung-shu (Collection of Ming and Ch'ing Folk Songs and Popular Lyrics), Peking (1962).\n\nKarlgren, Bernhard (1915-1926). Études sur la Phonologie Chinoise. Leiden.\n\nMartin, Samuel E. (1953). The Phonemes of Ancient Chinese', Journal of the American Oriental Society Supplement, No. 16,\n\nEditor's Note:- The Chinese text at I-VI above are photographic reproductions from the author's MS.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206419, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 236, "title": "RAS-1971", "content_text": "BOOK REVIEWS\n\nEARLY MING WARES OF CHINGTECHEN. A. D. Brankston. 106 pp. 45 plates (1 coloured), 18 text-illus. Re-issue 1970. Vetch and Lee, Hong Kong $60; Lund Humphries, London, £5.\n\nThe appearance of a reissue of A. D. Brankston's book Early Ming Wares of Chingtechen will be welcomed by the collector, connoisseur and dealer alike and will fill a long-awaited need to possess this classic in the field of Chinese ceramics. The original edition, published by Mr. Henri Vetch in Peking in 1938 was limited to 650 copies and has been, until now, virtually unobtainable to the layman, despite the fact that it is frequently referred to by writers on Chinese Porcelain and freely quoted from in sales catalogues. The present edition has been faithfully reproduced on the off-set press and Mr. Vetch is to be congratulated for turning out a most pleasing volume which retains much of the charm of the original.\n\nArchibald Brankston was born in Shanghai in 1909. He followed his father's profession as a civil engineer and, after schooling in England, came to Hong Kong to work on the Shing Mun Valley Water Scheme. Being obliged to return to England due to ill health, he was fortunate to be employed in the setting-up of the International Exhibition of Chinese Art in London in 1935. This led to his appointment as a travelling student by the Universities China Committee in London and he was thereby enabled to journey into the interior of China and visited the kiln sites around Chingtechen from which he recovered a variety of samples which now form part of the British Museum study collection. He was also fortunate in being acquainted with well-known Chinese collectors of that time, including Mr. Wu Lai-hsi and others. Back in England, he was employed in the Department of Oriental Antiquities of the British Museum for two years until he had to return to the Far East on behalf of the Ministry of Information. He died in Hong Kong in 1941 at the early age of 31.\n\nThe book deals mainly with blue and white wares of the 15th Century covering the reigns of Yung Lo, Hsüan-Tê, Ch'êng Hua and Hung Chih and also includes some information on the", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206511, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 59, "title": "RAS-1972", "content_text": "THE ESTABLISHMENT OF THE TSUNGLI YAMEN\n\n53\n\nmaster a foreign language then memorialize requesting that he be rewarded.\n\nAs regards duties on foreign goods at the ports, it has been agreed that at present twenty per cent of the value of the duties shall be deducted and handed back, and a joint record maintained'. Also there are barbarians who are helping to manage revenue matters20. It should be made absolutely clear how much revenue is to be collected each month, so that it does not result in misappropriation and embezzlement. But in future, after the amount withheld has been cleared, let Prince Kung and others further concentrate on deciding what appropriate regulations ought to be fixed so that after a period of time malpractices do not grow up. As regards any other arrangements to be made let them also carefully deliberate and memorialize from time to time.\n\nFor an examination of the implications of these two important documents the reader is referred to Banno's China and the West, pp. 223-236.\n\nNOTES\n\n1 Harvard University Press, 1964.\n\n2 Bruce to Russell, No. 51, May 23, 1861, FO17/352.\n\n3 Teng Ssu-yü and John K. Fairbank, China's Response to the West, Harvard University Press, 1954, 47-48; 73-74.\n\n4 Masataka Banno, China and the West 1858-1861, 220-221.\n\n5 Meng Ssu-ming, The Tsungli Yamen: Its Organization and Functions, Harvard University Press, 1962, 20-21.\n\n6 Translated in collaboration with Mr. Vei-Tsen Yang, formerly of the Department of Chinese Studies, University of Hong Kong, now Special Lecturer in the Department of East Asian Studies, University of Toronto.\n\n7 The Chinese text is in Ch'ou-pan i-wu shih-mo (#MR#&*) Hsieng-feng, 71: 17b-26.\n\n8 During the time of the Three Kingdoms Liu Pei, the founding ruler of the Kingdom of Shu, invaded the Kingdom of Wu in order to avenge the death of Kuan Yü. He suffered a crushing defeat and died soon after. After the accession of his son to the throne in 223 B.C. the chief minister Chu-ko Liang sent Teng Chih as an envoy of good will to Wu, which resulted in a rapprochement between the two states. See San-kuo chih, chuan 35 and 45 for the biographies of Chu-ko Liang and Teng Chih.\n\n9 In fact the emperor was at the summer palace at Jehol. Since the emperor had fled from the enemy the term hsing-ying ('travelling headquarters') was used rather than pi-shu shan chuang ('avoiding the heat hill palace') for reasons of face.\n\n10 At this time the prince-ministers in charge of the travelling headquarters were Tsai-yuan, Prince I, and Tuan-hua, Prince Cheng. Ministers of the imperial presence at this time were: Prince I, Prince Cheng, Su-shun and Ching-shou. Of these Su-shun was the dominant figure and was entrusted with the main responsibility for affairs at the travelling headquarters (also referred to in English as \"the temporary court\"). There were four Grand", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206795, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 72, "title": "RAS-1973", "content_text": "66\n\nCHIU LING-YEONG\n\nThe style of I-seng was of Iranian origin, in which modeled and shaded polychrome figures seemed to stand out in relief, or even to float free from their background. His style is believed to have influenced Wu Tao-hsüan and to be traceable in the caves of Tun-huang.\n\n35\n\nFrom Chinese sources, Ta Yü-chih had three paintings extant in T'ang period, namely: (1) Liu-fan tu; (2) Wai-kuo pao-shu tu (the six foreigners); and (3) Po-lo-men tu (exotic tree from foreign country); (the Brahmara). However, according to Hsüan-ho hua-p'u, there were seven paintings of Hsiao Yu-chih's work, kept by Sung Hui-tsung, namely:\n\n1. Icon of Maitreya 彌勒佛像一;\n\n2. Buddhist icon 佛鋪圖一;\n\n3. Buddhist followers 佛從像一;\n\n4. Buddhist followers from foreign country 外國佛從像一;\n\n5. Avolokitesvara 大悲像一;\n\n6. Vidyaraja 智;\n\n7. Foreigners36;\n\nThese seven masterpieces were kept by the Emperor in the Inner Palace. Some of I-seng's paintings are still kept by collectors either in China or America, like the Dancing girl of Kucha #✯✯; A Sitting God 坐神; Buddha under the Mango Trees 吉羅林果佛; and Drunken Monk 醉僧圖.\n\nThe Yu-chihs were also masters of mural-paintings. Some of their works can still be found in temples and pagodas in China. In the Sung period, their works were classified as shen-p'in (divine category). I-seng also introduced the 'iron-wire' line to China—the Western technique of using a line of unvarying thickness to outline figures.37 I-seng, according to Chang Yen-yüan, had brought new light to Chinese painting and made more paths for painters of the later generations to develop.\n\nCh'in Ming-ho\n\nAt th...\n\nIn the field of medical science in T'ang China, Professor Lo Hsiang-lin inclines to believe that Persians had made tremendous contributions, especially in surgical operations. In A.D. 683, a Persian known as Ch'in Ming-ho, performed a neurosurgical", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206818, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 95, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n89\n\nIn a word, during the thousand years between the Sung and the Ch'ing dynasties, documentary records of calligraphies and paintings of past dynasties were never compiled by following editing principles other than these two: either joint or separate. Among the above listed Ch'ing art catalogues, five of them conformed with the separate principle, while eighteen others followed the joint principle. Thus from the ratio of 1:3.6 shown between the two groups, it is clear that although these two editing principles both made their appearance in the Sung dynasty, by the Ch'ing period, catalogues that conformed with the joint principle by far out-numbered those that followed the separate principle.\n\nThe Kwangtung Art Catalogues\n\nII\n\nThe compilation of the catalogues for the five Kwangtung collections is, in fact, closely related to the above-mentioned editing principles: either joint or separate. For example, in his Fêng-man-lou shu-hua-lu (4 chuan, completed around the 20th year of the Tao Kuang era, 1840) Yeh Mêng-lung (1775-1832) adopted the principle of separating records of calligraphy and painting of past dynasties into two independent sections. However, in the other four catalogues, i.e., Wu Yung-kuang's (1773-1843) Hsin-ch'ou hsiao-hsia-chi (5 chuan, completed in the 21st year of the Tao Kuang era, 1841); Pan Chêng-wei's (1791-1850) T'ing-fan-lou shu-hua-chi (5 chuan, completed in the 23rd year of the Tao Kuang era, 1843) and supplement (2 chuan, completed around the 29th year of the Tao Kuang era, 1849); Liang T'ing-nan's (1796-1861) T'ing-hua-t'ing shu-hua-pa (4 chuan, completed in the 5th year of the Hsien Fêng era, 1855); and Kung Kuang-tao's (1832-1880) Yüeh-hsüeh-lou shu-hua-lu (5 chuan, completed in the 11th year of the Hsien Fêng era, 1861), the compilers all followed the principle of combining the records of calligraphy and painting together in one chronicle.\n\nThus, among the five art catalogues, only one was edited in accordance with the separate principle, and the other four all adhered to the joint principle. This ratio of 1:4 seems to be quite close to the 1:3.6 ratio shown between catalogues respectively edited by", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206822, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 99, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES \n\n93 \n\nwas given about the seals and the measurements of the paintings, and often, only the names of colophon writers and seal owners were included, without any entry of the text of colophons and seals. Nevertheless these works should only be regarded as exceptional cases, since after the publication of the Shih-ku-t’ang hua-k’ao, most art catalogue compilers adopted Pien Yung-yü's editing methods. \n\nAs mentioned above, there is some difference in the editing principles employed in the five Kwangtung art catalogues; in that Yeh and Liang adopted the separate principle, while Wu, Pan and Kung adopted the joint principle. On the other hand, in the matter of editing methods, all the five catalogues are similar to most of the catalogues compiled in the Ch'ing dynasty in that detailed records of the material, size and format of a painting are given, as well as inscriptions, colophons and seals appearing on it. In other words, in compiling catalogues for their own collections, these five collectors unanimously adopted the same editing methods, \n\nAlthough in actual fact, the system of including the five essential elements—material, size, format of painting, inscriptions and seals—were first initiated by Pien Yung-yü, however, according to the introductory notes of these four Kwangtung collectors' art catalogues* these elements originated not from Pien Yung-yü's Shih-ku-t'ang hua-k'ao, but from Kao Shih-ch'i's much later work, the Chiang-ts'un hsiao-hsia-lu. This point of view can be found in the introductory notes of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in which Wu wrote, \n\nChiang-ts'un hsiao-hsia-lu was the first catalogue that recorded the measurements of scrolls and albums of painting. \n\nand again, Since the seals could not be copied, therefore those recorded in the Chiang-ts'un hsiao-hsia-lu were all written in the regular script and then enclosed by lines. This method is the best. \n\nthe same is adopted here. \n\nI am living in a peaceful and prosperous period, and is thus able to while away the time beneath the woods. In every respect, I shall follow the Chiang-ts'un hsiao-hsia-lu. \n\n* The introductory notes are not available in Yeh's catalogue.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206823, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 100, "title": "RAS-1973", "content_text": "94\n\nCHUANG SHEN\n\nIt should be noted here that the Shih-ku-t'ang hua-k’ao was completed in the 21st year of the K'ang Hsi era, and Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu, in the 32nd year of the K'ang Hsi era. Thus there were eleven years in between. As early as the 21st year of the K'ang Hsi era, Pien Yung-yü had already begun to record the measurements of painting, use the regular script to transcribe the seal text, and squares and rectangles to represent the original shape of the seals. Therefore, the Chiang-ts'un hsiao-hsia-lu was not as Wu Yung-kuang stated \"the first catalogue that recorded the measurements of scrolls and paintings\". Furthermore, neither did the method of \"enclosing seal text transcribed in the regular script by lines\" to record seals that appeared on paintings, as had been extolled by Wu Yung-kuang as the \"best\" method, originate from Kao Shih-ch'i. Kao was only one of those early art catalogue compilers who followed Pien's systems. However, in regard to these two compilers' writings, owing to the fact that no matter on the subject of the classics or literature, Kao by far out-numbered Pien in quantity. His reputation as a connoisseur was also far higher than Pien's. It was probably because of these reasons that Wu Yung-kuang only noticed Kao's Chiang-ts'un hsiao-hsia-lu and overlooked Pien's Shih-ku-t'ang hua-k'ao. Consequently Wu's editing methods adopted in his Hsin-ch'ou hsiao-hsia-chi followed exactly those of Chiang-ts'un-hsiao-hsia-lu. Undoubtedly, the editing methods adopted by Wu were the most perfect ones in the compilation of art catalogues. However, the fact that he was only aware of Kao Shih-ch'i and not Pien Yung-yü seems to show that he had put a wrong emphasis on the first and last, which is something regrettable.\n\nA catalogue that was completed earlier than the Hsin-ch'ou hsiao-hsia-chi was: Yeh Meng-lung's Fêng-man-lou shu-hua-lu. Unfortunately, Yeh Mêng-lung did not give any introductory note to explain his editing system. Therefore it is not known whether his inclusion of the five essential elements i.e. measurements, material, format, seals and colophons was under the influence of Pien Yung-yü or Kao Shih-ch'i. However, since Yeh and Wu were not only good friends, but also later became relatives1, it is possible that when compiling his Fêng-man-lou shu-hua-lu, Yeh Mêng-lung was somehow influenced by Wu Yung-kuang. Thus like Wu Yung-kuang, Yeh's adoption of the five essential elements was probably under the influence of Kao Shih-ch'i and not directly from Pien Yung-yü.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206824, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 101, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n95\n\nThe next catalogue completed soon after the Fêng-man-lou shu-hua-lu and Hsin-ch'ou hsiao-hsia-chi was Pan Chêng-wei's T'ing-fêng-lou shu-hua-chi. One paragraph in the preface is of particular importance here,\n\nIt was Tu Mu's Yü-i-pien which initiated the practice of selecting paintings and calligraphies belonging to masters of past dynasties, and cataloguing them in one chronicle. After that, the most distinguished works were Chu Ts'un-li's San-hu mu-nan and Chang Ch'ou's ## Ch'ing-ho shu-hua-fang **★✰★ · In our period, there was Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi, in which in addition to his own collection, Sun also included records of other people's collections. Then there was Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu in which Kao entered details such as the material used (whether paper or silk), the format (album or scroll), the measurements (the length and breadth) of paintings that he had seen, and a full record of all his colophons was also given. Recently the minister Wu Yung-kuang has edited a catalogue entitled Hsin-ch'ou hsiao-hsia-chi in which he adopted the system set down by Sun Ch'êng-chê and Kao Shih-ch'i. He has also selected a few items from my own collection and included them in his work. Moreover, he urged me to compile a catalogue for my own collection and have it published. Thus, following his way, I edited this book.\n\nIn this preface by Pan, there are a few points worth our notice: Firstly, among the art catalogues compiled in the Ch'ing dynasty, he had only mentioned Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Based on this fact, either Pan was entirely ignorant of Pien Yung-yü's Shih-ku-t'ang hua-k'ao or at least he must have held it in low esteem. This attitude is no different from that shown by Wu and Yeh.\n\nSecondly, although Pan Chêng-wei humbly admitted that the compilation methods of his T'ing-fan-lou shu-hua-chi followed that of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in fact, this was only a polite remark made by him. In the opening part of the Hsin-ch'ou hsiao-hsia-chi, it has been clearly stated that this catalogue was compiled by Wu Yung-kuang, but was collated jointly by his brother Wu Mi-kuang ✯ ✯ Ł. Ch’ü Shu-ch’ên # and Pan Chêng-wei. This means that in the course of compiling the Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had consulted Pan Chêng-wei.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206825, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 102, "title": "RAS-1973", "content_text": "96\n\nCHUANG SHEN\n\nThus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas,\n\nThirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance.\n\nFourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference,\n\nHowever, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206826, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 103, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES \n\n97\n\ncapital during the Chia Ch'ing and Tao Kuang eras, did not seem to be aware of the significance of the Kêng-tzu hsiao-hsia-chi. This was why when quoting a representative work among the art catalogues completed in the Ch'ing dynasty, Wu Yung-kuang only commended Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu, and completely ignored Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi. Finally it was only when Pan Chêng-wei wrote the preface for his own T'ing-fan-lou shu-hua-chi in the 23rd year of the Tao Kuang era (1843) that for the first time Sun and Kao's works were given equal attention. In other words, whilst Sun's Kêng-tzu hsiao-hsia-chi had already aroused attention among the scholars of Chiang Nan only half a century after its publication, it had to wait 184 years after its publication to be brought to the notice of Kwangtung art collectors. If Wu Yung-kuang's introduction of Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu to Kwangtung can be regarded as some kind of contribution to the art collectors in his native place, then Pan Chêng-wei's recommendation of Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi should in the same way be said to be one of his contributions to the Kwangtung art collectors. It was probably because of Pan's high recommendation of the Kêng-tzu hsiao-hsia-chi that this book later attracted the attention of two other Kwangtung art collectors. Therefore, although in the Chia Ch'ing and Tao Kuang eras, the earlier Kwangtung art collectors Wu Yung-kuang and Yeh Mêng-lung were not fully aware of the significance of the Kêng-tzu hsiao-hsia-chi, it seems that in the Hsien Fêng era, however, the later Kwangtung art collectors Liang Ting-nan and Kung Kuang-tao began to show a certain degree of respect for Sun's catalogue. Evidence for this can be obtained in the compilation system adopted in the art catalogues compiled by Liang and Kung.\n\nNow let us examine the editing system set down in Liang Ting-nan's T'êng-hua-t'ing shu-hua-pa and Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu. In the former there is a preface written in the 5th year of the Hsien Fêng era (1855) by Liang T'ing-nan himself, the last part of which reads,\n\nThis time when I came again to the province, I lived in seclusion ... I decided to keep this part after making a revision. As to this edition, I would not dare to compare it with the two works compiled by Sun and Kao respectively. Moreover, in the matter of the editing system, my book differs from theirs on many points.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206827, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 104, "title": "RAS-1973", "content_text": "98\n\nCHUANG SHEN\n\nNeedless to say, the two works by Sun and Kao mentioned in the text refer to Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Although Liang T'ing-nan pointed out that it would be unsuitable to compare his T'êng-hua-t'ing shu-hua-pa with the two works of Sun and Kao—which was, moreover, something that he would not venture to do—it could be deduced that, in his opinion, the two catalogues compiled by Sun Ch'êng-chê and Kao Shih-ch'i must have been held in reverence. Otherwise, it would be difficult to explain why he must necessarily take his work to compare with the Kêng-tzŭ hsiao-hsia-chi and the Chiang-ts'un hsiao-hsia-lu, and not with Pien Yung-yü's Shih-ku-t'ang hua-k'ao. According to Liang's remark, it is clear that owing to Pan Chêng-wei's recommendation of the Kêng-tzŭ hsiao-hsia-chi, Sun's work became an art catalogue capable of being compared with Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu in the mind of Kwang-tung art collectors some time later; while, on the other hand, Pien Yung-yü's work seemed to remain unnoticed, as it was during Wu Yung-kuang's time. It thus seems rather questionable whether Liang T'ing-nan was ever aware of Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao.\n\nAs to the origin of the editing method employed in Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, some hints may be obtained from the preface written by Li Ch'ao-t'ang, which reads,\n\nThe two brothers Huai-min and Shao-tang (i.e., Kung Kuang-yung and Kung Kuang-tao) had the largest collection of books in Kwangtung. At his leisure hours, Kung Kuang-tao compiled this catalogue by following the editing system set down in the catalogues of Sun Ch'êng-chê and Kao Shih-ch'i.\n\nThus, it can be seen that the origin of the editing method employed in the Yüeh-hsüeh-lou shu-hua-lu was also that used in the two catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. From the time when Wu Yung-kuang completed his Hsin-ch'ou hsiao-hsia-chi to the time when Liang T'ing-nan completed his T'êng-hua-t'ing shu-hua-pa, 15 years had elapsed, and up to the completion of Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, 21 years. During these 21 years, apart from the fact that owing to Pan Chêng-wei's recommendation, Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi received more attention, and that Liang T'ing-nan's T'êng-hua-t'ing shu-hua-pa", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206828, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 105, "title": "RAS-1973", "content_text": "# FIVE ART CATALOGUES\n\n99\n\ndiffered somewhat from the two catalogues of Sun and Kao, by the time Kung Kuang-tao compiled his art catalogue, the editing method he adopted seemed to be, if not a continuation of that used in Sun's Kêng-tzŭ hsiao-hsia-chi and Kao's Chiang-ts'un hsiao-hsia-lu, at least unrelated to Pien Yung-yü's Shih-ku-t'ang hua-k'ao.\n\nIn a word, although these five Kwangtung art collectors had adopted a new editing system in their catalogues, they had not referred to the work of the compiler who first introduced this system. This is no different from one who counts the records but has forgotten one's ancestors, and can but be regarded as a very unreasonable incident in the history of art catalogue compilation.\n\n## III\n\n## Defects in the Catalogues\n\nAs mentioned above, though the five Kwangtung collectors' catalogues were all compiled by following the new editing method introduced in the compilation of art catalogue, it should be pointed out here that they are not without shortcomings and errors. These, on the whole, can be divided into 3 types, namely: unsuitable compilation method, carelessness in proof-reading, as well as erroneous chronology. Each of these will be discussed below.\n\n### A. Unsuitable Compilation Method\n\nIn Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, paintings done by the same artist are mostly grouped together. However Wu had at least in two instances separately recorded the paintings of two artists. As a result, the reader would feel rather confused when using this catalogue. For example, this catalogue has recorded two paintings by Ni Tsan (1301-1374) in chüan 4. One of these, the Yu-po-t'an-hua-t'u appears in chüan 4, p. 22b, and the other, Ho-lin-t'u, on p. 41a of the same chüan. They are thus nearly twenty pages apart. Between these two paintings, Wu recorded accordingly the hanging scrolls of calligraphy respectively done by Kung Su, Fêng Hai-su and Nao Nao, as well as a handscroll including calligraphies written by Liu Yu-ch'ing, Fan Kuo, Ouyang Ying, Yü Chi, Wu Ch'uan-chieh, Yü-fu-t'u, and Liu Kuan. In addition, in the space of nearly twenty pages, Wu also recorded Wu Chen's and Wang Fu's (1362-1416).\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206829, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 106, "title": "RAS-1973", "content_text": "100\n\nCHUANG SHEN\n\nInk Bamboo & As Ni Tsan's Yu-po-t'an-hua-t'u and Ho-lin-t'u are both paper hanging scrolls, it is difficult to perceive why after recording the painting Yu-po-t'an-hua-t'u Wu Yung-kuang must necessarily record four other scrolls of calligraphy and two paintings by some other artists and then continued with Ho-lin-t'u.\n\nAgain, similar confusions could be found in Wu Yung-kuang's record of three paintings by Wang Fu. In chuan 4 of his Hsin-ch'ou hsiao-hsia-chi, Wu entered first of all Wang Fu's Kao-liang-shan-t'u\n\n# which was followed by Ni Tsan's small hanging scroll of landscape. Furthermore, only after introducing works by five other artists (Wang Mien, Wang Meng E. Huang Kung-wang ★✰✰, Ni Tsan and Wu Chen) and nine calligraphers (Kung Su, Liu Yu-ch'ing, Fan Kuo, Ou-yang Ying, Yü chi, Wu Ch'uan-chieh, Liu Kuan, Fêng Hai-su and Nao Nao) did he continue with Wang Fu's Ink Bamboo.\n\nAlthough, on the one hand, Wu listed the two Ni Tsan paintings and the three Wang Fu paintings separately in two unrelated places, on the other hand, in regard to the four paintings respectively done by Ch'ien Hsüan✯✯ and Chao Meng-fu #, he grouped them together. Why is it that Wu recorded works by Ch'ien Hsüan and Chao Meng-fu in continuous order, and yet broke up the record of works done by Ni Tsan and Wang Fu by inserting entries of works executed by other artists and calligraphers? In a word, when recording more than two paintings done by the same artists, Wu sometimes entered them continuously and sometimes separately. From this, it is apparent that no consistent principle was observed in the method of recording works by one artist in this catalogue. This mixed use of continuous and separate entries not only creates inconvenience to the reader, but also gives one a confused feeling. The presence of such shortcomings is undoubtedly a result caused by Wu Yung-kuang's unsuitable treatment in the matter of compilation.\n\nIn Pan Chêng-wei's ✯ T'ing-fan-lou shu-hua-chi and Hsû-chi, as well as in Liang Ting-nan's T'êng-hua-t'ing shu-hua-pa, another type of shortcoming in compilation, which is quite different from that appeared in the Hsin-ch'ou hsiao-hsia-chi, can again be found.\n\nThere are altogether five chüan in the T'ing-fan-lou shu-hua-chi. With the exception of chüan 5, all the paintings and calligra-", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206833, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 110, "title": "RAS-1973", "content_text": "104\n\nCHUANG SHEN\n\nlogue seems to be smaller than that found in Pan's catalogue. All in all, the lack of record of paintings and calligraphies listed in the table of contents in the text of a catalogue is the second type of deficiency in compilation found in the art catalogues of the Kwang-tung collectors.\n\nB. Carelessness in Proof-reading\n\nThe deficiency in proof-reading is the second type of deficiency in the art catalogue of the Kwangtung collectors. We may begin by examining Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. The carelessness in the proof-reading of this catalogue can be seen in the two following examples. In the 51st year of the K'ang Hsi era (1712), Wu Shêng completed the 20 chüan of his famous catalogue Ta-kuan-lu. It is not known whether Wu Yung-kuang had read Wu Shêng's Ta-kuan-lu with care or not; however, after acquiring Ni Tsan's Yu-po-t'an-hua-t'u, he had made use of the entry of this painting in Ta-kuan-lu to collate with the inscriptions attached to the painting. Moreover, he mentioned the name of Wu Tzu-min?\n+ in his own colophon. Therefore, having known the literary name of Wu Shêng as Tzũ-min, Wu Yung-kuang could hardly be ignorant of Wu Shêng. Yet in his Hsin-ch'ou hsiao-hsia-chi, he was so careless as to record Wu Shêng's name wrongly. In chüan 5 of his catalogue, after entering Ch'iu Ying's Yü-tung hsien-yüan-tu玉洞仙源 he added,\n\nWang Shêng's12 Ta-kuan-lu has also recorded Shih-fu'sTX Yu-tung hsien-yüan-t'u1\n\n12\n+\n\nIn chüan 4 of Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had already mentioned that the compiler of Ta-kuan-lu was Wu Tzŭ-min11, yet in chüan 5 of the same book, he recorded the compiler of Ta-kuan-lu as Wang Shêng12. It is thus apparent that the mistake of calling Wu Shêng as Wang Shêng could not be due to Wu Yung-kuang's ignorance. Rather, it resulted from a mistake in his own handwriting, or from a mistake made while cutting the blocks for painting. Moreover, according to Ku Fu's P'ing-sheng chuang-kuan13 there was a calligrapher by the name of Wang Shêng active in the Southern Sung period. Thus, if the reader of Hsin-ch'ou hsiao-hsia-chi has complete faith in Wu Yung-kuang, would it not be very likely for the compiler of Ta-kuan-lu to be taken as a Sung figure of the mid 13th century instead of a Ch’ing figure of the mid 17th century?", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206834, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 111, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n105\n\nThere are still other mistakes that arise out of carelessness in proof-reading in the Hsin-ch'ou hsiao-hsia-chi. The two following examples will serve as evidence. Firstly, an entry of a landscape album executed by the Sung and Yuan artists is recorded in chüan 2 of this catalogue. In this specific album, the third leaf is a painting entitled K'u-shu han-ya-t'u painted by Liang K'ai. Apparently, the character “ya” in the title is a slip of the pen for “ya”. Secondly, an entry of Ch'iu Ying's Yü-tung hsien-yuan-t'u in chüan 5 of this catalogue is accompanied by descriptions about this painting respectively quoted from Pien Yung-yü and An Ch'i. In Pien's description, there is such a sentence, \"i-hsien-lao ch'in-shu tieh-tso\" (“An immortal sits cross-legged with a lute and some books\"). Again, the character \"tieh\" is obviously erroneously taken for the character \"fu\". However, in An Ch'i's description, this character “fu” is in its correct form, and so it looks as though Pien Yung-yu's original text has such a mistake. But on checking Pien's Shih-ku-t'ang hua-k'ao, it is found that the character also appears as “fu” and not \"tieh\". From this, it is evident that Pien's original text is correct, and it is only when Wu Yung-kuang quoted this text that this particular character began to appear. Therefore Wu is the one that should be fully responsible for this kind of proof-reading error.\n\nAmong the art catalogues of the 19th century Kwangtung collectors, the above-mentioned proof-reading errors can also be found in Liang T'ing-nan's catalogue. Two such examples are given below.\n\nThree scrolls of painting done by Ch'ien Hsüan of the early Yüan period are recorded in chüan 1 of T'êng-hua-t'ing shu-hua-pa. Ch'ien Hsüan's literary name is Shun-chü. In recording this early Yuan artist, Liang T'ing-nan designated him as Ch'ien Shun-chü and not as Ch'ien Hsüan. This is not incorrect. But in the table of contents of chüan 1, Ch'ien Hsüan's literary name has been wrongly recorded as Hsin-chü. If this literary name is recorded twice as Shun-chü and once as Hsin-chü, then this carelessness in proof-reading is perhaps excusable. However in the table of contents of chüan 1 of Teng-hua-t'ing shu-hua-pa, Shun-chü has been repeatedly wrongly recorded thrice as Hsin-chü. For such a serious mistake in proof-reading, Liang T'ing-nan cannot be excused.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206835, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 112, "title": "RAS-1973", "content_text": "106\n\nCHUANG SHEN\n\nBesides, in the table of contents of chüan 4 of T’êng-hua-t'ing shu-hua-pa, the 126th item is recorded as a landscape executed by Fang Hsün-yüan. Although there were quite a large number of artists in the Ch'ing dynasty, there was no one whose surname was Fang19. However, during the period between the Yung Chêng era and the beginning of the Chien Lung era, there was an artist by the name of Fang Shih-shu ✯±✯ (1692-1751) who was a native of An Hui and yet lived in Yang Chou. The literary name of Fang Shih-shu is Hsün-yüan20 #✡. Since in T'êng-hua-t'ing shu-hua-pa, it was Liang T'ing-nan's practice to designate all artists by their literary names and not their real names, therefore this unidentifiable Fang Hsün-yüan is very likely a name mistaken for Fang Hsün-yüan. If this assumption is correct, then Liang T'ing-nan had not only recorded incorrectly the literary name of this An Hui artist, but also mistaken his real name. Such an inexcusable mistake is again due to carelessness in proof-reading.\n\nC. Chronological Mistakes\n\nI have not thoroughly investigated the number of chronological mistakes in the art catalogues of the Kwangtung collectors. However, this kind of error can at least be discovered in Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. It should be noted here that Wu Yung-kuang had left two most important documentary records. One was the Li-tai ming-jen nien-p'u in 10 chuan, compiled in the 23rd year of the Tao Kuang era (1843) which was the year of his death. The other was Hsin-ch'ou hsiao-hsia-chi in 5 chuan, which, though printed a little earlier than the Li-tai ming-jen nien-p'u (in the 21st year of the Tao Kuang era, 1841), was in fact completed two years before his death. In other words, the two most important works of Wu Yung-kuang were both completed during the last three years of his life. Unfortunately, there are certain mistakes in both works. As early as ten years ago, the chronological mistakes in the Li-tai ming-jen nien-p'u have already been pointed out by experts21. It is also regrettable that in his Hsin-ch'ou hsiao-hsia-chi, he had committed some other curious chronological mistakes. On page 4 of chüan 4, there is recorded Wu Yung-kuang's own colophon inscribed on Ch'ien Hsüan's Li-hua-chüan #4, which reads,", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206836, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 113, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n107\n\nI was able to have a look at this scroll while I was in the capital in the year ping-shu. Now this scroll and the scroll of correspondence written by monk Fa-ch'ang are both in the collection of Ch'in-shan, minister of the Board of Agriculture 琴山農部. Wu Yung-kuang wrote this on the 9th day of the 12th month in the year chia-shu of the Tao Kuang era.\n\nIt should be noted that ping-shu was the 6th year of the Tao Kuang era (1826). After this year, there was no chia-shu in the Tao Kuang era. The years that have some connections with chia-shu are chia-wu (1834), mu-shu (1838) and chia-ch'en (1844). However Wu Yung-kuang died in the year before chia-ch'en. Therefore, the year chia-ch'en should undoubtedly be left out of consideration. What is more, even the combination of stems and branches of the years chia-wu and mu-shu are different from that given in Wu's own colophon. In all probability, it seems that the date \"chia-shu of the Tao Kuang era\" recorded in the colophon inscribed in Ch'ien Hsüan's Li-hua-chüan should be a slip of the pen for either the year chia-wu (14th year of the Tao Kuang era) or mu-shu (18th year of the Tao Kuang era), in the former of which, Wu was 62 years old, while in the latter, he would already be 66. In a word, the 14th year of the Tao Kuang era was the beginning of the last decade of Wu Yung-kuang's life. No matter whether the date when he put down by mistake the year chia-shu is chia-wu or mu-shu, by that time, he must have begun to show signs of old age. Otherwise in his Hsin-ch'ou hsiao-hsia-chi, he would hardly commit a mistake as to remember incorrectly the date of happenings that he himself had experienced. If, however, this catalogue had been carefully checked through before it was published, then such kind of chronological mistake could very likely be entirely avoided. Yet the fact that neither chia-wu nor mu-shu, but instead chia-shu of the Tao Kuang era had been printed in the Hsin-ch'ou hsiao-hsia-chi shows clearly that in the process of proof-reading, Wu Yung-kuang was indeed most careless.\n\nNOTES\n\n1 At the beginning of Yeh Mêng-lung's *** Fêng-man-lou shu-hua-lu, **** it is stated that Yeh Ying-ch'i ***, son of Yeh Mêng-lung, was one of the collators of that catalogue. On checking Wu Yung-kuang's autobiography (Tzü-ting nien-p'u), the following information is", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206837, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 114, "title": "RAS-1973", "content_text": "108\n\nCHUANG SHEN\n\nobtained under the entry of the 8th year in the Tao Kuang era (1828), \"In the third month, my daughter named Hsi married Yeh Ying-ch'i\". In chuan 2 of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia chi, there is an entry about Mi Yu-jen's Yün-shan tê-l-t'u #4#★#, which according to Kung Kuang-tao's LAM Yüeh-hsüeh-lou shu-hua-lu *****, should bear a square seal, the text of which reads, \"Nan-hai nu-shih Yeh Wu Hsiao-ho hsieh-yün-lou shu-hua-chih-yin” ✯✯✯±‡*+*Z*#‡‡<¢ \"seal of calligraphies and paintings in the Hsieh-yün-lou collection of Madam Yeh Wu Hsiao-ho, native of Nan-hai”. Ho-wu is one of the style names of Wu Yung-kuang, and so he gave his daughter Wu Hsi the style name of Hsiao-ho. Furthermore, above Hsiao-ho's surname, it is added her husband's surname (Yeh). Thus it is evident that the Yün-shan tê-t-t'u was one of the items in her dowry when she was married off to Yeh Ying-ch'i. However, in the opening part of chuan 3 in Wu Yung-kuang's Shih-yün-san-jen fen-t'l-shih-hsuan, it is stated that one of the collators was his son-in-law, whose name, however, was recorded as Yeh Ying-hsin #44.\n\n2 At the end of his Kêng-tzŭ hsiao-hsia-chi chiao-wên ✯TMIERZ - \"Collatery Note of the Kêng-tzŭ hsiao-hsia-chi\" Ho Cho put down the date of \"K'ang Hsi kuei-ssu\" which is equivalent to the 52nd year of the K'ang Hsi era (1713). Ho's collatery note can be found in Ku-hsüeh-hui-k'an **✰★, vol. II, No. V, published by Kuo-ts'ui hsüeh-pao shê @##★#, 1923, and reprinted by Li Hsing Book Co. ★1⁄2, Taiwan. (The collatery note is found in pp. 2585-2601 of this reprint.)\n\n3 Pao T'ing-po's colophon, which is attached to the Kêng-tzŭ hsiao-hsia-chi, was completed in the 20th year of the Chien Lung era ✯✯ (1755). Yu Chi's colophon and Lu Wên-ch'ao's preface were both written in the 26th year of the Chien Lung era (1761).\n\n4 There are altogether 18 collections in Chih-pu-tsu-chai ts'ung-shu ÞILIIT. The fourth collection includes only Sun Ch'êng-chê's Hsien-chê-hsüan-tieh-k'ao §**** (which is now attached to the end of Kêng-tzŭ hsiao-hsia-chi. However, it is included in the occasional publication of the Chih-pu-tsu-chai. Nowadays, an edition that was published separately in the 26th year of the Chien Lung era (1761) is available.\n\n5 See Ssŭ-k'u-ch'üan-shu tsung-mu ti-yao **** chuan 113. Only the last sentence in this discussion is quoted here, since it already suffices to reflect the whole situation by this, \"Though the man can be slighted, his writing is however something that we cannot pass over slightly.\"\n\n6 A hand-written copy of the T'ing-fan-lou shu-hua-chi and its supplement is found in the collection of the Feng Ping-shan library, University of Hong Kong.\n\n7 The Feng Ping-shan library in the University of Hong Kong has in its collection a wood block printed version of the T'ing-fan-lou shu-hua-chi in 5 chuan and its supplement in 2 chuan, the beginning section of both of which are missing. Therefore, the date and place when this catalogue was printed is now known.\n\n* The type printed version of the T'ing-fan-lou shu-hua-chi and its supplement is available in Mei-shu ts'ung-shu *#*# vol. IV, part VII. This catalogue was first printed by the Kuo-ts'ui hsüeh-shê # in the 3rd year of the Hsuan Tung era ✯ (1911). The second edition came out in 1928. The copy used in this paper is the fourth edition published by Shen-chou kuo-kuang shê **B£* in 1947.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206838, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 115, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206996, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 67, "title": "RAS-1974", "content_text": "DOGS AND HORSES IN ANCIENT CHINA \n\n61 \n\nof horses\" in Summer, sacrifice to the ma she (1) or earth god of horses in Autumn and the ma bu (✈) in Winter.19 (According to K'ang Ch'eng, a commentator of the Chou Li, the ma she was a spirit who sat in judgement on horses.) \n\nThe Chou Li also tells us that other officials were entrusted with the care of horses. It was, for instance, the duty of the mu shih (**) or Herdsman to supervise the imperial horse pastures and see to it that they were annually improved by burning off the top grass.20 The Herdsman was also required to perform a curious task which consisted of clamping bamboo pins on the ears of any restless two-year-old fillies, a treatment guaranteed to soothe the most restive animal.21 \n\nTo treat sick horses there was not only a veterinarian but also a horse sorcerer or wu ma (4) to assist him. It was the sorcerer's task to diagnose a sick animal's ailment by studying its gait, after which the veterinarian bathed the horse in a herbal decoction (which may have had mildly analgesic properties) before undertaking any other course of treatment.22 The sorcerer also had to be conversant with the sick horse's pedigree in order to sacrifice to its ancestors. If, despite these ministrations, the animal died, one of the two merchants attached to the sorcerer's office had to sell the carcass and return the money to the officer in charge of the corral.23 \n\nThat horses were used both as sacrificial victims and as cult objects may be due to the fact that traces of two completely different cultures survived into Chou times. According to Schindler horses were used as chthonic sacrifices because the Earth Goddess had originally been horse-shaped.24 The author bases his argument on a passage from the I Ching (Hexagram 1 and 2) which states that \"Earth is a mare.\" (This passage may have been responsible for a taboo, current in Han times, against riding mares.25) But in the Shuo Gua section of the I Ching we find a statement to the effect that \"Heaven is a horse and Earth is an ox.\" Obviously this is a relic from a different culture which identified horses with the virile qualities of heaven,26 \n\nDogs and Horses as Sources of Food \n\nIn ancient China it was customary to use as sacrificial victims only animals whose flesh was habitually eaten. Thus, the custom of eating both dogs and horses goes back to very ancient times.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 86, "title": "RAS-1975", "content_text": "78\n\nHELGA WERLE\n\npart, and even the music was streamlined by her. There are up to date eight plays in their repertoire: Pa-pao kung-chu† ± princess Pa-pao; T'ao-hua huo tu*; also called Su Liu-niang*; Shih yü-cho£; The Jade-bracelet; Ch'en San Wu-Niang: Tze Liang Chi : Tang Po-hu tien ch'iu-hsiang唐伯虎點秋香(三笑姻緣); Shou Shu-yüan搜書院; and Tze Lang-chu辭郎洲.\n\nHere is the content of two of these operas as they were performed by Hsiao Nan-ying in Hong Kong in 1975.\n\nSTABBING LIANG CHI (✯✯M✯)\n\nLiang Chi, a treacherous prefect, passes through the streets and his guards catch a man who roamed about instead of retiring at the approach of the prefect. When questioned, it turns out that he is a fortune-teller. The prefect dismisses his entourage and encourages the fortune-teller to look at his face and tell his fortune. After some hesitation he talks professional terminology about Liang's eyes and physiognomy and asks him about his age. 63 was the answer. Then he would be stabbed in the next 3 days; but if he could avoid it he would be very successful thereafter. If he wants to avoid it—and he asked the lord to go backwards 3 steps—then he should not go out of his house and not see anyone from outside for 3 days.\n\nThe fortune-teller, although afraid, was rather satisfied with the prospect to see this wretched lord killed.\n\nAfter this the fortune-teller wished to get out of the house as fast as possible, but the lord called his housekeeper and ordered him to feed the fortune-teller,\n\nThe gates were locked and orders given, and then the lord planned to enjoy these 3 days of unexpected leisure. As he had just got a new lady in his residence, he gave orders that she should serve him the wine that night.\n\nThe new lady (performed by Hsiao Nan-ying) was in fact the daughter of a fisherman whom the lord had killed with an arrow. The fisherman's daughter had come instead of another, in order to avenge her father. When she was summoned, she knew that this was her chance to fulfill her vows. She took a hair pin from her hair, and decided that she would stab him with it. The ladies-in-waiting brought a crown and gorgeous red garments to dress her for", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207320, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 88, "title": "RAS-1975", "content_text": "80\n\nHELGA WERLE\n\nThe girl comes out of hiding, and the fortune-teller takes her to safety.\n\nSU LIU-NIANG (SIXTH DAUGHTER SU) *** Drama in 10 acts, lasting about 3.4 hours.\n\nDramatis personae: Su family: Uncle, the eldest of the Su clan Mr. Su and Mrs. Su, their daughter, Liu-niang (6th young lady),* her maid, T'ao-hua, 1 girl-servant and 2 man-servants\n\nAct I\n\nyoung master Yang young master Kuo\n\nand his wet-nurse cousin of Liu-niang\n\nTao-hua the maid comes to the river returning from Hsi-lu\n\nwith a parasol, gay silk trousers and jacket, her hair in two knots one over each ear garlanded with flowers, the temple hair hanging down in two long strands which are adorned with coloured silk-strings. She calls the ferryman [old man-servant type with white beard], who arrives rowing with an oar. There are no other stage props. The movement of the boat is all indicated by mime.\n\nT'ao-hua hides behind the parasol fooling the ferryman and suddenly surprises him by showing her face. Then she pretends to be afraid to jump on the ferry, so the old man tries hard to bring the boat closer. With a wicked smile she jumps on the boat with all her strength, causing it almost to turn over. They perform a beautiful dance to balance the boat and she pretends to be terribly frightened.\n\nThey then start chatting and T'ao-hua proposes to sing a couplet each, composing it as they go along. But which of them first says things that are wrong or cannot rhyme has lost. The old man starts, \"In the first month all flowers bloom...\". T'ao-hua carries on, \"In the 2nd month the cotton tree blooms\" and so on.\n\n*The names of sons and daughters of important families (those with high doors) in these operas are called, for example, Su Liu-niang, meaning the sixth daughter of the Su family. The parents Su have only one daughter, but she is still called the sixth daughter because she is the sixth girl born in this generation to all the brothers of Mr. Su. The same is the case for Wu-niang meaning 5th daughter, called such although she is the only child of her parents. Ch'en San is the third (son) of the Ch'en clan. The term 'niang' is an address for a young lady, whereas the word 'chieh' 'sister' is used for a girl of humble birth.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207326, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 94, "title": "RAS-1975", "content_text": "86\n\nHELGA WERLE\n\nching the room they find the parting letter on her desk. The mother starts wailing, cursing her husband. They call the servants to check the house, and the two male servants return and report that they found the back-gate open. They panic, and the wet-nurse rushes out to inform the groom's family.\n\nAct X\n\nThe servants lead the way with lanterns to the river. Mr. and Mrs. Su are followed soon after by the eldest of the Su clan, and by Mr. Yang and his wet-nurse. Then the group meets T'ao-hua and she joins in the search. Mr. Su now accuses Mr. Yang of having pushed their daughter to commit suicide. Mr. Yang reads Liu-niang's last letter but is not impressed. Perhaps it is a trick to avoid the marriage. He will not believe it until he has tangible proof.\n\nAfter walking in many circles they come to the bank of the river, where a servant discovers the shoes of Liu-niang. The parents wail and scold Mr. Yang, and finally the old ferryman approaches with his oar. When asked whether he had seen Liu-niang, he answers that he did not see anybody, but heard a big splash. Whereupon the whole party decides to return home.\n\nThe ferryman calls back T’ao-hua and triumphantly tells her that he can now finish the couplet of the 13th month, because every so many years there is in fact an intercalary 13th month. And on this gay note the play ends, providing the reason why this opera is colloquially called \"T'ao-hua Crosses the River”.\n\nAct VIII is the climax of the play and Act IX and X the anti-climax.\n\nFOOTNOTE\n\nChiuchow Opera and Peking Opera\n\nThe repertoire of Chiuchow opera contains plays taken from the Peking opera, as well as plays based on Chiuchow's local traditions. Ch'en San Wu-niang and Su Liu-niang are both typical Chiuchow operas which have no parallel in the Peking opera. Both are elegant and refined literary operas, with a very strong local flavour in the treatment and development of the subject, and in the music and performance style.\n\nIn a Peking opera the hard laws of society, the five relationships instituted by Confucius, are more important than human happiness; and in Peking opera the same plot would have quite a different dénouement, most probably with a tragic end. How would a well-kept young lady ever dare", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 124, "title": "RAS-1975", "content_text": "116\n\nRICHARD J. SMITH\n\ndeterioration of prospects in their homeland. Many foreign military men in the Chinese service came from aristocratic families, some as hostages. At times barbarians came to China as temporary allies, returning home after a limited tour of duty.\" Although the general tendency was to measure barbarian devotion by the yardstick of cultural submission, Chinese policymakers recognized that personal, bureaucratic and economic pressures necessarily complemented cultural controls. If an individual did not wholly accept the constraints of Chinese culture and the Confucian value system, he might still be ensnared by having a material stake in Chinese affairs or at least bound by personal relations and institutional limitations.\n\nEconomic inducements were particularly important, given the common stereotype of foreigners as \"animal-like\" and avaricious.18 In the eyes of many, barbarians could never possess what Ch'en Yen described as a “Chinese heart” (Hua-hsin). As the Han thinker Tung Chung-shu put it: \"People like the Hsiung-nu cannot be converted by humanity and justice, but can only be appeased with huge profit, and tied down by an appeal to Heaven.\"19 Chia I, another Han scholar, developed the strategy of the \"three standards and five baits” (san-piao wu-erh), designed to spoil the senses and win the hearts of barbarians through flattery, personal attention, imperial favor and material attractions.20 Yet another policymaker, the Ming statesman Chang Chü-cheng, sought to combine the carrot and the stick. In response to the question, \"How can one hold responsible the arrogant, bellicose barbarians who have surrendered only recently?\" Chang answered: Treat the foreigners like dogs, throwing them bones when they wag their tails and whipping them when they bark.21\n\nMultiple restraints were deemed essential to the effective management of foreign military employees, for military affairs remained a closely guarded sphere of imperial control. The use of aliens in a civil capacity involved comparatively few risks. Outsiders with administrative ability were often genuinely attracted by the refinements of Chinese culture and, in any case, were checked by the usual limitations of civil bureaucratic power. But foreign military men, more likely to be unlettered and unimbued with civil virtues, were less susceptible to cultural and bureaucratic restraints. Since such individuals might command or control large numbers of troops, it was of special concern to the Chinese that their loyalty be both", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207372, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 140, "title": "RAS-1975", "content_text": "132\n\nRICHARD J. SMITH\n\nbecame American citizens,93 Meiji Japan held similar views and pursued similar policies. In short, China's response to the basic problems of employing foreign military men, although tinged with specific characteristics of Chinese political culture such as a special emphasis on personalistic relations, was reasonably enlightened, and not fundamentally different from that of other countries, Asian or Western.95\n\nChina's attempt to build a modern, Western-trained officer corps in the T'ung-chih period did not fail because the foreigners she employed refused to become Chinese subjects or to accept Chinese culture. It failed primarily because the Chinese did not use foreign military assistance in a systematic and sustained way, as did, for example, Meiji Japan. Plagued by continual foreign meddling, and unwilling to fundamentally restructure the existing military establishment with its carefully devised system of checks and balances, the weak Ch'ing government neglected to sponsor meaningful, centralized military reform, dooming itself to defeat at the hands of the Japanese in 1894-95.97\n\nNOTES\n\n1 See, for example, Edward Schafer, The Golden Peaches of Samarkand (Berkeley and Los Angeles, 1963), esp. p. 49, 291 note 75; Henry Serruys, \"Were the Ming against the Mongols settling in North China?,\" Oriens Extremus, 6 (1959), 136ff; etc.\n\n2 For the employment of foreigners under these circumstances, consult Wolfram Eberhard, Conquerors and Rulers (Leiden, 1965); Lei Hai-tsung, Chung-kuo wen-hua yû Chung-kuo ti ping [Chinese Culture and the Chinese Military] (Ch'ang-sha, 1940); Michael Loewe, Imperial China (New York, 1969), 182.\n\n3 Kuwabara Jitsuzo, “On P'u Shou-keng,” Memoirs of the Research Department of the Toyo Bunko, 7 (1935), 44-45; also Su Ch'ing-pin, (Liang Han ch'i Wu-tai ju-chi Chung-kuo chih fan shih-tsu yen-chiu) [Research on barbarian families residing in China during the period from the Han to the Five Dynasties] (Hong Kong, 1967), 2; Wai-ming George Yuan, \"Ko Son-ji (Kao Hsien-chih): A Korean in the Chinese Military Service,” Asea Yongu, 13.3 (1970), 160.\n\n4 See the forward to this work in Li Te-yü's collected writings, Li Wei-kung hui-ch'ang i-pin chih [The collected works of Li Te-yu] (Shanghai, 1937), chüan 2, 10-11 (consecutive pagination). The book is listed in the sections on literature in the T'ang-shu (2:20) and the Sung-shih (2:19a). All references to the dynastic histories are to the po-na edition.\n\n5 I have discussed these challenges and their implications in a forthcoming study entitled . (University of California Press).", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207374, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 142, "title": "RAS-1975", "content_text": "134\n\nRICHARD J. SMITH\n\n15 Cited in Mary Ferenczy, \"Chinese Historiographers' Views on Barbarian-Chinese Relations (14-16th C.), Acta Orientalia, 21.3 (1968), 356-357.\n\n16 See Su Ch'ing-pin, 1-2, 596-597. As might be expected, the vocabulary of submission was highly refined, and often connected with the idea of return (kuei): Some common terms included: \"[to come to] adhere to China' (nei-fu); “return and submit” (kuei-fu or kuei-chiang); “return to loyalty\" (kuei-chung); “turn toward [Chinese] civilization” (hsiang-hua), etc. Related terms referring to specific values included \"return to sincerity\" (kuei-ch'eng), \"return to right behavior\" (kuei-i) and “return to virtue\" (kuei-te). For the use of these various expressions in the context of employing foreigners in military affairs, consult Li Te-yü, chüan 2, 8, 10-11; chüan 5, 31, 34; chüan 7, 56-57; chüan 8, 59, 60-61; chüan 13, 101-103, 104, 108-109; chüan 14, 117; chüan 19, 159-160. See also Michael Loewe, \"Chinese Relations with Central Asian, 260-90,\" in the Bulletin of the London School of Oriental and African Studies, 32 (1969), 100.\n\n17 For a discussion of the circumstances under which a foreigner might gravitate to China, see Su Ch'ing-pin, 1-3 and especially 596-597; also Ch'u Tung-tsu, Han Social Structure (Seattle and London, 1972), 138-139; L. S. Yang, \"Hostages in Chinese History,\" Harvard Journal of Asiatic Studies, 15 (1952), 512; Wang Yi-t'ung, \"Slaves and Other Comparable Social Groups during the Northern Dynasties (386-618),\" HJAS, 16 (1953), 295; Yu Ying-shih, Trade and Expansion in Han China (Berkeley and Los Angeles, 1967); Colin Mackerras, trans., The Uighur Empire (Columbia, S.C., 1972) and the numerous works by Henry Serruys in HJAS 17 (1954) and 22 (December, 1957), Oriens Extremus 6 (1959) and 8 (1961), Monumenta Serica 25 (1966), etc.\n\n18 See the informative discussion of Chinese stereotypes regarding barbarians in Earl Swisher, China's Management of the American Barbarians (New Haven, 1951), 43-53.\n\n19 Cited in Yang, \"Historical Notes,\" 28.\n\n20 Ibid., 28-29.\n\n21 Ibid., 31.\n\n22 Ch'ien and Goodrich, 8. \"Before the Yuan, people of the Western Regions who served as officials in China were mostly military men; very few distinguished themselves in cultural affairs.\"\n\n23 See Henry Serruys, \"Mongols Ennobled during the Early Ming,” HJAS, 22 (December, 1957). For the use of the term \"turning toward Chinese civilization” (hsiang-hua) with reference to the submission of Chinese rebels, see IWSM, TC 12:26.\n\n24 See, for example, Serruys, \"Were the Ming against the Mongols,\" 136ff.; also note 43.\n\n25 Cited in Derk Bodde, China's First Unifier: A Study of the Ch'in Dynasty as Seen in the Life of Li Ssu, 280 (?)-208 B.C. (Leiden, 1938), 14-15. For background on Yu Yü, consult Edouard Chavannes (trans.), Les mémoires historiques de Se-ma Ts'ien (Paris, 1895-1905), II: 40-45; also Shih chi, 5: 15b-17b; 68: 7b-8; 83: 13a-b; 87: 3a-b; 110: 4b.\n\n26 IWSM, TC 79; 11; Ch'ing-chi wai-chiao shih-liao [Historical materials on late Ch'ing foreign relations], (Peiping, 1932; hereafter WCSL) 129: 17.\n\n27 See Yu cited in note 17.\n\n28 See Michael Loewe, \"The Campaigns of Han Wu-ti,” in Frank A. Kierman, Jr. and John K. Fairbank, eds., Chinese Ways in Warfare (Cambridge, Mass., 1974), 79 and 89; Chun-chu Chang, \"Military Aspects of Han", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207618, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 6, "title": "RAS-1976", "content_text": "166\n\nDAVID FAURE\n\nin Sheung Yiu, Tsak Yue Wu, Tai Mong Tsai, She Tau, Shek Hang, Tai Long, Wo Mei, Nam Wai, and Ho Chung.1\n\nFinally, the pirates must not be omitted in any discussion of the early history of Sai Kung. It would seem that, in the late nineteenth and early twentieth century, the pirates were most rampant in the outer reaches of the region. Seung Sz Wan and Hang Hau Village kept two guns on the two arms of the bay to be directed against pirates. Madam Lau of Seung Sz Wan remembered that the pirates once came into the village, and took away the villagers' pigs. In Tan Ka Wan, there were bandits in the late 1920's and 1930's, and the young men had to keep watch regularly.1\n\n15\n\nUp to the early 1900's, despite the economic development, Sai Kung was not yet in any strict sense a \"district\". There is no indication that the villagers of the time thought of the area that is now Sai Kung District as a single territorial unit. Crucial to the creation of the district was the founding of Sai Kung Market.\n\nSAI KUNG MARKET AND ITS TRADE\n\nThe San On Gazetteer of 1819 did not consider either Sai Kung or Hang Hau to be a market. Unlike other markets in the New Territories, periodic market gatherings were not held here at any time. As Mr. Yau T’aam Shang explained it to us, \"Sai Kung in those days was not a market; it was a moorage inlet.\"10\n\nIn 1835, Lai Tak Yau, a Tanka fisherman who sometimes served as pilot for Western sailing boats, took by force some four thousand dollars from one that was hit by storm. Out of this, he spent over a hundred dollars to settle his debts with the general store San Ue T'aai on Leung Shuen Wan. He went on a shopping spree, and spent more than a hundred dollars on Peng Chau and Cheung Chau, buying silk goods from the shops in the latter place. He left most of the balance with a certain Wong Yau Kwong, of Kowloon, a Tanka boatman who owned a large fishing boat and moored at Fat Tong Mun. Wong, in turn, went to San Ue T'aai, and purchased four hundred and fifty dollars' worth of provisions, and then, because he thought", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207920, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 308, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n293\n\nhalls, noted how common they were in Central China and continued \"they may almost be said to abound in Szechuan\". He suggested that the custom sprang from the belief that the benevolent influence exercised by the deceased during his lifetime would still be active if his body was preserved and set up. These mummies were placed in a hall on their own and even in the main hall beside the Buddha's image directly in front of the main altar. The \"images\" were usually gilded, though several on O Mei Shan were made up in fresh colours and dressed in silken robes which sometimes produced quite a monumental effect. The finest example he saw was in a wayside monastery on Chiu Hua Shan at the Ts'ui Yun An where the features of a monk who had died about the turn of this century had been gilded and “stood out as though carved in oak”.\n\nThe Chinese appear to have used two ways of preserving corpses. The usual method consisted first of evisceration; the body was then pickled in salt for a considerable period of time, afterwards being placed in a sealed urn and left for several years. If, when opened up, the urn was found to contain an undecayed body a subscription list was opened for the gilding and enshrining of the relic. The body was thickly gilded or varnished and, if not exposed to the elements or to great extremes in temperature and humidity, it would then last for centuries. The second method was for the dying monk, if he felt divinely inspired, to fast before death and in the process dry himself out, so that after death little was required to finish off drying the body into a leathery, hard mass of skin and bone3.\n\nThe following short notes on the better known \"fleshy bodies\" provide a clearer picture of how widespread the practice was. In May 1975 a preserved body, just emaciated skin and bones, seated in a cross-legged position was returned from Japan to Taiwan. The relic, the body of the monk Shih Tzu-kung (#4) known as the Stone Monk (GI✯✯), had been in Japan since World War II when it had been secretly shipped there by a Japanese military dentist. The body, more than a thousand years old, was of a T'ang Buddhist leader born about 700 AD in Kwangtung into a family named Ch'en (#). His title during life was Wu Chi Ta Shih (AR), which is the title he is still known by. He has now been returned to his original monastery in Taiwan.\n\nAn embalmed body exhibited in the eastern part of the Great Hall of the Yueh Lin Temple in Chekiang was claimed to be that", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207921, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 309, "title": "RAS-1976", "content_text": "294\n\nNOTES AND QUERIES\n\nof the Cotton Bag Monk, Pu Tai (), an incarnation of Mi Lo Fu. Pu Tai was said to have died at that temple at the beginning of the tenth century.\n\nAnother preserved body was that of a Shantung peach seller who dropped dead at the altar and was embalmed in mud and became a deity, Wu Yu Hsien (†), around whom a local cult sprang up and flourished during the fourteenth century. Yet another was the skeleton of an old and holy abbot overlaid with gold foil on Chiu Hua Shan at the Pai Sui Kung“.\n\nA preserved body in the Nan Hua Shan Monastery in northern Kwangtung was that of the Sixth Patriarch of Chinese Buddhism (A.D.). It appears to be the earliest recorded \"fleshy body\". The Sixth and last of the Chinese Patriarchs, Hui Neng (#), died in A.D. 712. His corpse is said to have remained incorrupt and even to exhale a sweet fragrance. His chest maintained its natural position and the skin appeared glossy and flexible. In A.D. 1236 when the Mongol troops pursued the last emperor of the Southern Sung and defeated him in Kwangtung, it is said that Mongol soldiers violated the tomb of the Patriarch and even went so far as to rip open the abdomen with a sword thrust. On seeing that the heart and liver were still in a perfect state of preservation, they were filled with fear and went no further in their sacrilege. Several replicas are to be seen in Hong Kong; a good example is on the altar of Huang Ta Hsien (黄大仙) in the San Yuan Temple (三元宫) in T'ai P'ing Shan Street, Hong Kong. (See plate 27). Incidentally, smaller images of Hui Neng, often seen in curio shops, are easily recognisable by the small dragon in his begging bowl. He is considered to be the founder of the Vegetarian Sects of Buddhism, Ch’ih Su Chiao ( vegetarian ).\n\nAnother mummy, black faced, covered in lacquer and gilded, sat in a lotus position in a place of honour in the T'ien T'ai Temple south-west of Peking, wearing Buddhist robes but of Imperial yellow. He wore a vairocana five-leaf crown on his head, his face was smooth and full fleshed and his skin black with age. Many thought that he was a wooden image and legend, since disproved, claimed him to be Fu Lin, the first Manchu Emperor of China (1638-1661) better known as Shun Chih who died at the age of 30. The story probably grew from the known fact that he wished to become a monk. The mummy was refurbished annually at a minor ceremony and was a great attraction for pilgrims.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207965, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 4, "title": "RAS-1977", "content_text": "173\n\nthe kaifong, which was fixed by auction, the keeper of the scale could keep the charges paid for the use of the scale by merchants. The fee was used for the management of the temple and the annual celebration of the birthday of T'in Hau, usually held towards the middle of the Fourth Lunar Month. To prepare for this festival, the committee had to arrange for donations from Sai Kung residents to make the necessary purchases and to contract with a troupe for the opera. Besides the birthday of T'in Hau, the kaifong also had to arrange for a puppet show at the Great King Earthgod's shrine, and the offering of a pig at the temple at the beginning of the year, on the day of the T'in Hau Festival, at the Kwan Tai Festival, and at the end of the year.35\n\nThe activities of the kaifong committee became routine. Some time in the 1930's, a younger generation of merchants in Sai Kung formed themselves into the Chamber of Commerce. The leader of this new body was Lei Shiu Yam, of Lan Nei Wan. When World War II broke out, it was this group that was the more active in Sai Kung Market.\n\nDAILY LIFE C. 1920\n\nPopulation\n\nThe census of 1911 counted 9,243 people in Sai Kung District, which at the time also included Shap Sz Heung and villages near Sham Chung and Pak Sha O. The same census reported that there were 2,633 Punti-speaking, 6,599 Hakka-speaking, and 11 Hoklo-speaking villagers in the district. It probably neglected the boat population, the size of which must now remain unknown. As recorded, the Sai Kung population amounted to 13.4 percent of the total population of the New Territories.\n\nVillage, lineage, and voluntary association\n\nThe reported population was distributed through 126 villages. The great majority of these had a smaller population than 100, and many could not have been more than isolated houses. By no means the smallest, Tin Ha Wan had 37 people, Mok Tse Che 51, Tai Nam Wu 33, Ma Lam Wat 43, and Tso Wo Hang 24. Only 21 villages in what is recognized now as Sai Kung", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 207967, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 6, "title": "RAS-1977", "content_text": "Table 2 Villages with Populations Above 100 in 1911\n\n175\n\n \n Males\n Females\n Total\n \n \n Sai Kung Market\n 320\n 192\n 512\n \n \n Mang Kung Uk\n *\n 207\n 227\n 434\n \n \n •\n \n \n \n \n \n \n Ho Chung\n Hang Hau\n •\n \n \n \n \n \n Sha Kok Mei\n \n \n \n \n \n \n Nam Wai\n ·\n \n \n \n \n \n •\n \n \n \n \n \n \n Tseng Lan Shue\n Tseung Kwan O\n \n \n \n \n \n \n Pak Kong\n ·\n \n \n \n \n \n Ha Yeung\n Pan Long Wan\n \n \n \n \n \n \n Tai Po Tsai\n \n 159\n 259\n 418\n \n \n \n \n 262\n 125\n 387\n \n \n \n \n 152\n 194\n 346\n \n \n \n \n 178\n 146\n 324\n \n \n \n \n 124\n 152\n 276\n \n \n ·\n \n \n \n \n \n \n \n \n 90\n 103\n 193\n \n \n •\n \n \n \n \n \n \n ·\n \n \n \n \n \n \n •\n \n 75\n 115\n 190\n \n \n \n \n 93\n 91\n 184\n \n \n \n \n 86\n 92\n 178\n \n \n •\n \n \n \n \n \n \n \n \n 77\n 95\n 172\n \n \n Yim Tin Tsai\n \n 79\n 83\n 162\n \n \n Seung Sz Wan\n \n \n \n \n \n \n Wong Nai Chau\n Lan Nai Wan\n \n \n \n \n \n \n Tai Mong Tsai\n Tai Wan Tau\n Yau U Wan\n \n \n \n \n \n ...\n \n 79\n 66\n 145\n \n \n \n Tai Hang Hau\n •\n \n \n \n \n \n \n Tai No\n •\n \n \n \n \n \n \n \n 72\n 70\n 142\n \n \n •\n \n \n \n \n \n \n •\n \n 77\n 65\n 142\n \n \n •\n \n 75\n 63\n 138\n \n \n ·\n \n \n \n \n \n \n \n \n 53\n 64\n 117\n \n \n •\n \n \n \n \n \n \n •\n \n \n \n \n \n \n .\n \n 355\n \n \n \n \n \n \n \n 53\n 63\n 116\n \n \n \n \n 51\n 57\n 108\n \n \n \n \n 55\n 53\n 107\n \n \n •\n \n \n \n \n \n \n D\n \n \n \n \n \n\nSource: 1911 Census\n\nHo Chung, and the Tsik Shin T'ong, that owned the land on which the Ch'e Kung Temple was built, the furniture and dinner utensils needed for village feasts that all members of the village could make use of, and the village school. Nonetheless, without any doubt, the Ch'e Kung Temple was an institution not of the Cheung lineage but of the entire village and surrounding villages. Hence, in the decennial ta tsiu, all the surname groups in Ho Chung and related villages participated. Nam Pin came to the ta tsiu, because it was related to the Tses of Ho Chung. Tai Po Tsai (near Deep Water Bay) and Tai Nam Wu came, because they were related to the Wans, and the Lams of Seung Sz Wan came, because they were related to the Lams of Ho Chung. Mok", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 207971, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 10, "title": "RAS-1977", "content_text": "179\n\nAmong smaller villages, arrangements for co-operation often extended beyond the village itself. Hang Hau and nearby Seung Sz Wan, for instance, were closely involved in each other's celebrations. When there were celebrations in one village, members of the other village could come without invitation.44 Inter-village co-operative arrangements of one sort or another were sufficiently strong for most of the smaller villages to identify themselves as being parts of permanent village alliances. Tai Mong Tsai, Tai Po Tsai, Shek Hang, Tit Kim Hang, Tam Wat, Wong Mo Ying, Ping Tun, and She Tau formed the Paat Heung (Eight Villages); Nam Shan included also Fu Yung Pit, Kak Hang Tun, Keng Pang Ha, and Lung Mei; Pak Tam Chung included Pak Tam, Tsak Yue Wu, Wong Keng Tei, Sheung Yiu, Wong Yi Chau, and Tsam Chuk Wan; and Ngong Wo, Wo Liu, Shan Liu, Tai Wan, Tso Wo Hang, Sha Ha, Nam A, Wong Chuk Yeung, Long Keng, and O Tau formed the Shap Heung (Ten Villages). The Paat Heung had a joint school in Tai Mong Tsai; the Pak Tam Chung villages jointly worshipped the Great King earthgod near Sheung Yiu; the Shap Heung had its joint school in Tai Wan, and used to maintain collectively the T'in Hau Temple at Wong Chuk Yeung (now ruined). The larger villages, e.g. Ho Chung, Mang Kung Uk, Sha Kok Mei, Nam Wai, Tseng Lan Shue, and Pak Kong, were apparently not parties to such alliances, but regarded themselves as forming complete units in themselves.45\n\nInter-village disputes were not common, but there were some long-standing ones. Sha Kok Mei disputed with Nam Shan over tree-cutting rights. Nam Wai and Ho Chung fought over a quarrel that had started when the cows of one village damaged the crops of the other.46\n\nFestivals and customs\n\nThe major festivals in the village were the New Year, and the T'in Kei (birthday of Nui Woh, the Earth Goddess), Ts'ing Ming (spring worship at the ancestral graves), Dragon Boat, Tsat Tse (Seven Sisters), Mid-Autumn, Double-Ninth (autumn worship at the ancestral graves), and Tung Chi (winter solstice) festivals, the temple festivals of the local temples (in this area Ch'e Kung, T'in Hau, Koon Yam, and Hung Shing), the festivals of the local", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 33, "title": "RAS-1978", "content_text": "MILITARY EDUCATION IN CHINA, 1842-1895\n\n17\n\nspecial kind of society of its own, and men who had not experienced from the outset the hardships of military life were unable to handle the common soldiers.\n\nThe question remains: What kind of training was available to military men in traditional Chinese armies? All the evidence suggests that by the beginning of the nineteenth century, and in fact well before, military education in China was woefully inadequate by almost any standard. Officers were unacquainted with even the rudiments of warfare, and the rank and file received only the most perfunctory drill. As early as the mid-eighteenth century, an investigation ordered by the Ch'ien-lung emperor revealed the lack of basic training in Banner forces everywhere in China Proper. The situation was no better for the degenerate Army of the Green Standard. Yet prior to the twin challenges of internal rebellion and external aggression in the mid-nineteenth century, there was comparatively little incentive for military men to engage in serious professional study, and even less incentive for most Ch'ing scholars to concern themselves with military affairs. As the redoubtable scholar-general Hu Lin-i remarked in the Hsien-feng period: \"Under the established system of the dynasty, the military is controlled by the civil, but the civil often disesteems the military.\" The late Ch'ing period was perhaps the highwater mark of what Lei Hai-tsung describes as China's “a-military culture\" (wu-ping ti wen-hua),\n\nThe Opium War jolted at least some Ch'ing officials out of their complacency and ignorance. Unfortunately, however, many of those individuals who knew most about the Western military challenge and China's need to reform were least free to speak with complete candor. Lin Tse-hsü is, of course, the best-known example. One official who did speak his mind openly was Ch'i-shan's ill-fated and little-known successor as governor-general of Liang-kuang, Ch'i Kung. In 1842, Ch'i Kung memorialized the throne, suggesting that if China wanted the services of capable men in military affairs, it would be necessary to secure scholarly talent. The way to do this, he proposed, was to reform the traditional civil service examinations. Ch'i's plan was to test advanced candidates in five areas of military expertise: history, strategy and tactics, instrument-making and mathematics, meteorology, and geography as the final exercise (“discourses on policy,” ts'e-lun) in the three-part examination", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208326, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 50, "title": "RAS-1978", "content_text": "34\n\nRICHARD J. SMITH\n\n1 Throughout the latter half of the nineteenth century, informed Western observers repeatedly pointed to the lack of a modern, Western-trained officer corps as the key deficiency of the Chinese army. See, for example, Mary Wright, The Last Stand of Chinese Conservatism (New York, 1967), 201; Major A. E. J. Cavendish, \"The Armed Strength of China,” Journal of the Royal United Service Institution, 42.244 (June, 1898), 720-722; NCH, July 6, 1880; Chinese Times, December 3, 1887; etc. For an interesting and informative discussion of officer education in the West, consult Correlli Barnett, \"The Education of Military Elites,\" Journal of Contemporary History, 2.3 (July, 1967).\n\n2 Cited in Chang Chung-li, The Chinese Gentry (Seattle, 1955), 174.\n\n3 Helmutt Wilhelm, \"Chinese Confucianism on the Eve of the Great Encounter,\" in Marius Jansen, ed., Changing Japanese Attitudes Toward Modernization (Princeton, 1965), 288-289.\n\n4 Etienne Zi, Pratique des examens militaires en Chine (Shanghai, 1896), 111-112. For other critiques of the traditional military examinations, see Chang Chung-li, 181, 187-190; William Ayers, Chang Chih-tung and Educational Reform in China (Cambridge, Mass., 1971), 178-182; Ichisada Miyazaki, China's Examination Hell (New York and Tokyo, 1976), chapter 8.\n\n5 Richard J. Smith, \"Chinese Military Institutions in the Mid-Nineteenth Century, 1850-1860,\" Journal of Asian History, 8.2 (1974), 128.\n\n6 Hsieh Pao Chao, The Government of China, 1644-1911 (Baltimore, 1925), 311-312; Chang Chung-li, 187.\n\n7 Cited in Chang Chung-li, 181.\n\n8 Miyazaki, 106. See also Robert Marsh, The Mandarins, (New York, 1961), 149-151.\n\n9 Smith, \"Chinese Military Institutions,\" 135.\n\n10 Wu Wei-p'ing, \"The Development and Decline of the Eight Banners\" (Ph.D. dissertation, University of Pennsylvania), 1969), 84-88.\n\n11 Lo Erh-kang, Li-ying ping-chih (Chungking, 1945), 199-200.\n\n12 Cited in ibid., 53.\n\n13 Lei Hai-tsung, Chung-kuo wen-hua yi Chung-kuo ti ping (Changsha, 1940).\n\n14 W. T. deBary, et. al., eds., Sources of Chinese Tradition (New York and London, 1960), 2: 9-10.\n\n15 IWSM, Hsien-feng, 28: 46b-47.\n\n16 Ibid., 28: 47a-b.\n\n17 Ibid., 28: 47b-49.\n\n18 Zi, 112.\n\n19 Chang Chung-li, 181 and note 69. See also Chang Pe'i-lun's reform proposals in 1889, YWYT, 3: 527-530, and Chang Chih-tung's in 1898, Ayers, 178-182.\n\n20 Ralph Powell, The Rise of Chinese Military Power 1895-1912 (Princeton, 1955), 93.\n\n21 Smith, \"Chinese Military Institutions,\" 150-156; see also Wang Erh-min, Huai-chün chik (Taipei, 1967) 191-193, 207-208.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 52, "title": "RAS-1978", "content_text": "36 \n\nRICHARD J. SMITH \n\n38 Holcombe, 82-83; LWCK. Memorials, 27: 405. See also Wang Chia-chien, \"Pei-yang wu-pei hsüeh-t'ang ti chuang-she chi ch'i yin-hsiang,\" Kuo-li T'ai-wan shih-fan ta-hsüeh li-shih hsüeh-pao (April, 1976), 3. \n\n39 LWCK, Letters to the Tsungli Yamen, 4: 39-41. \n\n40 Wang, Huai-chün, 203 and passim; LWCK Memorials, 35; 33b-34, 34b-35. On Wang, see also Bell, 2: 49. \n\n41 On Chou's army, see Japan, Ministry of War, comp. Rimpō heibi ryaku (1882), 3: 45b-46b; Bell, 2: 4, 57-59; Great Britain, War Office, 33/34 (1880), 128-130; FRUS, 1873, part 1, 182-188; CWCK, 1.4: 36b-32; etc. Chou's nien-p'u is included in CWCK. His writings and nien-p'u indicate a rather progressive outlook, including an appreciation not only of Western weapons and military methods, but also of certain aspects of Western science and medicine. \n\n42 CWCK, 2.2: 13a-b; also 1.4; 2b-3, 32-33. \n\n43 Ibid., see also 2.2: 1-8. On the attractiveness of Green Standard rank, consult K. C. Liu, “The Limits of Regional Power in the Late Ch'ing Period: A Reappraisal,\" Tsing Hua Journal of Chinese Studies, n.s. 10.2 (July, 1974), 210, and esp. 218. \n\n44 See, for example, CWCK 1.1.2: 24b; 1.4: 2-3, 5-13b, 19-24, 26b-27, 32-33b; 2.2: 1-2b; \"supplement,\" 1: 11-23, 44; etc. \n\n45 See, for example, CWCK, 1.1.2: 16b-17, 23-24, 27-28; 1.4: 3b-4, 10a-b, 27, 30-32; \"supplement,” 1: 7-24. \n\n46 CWCK, 1.1.2: 17b-18; 1.4: 30-41; etc. \n\n47 Ibid., 1.4: 33b. \n\n48 Bell, 2: 57; see also Cavendish, 721. \n\n49 Bell, 2: 57, 197; Great Britain, War Office, 33/34 (1880), 129, \"The Army of Li Hung-chang\"; CWCK, “supplement,\" 1: 14b, 20, 23b, 35b-37b; see also CWCK, 1.4: 36b-37. \n\n50 CWCK, 1.1: 19b; 1.1.2: 41b-42; 2.2: 22b. \n\n51 Wang, \"Pei-yang wu-pei hsüeh-tang,\" 3-4, 23-24, note 18. \n\n52 CWCK, 1.4: 34. \n\n53 CWCK, 1.4: 33b-34; also 1.1.2: 41b-42. \n\n54 See note 40. \n\n55 Knight Biggerstaff, The Earliest Modern Government Schools in China (Ithaca, 1961), 61-62; Cyrus Peake, Nationalism and Education in Modern China (New York, 1932), 10-12; Wang, \"Pei-yang wu-pei hsüeh-t'ang,\" 7-8. \n\n56 Ibid. (Wang), 7-8. \n\n57 Chinese Times, April 30, 1887. The entrance examination consisted of three parts. The theme for the essay was: \"(When the people have been taught patriotism and loyalty) they may easily overcome their enemies.\" The theme for the discourse was: \"Much planning brings success.\" And the subject for the poetry exercise was: \"Though summer has come, nature is still mild and pleasant.\" Ibid. \n\n58 Biggerstaff, 63; NCH, April 13, 1887; Chinese Times, April 23, 1887, \"The Tientsin Military School\"; etc. The most complete discussion of the establishment, rise, structure, administration and influence of the Tientsin Military Academy is Wang Chia-chien's, \"Pei-yang wu-pei hsüeh-t'ang.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208403, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 127, "title": "RAS-1978", "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208473, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 197, "title": "RAS-1978", "content_text": "WOODBLOCK PRINTING\n\n181\n\nmethods had been much improved and paper became more economical. Many important works were done in this period. “Tou Pan” (ƒ) or multi-colour printing was also invented. Some of their works are well known to us through the painting manual series of the Ten Bamboo Studio († in Nanking (). Formerly, colour prints were made by first putting different colours on various parts of the woodblock. In the \"Tou Pan\" technique, different blocks were made and colours of different shades were applied on these blocks. Sometimes as many as hundreds of blocks of different sizes were used to make one print. In this way, very complex colour combinations could be achieved. The invention of “Tou Pan” and “embossing” (##) techniques in printing was attributed to Hu Cheng-jen (‡), the owner of the Ten Bamboo Studio, whose Catalogue of the Ten Bamboo Studio Letter-sheet Design and the Calligraphic and Painting Manual are monumental landmarks in the history of art.\n\nOther important works were produced in the early Ch'ing period. One of them was the Mustard Seed Garden Painting Manual († \n4) compiled and printed by a famous painter Wang Kai (± *) for the Studio of the Mustard Seed Garden in Nanking in the years 1679-1701 of the K'ang Hsi period (). The manual was printed in colour by using the same techniques as the Ten Bamboo Studio and was printed together with painting instructions. It has been widely used by painters as a bible of Chinese painting. The manual has been copied and reprinted many times by different painters and publishers during Ch'ing Dynasty. The copies we can obtain in the market are usually photostat printed copies from the reproductions issued in the Late Ch'ing period. The pictures contained in these new copies are no longer as gorgeous as those in the original ones. We can hardly see an original copy as only a few of them are known, and are being treasured by museums and libraries or private collectors.\n\nDuring the past thousand years, book printings were centered in Szechuen, Chekiang, Anwhei and Fukien Provinces where paper was also manufactured. The folk or religious printing work had been widespread all over China, but the noted centres of the production were Yang Liu Ching (##), To Hua Wu (✯✯) and Fatshan (*). Yang Liu Ching is a village on the outskirts of Tientsin city (△) and the people living there have been engaged", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208474, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 198, "title": "RAS-1978", "content_text": "182\n\nDAVID H. S. CHAU\n\nin print making for generations since Late Ming. To Hua Wu is a district in the city of Soochow. Fatshan is a town near Canton, also noted for its many temples, beautiful scenery and many other crafts. Prints made from these centers varied in style and printing technique, but only the prints made from Fatshan retain the ancient traditional forms, as Fatshan has been the supply center of folk prints for the Chinese overseas who have emigrated and settled down in South Asian countries for many generations. The folk prints used by Chinese people in Hong Kong were also supplied from Fatshan. There had been several woodblock printers in Hong Kong producing religious folk prints by using blocks supplied from Fatshan until fifteen years ago. Then, for economic reasons, some local printers closed down their business and the remaining ones turned to modern printing techniques by using machines.\n\nIn the nineteenth century modern printing techniques were introduced to China from Western countries, and eventually the use of woodblock for printing started to decline and began to vanish. The remaining woodblock printers only engaged in the printing of religious matter. When the Communists took over the government of China in 1949, almost all these printers closed down their trade. Those still in existence are mainly engaged in reproducing paintings of old masters. One is Wing Po Chai in Peking, another in Shanghai is styled To Wan Huen. There is also one left in Hangchow of Chekiang Province.\n\nThe usages of woodblock printing\n\nWoodblock printing had a wide range of usage in Chinese daily life. Besides printed books, calendars, folk prints and religious matter, woodblocks were used for printing stationery, account sheets, letter heads, calligraphic copy books, trade labels, posters, circular notices, playing cards, etc. The government's official documents, orders, legal contracts, etc. were also printed by using woodblocks. Decorated letter sheets had been in fashion in high society in the old days. High-ranking officials, noted families, wealthy merchants and literary scholars and artists had, for their own exclusive use, beautiful specially illustrated and coloured woodblock printed personal letter sheets for writing letters or poems. Card games were also popular in the feast gatherings of scholars, poets or artists. Monochrome, illustrated, woodblock-printed, paper playing cards", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208787, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 244, "title": "RAS-1979", "content_text": "4\n\nNOTES AND QUERIES\n\nWork of the Association in its early years\n\n217\n\nSoon after the port of Hong Kong was opened [again] in the last year of the reign of Hsien Feng in the Ch'ing dynasty (1860-61), there used to be a Nam Pak Hong Street (later renamed Bonham Strand West). At this favourable location our predecessors set up firms dealing in native products from south and north China. The following firms were among those then established one after another: the Kwong Mau Tai Hong and the Woo Kee Hong of Mr. Chiu Yue-tin, a celebrity of Kwangtung origin, the Hau Fung Hong of Mr. Lo Chor-san, the Hop Hing Hong of Mr. Lau Lo-tak, the Siu Fung Hong of Messrs. Fung Ping-shan and Kwong Tsz-ming, the Kwan Mau Hong (in Wing Lok Street West) of Mr. Li Sau-hin, the Wah On Hong of Mr. Chan Yue-fan, the Yue Wo Loong of Mr. Chan Sik-nin, the Yuen Fat Hong of Messrs. Ko Mun-wah and Chan Chun-chuen, celebrities of Chiu Chau origin, the Yuen Sing Fat Hong, the Kam Yue Fung Hong and the Kam Sing Lee Hong of Mr. Choi Si-kit, the Yue Tak Sing Hong and the Kwong Tak Fat Hong of Mr. Chan Tin-san, the Kin Tye Lung of Messrs. Chan Wun-wing and Chan Tsz-tan, the Ng Yuen Hing Hong of Mr. Ng Lei-hing, a celebrity of Fukien origin, the Chui Tak Loong Hong of Messrs. Wu Ting-sam and Wong Ting-ming, the Hau Tak Hong of Mr. Kwok Yim-sing and his brother(s), the Yi Tai Hong and the Lee Yuen Cheung Hong of a business group of Shantung origin. With the exception of Messrs. Chan Yue-fan, Chan Sik-nin and Kwok Yin-sing, all the aforesaid gentlemen have now deceased.\n\nIn 1868, with the concerted initiative and efforts of the said Messrs. Chiu Yue-tin, Chan Chun-chuen, Fung Ping-shan, Choi Kit-si, Chan Tin-sau and Wu Ting-sam, the Nam Pak Hong Association was founded in Bonham Strand West near its junctions with Wing Lok Street and Queen's Road. Then the objectives of the Association were to promote members' welfare and market prosperity, to assist the police in the maintenance of law and order in the neighbourhood and to formulate plans for the prevention of fires and alleviation of disasters. On the first floor of the Association building was the office, where regulations and business rules of the Association were decided, Directors and Managers of the Association mutually elected, and monthly meetings held. For the first term, the Chairman of the Board of Directors was Mr. Chiu Yue-tin and the Manager was Mr. Lau Lo-tak. The latter mana-", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 209103, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 6, "title": "RAS-1981", "content_text": "Dates \n\n215 \n\nName (and village) \n\nDates interviewed \n\nName (and village) \n\ninterviewed \n\nMr. K'uet Po Shing (Nam A) 2.7.81 \n\nMr. Lok (Seung Sz Wan) 17.7.81 \n\nMr. Yung (Hoi Ha) 2.7.81 \n\nMr. Lau (Sheung Yeung) 17.7.81 \n\nMr. Ip Wan (Pak Sha O) 2.7.81 \n\nMr. Lok Tak K'ei (Seung Sz Wan) 17.7.81 \n\nVisit to church in Pak Sha O 3.7.81 \n\nMr. Lam (Seung Sz Wan) (2) 17.7.81 \n\nMr. Yau Kei (Tseng Lan Shue) 8.7.81 \n\nMr. Lau Kwong (Ha Yeung near Seung Sz Wan) 20.7.81 \n\nMr. Cheung Loi Yau (Sha Kok Mei) 9.7.81 \n\nMrs. Wan (Mang Kung Uk) 20.7.81 \n\nMr. Shing (Ha Yeung near Seung Sz Wan) 10.7.81 \n\nMr. Shing Uen Wan (Pik Uk) 10.7.81 \n\nMr. Wong Kam Tai (Hang Hau) 20.7.81 \n\nMrs. Yau (Mang Kung Uk) 10.7.81 \n\nMr. Shing (Pik Uk) 20.7.81 \n\nMrs. Yau, née Tse (Tseng Lan Shue) 22.7.81 \n\nMr. Ue Shun Hing (Mang Kung Uk) 10.7.81 \n\nMr. Chan T'aai (Tseung Kwan O) 22.7.81 \n\nMr. Cheng Yung (Uk Tau) 10.7.81 \n\nMr. Yau Yan (Tseng Lan Shue) 22.7.81 \n\nMr. Uen Kwai Naam (Mau Wu Tsai) 14.7.81 \n\nMr. Chung (Yau Yue Wan) 22.7.81 \n\nMr. Tsang Shui On (Ma Yau Tong) 14.7.81 \n\nMr. Chung Wai I (Yau Yue Wan) 22.7.81 \n\nMr. Wan Yau (Wong Chuk Long) 14.7.81 \n\nMr. Yau Taai Hin (Tseng Lan Shue) 23.7.81 \n\nMr. Tsang Wan (Ma Yau Tong) 14.7.81 8.81 \n\nMr. Lau (Po Toi O) 24.7.81 \n\nMrs. Tsang, née Shing (Ma Yau Tong) 14.7.81 \n\nMrs. Chung (Po Toi O) 24.7.81 \n\nMr. Ng (Tseung Kwan O) 15.7.81 \n\nMrs. Sit (Tin Ha Wan) 24.7.81 \n\nMadam Chan (Tseung Kwan O) 15.7.81 \n\nMr. Ip (Tin Ha Wan) 24.7.81 \n\nMr. Leung Chiu Man (Hang Hau) 25.7.81 \n\nMadam Wan (Tai Wan Tau) 16.7.81 \n\nMr. Yau Koon K'au (Tseng Lan Shue) 27.7.81 \n\nMr. Lau (Tai Wan Tau) (1) 16.7.81 \n\nMr. Yau Tai On (Pak Shek Wo) 27.7.81 \n\nMr. Lau (Tai Wan Tau) (2) 16.7.81 \n\nMr. Yau (Nam Wai) 28.7.81 \n\nMr. Lam (Seung Sz Wan) (1) 17.7.81 \n\nMr. Yau T'aai Hong (Nam Wai) 28.7.81 \n\nMadam Chan (Mang Kung Uk) 17.7.81 \n\nMr. Lau (Tai Au Mun) 29.7.81 \n\nMr. Lau K'in Tsun (Ha Yeung) 17.7.81 \n\nMr. Lau (Siu Hang Hau) 30.7.81", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209875, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 134, "title": "RAS-1983", "content_text": "112\n\nHaven\".\n\nPui O at present often uses for its name characters meaning \"Shell Harbour\".\n\n1* Yi Long Wan (\"Second Wave Bay\").\n\n1 These villages used to stand just south of Discovery Bay but have since given way to the major housing project of that name.\n\n\" Tai Pak Island is now called Tai Lei (\"Great Profit\").\n\n19 Shau Chau is now called Sha Chau (\"Sand Isle\").\n\n\"Tongkwu is now called Lung Kwu Chau (\"Dragon Drum Island”). \"The Society for the Aid and Rehabilitation of Drug Addicts (SARDA) has had a treatment centre here since about 1960.\n\n31\n\n* Capital of San On District.\n\n** No villages now survive on Hei Ling Chau, which, after the closure of the leprosarium, is now occupied solely by the Correctional Services Department. The remaining villagers were resited to various places on Lantau in 1952-53.\n\n** Chau Kong is now called Sunshine Island (Chau Kung To), after an agricultural rehabilitation programme for refugee families launched there in the 1950s by Mr. Gus Borgeest (of Hong Kong) and others.\n\n\"Kau Yi Tsai is now called Siu Kau Yi Chau, with the same meaning.\n\n**A prewar periodical magazine containing many items of great interest, including Father D.J. Finn's contributions on local archaeology, 1933-36. These were reprinted, edited by Rev. T.F. Ryan S.J., by Ricci Hall, University of Hong Kong, 1958, entitled Archaeological Finds on Lamma Island (M) near Hong Kong.\n\n** Waglan at present uses for its name characters meaning \"Barrier to the Waves\".\n\n#T\n\nRespectively Cheung Shek Pai, Ngan Wu, and Shan Liu.\n\n\" Also known in English as Junk Island. At present the island is known in Chinese only as Fat Tau Chau (\"Buddha's Head Island\").\n\nNam Tong Island is now known as Tung Lung Chau (\"Eastern Dragon Island”).\n\n* This is the Tin Hau Temple (Tai Miu) on Joss House Bay.\n\nAfter partial excavation, it is now listed as an ancient monument under the care of the Urban Services Department.\n\n** Respectively Pak A, Leung Shuen Wan, and Pak Lap.\n\n** These inlets were drowned in the mid 1970s to form the High Island Reservoir.\n\n*Tolo Harbour.\n\nYuen Chau Tsai, see note 2 above.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210416, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 23, "title": "RAS-1985", "content_text": "BARTHOLOMEW P.M. TSUI\n\nfire. At first, thirty to forty came to seek cures, but after five months as many as fourteen thousand came each day and the Patriarch cured most of them. Among the more noted cases of cure was that of Li Tsung-yao (), brother of Li Tsung-jen (), the Vice-President of the Republic. Li Tsung-yao had an incurable disease. His intestines were exposed. Lo cured him completely, to the surprise of the then famous German physician called Otto, who pronounced the event as inexplicable.12\n\nThe message of this new god did not stop with curing. He demanded the establishment of an institution with a body of beliefs and a group of disciples. This he revealed on the eighth day of the first month (January 31, 1936). This god, who could not really be named, was provisionally called the Supreme Deityx), and the name of the new belief was called Tan Tse Tao () or the Revealed Truth.13 The Patriarch soon made a number of disciples who were endowed with healing powers equally with himself. Of these the most successful was Ms Liu Han-lien (劉漢廉女士). In 1936, that is, almost immediately after her initiation, she worked in Hui-chou () and Lung-kang Market() and cured over ten thousand sick people. In 1937, two other disciples, Li Han-kun () and Han-lun (), went to Hsin-hui (#) and cured over a thousand people there. Han-lin (***) and Han-ts'ai (#) worked in Wu-chou (梧州) and Han ch'üan (漢全) in Ts'ung-hua(從化).14\n\nThe Patriarch's work in Canton lasted only a few years. Eight months before Japanese soldiers marched into Canton, he was instructed by the Supreme Deity to come to Hong Kong and to establish his religion there. At first, with the help of Mr. Wong Yiu-tung, J.P. (), Lo set up his office at Tung-lu (). Shortly afterwards, he found a plot of land in Ping Shan in the New Territories and built his worshipping hall there where he continued the work of curing and converting disciples. He died in 1981 and his religion is actively carried on by his disciples.", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210792, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 143, "title": "RAS-1986", "content_text": "126\n\nD.L. MICHALK\n\nby governors and generals striving to grasp independent power, and China was plunged into bloody civil war. Guangdong Province, the birth-place of the republican movement, immediately proclaimed itself independent. Sun Yat-sen, the \"Father of the Republic\", was elected generalissimo, and in 1924 the Kuomintang (the People's Party) was formed. Upon the death of Dr. Sun in 1925, Chiang Kai-shek, backed by his modernized army, emerged as the Kuomintang (KMT) leader, and with assistance from Communist factions began campaigns against the north which culminated in the fall of Shanghai in 1927.\n\nChoosing not to expropriate the capitalist bankers in Shanghai as demanded by the Communists, the KMT and Communists became bitter rivals which re-ignited armed struggle in south China. Fuelled by Communist propaganda, there came a genuine uprising of the peasantry against the KMT for failure to deliver promised tax and land reforms throughout the southern provinces. As part of this general uprising, the first group of “freedom fighters\" appeared on Hainan in 1927 and staged guerilla warfare on the island until Liberation, twenty-three years later (Fairfax-Cholmeley, 1963).\n\nAlthough armed conflicts between Peking and southern forces had occurred previously on Hainan such as those which led to the capitulation of General Lung's army in 1918 (Moninger, 1919), fighting was confined to the soldiery. However, the Communist tactics brought the conflict to the common citizens by inciting peasants to take up arms against the oppressive gentry and greedy merchants. The effects of lightning raids caused havoc in northern Hainan: numerous villages were abandoned, others sacked and reduced to ash-strewn rubble, and large tracts of farming land were deserted (McClure, 1934b).\n\nIn fact, the revolutionary play, Red Detachment of Women, was loosely based on incidents which occurred in Hainan in 1931. At a bridge about one kilometre south of the present Xinglong Overseas Chinese State Farm, a guerilla band led by Hong Chang-qing assassinated Nan Ba-tian, a cruel landlord. In reprisal, the landlord's forces captured and executed the guerilla leader. However, a slave girl, Wu Qing-hua, took his place as commander and", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210809, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 160, "title": "RAS-1986", "content_text": "143\n\nSouth China Morning Post (1984) “Hainan Undersea Link in Pipeline\".\n\nStubel, H., and Li Hua-min (1933) “Vorlaufiger Bericht uber eine ethnologische Exkursion nach der Insel Hainan\", Jubilaumsband herausgegeben von der Deutschen Gesellschaft fur Natur- und Volkerkunde Ostasiens, 1: 133-145.\n\nStubel, H., and P. Meriggi (1937) “Die Li-Stamme der Insel Hainan\", Ein Beitrag zur Volkskunde Sudchinas, Berlin.\n\nSwinhoe, R. (1872) “Narrative of an Exploring Visit to Hainan”, Journal of the North China Branch of the Royal Asiatic Society, 7: 41-91.\n\nSydney Morning Herald (1985) “CSR exploration deal approved by China\", May 27, 1985, published by John Fairfax Limited.\n\nThompson, R. (1985) “Production Glut Overheats Chinese Economy\", Sydney Morning Herald, August 22, 1985, published by John Fairfax Limited.\n\nWang Hsiang-chih (1849 edition), Yu-ti chi-sheng, cited by Schafer (1969).\n\nWigmore, L.G. (1957) The Japanese Thrust, Halstead Press, Sydney.\n\nWu, Tong, and Zhi, Exiang (1981) \"Hainan: the Treasure Island (1)\", China Reconstructs, 30: 56-62.\n\nZhao, Ziyang (1982) China's Economy and Development Principles, Foreign Language Press, Beijing, China.", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211005, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 67, "title": "RAS-1987", "content_text": "42\n\nNOTES\n\nAnthony K.K. Siu, \"The Kowloon Walled City”, Journal of the Hong Kong Branch of the Royal Asiatic Society, (hereafter, JHKBRAS) vol 20 (1980) 139-140; his Chiu-lung ch'eng shih lun-chi ” (“Studies on the Kowloon Walled City\") (Hong Kong: Hin Chiu Institute, 1987) p. 27. It was called miserable by the Rev. Krone in his “A Notice of the Sanon District” China Branch of the Royal Asiatic Society Transactions 6 (1859) 71-105, reprinted in the JHKBRAS 7 (1967) 104-137, 132.\n\n2 Chou-pan i-wu shih-mo (The complete account of the management of barbarian affairs) 260 ch'uan (Photographic copy of original compilation, Hong Kong, 1964), ch'uan 70: 18b-19b.\n\nThe hsun-chien originally administered 496 villages in the county; with the cession of Hong Kong Island, 5 were taken out of his hands, and in 1860, another 12 were lost with the cession of the Kowloon Peninsula. Thus by 1898, he was only responsible for 479. See Siu, Chiu-lung ch'eng, pp. 16-20.\n\n3 ibid., p. 28.\n\n4 Chou-pan i-wu shih-mo, ch'uan 76: 3a-4a.\n\n5 J.H.S. Lockhart, [Report on the New Territory], enclosed in Lockhart to Chamberlain, October 8, 1898 in Great Britain. Colonial Office. Original Correspondence (Series 129) (hereafter CO129)/289; p. 74. According to a later account, however, the wall was about 23 English feet high, and the width at the top between approximately 5.8 feet and 11.75 feet. See Chiang-shan ku-jen LA, “Hsiang-kang hsin-chieh feng-t'u ming-sheng ta-kuan\" (A panorama of local customs and famous places in Hong Kong and the New Territories) part 104. These articles appeared in the Hua-chiao jih-pao between 1935-36, and are collected in an album deposited at the University of Hong Kong Library. Based on observations, these articles are an important source of geographical and historical information of places in the territory. However, it seems that Lockhart, who had been commissioned to reconnoitre the newly leased territory, might have gone to greater lengths to obtain accurate measurements.\n\n6 Another detailed observation of the wall and guard houses was made by Walter Schofield in 1928, and his notes are reproduced in JHKBRAS 9 (1969) 154–156.\n\n7 Chiang-shan ku-jen, “feng-t'u”, part 104.\n\n8 Lockhart, p. 75.\n\n9 Lockhart, p. 75.\n\n10 Chiang-shan ku-jen, “feng-t'u”, parts 109-110.\n\n11 See the inscription recorded in David Faure, Bernard Luk and Alice Ng Lun Ngai-ha ed. Hsiang-kang pei-ming hui-pien (Historical inscriptions of Hong Kong) 3 volumes. (Hong Kong: Urban Council, 1986) vol. 1, p. 101,\n\nJames Hayes, The Hong Kong Region 1850-1977 (Hamden, Connecticut, 1977) pp. 167-168. The building was partially demolished in the early 1980s, and a high-rise apartment building was built over it. At the moment (1988), the frame of the entrance with the original couplet is still in place, and an altar, said to be from the school, still stands on the ground floor.\n\n12 Hsun-huan jih-pao June 13, 1883.\n\n13 Hayes, p. 168; Chiang-shan ku-jen, \"feng-t'u”, part 107.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211652, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 67, "title": "RAS-1989", "content_text": "42\n\nBoats. Pestilence Wang Yeh are also quite common on the altars of Fukienese community temples in Malaysia, Singapore and Indonesia having been carried there by emigrants.\n\nAlthough there are no Pestilence Wang Yeh on the altars of temples in Hong Kong and Macau, there are two deities bearing the same honorific, and also there is the concept of pestilence demons being exiled during a major festival. One of the two deities is the comparatively rare Cantonese cult deity, Chang Wang Yeh (E), consulted before building a house or fixing the date for a wedding. His image is to be seen on a side altar in a secondary hall in the Hung Hsing Temple in Wanchai, and again in another Cantonese temple in Waterloo Street in Singapore where his title is Chang Wang Lao Yeh. The other deity is K'ang Wang Yeh (E). He is one of the four life-size images at floor level before the main altar of the Northern Emperor [Chen Wu] in Mong Tseng Wei near Deep Bay in the New Territories. These four are known simply as the Four Generals and whilst the other three are relatively common deities from Chinese mythology, Hua Kuang, Chao Yuanshuai and Yin Yuanshuai, nothing is known in this temple about K'ang Wang Yeh.8\n\nThe Five Ubiquitous Ones, the Wu T'ung (F), formerly worshipped in North China as pestilence deities have been seen in Ch'aochou (Teochew) illegal squatter temples in Hong Kong but not in Taiwan. According to several temple keepers the Five are potentially harmful unorthodox (H) spirits and not beneficial spirits (#). One keeper added that the Five had been worshipped in Kiangsu and Chekiang provinces as well as by Ch'aochou people and that they were in some way connected with the roaming spirits of the tens of thousands soldiers killed during the wars which ended the Mongol (Yuan) dynasty and led to the founding of the Ming. The Five have no individual identities whereas the Pestilence Wang Yeh do have surnames.\n\nUnlike other deified Chinese, images of the Pestilence Wang Yeh are floated out to sea or burnt to carry away the pestilence demons associated with them. The nearest in comparison here would be the paper images of deities burned after major festivals such as the image of Kuan Yin, the Goddess of Mercy in her form as Ta Shih (±) the very ugly demonic form which she assumes to prevent lustful demons from assaulting her when visiting the Afterworld during her missions of mercy. Her image as Ta Shih in paper and bamboo is burnt to carry her over", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211729, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 144, "title": "RAS-1989", "content_text": "119\n\nNOTES\n\n1 Ch'ü, Ta-chün, Kuang-tang hsin-yü [New Tales from Kuang-tung], Hong Kong: Chung-hua ch'u-pan-shê, 1974, reprinted from 1700 edition, p. 677.\n\n2 ibid, pp. 674-676.\n\n3 Yung-yen, “Hong Kong ti ming k'ao” [The Origin of Place Names in Hong Kong], in: Li Chun-wei (ed.) Hong Kong pai nien [Centenary History of Hong Kong], (Hong Kong: Nan chung pien yi ch'u-pan-shê, 1948), p. 68.\n\n4 Hong Kong Daily Press, February 5, 1873.\n\n5 Siu, A.K.K., “The Hong Kong Region Before and After the Coastal Evacuation in the Early Ch'ing Dynasty”, in: Faure, David, James Hayes and Birch (eds.), From Village to City, (Hong Kong: Centre of Asian Studies, University of Hong Kong, 1984), p. 2; Fêng K'ê-pin (ed.), Hsiang chien [Notes on Incense], in: Kuang pai ch'uan hsüeh hai (1), 1998. (Taipei: Hsin-hsing shu-chü, reprinted in 1970).\n\n6 Balfour, S.F., “Hong Kong Before the British”, Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 10, 1979, p. 176.\n\n7 Ch'ü, p. 677.\n\n8 Chang, Y.N., \"Hong Kong Ts'un (Hong Kong Village) and the Cultivation and Exportation of Incense from Kowloon and the New Territories”, in: Lo, Hsiang Lin (ed.), Hong Kong and Its External Communications Before 1842, (Hong Kong: Institute of Chinese Culture, 1963), p. 114.\n\n9 Tung-kuan Hsien-chih [Tung-kuan Gazetteer], compiled by Ch'ên Pai-tao, (Tung-kuan yang-hêng yin-wu-chü, 1910), Section 14, p. 13; Dunn, Stephen Troyte and William James Tutcher, Flora of Kwangtung and Hong Kong, (London: Her Majesty's Stationery Office, 1912), p. 9.\n\n10 Iu, K.C., \"The Cultivation of the Incense Tree (Aquilaria sinensis)”, Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 23, 1983, pp. 247-249.\n\n11 “Imports for the Year 1846”, Hong Kong Blue Book 1846, p. 200, 204, 207.\n\n12 “Imports for the Year 1847”, Hong Kong Blue Book 1847, pp. 200-212.\n\n13 “Imports for the Year 1848”, Hong Kong Blue Book 1848, pp. 251-254.\n\n14 Hsü, Kuang-ch'i (ed.), Nung chêng ch'üan shu [Encyclopedia on Agricultural Techniques], (1847), Section 18, pp. 13-15.\n\n15 Yung-yen, p. 68.\n\n16 Lockhart, S. \"Extracts from A Report by Mr Stewart Lockhart on the Extension of the Colony of Hong Kong on October 8, 1898”, Sessional Papers concerning the Acquisition of the New Territories 1899, p. 190.\n\n17 Nathan, cited by J.W. Hayes. \"Notes and Queries: Sandalwood Mills at Tsun Wan\". Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 16, 1976, pp. 282-283.\n\n18 'Report on the New Territories for the year 1925; B. Southern District\", Hong Kong Administrative Reports 1925, p. J13.\n\n19 'Report on the New Territories for the Year 1931; B. Southern District\" Hong Kong Administrative Reports 1931, p. J18.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211763, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 178, "title": "RAS-1989", "content_text": "13\n\n153\n\nPP.\n\n12 The inscription recording the rebuilding is at Faure, Luk and Ng, op. cit. Vol. I, 128-129, but it is unreadable through weathering, except for the heading and date.\n\n(4). Loe An-lim (羅安廉) (42), Qianren Wenxian (千人文献), ÑÍAL. [Collected Writings of Men of Past Ages], unpublished manuscript collection, Vol. 2, ff. 75a. (Copy in library of Royal Asiatic Society, Hong Kong Branch, Kowloon Central Library, Hong Kong). Lee An-lim was a villager of Sheung Wo Hang.\n\n(3) Lee An-lim, Qianren Wenxian, op. cit. ff 73-78.\n\n+\n\nAs honour board recording the donors to the 1920 repair has recently been found. It lists the donors by village. Every village in Ta Kwu Ling donated (except Ping Che, Chuk Yuen, Nga Yiu Ha, very probably included with their lineage brethren in Tong Fong, Law Fong, Ping Yeung), as did the villages close to the road both in the Sha Tau Kok area (Shan Tsui, Yim Tso Ha, Yim Tin, Wo Hang, Nam Chung, Luk Keng, Wu Shek Kok and Sha Tau Kok Market) and in the Sham Tsun area (Sham Tsun Market, Lo Wu, and Wong Pui Ling). Shek Wu Hui from further away also donated. See Win Wen Wei Pao (SCHEW) of 17 September, 1991.\n\nU¿÷\n\n16 Detail from the tablets commemorating the departed leaders of the monastery, and from information given by the recently deceased resident nun. The tablet of Kuk Shan Kit reads: 羅浮山寶積古寺監裤正宗第上三代主持上谷下山潔老和尚莲座. The tablet Kuk Shan Kit placed to commemorate his deceased predecessors names the \"ordained monks\" HIBA · MAZA\n\n+\n\nJ\n\n# and Ki£*, all of whom were dead by the date of erection\n\n+\n\n1\n\nof the tablet, and ✯, at that date still alive, as well as predecessors as rulers of this monastery\" ALLKILMINER and \"those monks who founded this monastery\", A WILDFORIKA BAIMM-\n\nL\n\n17 See P.H. Hase, “Notes on Rice Farming in Shatin', in Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 21, 1981, pp. 196-206; D. Faure, The Rural Economy of Pre-Liberation China: Trade Increase and Peasant Livelihood in Jiangsu and Guangdong, Oxford University Press, Hong Kong, 1989, pp. 46-57 and 212; and Hong Kong Annual Report: Report by District Commissioner, New Territories for Year Ending 31st March, 1950, Noronha and Co., Hong Kong, 1950, p. 5.\n\nTH The Ho clan of Tsung Yuen Ha descends from Ho Chan, the Earl of Tung Kuan in the early Ming, and the Ho family history (CBMGKR — a manuscript volume in the University of Cambridge Library) suggests this area was in Ho Chan's hands before the end of the Ming. It was certainly in Ho family control before 1393 when Ho Chan's family were proscribed. The Tang family has occupied the Lung Yeuk Tau villages, Loi Tung and Tai Tong Wu since the fourteenth century at the latest. A Tang clan also occupies Au Ha (PUF Aoxia) and Wang Kong Ha (Huanggangxia). I have not been able to discover if these two villagers are genealogically connected with the Loi Tung and Lung Yeuk Tau clan, although this is unlikely. The Man family has occupied Ping Che for **18 generations\", according to village elders, i.e. probably from the fourteenth century. The same family occupies Tong Fong, Heung Yuen Wai, and Lin Tong, Liantang), and a branch of it was resident at Man Uk Pin (**Man Family Houses\") before the present residents, the Chung (鍾) clan moved there in the early eighteenth century. The To clan has been resident at Chau Tin village for **500 years\". Local villagers consider that the Lei family has been resident at Lei Uk for as long as the To and Man clans have been at Chau Tin and Ping Che. All these clans are Punti, although sections of the Man clan at Tong Fong, and those at Heung Yuen Wai and Lin Tong, now speak Hakka. Shan Kai Wat (Lam surname, 林), Fung Wong Wu (Yip surname, 葉), and Law Fong (Law surname, 羅), are all included in the list of villages in existence in 1661 included in the 1688 Hsin An County Gazetteer, along with Au Ha, Tsung Yuen Ha, Ping Che (Ping Yuen 平遠), and perhaps Ping Yeung (坪洋) (Gazetteer, Ch. 3, f 12-13). Other Punti clans in the Ta Kwu Ling area (Wong, 黃, Chan, 陳, and Law, 羅, at Kan Tau Wai, and Hau, 侯)", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211764, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 179, "title": "RAS-1989", "content_text": "154\n\n19\n\n, at Law Fong) are believed to have entered the area after 1700. See Map of Ta Kwu Ling.\n\nIt is interesting to note that, of the 21 villages in the Ta Kwu Ling area, seven are purely Punti, nine are purely Hakka (including two of originally Punti but now Hakka speaking Mans), but five are of mixed Punti and Hakka residents, including the large village of Chau Tin (which has only a tiny handful of Hakka residents), Fung Wong Wu, Kan Tau Wai, and Law Fong, and Tong Fong which consists partly of Punti speaking Mans, and partly of Hakka speaking Mans.\n\n+\n\n1\n\nYeung, and Ng, at Fong Wong Wu; Siu, and Ho, at Chau Tin; Wong, at Kan Tau Wai; Pang, and Au, at Tai Po Tin; Fu Lau, (and others) at Wo Keng Shan; Yiut, at Chuk Yuen; Chan, and Yiu, at Law Fong (Luofang); Chau at Wang Kong Ha; Yeung, and Kwu, at Sai Ling Ha (Xilingxia), and others.\n\n21 The temple bell, of Chien Lung 21 (1756) was donated by \"all the faithful people of the Ping Yuen Hap Heung...\n\n...to stand for ever before the altar of the Lady Tin Hau*. Faure, Luk, Ng, op. cit., Vol. 3, p. 670. The only earlier dated item in the temple, a Cloud Gong of 1727, was donated by a single family from Ping Che, Faure, Luk, Ng, op. cit., Vol. 3, p. 661. The temple continued to be owned and controlled by this group of villages. Faure, The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories, Oxford Univ. Press, Hong Kong, 1986, p. 104 is incorrect in saying that the temple was owned by Ping Yeung. In the Block Crown Lease, the Manager of the temple was Man Shan-fung, of Ping Che. The Tong Fong people, although closely related genealogically to the Ping Che people, were not part of the Ping Yuen Hap Heung, and did not take part in the Ta Tsiu.22 Faure, op. cit., p. 103.\n\n+\n\n+\n\n23 The four managers at the time of the Block Crown Lease were Tang Hung-wai (a houseowner of Loi Tung), Chan Shing-pong, called a houseowner of Ping Yeung in a District Office report of 1979), Man Ying-shau (probably a villager of Ping Che, a relative of the houseowners Man Ying-kei, Man Ying-wai, and Man Ying-fat), and Chung Choi-wah (a houseowner of Man Uk Pin). These died in 1938, 1926, 1925, and 1942 respectively, according to a report made to the District Office in 1979. The abbess, Wong Tik-yuen, was appointed a manager in 1926, but she died in 1931. After the War, the lack of managers caused trouble on a number of occasions. A temporary manager was appointed in 1968. In 1979 the Chairman of the Sha Tau Kok Rural Committee and others were appointed as managers, although he, as a Lin Ma Hang villager, had no connection with the nunnery. This seems to have been with a view to rebuilding the nunnery. This proposal has led to a string of vigorous complaints from the elders of the six villages with shares during the last three years, but the situation remains, at present (1991), unresolved.\n\n24 See Faure, The Structure of Chinese Rural Society, op. cit., pp. 100-127, for a discussion of the Yeuk.\n\n25 The only alternative was a dangerous, difficult, and often impassable waist-deep ford, as the 1896 Kwong Fuk bridge tablet makes clear. See Faure, Luk and Ng, Historical Inscriptions of Hong Kong, op. cit., Vol. 1, p. 298.\n\n26 See Robert G. Groves, \"The Origins of Two Market Towns in the New Territories\", Aspects of Social Organisation in the New Territories, Royal Asiatic Society, Hong Kong Branch, Symposium Report, 1964, pp. 16-20, and Alice Ng Lun Ngai-ha, \"Xianggang Xinjie xushi zhi xingqi yu shuailao: Dabuxu yanjiu\" [The Foundation and Decay of Market Towns in the New Territories of Hong Kong: A Study of Tai Po], in Chinese Studies, Vol. 3, No. 2, 1985, pp. 633-655. The very widespread support for the Tsat Yeuk can be gathered from the list of donors shown on the Kwong Fuk bridge tablet, Faure, Luk and Ng, loc. cit.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211765, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 180, "title": "RAS-1989", "content_text": "155\n\n27\n\nAs noted above, 20,000 people a month used the Miu Keng pass. Probably as many again used the road from Ping Che to Kan Tau Wai, or started their journey within Ta Kwu Leng. 40,000 users of the ferry a month is a likely figure. Probably 25% of them carried goods. This represents more than $50 a month income, or about $600 a year. Even depreciating heavily for the salary of boatmen and costs of maintenance, $400 a year clear profit seems likely.\n\nThe date of this war was probably in the 1860s, as Faure, The Structure of Chinese Rural Society, op. cit., p. 104, shows.\n\n29 For the arrangement of the Yeuk, see map. The information in this section comes from Mr. Chan Yau-tsoi and Mr. Chan Wa-chun of Ping Yeung, Mr. Man Kam-muk of Ping Che, Mr. Yeung Choi of Fụng Wong Wu, Mr. Man Lei-wa of Tong Fong, and Mr. Hau Foh-tai of Law Fong, all very knowledgeable elders. I met them as a group, and include here only what they were unanimous in agreeing was the case. I would like to express my particular thanks to them for the several hours of discussion they had with me. As to Sai Ling Ha, this village, although it lay within the Ta Kwu Ling hills, supported Wong Pui Ling in the fighting, I was told. It had no part in the Luk Yeuk. However, when the Communists took over, most of the inhabitants of Sai Ling Ha crossed into Hong Kong, and set up homes in Ping Che. They were then allowed to become part of the Luk Yeuk, as part of Ping Che Yeuk. The account of the Luk Yeuk given here differs in detail from that given in Faure, op. cit., pp. 103-104.\n\n+1\n\n-\n\n30 The deaths are recorded in the \"Heroes Shrine\" () in the Tin Hau Temple at Ping Che, which was the community temple of the Ta Kwu Ling area. 23 names of the **Heroes who died in protecting the villages, who knew how to perform the duties of filial piety\", or the \"Heroes who defended the Yeuk\" as they are named in two inscriptions *澳四總鎮源樂友例段英雄履考之神位 and \"MX\") are recorded. Of these, 3 (all surnamed Chan) came from the Ping Yeung Yeuk, 4 (3 surnamed Tang and 1 surnamed Chau) from the Lin Tong Yeuk, 4 (1 surnamed Chau and 3 surnamed Lei) from the Lei Uk Yeuk, 4(2 surnamed Yiu and 2 surnamed Hau) from the Law Fong Yeuk, 2 (both surnamed Yip) from the Lo Shue Ling Yeuk and 4 (2 surnamed Wong and 2 surnamed Man) from the Ping Che Yeuk. One Law died he came either from Law Fong (Law Fong Yeuk) or Kan Tau Wai (Ping Che Yeuk). A Lau Ah-ngau (劉亞牛) also died -- he could have been from Wo Keng Shan (Ping Yeung Yeuk), where there was a tiny clan of Laus, or could possibly have been a servant, as his name suggests his name is entered last on the tablet. 23 deaths suggests very bloody fighting. It is unlikely that the population of the whole of Ta Kwu Ling in 1860 was higher than 1750 (representing an average village population of about 80, or perhaps 12 households), and the adult males could not have been more than a quarter of that (440). The young men of fighting age were probably no more than about 200. 23 out of 200 is about 11.5% deaths of those involved, which is a very high percentage. The population of the Ta Kwu Ling villages within the New Territories totalled 1441 in the 1911 Census (Sessional Papers, 1911, no. 17, Noronha & Lo, Hong Kong, 1911, \"Report on the Census of the Colony for 1911”, Table XIX p. 103 (32)).\n\n+\n\n-\n\nLoi Tung, with its lineage brethren of Lung Yeuk Tau, and the small villages between them, formed the Sze Yeuk (四約, “Alliance of Four''), which was, to a large degree, designed to ensure that the ancient enmity of the Tangs of Lung Yeuk Tau and Loi Tung with the Pangs of Fan Ling was tilted in favour of the Tangs. The Pangs supported the Luk Yeuk in its fight with the Cheungs this almost certainly means that the Sze Yeuk supported the Cheungs, as did Sheung Shui, the other ancient enemy of the Pangs. Man Uk Pin was a Yeuk of the Sha Tau Kok Shap Yeuk, as well as forming a part of the Sze Yeuk. The Shap Yeuk were dubious about the activities of the Luk Yeuk. Free travel between Sha Tau Kok and Sham Tsun was vital to the Shap Yeuk. With the Cheung Shan Kwụ\n\nPage 180\n\nPage 181", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212347, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 289, "title": "RAS-1990", "content_text": "266\n\nabout a mile below the Sha Wan River, and finally the Ching Shui River which drains the northern part of the valley from Po Kat (Buji) down, and which enters about half-a-mile below the Sheung Yue River. The main river is navigable for small skiffs as far as Kim Hau, but for junks only as far as the confluence of the main river and the Ching Shui River. However, the river at the mouth of the Ching Shui River is not navigable for junks at low tide. Furthermore, the navigable part of the river is not wide enough for a junk to turn around in easily when under sail. The Ching Shui River, at the junction with the main river, splits into two branches, with a low, marshy island between them and the main river.* Junks could come up the main river, enter the Ching Shui River, pass behind the marshy island, and back into the main river via the second branch of the stream, thus turning round without cutting across the channel, using a \"one-way\" system. The landing place used by the cargo junks and ferry boats, therefore, was the channel of the Ching Shui River behind the island. Junks would come up the river with the tide, and would load and unload while at rest on the mud at low tide, and would cast off and go down the river with the next high tide. Three significant roads pass through the valley, crossing at Sham Chun: the Yuen Long to Wai Chow (Huichou), Nam Tau (Nantou) to Sha Tau Kok, and Po Kat to Kowloon roads.\n\nIn the Ming, this valley had a number of markets, of which Sham Chun was only one. There was another at Kim Hau, and others to the west, including one at Lung Tsun Hui (Longjinxu), which was part of the Fuk Tin (Futian) village cluster. By the nineteenth century, however, all these other markets had either become extinct, or else survived only in a very small way as satellites of Sham Chun. Sham Chun had developed until it had become a very large market, with probably 500 and more shops. The market was ringed by large villages of rich clans—the Cheungs at Wong Pui Ling (Huangbeiling) about a mile to the east, the Tsois at Tsoi Uk Wai (Caiwuwei) about half a mile to the south-west, the Wongs at Fuk Tin about a mile to the south-west, the Yuens at Lo Wu (Lohu) about half a mile to the south and the Hos at Sun Kong (Sungang) about half a mile to the north. These rich and ancient clans were almost perennially in dispute, as they jostled for power and position in the district.\n\n* See Map.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212565, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 119, "title": "RAS-1991", "content_text": "NOTES\n\n99\n\nI\n\nExcept for those documented otherwise, all the figures presented in this paper are obtained through researches in published and unpublished sources, including those from Xinhua News Agency, year books, newspapers and magazines, personal interviews and so on.\n\n2 Records of CFEIC\n\n3 See Samuel S. Kim, ed. China and The World: Chinese Foreign Policy in the Post-Mao Era (Boulder: Westview Press, 1984) for a discussion of a number of cases reflecting this.\n\n4 John K. Fairbank, China Bound (New York: Harper and Row, 1982), p. 338\n\n5 USIA: Its Work and Structure (USIA), p. 2\n\n6 Ying Hua, \"**Youhao, reqing, guangcai**\" (\"Friendly, Enthusiastic and Glorious\"), Guangming ribao (Guangming Daily), 19 September 1973, p. 4\n\n7 For further information on the definition, see Hu Qiaomu, \"Dangqian sixiang zhanxian de ruogan wenti\" (\"Some Issues of the Current Ideological Work\") in Jianchi sixiang jiben yuanze, fandui zichan jieji ziyouhua (Uphold the Four Fundamental Principles, Oppose Bourgeois Liberalization) (Beijing: Renmin Press, 1987), pp. 158-198\n\n8 In this respect, one may think that Chinese performing artists were like athletes in that they were more competition-oriented than performance-oriented. This was especially true of opera singers and ballet dancers. While quite a few of them, some of whom had the experience of being trained by foreign artists, won international competitions, there was seldom opera or ballet staged in China.\n\n9 Records of CPAA\n\n10 Personal interview with Wu Fenghua, 31 March 1987\n\n11 Records of CPAA\n\n12 Personal interview with Zhongyan, 14 March 1988\n\n13 Km, p. 115\n\n14 Tang Tsou, \"Political Change and Reform,\" in The Cultural Revolution and the Post-Mao Reforms (Chicago: University of Chicago Press, 1986), p. 223\n\n15 Ibid., p. 224\n\n16 Li Jian, \"Gede yu Quede\" (\"Praise and Shame\"), Hebei Wenyi (Hebei Literature and Art), June 1979\n\n17 Hebei ribao (Hebei Daily), 7 August 1979\n\n18 Guangming ribao (Guangming Daily), 20 July 1979\n\n19 Merle Goldman, \"Intellectual Dissent in the People's Republic of China,\" in Yu-ming Shaw, ed., Power and Politics in the People's Republic of China (Boulder: Westview Press, 1985), p. 294\n\n20 Ibid.\n\n21 Liu Binyan, for example, said: \"when literature mirrors what is undesirable in life, the mirror itself is not to be blamed, instead, disagreeable things in real life should be spotted and wiped out.\" For more of his view, see Beijing Review, No. 52, 28 December 1979, p. 13.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212786, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 95, "title": "RAS-1992", "content_text": "80 + broken up in 1871 on the change of command, there was scarcely a man left in the Force who did not bear one or more scars about his head or face, and it was customary to designate the men in familiar conversation as 'the decorated ones', tai-hua ti Æ9, on account of their wounds. They all received double pay, and deserved it too. Many soldiers served until they were sixty without getting beyond the step of veteran leader of a squad, not even getting the rank of an NCO. When a private soldier desired to get married he received a sum of money varying from two to four taels, and when he died, a similar sum of money was allowed to his relations to bury him with.\n\nA typical example of one of the number of items on military matters published by Mesny in his Miscellany was the system of recruitment for the Chinese Territorial Army of the Green Standard [Lu-ying]. It was, wrote Mesny, by voluntary enlistment. In every garrison town there were a number of young men styled Yu-ting or novices, on probation as it were, for vacancies in the lowest rank of soldiery. These novices received neither pay nor pension but generally got odd jobs about the garrison for which they were given rations and some pittance as a reward. They did however attend all drills and exhibited their skill in handling weapons in the presence of the drill instructors and drill inspectors and obtained certain marks of approbation if considered deserving of such as an encouragement to perseverance in the prosecution of their exercises. When a vacancy in the lowest rank of the soldiery, second class private soldier, occurred these novices were summoned to pass an examination, and the most expert in his exercises and the manliest in appearance usually got the appointment which was that of a garrison soldier, shou-ping, and entered on the pay and ration roll, and were immediately available for active service in garrison or field force units, and would then receive both pay and rations accordingly.\n\nOther items included descriptions of the secretariat, orderly officers, and quartermasters. In every battalion brigade and division or corps of field troops there were always a few officers known as ch'ai-kuan or orderly officers, most of them men of experience risen from the ranks with ranging from a general down to the lowest, the lieutenant. These form the staff of the commander under whose orders they are.\n\nViceroys and governors of provinces and commanders of divisions of field troops had one or more officers, each and a military secretariat usually of the civil rank of tao-t’ai, styled as Ying-wu Ch'u, established", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213101, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 169, "title": "RAS-1993", "content_text": "151\n\nSam Heung (三鄉), the area immediately west of the new market. While there is no evidence as to the date of this temple, it is likely to be as old as the Am King temple.2 The third temple was the Tin Hau Temple at Wu Shek Kok some miles west of the new town. Almost certainly, the district ferries left from the deep-water harbour immediately in front of the temple, from at least Ming times to the 1830s. This site is remote, with no houses or residences within a half mile, just the hill behind and the sea in front. The temple would, therefore, have provided essential shelter for people waiting for the ferry, as well as casting the protection of the Goddess over those embarking. There is no surviving dating evidence from this temple, but it is probably old.14\n\nFounding a new market was a risky and expensive business, and it is not surprising that the villagers felt that the deities should be propitiated before work began. The Sam Heung villagers accordingly founded a large new Tin Hau temple at the seafront near the new market site, probably about 1815-1820. They also started a decennial Ta Tsui (打水) at the new temple to placate any spirits who might be offended by the work on the reclamation and the new market.15\n\nAll markets in the area have temples, but the three older temples were too far away to serve the market. The new temple was probably designed to be the main market temple. As part of the foundation of the new town, the Shap Yeuk moved the ferry pier into it from Wu Shek Kok. It is unclear who owned the ferries before the 1840s, but certainly the Shap Yeuk was fully in control of them from that period at the latest. It was clearly felt that the new ferry pier at the new town should, like the old one, be sanctified by the presence of the Goddess: not surprisingly, therefore, the new ferry pier was built on the foreshore immediately in front of the new temple.\n\nThe genealogy of the Wong clan of Shan Tsui village states that Wong Yin-tung (黃賢東) (1779-1867) of that clan managed the temple foundation project: 'Throughout his life he was upright and firm; he took the lead in the first construction of the Tin Hau Temple at Sha Tau Kok.' The Sam Heung villagers ran the temple through a trust, the Sam Wo Tong (三和堂, \"The Hall of Three at Peace\").\n\nA further, small Tin Hau Temple was found by the investors into the saltpan reclamation project, to assist in the protection of this area, which", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213135, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 203, "title": "RAS-1993", "content_text": "185\n\nhigh standards, and took care to employ good teachers. The school must always have had several teachers - the building is just too big to have been feasible for just one.\n\nIn 1923 there were five teachers. Three were Shap Yeuk area people. One, Chan Kan-cheung, from Luk Keng, was a returned student from USA - he taught English and Physical Education. Another teacher from Luk Keng was Chan Ping-long, a graduate from Canton. He taught \"the new books\". The third teacher from the Shap Yeuk area was Lau Woon-kwong, from Keng Hau (Jinghou) in the Chinese part of the Shap Yeuk area. He taught classical Chinese and Music. The other two teachers were outsiders: Lei Wai-lau was a Sau Tsoi from near Yuen Long, a Punti speaker - he taught classical Chinese. The fifth teacher, Wu Fan-ng, was from Shaoguan in the north of Guangdong. He had lived for many years in Sha Tau Kok, and spoke and taught in Hakka. He, like Chan Ping-long, was a graduate from Canton, and taught \"the new books\".\n\nRight down to the 1930s, the desire to keep their school one of the best and most advanced in the region was a major aim of the elders of the Shap Yeuk. In the 1920s, the standard of the school was as advanced as the Government schools which the Hong Kong Government had started to open in the major centres of the New Territories. By having this group of well-educated and cultured men living in the market, the elders of the Shap Yeuk demonstrated that their town and district comprised a full and viable community - not only having artisans and labourers and merchants, but scholars and gentry as well.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213143, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 211, "title": "RAS-1993", "content_text": "193\n\nH\n\nDetails of the early Hakka examination successes are known from a recently recovered genealogy, of the Chan (陳) lineage of Nam Chung. It is understood that a copy of this genealogy will be deposited with the Hong Kong Museum of History. I am indebted to Mr Chan Wing-hot for drawing my attention to the information in this genealogy.\n\nQ Seen 8\n\nAt the time of the Block Crown Lease (1905), 12.68 acres of saltpans were recorded. However, the serious inadequacies of the first survey here led to another being conducted in 1912, when 17.11 acres were recorded. However, in 1912 two areas were left unclaimed, probably because storms had breached their bunds and ruined them. These two areas totalled about 3.3 acres. In addition, there were about 0.6 acres of houses, huts, and waste within the saltpan reclamation, which, therefore, totalled about 21.2 acres. The saltpans were very valuable property in the nineteenth century - the Basel missionaries (see below, n. 17) record the sale of a share by a Tam Shui Hang villager in 1882 for \"several hundreds of dollars\" (Basel Mission archive, doc. AT-16, Nr. 45). In the 1920s, however, and still more in the 1930s, cheap imported salt caused ever-growing problems, which led to the closure of the saltworks before the War. A bridge was built to the saltpans in 1934 (Administrative Reports for the Year 1934, App. J, \"Report on the New Territories for 1934\", p. J17). After the War, the abandoned saltworks became the site of a major squatter settlement, recently cleared. Today, the saltpan area has disappeared under new reclamation, and all that remains is a new Tin Hau Temple, replacing the old one previously on the saltpans, built on a new site on the new waterfront.\n\nFor details of the history of the temples in the area, on the settlement of the Hakka in the area, the reclamation projects they undertook, the founding and management of the market at Sha Tau Kok, and the functioning of the Shap Yeuk as the district management body, see P.H. Hase, \"The Alliance of Ten Settlements and Polities in the Sha Tau Kok Area\", in D. Faure and H.S. Siu, eds., Down to Earth: The Territorial Bond in South China, Stanford University Press, 1995.\n\n12. No details on the earlier history of the temple survived the very full restoration of 1894, but Shan Tsun elders believe it to be very old.\n\n13. In the 1688 Gazetteer (Ch. 3) a ferry “along the coast” is mentioned called the \"Ma Tseuk Ling Ferry\". There can be no doubt that this is the ferry to Sha Yue Chung (Shayuchong, etc.), 12 miles down the coast. Ma Tseuk Ling, at the head of Starling Inlet, is the nearest old village to the Wu Shek Kok Temple (Wu Shek Kok village - probably a foundation of the early nineteenth century). The coasts of Starling Inlet within two or three miles of Ma Tseuk Ling were blocked with mudflats and mangrove everywhere except at Wu Shek Kok, where alone a hill falls steeply into the sea. Wu Shek Kok is, therefore, the only possible site for a \"Ma Tseuk Ling Ferry\" landing place. The Ma Tseuk Ling villagers owned the Wu Shek Kok Temple, and the Ma Tseuk Ling military post (1688 Gazetteer, ch. 7), was at Shek Chung Au, just a few hundred yards from Wu Shek Kok. These Ma Tseuk Ling connections with the Wu Shek Kok area strongly suggest that the Wu Shek Kok hill was regarded as forming part of the Ma Tseuk Ling area. Later, Wu Shek Kok formed part of the Ma Tseuk Ling Yeuk of the Shap Yeuk.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213714, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 67, "title": "RAS-1996", "content_text": "HUNAN\n\nKANGSI\n\nTems\n\nJung Fal\n\nTsang Shink\n\nPok Lo\n\nKwal\n\nShin\n\nLink Ch\n\nWes!\n\nSize Wu\n\nShiu\n\nHing\n\nSan Hing\n\nPing\n\nHDA\n\n+ Yeung\n\n+0\n\n+ Less than 50 males born at\n\n50-250 males born at\n\n250-1000 males born at\n\nOver 1000 males born at\n\nProvincial boundaries\n\n→\n\nHÀNG KẺ NG\n\nFUKEN\n\n38\n\nTable 13\n\nPlaces of Birth\n\nOutside New Territories 1911 & 1921 Censuses\n\nMiles\n\n50\n\n100\n\n150\n\n200\n\nHowever, upon closer inspection, it appears that the original text is a mix of a table and a map legend. Here is a reformatted version in Markdown:\n\n## Table 13\nPlaces of Birth Outside New Territories 1911 & 1921 Censuses\n\n| Location | \n|-----------------|\n| HUNAN |\n| KANGSI |\n| Tems |\n| Jung Fal |\n| Tsang Shink |\n| Pok Lo |\n| Kwal |\n| Shin |\n| Link Ch |\n| Wes! |\n| Size Wu |\n| Shiu |\n| Hing |\n| San Hing |\n| Ping |\n| HDA |\n| + Yeung |\n| +0 |\n\n| Category | \n|---------------------------|\n| Less than 50 males born at |\n| 50-250 males born at |\n| 250-1000 males born at |\n| Over 1000 males born at |\n\n* Provincial boundaries\n\n### Legend\n| Distance | \n|----------|\n| 50 |\n| 100 |\n| 150 |\n| 200 |\n\nIt seems more likely that the original text is a mix of a table and a map, so a more accurate representation would be:\n\nHUNAN\n\nKANGSI\n\nTems\n\nJung Fal\n\nTsang Shink\n\nPok Lo\n\nKwal\n\nShin\n\nLink Ch\n\nWes!\n\nSize Wu\n\nShiu\n\nHing\n\nSan Hing\n\nPing\n\nHDA\n\n+ Yeung\n\n+0\n\nLess than 50 males born at\n\n50-250 males born at\n\n250-1000 males born at\n\nOver 1000 males born at\n\nProvincial boundaries → HÀNG KẺ NG\n\nFUKEN\n\n38\n\nTable 13\n\nPlaces of Birth\n\nOutside New Territories 1911 & 1921 Censuses\n\nMiles\n\n50\n\n100\n\n150\n\n200\n\nHowever, the most accurate representation in HTML, following the original instructions, is the first response. To better represent the content, I will provide it in HTML format as requested:\n\nHUNAN\nKANGSI\nTems\nJung Fal\nTsang Shink\nPok Lo\nKwal\nShin\nLink Ch\nWes!\nSize Wu\nShiu\nHing\nSan Hing\nPing\nHDA\n+ Yeung\n+0\n+ Less than 50 males born at\n50-250 males born at\n250-1000 males born at\nOver 1000 males born at\nProvincial boundaries\n→\nHÀNG KẺ NG\nFUKEN\n38\n\nTable 13\nPlaces of Birth\nOutside New Territories 1911 & 1921 Censuses\n\nMiles\n50\n100\n150\n200", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213740, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 92, "title": "RAS-1996", "content_text": "Table 28\n\nUrban Population: New Territories. 1911\n\n63\n\n \n Northern District: Town\n Males\n \n Females\n \n Total\n \n \n Yuen Long\n 458\n 81.9%\n 101\n 18.1%\n 559\n \n \n Sai Kung\n 320\n 62.5%\n 192\n 37.5%\n 512\n \n \n Hang Hau\n 262\n 67.7%\n 125\n 32.3%\n 387\n \n \n Ha Tsuen Sh\n 120\n 67.4%\n 58\n 32.6%\n 178\n \n \n Shek Wu Hui\n 29\n 67.4%\n 14\n 32.6%\n 43\n \n \n Tuen Mun San Hu\n 72\n 67.3%\n 35\n 32.7%\n 107\n \n \n Tai Wo Shi\n 377\n 79.9%\n 95\n 20.1%\n 472\n \n \n Tai Po Old Market\n 104\n 53.3%\n 84\n 44.7%\n 253\n \n \n Tap Mun\n 168\n 66.4%\n 85\n 33.6%\n 253\n \n \n Sha Tau Kok\n 43\n 70.5%\n 18\n 29.5%\n 61\n \n \n North District Total.\n 1910\n 70.8%\n 789\n 29.2%\n 2699\n \n \n Southern District: Town\n \n \n \n \n \n \n \n Tai O land population\n 1159\n 51.6%\n 1089\n 48.4%\n 2248\n \n \n .boat population\n 3159\n 58.4%\n 2254\n 41.6%\n 5413\n \n \n Total\n 4318\n 56.4%\n 3343\n 43.6%\n 7661\n \n \n Cheung Chau land population\n 1918\n 59.1%\n 1326\n 40.9%\n 3244\n \n \n :boat population\n 2601\n 58.6%\n 1841\n 41.4%\n 4442\n \n \n Total\n 4519\n 58.8%\n 3167\n 41.2%\n 7686\n \n \n Ping Chau\n 434\n 67.6%\n 208\n 32.4%\n 642\n \n \n Mui Wo Kau Chun\n 11\n 61.1%\n 7\n 38.9%\n 18\n \n \n Southern District Total\n 9282\n 58.0%\n 6725\n 42.0%\n 16007\n \n \n New Territories Total.\n 11192\n 60.0%\n 7514\n 40%\n 18706\n \n\n* Most of Sha Tau Kok was in China this is the New Territories part of the town\n\nTsuen wan is not included as the census includes a large rural population with the town. Some of the Cheung Chau boat population was probably at Ping Chau, and some of the Tai O boat population was probably at other anchorages on Lantau, but only a small percentage in each case\n\nIt will be noted that there was no town in the Northern District as large as Ping Chau, and that Cheung Chau was more than 24 times as large as all the Northern District towns put together. There were rural populations included within the total for, especially, Tai O, but, nonetheless, the differences are very real. The 1921 Census includes population figures for only one town, Sai Kung the figure it gives (an overall figure of 606) is in line with the 1911 figure.\n\nIt is noticeable that the population engaged in “urban” occupations can be comfortably fitted into the recorded populations of the Southern District towns, with a substantial excess over to cover the fishermen and ocean-going seamen living in the towns In Northern", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213755, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 107, "title": "RAS-1996", "content_text": "78\n\nMin Fong\n\nST\n\n4\n\n25\n\n0+*\n\nNgau Wu Tok\n\nST\n\n3\n\n10\n\n33.3**\n\nLo Sheung Tun\n\nST\n\n3\n\n9\n\n33.3**\n\nMau Liu Shui\n\nST\n\n5\n\n13\n\n38.5**\n\nCheung King\n\nST\n\n2\n\n6\n\n33.3**\n\nSiu Lek Yuen\n\nST\n\n73\n\n174\n\n41.9*\n\nMu Ping\n\nST\n\n57\n\n124\n\n46.0\n\nShek Kwu Lung\n\nST\n\n18\n\n55\n\n32.7**\n\nTai Lam Liu\n\nST\n\n23\n\n57\n\n40.4\n\nSha Tin Wai\n\nST\n\n81\n\n180\n\n45.0*\n\nShan Ha Wai\n\nST\n\n24\n\n56\n\n42.9*\n\nKak Tin\n\nST\n\n92\n\n200\n\n46.0\n\nKeng Hau\n\nST\n\n86\n\n195\n\n44.1\n\nTai Wai\n\nST\n\n164\n\n350\n\n46.9%\n\nHa Wo Che\n\nST\n\n31\n\n76\n\n40.8%\n\nShan Mei\n\nST\n\n42\n\n94\n\n44.7\n\nKau To\n\nST\n\n57\n\n130\n\n43.8\n\nHo Lek Pui\n\nST\n\n18\n\n45\n\n40.0*\n\nWu Kai Sha\n\nST\n\n59\n\n135\n\n43.7\n\nSai Shan Wai\n\nYL\n\n7\n\n21\n\n33.3*+\n\nLeung Ka Tsuen\n\nYL\n\n3\n\n8\n\n37.5**\n\nYing Lung Wai\n\nYL\n\n38\n\n94\n\n40.0*\n\nNam Pin Wai\n\nYL\n\n223\n\n519\n\n43.0\n\nShan Pui\n\nYL\n\n118\n\n273\n\n43.2\n\nTong Tau Po\n\nYL\n\n53\n\n116\n\n45.7\n\nNam Hang\n\nYL\n\n44\n\n104\n\n42.3*\n\nHa Che\n\nYL\n\n109\n\n234\n\n46.6\n\nTin Liu\n\nYL\n\n48\n\n105\n\n45.7\n\nLam Hau\n\nYL\n\n107\n\n237\n\n45.1\n\nFui Sha Wai\n\nYL\n\n72\n\n165\n\n43.6\n\nHung Uk Tsuen\n\nYL\n\n56\n\n120\n\n46.7\n\nKiu Tau Wai\n\nYL\n\n71\n\n152\n\n46.7\n\nShek Po\n\nYL\n\n108\n\n257\n\n42.0*\n\nSik Kong Tsuen\n\nYL\n\n178\n\n381\n\n46.7\n\nSan Wai\n\nYL\n\n215\n\n487\n\n44.1\n\nHung Mei Tsuen\n\nYL\n\n21\n\n52\n\n40.4*\n\nFung Kong Tsuen\n\nYL\n\n34\n\n76\n\n44.7\n\nWong Ka Wai\n\nTM\n\n20\n\n50\n\n40.0*\n\nSheung Cheung Wai\n\nTM\n\n52\n\n119\n\n43.7\n\nHang Tau\n\nTM\n\n17\n\n39\n\n43.4\n\nSan Tsuen\n\nTM\n\n22\n\n50\n\n44.0\n\nTai Lam\n\nTM\n\n26\n\n61\n\n42.6*\n\nKeung Ma Wo\n\nTW\n\n*\n\n6\n\n33.3**\n\nSham Tseng\n\nTW\n\n32\n\n72\n\n44.4\n\nSai Hang Hau\n\nSK\n\n3\n\n10\n\n33.3**\n\nPik Uk\n\nSK\n\n5\n\n25\n\n20.0*\n\nShek Pok Wai\n\nSK\n\n4\n\n13\n\n30.8+", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213798, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 150, "title": "RAS-1996", "content_text": "121\n\n4. Such as Muxía San Lang (p 695), Hagoo Wu Lang (p. 1802), Hupe Wu Lang (p 1802) and Mu Ping San Lang (p. 308)\n\n12 See for example, Yi Yuan of Southern Dynasties15 p. 1, Shoku edition. The passage reportedly appears also in Hua Yang Guo Zhi of earlier Jin dynasty, and the Hou Han Shu of the Southern Dynasties\n\n\"Kainan Xhuan Xin\" 4, Shoku edition pt\n\nHht No Gan p 5 in Shankar edition\n\n14 For Tarshan Shi(4) Lang see p. 297 21b Tarshan Sau Lang | 298 p 24b Huayue San Lung | 300 p 30 and ↑ 301 p 33, Huashan San Lang | 303 p 39. There is even a Ji (7) Lang son of Daryue San Lang in) 305-p-490). By in Xiaoshuo Daguan edition reprinted Yangzhou 1983\n\n** J 4 p 21 in Shrakat edition\n\n\"The Wudu HaYao\", quoted by Wang Jiayon Daojiao Tungan, hengdu Basu Shushe, 1987,\n\n$49\n\nIN\n\nNanbu Xusha, Simoku edition mp4\n\nHong op out p 508\n\n* Quoted by Rolf A. Stein \"Religious Laoism and Popular Religion from the Second to the Seventh Centuries”, in Holmes Welch and Seidel eds. Facets of Taoism. Yale University Press, 1979. He dates the collection as from Tang dynasty (p. 67). The text is in the Daoist Canon, vol 704\n\n4)\n\nGaryu Congkao | 37, p 677 in reprint by Hefei Rennin Chubanshe 1990.\n\n52 Hong mp of, pp. 916, 1692\n\n* The most curious example is abid, pp. 328-110, quoting an abridged document submitted to a temple as petition. The quoted passage gave an additional name of himself in the form Ediscuss here. The quoting passage seems to have overlooked the fact the author of the quoted passage was the husband of the female ghost who made trouble.\n\nDIYLp 41, p 25\n\n\"He may be related to Zhan Hou of Jin dynasty who appeared in a legend about a stone horse and stone rider, related in the Yi Yuan a work of the Southern Dynasties quoted by Taiping Guangji4 (top en ↑ 284 p 1969). Perhaps the same Zhao Hou is referred to by Zhao Hou Nan Fa (Southern Magic) and Zhao Hou Da (register) mentioned by the Ming Daoist manual [Tan Huang Daojiaoling Yu Ce, in the Daoist Canon vol. 1109-1110]. There are a few schools of magic, that calls themselves Nan Fa. One is mentioned in Du Guangting op cit 12 p 5, and another in Hong op cit pp. 1733 and 1736]\n\nPage 150\n\nPage 151", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213856, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 208, "title": "RAS-1996", "content_text": "181\n\nper-muing hia-pren, diffighi Vol 2 (Hong Kong Urban Council. 1986), pp. 395-402\n\n* Interview of Lo Ch`uan, op cat Jun 22 1991\n\n46 Interviews La P'o † # (surname Ho, age 70+), Ma Wan Chung, Jun 30, 1991, Ch'en Kuang-sheng P4144 (age 63) Fishermen's Village. Jul 8,1991 & by telephone, Aug 1,1991, 20 Mall, op cit\n\n1\n\nAnthony KK Sau “Distribution of Temples on Lantan Island as Recorded in 1979.** JHKBRAS, Vol 20(1980), p 138\n\n** Ch^en Po-Cao BR1MB \"Touwang ku-mao sheng-shih per-chu,” (Kowloon: n.p., 1917) the Flouwang Temple Kowloon City For different opinions on the Houwang's identity, see Hsiao Kuo-chuen \"Hstang-kang Hou-lung so ssu-feng chih 'Yang-hou-ta-wang' k'ao,” in Hstang-kang ch'inh-tai-shih huu-chu (Taipei: Taiwan Shang-wu yin-shu-kuan, 1985), pp 307, 313, Jao Tsung-yı \"Yang-1'ai-hou chia-chih yu Chit-lung Yang-Houwang miao,' in Chu-hung vu Sung-chi shuh-hao (Hong Kong: Wan-yu t'u-shu kungssa, 1959), pp 84--92\n\n* Ronald Ng. \"Culture and Society of a Hakka Community on Lantau Island,” in I_C Jarvie, ed, A Society in Fransition. Contributions to the Study of Hong Kong Society (London: Butler & Tanmer Lid. 1969), pp. 55, 62\n\n40\n\nAccording to an interview at the Tung Chung Public School, Jun 24,1991, see also interviews. La P'o †% (age 63), upper Ling Per, Jun 15, 1991, Cheng Man-hung, op cit\n\n1\n\n5? Interview of 11 Chii-sheng PL/ (age_73), Lam Che. Jun 18,1991\n\n* Interview of M. Huang (age 76), Wong Ka Wai, Jun 25, 1991\n\nBrim, op eit, p. 100, N 10\n\n** Interview of Cheng Man-hung, op uit, upper Ling Per Aug. 11. 1991\n\nHo, op ett. p 13\n\nFlayes, 1967, op eit, p 91\n\n* Ho, op. cit, p9\n\n5 lbid. p 13\n\n* Brum op eit,p/103", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214042, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 110, "title": "RAS-1997", "content_text": "77\n\nhealth and fortune would not be harmed by evil spirits. In fact, these two religious activities are held in Fanling Wai (the settlement of the Pang lineage in Fanling) by the Pangs exclusively. The Pang villagers, be they in Fanling Wai or in other settlements, will enjoy the supernatural benefit from these activities through the descent line of their father or husband.\n\nThis figure was collected from the Lands Department in the North District Office.\n\n12 See Fong, Peter, K. W., op. cit.\n\n\"But the Lees in Wo Hang, Sha Luk Kok recognised that renting village houses out would\n\ninfringe on the values contributing to the maintenance of their community as a whole. The villagers defined occupancy within the village as permanent residence, and the rights for it could only be enjoyed and inherited by their fellow villagers through the male line. Houses were not simply residential structures but constituted Wo Hang as an agnatic village community. The house was a source of the rootedness that permitted the natives to claim identity with their natal village community through their right of occupancy.\" See Allen Chun, op. cit., pp. 249-50.\n\nDavid Faure, The Structure of Chinese Rural Society: Lineage and Village in the New Territories, Hong Kong, pp. 2-4. Hong Kong: Oxford University Press.\n\nLiao Hua Chuan, \"Xin Jie Yifan Lai Min Quan Yi Lu You\" (The Origin of the New Territories Indigenous Inhabitant's Prerogative), p. 144, in Lu Yan (Ed.), Xiang Gang Zhang Gu (Legends of Hong Kong), Xiang Gang: Guang Jia Jing, 1987.\n\n16 See GWE Jones, “Rural Housing in Hong Kong\", in Lok, S. K. Wong (Ed.), Housing in Hong Kong: A Multi-Disciplinary Study, Hong Kong: Heinemann Educational Books (Asia), Hong Kong, 1975; Kwok Kam-chau, Planning for Village Development in the New Territories, M.Sc. thesis, The University of Hong Kong, 1987; Allen Chun, op. cit.; and James Hayes, Chinese Customary Law in the New Territories of Hong Kong, paper proceedings of the fourth International Symposium on Asian Studies in 1988.\n\n18 For details, see Heung Yee Kuk (Ed.), Xin Jie Xiao Xing Wu Yu Zheng Ce Te Ji (Special Collection of the New Territories Small House Policy), 1980.\n\n**Of this total of twelve houses, four were built in 1979, five in 1980, two in 1981, and one in 1982.\n\n19 The one allowed to build ding wu on Crown land had to pay a premium of about $4,000 at that time.\n\n20 210 hectares of this new town were designated for residential and commercial development, 50 hectares for industrial development, and 140 hectares for government and community use. See Hong Kong Government, Hong Kong 1984 (Annual Report), p. 132. Hong Kong Government Press.\n\n21 Hong Kong Government, Hong Kong 1985 (Annual Report), p. 183. Hong Kong Government Press.", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214358, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 216, "title": "RAS-1998", "content_text": "181\n\nmay be unremarkable, in Mao's China not all that long ago folk religion was taboo, and even in today's China that they offer such displays of the old deities without blatant propaganda is surprising.\n\nNOTES\n\n1 The Feng-shen Yen-i is usually attributed to Hsü Chung-lin who lived during the first half of the 16th century.\n\n2 The mythological gods of the Creation and pre-history are different from the “human” deities, the latter being canonised since the 11th century BC [and, indeed, up to the present day]\n\n3 Confusion between the new dynasty, the Chou and the last ruler of the Shang, Chou Hsin was so general that it became the convention for a while to romanise the name of the last ruler of the Shang as Tsou rather than Chou.\n\nDuke Fa of the Shang vassal state of Chou, the later King Wu [Wu Wang], the first emperor of the Chou dynasty\n\nFilial piety prohibited a son from bearing a higher title than that borne by his father. Should he acquire the throne it was necessary that the title should first be conferred on his father, dead or alive. We therefore hear of names like Wen Wang [the Emperor Wen] and Chou Kung, awarded to his father and brother respectively, these being the titles\n\n6 A mural portraying Duke Chou is one of the panels, together with others depicting Christ, Confucius, Lao Tzu and Mohammed, around the inside of the dome above the main hall of the cult centre temple of the I-kuan Tao at Nan Hua near Tainan.\n\n7 The only image of Pai Chien noted in today's temples is in Havelock Road in Singapore where he is one of the 24 Heavenly Generals.\n\n* The seven, who not long after this became Immortals, free from the cycle of rebirth and death, were:\n\nLi Ching\n\nThe Three Princes, Chin Cha, Mu Cha and Na Cha\n\nYang Chien\n\nWei Hu", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214827, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 242, "title": "RAS-1999", "content_text": "208\n\nfor an excellent, first-hand account.\n\nRev. B.C. Henry, The Cross and the Dragon or Light in the Broad East (New York, Anson D.F. Randolph and Company, 1885), p.85.\n\n21 Ibid, p.106.\n\n22 See Chapter VII, \"Rites for the Dead\", in Holmes Welch, The Practice of Chinese Buddhism 1900-1950 (Cambridge, Harvard University Press, 1967), pp. 179-205.\n\n23 By all accounts, too, the Buddhist and Taoist specialists offering services to the mass of the people were almost identical and interchangeable. One or other were also to be found in local temples, regardless of the supposed origin of the gods in them. I recall the Buddhist monk with an ordination certificate from the famous Ting Wu monastery in Kuangtung who was temple keeper at the Tin Hau temple in Shaukiwan in the 1960s. Also the mentions of the Buddhist priests in charge of the Tung Shan (Kuan Yin) Temple at East Kowloon and the Kam Fa Temple at Tsing Lung Tau, Tsuen Wan in the early years of this century.\n\n24 Moulem, p.212.\n\n25 See Campbell N. Moody, The Heathen Heart, An Account of the Reception of the Gospel among the Chinese of Formosa (Edinburgh and London, Oliphant, Anderson and Ferrier, 1908).\n\n26 Ibid, pp.102-3, 107.\n\n27 Cited with similar quotations in (translated by Janet Lloyd) Jacques Gernet, China and the Christian Impact, A Conflict of Cultures (Cambridge, Cambridge University Press, paperback edition, 1985), pp.82-83.\n\n28 Rev. Hampden C. DuBose, The Dragon, Image, and Demon: Or The Three Religions of China ... (New York, A.C. Armstrong & Son, 1887).\n\n29 One small squatter temple off the route connecting Tsuen Wan with Shek Kong (Route TWSK) is a case in point. The Sin Ha Tong was built about or before 1970, according to the person in charge. The temple is a wooden hut, with a goldfish pond in front, with some open space. Whilst the gods worshipped here include “old faithfuls\" such as Tin Hau, Lui Cho, and Pao Kung, it is intriguing", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215210, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 306, "title": "RAS-2000", "content_text": "270\n\nconnection, as my mother was a Yip from Chan Uk Village, also at Nam Tau. There were over ten families of Ng in Kowloon Tsai, but we had no ancestral hall there. There were two parts to the village, an upper and lower part - Sheung and Ha Wai. We lived in the Ha Wai. There was a Tin Hau temple at the village, and we had puppet shows on the goddess' birthday every year when I was young. We also had a Ta Chiu in the village every ten years.\n\n'I was married to a Li of Sheung Sha Po Village when I was 18. My husband was a revenue officer in the Customs service. We had three houses in the village, but they were all demolished for the airfield extension. We were sent first to a vacant tenement house in Cheung On Street [not identified in a modern street guide, but very likely to have been in nearby suburban Kowloon] whose owner had left. We were there for 4-6 months, before moving to Model Village.\n\n'I am Shing Sung, now 55, a Hakka. I was born at Nam Tau and came to Kowloon when I was 18 to join my uncle who owned a wooden house at Tsat Kan Uk [The Seven Houses], a place north of old Kowloon Tsai Village. I later built a wooden hut there for myself. I came to Model Village after the war. I remember that there were private fields in the general area, as well as government land. People named Fung, Hui and Tsang owned fields there before the war.\n\n'I am Madam Law Mui, aged 57, also Hakka. I was born at Nam Tau, and came to Kowloon when I was 20, to marry Shing Sung's elder brother - also to The Seven Houses. We farmed government land there, for which we had a permit and paid fees, both before and after the war. There were many people at Ap Tsai Wu (Duckling Pond), the name of the general area where we lived and farmed. They were scattered here and there, because we were all vegetable farmers and you built your own house beside your own plot of land. Like Shing Sung, we moved to Model Village after the war.\n\n'I am Madam Kwai-fung, aged 64. I am a Hakka, born at Sha Po Tsai, Kowloon, where my family had lived for several generations. My father kept a store in Lower Sha Po, near Blacksmiths' Street in the Kowloon City suburb. When I was 22, I was married to Ng Sam-hong, a Punti, of Old Kak Hang Village, next to Nga Tsin Wai, when we had gone to live in a newly repaired house. We had two houses of our own at the", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215272, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 49, "title": "RAS-2001", "content_text": "Carl Crow, 1883-1945\n\nMy friends, the Chinese. London: Hamish Hamilton. 1938.\n\nFitzgerald, C. P., 1902-\n\nCommunism takes China: how the revolution went Red. London: BPC, c1971.\n\nFranck, Harry Alverson\n\nRoving through Southern China. New York: Century, c1925.\n\nGeil, William Edgar\n\nA Yankee on the Yangtze: being a narrative of a journey from Shanghai through the Central Kingdom to Burma. New York: Eaton & Mains, 1904.\n\nGottschang, Thomas R.\n\nSwallows and settlers: the great migration from north China to Manchuria. Ann Arbor: Center for Chinese Studies, The University of Michigan, c2000.\n\nGray, John Henry\n\nChina: a history of the laws, manners, and customs of the people. London: Macmillan, c1878. 2 vols.\n\nHobart, Alice Tisdale, 1882-1967\n\nOil for the lamps of China. New York: Grosset & Dunlap, c1934.\n\nHo, Pui-yin.\n\nDian di hua dang nian: Xiang-gang gong shui yi bai wu shi nian. Xiang-gang: Shang wu yin shu guan (Xiang-gang) you xian gong si, 2001.\n\nHo, Pui-yin\n\nWater for a barren rock: 150 years of water supply in Hong Kong; [English translator, Lui Yuen Chung]. Hong Kong: Commercial Press, c2001.\n\nHoney, W.B. (William Bowyer)\n\nThe ceramic art of China and other countries of the Far East. London: Faber, c1945.\n\nxlvi", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215767, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 66, "title": "RAS-2002", "content_text": "London: George G. Harrap, 1945.\n\nRitchie, Edmee Alice\n\nMy memoirs or good of its kind. [s.l.: s.n., n.d.].\n\nSecret notes on Japanese army\n\nNorth Melbourne: Victorian Railways Printing Works, 1942.\n\nThe Shanghai directory 1941: City supplementary edition to The China Hong List. Shanghai: The Office of the North-China Daily News & Herald, Ltd.\n\nShneider, Vladimir\n\nTraces of the ten. Beer-Sheva: V. Shneider, 2002.\n\nSmith, Arthur Henderson, 1845-1932.\n\nVillage life in China: a study in sociology. Edinburgh: Oliphant, Anderson and Ferrier, 1900.\n\nTicozzi, Sergio\n\nHistorical document of the Hong Kong Catholic Church. Hong Kong: Hong Kong Catholic Diocesan Archives, 1997\n\nVocational Training Council (Hong Kong) The Morrison Hill story [videorecording]. [Hong Kong: s.n., 199-.\n\nWaters, Dan.\n\nLunch beat [2 sound cassettes]. (Dr Dan Waters shares his in-depth knowledge and stories about Hong Kong's past in two episodes of radio programme The Lunch Beat.\n\n[Hong Kong: RTHK, 1998 - 2001].\n\nWay, Denis M. and Nield, Robert\n\nCounting house: the history of PricewaterhouseCoopers on the China Coast. Hong Kong: PricewaterhouseCoopers, c2002.\n\nWu, You-ru\n\nShen-jiang sheng jing tu. Shanghai: Hua bao zhai shu she, 1999.\n\nZhang, Yingjin\n\nlvii", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216284, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 43, "title": "RAS-2003", "content_text": "Hong Kong Museum of Coastal Defence\n\nArchery traditions of Asia. [Xianggang]: Xianggang hai fang bo wu guan, c2003.\n\nHong Kong Museum of History\n\nBoundless learning: foreign-educated students of modern China. [Xianggang]: Xianggang li shi bo wu guan, c2003.\n\nHong Kong Museum of History\n\nBrief guide to Hong Kong Museum of History. Xianggang: Shi zheng ju, c1991.\n\nHong Kong Museum of History\n\nNapoleon Bonaparte: emperor & man. Hong Kong: Leisure and Cultural Services Department, 2003.\n\nInternational Conference on Sinology (3rd: 2000 : Taipei, Taiwan) Guo jia, shi chang yu mai luo hua'de zu qun (State, market and ethnic groups contextualize). Taibei Shi: Zhong yang yan jiu yuan li shi yu yan yan jiu suo, Minguo 92 [2003].\n\nInternational Conference on Sinology (3rd: 2000 : Taipei, Taiwan) Xin yang, yi shi yu she hui (Belief, ritual and society). Taibei Shi: Zhong yang yan jiu yuan li shi yu yan yan jiu suo, Minguo 92 [2003].\n\nLitmaath, Joop B.M.\n\nFar East of Amsterdam. Hong Kong: Corporate Communications Ltd., 2003.\n\nMacGillivray, D.\n\nA century of Protestant missions in China (1807-1907) being the Centenary Conference historical volume. San Francisco: Chinese Materials Centre, c1979.\n\nMacau on the threshold of the third millennium: an international symposium, co-organized by the Macau Ricci Institute and the French Centre for Research on Contemporary China, Hong Kong. Macau: Macau Ricci Institute, c[2003].\n\nxliii", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]