[ { "id": 204437, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 69, "title": "RAS-1962", "content_text": "58\n\nHEROLD J. WIENS\n\nmountainous regions of south China but also across the southern borders in Burma, Laos and Vietnam.\n\nThe Yao, like the Miao, also are mountain-loving people, but appear to have originated as ethnic groups in the hill country of east-central China, in such regions as the present provinces of Anhwei, Chekiang and Kiangsu. They were here as early as Chinese records mention them, but they appear to have gradually abandoned these areas, as Han-Chinese settlement increased in density, and friction over land and other matters led the Yao to seek more isolated mountains. Since they were like the Miao in their type of fire-field or forest-burning, shifting cultivation, they inevitably came into close contact with the Miao and have many cultural features in common with the Miao. Elements of the language also appear similar. Some Chinese ethnographers have considered the Wu-ch'i Man a Yao rather than a Miao group, and others believe them to have common origins. This confusion is probably due to strong Mon Khmer influences originating from India and Southeast Asia in the earliest times.\n\n4\n\nOne of the supporting arguments for the common origin of Yao and Miao is the common cult attached to the dog and the tiger. The Yao trace their ancestry mythically to the union of a princess with a supernatural dog-hero called P'an-hu. Yao myths trace their movement southward from both the central Yangtze valley regions and from the Chekiang-Fukien mountains. Folk songs of the Yao indicate further that they crossed over the Nan-ling mountains in great numbers during the period of Huang-ch'ao's rebellion in the reign of the T'ang Emperor Hsi-Tsung (A.D. 874-889),4\n\nWhen the Miao moved into the Kweichow region in the earliest times, they probably found the Yi or Wu-man peoples already in occupation of western Kweichow. The Yi certainly preceded the Han in this part of China, and the Han Chinese have known of the Yi in their present habitats in southwest China for over 2,500 years. The peculiar manner in which the\n\n* Chiang Ying-liang, Hsi-nan pien-chiang min-tsu lun-ts'ung (A discussion of the peoples of the southwest borderlands), Canton, 1948, 74-79; see also Ling Shun-sheng and Jui Yi-fu, Hsiang-hsi Miao-tsu t'iao-cha pao-kao (Report of research on the Miao of west Hunan), Academia Sinica, Shanghai, 1947.\n\n4 Hsu Sung-shih, Yueh-chiang liu-yü jen-min (The peoples of the Yueh river drainage), Shanghai, 1939, 130-135.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 205355, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 117, "title": "RAS-1967", "content_text": "110\n\nREV, MR. KRONE\n\nseveral times taking a cruise in his Tea-cup, the mountain was named after it “Poi-tou.' \n\n\"Poi-tou.\" Among the common people, however, the mountain is known by the name \"Shing-shan\", or holy mountain. The rough, barren, mountainous country I have described, has given birth to many superstitions and legends. Some of the huge stones on the hill sides are supposed to represent the tiger, the dragon, and the phoenix. The stones on some hills are said to have locomotive powers, and to pursue any adventurous traveller who attempts to mount their sides; other stones are said, when touched, to have the power of producing pains in the stomach, and others to emit white vapours from their surface. But these matters are of but little importance to us; of more interest are the caves which are found in some of the mountains. The most remarkable of these caves is near the market-place of U-shek-ngam, &, at the base of the mountain. For some centuries this cave has been used as a temple, and its aspect is so changed by the architecture and furniture which have been introduced, that one cannot get a good idea of its natural size and appearance.\n\nNatural History. Quadrumana, A number of small monkeys inhabit the island of Lintin; but this animal is not found in any other part of the district, though Chinese books relate that in former times they were found on 'Ng-tung, and most of the high mountains of the district.\n\nQuadrupeds, — The Chinese tiger, which seems to be a true tiger, is found about 'Ng-tung, and in the neighbourhood of most of the high mountains. It sometimes reaches a considerable size, weighing 200 catties, or 266lb. It feeds generally upon pigs and dogs, and the country people say it occasionally carries off a grass-cutter, but this seems doubtful. It is taken in traps, and is a great prize to its captor, as it will bring him in a sum of $150 to $200; for the bones are in great repute as a tonic medicine, and the flesh is eaten with the idea that the courage of the devourer is improved by the meal.\n\nMore than one species of deer, a fox, and a badger, have also been seen, and a large ant-eater -- the flesh of which is considered a delicacy, and is also supposed to possess medicinal powers. There are many snakes, and among them a large species of python, which sometimes grows to the length of twenty to twenty-four feet;", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 206637, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 185, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n179\n\nIn c. above, he is two different beings, his benevolent form is as a man with two eyes, “ear pressing\" tufts of hair, three pairs of arms, and hair standing erect on the back of his head. In his malevolent form he is depicted as a man with a leopard's head, three eyes, a lion's nose, a tiger's mouth, a bear's tongue, a boar's tusks, and three pairs of arms. Again, above his ears are \"ear pressing\" tufts of hair, and on top of his otherwise bald head is a headdress called a k'ui ying.\n\nIn the two and a half thousand or so temples visited in South East Asia, Hong Kong, Macao, and Taiwan, the basic forms listed above can be grouped into general categories. T'ai Sui/Yin Ch'iao were seen in 48 temples; among which 11 were Fukienese, 28 Cantonese, 2 Hakka, 2 Ch'ao Chow and two inter-community Buddhist temples. Of these, 18 were in Singapore, 15 in Malaya, 9 in Hong Kong, 3 in Macao, 1 in Cambodia and 2 in Taiwan. The 'youths with a scroll' are mainly Cantonese, as are the majority of the 'youths holding a bell.' The ‘elderly man with a bell' was seen in two Hakka temples and one Cantonese community temple. The images of the 'fierce general' was seen only in Fukienese community temples and a few images of 'youths with bells or scrolls' were seen in Fukienese temples.\n\nThe groups of sixty images have been seen in Shanghai, Hong Kong and Macao, and in Fukien by Hodous. In Singapore and Kuala Lumpur large but odd numbers of T'ai Sui, including a mix-ture of them with scrolls or bells, were seen in two Cantonese community temples.\n\nThese images have not been seen in any Hainanese temples. Only in Cantonese and Hakka temples were these images observed standing on wads of hell money.\n\nThe four charms carried by T'ai Sui, according to a Fukienese god carver, are:\n\na. a seal of office, which, if shaken, causes the heavens to quake.\n\nb. two swords, one male and one female, which are able to destroy demons and wrong-doers.\n\nc. a bell, called Jung Kuei Ch'ung (*) which causes one to lose the way when rung. This bell causes demons to forget their tasks and to wander aimlessly. It is also a magic teller of time.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206639, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 187, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n181\n\nHe has also been seen as a typical standing image of a civil mandarin, when the only method of identifying him was by the title painted on his stand or pedestal. In Kalgan, as will be described below, he is depicted naked with claws, beak and wings.\n\nIn some temples, the images of deities known not to be T'ai Sui or Ying Ch'iao, are called T'ai Sui by the temple keepers, and are prayed to as T'ai Sui. Some of these misidentifications are even to be seen perched on wads of hell money. The best example of this are the distinctive images of the boat people of the Pearl River and Southern Kwangtung province which are to be seen in Singapore and Ipoh, labelled as T'ai Sui, and standing on hell-money. One of these seen in Hong Kong is an image of the Pearl River boat people, normally called the Dragon and Tiger General (*). This is an image of a young man with his right arm raised holding a sword, and his left arm hanging by his side. He wears a robe of green with an animal's face as a stomacher, and with a dragon under his left foot and a tiger under his right. On one instance only, as is to be seen in the photograph, he is to be seen labelled the \"Tai Sui who flew back\" () and is standing on a pile of hell-money. (Plate 18)\n\nFather Doré says that images of T'ai Sui in the Yangtse Valley have six arms, are bald with ear tufts, and three eyes; they wear Taoist crowns and hold in their six hands two swords, a ball and flames, a spear, and a branch of a tree.\n\nThere are thirty-six deities painted as murals on the walls of one Singapore temple, most of whom are Heavenly Masters (A B). Amongst them is Yin Ch'iao, standing, dressed in armour, but with a bare chest and with six arms holding the usual items. Marshal Yin Ch'iao appears, therefore, to be one of the 24 Heavenly Generals and also one of the 36 Heavenly Masters.\n\nIn several works he is given 10 assistants, the last four being the gods of the year, the month, the day and the hour. Their names are given as follows:\n\nLi Ping (李丙) Hwang Ch'eng-i (黃承乙)\n\nChou Teng (周登) and Liu Hung (劉洪)\n\nAll were said to have been slain at the famous battle between good and ... described in The Deification of the Gods, at Wan Hsien Chen (萬仙陣).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206850, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 127, "title": "RAS-1973", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 121\n\nis called Lo Foo Ts'z T'ong (老虎祠堂), Tiger Hall. The floor of the cave is quite smooth with a lot of small stones almost like a mosaic. Though the actual site of the school is not known, old tiles have been found from time to time on the hillside, and one of these can be seen in a house called Cheung Ch'un Yuen (祥泉園) of Shui Tau (水頭) village. In the same house is a flower vase of interest that was dug up on Hong Kong island about 30 years before the British settled there.\n\nAs mentioned before, four of the \"five Yuens\" eventually left Kam Tin and founded branches of the Tang family elsewhere, and it has even been said that Yuen Leung, the ancestor of the Kam Tin branch, moved to Mok Ka Tung (莫家洞) near Shek Lung, but this removal is generally attributed to Yuen Leung's daughter-in-law, a princess of Sung dynasty whose story reads almost like a romance. She was a daughter of the Emperor Ko Tsung (高宗) of Sung Dynasty, who before becoming emperor of China was Prince Hong Wong (康王). The Tartars at that time were attacking the North of China, and in the 2nd year of Tsing Hong (靖康) A.D. 1127 they entered the Sung capital, captured the two emperors Fai Tsung (徽宗) and Yam Tsung (欽宗) together with both the mother and wife of Hong Wong, who was himself away in another part of the kingdom fighting the Tartars as he held the appointment of Tin Ha Ping Ma Tai Yuen Sui (天下兵馬大元帥), the commander-in-chief of all the emperor's forces. Hong Wong's little daughter was only ten years old and she was protected by her women servants who fled with her to the South. In the 3rd year of Kin Yim (建炎) A.D. 1129 they arrived in the Kiangsi province where Yuen Leung was district officer of Kung Yuen (贛縣) district. He was very zealous to help the Emperor and had collected together an army of soldiers, with the intention of marching North. Kiangsi was full of the Tartar forces, and the princess found herself surrounded by enemies. One day she saw the Sung flag over the encampment of Yuen Leung's army and she went to him for protection. She stayed with Yuen Leung, moving about with his soldiers, and eventually when he returned to Kam Tin he brought her back with him. He did not know who she was, as the servants had told him only that she was the daughter of a high official in the North. The princess found happiness and security in Kam Tin. She was like a daughter in Yuen Leung's house, helped with the household duties and was quite content. Eventually she revealed", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207855, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 243, "title": "RAS-1976", "content_text": "228 \n\nMAURICE FREEDMAN \n\na stretch of water (the sea). The Green Dragon is satisfactory, but the White Tiger is imperfect; there is a break in the line of the hills through which too much wind can pass; so that the whole configuration, while being good, falls short of being a perfect embrace. For that reason Sun enjoyed power but not for long. A stream runs obliquely across the valley robbing the grave of its virtue in respect of money; Sun was poor. In the sea below there are several small islands which are to be taken as warships, some of them sailing out into the open sea, showing Sun's desertion by his armed forces. Finally, there appears in the distance just over the line of the White Tiger, the peak of another hill; such a feature means robbery-Sun was kidnapped. The site explains Sun's career (or some version of it) and justifies the geomancer who predicted that Mrs. Sun's son would be a king. \n\nThis simple case illustrates two systems of analysis being employed together; the system of metaphysical forces composing a site, and the system of resemblances, the latter being invoked to interpret the islands. But the chief interest of the case lies in the example it offers of retrospective interpretation. Geomancy is a self-reinforcing system of ideas. What is predicted must always come true, because what is foretold is vague, or inevitable, or subject to frustrations which deny a part of the system or the competence of a particular practitioner without damaging the system as a whole. Retrospectively it can be demonstrated to be valid because the material can be read in a number of different ways to justify any collection of events. Moreover, the existence of prosperity by itself presupposes that it has been produced by fung shui, and failure to detect the precise reasons why the fung shui has operated so well leaves it in the realm of knowledge which in principle can be obtained but for the moment, because of lack of expertise, remains inaccessible. (One geomancer told me that Mr. Mao Tse-tung's mother is buried in a good fung shui. And he added, perhaps for political symmetry, that General Chiang Kai-shek also enjoys geomantic benefits, the fall in his fortunes being due to the operation of the cycle which governs all affairs. Retrospective fung shui is illustrated also in the traditions of the Tang clan. When the Sung princess who married a Tang in the twelfth century became old a famous geomancer chose a fung shui for her which resembled a lion, asking her whether she preferred to be buried in the lion's head or tail. 'She asked what difference it would make, and she was told that if", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208062, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 101, "title": "RAS-1977", "content_text": "UNDER ALTARS (下壇)\n\nKEITH G. STEVENS\n\nThe first thing to be seen on entering Chinese temples in Hong Kong and Macau, even those in which a murky half-light obscures the view, is the main altar in the middle of the far end of the main hall. What is rarely seen however, even after a stroll around, is the “Altar at which prayers are offered to avert calamities” (避災壇). This is usually an even dingier ground-level alcove inside the back of which is pasted a large green sheet of paper bearing the titles in white, of five or seven spirits all of whom need placating or propitiating as needs arise. The altar often bears the less colourful titles of the \"Under Altar\" (下壇), the \"Yin and Yang Hall\" (陰陽堂), and in very rare instances, more so in Macau than in Hong Kong, the \"Five Demon Altar\" (五鬼壇).\n\nUnder Altars, only to be found in Cantonese, Hakka and Boat People's Taoist folk religion temples and never in Buddhist monasteries and nunneries, are usually situated under or between the main and secondary altars at ground level. They consist of a wooden or stone open-fronted \"box\" about three to four feet high, three feet wide and two feet six deep and are illuminated, if one can use such a term, by a 15 watt dark red electric bulb. In five temples in Hong Kong and Macau the Under Altar was in a corner beside the main altar, but without any top or covering. In one or two temples such altars may be found, again at ground level (this seems to be the one almost inflexible requirement) but without a top, against the side wall about half way down the main hall facing the centre, or alone in a separate side hall.\n\nThere are several different reasons given why people pray at these altars. The most common is the wish to avert ill-fortune of any form and not just major disasters, as the title of the altar “Calamity\" (災) suggests. An elderly lady pointing at one devotee said that he had just told her that he had placed a stick of incense before the Under Altar to avert losses at the races on the morrow. Another, she said, thought her child was sickening for something, and had placed ten cents before the White Tiger image and said a brief word to the deity asking for the illness to be averted.\n\nPlates 20 - 31 at end of this volume illustrate this article.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208072, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 111, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n95\n\nGod of Loyalty and patron of businessmen, soldiers, detectives and firemen. When represented, this stands near the entrance to his temple and is held on a short rein by a standing groom. The second is the paper horse used for carrying messages to the dead ancestors during the Yu Lan festival (15th of the seventh lunar month). These white or red horses look very similar to the Green Horse and are burnt during ancestral rituals. The third is the White Horse of the monk Hsuan Chuang, Tripitaka, who brought the Buddhist Sutras back from India in the 7th Century, and is only to be seen in one temple in Macau and not at all in Hong Kong.\n\nAn interesting observation which would appear to have no special significance, and one which surprised many Chinese temple keepers, is the sighting of the Green Horse on the altar of the maids and attendants of Chin Hua, the Goddess of Childbirth, in some thirteen temples.\n\nOfferings, Charms and Messages\n\nApart from the force feeding of the White Tigers at the festival in Spring, an offering of a large slab of cooked fatty pork is frequently placed on the Tiger's head, and sometimes several ounces of Chinese yellow wine is then poured over it. Charms, printed on yellow or red paper, are pinned to the Local Wealth God and incense and candles are burnt before the whole Under Altar. Offerings of paper money on the \"Bank of Hell\" are piled onto some Local Wealth Gods, as are paper taels of gold and silver. On occasions particular to the individual devotee and connected with calamities in their lives, he or she may place five yellow paper charms, purchased from the temple keeper, beneath each of five oil lamp saucers with glowing wicks. These, together with fresh eggs, are offered to the spirits in the Under Altar.\n\nIndividual devotees who wish to report their particular misfortune to the Disaster Spirits obtain slips of paper from the temple keeper. These are normally some four inches long and two inches wide, in either red or green, with a regular pattern of diamonds and circles cut out by folding and snipping in a special way. In a few cases, temple keepers require details of the \"disaster\" to be written on them, with dates and names of the people involved. The slips of paper are then burnt in the temple incinerator. In rare cases where devotees confuse the message papers with charms, they are", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208075, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 114, "title": "RAS-1977", "content_text": "98\n\nK. G. STEVENS\n\ncharm papers, some new, but mostly faded and tattered. The temple keeper said that supplicants had stuck these on to ward off demonic influences, each being a plea to Chao to order his tiger to devour baneful demons. This image is not in the Disaster Altar but its function is exactly as though it were. According to the temple keeper it is an old image, pre-1840.\n\nThe cut-out red and green charms, called Green Horse and Nobleman, should not be confused with yet other red paper charms with cut-out holes in them, which are pasted annually on lintels of altars, temple doorways and shrines, thus reconsecrating them. These are called slips (piao) (*) and come in three sizes, small, medium and large (1-✯✯). Most of them bear a small square of gold paper pasted on them.\n\nAlthough only Taoist popular religion temples have Under Altars, there is also a Buddha who comforts “in time of calamity”, Yao Shih Fo (***) (whose full title includes the phrase “disaster” “Hsiao Tsai Yen Shou” (5* £**). He never appears in Under Altars.\n\nAnother \"Under Altar\"\n\nAnother small inset Under Altar at ground level, which is nearly always central under the main altar, is the altar to the tutelary deity of the temple, Ti Chu Fang (H). It is often called the Prosperity Hall and is unconnected with our study. It consists of a tiny open fronted \"box”, lined with red or orange paper, containing only one or two small red plaques dedicated to the tutelary deity (£* 五土龍神;護廟地主財神),(五方五土地主財神) or (前後地主 神財).\n\nIn one temple only, in Wanchai, a second altar under yet another side altar, contains a large image of the local Earth God (No2) which is normally on a side altar or beside the temple entrance. Behind him is pasted an orange paper bearing black characters describing the Earth God as the Controller of Wealth, and naming in a parallel row of characters the other major Cantonese Wealth God \"Ts'ai Po Hsing Chun\" (# $ £*) who is not represented by an image in this instance. This is a rogue disposition, doubtless ordered by a well-meaning but ignorant temple committee.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208193, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 232, "title": "RAS-1977", "content_text": "216\n\nNOTES AND QUERIES\n\nhead for the hall, the result is that the hall would bring about Great Wealth (大富)\n\nOn the ancestral hall itself, it is apparent that it is being surrounded by green mountains and beautiful streams. Its walls are finely made and its direction is carefully orientated so as to suit the Dragon form. The rooms inside are spacious, comfortable, and neatly packed together. In front of it is Shau Sing Kung Shan (壽星宮山) (\"Long-life mountain\") and on the left of it is Kwun Yam Shan (觀音山). All these signs imply that from here “Great Nobility\" (貴) would appear. Its form, so magnificent, calls for the Red Bird (朱雀) to lead the way (朱雀護送迎) and the Green Dragon and White Tiger to kneel (†). It drives the ranges to curl around it and the stars to look after the outlet. Every mountain, no matter how far comes to guard the cave, and every stream comes to gather round the hall. This indicates \"Great Wealth\" (大富). Thus the window of Heaven is made open and the door of Hell is tightly shut.\n\nThis is the best Dragon form. It should foster great wealth and great nobility. It explains why the Tang clan has had so much success in wealth, fame, and in civil examinations, as compared with the other villages in Pat Heung (八鄉). Of course, it owes very much to the keen choice of Fung-shui by the Tang ancestors. Hong Kong, 1973\n\nJOHN THOMAS Kamm\n\nBEAN SKIM (豆漿皮); A PRODUCT OF BLOOD & SWEAT FROM THE MAKERS\n\nBean skim is a traditional rural product in the Tsuen Wan District of the New Territories of Hong Kong. The following account was written by WAN Chung-yan of Pun Shan Village, Chai Wan Kok, Tsuen Wan on 12.1.1976, at the Hon. Editor's request.\n\nBean skim is a kind of bean product of rich nourishment. In the age when the electric motor had not yet been invented, such product was really a product of blood and sweat from the makers.\n\nThe making of bean skim is easily described. Choose the best yellow beans, dry them under the sun and peel them. Then soak the beans in water and crush them into a paste. After filtering off the refuse, boil them in a pot. Skim off the upper layer of foam. Keep heating the paste at a certain temperature until a thin layer", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208675, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 132, "title": "RAS-1979", "content_text": "The Maryknoll Mission, Hong Kong 1941-46\n\n105\n\n23-We are notified today that swimming will soon be allowed at Tweed Bay just to the south of the Prison. Rules governing this permission will be issued later.\n\n24-Sunday. As usual. Our days now follow each other in much the same way, and apart from rumors, there is not much to chronicle. Father Moore follows Father Quinn with the \"flu\" and goes to bed.\n\n25-His Excellency, Bishop O'Gara, finally gets permission to leave the Camp, as also Father Chaye, a Belgian M.E., and quite a crowd gather to see them off. Father Meyer now becomes the Vicar Delegate of Bishop Valtorta.\n\n26-Father Madison succumbs to the \"flu\" and room number 9 seems to be hard hit.\n\n27-Canteen opens. Fathers Quinn and Moore improved and Father Downs back from Tweed Bay Hospital. One thing about the Hospital in the Camp, the doctors have a splendid cure for dysentery and within a short time the patient improves.\n\n28-The Sisters take over bread-baking for all the Maryknollers.\n\n29-After reconsidering the matter, four of the new men decide to remain, and take their names off the list.\n\n30-The American community meets and discusses the coming repatriation. It seems each repatriate will be allowed only such baggage as can be carried by him; in other words, no more than five bags as a maximum.\n\n31-Camp was agog this morning as a report spread that a tiger, or tigers, were seen within the Camp precincts. During the morning we did see a few Japanese soldiers clambering among the rocks on the hill to the south of us, and wondered what was up. Later, the police killed a tiger which is said to have weighed 240 pounds and was 3 feet high. A photo of the kill appeared in the next day's local paper. The other tigers remained in the vicinity for a few days and were later reported near Hong Kong.\n\nSunday. Father Meyer takes over the preaching, and loses no time in starting Catholic Action, with a meeting in the afternoon at 3:30. About 35 people were present. May Devotions close this evening, with an outdoor crowning of the Blessed Virgin. Mr. Fisher, a very good Catholic, 75 years of age, died in Tweed Bay Hospital.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208846, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 8, "title": "RAS-1980", "content_text": "207\n\n36 1911 Census.\n\n37 For a brief discussion of these ideas, see David Faure, \"Hongkong and China in the village world\", JHKBRAS 21 (1981). A noteworthy variation is the shrine for the Taai Shing Yan Kung Ma at Luk Mei Village, which is both an ancestral figure and a territorial god. See research notes on Ue Lan Festival at Luk Mei, 5-7.8.81.\n\n* Ints. Mr. Cheung T'o 29.5.81, 15.6.81, Mr. Cheung Ts'oi 20.6.81, Mr. Tse Ming 8.81, and notes on the ta tsiu at Ho Chung, 27.12.81 - 31.12.81. For the donations of the Uens towards the repair of the temple, see Ch'e Kung Temple tablet and ints. Mr. Uen Chi Ming 16.1.81, 13.2.81, 7.3.81. Our interviews did not discover if only villagers of Ho Chung contributed towards the annual Ch'e Kung Festival, or if other villagers in the villages that took part in the ta tsiu also did.\n\n3 Int. Mr. Chan P'aang Hing 29.5.81.\n\n40\n\nInts. Mr. Cheng Ip 14.5.81, Mr. Lei Yiu T'ing 23.6.81, Mr. Lei Kau 23.6.81, Mr. Lok Kau Kei 26.6.81, 21.7.81.\n\n41\n\nInts. Mr. Tse Wing 9.6.81, Mr. Tsang 25.6.81, Mr. Tsang Yung 25.6.81, Mrs. Wai 27.6.81\n\n42 Ints. Mr. Cheung Ts'oi 20.6.81, Mr. Cheung Wing 1981; see also Mr. Sung Kw'an 23.6.81 for similar arrangements for raising pigs in Tit Kim Hang, and Mr. Shing Uen Wan 10.7.81 in Pik Uk.\n\n43\n\nInts. Mr. Shing Ip On 14.6.81, Mr. Leung Yung Hei 16.6.81. Every year, on the 28th of the First Month, all the five surnames of Mang Kung Uk joined in the worship of the earth god. A matshed was built in the village, on which lanterns were hung. See int. Mr. Ue Shun Hing 10.7.81. See also Patrick Hase, “Observations at a Village Funeral\", presented at the Conference on Hong Kong Society and History at the Chinese University of Hong Kong, December 1981, (papers to be published shortly).\n\n44\n\n** Mr. Leung Yung Hei 16.8.81.\n\n* Ints. Mr. Sung 22.6.81, Mr. Tang Kei Faat 25.6.81, Mr. Hoh King 24.6.81, Mr. Yau T'aam Shang 8.5.81, Mrs. Lau Lei Loi T'aai 28.6.81, store keeper at Wong Chuk Wan 28.6.81, Mrs. Hoh née Lau 29.6.81, Mr. Kuet Po Shing 2.7.81, and notes on the ruined temple at Wong Chuk Wan 28.6.81. The composition of the Shap Heung given by Mrs. Hoh née Lau and Mr. Kuet differs slightly from that in the text here. Other village groups in the Sai Kung area include one that consists of Tse Keng Tuk, Chiu Hang, Ta Ho Tun, and Ma Nam Wat (int. Mr. Chan Uet Shing 24.6.81), another that consists of the three villages at Man Yee Wan (int. Mr. Lei Shiu Yam 8.5.81), yet another the seven villages that made use of the sugar press at Ko Tong (int. Mr. To 19.6.81). Apparently, Tai Long, Pak Tam Au, and Chek Keng, and then Sham Chung, Lai Chi Chong, and Pak Sha O were two groups of villages that had close social ties (int. Madam Chiu I Mooi 7.5.81).\n\n48 Ints. Mr. Tse Wing 20.6.81, Mr. Yau 28.7.81. Fung shui was involved in the dispute in Sha Kok Mei. The villagers considered that part of a hill nearby, known to them as the \"tiger's land\" (foo tei) was essential to the fung shui of the village. Sha Kok Mei would not permit burial, grass or tree cutting on the foo tei.\n\n\"Mr. Chau T'in Shang 9.7.81, Mr. Lok Kau Kei 26.6.81, Mr. Yau Taai Hin 8.81, Mr. Tse Ming 8.81. Major temple celebrations before World War II were held in at least the following places: Leung Shuen Wan, Sai Kung, Tai Miu, Hang Hau, Pan Long Wan, Tseung Kwan O, Kau Sai. Pak Kong and Ho Chung had a ta tsiu every ten years, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208957, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 119, "title": "RAS-1980", "content_text": "FUNG SHUI: ILLUSTRATED BY KAT HING WAI, N.T.\n\n87\n\nvalley surrounded by hills in the east, north and south forming an armchair embracing it. It is located at the crosspoint where the breath of the azure dragon and the white tiger meet. The entire valley is fed by flowing streams like the sinews and veins within a body. It is also the confluence of meandering tributaries before the main river runs off to the sea. According to a geomancer who never saw Kam Tin, \"It is said [in the geomancy classics] that the Dragon [Water Dragon, not the same as the Azure Dragon] follows the watercourse, and the meeting-place of waters is the meeting-place of the dragons, where the virtues of hills and streams are united and the grass ever green.\" He continued, \"In the distance there should be groups of mountains with streams of water encircling them; in front a stretch of level plain, a pond, or lake. In the wider circuit, the space should be large enough for 10,000 horses, and the watercourse be sufficient to admit a dragon [large] boat... If the expanse be wide, children and grandchildren will multiply and be strong. From the top of the hill the view should extend for miles, with mountains and streams interspersed.\"16 Such vivid and precise description of the geographical features of Kam Tin by a fung-shui professor who never saw the place can only lead to the conclusion that the siting of Kam Tin was done piously in accordance with the geomancy canons. Moreover, \"the place where the flow out being low, with no hill or high embankment to obstruct the escape of good influences, a pagoda is erected to check these influences and throw them back over the land.”17 Indeed a fung-shui pagoda called Man Ch'eung Kok was erected near where I Tai College now stands in Shui-tau hamlet.* By the year 1850, \"the Tang family seemed to have reached the height of their prosperity. Many of them passed the highest government examination and a census taken that year showed that there were more than 1,800 males living...\"18 But the family experienced a decline in population and wealth after the pagoda was torn down and the course of the river was altered to accommodate three fish ponds and buildings of a school that blocked the view of the village.19 This mistake was remedied by repairing the banks of the river in 1930 and family membership was said to be on the increase again.\n\nFig. 2 in the original version of this article, published in Asian Architect and Builder, October 1979, which contains many other drawings and diagrams not reproduced here.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209018, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 180, "title": "RAS-1980", "content_text": "148 \n\nNOTES AND QUERIES \n\nFung Yuen is a coastal valley cutting deeply back from the coast of Tolo Harbor, about a mile and a half deep and perhaps a half mile wide, flanked by hills falling sharply down to the sea on both sides. The eastern hill, the abode, geomantically speaking, of the Green Dragon, has been shaved off in Government engineering works as a \"borrow area\" for bay fill several years, and tun fu ceremonies have been held in Fung Yuen in the past. In 1981, \"borrowing\" was to begin on the western hill, the home of the White Tiger, so new ceremonies were necessary. \n\nThe details of the 1958 and 1960 rituals described by Hayes (JHKBRAS 5:122-124 and JHKBRAS 11:204-209) are roughly similar to those I observed in Fung Yuen in 1981. However, the specialist hired, according to the village head, was not a fung seui sin saang, but a tun fu sin saang (could this perhaps indicate the growth of a new occupational specialization?). He was aided by one elderly assistant. Offerings included both meat and vegetarian dishes; the specialist commented that since many spirits are invited to such a ceremony and one does not know their preferences, a variety of things should be made available to please them all. The basic ceremony consisted of the presentation of offerings and prayers, the burning of candles, paper money, and incense, and the renewing of ritual objects that had been positioned in a similar ceremony a few years earlier, and were now reconsecrated and left in place once more. Large incense pots were filled with fresh sand, into which new bamboo sticks affixed with charms were stuck. Fresh, tall stalks of bamboo, very leafy at the top, with a paper charm attached to each, were erected beside the pots at various locations in the valley. As the village head explained it to me, the ceremony serves to invite a benevolent deity, a po sat, who is a sin sih, or a kind of an official in the heavenly bureaucracy, to protect the village from malevolent spirits who may be disturbed by the earth removal. He is, I believe, represented by the paper charm attached to each tall leafy bamboo stalk. \n\nIt is not only the fine details of ritual acts, nor the numbers and types of ritual objects used, that had significance on this occasion. The spatial patterning of the sites chosen for the series of one major and seven minor ceremonies conducted over the course of \n\nPage 180\n\nPage 181", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209370, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 27, "title": "RAS-1982", "content_text": "5\n\nrelationship of these groups to bureaucratic institutions in terms of the neighborhood associations' autonomy, effectiveness, and satisfaction\" (Jones, Ho, Chau, Lam, and Mok 1978: i). Other studies will no doubt appear in the future, using the Mutual Aid Committees as a base for the investigation of still other problems.\n\nThere are perhaps many reasons for this scholarly popularity, but a major characteristic of Mutual Aid Committees, one that makes it possible for them to serve as a starting point for so many studies is their flexibility. This characteristic has already been alluded to, in the sense of \"the lack of barriers to committee membership and participation\" (Scott 1980:213). However, the flexibility of the committees can also be seen through an examination of their basic structure and function. It is this structure, its variations, and the functions performed that form the subject of this paper. The following discussion (with the exception of certain data gathered during the previous research period of 1976-1978) is based on research conducted at Lok Fu Estate, Kowloon.\n\nThe Research Area Lok Fu Estate\n\nLok Fu Estate is one of six subdivisions making up the Lok Fu Area Committee Area. In its turn, this Area is coterminous with one of the twelve District Board Constituencies established for the Wong Tai Sin District. The Area is bounded by Junction Road, Tung Tau Chuen Road, and Fung Mo Street. By the end of 1982, the total population of Lok Fu Estate was approximately 20,000, out of a total of 31,000 for the entire Area and 524,000 for the entire Wong Tai Sin District (Wong Tai Sin District Report 1982:271). The first blocks of Lok Fu Estate itself were under construction by 1955, at what was then called Lo Fu Ngam (虎崗) (Tiger Hill). However, residents felt that such a name was inauspicious and so it was later changed to Lok Fu (樂富) (Happy and Wealthy). By the end of 1956, the twenty-three blocks of the Lok Fu Resettlement Estate had been completed, twelve blocks of the Mark I type and eleven of the Mark II style (Wong Tai Sin District Report 1982:271-272). At present, many of these blocks have been converted. For example, the individual units in Blocks #6-9 and #11 have been", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209775, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 34, "title": "RAS-1983", "content_text": "REVD. CARL T. SMITH'S NOTES ON THE SO KON PO VALLEY AND VILLAGE\n\nSo Kon Po can be translated as \"the straw broom plain\", or possibly, \"the straw broom landing place\". The valley is a pocket with hills closing in at its seaward end. The hill to the north is the site of Tai Hang Village and Tiger Balm Garden. To the south-west is Jardine's Lookout, and to the south-east is Caroline Hill. There are two principal roads, both circular, the Eastern Hospital Road and the Caroline Hill Road. The original So Kon Po district extended to the north-west of the valley itself, that is, to the north-east side of the old East Point Hill, now the area of Hysan Avenue and Lee Gardens. In the present area of Jardine's Bazaar, Irving Street and Keswick Street there was probably a Chinese settlement at the time the British occupied Hong Kong. In 1842 the population of this village of So Kon Po was given as eighty. The valley drained into the sea near the present junctions of Yee Woh Street, Causeway Road and Tung Lo Wan Road. Tung Lo Wan was the name of the bay at the seaward end of the valley; the bay has now been reclaimed to form the Patterson Street and Victoria Park area.\n\nThe original cultivators of the valley seem to have been the Wong (#) family. A few people in the village were engaged in ship-building and fishing.\n\nCapt. Belcher, commander of H.M. survey ship \"Sulphur\", landed on Hong Kong island in January 1841. As the most suitable site for a settlement, he suggested a spot \"at nearly the east end of Hong Kong bay, in two small indents; one opening into the valley of Wongneichong and another to the north-east [the So Kon Po valley]. A small promontory [East Point] of about 220 yards in length and 120 in breadth, with a frontage on both sides, has a landing place for boats at the point at all times of the tide. Both of these small bays are dry at low water spring tides, and would be easily gained from the sea\". (Canton Register, 7 Dec. 1841)\n\nCaptain Belcher's suggestion was not followed, but Jardine, Matheson and Company considered the East Point promontory,", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 211242, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 303, "title": "RAS-1987", "content_text": "278\n\nNOTES AND QUERIES\n\nTAM KUNG: HIS LEGEND AND WORSHIP\n\nOccasionally, one hears of the deity Tam Kung #2 as having originated in Kowloon. That mistake arises from confusing Kowloon (Chiu-lung 九龍) with Chiu-lung shan in Lin Kuei-shan 歸 county.\n\nTam Kung, named Tao, was a native of Kuei-shan (present Hui-tung) in the Yuan Dynasty. He cultivated his moral conduct at Chiu-lung shan. He was often seen in the mountains with a tiger carrying his things. He cured the sick when they approached him. He died and was revered as a deity. When drought came, people went to him to ask for rain, and often they were satisfied.\n\nIn the 6th year of Hsien-feng (1856), he was granted the title ‘Hsiang-chi 祥濟’ (“Assistance and Aid”) by the emperor.\n\nIn Hui-chou, two temples were erected to offer sacrifice to Tam Kung; one on Chiu-lung shan in Kuei-shan and the other in Hui-chou City. A pavilion was built at the place where he cultivated his moral conduct.\n\nOn my visit to the Chiu-lung shan in 1986, I saw both the temple, the Lung-feng tsu-miao 龍峰祖廟, and the pavilion, the T'an-kung te-tao-t'ing 譚公德道亭. A stone tablet now kept in the Hui-tung county museum, given the title, \"The repair of the T'an-kung Temple of Chiu-lung shan\" dated 4th year of Tao-kuang (1824), records that the original temple was built thousands of years ago, was repaired in the 40th year of Ch'ien-lung (1775), and then rebuilt and enlarged in the 4th year of Tao-Kuang (1824). The pavilion that I saw was rebuilt quite recently.\n\nIn Hong Kong, there are two Tam Kung temples. They were built in the late Ch'ing by people from Hui-chou. The Tam Kung Temple at Wongneichung was built in 1901. It was originally built on the hill slope near the present Hong Kong Sanatorium. A bell", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 212251, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 193, "title": "RAS-1990", "content_text": "170\n\nburning of the temporary theatre, and the sudden deaths of the troupe or community members, were believed to be the outcome of either a violation of the taboo, or a bad performance of the ritual. Besides such disasters, harm of a moderate degree can also occur. This might include the sickness of troupe employees, the loss of an actor's voice, the forgetting of one's part and the commitment of some impossible mistakes during a performance. It has also been a custom that local people should stay away from the performance hall or hide themselves at home before the completion of the White Tiger ritual.\n\nWithin the Cantonese operatic troupes which perform in modern Hong Kong, the taboo of shutting one's mouth and keeping quiet is still strictly observed by the two actors, three percussionists and two to three backstage workers who happen to be assigned by the troupe owner to participate in the preparation and performance of the ritual. Such troupe members often avoid laughing and talking from the moment they arrive at the theatre until the ritual is held, even in areas other than the stage. The two actors always stay away from their friends and colleagues and do not talk to each other. Other employees of the troupe try to hide themselves in the dressing compartments of the backstage, or leave the stage area.\n\nAnother tradition connected with the White Tiger ritual concerns the entrance and exit space located between the backdrop and the back wing curtain on both sides of the frontstage. These two areas are called fu dou mun (the tiger's gate of passage) and are referred to as the Tiger Gates in the present paper. It is uncertain whether the White Tiger ritual is related to the Tiger Gates but another taboo requires the employees to enter the frontstage area through the gate at stage left and leave through the one on the other side before the completion of the White Tiger ritual.\n\nAs pointed out by Barbara E. Ward in her paper \"Not Merely Players: Drama, Art and Ritual in Traditional China\", to avoid the breaking of the taboo by outsiders who do not know it, troupe members do not welcome any visits onstage before the ritual is held. However, the present writer has observed that some backstage workers of a younger age often fail to follow the taboos. Some of them said that they did not believe in these taboos and dismissed them as old-fashioned superstitions.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212257, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 199, "title": "RAS-1990", "content_text": "176\n\n8.\n\ntwo actors resume their normal human identity at the conclusion of the ritual before they can step into the backstage.\n\nAt this moment, troupe members who stay onstage cry out loudly to signal the removal of the taboo which prohibits the opening of mouths. Joss papers are then burned as offerings to the spirits and deities. The whole White Tiger ritual lasts approximately from about three to five minutes.\n\nConclusion\n\nAs pointed out by both Tanaka Issei and Barbara E. Ward, there is an inseparable relationship between Chinese opera and religious rituals. The Offering to the White Tiger aptly illustrates how the performing conventions of Chinese opera are incorporated into the staging of an exorcistic act. On the other hand, as many scholars believe that Chinese opera grew out of religious roots, we might also say that the former adopted the conventions of the latter for dramatic expression.\n\nWhat is discussed in the present article relates to the White Tiger ritual and describes only some of the taboos and religious practices which are preserved in the tradition of Cantonese opera. As the present writer has pointed out in his other articles, other taboos and religious practices require troupe members to pay respect to the local deities upon their arrival at the place where they are hired to perform. Troupe members should also offer incense to the shrines of the profession's patron deities backstage, and place joss sticks at the edge of the frontstage to appease the spirits, ghosts and deities which will then protect them from falling off the stage. On the second day of the performance series, before the evening's play starts, joss papers should be burnt, as an offering to troupe members who have died. Moreover, as in many other Chinese regional operatic genres, whenever a troupe first arrives at a performing hall, even if it does not contain a \"new stage,\" the principal comic role actor has to write the Chinese characters dai ger (big fortune) on the wooden or bamboo pillar closest to the Tiger Gate at stage right, with a brush and using a type of red pigment made from a combination of oil and cinnabar, before the other actors can start their make-up. Such a ritual is known as hoi ber (to open a brush'').\n\nA traditional taboo prescribes that the strokes in the radicle hau ...", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213280, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 102, "title": "RAS-1994", "content_text": "82\n\nThe site of the flat in the case study is not perfect. The hills could surround the home, at the sides, more, thus providing a better 'armchair effect'. The shapes of hills and features on hills, similar to boulders such as Sha Tin's Amah Rock, frequently form the backdrop for wayside shrines. This rock did not ask, some rustics will tell you, to be eroded into the shape of a woman with a baby on her back, and the wind and the rain did not want to sculpt them, it is something that just happened. Such features display the power of nature and the majesty of the cultural landscape. Like the Australian aboriginals, boulders or other objects in Hong Kong can take the forms of beasts, real or imaginary. This is especially so for the Hakka Chinese. There is some resemblance between aspects of Chinese folklore and its Gaelic counterparts. The latter has its mischievous leprechauns.\n\nBut whether it be a Chinese village hovel or a palace, the ideals to aim for are similar. With the basic grammar of an ideal site, with us 'armchair of slopes' and 'ring of sunny hills', the spur on the right is known as the 'Azure (green in Cantonese) Dragon'. That on the left is described as the 'White Tiger'. More of an armchair effect would give the building in our case study better protection against calamities. Like typhoons for instance, which rampage in from the south-east.\n\nIn the case of a mountain, which should be tranquil but can also signify 'authority and vigour, it may 'overpower' the natural environment. A 'killer breath' (shaar hei), as mentioned earlier, with harmful currents that travel in straight lines, may develop. There, the chi is violent. In some instances these forces can be deflected by screens, fences, water, fountains, mirrors or lucky charms. An eight-sided Baat Kwa, with Trigrams in the centre, may be used. A small, hand-held 'windmill' can be employed to disperse strong chi. With such remedial measures an unfavourable site may later be classified as favourable.\n\nNevertheless, because of inauspicious circumstances and the anger of the gods, a slope or cliff consisting of partly decomposed rock may turn to mud during a storm. Thus a hill may not provide the intended security to a building. 'Feels as if the mountain top is always watching you,' is how some villagers explain it. To overcome such 'negative influences', trees can be planted to form a 'curtain' in an effort to 'mask' the ridge (Ajmer, 1968:75). But, during the Japanese Occupation in World War II, such trees were sometimes felled because of a fuel shortage.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213458, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 54, "title": "RAS-1995", "content_text": "21\n\n \n 20\n Natural features are believed to represent animals or figures, such as a girl gathering flowers. Objections on the basis of “fung shui” belief have been raised by villagers when public works have been undertaken. If any project is likely to affect the “fung shui\" of an Hakka village, the villagers believe that a \"tun fu\" ceremony held by a geomancer will safeguard the village. Even in 1912, however, the old ideas of \"fung shui\" were being modified so far as they proved incompatible with foreign laws and ideas; and nowadays the belief is dying out gradually among the younger generation.\n \n\n124\n\n“Fung Shui” objections also occur in the domestic field, to the opening of windows in a house that faces another or a temple. Such a window is thought to be a voracious tiger. A lamp flashing in the direction of another house is counted equally obnoxious. Such objections are mainly confined to Cantonese, but the Hakka, from their greater belief in animism, are more concerned with the \"fung shui” of trees and rocks.\n\nThe siting of graves, as already indicated, is also influenced by \"fung shui\" belief. For the first five years or so, a body is usually buried in an earth grave (wuct chong). Then it is exhumed and the bones are placed in an earthenware funerary pot (kam tap). Such earth graves and earthenware pots are sited in groups where the \"fung shui\" is good. Building or cultivation near such sites is not permitted. If the family or clan of the deceased is wealthy, then the funerary pot holding the bones is usually installed in a masonry grave, which again is sited according to the principles of \"fung shui\" belief, usually on a hill (shan fan). A half-circle in front of such a grave with a radius of ten yards is regarded as sacrosanct, and any disturbance of that ground is, by custom, forbidden.\n\n126\n\nBefore leaving the subject of land, it should be observed that even in the New Territories, the Chinese customary law may be excepted in cases involving land by the provisions of the Ordinance.3\n\nMarriage\n\nThe Chinese customary law of marriage, concubinage, and divorce obtaining in the New Territories does not appear to differ from that same customary law to be found in the Colony.12 From time to time,", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213635, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 231, "title": "RAS-1995", "content_text": "206\n\ntrials, International Military Tribunals were established, and Russia took part in the Tokyo trial although it had been in the war against Japan for only one week before the surrender. In all the other trials, Tribunals of Officers were set up to hear the cases. The range of offences to be tried as war-crimes was never precisely defined, but broadly concerned “offences against humanity” including events causing cruelty, indeed often death, to prisoners and civilians in occupied territories. The notorious Kempetai (military police) had tortured, and indeed, killed, many thousands usually in an effort to extract confessions. Were these trials a \"Victor's Justice\"? It is true that the Japanese surrender had made the trials possible, but the catalogue of criminality left no doubt that those appearing in the dock deserved the punishment they received. There were acquittals mostly as a result of problems of identification, and some because the required standard of proof had not been satisfied. Tribunals did not attach much weight to affidavit evidence since cross-examination was not feasible. Documents which were contemporaneous on the other hand usually told their own story, although bonfires of such documents had been destroying such evidence in the interval between the Emperor's surrender broadcast and the arrival of the Allied forces.\n\nThe first trial was of General Yamashita, the \"Tiger of Malaya\", who became Supreme Commander of Japanese Forces in the Philippines, and this began in Manila on October 29th, 1945. He was sentenced to death. Other trials were conducted by U.S. Tribunals: 90 were sentenced to death. During 1945 and 1946, Nationalist Chinese Tribunals convicted 504 as war criminals. The French convicted 198, the Dutch 969, Australia 644, and in Singapore and Hong Kong, the United Kingdom Tribunals convicted 811.\n\nAccused were permitted legal representation, and given interpreters and the assistance of an Allied officer, and this was strictly adhered to in the British trials. We had the assistance of Army Investigation Units which collected evidence. One problem was that mistreated P.O.W.s wanted to get home to England or Canada as soon as practicable for rehabilitation, and tribute should be paid to the public-spirited few who agreed to return as witnesses.\n\nMy first case in Hong Kong concerned atrocities in Kinkaseki Camp, Formosa, and its \"Hell Mine\", and one of my star witnesses was", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213835, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 187, "title": "RAS-1996", "content_text": "160\n\nwith the ancestors is piously worshipped.\n\nIndividual worshippers also visit the Houwang Temple regularly to offer oblations on the 1st and the 15th of the lunar month and during important festivals. The temple is obviously owned and controlled by the Tung Chung community and has thus been regarded as a “village alliance temple,” as defined by Brim.1 In such a mix-surname community as Tung Chung, folk religion and the temple of the principal local deity often stand out as a crucial cohesive force in the forming of an inter-village coalition. Researchers such as James Hayes have considered Tung Chung an example of multi-clan communities on Lantau Island, where temples provide the vital link and become the venue of inter-village groupings.2 Emphasizing the concept of territory, Faure suggests that local temples, as centres of collective worship and communal ritual performance, serve as symbols of territorial unity. In villagers' perceptions, as observed by him, their territorial organization is expressed in terms of gods, shrines, and temples, which form one of the most important conceptual systems in the village world. A local temple might be built as a result of the formation of a neighbourhood of villages. The shared management of a temple would, in turn, strengthen a village neighbourhood's territorial dominance. In Tung Chung's Houwang Temple, a tablet recording a 1910 reconstruction project with a list of money donors supporting the work clearly evidences the existence of a community of joint villages worshipping Houwang as its patron god and managing the temple as its village coalition temple.J\n\nt\n\nAlthough two more temples, the Old Temple of Hsuan-t'an (at Shek Mun Kap) and the Ta-wang Palace (E) at Ma Wan Chung, were set up in Tung Chung after the War, they are far inferior to the Houwang Temple in terms of size, style, and architectural structure. In sharp contrast to the mass worship which takes place at the principal deity's temple, personal rituals are performed at these minor temples only by a few residents at individual respective villages. The Old Temple of Hsuan-t'an is situated in front of the big rock that marks the village entrance of Shek Mun Kap. Local legend holds that there used to be a Hsuan-t'an Temple at the village but it collapsed. In the 1970s, Shek Mun Kap's villagers rebuilt the temple for geomantic purposes. They hoped that Hsuan-t'an, the Tiger Conqueror, could vanquish the white tiger, a rock on the hill facing the village, and protect", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214239, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 97, "title": "RAS-1998", "content_text": "60\n\nconcrete images of Thai Buddhas, the [Chinese] Jade Emperor and Siva with the tiger. Temple staff of the three religions attend to their own altars and help devotees as and when required.\n\nThe most widespread Buddhist images seen throughout China which are obviously not Chinese deities are the four major guardians in the entrance hall to Buddhist establishments, the Defenders of the Faith. These and other similar minor guardian deities are former gods of Indian folklore and include the giant guardian deities known in Chinese as Wu-shih, such as those whose images stand outside the main hall of the Jinci in Taiyuan. A further two are the traditional guardians of Buddhist temple gates dating from at least the 8th century. The one [facing the gate] on the right hand is opened-mouthed and coloured vermilion, whilst the guardian on the left has a closed-mouth and is the colour of charcoal. Both are made of stucco. In China they are known as the two generals Heng and Ha, the Blower and the Snorter. In legend they fought with secret weapons; one blew a deadly yellow gas from his mouth with a ha! and the second snorted a white beam of light from each nostril with a heng! which vaporised his enemies. They can also be seen guarding the entrances to Japanese Buddhist temples where they are known as Kongo Rikishi. All of these guardians are undeniably foreign in form in comparison with the gilded images of the standard Buddhas which are now not even considered by Chinese devotees to be anything but Chinese.\n\nWe know who the Deva are, when they were placed in their present temples, both in Taiwan and the Western Hills, but not why. From our various sources it would seem that these Sinicised Indian deities are celestial protectors. We can guess that the concept was imported at a comparatively late stage but who, individually, sponsored them and had the images made is now lost in time. It is interesting to note that present day monks in the Western Hills have little idea of their origins and were apparently completely disinterested in the subject.\n\nIn the cave-tunnel in the comparatively modern temple in Taiwan, however, the images were, to the religious specialists there, simply Buddhas of Yore, the principal ones who preceded Sakyamuni.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214367, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 225, "title": "RAS-1998", "content_text": "191\n\nindustry. It was common, so it claimed, for construction teams to hold Taoist rituals, including the sacrifice of oxen before work began.*\n\nOn the other side of the coin, according to the Bureau of Religious Affairs, about 200 Taoist temples have been re-opened to the public in China since the 1980s and seven Taoist provincial associations have been established. One of these temples is the former Taoist Cheng-i sect centre, the Heavenly Master Sect temple [T'ien-shih Miao] on Dragon and Tiger Mountain, Lung-hu Shan, in Kiangsi province. It was burned down in 1945 and work on rebuilding it did not begin until 1983. This consisted of the renovation of the main hall and the re-sculpturing of the images of the San Ch'ing, the Three Pure Ones, and fourteen other clay statues. Other sites nearby have also been renovated, including the Shang Ch'ing Palace, where the Immortals lived, and the Lien-tan Ch'ih, the Furnace [where pills of immortality were made]. It is interesting to read that both local and central authorities donated more than half a million yuan towards the project.\n\nAbout the same time as the iconoclastic campaign began, a ban was also imposed in Tsingtao, the port in southern Shantung, on the manufacture, sale and burning of funeral objects in a bid to curb a resurgence in superstition.\n\n...\n\nDespite all of these reports of the destruction of illegal temples and the crackdown on superstition, my daughter and I during the years 1995-1997 have visited a number of temples both urban and rural in remote areas of China as well as in cities and towns which, without doubt, fall under the category of superstitious religious establishments. We have not only been guided to several such temples by policemen but also in one instance we found the local party cadre actually lived with his mother inside a small popular religion temple. The only instance where a member of a temple staff had reason to explain that an activity was banned because it was superstition happened in the suburbs of Shanghai. When we asked why there were no oracular blocks on the altar with which to obtain the deity's answers to questions posed by devotees, we were told by the temple guardian that this particular practice was superstition and not permitted, whereas other routine rituals seen in temples in Hong Kong and Taiwan were. A Chinese scholar recently explained that in his view illegal temples are the structures built without permission because local State authorities have not had the quid pro quo erection of a village school, crèche or health centre paid for by the villagers with the same sum funded for the project as\n\nPage 225\n\nPage 226", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214792, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 207, "title": "RAS-1999", "content_text": "172\n\nSaub us uj, listen carefully to what the Master has to say, the Master carries a crossbow on his back and a cock under his arm to accompany you, and now leads you into a deep dark forest, with great crickets wailing, take no notice of them, have no fear, for this is the sound of your own daughters and sons weeping and lamenting, you make your own way and go ahead, go ahead and play\n\nSaub us uj, listen carefully to what I am telling you now, the Master has led you past the leaping mountain crags of Dragon and Tiger, I now take you to your very own country to find the hillside of your grave, that is your country and there is your land, putting aside the breath of life, go off and play\n\nThe Master who leads you to find your country and your land, will lead you to return home again along the flowery path of revival, in the central hall, you will hear the sound of the reed pipes like great crickets wailing, and the sound of the drum like the mighty thunder roaring, but have not fear, these are the ways and the paths of your ancient Mother and Father...\n\nIn tales and legends of the past, the Hmong who have traditionally been shifting cultivators, speak of a vanished kingdom from which they were ousted by the all-powerful, dominant Han Chinese (Tapp 1989). Their dislocation as shifting cultivators and denizens of South East Asia is thus constantly referred to a 'lost point of origin' which is at the same time, most definitely, a physically located place, assumed by many Hmong to be located somewhere in their ancestral homelands in the mountains of southern China.\n\nDuring the many deaths, losses and separations of the political conflicts the Hmong were involved in during the Indo-China Wars from 1954 to 1975, these legendary and nostalgic recollections of the past took on an added personal poignancy, as parents were separated from children, husbands from wives and brothers from sisters, during the fighting and then through the refugee diaspora which followed 1975. This is truly what Robin Cohen (1997) calls a ‘victim diaspora', showing clearly the intrinsic relation between the formation of modern nation-states and the existence of displaced populations (Vertovec and Cohen 1999; Agamben 1998).", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214887, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 302, "title": "RAS-1999", "content_text": "ONE OF HONG KONG'S MANY HILLSIDE TEMPLES:\n\n\"THE TEMPLE OVERLOOKING THE SEA'\n\nDAN WATERS\n\n275\n\nThere are a number of hillside temples, both on Hong Kong Island and in Kowloon. But very little appears to have been written about them or about the communities that worship in them and frequent their environs.\n\nThis short paper looks at a small, ramshackle temple complex, including 'The Temple Overlooking the Sea', which used to cling to the hillside. Painted somewhat garishly bright red, green and yellow, it stood downhill, on the western side of where the remains of the old British Pinewood Battery are still situated. The latter, at 307 metres above sea level, was the highest of all Hong Kong's coastal defence batteries. To get to the temple you went up the winding, partly asphalted and partly concreted, Hatton Road, which starts at the western end of Conduit Road, where it joins Po Shan and Kotewall Roads. Hatton Road is steep and leads up to the Gap between Victoria Peak and the still, relatively unspoiled, High West.\n\nAbout half way up Hatton Road, on the way to the Peak, there is a branch off to the right, and, a further 35 metres or so along with a pavilion atop Dragon and Tiger Hill on your right, you turn left on to a concrete-paved jeep track. Proceeding downhill for approximately 300 metres you can still see the hillside scars and sorry remains of the old Temple complex. They are situated along what is sometimes called Cheung Po-tsai's Path, named after Hong Kong's most notorious pirate who was especially active in the first decade of the 19th century. Whether he actually used the path is debatable. It circles the western end of Hong Kong Island above Mid-Levels.\n\nNotices were posted up in the summer of 1999, in the area around the 'Temple Overlooking the Sea', saying that the complex was to be demolished. It was an illegal structure. The old Chinese folk who were very attached to the Temple were naturally upset and, although there were no strong protests, a few of them did attend meetings organised by government departments. Although the Temple folk sometimes", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215081, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 177, "title": "RAS-2000", "content_text": "134\n\nQuadrants of the 28 Heavenly Constellations, the image of Chen Wu [Xuan Wu], as Lord of the North, was usually to be seen on altars, usually in Daoist monastery or temple entrance halls, together with the Azure Dragon [Qing Long] of the East, the Vermilion Bird [Zhu Qiao] of the South and the White Tiger [Bai Hu] of the West, where they were the guardians.\n\nAlthough Tai Sui is the Minister of Time, another major deity, Fu Xi, has been credited not only with the establishment of kingly rule, of marriage laws, but also the computation of time by inventing a form of calendar using a knotted cord. The Eight Trigrams [bagua] are attributed to him as well as the development of a system of fortune telling using these trigrams which has governed the lives of a great many Chinese ever since.\n\nYang Ren\n\nThere is ambiguity over the rôles of the two deities, Yin Jiao and Yang Ren. In the very early days, before the emergence of the concept of the stems, the twelve branches were represented by images of the deities of the year with all twelve portrayed on altars in temples, especially in northern China where they were regarded as an entity commanded by Yang Ren. Later, when the Sixty Spirits of Taisui, that is the sixty cyclic deities, replaced the Twelve, they too were commanded by Yang Ren - or by Yin Jiao depending on local legend. According to the Fengshen Yanyi Yang Ren is the Jiazi Taisui [the first of the sixty combinations] and is known as Jiazi Taisui Zhengshen.\n\nXIE. [see photograph 4: with small hands emerging from the eye sockets] whilst Yin Jiao, as we have seen above, was identified in the same historical novel as the President of the Ministry of Time. Though we have accepted Yin Jiao as the President of the Ministry and Yang Ren being the identity of the primary Taisui, the picture is far from conclusive.\n\nThe Ten Stems and Twelve Branches have been represented in human form in a number of temples but, as far as can be ascertained, none has been connected with the Lord of Time, Taisui. One of two side walls of the main hall of a temple near Pingyang in Shanxi province representing the Lord of the Northern Dipper, Zhen Wu, contains 13th century frescoes depicting ten figures. These represent five of the Ten", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215250, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 27, "title": "RAS-2001", "content_text": "this project will now be completed by the summer. Please keep an eye on the Newsletter for details.\n\nDuring the year, apart from the Journal, the only other publication with which the Society was associated was the publication of a Polish translation of Han Su-yin's The Crippled Tree. The translator of this novel asked for the Society's assistance. The Society accordingly acted as publisher for the work, and co-ordinated dealings with the printer. No cash assistance was required. A copy of the translation will be available for members in the Society's Library.\n\nThe Volunteers\n\nThe Society has a group of Volunteers who do voluntary work for the Antiquities and Monuments Office, both by visiting historic buildings with a view to grading them, and by assisting with archaeological excavations undertaken by the Office in Hong Kong. The group provides tremendous support for the Office, while, at the same time, providing those members who give up their time to the job with the perfect opportunity of getting to know Hong Kong's antiquities on an intimate level. I must express the Society's thanks to the Volunteers, and especially to Mr. Bob Horsnell and Mr. Bill Greaves, who run the group so noticeably well.\n\nDuring this last year the group has visited a number of historical buildings and sites, and in particular has been researching the Tiger Balm Gardens, and some of the remaining structures connected with the old RAF Station at Kai Tak, a few of which still remain from before the War. Buildings under consideration for grading in old Wanchai have also been researched. On the archaeological side, the group assisted Dr Solomon Bard in his important excavations in the garden at Tai Fu Tai, San Tin, where a number of interesting finds were made, including a very large garden pavilion, a well-laid pathway, and a large pool with a small pavilion built over it on a granite platform.\n\nThe Volunteers remain very much a group in being, and have a programme of work stretching over the next few months. Members interested in joining the group should contact Bob Horsnell: anyone willing to give up a weekend-day on a regular basis would be considered!\n\nxxiv", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]