[ { "id": 204307, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 75, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n71\n\nnovel. After this treatment, Vaisravana and Nata became completely Sinicized, and few, if any, Chinese readers ever suspect that they are \"alien\" in origin. This is typical of the way in which Chinese Buddhists took stories or ideas of foreign origin and gradually turned them into something totally Chinese.\n\nApart from its influence on religious practice, the novel Fêng-shên Yen-i is also of considerable importance from a literary point of view. It superseded previous stories from which it took some of its material, so much so that but for the efforts of scholars in the past thirty years these previous stories contained in prompt-books would have been unknown. Even now, only a handful of experts have read the prompt-books, while most readers are not aware that the Fêng-shên is not entirely the original creation of one man. This goes to show the success of the author as an imaginative writer.\n\nIn the following pages I shall attempt to describe how the stories about Vaisravana and Nata became integral parts of the novel, as an example of the Sinicization of Buddhist stories and figures and their assimilation into the mainly Taoist pantheon of China. I shall also try to show how the author, Lu Hsi-hsing, made use of the material derived from miscellaneous sources and turned it into a fascinating tale.\n\n1. VAISRAVANA AND NATA\n\nWhen we come to a discussion of some of the prominent figures in the novel Fêng-shên Yen-i, the most striking fact we shall find is that the author described these figures vividly and did not rely on previous legends for literary effect. Rather, he chose from miscellaneous and discordant materials and put them into a unified system which enlarged and modified the Chinese pantheon. The story of Li Ching and his three sons, especially the third one, No-cha, in this novel may serve as an outstanding illustration.\n\nIn this novel Li Ching was first a commander of the Ch'ên-t'ang Pass in the court of the ruthless King Chou (Ch.12), but he was also a Taoist, and for a period of years he had learnt the process of Taoist cultivation from the Immortal Tu O of the K'un-lun Mountain though he was unable to reach the final attainment. He had three sons: the eldest, Chin-cha, was a disciple of Wên-shu (Mañjusri), the second, Mu-cha, was a disciple of P'u-hsien (Samantabhadra) and the third one, No-cha, a disciple of the Immortal Tai-I. Both the father and his three sons joined the side of King Wu in the expedition against King Chou. Though they all knew some magic feats and possessed magic weapons, they are described as human beings. Unless we study the Tantric sutras and compare them with the Chinese\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204314, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 82, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n78\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nson of Li Ching is Hui-an () who was a disciple of Kuan Yin (Bodhisattva Avalokitesvara), while his name, Mu-ch'a (*), is not mentioned except in one verse, and not in the prose part of Ch.21. This is the name the author of the Fêng-shên Yen-i adopted. The origin of the name Mu-ch'a can be found in chüan 18, Kan-t'ung P'ien (A) of the Sung Kao-sêng Chuan (***) by Tsan-ning (), who was a follower of the Monk Sangha (@). The latter was said to be an incarnation of the Avalokitesvara of eleven faces and died in A.D. 710. Apart from Mu-ch'a, Hui-an was also one of his disciples. Therefore, in popular literature, Mu-ch'a and Hui-an are mixed up into one person and in the \"Four Travels\" Hui-an remains a disciple of Kuan Yin. It was the author of the Fêng-shên who changed the character ch'a (X) to cha (RE) in his novel so that the name could have the same second character as No-cha. In some popular editions of the \"Four Travels\" the character ch'a (X) has also been changed.\n\nNow, in the Tantric works, though the second and third sons of Vaisravana (Tu Chien and Nata) play rather important parts, his other sons, especially his first son, are not mentioned. I have read through a large number of sutras about Vaisravana and consulted some Buddhist scholars in Japan,1a but they could not give me any definite opinion. In Oda Tokuno's (1) Buddhist Thesaurus (#) and in the Chinese work Fu-hsüeh Ta Tz'u-tien (BAND) edited by Ting Fu-pao (TR) based upon it,19 we find that the names of P'i-sha-mên wu t’ung-tzu (£££7 Five Attendants of Vaisravana) include Tu Chien and Nata, but no origin is given. I think they may be identical with the \"Five Yakshas\" which appear under the sub-title \"Princes and Family Members\" (ERB) in Caturmaharaja (19F諸小王及眷屬)in E) in chuan 6 of the Ch'i Shih Ching (). They are, in translation, Fifty-feet (wu-chang £), Wilderness (k'uang-yeh ), Golden Mountain (chin-shan ), Long Fellow (ch'ang-shên ) and Hair of A Needle (chên-mao E). They appear (translated literally from the Sanskrit) also in the Caturmaharaja of the Shih Chi Ching (H) and in chüan 19 of the Dirghagama (£§ÂŒ) as \"Five Attending Genii of Vaisravana.”\n\n20\n\nI Dr. Henmi Baiei), Professor of Buddhist Art, Tama University (9) and others. I have also consulted the Chinese Buddhist priest Tan-hsü (1), aged 89, a disciple of the late T'i-hsien (M) of the Tien-t'ai Sect (R) and some Tantric scholars.\n\n19 The 4th ed., I Hsieh Shu Chũ (885), Shanghai, 1939.\n\n20 No. 24, The Tripitaka in Chinese, translated by Jñanagupta. cf. No. 25, Ch'i-shih Yin-pên Ching (#LFXE), chữan 6 & 7.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204326, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 94, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n90\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n\"build for me a temple on the Ts'ui-p'ing Hill that I may be worshipped for a certain period and thereafter I can be reincarnated.\" When she awoke, she cried bitterly, and told the request to Li Ching. Li Ching was exasperated, and blamed his son once more for the disaster he had brought on them. No-cha repeated his request in vain on several successive nights and at last he warned the mother, \"You know that my temper is bad. If I lose my control over it, you know who will suffer.\" The mother was scared and sent some servants to go secretly to the Hill and build the temple with an image of No-cha set up in it. The temple of No-cha attracted many pilgrims and the incense burnt to him was ever increasing.\n\nOne day, after inspecting his troops at drill Li Ching, with a troop of soldiers, was passing the place. He saw many pilgrims flocking to the place and asked his aid-de-camp, \"Why is this hill thronged with people?\" \"For the last six months the god of this temple has performed miraculous deeds and answered the prayers of his worshippers. Therefore pilgrims from every quarter come to worship him,\" the officer answered. \"What is the name then of this god?\" Li Ching asked. \"The temple is called the Spiritual Palace of No-cha.\" \"No-cha! What!\" Li Ching was enraged, and ordered, \"Stop! I want to go to the temple myself.\" He dismounted at the entrance to the temple and entered the hall in which a lifelike image of his son was erected with some idols as his retinue. Li Ching pointed to the image and rebuked it, \"While you were living you were a source of trouble to your parents. And now, look, you even deceive the people after your death!\" He wielded his whip and smashed the image to pieces, and kicked away the other images. He ordered his troops to set fire and burn down the temple, and the multitude dispersed.\n\nWhen his father visited the temple No-cha had just entered into meditation in such a way that his spirit disappeared from the throne. On his return he found the temple had been burnt to ashes, and his retinue came to him with tears in their eyes. After he was told what had happened, No-cha grumbled, \"I have returned what I got from you and broken off all our relations. Why should you come here to molest me, burn down my place and leave me with no fixed abode?” No-cha's souls after half-a-year had acquired some nourishment through the food offered to him and was somewhat visible, so he went instantly to Mt. Ch'ien-yüan and appealed to his master. The Immortal T'ai-I said, \"Since you returned the flesh and bones to your parents, Li Ching had no right to interfere with the offerings. But Chiang Tzu-ya is soon to descend from the K'un-lun Mountain to help King Wu and", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204330, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 98, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author\n\n94\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nmouth. After a fruitless argument with the Taoist master, No-cha wielded his weapon again and as Jan-têng raised his sleeve upwards an object was hurled into the air which emitted radiant beauty and when falling, enveloped No-cha in it and rendered him motionless. Jan-têng tapped it with his hand and flames broke out and made No-cha yield and acknowledge Li Ching as father and bow to him in humiliation. After the reconciliation had been made, Jan-têng Tao-jên instructed Li Ching to relinquish his official post and go into seclusion until the rise of King Wu, and gave to Li Ching the magic weapon which was a golden pagoda of elegant workmanship which would serve to safeguard No-cha from rebellion against his father and to consolidate the reconciliation. (Ch.14)\n\n5. HSI-YU-CHI (“MONKEY\") AND FENG-SHEN\n\nThe story of No-cha as it appears prominently in Chapters 12-14 of the Fêng-shên Yen-i, is for the most part, I believe, the creation of the author except for those minute points which I have discussed. After having consulted the Tantric texts which I have already quoted, we can see that the fantastic story of the pagoda, though with some hints of being inspired by the texts, is a wholly fabulous invention and only by skilful ingenuity can it be made so natural and so plausible. In Ch.83 of Wu Ch'êng-ên's (AR) Hsi-yu-chi (“Pilgrimage to the West\") which is no doubt an enlargement of the Hsi-yu-chi in the \"Four Travels\", there is a paragraph which seems to be either the origin of these Chapters (12-14) of the Fêng-shên Yen-i or a synopsis of these same chapters with variations. I am inclined to take the latter view and believe that the writing of Wu Ch'êng-ên's Hsi-yu-chi was later than this novel for these reasons:\n\n36\n\n35\n\n(a) As I have pointed out elsewhere when discussing the magic lasso, the name Ya-lung Tung (Dragon-subduing Cave) of the Ya-lung Shan (Dragon-subduing Mountain) which appears in Ch.34 of Wu Ch'êng-ên's Hsi-yu-chi was derived from Ch.52 of the Fêng-shên Yen-i (Fei-lung Tung AM or Flying-dragon Cave of the Chia-lung Shan or Dragon-pinching Mountain).\n\n(b) In Ch.52 of Wu's Hsi-yu-chi, the eighteen Arhats tried with the sand of golden pills to subdue the devil, which sank its feet to the depth of more than three feet. This sand is derived from the Red-sand Array () in Ch.49 of the Fêng-shên Yen-i.\n\n35 See Arthur Waley, Monkey, translation of chapters i-12, 13-5, 18-9, 22, 37-9, 44-6, 47-9, 98-100, London, George Allen & Unwin, 1943.\n\n30 In my thesis \"The Authorship of the Feng-shên Yen-i\", pp. 178-80.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204331, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 99, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n95\n\nB\n\n(c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3\n\nIn any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.)\n\n(d) Yin Chiao () in his transformed figure is an ugly and evil god. \"His face was as blue as indigo, and he had long projecting teeth\" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, \"The other had a blue face and protruding teeth as ugly as the T'ai-sui.”\n\n(56)\n\n(e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)\". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort.\n\n(f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a \"water-proof golden-pupiled monster\" (Pi-shui Chin-ching Shou HR). I think this name was invented after the \"fire-spitting golden-pupiled monsters\" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i.\n\n(g) In Ch.61 of the Wu's Hsi-yu-chi there are the \"four great Vajras\" (MAI) which are no doubt an adaptation of the “four great heavenly kings\". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect.\n\n37 Ibid., pp. 251-55.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204436, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 68, "title": "RAS-1962", "content_text": "CHINA'S 35 MILLION NON-CHINESE\n\n57\n\nminor groupings in south China. In the southwest were the Ch'iang, the Fan (properly read Po), the Wu-man14 (who include the Yi, Lolo, Norsu, etcetera), and a fourth group of poorly differentiated tribes. In the south were the Austronesian Tai or Thai, the Yao and TanE, and the Liao#. The six subsidiary groups he considered derived from intermixtures and cultural overlays. These include the Miao (descendants of the Fan or Po), the Ch'i-lao or K'e-lao2 of the southwest plateau lands, the Pae of Szechwan, the Pai-man of the Ta-li✯ plain in west Yunnan, the Li of Hainan Island, and the Yueh centered on the Canton delta in early times.\n\nAlthough, in general, the historical movement of the non-Han people of central and south China has been southward in the face of the constantly expanding pressures of the Han from the north, the migratory paths of some of the chief ethnic groups within south China are interesting to note. Four of these groups of present importance are the Miao, the Yao, the Yi or Wu-man, and the Tai.\n\nSince the Miao are high mountain dwellers, their migration routes generally have followed mountain ranges where they could practice their fire-field or forest-burning, shifting type of cultivation and semi-nomadic pastoral herding. The Miao, apparently derived from the Fan or Po of the west Szechwan mountain lands, migrated slowly eastward along the Ta-pae and Ch'in-ling ranges and down into the Tung-t'ing lake region after traversing the Wu mountains of the Yangtze Gorges. Here they must have established themselves for a long time and acquired the name Ching Man# or the Barbarians of the Ching (Tung-t'ing Lake) region.\n\nThe Miao then spread southward in several directions, but especially into the west Hunan and east Kweichow regions among the tributaries of the Yuan river from which they acquired the name Wu-ch'i* (Five Streams) Barbarians. They became further dispersed during various dynastic struggles among the Han and especially during the Sung and Mongol struggles. The Manchu and their Han Chinese forces during the Ch'ing dynasty dispersed them further in many bloody battles with the Miao. Today the Miao have sought refuge not only in the more", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204437, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 69, "title": "RAS-1962", "content_text": "58\n\nHEROLD J. WIENS\n\nmountainous regions of south China but also across the southern borders in Burma, Laos and Vietnam.\n\nThe Yao, like the Miao, also are mountain-loving people, but appear to have originated as ethnic groups in the hill country of east-central China, in such regions as the present provinces of Anhwei, Chekiang and Kiangsu. They were here as early as Chinese records mention them, but they appear to have gradually abandoned these areas, as Han-Chinese settlement increased in density, and friction over land and other matters led the Yao to seek more isolated mountains. Since they were like the Miao in their type of fire-field or forest-burning, shifting cultivation, they inevitably came into close contact with the Miao and have many cultural features in common with the Miao. Elements of the language also appear similar. Some Chinese ethnographers have considered the Wu-ch'i Man a Yao rather than a Miao group, and others believe them to have common origins. This confusion is probably due to strong Mon Khmer influences originating from India and Southeast Asia in the earliest times.\n\n4\n\nOne of the supporting arguments for the common origin of Yao and Miao is the common cult attached to the dog and the tiger. The Yao trace their ancestry mythically to the union of a princess with a supernatural dog-hero called P'an-hu. Yao myths trace their movement southward from both the central Yangtze valley regions and from the Chekiang-Fukien mountains. Folk songs of the Yao indicate further that they crossed over the Nan-ling mountains in great numbers during the period of Huang-ch'ao's rebellion in the reign of the T'ang Emperor Hsi-Tsung (A.D. 874-889),4\n\nWhen the Miao moved into the Kweichow region in the earliest times, they probably found the Yi or Wu-man peoples already in occupation of western Kweichow. The Yi certainly preceded the Han in this part of China, and the Han Chinese have known of the Yi in their present habitats in southwest China for over 2,500 years. The peculiar manner in which the\n\n* Chiang Ying-liang, Hsi-nan pien-chiang min-tsu lun-ts'ung (A discussion of the peoples of the southwest borderlands), Canton, 1948, 74-79; see also Ling Shun-sheng and Jui Yi-fu, Hsiang-hsi Miao-tsu t'iao-cha pao-kao (Report of research on the Miao of west Hunan), Academia Sinica, Shanghai, 1947.\n\n4 Hsu Sung-shih, Yueh-chiang liu-yü jen-min (The peoples of the Yueh river drainage), Shanghai, 1939, 130-135.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 205276, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 38, "title": "RAS-1967", "content_text": "The Travelling Palace of Southern Sung\n\n31\n\nThe original site of the village is believed to have been somewhere southwest of Sung Wong Toi Hill. According to the report of Mr. Wu Pa-ling (A) who had carried out research in that area, the village situated at the foot of the northern tip of the Er-huang-tien Hill was formerly occupied by some two hundred people, mostly by the surname of Lee and living in about twenty or thirty houses. In 1927 or 1928, they were evacuated by the Government and the whole village, together with a Temple of the Northern God (Pei-ti) at the front of the village, was levelled to permit the construction of modern roads and buildings. Henceforth, there was no trace left by which to locate the original site of the village. The temple was removed to a nearby place by the side of the present Tam-kung Road where there is a street by the name of Pei-ti (Northern God),15\n\nMy own study on the subject has led me to the conclusion that it is highly probable that the royal party did visit that place or stay there in some house or houses which, in accordance with Chinese tradition, were subsequently called by the honorific name of palace (kung or tien). After their departure from Kowloon, people came in later times to settle down at the same place. More houses were built from time to time forming a village called Two Emperors' Palace Village and the hill by its side was also called Two Emperors' Palace Hill, which was really the hill on the northern tip of the eastern pincer of the Kuan-fu Mountain.\n\nThe most difficult problem in this study, however, is to know where exactly the original site of the village was, as every written record has omitted the location and no one who has visited it could tell precisely. After many years of painstaking and unsuccessful research, I finally found the right solution as late as 1962 when I was able to obtain some old maps of Kowloon Peninsula through the kind co-operation and assistance of officers of the Crown Lands and Survey division of the Public Works Department, Hong Kong Government. On one of them prepared in 1903—Sheet 6 in Number 2 Survey District—the exact location of the village is indicated and the name is given below. It is, however, misspelt \"Un Wan Tun\" probably due to linguistic difficulty on the part of the foreign surveyor. It is on the eastern side of the northern part of the Kuan-fu Mountain to which the colloquial name of Two Emperors' Palace Hill is also not given.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205804, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 110, "title": "RAS-1969", "content_text": "104\n\nJOHN MCCOY\n\nUnfortunately, in the vast collection of Chinese literature there is comparatively little folk poetry and most of it is of recent origin. Doubtless it has existed at all periods, but except for the very early samples which became part of the classical tradition, or for the occasional single item preserved in other writings, most of it was lost. The literati generally scorned it, at least in public, and today we are able to turn up only a few collections of any significant age and these chiefly through historical accident.\n\nIn recent years the Peking government has published a collection of Ming and Ching Dynasty folk songs as part of a general policy to point attention to the artistic efforts of the proletariat. I was lucky enough to run across this material in a Hong Kong book store. Of particular interest was a book called Shan Ko or 'Mountain Songs', a collection made in the later years of the Ming Dynasty by Feng Meng-lung. These songs were recorded verbatim from the farmers and laborers in the fields near Feng's home, that is, in Wu District near Soochow. To date this group of poems represents the earliest popular collection which I have been able to find. At least it is my earliest collection showing no evidence of revision and rewriting by the collector. More such materials doubtless exist but I have not come across them yet.\n\nMountain Songs as a literary genre have probably enjoyed a long life. The oldest reference to them may be that found in the 'Song of the Lute' or P'i P'a Hsing by Po Chu-i of the Tang Dynasty. However, this may be merely a general reference to songs from the mountain areas rather than 'Mountain Songs' as a specific genre. Today the Mountain Songs flourish, particularly in South China, with new verses appearing daily. Other Peking publications have collected modern Mountain Songs and added a companion set of more acceptable lyrics with political themes. This gives us a possible spread of at least 1300 years with extant samples of a homogeneous genre going back about 300 years.\n\nThe poetic structure of the Mountain Songs won't add anything especially new to our picture of Chinese poetry. The basic verse is four lines of eight metric beats each, or multiples of eight in various combinations. This is much like the classical seven character poem where the eighth metric beat is realized as a pause at the end of each line. The major difference is that the Mountain Songs allow a considerable variation in the actual", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205806, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 112, "title": "RAS-1969", "content_text": "106\n\nJOHN MCCOY\n\nCatullus or Boccaccio, and sometimes approaches Robert Burns' Merry Muses of Caledonia without a similar need to expunge words from the Chinese text.\n\nFrom the literary point of view, one of the problems of handling the Mountain Songs, and especially any attempt to translate them, is just the question of how to handle the double meanings which are so much the key to these verses and their enjoyment. Too many footnotes would kill a translation and too little by way of explanation would probably leave a lot of the allusions lost to modern readers. Some of this is of course already lost forever because we have no way to recover all of the secondary references so familiar to the original singers of these songs. Even some of the primary references are difficult and it will take considerable research to dig all of the meaning out of some of the obscure vocabulary. But the problems of handling the grammatical markers and functors of this dialect are solvable. In spite of the fact that some of these items are written with characters not to be found in most dictionaries and obviously made up to handle the unusual Wu dialect pronunciations of the time, we are still able to reconstruct probable phonetic approximations and to propose probable meanings on the basis of our knowledge of modern dialects. It is in this special area that the linguist is in a unique position to help the student of literature.\n\nIf this sort of popular poetry attracts interest, we will necessarily need the services of the dialect specialist to solve some of the problems of interpretation. The linguist will gain a great deal from the information the Mountain Songs give him on Ming Dynasty dialects. Then the linguist will in turn enrich Chinese literature studies by opening up a neglected field.\n\nAlthough their reasons are quite different, Western scholars are beginning to agree with Peking that we have neglected popular literature too long. It seems reasonable to predict that more departments will give some room to folk songs and poetry in Chinese literature courses if the genre can be made accessible to the average reader.\n\nFrom the linguist's point of view, an analysis of the rhyme patterns of the Mountain Songs, done much on the same plan as Karlgren's Ancient Chinese, would be very useful when we are ready to work out a reconstruction of proto-Wu. I have carded", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205807, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 113, "title": "RAS-1969", "content_text": "MING DYNASTY MOUNTAIN SONGS'\n\n107\n\nthe rhyming characters for the Feng Meng-lung collection and have made a preliminary analysis of the patterns. The rhyme scheme generally conforms with what we might anticipate on the basis of our knowledge of modern Wu dialects. (Note here that these Mountain Songs come from Wu District, a small area near Soo-chow; the term 'Wu dialects' refers to a large family of dialects spoken in a broad region around the Yangtze River delta.) The full details of the Mountain Songs' rhyme patterns will take considerably more study but briefly we have a system in which the ancient nasal finals have merged. This merger seems to have produced a distinct final, probably a nasalized vowel, after some vowel nuclei; after other vowels the nasalization has disappeared completely producing rhymes with syllables which never had nasal finals. There are very few ancient entering tone characters in rhyming position but these few rhyme freely with characters from other tone categories. When compared with such evidence as Yuen-ren Chao's Studies in the Modern Wu Dialects the Mountain Songs stand clearly in the Wu family but, not unexpectedly, they do not correspond precisely to any single dialect recorded by Chao.\n\nThere is little doubt that we could make a reliable reconstruction of the syllable finals, i.e. the rhyming part of the syllable, for Ming Dynasty Wu District dialect. However, we now run into a major problem and one which serves well to point up the value of having both textual and linguistic reconstructions when working out proto-forms. Although the syllable finals could be reconstructed from the poems, there is no reliable way to derive the syllable initial consonants merely from the evidence of the poetry. Scholars working with rhyming dictionaries do not have this problem since their texts generally set up charts distinguishing characters by initial as well as final. In the Mountain Songs, and presumably in other poetry of this type, we do not even have negative evidence for distinguishing the initials of the rhyming characters. Thus, since we do have many examples of characters rhyming with themselves, it is not safe to say that homophones of other types do not rhyme. It is therefore fruitless to attempt any separation into syllable initial categories on the premise that the rhyming characters will not have identical initial consonants.\n\nThe solution of the syllable initial problem should then be sought in the evidence afforded by a linguistic reconstruction of", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205810, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 116, "title": "RAS-1969", "content_text": "110\n\nJOHN MCCOY\n\n4) The character (S) nü. I interpret this to be (M) nü 'woman' read in a slightly different way, probably equivalent to the 'changed tone' phenomenon in Cantonese. Compare here the Shanghai usage yang-nü-nü- ‘doll' contrasting with (S) nü-ning 'woman' showing two pronunciations for the element nü. Morohashi records this form in his great dictionary, Dai Kan Wa Jiten, and glosses it as a Wu dialect variant meaning simply 'woman',\n\n5) (M) shã chiao ling erh I found in the dictionaries as 'water caltrop'. Here I exercised a little poetic license on the assumption that the English name for this plant is rather obscure.\n\n約約到月上時,\n\n邦了月上子山頭弗見渠,\n\n咦沸知奴處山低月上得早\n\n咦弗知郎處山高月上得遲。\n\n'I agreed with my sweetheart to meet when the moon came up.\n\nWhy is it that the moon is on the mountain tops but I still don't see him?\n\nI wonder if it could be because in my place the hills are low and the moon rises early,\n\nOr is it because at his place the hills are high and the moon rises late?'\n\nNote in this poem:\n\n1) The character, at the beginning of the second line, which I have reconstructed as na-, I find this form in Morohashi where it is described as an alternate for the character (M) nà meaning 'that, those'. It seems to have a slightly different connotation in the Mountain Songs, more like the interrogative form of the same character in Mandarin, nă. From an analysis of the various contexts in which it appears in my texts I translate it as 'why' or 'how is it that'. 2) Note the use of the character (M) ch'u meaning 'he'. The only significant point here is that in this dialect I would expect (S) yi-, although forms related to ch'ü are found in a number of Wu dialect areas.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205812, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 118, "title": "RAS-1969", "content_text": "112\n\nVI.\n\nJOHN MCCOY\n\n師姓齊,姐姓齊,\n\n贈嫁箇了頭也姓齊,\n\n齊家囡嫁來齊家去,\n\n半夜裏番身齊對齊。\n\n\"The groom was named Ch'i, the bride was named Ch'i,\n\nWith the dowry was a serving girl, also named Ch'i.\n\nCh'i family girls came in marriage into a Ch'i family.\n\nThrough the middle of the night it was bodies turning, Ch'i against Ch'i,'\n\n1) Here the surname (M) ch'i\n\nis an obvious pun on the 'navel'. Feng records another\n\nhomophonous word (M) ch'i version in which the surname (M) máo, also meaning 'fur, body hair', is substituted throughout for ch'i,\n\n2) of some anthropological interest is the single surname wedding which took place in this poem. Although frowned upon by Chinese tradition, this type of marriage probably occurred from time to time throughout China.\n\nBIBLIOGRAPHY\n\nChao, Yuen-ren (1928). Studies in the Modern Wu-Dialects. Tsing Hua College Research Institute Monograph No. 4. Peking.\n\nFeng, Meng-lung, compiler, Shan Ko (Mountain Songs). From the Ming-Ch'ing Min-ko Shih-tiao Tsung-shu (Collection of Ming and Ch'ing Folk Songs and Popular Lyrics), Peking (1962).\n\nKarlgren, Bernhard (1915-1926). Études sur la Phonologie Chinoise. Leiden.\n\nMartin, Samuel E. (1953). The Phonemes of Ancient Chinese', Journal of the American Oriental Society Supplement, No. 16,\n\nEditor's Note:- The Chinese text at I-VI above are photographic reproductions from the author's MS.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206603, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 151, "title": "RAS-1972", "content_text": "TRADITIONAL CHINESE REGIONAL ARCHITECTURE\n\nBIBLIOGRAPHY\n\n145\n\nBulletin of the Society for Research in Chinese Architecture. V, 1.\n\nChinese Architecture: A Simple History. Volume 1: The Old Architecture of China: A Simple History. China Industrial Publishing Company, 1963.\n\nBoyd, Andrew. Chinese Architecture and Town Planning (1500 B.C. · A.D. 1911). London, 1962.\n\nCressey, George Babcock. China's Geographic Foundations: A Survey of the Land and Its People, New York: McGraw-Hill Book Company, Inc., 1934.\n\nFreedman, Maurice. Chinese Lineage and Society: Fukien and Kwangtung. New York: Humanities Press, Inc., 1966.\n\nGutkind, E. A. Revolution of Environment. London: Broadway House, 1946.\n\nHsieh, Ting-yu and Kuo, Ch'ang-ch'eng. The Hakka Chinese-Their Origin and Folk Songs. San Francisco: Jade Mountain Press, 1969.\n\nKulp, Daniel H. Country Life in South China: The Society of Familism. Volume 1: Phenix Village, Kwangtung, China, New York: 1925,\n\nLiu Tun-chen. A General Discussion of Chinese Houses. (PAREMM). People's Republic of China: Architectural Engineering Publishing Company, 1957.\n\nPenn, Colin. \"Chinese Vernacular Architecture.\" Royal Institute of British Architects. October, 1965.\n\nSkinner, William. \"Chinese Domestic Architecture.\" Review of Liu Tun-chen, A Short Study of the Chinese House. Royal Institute of British Architects. November, 1957.\n\nSmith, Arthur H. Village Life in China: A Study in Sociology. Fleming H. Revell, Co., 1899.\n\nTa Chen, Emigrant Communities in South China: A Study of Overseas Migration and Its Influence on Standards of Living and Social Change. New York: 1940.\n\nTregear, T. R. A Geography of China. London: University of London Press, 1965.\n\nWong Chung Hong. \"Walled and Moated-A Hong Kong Village.\" Arts of Asia. Vol. I, No. 4, July-August 1971.\n\nWu, Nelson I. Chinese and Indian Architecture. New York: George Braziller, 1967.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206998, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 69, "title": "RAS-1974", "content_text": "DOGS AND HORSES IN ANCIENT CHINA\n\n63\n\nconsidered very auspicious to eat one may have smacked of sacrilege.)\n\nAn elaborate set of rules governed the presentation of gifts and tribute. When offering a horse, the donor had first to tie a rope around the animal's neck and hold the other end in his right hand.39 Dogs, however, were to be held with the left hand to leave the right hand free to stop the animal from biting.40 Neither dogs nor horses were allowed into the audience chamber and they were not to be mentioned during an audience.41\n\nHorses and Warfare\n\nAs we have seen, the Chinese had been familiar with horses from very ancient times. Horse-drawn chariots were known at least as early as the reign of King Wu Ting of Shang (1327-1265 B.C.), yet it was not until the 4th century B.C. that we find a reference to a man on horseback in Chinese literature. (One expert claims that horses were already used for riding in Shang timesA, a statement seemingly contradicted by another authorityB.)\n\nAccording to the Shih Chi, the King of Chao is said to have learned the art of shooting from horseback from his nomadic neighbours in 307 B.C.42 This was a momentous step in the development of both warfare and weaponry. By the reign of Wu Ti (140-88 B.C.) of the Han dynasty, cavalry horses had become so important that the Emperor launched several campaigns in Central Asia to secure an adequate supply of them for his army.\n\nIt must be remembered that horses in ancient times were not shod except with straw or leather and thus rapidly wore out their hoofs on long journeys. The Chinese armies, therefore, required mountain-bred horses with firmer hoofs which could travel faster without the need to rest their feet. An adequate supply of such horses would not only be a great economy for the Imperial treasury but would also give a decided advantage to the Chinese cavalry.43\n\nHan Wu Ti also urged his general Li Kuang-li to provide him with the famous \"blood-sweating horses\" of Ferghana. The Emperor's interest in these animals was not so much military as supernatural. It was widely believed that \"blood-sweating horses\" were the semi-divine offspring of dragons and mares; their sweating of blood being proof of their divine origin.44 (Modern medicine has shown that \"blood-sweating\" was caused by a parasitical disease,", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207578, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 346, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n337\n\nguiding me to the foot of the Peak of Yellow Crane; there, after my contemplation of the Hiding Dragon Spring, I begin to search the Cave of Dragon and Reach the Cave of Immortal Lady”32. In Vol. I, from the last line of p. 236 up to line 21 in p. 237, the English translation deals with this poem. Once again, in Plate LXXX-L, from the last two characters of line 17 till the end of the inscription, the content is to be identified as Li E's third poem. It is entitled \"A Travel to the Temple of Crane and Forest,33 Prof. Li's English translation of this poem is at Vol. I, lines 22 to 29 on p. 237.\n\nIn the \"Collected Poems Written in the Fan-hsien Mountain Studio\" all poems are chronologically arranged, and the dates of each year are always recorded under the first poem of each year. Thus, according to such chronology, these three pieces cited are all Li E's poems written in 1735. That is, they are all composed one year before Chin Nung had completed the Drenowaltz album, since the latter is dated 1736. In logic, it seems alright for Chin Nung to inscribe Li E's three poems on the last leaf of this album since the two men seem to have been very good friends since at least 171434. However, it is absolutely impossible for Chin Nung to have inscribed two poems in 1736, one by Li E and other by Ma Yueh-kuan, to be written as late as 1748 in leaf 11 of this album.\n\nThe significance of this discovery should be interpreted critically. The date of the inscription in this Drenowaltz album is some 12 years earlier than the actual date for composing the poems, and so the authenticity of the former is obviously doubtful. This brings us to the question of whether the calligraphy is really by Chin Nung or is perhaps by a very good copist. To think even one step further, the problem of whether extraordinarily elaborate landscapes should really be accepted as authentic works of this artist needs to be reconsidered.\n\nThere happens also to be a third problem of identification. For instance, on the 1st leaf, as well as on that with Wu Ta-chang's colophon of Tai Itsi's album of ‘Landscapes after Great Masters' (Vol. II, Fig. 56, plates XCIV-XCIX), there appears a number of collectors' seals. Of them, as Prof. Li has specifically noted, (Vol. I, p. 262) \"Six of Chang Hsiang-ning, ho p'ing-chai, who cannot be identified, one which cannot be identified”.\n\nIn fact, this unidentified collector is not a mystery. He is Chang Hsiang-ning, a contemporary Cantonese literary man, a", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208155, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 194, "title": "RAS-1977", "content_text": "178\n\nNOTES AND QUERIES\n\n29. Yet another bridge, in Central Tsuen Wan, still has its protecting shrine in place, with a stone tablet inscribed to the Fuk Tak Kung (福德公) of the Wing Fuk Bridge (#). The cyclical date would make it 1945 (which is obviously too late) 1885, 1825 or earlier. There is no means of telling which it is, but its style and appearance indicate an early date. Incidentally, all three bridges noted above have lost their original appearance, having been repaired post-war with concrete and reinforcing steel bars.\n\nConclusion\n\n30. A recent visit to the mountain took me from Lead Mine Pass, above the head of the Shing Mun Reservoir, to a point east of Chuen Lung, along paths formerly opened by villagers but in most cases now widened by the Agriculture & Forestry Department of the Hong Kong Government to assist their fire prevention and fire fighting activities.\n\n31. The route ran through the Sei Fong Shan area, where there are many graves: so named (四方山) because there is access to it from four sides i.e. Tai Po, Pat Heung, Kwai Chung-Tsuen Wan and Chuen Lung (on Route TWSK). Then through the abandoned fields and village site of Nam Fong To, a single lineage village of the Law family (羅氏), evacuated in 1928 to Wo Hop Shek near Fan Ling (NT) for the construction of the reservoir. The site was enclosed by a thick low rubble wall and stands amid large boulders and (now) many trees. From the Tsuen Wan side the last stage of access was across a large stream and up a steep flight of stone (boulder) steps. West of the village the hills on both sides, but especially the opposite side of the valley, were marked by steep slides of water that became water-falls in places. Further on, the path overlooked the valley of Wu Yeung Shan (烏羊山) with many abandoned fields. The village of that name, on the main lower path to Wo Yee Hop village (*) and Kwai Chung, was inhabited by a branch of the Chengs (鄭氏) from Shing Mun Tai Wai. Moving SW and passing along the slopes of the mountain above Wo Yee Hop and Lo Wai well above catchwater level we encountered a few more graves placed in good locations. Also patches of abandoned cultivation built up here and there on stone-walled terraces above the path.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 209832, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 91, "title": "RAS-1983", "content_text": "69\n\nA word needs to be said about the term 'Chinese'. Within China now live a number of ethnic groups. In addition to the Han majority, there are Manchus, Mongolians, Tibetans, and so on. Linguistically, the word 'Chinese' is usually made to refer to the language of the Han group. A number of dialects are found within the Han language, the ones of most interest to us in our study being Cantonese, Mandarin, and to a lesser extent, Amoy. The great majority of the loans described in our study have entered English from these three dialects. In a small number of cases, e.g. Lama, Manchu, Cathay, we have extended the word 'Chinese' to cover non-Han languages used in China. A few loans described in our work have entered English through another language, as in the case of tycoon ultimately from ta-ta or 'great Mandarin' and soya ultimately from shi-yu which were borrowed through Japanese.\n\nWe have excluded from our list of loans those words which refer only to individual persons and specific geographical locations. Our selection is based on the meanings of the loan words in the borrowing language, and not on their originals, which may be the names of people or of places. For example, the source for Bohea Wu-i is the name of a mountain range transliterated 武夷 according to its Amoy pronunciation, and the name of a city Nanking has given rise to nankeen the name of a kind of cloth. In the case of Confucius and Mao, these combine readily with other elements to form words which refer to a philosophy, an ideology, or even a style of clothing, e.g. Confucianism, Mao jacket.\n\nWe have taken care only to choose those words which are in general use, and have excluded the 'jargon' associated with various specialized fields, e.g. wu tsai or ‘five colours' connected with the study and appreciation of Chinese porcelain, or ping, shang, qu, ru used to refer to the tones in Chinese linguistics.\n\nThe loan words chosen for discussion in our study have been selected according to the following criteria:\n\n(1) they occur in books and periodicals published in Hong Kong or abroad within the last three decades (up to 1983).", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210620, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 227, "title": "RAS-1985", "content_text": "208\n\nthe Forestry Ordinance and Regulations in 1937. Cultivated or imported plants were exempted from control, however.\n\nThe best wild stock, which sometimes produces twelve bells per flowering bud, grows today on the Ting Wu Mountain (HL) of Siu Hing () District. However, most of the branches for sale in Guangzhou and Hong Kong come from cultivated stock in Ching Yuen (), a mountainous district some 100 kilometres north of Guangzhou. Farmers in that district have developed a special cultivation technique over the years to produce better flowers. In early summer, the branches selected for cutting later that year are \"ring-barked\" (stripped of the outer bark) at the lower end for a length of about 2 cm. This stops the flow of sap downwards and the nutrients produced by the leaves are then retained at the top. Branches so treated usually produce larger flower buds and thus command a better price in the market when they are cut for sale in the winter.\n\nThe exemption of imported or cultivated stock from prohibition has sometimes presented difficulties to the local forestry enforcement staff, especially when it has been necessary to prove in Court the origin of seized plants. Although some of the older Forest Guards claimed that they were able to differentiate wild flower buds from cultivated ones, I myself have so far been unable to make any positive identification. It was partly for this reason that protective measures were directed towards preventing illegal cutting in the woods, rather than trying to seize the branches in the hawker stalls.\n\nEvents in the 1930's sowed the seeds of change of this age-old custom. Firstly, the Japanese Occupation in 1938 of the greater part of Guangdong Province interrupted the supply of Tiu Chung to Hong Kong, and consequently local residents began to look for alternatives. Secondly, some skilled nurserymen in the Guangzhou areas, fleeing the Japanese, sought refuge in Hong Kong, where they introduced the art of growing peach blossoms.\n\nThe early post-war years saw a brief return of the use of Tiu Chung as the New Year Flower. However, the strict protection against illegal wood-cutting in Hong Kong, coupled with the", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 212779, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 88, "title": "RAS-1992", "content_text": "73\n\nmany Miao, a number of whom wished to live in peace and had offered allegiance to the Imperial Force. Meanwhile the Miao rebels who were constructing stockades on the mountain sides above Chung-an prior to attempting to destroy the Imperial Force, were able to observe the C-in-C's headquarters together with Imperial reinforcements and supplies arrive from Ma-ping-bah.\n\nThe Szechuan Force's next objective was the city of Ch'ing-p'ing Hsien some 20 miles away, on the far side of the river. Despite having been in rebel hands for the previous eighteen years it was captured without too much difficulty though the Imperial Force had had a tough time for a day or so repelling Miao counter-attacks.\n\nThe C-in-C of the Szechuan Force sent a proposal to the C-in-C of the Hunan Force suggesting that the Szechuanese should advance on one side of the river Chung-an with the Hunan Force advancing up the other and, as the Hunanese had gunboats, they could also advance up the river itself.\n\nMeanwhile, and here Mesny's chronology is questionable, in early May 1869 the Ko-i Brigade advanced on Ch'ing-p'ing Hsien and prepared to storm the thirteen Miao stockades on the Tieh-chang Po heights above the town. Eventually after a fierce struggle and capture of the stockades, the Ko-i Brigade awaited the approach of the Hunan Force which should have been taking the next mountain range at the same time. Mid-afternoon on the day of the assault on the stockades, as the Hunanese had not appeared, the Ko-i Brigade withdrew to their camp in Chung-an, only to learn that the Hunan Force after initial successes had been badly defeated at Wu-ku Lung.\n\nThe Szechuan Force then remained comparatively inactive in Chung-an for the next seventeen months, until November 1870.\n\nMeanwhile, during the summer of 1869, Miao rebel forces had defeated the Kueichou provincial Force at Tu-yün Fu which left the Szechuan Force undefeated but out on a limb with both flanks exposed by the defeat of the Hunan Force on one side and the defeat of the Kueichou Force on the other. The emergence of a new Miao rebel chieftain threatened the Szechuan Force whilst at the same time the lines of communication between the Szechuan Force and the provincial capital at Kuei-yang and the rear base at Tsun-i were in danger of being cut.", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213779, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 131, "title": "RAS-1996", "content_text": "102\n\nthat around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang.\" This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang.\n\nLang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults\" called themselves gu (for female) and lang (for male).\n\nThe use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic.\n\n54\n\nWe have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213794, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 146, "title": "RAS-1996", "content_text": "117\n\nfrom singing Mountain Songs, at least within the vicinity of the village. I lived in the village for about 10 years before 1974. A neighbour in the village in her 30s in the 1960s did sing them for fun at home from a book compiled by a modern author and brought from a bookstore. According to an older woman in the same village, born around 1910, those songs were exchanged mainly among female villagers while working outside the village. They did not sing them within the village, because otherwise a village leader would scold them. My recent interviews in the village show that this leader is a member of the lineage segment that produced some degree holders not so many generations before, and his other contribution to the lineage was the compilation of a genealogy that incorporates information from genealogies from other counties that trace to the same ancestors. Unfortunately, unlike ordination names which are recorded in genealogies, spirit tablets, and grave stone inscriptions, Mountain Songs do not leave much dateable information, and it is improbable that much evidence can be found bearing on the status of Mountain Songs among the Hakka before the 17th Century.\n\n1\n\n1\n\nE\n\nNOTES\n\nOne may speculate that such widespread ordination may be related to their claim of exemption from corvee levy. But for ordinations to be used to back a claim for such exemption, they probably have to be either Daoist or Buddhist, and I do not think the ordination names of the Yau or of the Hakka could be accepted as Daoist by the imperial Chinese governments.\n\nLuo Xianglin, Kejia Yanjiu Daolun, vol. 1, Hong Kong: Zhongguo Xueshe, 1965.\n\nFor example, the first ancestor of the House of Kam Tin and nearby villages of the New Territories to come to the region is a Hon Wu Lang. The ancestor of the Pengs of Fanling, N.T., who came with his father to the region is a Peng Fa Guang. Both names match the style of ordination names found among the Hakka, and some of their descendants' villages are the only ones in the N.T. which hold the rite of Hongtou, which relates closely to the Hakka sang tradition. See David Faure, The Structure of Chinese Rural Society, Hong Kong: Oxford University Press, 1986, for the two lineages and the rite of Hongtou, and a Chicken Song ritual.\n\nAlthough some examples of the non-numeric character could be interpreted as forming a numeric expression with the character that followed, e.g., \"nian\" could mean twenty, they were probably not intended as such. As I shall elaborate later, some of those characters seen thus used in the Hakka genealogies are also found among the She minorities of Fujian to indicate generation.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 } ]