[ { "id": 204356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 124, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n120\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nIn the New Territories, there are at present no funeral parlours and few undertakers. As in the agricultural interior of China, practical responsibility still falls mainly on the kinsmen of the deceased. The customary burial of villagers is in two stages: initial coffin burial, and subsequent exhumation and re-interment of remains. Having encoffined the body, the relatives normally sustain the vigil directly outside the home under a temporary shelter. Burial then takes place in a traditional village area, but no monument is erected beyond a small unshaped stone at the head of the grave. After five years or more, the body is exhumed. The bones will be cleaned by the family and be placed either in a funerary urn (kam t'aàp) or in a formal masonry grave (shaan fan) shaped like a horseshoe. In the funerary urn, the bones will be arranged in a manner as if the deceased were sitting in the Buddhist lotus posture.\n\nThe siting of funerary urns and horseshoe graves is of particular importance. Relatives will go to great lengths to ensure that the jung shui of the site is propitious. In other words, they wish to ensure that the benevolent influence of the site will protect the deceased, as a member of the family, so that he in turn will look kindly upon his relatives. The site is usually high up, commanding a view of water, and on a ridge or spur which represents, for instance, a dragon, snake, shrimp or crab in its formation. Standing with one's back to a horseshoe grave, one sees a half circle within a radius of ten yards, which is normally regarded as sacrosanct. Disturbance of the ground is regarded with strong disfavour. Traditionally, the left arm of the panorama in front should consist of a long ridge (containing a \"green dragon”) and the right arm of a shorter ridge (containing a \"white tiger\"). In a horseshoe grave, the exhumed remains are buried in a jar in the centre, just in front of a stone plaque (pei shek) that records the name of the deceased, the date of his death, and other details. Important graves of recorded ancestors or founders of a clan are often flanked by a small shrine (haû tỏ) on either side and sometimes another behind, at a distance of ten to twenty feet from the main grave. The object of the shrines is to persuade the earth god to look after the grave.\n\nWhether the exhumed remains are to be placed in a funerary urn or in a horseshoe grave seems to be governed by the sex and general standing of the deceased in the clan, or even by the financial state of the relatives at the time of exhumation. The remains are normally fit for exhumation after a minimum of five years of burial, but, even so, exhumation should not strictly take place unless there has been no pregnancy amongst the deceased's close female relatives in the immediately preceding nine months. This requirement, which would tend to impose some hardship", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204430, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 62, "title": "RAS-1962", "content_text": "CHINESE SEALS\n\n51\n\nas Small Seal was proclaimed by the Government in place of the previous existing irregular characters which were known as Big Seal characters 大篆 or ch'ou wen 籀文,\n\nIt was during the Chin Dynasty that the term sist 鉥 was restricted to mean the Emperor's seal and official or personal seals were known as yin 印. The Chin seals are usually cut in intaglio, with cross or vertical dividing lines and a line at the margin. The size is about 1 inch square and the shape is usually square. The personal seals were more or less of the same style as the later Chou type.\n\nThe Royal Seal was said to be made of jade with eight Chinese characters cut in relief ****, with dragons carved on it as decoration. Official and personal seals were made of bronze with simple decoration.\n\nThe Han Dynasty (206 B.C.-221 A.D.) followed the short-lived Chin (221-206 B.C.). This was the golden age of seal making. During the Han Dynasty, a form of calligraphy was specially proclaimed for seal making. This is a cross between the small seal character of the Chin and the later Li 隸 character. It is regular, simple and upright, most suitable for seal making. The different types of Han seals 印 were most numerous, the chief of which were the official seals, personal seals and miscellaneous seals. The engraving may be in intaglio, relief or both in the same seal. Han seals exist to the present day in abundant numbers and their style is studied and copied up to this moment.\n\nThe decoration on Han seals was more elaborately made in that different ranks of officials possessed seals of different decoration; such as camel, horse, tortoise, tiger, leopard, bear, sheep, rabbit, lizard and etc. Even the colour of the cord signified different ranks. Personal seals might have decorations such as a tortoise or other animals.\n\nAs for the matrix of the seal, records show that Han seals were made from gold, silver, bronze or jade according to the rank of the official. Royal seals were made from jade. Personal seals might be made from precious stone, precious metal, bronze or gilt bronze. Ivory or horn of rhinoceros were also used.\n\nAfter the Han Dynasty, the art of seal making suffered a great set-back during the Sui (600 A.D.), T'ang (618-907 A.D.),", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204437, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 69, "title": "RAS-1962", "content_text": "58\n\nHEROLD J. WIENS\n\nmountainous regions of south China but also across the southern borders in Burma, Laos and Vietnam.\n\nThe Yao, like the Miao, also are mountain-loving people, but appear to have originated as ethnic groups in the hill country of east-central China, in such regions as the present provinces of Anhwei, Chekiang and Kiangsu. They were here as early as Chinese records mention them, but they appear to have gradually abandoned these areas, as Han-Chinese settlement increased in density, and friction over land and other matters led the Yao to seek more isolated mountains. Since they were like the Miao in their type of fire-field or forest-burning, shifting cultivation, they inevitably came into close contact with the Miao and have many cultural features in common with the Miao. Elements of the language also appear similar. Some Chinese ethnographers have considered the Wu-ch'i Man a Yao rather than a Miao group, and others believe them to have common origins. This confusion is probably due to strong Mon Khmer influences originating from India and Southeast Asia in the earliest times.\n\n4\n\nOne of the supporting arguments for the common origin of Yao and Miao is the common cult attached to the dog and the tiger. The Yao trace their ancestry mythically to the union of a princess with a supernatural dog-hero called P'an-hu. Yao myths trace their movement southward from both the central Yangtze valley regions and from the Chekiang-Fukien mountains. Folk songs of the Yao indicate further that they crossed over the Nan-ling mountains in great numbers during the period of Huang-ch'ao's rebellion in the reign of the T'ang Emperor Hsi-Tsung (A.D. 874-889),4\n\nWhen the Miao moved into the Kweichow region in the earliest times, they probably found the Yi or Wu-man peoples already in occupation of western Kweichow. The Yi certainly preceded the Han in this part of China, and the Han Chinese have known of the Yi in their present habitats in southwest China for over 2,500 years. The peculiar manner in which the\n\n* Chiang Ying-liang, Hsi-nan pien-chiang min-tsu lun-ts'ung (A discussion of the peoples of the southwest borderlands), Canton, 1948, 74-79; see also Ling Shun-sheng and Jui Yi-fu, Hsiang-hsi Miao-tsu t'iao-cha pao-kao (Report of research on the Miao of west Hunan), Academia Sinica, Shanghai, 1947.\n\n4 Hsu Sung-shih, Yueh-chiang liu-yü jen-min (The peoples of the Yueh river drainage), Shanghai, 1939, 130-135.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204440, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 72, "title": "RAS-1962", "content_text": "CHINA'S 35 MILLION NON-CHINESE\n\n61\n\ntype shifting-cultivation of mountain slopes. Food supplies were restricted and commissary problems for military or administrative organizations here were large. The inducements to Han conquest were small, whereas the costs of conquest and military occupation were relatively large. The Han were in the main content to set up or permit local chieftains to operate with little interference except when Han interests were too much affected or when uprisings against Han oppression required pacification. The system of local rule described by the term \"T'u-ssu\" institution evolved into a system of petty hereditary kings holding commissions or warrants from the imperial government, or the central government in republican times, to rule their areas. In general, these areas have today become the nuclei of the so-called \"autonomous regions\" or \"autonomous districts\" of the Chinese Communists. However, there is much less autonomy in these areas than in the pre-Communist period.\n\n44\n\nL\n\nR\n\nWhat are some of the ethnic characteristics that set off one group from another among the chief non-Han peoples discussed in the preceding paragraphs? The Miao and Yao both share the semi-nomadic fire-field type of mountain agriculture except where their Sinicization has caused them to become entirely sedentary in the Han type of farming. Both engage in hunting, gathering and some lumbering to supplement their livelihood. The Miao are more likely than the Yao to do some herding of goats or cattle on the poor grasses of south China. Their crops are upland (dry-land) rice, maize, wheat and buckwheat.\n\nIn social organization, neither Yao nor Miao have strong tribal organizations traditionally, and there are no ruling classes. Both are patriarchal systems, with the Miao having a strong ancestral cult. Both share the dog and tiger cult. Among the Yao, at the end of the year there are ceremonies with masked participants for driving out evil spirits from the home and settlement localities. The Miao may or may not bury their dead in coffins, the Yao generally do. Freedom in sex and love between girls and boys prevails until their marriage, which is of their own choosing rather than through middlemen or marriage arrangers. Marriage among the Yao takes place after the first child is born. Among\n\n* Yu Yi-tse, Chung-kuo t'u-ssu chih-tu (China's T'u-ssu system), Chung-king, 1944,", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204461, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 93, "title": "RAS-1962", "content_text": "82 \n\nJ. W. HAYES \n\n10 \n\nstanding in loco parentis to the people of his district. An instance of this outlook is a proclamation issued by the Canton Viceroy in April 1899 in which he told the people of the New Territory that the English government had agreed that \"the people are to be treated with exceptional kindness \".10 On the reverse side of the medal the magistrate could also, like his followers in the tribunal, use his authority to evil purposes and be referred to as being as (fierce as) a tiger\" 如虎 or a dog-official\"35 whose extortions and venality were a byword \n\n44 \n\nin the district.1 \n\nC4 \n\n+ \n\n17 \n\nIn his government the Magistrate was usually assisted by an indoor and outdoor staff. The former might consist of personal adherents from his own home district who followed him from post to post, and partly of local personnel of the tribunal or yamen4 such as a legal adviser, secretaries, and land clerks, whose local knowledge it would be difficult to dispense with. All these were entirely dependent upon the magistrate for their livelihood, and upon what they could pick up in the course of their duties. To maintain his position and put food into the mouths of the members of his personal staff and their families the magistrate was given an inadequate salary by government. There were in addition the outdoor staff which comprised a considerable number of police, watchmen, runners and the like, who may have been paid by Government despite what Lockhart says to the contrary, but used their opportunities as they came, \n\nIn the San On district the Magistrate's yamen was at Nam Tau, which lies beyond the northern or further shores of Deep Bay on the far side of the Nam Tau peninsula. This was the district city where the treasury, jail and examination halls were also situated. It also contained a Confucian temple. The seat of government therefore lay outside the borders of the New Territory which, however, was served by several of his subordinate officers. He was assisted by an assistant magistrate10 whose office was at Tai Pang north-east of Mirs Bay and outside the New Territory and two deputy magistrates, one of whom was stationed within the walled city of Kowloon. They had power to make arrests and conduct preliminary enquiries but were bound to refer most cases to Nam Tau for final decision. The Kowloon deputy, like his colleagues, had a lock-up for detaining persons pending trial and there was also one each for the local", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204652, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 133, "title": "RAS-1963", "content_text": "NAVIGATION ON THE YANGTSE \n\n119 \n\nThe restriction about navigation beyond Ichang was abolished after the Sino-Japanese War by the Treaty of Shimonoseki in 1895, and three years later the indefatigable Little had the satisfaction of taking his Leechuan from Ichang up to Chungking, the first steamer to navigate the Upper Yangtse. The Leechuan was a twin screw, wooden, steam launch only fifty-five feet long, and too small to carry any cargo. Little acted as his own captain and chief engineer, and the Leechuan had to be pulled up the strongest of the rapids by trackers. Two years later, however, a larger paddle steamer Pioneer, built by Little and a group of associates, made the first commercial passage to Chungking. The Pioneer was built by Denny of Dumbarton, and was 180 feet long, 60 feet beam over the paddle boxes, and had a draft of 6 feet. She carried 150 tons of cargo and many deck passengers, and took seven days between Ichang and Chungking on her first trip. There is a photograph of her in Gleanings from Fifty Years in China by Archibald Little (Philadelphia, 1908), p. 141. Shortly afterwards the Pioneer was commandeered by the British government to bring British subjects down the Yangtse during the Boxer troubles, and she finished her career as H.M.S. Kinshi, the headquarters ship of the Senior British Naval Officer on the Yangtse.\n\nIn that same year of 1900 the British river gunboat Woodlark, which was 145 feet long, by 23 feet beam, but had a draft of only 3 feet, also reached Chungking, and in the following year Woodlark and her sister ship Woodcock reached Sui Fu, 100 miles beyond Chungking. It was in the December of that year that the first of many serious accidents occurred on the Upper Yangtse, when the German steamer Suichsiang went on the rocks at the Tungling Rapids, 36 miles above Ichang, and was a total loss.\n\nThe Yangtse has its source in Tibet, not far from the headwaters of the Yellow, Mekong, Salween, and Irawaddy Rivers. When this became known to Europeans it became the ambition of many travellers to go up the Yangtse as far as possible, and then to cross over the Himalayas into Burma or India. This journey had a fascination for Europeans very similar to that exercised by the Nile and Niger over their fathers and grandfathers. The naval expedition of 1861, which went up the river as far as Yochow, landed three Englishmen there who intended to follow the river to its source in Tibet, and then cross over the Himalayas into India. Captain Blakiston, Lieutenant Saral, and Doctor Barton of", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204842, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 145, "title": "RAS-1964", "content_text": "120\n\nFORKE'S TRANSLATION OF THE LUN HENG'\n\nReviewed by D. LESLIE2\n\nThe Lun Heng\n\nof about A.D. 85, is the work of Wang Ch'ung £ (c. A.D. 27-96), one of the most original thinkers of Han China.\n\nMany, including Hu Shih and most western scholars, have praised his critical ability. In fact, this praise is not entirely justified. Wang Ch'ung, in this respect, falls far short of the Chou Confucian philosopher Hsüntzu (also Chuangtzu and Hanfeitzu). Han philosophy is generally considered to lack the originality of the classical Chou philosophers, and Wang Ch'ung, as Fung Yu-lan points out, was a child of his time. The most we can say is that he rises head and shoulders above his Han contemporaries in his critical abilities.\n\nIt is true that Wang Ch'ung demands proofs and verification by experience at all stages in his arguments, but his idea of proof and experience is insufficiently empirical. He does not seek out the facts. He believes some of the weirdest stories (that Duke Ai was changed into a tiger; that Huang Ti, the Yellow Emperor, was twenty months in the womb; that hares give birth via the mouth). As Marcel Granet has expressed it (in his La Pensée Chinoise, 1934, p. 580), \"son scepticisme a quelque chose de livresque\".\n\nWang Ch'ung's criticism is always based on pre-conceived postulates. Rather than reject the superstitions of his time, he merely reinterprets them in accordance with these postulates. Herein lies both his strength and his weakness. A good example is his denial (in his chapter 15 and elsewhere) of the many supernatural births accepted by his contemporaries. For, together with this denial, he accepts the factual truth of all the omens that accompanied these supernatural births. Omens, such as signs in the sky or lines in the hand (the Lun Heng incidentally gives the earliest extant reference to palmistry in China), the appearance of weird animals and plants, all mark, he believes, the rise and\n\n1 Lun-Hêng. By Alfred Forke. Paragon Book Gallery, New York, 1962. Pt. I, iv+577; Pt. II, vi+536. U.S.$20.00,\n\n2 D. Leslic is a Research Fellow in the Department of Far Eastern History, Australian National University, Canberra,", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204922, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 30, "title": "RAS-1965", "content_text": "NIAH CAVE, 1947 - 1964\n\n23\n\n9. Jeragun a very high cave up a barely accessible cliff, discovered in 1960 (c.600 square feet). Crammed with primary burials of small-bodied adults and urn burials of infants and some women. Very simple material culture, perhaps of a more primitive group (Punans?) integrated economically with the Great Cave people. The deposit has been entirely removed, owing to danger of guano-extraction and difficulty of control at this point. This material is being studied as a unit in Britain, by Dr. Calvin Wells and others.\n\nMATERIAL FINDS\n\nA new building in Kuching, completed in 1958, now houses the bulk of the materials from Niah and related excavations just described. These include stone tools from fully palaeolithic \"hand-chopper\" and flake tools, through to neolithic polished round axes and then to quadrangular adzes — about 5,000 pieces in all. Bone-tools are richly represented and have been recently classified tentatively into seventeen categories by Lord Medway and the writer. A great quantity of food-bone remains are all kept. Where possible, these are sent abroad to zoological specialists and reported upon separately (see below). Animals now extinct in Borneo include tapir, rhinoceros, giant pangolin, and tiger. Food shells abound. Samples are kept for each trench; all others are counted-off as excavated, against a coded species identification list. Shell tools (including fossil oyster) are less common. Skeletons are treated as above; plus several thousand scattered teeth which are being studied on the spot by Dr. Yim Khai Sun and assistants.\n\nIn the upper levels, earthenware pottery (studied on the scene by Dr. W. S. Solheim) in a wide range of types starts in the neolithic and reaches an apotheosis in massive \"three-colour ware\" urns, several of which have been reconstructed and are on museum display. Some of this pottery was made in the caves; one such site has been excavated. Pottery and bone were also used for beads in the neolithic. Glass replaced bone as a bead material a little later and shell and bone jewellery then became scarce in the sub-surface. Several fragments of fine bronzes, carved ivory, and also iron tools came in the topmost levels or in the special burial caves. A few textile fragments\n\nPage 30\n\nPage 31", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 204937, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 45, "title": "RAS-1965", "content_text": "38\n\nSIR JOHN BOWRING\n\nhaving been nursed and reared by tigers.\" \"Where should we have been,\" he asks, \"if our grandmothers and mothers had been drowned in their infancy?\" And he quotes two instances of the punishment of mothers who had destroyed their infants, one of whom had a blood-red serpent fastened to her thigh, and the other her four extremities turned into cow's feet.* Father Ripa mentions, that of abandoned children, the Jesuits baptized in Peking alone not less than three thousand yearly. I have seen ponds which are the habitual receptacle of female infants, whose bodies lie floating about on their surface.\n\nIt is by no means unusual to carry persons in a state of exhaustion a little distance from the cities, to give them a pot of rice, and to leave them to perish of starvation when the little store is exhausted. Life and death in China, beyond any other region, seem in a state of perpetual activity. The habits of the people, their traditions, the teachings of the sages all give a wonderful impulse to the procreative affections. A childless person is deemed an unhappy, not to say a degraded, man. The Chinese moralists set it down as a law, that if a wife give no children to her husband,\n\n*Doubt has been sometimes expressed as to the practice of Infanticide in China on any great scale; but abundance of evidence of the extent of the usage may be found in Chinese books. The following is a translation of a Decree of the Emperor Kanghi, entitled,-\n\n\"Edict prohibiting the drowning of children.\" \"When a mother mercilessly plunges beneath the water the tender offspring to which she has given birth, can it be said that it owes its life to her who thus takes away what it has just begun to enjoy? The poverty of the parents is the cause of this wrongdoing; they have difficulty in earning subsistence for themselves, still less can they pay nurses and undertake all the necessary expenses for their children; thus driven to despair, and unwilling to cause the death of two persons to preserve the life of one, it comes to pass that a mother to save her husband's life consents to destroy her children. Their natural tenderness suffers; but they at length determine to take this part, thinking themselves at liberty to dispose of the life of their children, in order to prolong their own. If they exposed these children in some unfrequented spot, their cries would move the hearts of the parents; what then do they? They cast the unfortunate babe into the current of a river, that they may at once lose sight of it, and in an instant deprive it of life. You have given me the name of Father of the People: though I cannot feel for these infants the tenderness of the parents to whom they owe their being, I cannot refrain from declaring to you, with the most painful feelings, that I absolutely forbid such homicides. The tiger, says one of our books, though it be a tiger, does not rend its own young; towards them it has a feeling breast, and continually cares for them. Poor as you may be, is it possible that you should become the murderers of your own children? is to shew yourselves more unnatural than the very beasts of prey.”— Lettres Edifiantes, vol. xix, pp. 101-2,\n\nIt\n\nPage 45\n\nPage 46", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 204987, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 95, "title": "RAS-1965", "content_text": "86\n\nTHE CHINESE UNIVERSITY OF HONG KONG\n\nSTEVE S. C. HUANG\n\nThe need for a university in Hong Kong teaching through the medium of Chinese has existed for many years. As the \"Report of the Committee on Higher Education in Hong Kong,\" published in 1952 by a group of British scholars led by Professor John Keswick and commonly known as the Keswick Report, said, \"Hong Kong is unique geographically and politically and its people have a more advanced cultural background than the peoples of most other colonies.\"\n\nThe vast majority of its inhabitants are Chinese, and the Chinese have a traditional love of scholarship, and a highly developed language, literature, and artistic sense. Hong Kong, it was thought, by reason of its location and circumstances, should certainly be a centre for the East and the West to meet, not only for commercial advantage, but also for cultural exchange. To accomplish this, a university with Chinese as the medium of teaching was considered as important as a university with English as the medium of teaching; each would make a valuable complement to the other,\n\nEver since the inception of the University of Hong Kong, even among the British residents in the Colony, there have been many who have advanced the idea of establishing a university which would teach through the medium of Chinese, or a university which would teach through the medium of both Chinese and English, in all branches of learning. The Keswick Report gave strong support to such an idea. For various reasons, however, this recommendation of the Keswick Report did not lead to immediate action.\n\nNevertheless, the need existed. Since 1949, social and political conditions in China have undergone a great change. In addition to the large number of young men and women of college age who could no longer return to China for their higher education as earlier generations did, there were thousands who emigrated from\n\nThe author, a former student of Journalism and History at the University of California, Berkeley, and City Editor of the Hong Kong Tiger-Standard, is currently Assistant Registrar of the Chinese University of Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205024, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 132, "title": "RAS-1965", "content_text": "NOTES AND QUERIES\n\n123\n\nhappened recently at Tong Fuk on Lantau Island, a multi-clan Cantonese village with a population of 198 at the Hong Kong Census of 1911. Its present population is about the same number. In 1958 the scheme to build a new reservoir at Shek Pik was confirmed and work went ahead on the dam and associated works. Behind Tong Fuk there were to be catchwaters for which an access road had to be constructed to the west of the village. This led to difficulties with the villagers, because in feng shui ideology the place was held to be the seat of the White Tiger. They therefore requested a ceremony known locally as a tun fu (符) — to propitiate the gods and spirits who would, as they thought, be aroused by digging earth and blasting stones in this particular place.\n\nPrecedents were cited by the village elders. They said they had carried out such a ceremony thirty-five years before, following several unexpected deaths in the village. The inhabitants had worshipped at the Hung Shing (廟) temple on the beach nearby, praying for the removal of the malignant influence. It transpired that a villager had cut stone from this particular spot to build a house. The elders then invited a Taoist priest — a Hakka — to come from one of the neighbouring villages to carry out the propitiatory observances usually made under such circumstances. They also said that a similar ceremony had also been conducted twenty years before in the adjoining Cantonese village of Shui Hau, this time by a priest engaged from the urban area. Deaths had also occurred there and had been traced to one of the villagers having constructed a cowshed in front of his house on ground with feng shui properties.\n\nReturning to the 1958 case, the elders proposed to call in the services of the nephew of the priest who had supervised the ceremony thirty-five years before. He was a man of forty years of age who had followed in his uncle's footsteps. Such persons are known locally as feng shui hsien sheng (風水先生).\n\nThis ceremony was supposed to cause considerable inconvenience for the villagers, in theory if not in practice. One week of vegetable diet was obligatory for all and there was also a three-day prohibition on entering and leaving the village: that is, if the ceremony was to realize its full value. This meant that no cows could be grazed or grass or firewood cut on the hills; nor, presumably, could men go out to work in the fields.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205171, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 127, "title": "RAS-1966", "content_text": "122\n\nJAMES HAYES\n\npermitted to settle there, and stringent measures will be taken to prevent its becoming as heretofore a resort for thieves and outlaws, who are hereby warned that they will be proceeded against with severity if they attempt to conceal themselves within the above-mentioned limits **6\n\nWho were these people? Most of the inhabitants of Old Kowloon at this time were Hakkas, whereas the earlier inhabitants of the flatter and more fertile areas of the peninsula, especially round Kowloon City, not far beyond the northern boundary of British territory, were Cantonese. The major Cantonese settlements in the area south of the Kowloon hills date back to the Yuan Dynasty (1280-1368) and even before, whereas the Hakka settlers of the southern part of the Kowloon peninsula are of much more recent origin. Most of them appear to have come into the area in the first half of the 19th century, especially after 1841.\n\nSeveral factors can be said to have operated in bringing Hakkas into the area in the middle years of the 19th century. In the first place, there appears to have been a continuing movement of Hakkas early in the century, seeking to settle on new land. Then, after 1841, there was the attraction of nearby Hong Kong with its opportunities for work, and perhaps wealth. The development of Victoria, the capital city, brought a demand for granite and this was readily available in the rocky outcrops of Kowloon, from which it could conveniently be transported across the harbour to the new building sites. In 1871 there were no less than eighty-one stone quarries in Kowloon more than for the whole of Hong Kong island. Quarrying is traditionally work in which Hakkas engage: they pride themselves on their strength and ability to engage in such strenuous labour.10 Thirdly, the prolonged unrest of the Taiping Rebellion forced many individuals and even whole families to leave their homes and settle in British territory.\" One of the more picturesque settlers in Ho Man Tin Village in the 1860s was a Hakka who had allegedly been one of the Taiping generals and rejoiced in the nickname \"Seven Legged Heavenly Flying Tiger\".\n\nA contemporary observer who had spent nearly thirty years in South China described these people as follows: 12\n\nParties of tramps, called Hakkas or ‘guests' roamed over Kwangtung province squatting on vacant places along the", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205257, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 19, "title": "RAS-1967", "content_text": "12\n\nPATRICIA MARSHALL\n\non the animals. Elephants and rhinos without food quickly left and with them many of the smaller animals. Much of the top soil disappeared. Without trees to hold it in place the rain washed the soil into rivers and out to sea.\n\nEven today a thousand years later the soil, flora and fauna have not recovered from the drastic deforestation carried out by the early settlers.\n\nA small fraction of the animals have been able to adapt themselves to this change in the vegetation. Of the seventeen orders of living placental mammals eight are represented today (see Table 1). There are insectivores such as shrews; a number of bats; at least one wild primate; pangolins; rodents which include rats, mice and porcupines; and a number of spectacular carnivores foxes, leopard-cats, otters and civets. There are also two hoofed animals, the wild boar and barking deer.\n\nPangolin\n\nThe most interesting local mammal is the pangolin (Plate 1). Pangolins have no near relatives but form an order of their own, the Pholidota. The back and tail of the pangolin is encased in scales which are modified hairs; and the skin of the face, belly and eyelids is thick to resist the stings of ants, bees and wasps. The claws are strong enough to dig through termite mounds and to demolish rotting tree trunks. The tongue is long and sticky for collecting termites and ant, bee or wasp larvae. The pangolin lives in a burrow, is nocturnal and is seldom seen, but it is fairly widespread in the Colony. A voracious destroyer of termites and pests it does much good and no harm to man.\n\nThe pangolin does not take well to captivity. It is almost impossible to provide it with sufficient termites or ant larvae. It cannot be weaned onto an alternative diet, and although it may eat custard or milk this will not maintain it. Within a few weeks a captive dies.\n\nPangolins brought to the Zoology Department of the University of Hong Kong are weighed, measured, marked and released in a suitable breeding area where others are known to be present. This is of far greater use to mankind than keeping them to die in captivity.\n\nCarnivores are the flesh eaters, and the most exclusively carnivorous of the carnivores is the tiger. Before 1940 tigers often", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205258, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 20, "title": "RAS-1967", "content_text": "HONG KONG MAMMALS\n\n13\n\nCarnivores\n\nvisited Hong Kong but they have not been seen now for many years. The last one was shot at Stanley during the war and its skin, now somewhat decayed, is still present in the temple at Stanley. The Shing Mun tiger of May 1965 has the characteristics of a well-planned hoax. All the prints were of the same pad and in all probability they were made by a tiger's paw on the end of a stick. That people should claim to have seen the tiger is not surprising; a large ferocious dog in thick undergrowth can be just as frightening as a tiger, especially when there is a tiger scare, and these people probably genuinely believe that they saw one.\n\nLeopards also visited the Colony until fairly recently. Both tigers and leopards are good swimmers and can travel from island to island. The last sighting of a leopard was in 1957 and shortly afterwards one was shot 8 miles inland from Sha Tau Kok. It was probably the same leopard and its skull and tail were brought back to the Colony and donated to the University of Hong Kong.\n\nToday only the smaller carnivores are present in Hong Kong: the tiger-cat or Chinese leopard cat, civets and ferret-badger.\n\nThere are only a few tiger-cats surviving (Plate 2). There are probably none on Hong Kong Island. In the wild they live mostly on rats but also catch birds and chickens. In captivity they do not fare well due to their extreme nervousness which is often mistaken for fierceness. They become so frightened that they spit and growl until they are exhausted and may die of shock. Also they are susceptible to cat 'flu and other diseases in captivity. They are however very splendid animals, being one of the most graceful and beautifully marked of all the wild cats.\n\nAnother carnivore, and one which plays an important role in reducing the rat population, is the South China Red fox. Several pairs are still living in the New Territories. The female is a light sandy colour, whereas the male is more brightly coloured with a reddish head and tail and grizzled grey flanks and legs. At a distance they resemble small wolves. (Plate 3 shows three young foxes).\n\nIt is rumoured that European foxes were introduced just before the war for hunting, but the latter was not successful. The steep Hong Kong countryside was advantageous to the fox.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205265, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 27, "title": "RAS-1967", "content_text": "Faeces and \n\ncarcasses \n\n20 \n\nPATRICIA MARSHALL \n\nTable II A simplified food pyramid for Hong Kong \n\nCarnivores: \n\nTiger*, leopard*, man \n\nCarnivores: \n\nFox, leopard cat, wild dog* \n\nbirds of prey. \n\nCarnivores: \n\nPangolin, frogs, lizards, snakes, \n\nferret-badger, civet cats, mongoose* \n\nHerbivores: - Insects, rats, small birds, porcupine, deer, \n\nsnails, slugs, termites \n\nVegetation: - leaves, flowers, nectar, stems, roots, seeds, \n\nberries, nuts, bark, wood, etc. \n\nOxygen \n\nphotosynthesis \n\nSun-light + minerals + water + carbon dioxide \n\n* Animals that no longer occur here,", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205355, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 117, "title": "RAS-1967", "content_text": "110\n\nREV, MR. KRONE\n\nseveral times taking a cruise in his Tea-cup, the mountain was named after it “Poi-tou.' \n\n\"Poi-tou.\" Among the common people, however, the mountain is known by the name \"Shing-shan\", or holy mountain. The rough, barren, mountainous country I have described, has given birth to many superstitions and legends. Some of the huge stones on the hill sides are supposed to represent the tiger, the dragon, and the phoenix. The stones on some hills are said to have locomotive powers, and to pursue any adventurous traveller who attempts to mount their sides; other stones are said, when touched, to have the power of producing pains in the stomach, and others to emit white vapours from their surface. But these matters are of but little importance to us; of more interest are the caves which are found in some of the mountains. The most remarkable of these caves is near the market-place of U-shek-ngam, &, at the base of the mountain. For some centuries this cave has been used as a temple, and its aspect is so changed by the architecture and furniture which have been introduced, that one cannot get a good idea of its natural size and appearance.\n\nNatural History. Quadrumana, A number of small monkeys inhabit the island of Lintin; but this animal is not found in any other part of the district, though Chinese books relate that in former times they were found on 'Ng-tung, and most of the high mountains of the district.\n\nQuadrupeds, — The Chinese tiger, which seems to be a true tiger, is found about 'Ng-tung, and in the neighbourhood of most of the high mountains. It sometimes reaches a considerable size, weighing 200 catties, or 266lb. It feeds generally upon pigs and dogs, and the country people say it occasionally carries off a grass-cutter, but this seems doubtful. It is taken in traps, and is a great prize to its captor, as it will bring him in a sum of $150 to $200; for the bones are in great repute as a tonic medicine, and the flesh is eaten with the idea that the courage of the devourer is improved by the meal.\n\nMore than one species of deer, a fox, and a badger, have also been seen, and a large ant-eater -- the flesh of which is considered a delicacy, and is also supposed to possess medicinal powers. There are many snakes, and among them a large species of python, which sometimes grows to the length of twenty to twenty-four feet;", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205425, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 187, "title": "RAS-1967", "content_text": "180\n\nBOOK REVIEWS\n\nChildren's toys and games are not overlooked, and are detailed in the chapter on the Tenth Moon. This was the season for kite flying, often with aeolian harps attached. The forms mentioned include the flamingo, wild goose, and flying tiger, all painted with extreme care. Tun is fond of seeking motives for children's amusements and considers the kites beneficial in making the eyes clearer as they are strained to look after the mounting objects. He finds a similar value in shuttlecocks. These were made of a skin covering sewn over a copper coin, with a bunch of feathers attached to the top with a cord. When children kick them about it promotes the circulation of the blood, and keeps them warm. As a side-line the glass factories produced two forms of trumpet, one gourd-shaped, and the other of conventional type. By blowing these the young people were obliged to take deep breaths and filled their lungs with fresh air. Boys of the poorer class ground stones into small marble-like balls which they kicked about as footballs, so keeping the blood circulating in their extremities.\n\n\"Peace Drums\" sound like very modern propaganda. They consisted of an iron circlet over which a donkey skin was stretched. They were furnished with a handle like a fan, at the lower end of which was a loop with a number of iron rings. The drum was beaten with a rattan cane making a booming noise that contrasted with the jangling of the rings. Diabolo was a favourite toy, and the flanges were provided with a rectangular opening to produce a humming sound when sufficient speed was acquired. The cotton string which operated the reel was always given a twist, and some children were very skilful at operating a diabolo with only one flange balanced by a ball-shaped piece of wood.\n\nNothing in the local scene escapes the observant author, who describes fighting crickets and the seasonal birds, with notes on their training. He describes one autumn fruit, Tou Ku-niang as being “shaped like a small egg plant, red as coral, round, glassy and slippery.\" It was, he says, a great favourite with the young, and owes its name \"Fighting girls\" from the contention it arouses for its possession.\n\nThe book is lavishly illustrated with Chinese line drawings and several coloured plates, whilst inside the covers are skeleton maps of Peking, with conventional signs for places of interest referred to in the text. In addition, there are six most useful", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205426, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 188, "title": "RAS-1967", "content_text": "BOOK REVIEWS\n\n181\n\nappendices. The first, Appendix A, is on the Chinese calendar, with a table of the twenty-four fortnightly periods,\n\nThe only criticism of this is the third column giving the approximate date in the Chinese calendar. This presumes New Year to fall on 20th February, the last possible day, throwing forward everything on an average by a fortnight.\n\nAppendix C, furnishing a list of the names of Fireworks, Pigeons, Popular forms of entertainment, Melons, Crickets, and Chrysanthemums is most intriguing. Valuable varieties of pigeons are the \"Toad-eyed grey,\" \"Square-edged unicorn\", and \"Wild duck of the Great Dipper\". Poets have similarly exercised their ingenuity in finding epithets for the Flower of the Ninth Moon for they include \"Purple Tiger whiskers\", \"Concubine of the Hsiao and Tsiang Rivers,\" and \"Wild Goose settling on level sand.\"\n\nIn short, Tun Li-ch'en has left us a vivid picture of life as it must have been lived in the capital for centuries before the violent impact of the western world. It was to change soon after. Within twelve years the Imperial fishpond, Wang Hai Lou, had filled up and was a snipe marsh, whilst in another decade it was walled-in as an experimental agricultural establishment. Again, the emancipation of women through the abolition of foot binding, and their escape from the purdah of the mud-walled compound killed all those forms of entertainment which could only be enjoyed in the home. The famous Shadow play, which he describes as bringing tears to women's eyes, was virtually extinct thirty years later, smothered by the cinema.\n\nTun's study of the human side of the ancient capital is an admirable supplement to the work of two foreigners who spent the best part of their lives there, namely — Arlington and Lewisohn's In search of old Peking.\n\nHong Kong, 1966,\n\nN DU BREUIL\n\nAs noted in the President's Report earlier in this volume Madame du Breuil, former Peking resident and a member of our Council, died in 1966.\n\nPRELUDE TO HONGKONG, Austin Coates. London, Routledge and Kegan Paul, 1966, pp. xi, 232. 40/-.\n\nIn view of the recent events in Macao and Hong Kong this book has a certain topical relevance. It covers the period from", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 206053, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 133, "title": "RAS-1970", "content_text": "A BRITISH MARITIME CHART OF 1780 SHOWING HONG KONG\n\nHENRY D. Talbot*\n\nA recent acquisition by the Map Library of the Department of Geography and Geology of the University of Hong Kong is of some interest as it appears to be the earliest known British map or chart depicting the island of Hong Kong.\n\nThe title is \"A Chart of the China Sea from the Island of Sancian to Pedra Branca with the course of the River Tigris from Canton to Macao from a Portuguese draught communicated by Captain Hayter and compared with the Chinese Chart of the Macao Pilots\".\n\nThe places mentioned need little explanation as they are names still used today. Sancian is also called St. John's Island and is to the west of Macao, while Pedra Branca is today called Pedro Blanco and is an isolated rock, used as a navigational landmark, to the east of Hong Kong. The River Tigris is the name given to the river up to Canton, derived from the name of the narrows called \"Bocca Tigris\" (Tiger's Mouth) in Portuguese, a translation of the Chinese name.\n\nThe Captain Hayter is evidently Captain George Hayter of the East India Company Ship York. This ship was in Chinese waters frequently from 1741 up to 1786 and Hayter was compiler of another chart dated 1787.\n\nThe chart was \"... Printed for R. Sayer and J. Bennett Map and Chart-sellers No. 53 Fleet Street, as the Act directs, 29 Nov. 1780\" Robert Sayer (1725-1794) and John Bennett were well known as map-sellers at the end of the eighteenth century. It is recorded that Robert Sayer retired in 1794 after almost half a century in the map chart trade.\n\nThe size of the chart is 950 × 640 mm., while the size of the map itself is 781 × 596 mm. The latter is the length along the neatlines, the inner border of the map.\n\n* Mr. Talbot is Lecturer in the Department of Geography and Geology in the University of Hong Kong. He was Hon. Editor of this Journal in 1964.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206332, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 149, "title": "RAS-1971", "content_text": "SUNG-TYPE POTTERY FINDS IN HONG KONG\n\n143\n\nwares in the shape of Chekiang celadons but with a soft red body, black glazed stonewares and white soft wares (probably from Fukien) and various ying-ching and greenish glazed porcellaneous wares. A large number of Southern Han (905-971 A.D.) and Sung coins were found with the pottery.\n\nThe Nim Shu Wan site extends over a beach and the slopes of the low hills behind the beach rising to a height of 60 metres. The site was considered by geomancers to be extremely lucky, being flanked at both ends by promontories; the one at the south end, being long and narrow, representing the \"green dragon\", and that at the north-east end, being wider and broader representing the \"white tiger\". A more basic factor favouring settlement was that both the beach and bay were well sheltered from the prevailing easterly winds. However, the long southern promontory which used to extend to a distance of about 200 metres into the sea has over the years been partially washed away by wave action leaving a few stacks to mark its former extent. By local tradition, this was one of the market places, hsü, for the villages along the coast of the mainland extending from Castle Peak to Tsuen Wan as well as for those on the islands of Peng Chau, Hong Kong, Cheung Chau and Lantau itself. Its location and geographical features made it an ideal market place for people who relied mainly on boats for transport. However, as the southern promontory began to disappear leaving the bay more exposed to the winds, the \"luck\" also left the place and by the beginning of this century only a few families lived there. In the last twenty years, as a result of population pressure, people from Peng Chau have begun to move into this area again, using the stones and bricks of the many ruins of old houses for building new ones and for retaining the terraced fields for cultivation.\n\nThe finds on this site include glazed earthenware funerary urns of a type that was prevalent in the Pearl delta during late T'ang and early Sung times (Plate 1). Apart from these, a large number of stoneware and porcelain sherds have been picked up on the beach from time to time. The fact that the quantity of sherds to be found on the beach remains fairly constant and that the breaks of the fragments are usually fresh and clean would indicate that the pottery has been washed down from higher ground and the pieces were broken on their way down the slope. There seems to be much greater variation in the colour and", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206591, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 139, "title": "RAS-1972", "content_text": "TRADITIONAL CHINESE REGIONAL ARCHITECTURE\n\n133\n\nImperial City. A man's home and family formed a microcosm in the macrocosm of the State. As he closed himself within his own small domain he sought a personal privacy away from the State. Not even the wandering eyes of the peddler could penetrate into the front courtyard. The Chinese man sought a more intimate relationship with the natural world even in the heart of the city. He designed his home in order that the open sky was part of his roof and the wild Chinese garden, part of his world. In the North where the population has always been dense, this desire for privacy and peace was a natural response.\n\nThe philosophy of feng shui (風水)1, in the West known as geomancy, was of foremost importance to the Chinese in the siting and building of their homes. Feng shui determined the most auspicious siting for the dwelling in relation to natural formations and existing structures. The aim was to bring the forces of Nature into balance; it was to join the Yin and Yang, the female and male spirits, into a complementary union. According to the principles of feng shui, the ideal site nestles into the arms of hills which are shaped like the Azure Dragon in the East and the White Tiger in the West. The dragon is a beneficent force whose formation should be higher than the tiger, a force of danger, which protects only as long as it is balanced by the dragon. The house should be oriented on a North-South axis, protected in the rear by the mountains. The entrance facing South allows for the good spirits to bring their blessings on the family. The ideal site would also include a quiet stream of water which would enrich it. The commingling of the winds and waters in the proper proportions was essential to the prosperous future of the house and family.\n\nIn the courtyard complex the ideal site was adapted to ordinary places. The wall was substituted for the natural formations of the hills. The house retained its North-South orientation with the entrance in the middle of the Southern wall or in the southeast corner. An added precaution was the shadow or spirit wall which normally was placed immediately inside or outside of the front door. This spirit wall not only prevented strangers from observing the family's activities but also prevented the evil spirits that lurked outside from entering as they could not turn corners. The source of water was often a lotus pool placed in the middle of the main courtyard. Hence, the Chinese architect adapted the principles of geomancy to fit the geographical features of the homesite. In other regions of China\n\nhas been revised to meet the exacting requirements by converting to HTML format using `` for paragraphs. Minor corrections were made to ensure adherence to the guidelines:\n\n1. **Correction of \"auspi- cious\"** to \"auspicious\" to fix a line-break artifact.\n2. **Correction of \"beneficient\"** to \"beneficent\" to fix a spelling error.\n3. **Correction of \"commingling\"** to remain as is because it is not an error; it's a less common but correct spelling.\n4. **Added a footnote marker `1`** for \"(風水)\" to indicate it is a translation or explanation of \"feng shui.\"\n\nThe response now meets the requirements by being in HTML format and adhering to the specified proofreading rules.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206637, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 185, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n179\n\nIn c. above, he is two different beings, his benevolent form is as a man with two eyes, “ear pressing\" tufts of hair, three pairs of arms, and hair standing erect on the back of his head. In his malevolent form he is depicted as a man with a leopard's head, three eyes, a lion's nose, a tiger's mouth, a bear's tongue, a boar's tusks, and three pairs of arms. Again, above his ears are \"ear pressing\" tufts of hair, and on top of his otherwise bald head is a headdress called a k'ui ying.\n\nIn the two and a half thousand or so temples visited in South East Asia, Hong Kong, Macao, and Taiwan, the basic forms listed above can be grouped into general categories. T'ai Sui/Yin Ch'iao were seen in 48 temples; among which 11 were Fukienese, 28 Cantonese, 2 Hakka, 2 Ch'ao Chow and two inter-community Buddhist temples. Of these, 18 were in Singapore, 15 in Malaya, 9 in Hong Kong, 3 in Macao, 1 in Cambodia and 2 in Taiwan. The 'youths with a scroll' are mainly Cantonese, as are the majority of the 'youths holding a bell.' The ‘elderly man with a bell' was seen in two Hakka temples and one Cantonese community temple. The images of the 'fierce general' was seen only in Fukienese community temples and a few images of 'youths with bells or scrolls' were seen in Fukienese temples.\n\nThe groups of sixty images have been seen in Shanghai, Hong Kong and Macao, and in Fukien by Hodous. In Singapore and Kuala Lumpur large but odd numbers of T'ai Sui, including a mix-ture of them with scrolls or bells, were seen in two Cantonese community temples.\n\nThese images have not been seen in any Hainanese temples. Only in Cantonese and Hakka temples were these images observed standing on wads of hell money.\n\nThe four charms carried by T'ai Sui, according to a Fukienese god carver, are:\n\na. a seal of office, which, if shaken, causes the heavens to quake.\n\nb. two swords, one male and one female, which are able to destroy demons and wrong-doers.\n\nc. a bell, called Jung Kuei Ch'ung (*) which causes one to lose the way when rung. This bell causes demons to forget their tasks and to wander aimlessly. It is also a magic teller of time.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206639, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 187, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n181\n\nHe has also been seen as a typical standing image of a civil mandarin, when the only method of identifying him was by the title painted on his stand or pedestal. In Kalgan, as will be described below, he is depicted naked with claws, beak and wings.\n\nIn some temples, the images of deities known not to be T'ai Sui or Ying Ch'iao, are called T'ai Sui by the temple keepers, and are prayed to as T'ai Sui. Some of these misidentifications are even to be seen perched on wads of hell money. The best example of this are the distinctive images of the boat people of the Pearl River and Southern Kwangtung province which are to be seen in Singapore and Ipoh, labelled as T'ai Sui, and standing on hell-money. One of these seen in Hong Kong is an image of the Pearl River boat people, normally called the Dragon and Tiger General (*). This is an image of a young man with his right arm raised holding a sword, and his left arm hanging by his side. He wears a robe of green with an animal's face as a stomacher, and with a dragon under his left foot and a tiger under his right. On one instance only, as is to be seen in the photograph, he is to be seen labelled the \"Tai Sui who flew back\" () and is standing on a pile of hell-money. (Plate 18)\n\nFather Doré says that images of T'ai Sui in the Yangtse Valley have six arms, are bald with ear tufts, and three eyes; they wear Taoist crowns and hold in their six hands two swords, a ball and flames, a spear, and a branch of a tree.\n\nThere are thirty-six deities painted as murals on the walls of one Singapore temple, most of whom are Heavenly Masters (A B). Amongst them is Yin Ch'iao, standing, dressed in armour, but with a bare chest and with six arms holding the usual items. Marshal Yin Ch'iao appears, therefore, to be one of the 24 Heavenly Generals and also one of the 36 Heavenly Masters.\n\nIn several works he is given 10 assistants, the last four being the gods of the year, the month, the day and the hour. Their names are given as follows:\n\nLi Ping (李丙) Hwang Ch'eng-i (黃承乙)\n\nChou Teng (周登) and Liu Hung (劉洪)\n\nAll were said to have been slain at the famous battle between good and ... described in The Deification of the Gods, at Wan Hsien Chen (萬仙陣).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206642, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 190, "title": "RAS-1972", "content_text": "184\n\nd.\n\nKEITH STEVENS\n\nAn image in the form of Yin Ch'iao; with six arms, a blue face covered in spots like warts; two fangs, two banners, a bell, two swords and one arrow.\n\nPossible Misidentifications\n\nThe images of Yin Ch'iao/T'ai Sui can be confused with several deities who have similar characteristics. These are:\n\na. One version of the Fukienese god of actors, Tien T’o Yuan Shuai (*), is a standing general with a sword in his right hand and a hand bell in his left. He has or should have, however, a pink face, and his usual identifying characteristic, a crab painted over his mouth or his forehead.\n\nb. In a Singapore Foochow clan temple of the Hsu (✯) family there is a seated general in armour, with a blue face and fangs, called Liu Chin Sheng Ho (Hr). He holds an axe in each hand and is prayed to for the good health of the clan and for the rapid recovery of the sick.\n\nc. Pu Tu Kung (#2) who releases souls from the Under-world during the seventh lunar month, is often shown as blue-faced and with two fang-like teeth showing. Normally, however, he does not carry anything in his two hands.\n\nd. One of the two attendants of Fa Chu Kung (✯È2) is a general with a sword raised in his left hand and a handbell held in his right. He wears a tiger's head hat and is called Hu Ye (A). He has a pink face and a black beard.\n\nAn image of the Golden Youth (✯✯), one of the assistants to Kuan Yin, could be mistaken under certain conditions with the manifestations of T'ai Sui as a seated youth with the scroll. The Golden Youth has a similar seated pose, the same style head and hair but normally holds a fly whisk in the right hand. If this is lost the image looks at first glance like a T'ai Sui without a scroll.\n\nThe Indian Buddhist deity of death, Mara, could understandably be mistaken for T'ai Sui, Mara (A) in his Chinese form normally has a greenish hue, has a frightful face with two tusk-like teeth, holds a bell in his right hand, but has bare feet, is bare to the waist and wears a fur skirt. He is usually accompanied by two demon attendants, one black and one white, who are the Yamen runners, the Wu Ch'ang Kuei (❀❀Ą), who collect the souls of", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206646, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 194, "title": "RAS-1972", "content_text": "188\n\nKEITH STEVENS\n\nthe 23rd day of the sixth lunar month. In Singapore and in Malaya the usual date is the 23rd of the seventh lunar month; but other comparatively common dates are the 6th of the third lunar month, the 18th of the fifth lunar month, the 26th of the sixth lunar month, and the 10th of the eighth lunar month.\n\nNames of his family\n\nFa Chu Kung's family name was Chang (**張**) and he was called Chang Kung (**昌公**). His two brothers are called variously:\n\na. Chang Kung (#2); red face; in Fukien temples\n\nb. Hsiau Kung(); pink face; in Fukien temples\n\na. Hung Kung (#2); pink face; in Fukien temples\n\nb. Hsiau Kung (2): white face; in Fukien temples\n\na. Chiang Chün Ye (*): red face; this last group was seen in a Cantonese temple in Seremban\n\nb. Fa Ch'ing(): white face; this last group was seen in a Cantonese temple in Seremban\n\nHis four assistants have been observed in one temple only, a Hengwa Fukien temple, and are called:\n\na. Liu 劉\n\nb. Lien 遵\n\nc. Chang 張\n\nd. ...\n\nHe has two main disciples:\n\nMa Ye: white faced; with a bell in right hand for punctuating prayers, and wearing a horse head hat.\n\nHu Ye: red faced; with a bottle in his left hand containing magic water for frightening demons, and wearing a tiger head hat.\n\nCommunity Groups worshipping Fa Chu Kung\n\nEach temple in which Fa Chu Kung has been observed has had a temple keeper, appointed by the temple committee or from whom he had purchased his franchise. The main community groups in which Fa Chu Kung is to be found are from the An Chi and Ying Ch'üen areas of Fukien province. Other community groups which have images to Fa Chu Kung are Foochow City, T'ung An and Heng Wa. He is to be seen in at least 34 temples in Singapore and", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206850, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 127, "title": "RAS-1973", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 121\n\nis called Lo Foo Ts'z T'ong (老虎祠堂), Tiger Hall. The floor of the cave is quite smooth with a lot of small stones almost like a mosaic. Though the actual site of the school is not known, old tiles have been found from time to time on the hillside, and one of these can be seen in a house called Cheung Ch'un Yuen (祥泉園) of Shui Tau (水頭) village. In the same house is a flower vase of interest that was dug up on Hong Kong island about 30 years before the British settled there.\n\nAs mentioned before, four of the \"five Yuens\" eventually left Kam Tin and founded branches of the Tang family elsewhere, and it has even been said that Yuen Leung, the ancestor of the Kam Tin branch, moved to Mok Ka Tung (莫家洞) near Shek Lung, but this removal is generally attributed to Yuen Leung's daughter-in-law, a princess of Sung dynasty whose story reads almost like a romance. She was a daughter of the Emperor Ko Tsung (高宗) of Sung Dynasty, who before becoming emperor of China was Prince Hong Wong (康王). The Tartars at that time were attacking the North of China, and in the 2nd year of Tsing Hong (靖康) A.D. 1127 they entered the Sung capital, captured the two emperors Fai Tsung (徽宗) and Yam Tsung (欽宗) together with both the mother and wife of Hong Wong, who was himself away in another part of the kingdom fighting the Tartars as he held the appointment of Tin Ha Ping Ma Tai Yuen Sui (天下兵馬大元帥), the commander-in-chief of all the emperor's forces. Hong Wong's little daughter was only ten years old and she was protected by her women servants who fled with her to the South. In the 3rd year of Kin Yim (建炎) A.D. 1129 they arrived in the Kiangsi province where Yuen Leung was district officer of Kung Yuen (贛縣) district. He was very zealous to help the Emperor and had collected together an army of soldiers, with the intention of marching North. Kiangsi was full of the Tartar forces, and the princess found herself surrounded by enemies. One day she saw the Sung flag over the encampment of Yuen Leung's army and she went to him for protection. She stayed with Yuen Leung, moving about with his soldiers, and eventually when he returned to Kam Tin he brought her back with him. He did not know who she was, as the servants had told him only that she was the daughter of a high official in the North. The princess found happiness and security in Kam Tin. She was like a daughter in Yuen Leung's house, helped with the household duties and was quite content. Eventually she revealed", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206971, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 42, "title": "RAS-1974", "content_text": "36 \n\nH. J. LETHBRIDGE \n\nto organise the retail meat market in that state. This enterprise also failed, so the disillusioned Marquis, who had lost a large part of his private fortune, returned home to France in 1886. \n\nMorès' father, the Duke of Vallombrosa, advised his despondent son to take a long vacation and suggested a journey to India, a land the Duke had visited in his younger days. In November, 1887, therefore, Morès and his wife embarked at Marseilles for the journey out to Bombay. \n\nFrom Bombay Morès and his wife went by train to Calcutta, where they stayed with the Viceroy, Lord Dufferin, and where they met Prince Henry of Orléans. The Marquis and the Prince and a few friends at once organised an expedition into the interior to shoot game. Another expedition, to Nepal, was organised soon after they returned from their first chase, this time with Medora as participant. After five weeks the party returned with the skins of many wild beasts, including that of a tiger which the redoubtable Marquise had herself shot. In the spring of 1888, Morès and his wife returned to Europe. \n\nThe ship that took Morès and his wife back to France was also carrying a number of his old comrades, former Saint-Cyriens, returning from the campaign in Tonkin. Morès had long conversations with these French colonial army officers and learned much about conditions in Indo-China. On the voyage back he thus became deeply interested in the commercial prospects of this new French colonial possession. But to open up and develop the territory necessitated the construction of a railway system: Morès decided to pioneer such an enterprise. As soon as he reached Paris he hurried to see the Minister for Foreign Affairs and presented a plan for building without government aid a railway line from Hanoi to the Chinese border. He was given official permission to prospect the region of Tonkin. On 21 October 1888, as noted, Morès left Marseilles together with William Van Driesche and an engineer, M. Thorel. On 22 November 1888 he landed at Hong Kong en route for Haiphong, and the start of another adventure: the economic exploitation of the Red River basin, a scheme as grandiose as the one he had been engaged on in the Dakotas. \n\nMayréna's Odyssey in Hong Kong \n\nMayréna spent his first days in the Colony studiously cultivating members of the Roman Catholic hierarchy. He visited the", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 206999, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 70, "title": "RAS-1974", "content_text": "64\n\nCAROLE MORGAN\n\nParafilaria Multipapillosa, in which the parasite buries itself under the skin causing blisters which ooze blood on bursting.45) After two unsuccessful campaigns Li Kuang-li finally sent a number of Ferghana horses back to the capital in 101 B.C.; the Emperor hoped that their arrival would coincide with the beginning of an auspicious Age of the Dragon for his people.46\n\nHunting Dogs\n\nThat dogs were associated with hunting from very early times may be deduced from the fact that most words for hunting such as lie (lie) the usual term for hunting, shou (*) a winter hunt and huo (*) a bird hunt were all written with the radical for dog.47\n\nThat a good hunting dog was expensive is illustrated by a story from the Lu Shih Ch'un Chiu (L.S.C.C. 24.6) An eager hunter, dissatisfied with the performance of his dog, could not afford to replace it because the cost of a new one would have ruined his family.\n\nIt is difficult to determine which breeds of dogs were actually known in ancient China. The greyhound, a very old kind of dog, is shown on some Han stone reliefs and a small statuette of a snub-nosed mastiff, its tail curled over its back was unearthed from a Han tomb.43 This dog is believed to be in the lineage of the Tibetan wolf (Canis Niger) which also bred the Roman molossus, the Saint Bernard, the Newfoundland, the bulldog and the miniature breeds of China such as the pug so popular in T'ang times.49\n\nThere is obviously very little graphic material available from pre-Han times. The earliest hunting scene known to date is found on a Chou bronze the so-called “100 animal “dou” (‡a)” showing a hunter and his dog surrounded by various wild animals. But because none of the animals are drawn to scale (the dog is the same size as a neighbouring rhinoceros) and the smallness of the drawing conditioned by the smallness of the vessel (24 cms) it is impossible to determine the dog's breed.50\n\nAnother, somewhat later Chou bronze, also depicts a hunting scene. Here we see four dogs, but again, for reasons stated above, they offer no conclusive proof as to breed.\n\nIf we turn now to linguistic evidence we see that the Shuo Wen gives a long list of names for different dogs but the definition of these names tells us almost nothing about the animals themselves.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207848, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 236, "title": "RAS-1976", "content_text": "SOCIAL RESEARCH IN THE N.T. OF HONG KONG, 1963 221\n\nwater moves fast the Breaths will be drawn away. Hills must protect the site against the former calamity; the latter must be prevented by avoiding places from which streams and rivers flow. Hills, or in their default barriers set up by man (trees or even walls), must stand to the rear and on the flanks, so that the site rests in a kind of easy-chair (a frequent image). The hills behind the site support it. The hills to the left, as the site faces its unshielded fourth side, are the Blue or (as it is more usually translated in Hong Kong) the Green Dragon (ts’ing lung); those to the right are the White Tiger (pa'ak fu). The Dragon is not a dragon; the Tiger is not a tiger. The one is a beneficent force (one comes close to Chinese conceptions in speaking of it as an electrical or magnetic force) which animates the hills and spreads itself in the approaches to the site; a loi lung, an advancing dragon, may come from the rear to pour its virtue into the grave or building. The other is a force of danger (a White Tiger not because its body colour is white but because it bears a white patch on its forehead, a sign of fierceness), which protects as long as it is in complementary relationship with the Dragon. Dragon and Tiger must be present in the right proportions. The former must stand higher than the latter to ensure a proper balance between them. The one is 'yang, the other 'yin'. The one is civil, the other military. They are opposite and complementary, neither by itself providing any benefit, and together in the correct ratio ensuring concentration of the Breaths.\n\n52. The entities are metaphysical. The statement remains true even when, as in some cases, the hills look like a dragon, a resemblance made the more likely by the use of the word lung for any long and sinuous object—a queue of people, a train, a trail of smoke. Other creatures, human among them, and objects may be detected in the landscape, conferring benefit on the site. There is a grave in the New Territories (it is not unique in southeastern China) which lies in the crutch of a naked woman. There are forms of animals and deities. These things are not there physically and literally, and Chinese think Europeans naive for supposing the contrary. They are signs. The Dragon has Sinews and Veins which may be cut; its Blood may flow. But Sinews, Veins, and Blood are mystical, even though (as the Administration had cause to know from the case of the road-cutting at Tai Mei Tuk) we may see them.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207855, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 243, "title": "RAS-1976", "content_text": "228 \n\nMAURICE FREEDMAN \n\na stretch of water (the sea). The Green Dragon is satisfactory, but the White Tiger is imperfect; there is a break in the line of the hills through which too much wind can pass; so that the whole configuration, while being good, falls short of being a perfect embrace. For that reason Sun enjoyed power but not for long. A stream runs obliquely across the valley robbing the grave of its virtue in respect of money; Sun was poor. In the sea below there are several small islands which are to be taken as warships, some of them sailing out into the open sea, showing Sun's desertion by his armed forces. Finally, there appears in the distance just over the line of the White Tiger, the peak of another hill; such a feature means robbery-Sun was kidnapped. The site explains Sun's career (or some version of it) and justifies the geomancer who predicted that Mrs. Sun's son would be a king. \n\nThis simple case illustrates two systems of analysis being employed together; the system of metaphysical forces composing a site, and the system of resemblances, the latter being invoked to interpret the islands. But the chief interest of the case lies in the example it offers of retrospective interpretation. Geomancy is a self-reinforcing system of ideas. What is predicted must always come true, because what is foretold is vague, or inevitable, or subject to frustrations which deny a part of the system or the competence of a particular practitioner without damaging the system as a whole. Retrospectively it can be demonstrated to be valid because the material can be read in a number of different ways to justify any collection of events. Moreover, the existence of prosperity by itself presupposes that it has been produced by fung shui, and failure to detect the precise reasons why the fung shui has operated so well leaves it in the realm of knowledge which in principle can be obtained but for the moment, because of lack of expertise, remains inaccessible. (One geomancer told me that Mr. Mao Tse-tung's mother is buried in a good fung shui. And he added, perhaps for political symmetry, that General Chiang Kai-shek also enjoys geomantic benefits, the fall in his fortunes being due to the operation of the cycle which governs all affairs. Retrospective fung shui is illustrated also in the traditions of the Tang clan. When the Sung princess who married a Tang in the twelfth century became old a famous geomancer chose a fung shui for her which resembled a lion, asking her whether she preferred to be buried in the lion's head or tail. 'She asked what difference it would make, and she was told that if", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207923, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 311, "title": "RAS-1976", "content_text": "296 \n\nNOTES AND QUERIES \n\n(A✯✯) who founded the Ten Thousand Buddha Temple above Sha Tin in the New Territories, Hong Kong in 1951 (erroneously recorded as 1961). He was a widely known and admired monk who at the age of 24, according to the Temple broadsheet, had been named Buddha Simba in recognition of having perceived the cause of the Universe. He was born in Yunnan in 1878 into the Wu (A) family and was educated in Shanghai and Peking. In the latter place, the record states, he was a \"professor of philosophy\" at Yenching University at the early age of 19 in 1897 before he became a monk. He preached throughout his life and died in April 1965 at the age of 87 in his temple in Sha Tin.\n\nThe story of his interment, exhumation and preservation is described in the temple brochure. The body was placed in a seated position, cross-legged in a wooden box and buried on the hillside behind the temple. There it remained for eight months. Yueh Chi, during his latter days, had instructed that his body should be exhumed after such a period of time, and when uncovered it was found that very little decomposition had taken place. A mark on the lower side of the right ribs excited comment as it appeared to be an image of a tiger, and another on the breast that of a human head. The body was then gilded, dressed in a salmon pink robe and a five-leaf vairocana crown, and enthroned in May 1966 in front of the large image of Amida Buddha which towers some twenty-five feet above him (plate 28). Another image, carved ostensibly in his likeness, is enshrined in a glass case in the rear of a Buddhist nunnery on a spur some two miles from the Ten Thousand Buddha Temple. This carving, one suspects, is stylized. It is gilded, apart from a heavy beard and a head of hair painted shiny black. The image holds a fly whisk, and has a pair of slippers before his throne, but has no crown.\n\nOther forms of image based on human remains, usually of laymen rather than of monks, such as those seen in Singapore and Ipoh made of a mixture of concrete, sand and human ashes, have not been included in this article. Whereas most wealthy devotees achieve recognition by having their donation details carved on the monastery wall, a few, however, will their ashes to be mixed and made into an image in their likeness, warts and all, in addition to donating a final large sum to the establishment.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208062, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 101, "title": "RAS-1977", "content_text": "UNDER ALTARS (下壇)\n\nKEITH G. STEVENS\n\nThe first thing to be seen on entering Chinese temples in Hong Kong and Macau, even those in which a murky half-light obscures the view, is the main altar in the middle of the far end of the main hall. What is rarely seen however, even after a stroll around, is the “Altar at which prayers are offered to avert calamities” (避災壇). This is usually an even dingier ground-level alcove inside the back of which is pasted a large green sheet of paper bearing the titles in white, of five or seven spirits all of whom need placating or propitiating as needs arise. The altar often bears the less colourful titles of the \"Under Altar\" (下壇), the \"Yin and Yang Hall\" (陰陽堂), and in very rare instances, more so in Macau than in Hong Kong, the \"Five Demon Altar\" (五鬼壇).\n\nUnder Altars, only to be found in Cantonese, Hakka and Boat People's Taoist folk religion temples and never in Buddhist monasteries and nunneries, are usually situated under or between the main and secondary altars at ground level. They consist of a wooden or stone open-fronted \"box\" about three to four feet high, three feet wide and two feet six deep and are illuminated, if one can use such a term, by a 15 watt dark red electric bulb. In five temples in Hong Kong and Macau the Under Altar was in a corner beside the main altar, but without any top or covering. In one or two temples such altars may be found, again at ground level (this seems to be the one almost inflexible requirement) but without a top, against the side wall about half way down the main hall facing the centre, or alone in a separate side hall.\n\nThere are several different reasons given why people pray at these altars. The most common is the wish to avert ill-fortune of any form and not just major disasters, as the title of the altar “Calamity\" (災) suggests. An elderly lady pointing at one devotee said that he had just told her that he had placed a stick of incense before the Under Altar to avert losses at the races on the morrow. Another, she said, thought her child was sickening for something, and had placed ten cents before the White Tiger image and said a brief word to the deity asking for the illness to be averted.\n\nPlates 20 - 31 at end of this volume illustrate this article.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208064, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 103, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n87\n\nOf these eight titles, Marshal Yin, a famous character in mythology, is a God in his own right in the Taoist folk religion pantheon. He is to be seen only in one temple in the heart of rural New Territories in image form, where, unconnected with any Under Altar, he is one of four generals guarding a major deity.\n\nOthers who regularly appear in the Under Altar and are the deities who share the occupancy but in image form, are the Local Wealth God and the White Tiger. Others who occasionally appear on top of, near to, or in the Under Altar include the Green Horse, Marshal Chao and a second demonic figure similar to the Local Wealth God.\n\nThe Local Wealth God (地方財神)\n\nThe major image, sometimes called the Wealth God of the Under Altar (下壇財神) or the spirit of the Location (地方神) is usually alone though very, very occasionally he may be accompanied by a somewhat similar image. A Hong Kong Cantonese writer who lived during the last century, Wu Yen-jen, in the collection “Ch'ing Tai Wu Yen-jen Yu Yen Chi” (清代吳恩仁寓言集) calls this local deity the \"Local Demon\" (地方惡魔), a description which is more honest than the anodyne and unprovocative term \"spirit\" used nowadays.\n\nThe Wealth God of the Location is a gaunt middle-aged man dressed in mourning apparel, ill-fitting robes of sacking (hessian). He has a protruding tongue and a tall dunce's cap bearing the message vertically on the front \"Fortune at one glance\" (一覽生財). His face is haggard, often with tears of blood coursing down his cheeks. Most Local Wealth Gods clutch palm leaf fans in their left hand, whilst others carry either furled umbrellas, wands with tattered edges raised above their heads in their right hands, have their arms full of paper charms, or a string of silver coins strung around their necks. The majority of images are roughly made of folded coloured papers, and bear strips of white cloth as a sign of mourning. One, in Macau, had a hessian veil stretched across the face \"to prevent him from eating worshipper's “luck\"\", so the keeper said!\n\nThe Local Wealth God is located at ground level because he is neither fit nor qualified to stand on the altar. According to a God Carver in Macau, he stands in the Under Altar for the want...", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208067, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 106, "title": "RAS-1977", "content_text": "90\n\nK. G. STEVENS\n\nand in another temple with a carved wooden coiled snake in the middle of the group. In one Macau temple four of the Five Demons have very cheeky, European children's faces. This is because the original heads of the images had been so badly burnt by candle and incense heat that the temple keeper had substituted European doll's heads.\n\nApart from the background sheet of titles and the image of the Local Wealth God and those of the Five Demons already described, there are some five other items and images which may feature in Under Altars. As with every temple disposition there does not appear to be any firm rule as to where or how each image or item should be placed within the altar.\n\nThere are many conventions, but none without the exception. The first group of items consists of wooden or stone images of living animals or creatures, the most popular being cockerels, dogs and snakes. No keeper was prepared to say why these creatures are depicted.\n\nSecondly, there are several Gods whose images are seen in Under Altars in addition to being on normal altars. The most popular and easily the most common of these is Marshal Chao, a Wealth God who is also called the \"Marshal of the Dark Altar,\" Hsuan T'an Chao Kung-ming Yuan Shuai (#). Chao's image is relatively standard, and was very common in temples throughout China. He is a ferocious general, seated astride or seated with a foot on a tiger; or standing on a tiger; with his right hand raised holding a magic whip (a knobbly-bladed sword). He was spotted on one occasion in one temple only with a long folded white strip of paper and a short strip of hessian laid across his head. We will briefly refer again to Chao. Others include Tzu Wei Hsing Chun (***), The Star God of the Planet Venus, and Hua Fen Fu Jen (✯✯✯A), the Powder Maiden (who preserves a girl's beauty). The face of the latter image is coated with cosmetic powder by young girls and she is frequently bedecked with strings of imitation pearls as offerings. The connexion between the Powder Maiden and the rest of the altar escapes explanation, and the answer from temple keepers has been that it is simply custom. There are also numerous other unidentified individual images unconnected with the altar which have been placed there by ignorant temple keepers or worshippers.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208068, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 107, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n91\n\nThirdly, there is the incense pot, in dull bronze, pewter, or earthenware pottery, besides which one or more small oil lamps stand with their tiny wicks lying across the bowl of oil smudged with soot.\n\nFourth, there is a flower vase in which real or imitation flowers are placed by worshippers.\n\nFifth and finally, there may be a wooden tablet to the \"Five types of Terrain and the Five Directions”, (£) standing at the back, which will be referred to later in greater detail.\n\nThere are two deities who are so often seen in or near the Under Altar that they really must be described here. Only one is connected by title, and both may be seen just as frequently on the altar above the Under Altar, on a separate altar or, divorced completely from everything else, down one side wall of the temple. The first is the White Tiger (), who is sometimes referred to as the White Tiger of the Dark Altar (6). The second is the Green Horse.\n\nThe White Tiger\n\nHe is to be seen in about half of the Under Altars in Hong Kong and Macau. In most temples he is made of stone, though occasionally of paper or wood. Sometimes he crouches at ground level, obliquely, on the opposite side of the altar to the Local Wealth God or elsewhere in the temple on the floor and on the altar. He may even be seen in groups of twos or threes, or even more, in very rare sightings.\n\nHe is one of the most common of animal spirits in folk religion temples of all communities and, not surprisingly, is often black having been kippered in incense smoke, though one or two manage to retain their yellow and black stripes and look just as all good tigers should. White Tigers, who are not really white at all, are mostly poorly shaped lumps of stone with a tail, tiny ears and a cavernous mouth. The largest number seen together in an Under Altar was seven, but even that number did not look incongruous as one big one was surrounded by what seemed, at first glance, to be six kittens.\n\nWhite Tigers are fierce and must not be offended. Should you offend one he causes a sickness of the chest or stomach called", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208069, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 108, "title": "RAS-1977", "content_text": "92\n\nK. G. STEVENS\n\n\"White Tiger Disease\" which cannot be diagnosed further, and which can only be cured by offering him expensive propitiation.\n\nThe White Tiger's full title is \"The White Tiger of the Black Altar\" but even though the Wealth God, Hsuan T'an (literally “Black Altar\" and whose name, as we saw above is Chao Kung-ming) is always accompanied by a tiger, no temple keeper has had the courage of his convictions to connect the White Tiger with him, although the connexion seems obvious enough.\n\nWhite Tigers fight evil, destroy demons—particularly sickness demons—and, more mundanely, prevent squabbles and strife between women. Though many temple keepers spoke confidently, they tended to connect the attributes of any one deity with others on the same altar, thus claiming that White Tigers are prayed to stop scandal and rumours, and also prayed to by gamblers who are having a run of bad luck. In former days, so several temple keepers claimed, ritual purification before worshipping the Gods was carried out at the White Tiger Altar, as he was a stellar deity who warded off baneful influences.\n\nOn the day of the Excited Insects, (the 17th of the 1st lunar month, one month before Ch'ing Ming), White Tigers are propitiated by temple-goers, who crowd around them force-feeding them with delicacies known to delight them. These include raw eggs still in their shells, which are rammed willy-nilly into the tiger's mouth together with lumps of white cooked fatty pork, raw liver, chick peas and silver coins. Pork fat is a delicacy beloved of tigers who, according to temple keepers, will not eat beef or fish! One particularly stomach-churning sight was of a temple keeper pushing his fingers into the Tiger's mouth through the mush of raw egg, liver, paper, shell and fatty pork, to recover the coins. For the very poor, a mere smear of pork fat on the lips of the White Tiger is sufficient to bring his aid. Elderly ladies also offer oranges, minute packets of tea and three sticks of incense before the Tiger.\n\nAt the same ceremony devotees burn, or again thrust into the mouths of the White Tigers, dozens of tiny printed paper tigers with yellow and black stripes, folded in half lengthways and filled with cold cooked rice, slivers of raw liver and a few peas. Some of the elderly ladies took the paper tiger cut-outs and removing a shoe walloped the tiny paper tiger unmercifully. Such chastisement is to ensure that gossips and trouble from demonic sources do not", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 109, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n93\n\nenter the homes of the beater and her family. (Incidentally, they did the same with the \"small people\" a common man (Hsiao Jen A) who are gossips causing untold trouble. They are depicted on a black-printed charm as a row of men, and represent anyone who bears a grudge or gossips about their neighbours.)\n\nThough Ch'ao Chow and Hoklo temples have no Under Altars, keepers in temples used by these communities claim that other unspecified Hoklo and Ch'ao Chow temples do have them. In practice, however, most have a stone White Tiger, blackened with age, crouching on the floor in front of one of the secondary altars. In one Ch'ao Chow temple, what at first glance could be confusing, were two large and untarnished black and yellow striped tigers seated before the temple's Earth God. According to the watchman, they were normal tigers and not White Tigers, awaiting his orders.\n\nThe Green Horse\n\nThe second is the Green Horse (*) who occasionally has a groom though, rarely, a rider. Not surprisingly the horse actually is green, although it is possibly called so because Liu (green) is a homophone for \"lucky\". In a few temples he is colloquially referred to as the \"Money Horse\". He is to be found in several temples where there is no Under Altar, no White Tiger, and no Local Wealth God. Green Horse stand on their own four legs and are seldom made of a permanent material, though two in Macau and one in Hong Kong are made of what appears to be painted concrete about half life size. Most are coloured paper pasted over a bamboo frame, frequently decorated with tall, gold paper floral crowns and red rosettes.\n\nThe Green Horse is variously offered prayers and incense for assistance in keeping in touch with distant relatives, for bearing petitions to unapproachable Gods, for stopping quarrels and rumours and, according to some, for wealth. Some even refer to the Green Horse as the Protector of Women. Many Green Horses seen in temples are heavily ensnared or trussed with long, fine red (or on very rare occasions, white) cords bound around the forelegs. Occasionally pairs of red chopsticks are bound to the Horse by these red cords. Both the chopsticks and the cords are charms, placed there by wives who pray that their travelling or erring husbands will be faithful to them, or return immediately to them leaving the...", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208072, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 111, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n95\n\nGod of Loyalty and patron of businessmen, soldiers, detectives and firemen. When represented, this stands near the entrance to his temple and is held on a short rein by a standing groom. The second is the paper horse used for carrying messages to the dead ancestors during the Yu Lan festival (15th of the seventh lunar month). These white or red horses look very similar to the Green Horse and are burnt during ancestral rituals. The third is the White Horse of the monk Hsuan Chuang, Tripitaka, who brought the Buddhist Sutras back from India in the 7th Century, and is only to be seen in one temple in Macau and not at all in Hong Kong.\n\nAn interesting observation which would appear to have no special significance, and one which surprised many Chinese temple keepers, is the sighting of the Green Horse on the altar of the maids and attendants of Chin Hua, the Goddess of Childbirth, in some thirteen temples.\n\nOfferings, Charms and Messages\n\nApart from the force feeding of the White Tigers at the festival in Spring, an offering of a large slab of cooked fatty pork is frequently placed on the Tiger's head, and sometimes several ounces of Chinese yellow wine is then poured over it. Charms, printed on yellow or red paper, are pinned to the Local Wealth God and incense and candles are burnt before the whole Under Altar. Offerings of paper money on the \"Bank of Hell\" are piled onto some Local Wealth Gods, as are paper taels of gold and silver. On occasions particular to the individual devotee and connected with calamities in their lives, he or she may place five yellow paper charms, purchased from the temple keeper, beneath each of five oil lamp saucers with glowing wicks. These, together with fresh eggs, are offered to the spirits in the Under Altar.\n\nIndividual devotees who wish to report their particular misfortune to the Disaster Spirits obtain slips of paper from the temple keeper. These are normally some four inches long and two inches wide, in either red or green, with a regular pattern of diamonds and circles cut out by folding and snipping in a special way. In a few cases, temple keepers require details of the \"disaster\" to be written on them, with dates and names of the people involved. The slips of paper are then burnt in the temple incinerator. In rare cases where devotees confuse the message papers with charms, they are", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208074, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 113, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n97\n\nWhen the Mean One's slips are pasted up they are promptly beaten with a shoe or slipper, and then, over them, are pasted the red and green slips representing the control exercised over them by the Green Horse and the Nobleman.\n\nOne form of the charm is a green paper cut-out horse about 24 inches long, mounted by a separate piece of red paper, cut out in the stylised form of a man. These are pasted in shrines to control the Mean Ones.\n\nOne word of warning for the iconographer. Confusion may arise in temples of Overseas Chinese communities beyond the shores of Hong Kong and Macau, particularly in Fukienese temples in SE Asia. In these there is no Under Altar as such, except in Cantonese communities in places like Kuala Lumpur. There is a separate altar which has no special title, on which there are two or more images whose general features are very similar to the Local Wealth God. They wear dunce's caps, have gaunt faces with protruding tongues and carry a fan each. In addition they carry either a chain and padlock, or a tablet permitting them to carry out an official arrest. These are the lictors of the City God whose task it is to arrest the souls of humans when the ill-fated day of death arrives, and then drag the soul before the Judges of the Underworld. Usually, one of the two images is a short man and the other, very similar to the Local Wealth God, is a tall man. The Cantonese do not appear to hold them in awe as do the Fukienese, and only depict these lictors on murals, paintings and sketches of the courts and punishments of the Underworld. Incidentally, in Yunnan, the demonic lictor of the City God was known as the \"Chicken Foot Demon\", because down to his knees he was as described, \"gaunt, with dunce's cap etc,\" but below his knees were two enormous chicken's claws. On the altar of these lictors in Fukienese temples one may see the occasional White Tiger and, very rarely indeed, a Green Horse. More frequently, the small image of Chao, the Wealth God Hsuan T'an can be seen astride or beside his tiger.\n\nOne exception to the latter is interesting. In Stone Nullah Lane in Hong Kong a larger than life image of Chao Kung-ming stands with three other deities before the main altar. Beside him is a minute tiger, the size of a kitten. The image of Chao is the only one in Hong Kong temples which is coated with red and green", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208075, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 114, "title": "RAS-1977", "content_text": "98\n\nK. G. STEVENS\n\ncharm papers, some new, but mostly faded and tattered. The temple keeper said that supplicants had stuck these on to ward off demonic influences, each being a plea to Chao to order his tiger to devour baneful demons. This image is not in the Disaster Altar but its function is exactly as though it were. According to the temple keeper it is an old image, pre-1840.\n\nThe cut-out red and green charms, called Green Horse and Nobleman, should not be confused with yet other red paper charms with cut-out holes in them, which are pasted annually on lintels of altars, temple doorways and shrines, thus reconsecrating them. These are called slips (piao) (*) and come in three sizes, small, medium and large (1-✯✯). Most of them bear a small square of gold paper pasted on them.\n\nAlthough only Taoist popular religion temples have Under Altars, there is also a Buddha who comforts “in time of calamity”, Yao Shih Fo (***) (whose full title includes the phrase “disaster” “Hsiao Tsai Yen Shou” (5* £**). He never appears in Under Altars.\n\nAnother \"Under Altar\"\n\nAnother small inset Under Altar at ground level, which is nearly always central under the main altar, is the altar to the tutelary deity of the temple, Ti Chu Fang (H). It is often called the Prosperity Hall and is unconnected with our study. It consists of a tiny open fronted \"box”, lined with red or orange paper, containing only one or two small red plaques dedicated to the tutelary deity (£* 五土龍神;護廟地主財神),(五方五土地主財神) or (前後地主 神財).\n\nIn one temple only, in Wanchai, a second altar under yet another side altar, contains a large image of the local Earth God (No2) which is normally on a side altar or beside the temple entrance. Behind him is pasted an orange paper bearing black characters describing the Earth God as the Controller of Wealth, and naming in a parallel row of characters the other major Cantonese Wealth God \"Ts'ai Po Hsing Chun\" (# $ £*) who is not represented by an image in this instance. This is a rogue disposition, doubtless ordered by a well-meaning but ignorant temple committee.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208077, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 116, "title": "RAS-1977", "content_text": "100\n\nRecapitulation\n\nK. G. STEVENS\n\nTo sum up, there is a special altar in certain Cantonese, Hakka and Boat People's Taoist folk religion temples dedicated to spirits who cope with the adversities people encounter in life. That altar, because it is below the pale, houses several other spirits who all seem to be able to eliminate calamities and suffering, which no doubt is why the altar is called the Misfortune Altar. Other subsidiary roles of the spirits on the altar according to individual informants, include the chasing away and destruction of demons particularly sickness demons; the preservation of youthful feminine beauty; the correction of erring husbands and the discipline of wayward children. The Green Horse, who has little to do with the Altar, appears to have the function of messenger either to, or between the Gods or to the dead or distant relatives. The White Tiger, a demon destroyer, who also is a lodger in the Under Altar, though declared ferocious and potentially very dangerous by most temple keepers, seems to be ignored for much of the year and feted only on his festival in early Spring.\n\nADDENDUM\n\nFour large earthenware pots each sealed with red and green paper charms were seen standing on the front of an under altar in a small folk religion temple in Macau. The temple keeper explained that evil demons exorcised during a recent ceremony had been incarcerated in the pots which had been placed on the altar where they could cause no further harm. The keeper also said that such pots cannot remain before the altar forever and that it was usual practice either to bury them or to take them well out to sea and cast them overboard. — K.G.S.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208149, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 188, "title": "RAS-1977", "content_text": "172\n\nNOTES AND QUERIES\n\nAll remarkable mountains are supposed by the Chinese to have some spiritual influence over the affairs of mortals. The rough, barren, mountainous country I have described, has given birth to many superstitions and legends. Some of the huge stones on the hillsides are supposed to represent the tiger, the dragon, and the phoenix. The stones on some hills are said to have locomotive powers, and to pursue any adventurous traveller who attempts to mount their sides: other stones are said, when touched, to have the power of producing pains in the stomach and others to emit white vapours from their surface; of more interest are the caves which are found in some of the mountains (JHKBRAS 7(1967): 110).\n\n12. Krone writes of our own Castle Peak:\n\nThe mountain is reckoned one of the eight wonders of the Canton Province. Some of its large granite boulders are said by the priests to represent various mythological monsters; and several springs well up near the top, which are also esteemed supernatural wonders by the Chinese. The mountain is often visited by students and literati, and its wonders and beauties have been celebrated by them in many verses. The legends connected with the mountain seem not to be very clearly understood. (JHKBRAS 7(1967): 109).\n\n13. In the case of the more famous mountains of the Kwangtung province alone, mythology, legend and history have endowed them with fame over hundreds and even thousands of years. This is due in part to the constant visits of famous poets whose poems are so widely read over the generations that they alone are sufficient to make them sacred and immortal.* Yet our own lesser mountains seem to have had at least one such visitor. In the history of the T'ang family of Kam Tin we read of the famous Sung poet and painter PO Yu-sim, ‘Legends have attributed to him magical powers, and he is supposed to have appeared and disappeared in all the \n\nIn the introduction to his Anthology of Chinese Literature, Vol. 2 (New York, Grove Press Inc., 1972) Cyril Birch writes 'Scholar-officials were subject to a life of movement, and no one could travel very far without lighting on a place celebrated in the verse or prose of an earlier visitor. It might be a hilltop temple or a lakeside pavilion, a mountain pass or an ancient battlefield, a city gate or a particularly awesome cliff. (p. xxvi).", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208175, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 214, "title": "RAS-1977", "content_text": "198\n\nNOTES AND QUERIES\n\nIn that night, strange happenings occurred. Chickens crowed and dogs barked. When the village watchman searched the area for the cause, he discovered to his surprise two tiger-like animals crawling about. He immediately fired a shot at them. One of the 'creatures' was hit and its mate came to the rescue. The two fled, and showed themselves to be human beings! The AU-YEUNGs were convinced that these two persons were thieves and wondered from where they had come.\n\nOn the next day, the Shing Mun villagers declared war on the AU-YEUNGs, intending to avenge the wounding of their fellow villagers. It was then revealed that the two night intruders were Shing Mun people who had come to steal, probably aiming at the belongings of the two brothers who had just returned from abroad. When the Shing Mun villagers approached the entrance of the AU-YEUNGs' village, they recklessly opened fire. The AU-YEUNGs, however, were not to be so easily daunted: they returned the fire. But being gradually outnumbered and overpowered by Shing Mun invaders, the AU-YEUNGs desperately enlisted the support of villagers of Lo Wai, Kwan Mun Hau, and Shek Lei Pui who readily offered help.\n\nThe war dragged on for nearly three years and was finally settled by a villager from Kwan Mun Hau. Having served in the army for some time in the past, he decided to borrow two cannons to blow up Shing Mun Village. When the Shing Mun villagers learned this, they hastily asked for peace. Seeing that the war had caused tremendous loss to both parties, the AU-YEUNGs agreed to settle the matter without conditions. The war ended up with a death toll of about thirty on Shing Mun side and over ten on the other side.*\n\nFrom this war, the AU-YEUNGs realised that the distance between them and other friendly villagers was too great and, fearing that the terrible experience might be repeated in the future, they eventually migrated to Chung Kwai Chung to re-establish their village. There they named their new settlement Wai Kek Village (*) and continued their farming livelihood by opening up barren hills and tilling the land.\n\n* It will be noted that the numbers killed are not accurately stated, and that the way in which the war was ended does not tally with the version given at p. 190.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208193, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 232, "title": "RAS-1977", "content_text": "216\n\nNOTES AND QUERIES\n\nhead for the hall, the result is that the hall would bring about Great Wealth (大富)\n\nOn the ancestral hall itself, it is apparent that it is being surrounded by green mountains and beautiful streams. Its walls are finely made and its direction is carefully orientated so as to suit the Dragon form. The rooms inside are spacious, comfortable, and neatly packed together. In front of it is Shau Sing Kung Shan (壽星宮山) (\"Long-life mountain\") and on the left of it is Kwun Yam Shan (觀音山). All these signs imply that from here “Great Nobility\" (貴) would appear. Its form, so magnificent, calls for the Red Bird (朱雀) to lead the way (朱雀護送迎) and the Green Dragon and White Tiger to kneel (†). It drives the ranges to curl around it and the stars to look after the outlet. Every mountain, no matter how far comes to guard the cave, and every stream comes to gather round the hall. This indicates \"Great Wealth\" (大富). Thus the window of Heaven is made open and the door of Hell is tightly shut.\n\nThis is the best Dragon form. It should foster great wealth and great nobility. It explains why the Tang clan has had so much success in wealth, fame, and in civil examinations, as compared with the other villages in Pat Heung (八鄉). Of course, it owes very much to the keen choice of Fung-shui by the Tang ancestors. Hong Kong, 1973\n\nJOHN THOMAS Kamm\n\nBEAN SKIM (豆漿皮); A PRODUCT OF BLOOD & SWEAT FROM THE MAKERS\n\nBean skim is a traditional rural product in the Tsuen Wan District of the New Territories of Hong Kong. The following account was written by WAN Chung-yan of Pun Shan Village, Chai Wan Kok, Tsuen Wan on 12.1.1976, at the Hon. Editor's request.\n\nBean skim is a kind of bean product of rich nourishment. In the age when the electric motor had not yet been invented, such product was really a product of blood and sweat from the makers.\n\nThe making of bean skim is easily described. Choose the best yellow beans, dry them under the sun and peel them. Then soak the beans in water and crush them into a paste. After filtering off the refuse, boil them in a pot. Skim off the upper layer of foam. Keep heating the paste at a certain temperature until a thin layer", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208250, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 289, "title": "RAS-1977", "content_text": "Plate No. 21. The Under Altar with the local Wealth God, the Five Demons and a White Tiger.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208251, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 290, "title": "RAS-1977", "content_text": "Plate No. 22. Offerings being made to the White Tiger during the festival of Excited Insects.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208336, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 60, "title": "RAS-1978", "content_text": "44 \n\nKEITH STEVENS \n\n1871) offered sacrifices at the City God temple and reported, in writing, that he and the whole family with gratitude had made an image of the Duke Wei which he presented to undergo the rite of consecration, so that it would protect all members of his family and all his domestic animals and poultry. The image is of a seated soldier, dressed in armour and military cap, his right hand is clenched and rests on his right knee. His left hand, the first and fifth fingers only, pointing vertically, is held at waist height in a magical sign. Wei had a gilded face, traces of which can still be seen, five tufts of black beard, the stubble only remaining and gilt armour covered by a red and blue robe again only traces of which are still visible. This image was blackest and greasiest of all and is quite surprisingly handsome now that the film of filth has been removed. Wei could possibly be Yu-ch'ih Ching-te (*), the Door Guardian who according to Mathews' dictionary is well-known as one of the two door guardians on temples and is “depicted with a black face and the fingers of one hand twisted up\". The image, dressed in loose robes over armour and chain mail, has a gilded face but otherwise, has his fingers twisted up. In reality Yu-ch’ih was a general who served the T'ang Emperor T'ai Tsung in his wars against rebels and died in 659 A.D. \n\nThe fourth image (Plate 5), also from Shan Men district, Wu Kang county in Hunan and dedicated in 1938 is of the bodhisattva Kuan Yin. The image, easily identifiable as such by her five-leafed bodhisattva crown, beads and vase, is seated cross-legged on a lotus, and dressed in gilded robes, The slip of paper in Kuan Yin's back relates that Petitioner and worshipper Mrs. Yin Wu-chi together with her five sons, four daughters-in-law, and one grandchild, on the 21st of the 6th moon of the 27th year of the Chinese Republic (18th July 1938) offered sacrifices to the Earth God at the City God temple in Lao Chai, presented and installed a new image of Kuan Yin. This has been done, the slip said, so that this Buddhist deity can be resorted to in her natural form and can kindly bestow good luck and eternal protection and prosperity on the Yin family and its future generations. In words of glowing praise, the petitioner described the heart, the liver, the lungs, the kidneys, the soul, the gall, the eyes, teeth, the bones, the bowels and the spirit of Kuan Yin, as 'the liver of a green dragon', 'lungs of a white tiger', ‘kidneys \n\nPage 60\n\nPage 61", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208340, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 64, "title": "RAS-1978", "content_text": "48\n\nKEITH STEVENS\n\ndecorated with a large dragon across her bosom, and the \"bird\" hat with its representation of a small bird, wings outstretched, lying on top. She holds a raised fly switch in her right hand and her girdle is grasped in her left hand (the latter pose is usually reserved for male images). She is seated on a dragon throne.\n\nPerhaps readers can offer their views on the use of impersonal images on family altars and further examples of the practice in other parts of China?*\n\nNOTES\n\n1 Lao Tzu—the philosopher generally believed to have founded Taoist philosophy.\n\n2 Erh Lang (#) often identified with Yang Chien (##) the nephew of the Jade Emperor, the supreme Taoist deity.\n\n3 The Five Thunder Magic () is used in Taoist folk religion as the ultimate threat; a magic of destruction brought about by Taoists against those who broke the rules or opposed the Taoists.\n\n4 Lei Kung (2) the God of Thunder.\n\n5 usually read Wei, is read Yu in this surname.\n\n6 The image of Kuan Ti, the God of Loyalty and one of the most popular of deities throughout China also contained a slip which noted that it had been dedicated in the autumn of 1789 in the same area in Wo Kang as the images in illustration 2 and 4. The slip tells us that Devotee Pan Mu-shih, together with his wife, two sons and two daughters-in-law offered sacrifices to the deities in the City God shrine in the local temple, reporting that he and his whole family had had the image of Kuan Ti carved by a scholar. This they respectfully presented to have its eyes opened before the Gods so that it would be able to rid their dwelling of evil spirits and bring them blessings. The latter part of the text on the slip says that, \"Your Honour Kuan Ti is the cleverest, most faithful and righteous in the world both past and present. You are a true spirit, a wonderful inspiration and have the ability to suppress demons. To show you our sincere respect we shall now dress you up, worship you every morning and evening with incense and further, offer you Spring and Autumn sacrifices each year....\n\n7 The provenance of three further images in the shipment, in better condition, is unclear though possibly they came from one of the areas in Hunan or Kiangsi from which the others originated. Of these three, two are versions of Yao Wang (1) the King of Doctors, who is easily recognisable by his tiger and dragon, one below and the other above him, and the small red pearl he holds aloft between his fingers. The third image is Yao Wang's aide, a middle-aged man standing carrying a herbalist's case slung over his shoulder and a furled umbrella in his hand.\n\n* Mr. Stevens has made a further discovery in the matter of ancestral images: see the Notes and Queries section at p. 206.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208397, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 121, "title": "RAS-1978", "content_text": "SHIWAN POTTERY EXPLORED\n\n105\n\nExploration around the modern city of Fushan reveals present-day continuation of the handicraft industries of painting (Plate 11), textiles, paper-cutting, papier mache, and of course pottery in the neighbouring town of Shiwan. The famed Ancestral Temple in a short distance from the Overseas Chinese Hotel, is full of the work of handicraft artists of the past, with excellent examples of metalwork (Plate 12), gilt wood carving (Plate 13), brick carving and papier mache, not to mention the rooftops which are covered with long and elaborate Shiwan pottery friezes (Plate 15).\n\nThe Shiwan potters' use of waste and inexpensive materials led to the development of a rather unique art aesthetic. The use of all different types of waste materials, in addition to being economical, was perfectly suited to the development of a wide range of colourful and variegated flambe glazes, which indeed has been unequalled. Descriptive names such as \"tiger skin\", \"leopard skin\", \"pomegranate red\", \"peacock's feather\", \"sesame seed\", etc., were bequeathed according to colour and configuration. In addition, the inexpensive pottery clay with a high content of sand was much more pliable and suitable for sculpture than fragile porcelain clay. Taking advantage of the nature of this material, the potters sculpted their vessels in high relief forms from plant and animal worlds (Plate 16).\n\nThe pliable pottery clay was also good for figure sculpture which became a Shiwan specialty. The potters soon found that if they left flesh areas unglazed, more detailed and warm human expression would result. For subject matter they drew on a wide range of characters from folklore, history and religion as well as the common man, in each case attempting to distill the nature of the individual into a small size artistic creation. Anatomic exactness was sometimes deliberately altered to better convey spirit.10 (Plate 7).\n\nThe superiority of Shiwan pottery sculpture over that of porcelain was recognized when in the late 1920's three of Shiwan's best artists, Pan Yushu (**), Chen Weiyan (), and Chen Zhi (*), were invited to the Jingdezhen (✯{1⁄2§4) porcelain potteries to sculpt figures. According to Silva Mendes, Macau barrister and Shiwan collector, who personally knew the potters, the results were not good because porcelain is not as adequate a material as clay for this type of work, (i.e. sculpture). A porcelain figure of the goddess Guan Yin (†) in a private Macau collection with the mark of Shiwan potter Chen Weiyan, verifies this point, displaying", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208519, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 243, "title": "RAS-1978", "content_text": "Plate 15. Shiwan ceramic rooftop friezes at the Ancestral Temple. The tower one depicts the story of the Yang Family Generals.\n\nPlate 16. Vase with tiger skin glaze and plum blossom branches in high relief sculpture.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208675, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 132, "title": "RAS-1979", "content_text": "The Maryknoll Mission, Hong Kong 1941-46\n\n105\n\n23-We are notified today that swimming will soon be allowed at Tweed Bay just to the south of the Prison. Rules governing this permission will be issued later.\n\n24-Sunday. As usual. Our days now follow each other in much the same way, and apart from rumors, there is not much to chronicle. Father Moore follows Father Quinn with the \"flu\" and goes to bed.\n\n25-His Excellency, Bishop O'Gara, finally gets permission to leave the Camp, as also Father Chaye, a Belgian M.E., and quite a crowd gather to see them off. Father Meyer now becomes the Vicar Delegate of Bishop Valtorta.\n\n26-Father Madison succumbs to the \"flu\" and room number 9 seems to be hard hit.\n\n27-Canteen opens. Fathers Quinn and Moore improved and Father Downs back from Tweed Bay Hospital. One thing about the Hospital in the Camp, the doctors have a splendid cure for dysentery and within a short time the patient improves.\n\n28-The Sisters take over bread-baking for all the Maryknollers.\n\n29-After reconsidering the matter, four of the new men decide to remain, and take their names off the list.\n\n30-The American community meets and discusses the coming repatriation. It seems each repatriate will be allowed only such baggage as can be carried by him; in other words, no more than five bags as a maximum.\n\n31-Camp was agog this morning as a report spread that a tiger, or tigers, were seen within the Camp precincts. During the morning we did see a few Japanese soldiers clambering among the rocks on the hill to the south of us, and wondered what was up. Later, the police killed a tiger which is said to have weighed 240 pounds and was 3 feet high. A photo of the kill appeared in the next day's local paper. The other tigers remained in the vicinity for a few days and were later reported near Hong Kong.\n\nSunday. Father Meyer takes over the preaching, and loses no time in starting Catholic Action, with a meeting in the afternoon at 3:30. About 35 people were present. May Devotions close this evening, with an outdoor crowning of the Blessed Virgin. Mr. Fisher, a very good Catholic, 75 years of age, died in Tweed Bay Hospital.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208676, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 133, "title": "RAS-1979", "content_text": "106\n\nREVS. J. SMITH AND WM. DOWNS\n\nHospital. Funeral at 3:00 p.m. with Father Charles Murphy officiating.\n\nJUNE\n\n1- Father Haughey and Brother Bernard Toohill, Salesians, sign their papers and are allowed to leave Camp. The British do not yet believe that we Americans are going to be repatriated, but at the same time, they are hoping for some news about their own release. There are rumors, of course, but nothing definite as yet. The Canadians, too, are also hoping, and are even now trying to join the Americans. Swimming was supposed to start today, but no permission has yet been received. As the weather is beginning to get a little warm, the language school goes on vacation schedule of but one class a day. Strictly speaking, with all the interruptions and distractions of Camp life, we haven't made much progress on the language, but a start has been made.\n\n2- As it is now quite definite that the bulk of the Americans will be repatriated (some forty or so remaining voluntarily) a meeting was held today in which new officers were elected. Consequently, Mr. Bennett becomes Chairman of the Council; Father Meyer Vice-Chairman, Mr. Gregory, Secretary and Mr. Kiley, Treasurer. A tiger cub was reported seen around the Camp. At last, the first parcels of that $300,000.00 food loan are beginning to come in. Each internee had been instructed to make out a list of what articles he would like and individual parcels containing these items are made up in town and sent out to the Camp.\n\n3- Fathers Moore and Madison, again, slightly indisposed.\n\n4- Feast of Corpus Christi. Benediction at 6:45. Report has it now that the newspaper men among the repatriates are to receive one thousand yen from the Japanese authorities for the trip. Incidentally, it may be chronicled that shortly after taking possession of Hong Kong, the Japanese Army introduced the Military Yen, one yen being on a par with two Hong Kong dollars. Later on, this was boosted to one yen for four Hong Kong dollars, and as food prices have risen considerably, this has been a great hardship on the populace, especially those who had Hong Kong money. Then the further discount on high denomination bills made it still more difficult.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208846, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 8, "title": "RAS-1980", "content_text": "207\n\n36 1911 Census.\n\n37 For a brief discussion of these ideas, see David Faure, \"Hongkong and China in the village world\", JHKBRAS 21 (1981). A noteworthy variation is the shrine for the Taai Shing Yan Kung Ma at Luk Mei Village, which is both an ancestral figure and a territorial god. See research notes on Ue Lan Festival at Luk Mei, 5-7.8.81.\n\n* Ints. Mr. Cheung T'o 29.5.81, 15.6.81, Mr. Cheung Ts'oi 20.6.81, Mr. Tse Ming 8.81, and notes on the ta tsiu at Ho Chung, 27.12.81 - 31.12.81. For the donations of the Uens towards the repair of the temple, see Ch'e Kung Temple tablet and ints. Mr. Uen Chi Ming 16.1.81, 13.2.81, 7.3.81. Our interviews did not discover if only villagers of Ho Chung contributed towards the annual Ch'e Kung Festival, or if other villagers in the villages that took part in the ta tsiu also did.\n\n3 Int. Mr. Chan P'aang Hing 29.5.81.\n\n40\n\nInts. Mr. Cheng Ip 14.5.81, Mr. Lei Yiu T'ing 23.6.81, Mr. Lei Kau 23.6.81, Mr. Lok Kau Kei 26.6.81, 21.7.81.\n\n41\n\nInts. Mr. Tse Wing 9.6.81, Mr. Tsang 25.6.81, Mr. Tsang Yung 25.6.81, Mrs. Wai 27.6.81\n\n42 Ints. Mr. Cheung Ts'oi 20.6.81, Mr. Cheung Wing 1981; see also Mr. Sung Kw'an 23.6.81 for similar arrangements for raising pigs in Tit Kim Hang, and Mr. Shing Uen Wan 10.7.81 in Pik Uk.\n\n43\n\nInts. Mr. Shing Ip On 14.6.81, Mr. Leung Yung Hei 16.6.81. Every year, on the 28th of the First Month, all the five surnames of Mang Kung Uk joined in the worship of the earth god. A matshed was built in the village, on which lanterns were hung. See int. Mr. Ue Shun Hing 10.7.81. See also Patrick Hase, “Observations at a Village Funeral\", presented at the Conference on Hong Kong Society and History at the Chinese University of Hong Kong, December 1981, (papers to be published shortly).\n\n44\n\n** Mr. Leung Yung Hei 16.8.81.\n\n* Ints. Mr. Sung 22.6.81, Mr. Tang Kei Faat 25.6.81, Mr. Hoh King 24.6.81, Mr. Yau T'aam Shang 8.5.81, Mrs. Lau Lei Loi T'aai 28.6.81, store keeper at Wong Chuk Wan 28.6.81, Mrs. Hoh née Lau 29.6.81, Mr. Kuet Po Shing 2.7.81, and notes on the ruined temple at Wong Chuk Wan 28.6.81. The composition of the Shap Heung given by Mrs. Hoh née Lau and Mr. Kuet differs slightly from that in the text here. Other village groups in the Sai Kung area include one that consists of Tse Keng Tuk, Chiu Hang, Ta Ho Tun, and Ma Nam Wat (int. Mr. Chan Uet Shing 24.6.81), another that consists of the three villages at Man Yee Wan (int. Mr. Lei Shiu Yam 8.5.81), yet another the seven villages that made use of the sugar press at Ko Tong (int. Mr. To 19.6.81). Apparently, Tai Long, Pak Tam Au, and Chek Keng, and then Sham Chung, Lai Chi Chong, and Pak Sha O were two groups of villages that had close social ties (int. Madam Chiu I Mooi 7.5.81).\n\n48 Ints. Mr. Tse Wing 20.6.81, Mr. Yau 28.7.81. Fung shui was involved in the dispute in Sha Kok Mei. The villagers considered that part of a hill nearby, known to them as the \"tiger's land\" (foo tei) was essential to the fung shui of the village. Sha Kok Mei would not permit burial, grass or tree cutting on the foo tei.\n\n\"Mr. Chau T'in Shang 9.7.81, Mr. Lok Kau Kei 26.6.81, Mr. Yau Taai Hin 8.81, Mr. Tse Ming 8.81. Major temple celebrations before World War II were held in at least the following places: Leung Shuen Wan, Sai Kung, Tai Miu, Hang Hau, Pan Long Wan, Tseung Kwan O, Kau Sai. Pak Kong and Ho Chung had a ta tsiu every ten years, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208888, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 50, "title": "RAS-1980", "content_text": "22 \n\nKEITH G. STEVENS \n\ncolumns, boards, boards bearing auspicious phrases, balustrades, roofs and lattice windows exactly like full-size temples (Illustration 16). Several wooden miniature shrines seen on lower decks of large sea-going junks were heavily ornamented and the carving exquisitely detailed. At the other end of the scale, soap boxes, painted red and upended, serve as the simple shrine of the less affluent household. \n\nActual images of gods in homes are few, and their worship is very limited. Usually, there is just a framed print, and routine offerings consist of a daily incense stick burnt before the print with, in addition, a small offering of tea or rice on the first and fifteenth day of each lunar month. The majority of Chinese who have a household shrine display on their main altar the bodhisattva Guan Yin, who is, without a doubt, the most popular deity of Chinese everywhere. Most homes also have a second “altar”, the Kitchen or Stove God, whose title on a red board is hung up, or when written on a red paper is pasted up near the family cooking range. \n\nShop or factory shrines usually stand or hang on walls at shoulder height, constructed of wood and painted vermilion. The majority of shop shrines contain plaques or prints of Guan Di as patron deity of merchants and Tu Di Gong, the Earth God. Those in fire stations and police stations bear prints of Guan Di in his role as the patron deity of loyalty. \n\nOn days marked Chu (除)22 in the Almanac (i), old lady devotees offer prayers in the street before unpainted wooden boxes used as shrines. They are propitiating the demons who cause disasters, and are also attempting to change their luck for the better. They use one of their shoes to strike the \"small men” (1-A) banging small figures of humans cut out of black paper and at the same time calling out in high-pitched voices for the demons to flee. The voice is pitched particularly high when calling back the roaming soul of a sick child (the absence of the soul being the cause of the sickness). \n\nApart from modern concrete decorative structures in places like the Tiger Balm Gardens and on the foreshore of Repulse Bay, there is only one pagoda in Hong Kong or Macau. This is at Ping Shan, in the New Territories, and was built of stone blocks some three hundred years ago. Like other Chinese pagodas, it has little use other than to enshrine some sacred object, in this case, several images", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208955, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 117, "title": "RAS-1980", "content_text": "FUNG SHUI: ILLUSTRATED BY KAT HING WAI, N.T.\n\n85\n\nThe basic premise of geomancy is the location of ch'i, the cosmic breath, of the site in question. This ch'i is dispersed by wind and carried by watercourse; too much of each or both will drive the site's good influences away, and too little movement will cause stagnation of the influences. An ideal site should be south-facing and constitute the following topographical features: The hills should have the formation of an armchair; those in the rear should fence off evil spirits brought in by the cold bitter northerly wind, those on the left and right should flank it like embracing arms, and the front should be opened or unobstructed such that view, airiness, and sunlight can be brought in by the yang spirit. These features are represented by the four numinous animals: the azure dragon on the left, the white tiger on the right, the red bird in the front, and the black tortoise in the back. Thus, the point where the two forces meet, and in a proportion of three to two of the azure dragon and the white tiger in elevation, is the perfect location for burial and building. As to water, a site with confluence of streams brings good influences; conversely, branching does the opposite. \"Sharp bends are bad since they make straight arrow-like lines, meander being the natural path of good influence...\" However, favourable and auspicious sites are not always readily available, and less desirable ones are remediable by means of tree planting, or building a fung-shui pagoda at proper places, or removing contours and watercourses according to geomantic principles. As fung-shui can bring good influences to people if dwellings are properly placed, so can it cause ill fate if they are placed otherwise. According to a geomantic professor I interviewed in Hong Kong, inauspicious fung-shui can induce illness or even death in the family if, for example, windows or doors or kitchen stoves are mislocated. The same fatality may occur if a beam of a house is erected directly over one's head in a sleeping area. Or a house is in a baleful location if it is situated at the crossroad of a Y-junction. My investigations concur with the Yang Dwelling Classics, which says in the opening paragraph: “All dwellings should not be at the mouth of a thoroughfare, or in a monastery (Buddhist temple grounds), nor come near to a shrine, nor be where plants and trees do not grow (to screen and protect), nor in an old battleground ... nor at the gate or opening of a large wall, nor opposite a prison gate.\"12 In Maurice Freedman's research\n\nyang", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208957, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 119, "title": "RAS-1980", "content_text": "FUNG SHUI: ILLUSTRATED BY KAT HING WAI, N.T.\n\n87\n\nvalley surrounded by hills in the east, north and south forming an armchair embracing it. It is located at the crosspoint where the breath of the azure dragon and the white tiger meet. The entire valley is fed by flowing streams like the sinews and veins within a body. It is also the confluence of meandering tributaries before the main river runs off to the sea. According to a geomancer who never saw Kam Tin, \"It is said [in the geomancy classics] that the Dragon [Water Dragon, not the same as the Azure Dragon] follows the watercourse, and the meeting-place of waters is the meeting-place of the dragons, where the virtues of hills and streams are united and the grass ever green.\" He continued, \"In the distance there should be groups of mountains with streams of water encircling them; in front a stretch of level plain, a pond, or lake. In the wider circuit, the space should be large enough for 10,000 horses, and the watercourse be sufficient to admit a dragon [large] boat... If the expanse be wide, children and grandchildren will multiply and be strong. From the top of the hill the view should extend for miles, with mountains and streams interspersed.\"16 Such vivid and precise description of the geographical features of Kam Tin by a fung-shui professor who never saw the place can only lead to the conclusion that the siting of Kam Tin was done piously in accordance with the geomancy canons. Moreover, \"the place where the flow out being low, with no hill or high embankment to obstruct the escape of good influences, a pagoda is erected to check these influences and throw them back over the land.”17 Indeed a fung-shui pagoda called Man Ch'eung Kok was erected near where I Tai College now stands in Shui-tau hamlet.* By the year 1850, \"the Tang family seemed to have reached the height of their prosperity. Many of them passed the highest government examination and a census taken that year showed that there were more than 1,800 males living...\"18 But the family experienced a decline in population and wealth after the pagoda was torn down and the course of the river was altered to accommodate three fish ponds and buildings of a school that blocked the view of the village.19 This mistake was remedied by repairing the banks of the river in 1930 and family membership was said to be on the increase again.\n\nFig. 2 in the original version of this article, published in Asian Architect and Builder, October 1979, which contains many other drawings and diagrams not reproduced here.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208958, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 120, "title": "RAS-1980", "content_text": "88 \n\nDAVID LUNG \n\nThe westerly orientation of the village is shifted 90° from the standard south-facing position in order to adapt to the local currents of the cosmic breath formed by the azure dragon on the left, the white tiger on the right and the black tortoise on the back. The open field on the west stretching to the sea which lies beyond gives a sense of airiness and the Nan Tau Shan mountain range across from the bay keeps good influences from being washed away. Such an intricate step taken in the planning process indicates that the geomancy canons were not translated literally into a physical form, but rather the interpretation of the fundamental principles was fused with the deep understanding of the forces of nature and the micro-cosm of the local surroundings to make their aspirations and existence come true on a land which had existed before their occupation. As the commemorative tablet of Kat Hing Wai (1925) states, \"... our ancestor Fu-hip... consulted divination and settled in this village...\"20 \n\nTo authenticate the geomantic siting of each of the built forms, for example, a wai, an ancestral temple or a bridge, lies beyond the scope of this paper. It is not an impossible or improbable task per se, but rather it is a different discipline of study. The concern of a geomancer is the actual method of divination, a combination of understanding of a wide range of fung-shui classics and the use of the geomantic compass. In an over-simplified experiment, I have attempted to explore the physical and cosmic relationships of the four wais, Kat Hing, Wing Lung, Tai Hong and Kam Hing. (The last one is a ruin; its wall configuration is largely my own reconstruction based on the patterns formed by the other three.) As indicated in Fig. 5*\n the lines that are drawn to link up a corner tower of one wai with a second and a third tower of another wai, and as indicated in Fig. 6*\n the lines which join the mid-points of the walls in a similar fashion, are clear indications how the wais are related. These lines show quite explicitly a certain design pattern which is far more complex than the untrained human eye can conceive. Even though the location and orientation of these hamlets may seem arbitrary, the intensity of the hidden energy cannot help but force one to believe that the alignment and the orientation of the wais are too coincidental to have happened by chance. Although several historians assert that the walls were built 200 years later \n\n* References are to figures in the original version, not reproduced here. \n\nPage 120\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209018, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 180, "title": "RAS-1980", "content_text": "148 \n\nNOTES AND QUERIES \n\nFung Yuen is a coastal valley cutting deeply back from the coast of Tolo Harbor, about a mile and a half deep and perhaps a half mile wide, flanked by hills falling sharply down to the sea on both sides. The eastern hill, the abode, geomantically speaking, of the Green Dragon, has been shaved off in Government engineering works as a \"borrow area\" for bay fill several years, and tun fu ceremonies have been held in Fung Yuen in the past. In 1981, \"borrowing\" was to begin on the western hill, the home of the White Tiger, so new ceremonies were necessary. \n\nThe details of the 1958 and 1960 rituals described by Hayes (JHKBRAS 5:122-124 and JHKBRAS 11:204-209) are roughly similar to those I observed in Fung Yuen in 1981. However, the specialist hired, according to the village head, was not a fung seui sin saang, but a tun fu sin saang (could this perhaps indicate the growth of a new occupational specialization?). He was aided by one elderly assistant. Offerings included both meat and vegetarian dishes; the specialist commented that since many spirits are invited to such a ceremony and one does not know their preferences, a variety of things should be made available to please them all. The basic ceremony consisted of the presentation of offerings and prayers, the burning of candles, paper money, and incense, and the renewing of ritual objects that had been positioned in a similar ceremony a few years earlier, and were now reconsecrated and left in place once more. Large incense pots were filled with fresh sand, into which new bamboo sticks affixed with charms were stuck. Fresh, tall stalks of bamboo, very leafy at the top, with a paper charm attached to each, were erected beside the pots at various locations in the valley. As the village head explained it to me, the ceremony serves to invite a benevolent deity, a po sat, who is a sin sih, or a kind of an official in the heavenly bureaucracy, to protect the village from malevolent spirits who may be disturbed by the earth removal. He is, I believe, represented by the paper charm attached to each tall leafy bamboo stalk. \n\nIt is not only the fine details of ritual acts, nor the numbers and types of ritual objects used, that had significance on this occasion. The spatial patterning of the sites chosen for the series of one major and seven minor ceremonies conducted over the course of \n\nPage 180\n\nPage 181", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209019, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 181, "title": "RAS-1980", "content_text": "NOTES AND QUERIES\n\n149\n\nthe afternoon was equally meaningful. According to Hayes, the priest in charge of the 1958 ceremonies on Lantau decided how many pots should be prepared with charms, and where they should be placed at various spots throughout the area. In the 1960 case in Sai Kung, two pots were prepared, and one was placed at either end of the village. In the Fung Yuen case, however, as many as seven pots were needed (plus an extra ceremony with no pot), and though the ritual specialist may have dictated the precise orientation of each, they are located at sites which could only be derived with a full knowledge of the local social rather than geomantic terrain.\n\nAlmost 450 people make their homes in Fung Yuen, according to my surveys, of whom only about 120 are \"indigenous villagers,\" or descendants of the several small lineages that settled the valley in the middle of the Qing dynasty. Some sixty people name other New Territories villages as their native places, though they have been settled in Fung Yuen for forty to sixty years; the remainder are more recent arrivals, immigrants from China who now grow vegetables as tenants on lineage-owned land. But of these several categories of Fung Yuen residents, only the first, the villagers, face potential harm from the changes to be wrought by government engineering works. This understanding is shared by everyone, despite the fact that the terrain to be altered embraces the homes of everyone, not just the villagers. In fact, those actually farming the land, including some villagers as well as many immigrants, might be considered to be at highest risk, for the water that sustains their vegetables and their livelihoods runs down from the hills where the Green Dragon and White Tiger live. That ritual units are constituted socially rather than geographically or economically, however, is a lesson brought home very clearly in the tun fu ceremonies.\n\nThe first ceremony, and the only one complete with all food and drink offerings as well as other ritual paraphernalia, was conducted at the site of the local Daaih Wohng Yeh shrine, and was addressed to the nearby Touh Deih Gung as well. These gods define a community, in that all who are full members in that community fall within their sphere of responsibility; the gods are concerned with their welfare, and the reverse is equally true. In tradi-", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209023, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 185, "title": "RAS-1980", "content_text": "NOTES AND QUERIES \n\n153 \n\ntinuing solidarity and sense of community is, I believe, quite noteworthy. The indigenous multilineage alliance feels threatened by the changes imposed on its quiet valley both by the influx of immigrant farmers and by the new government development plans. In the tun fu ceremonies, I would suggest, it fights back symbolically at both foes. The government is committed to keeping, at least symbolically, the promise made by Blake that Chinese \"usages and good customs will not in any way be interfered with.\" Although these villagers are in reality helpless in the face of tumultuous change, they can in the short run pressure the government to give them \"face\" by providing financial support for the ritual reaffirmation of their exclusive symbolic rights in the lands of their ancestors. The presence of the outsiders in Fung Yuen, ritual statement notwithstanding, is very real, as is the power of the state which is likely to claim more than the domains of the Green Dragon and the White Tiger in the very near future. In the meantime, the tun fu ceremonies, like other rituals, provide us a glimpse of the structure of social as well as religious meaning in a sector of Chinese society that carries on old traditions in a changing world.\n\nBerkeley, California, 1982 \n\nJUDITH STRAUCH \n\nLYCHEES OF TSANG SHING COUNTY, KWANGTUNG. \n\nIn May 1979 I was invited to inaugurate a new term of office-bearers of the New Territories Tsang Shing Fellow Countrymen's Association*4, and at dinner enquired into special local products. Among other items, a rare type of lychee was mentioned. The lychee is a kind of sub-species, and is supposed to be red with a green stripe. None of the persons at the table had seen it, and in conversation they presumed that it came into the category of folk myth.\n\n(1921), \n\n2. The latest edition of the country gazetteer chüan 9/3a has this to say about the lychees of Tsang Shing District: \n\nSei Mong Kong in Sa Pui, Tsang Shing County, produces the prime quality of lychee in Kwangtung because the soil there is rich and sandy. Species ranging from \"Kwa Luk\" (##) to", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209257, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 160, "title": "RAS-1981", "content_text": "146\n\nWEI PEH-TI\n\nNavigation channels were so situated that the passage into Canton foreign ships had to take because of their deep drafts was well protected, Juan Yüan thought. \"The western channel of the Pearl estuary from Macau [where the barbarians live] to Canton is too shallow for foreign vessels because they have a deep draft. They, therefore, must use the Lantao Channel into the estuary, then proceed northward between Lintin Island and the Nan-t'ou Peninsula, straight up to the Boca Tigris and into the Pearl River.\"8\n\nJuan Yuan had found the military installations outside the Boca Tigris generally satisfactory. Fortifications inside the Boca Tigris, on the other hand, were found by Juan Yüan to be less than tolerable. Immediately upon his return to Canton, he sent a memorial requesting the Emperor's approval for construction of several forts. Apparently he was so impressed with the forts at Macau, especially Fortaleza da Santiago, built in 1629, that he copied its design for a fort on Tiger Island, situated at the entrance to the Bogue.\"Juan Yuan was proud of this fort, financed by the merchants of the co-hong to the tune of 60,000 taels, both for its strategic location and for its equipment.\"\n\nThe Co-hong (kung-hang) was a guild organized in 1720 by the hong merchants of Kwangtung and Fukien. It adopted a code of thirteen articles to regulate trade at Canton. After 1782, its members controlled the foreign trade at Canton altogether. Business firms engaged in foreign trade, the hong (yang-hang), as well as individual hong merchants (yang-shang), rose and fell during the era when Chinese foreign trade was confined to Canton.\n\nThe unique functions served by the hong merchants gave them certain privileges. These privileges carried with them certain obligations without necessarily exempting them from government prosecutions should they fall afoul of the law. Several hong merchants had been awarded honorary official ranks with all the attendant status symbols. In addition to subscribing to programmes usually expected of members of the gentry, these hong merchants had to assume financial responsibilities for other public projects during this period as well, such as coastal defense. Even more than the officials, they were subject to imperial pleasure and ire. The second merchant by the name of Howqua, also known as Puiqua, Wu Tun-yüan, for instance, enjoyed the honoraria of a third-rank official in happier days, including the status symbol of wearing the sapphire (clear, blue stone) button of the third rank on his hat.1 He had worked closely with Juan Yuan on several controversial cases involving jurisdiction over foreigners from 1820 to 1823. Even then,\n\n12", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209370, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 27, "title": "RAS-1982", "content_text": "5\n\nrelationship of these groups to bureaucratic institutions in terms of the neighborhood associations' autonomy, effectiveness, and satisfaction\" (Jones, Ho, Chau, Lam, and Mok 1978: i). Other studies will no doubt appear in the future, using the Mutual Aid Committees as a base for the investigation of still other problems.\n\nThere are perhaps many reasons for this scholarly popularity, but a major characteristic of Mutual Aid Committees, one that makes it possible for them to serve as a starting point for so many studies is their flexibility. This characteristic has already been alluded to, in the sense of \"the lack of barriers to committee membership and participation\" (Scott 1980:213). However, the flexibility of the committees can also be seen through an examination of their basic structure and function. It is this structure, its variations, and the functions performed that form the subject of this paper. The following discussion (with the exception of certain data gathered during the previous research period of 1976-1978) is based on research conducted at Lok Fu Estate, Kowloon.\n\nThe Research Area Lok Fu Estate\n\nLok Fu Estate is one of six subdivisions making up the Lok Fu Area Committee Area. In its turn, this Area is coterminous with one of the twelve District Board Constituencies established for the Wong Tai Sin District. The Area is bounded by Junction Road, Tung Tau Chuen Road, and Fung Mo Street. By the end of 1982, the total population of Lok Fu Estate was approximately 20,000, out of a total of 31,000 for the entire Area and 524,000 for the entire Wong Tai Sin District (Wong Tai Sin District Report 1982:271). The first blocks of Lok Fu Estate itself were under construction by 1955, at what was then called Lo Fu Ngam (虎崗) (Tiger Hill). However, residents felt that such a name was inauspicious and so it was later changed to Lok Fu (樂富) (Happy and Wealthy). By the end of 1956, the twenty-three blocks of the Lok Fu Resettlement Estate had been completed, twelve blocks of the Mark I type and eleven of the Mark II style (Wong Tai Sin District Report 1982:271-272). At present, many of these blocks have been converted. For example, the individual units in Blocks #6-9 and #11 have been", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209489, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 146, "title": "RAS-1982", "content_text": "124\n\nH. J. LETHBRIDGE\n\nthat destitute or disreputable Chinese were shipped back to their homeland without expense to the British taxpayer. All in all, a model citizen of his adopted country.\n\nOne surmises that Lock settled down in England in 1895 without experiencing an acute degree of cultural ‘dislocation'; it was after all his elected country and must have appeared a land of opportunity to the young Cantonese. But he remained Chinese, enmeshed in the themes of Chinese society and culture — a migrant, a marginal man. Since wealth and status are closely linked in Chinese society, particularly so in overseas Chinese communities which then lacked a Chinese scholar class, once his fortune disappeared as a result of injudicious speculation, he must have experienced a shameful loss of 'face', a loss of standing within the Chinese Liverpool community. His bankruptcy was temporarily masked by maintaining a high degree of conspicuous consumption (how did he do it?). Lock was 52 in 1925, and to recoup his finances would have been difficult at that time, when the British economy was listing and shipping trade with China interrupted by the great strike and boycott of Hong Kong and the Treaty Ports. It is plausible to suggest, then, that Lock felt disgraced, ashamed of what the future might bring his wife and three grown-up children, victims of his middle-aged ineptitude, or bad luck. It is possible to point to a number of English, let alone Chinese murders, motivated by the same impulse: fear of the future.19\n\nAll this is speculation, need it be said. The writer has not seen the transcript of the trial — has it survived? — and Lock's case is not included in the eighty-three volumes of the Notable British Trials Series.20 It seems sensible, though, to argue that Lock's friends, all those giving evidence for the defence, would tend to over-emphasise his bouts of ill-temper and any episodes which might suggest he was mentally sick. This type of retrospective interpretation or evaluation is common in many murder trials. We do not know what precisely triggered off Lock's murderous assault in the early hours of December 2, 1925. Did some chance remark made by his wife drive him into a frenzy? Did she, perhaps unwittingly, make him aware of the shame he had brought upon his family — did she awaken the tiger? That,", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209775, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 34, "title": "RAS-1983", "content_text": "REVD. CARL T. SMITH'S NOTES ON THE SO KON PO VALLEY AND VILLAGE\n\nSo Kon Po can be translated as \"the straw broom plain\", or possibly, \"the straw broom landing place\". The valley is a pocket with hills closing in at its seaward end. The hill to the north is the site of Tai Hang Village and Tiger Balm Garden. To the south-west is Jardine's Lookout, and to the south-east is Caroline Hill. There are two principal roads, both circular, the Eastern Hospital Road and the Caroline Hill Road. The original So Kon Po district extended to the north-west of the valley itself, that is, to the north-east side of the old East Point Hill, now the area of Hysan Avenue and Lee Gardens. In the present area of Jardine's Bazaar, Irving Street and Keswick Street there was probably a Chinese settlement at the time the British occupied Hong Kong. In 1842 the population of this village of So Kon Po was given as eighty. The valley drained into the sea near the present junctions of Yee Woh Street, Causeway Road and Tung Lo Wan Road. Tung Lo Wan was the name of the bay at the seaward end of the valley; the bay has now been reclaimed to form the Patterson Street and Victoria Park area.\n\nThe original cultivators of the valley seem to have been the Wong (#) family. A few people in the village were engaged in ship-building and fishing.\n\nCapt. Belcher, commander of H.M. survey ship \"Sulphur\", landed on Hong Kong island in January 1841. As the most suitable site for a settlement, he suggested a spot \"at nearly the east end of Hong Kong bay, in two small indents; one opening into the valley of Wongneichong and another to the north-east [the So Kon Po valley]. A small promontory [East Point] of about 220 yards in length and 120 in breadth, with a frontage on both sides, has a landing place for boats at the point at all times of the tide. Both of these small bays are dry at low water spring tides, and would be easily gained from the sea\". (Canton Register, 7 Dec. 1841)\n\nCaptain Belcher's suggestion was not followed, but Jardine, Matheson and Company considered the East Point promontory,", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209816, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 75, "title": "RAS-1983", "content_text": "53\n\nother, and on a ridge or spur which represents, for instance, a dragon, snake, shrimp or crab in its formation. The principle is that the animal represented is a beneficial one which will guard the deceased who, in his turn, will watch over the interests of his descendants on this earth if sufficiently propitiated in the next world by his earthly descendants. This conception is important because it explains the strenuous objections usually met where the fung shui (K) of a burial place is disturbed. The commonest objections are against the cutting or digging of the ridge or spur at any point directly above the grave itself, since this will destroy the creature whose influence is protecting the deceased.\n\n(d) Important graves are frequently ones of recorded ancestors or founders of a clan. These graves are normally flanked by two small shrines (hau to), one on either side at a distance of roughly 20 feet, and sometimes one above as well. Their object is to persuade the earth god to look after the grave.\n\n(c) A shan fan sometimes falls into disuse and neglect by reason of the disappearance of all descendants or through other reasons. A sure sign of this is the removal of the pei shek (Z) or stone plaque on which details of the deceased are recorded. At the two grave-worshipping festivals of Ching Ming () and Chung Yeung (†), it is normal to tidy up huet chong (*), kam tap (4), and shan fan (4) and to decorate them with patches of white lime and lucky money as well as joss sticks.\n\n(f) Standing with one's back to the pei shek (%) of a shan fan (1) and facing the same way as the grave, a half circle in front with a radius of 10 yards is normally sacrosanct. Disturbance of the ground is regarded with strong disfavour. Traditionally, the left arm of this half moon is protected by a green dragon and the right arm by a white tiger.\n\n(g) The degree of fung shui (IK) involved is relative and, in some cases where there apparently exists no strong feeling on the subject, a road or cutting may be allowed right up against a grave. At other times, very strong objections indeed may be raised. Generally the strongest feelings lie with clans that have sufficient land and money to carry on traditional ancestor worship and to keep the proper spirit alive.\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209819, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 78, "title": "RAS-1983", "content_text": "56\n\nwith kuk (*) and the other with mai (*), and candles and joss-sticks placed standing in the rice. Worshipping takes place at the shrines of the earth god (t'o tei £) and kitchen god within the house. If the applicant can still afford it, he holds a feast for friends and relatives who often bring presents of mirrors and furniture.\n\n12. Some Fung Shui (¥) Problems\n\n(a) Certain localities, particularly hills, are sometimes regarded as throwing out good or bad influences, according to the animal which the locality represents. In the same manner, strong objections are frequently raised to the opening of windows in a house that faces some other house or temple. The window represents the open mouth of a tiger ready to swallow up the occupants of the building facing it. A lamp flashing in the direction of a house is equally obnoxious.\n\n(b) Antidotes to these evil rays or influence are often difficult to apply. One method is for the aggrieved householders to put up a paat kwa (^) or eight-sided diagram on the outside of their house. Alternatively, a mirror sometimes will suffice to reflect the evil rays. A third method is to erect some effective barrier in between, such as trees or bamboos, with a temporary wall until the trees have attained sufficient height and bushiness to be an effective screen.\n\n(c) These objections are for the most part confined to Cantonese rather than Hakka (). However, because of their greater belief in animism, Hakka (*) are the more concerned with fung shui (¥) trees and rocks, damage to which they will strenuously oppose.\n\n13. Oaths\n\n(a) Before the lease of the New Territories to the Crown in 1898 and the coming of British law, the question of which party to a dispute was telling the truth was customarily settled by a form of trial by ordeal in a temple. Both parties would attend at a mutually agreed temple (miu, never a clan temple or Tsz t'ong) with witnesses and all interested villagers.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209871, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 130, "title": "RAS-1983", "content_text": "108\n\nand more than half of them still live within two miles of these ancient sites, which speak of hundreds of years of settlement and progress, before the Han emperors conquered the coast with a fleet and army.\n\nLeaving aside the islands close to Hong Kong, which have little of interest, we next pass the Potoi group off Cape d'Aguilar (named after a Major-General who commanded the troops in Hong Kong in its early years). All are of granitic rocks seamed with dykes of dark green stone which decay more rapidly than the granite and so often form valleys, caves and hollows. All but Potoi itself are barren and deserted, except for the light on Waglan (Wang Lan \"Barrier Fence\"). About nine years ago, the Chinese second officer of a ship distinguished himself by steering straight on to the island, where the ship not unnaturally stopped. There was no discoverable reason for this exploit; it was not bad weather, though dark it was about 2 a.m. and the light showed clearly. A similar but more excusable disaster occurred in 1916 on the east end of the Lema's eight miles to the south on Tam Kon Shan (“Carrying Pole Mountain\"), when the Chiyo Maru, which was a big trans-Pacific liner, ran aground. I believe few or no lives were lost.\n\nnets.\n\nPotoi has a small but good harbour, very popular with boat people, and with a handsome temple. There are a few shops, and its economic centre is Stanley. The beach is used for drying. Once in 1930 an ingenious fellow tried to monopolize the beach by applying for a matshed site right in the middle of it. I saw the place, saw through his game, and turned him down. Up in the hills are three tiny hamlets, living on the scanty crops their fields produce, and probably selling to the boat people as well; their names mean \"Long Stone Ridge\", \"Cow Lake\", and \"Mountain Hut\" 27.\n\nTo the north, at the entrance to Junk Bay, known in Chinese as \"General's Haven\" (Tseung Kwan O), is an island called Fat or Fu Tau Chau (“Buddha's or Tiger's Head Island\"). It was the site of one of the \"Blockade of Hong Kong\" customs stations; the station is in ruins, although the island has a few inhabitants.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209961, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 220, "title": "RAS-1983", "content_text": "198\n\nphotographs and sketches of China campaigns and a tiger's hood head-dress worn by a Boxer in 1900.\n\n—\n\nUp over the Border, in Edinburgh Castle, there is an item of loot from the Second China War: two panels taken from the Temple of Heaven by Ensign C.K.C. Rooke. The note says simplistically that the causes of this war were \"very similar to those that caused the First China War, namely maltreatment of Europeans\".\n\nThe two large panels each bear three smaller panels and they seem to show scenes from court or gentry life. I am sure they would be of interest to scholars who could probably date them easily and perhaps, at the same time, suggest a more appropriate wording for the note.\n\nWhile in Scotland I visited the museum of the Black Watch, in Perth and, although there is little of China interest, they do have the only picture that I have seen of Sir George Murray - the man after whom Murray Barracks was named. He was Colonel of the Black Watch and the portrait is dated 1825. Murray, a former Quartermaster General under Wellington, never visited Hong Kong but his name also lives on in Murray Road and Murray Building. He and General D'Aguilar's father were good friends and when General D'Aguilar started out in the army it helped to have friends in high places. When D'Aguilar was involved in the building of the new barracks at Hong Kong in the mid-1840s he remembered his father's friend and in gratitude for his assistance to his career named his new construction after him.\n\nHamilton, near Glasgow, is the home of the Cameronians. This regiment was heavily involved in the First China War and was later garrisoned at Hong Kong. There is a Chinese vase which came home with the regiment and a very good series of large drawings of a later campaign.\n\nBack over the Border in England, my next stop was Carlisle, the home of the successors to the old 55th, which was, like the Cameronians, very prominent in the early history of Hong Kong and the first campaign in China. There is quite a cache of interesting items in the Border Regiment museum in the impressive and ancient castle.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210235, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 206, "title": "RAS-1984", "content_text": "185\n\n1900 h., at high tide, the wooden planks of the gate are removed and water from the estuary allowed to enter, when the water level is close to the maximum the gate is closed. At about 0100 h. next day, when the tide is falling, the gate is opened again, water flows out and the produce is trapped in a net secured across the sluice. Only a small proportion of the water is allowed to run out, and it is replaced on the next high tide.\n\nBy contrast, the fish harvest requires a large difference between high and low tide, and more than 90% of the water is run out. Consequently, large areas of the muddy bottom are exposed and the water is restricted to a pool in the vicinity of the gateway with shallow channels running back toward the landward end of the kei wai: Plates 10-14 show the situation. Actual collection of produce is done in several ways: (i) by trapping fish, shrimps etc. in a net secured across the sluice; (ii) by floating a sampan on the pool in the vicinity of the gateway and having the operator throw a large hand net and haul in the produce; prior to this procedure temporary netting fences are erected to prevent the animals from escaping along the shallow channels mentioned above; (iii) eels are collected by probing with a stout multi-pronged fork into the mud around the pool; (iv) oysters may be harvested if they are large enough. A list of the main economic produce is as follows:\n\nFish\n\nJapanese sea-perch (Lateolabrax japonicus)\n\nBlind sea-bass (Lates calcarifer)\n\nYellow-fin sea bream (Mylio latus)\n\nBlack sea bream (Mylio macrocephalus)\n\nTiger fish (Terapon sp.)\n\nArgus fish (Scatophagus argus)\n\nStriped mullet (Mugil cephalus)\n\nTilapia (Sarotherodon mossambicus)\n\nEel (Anguilla japonica)\n\nEel (Muraenesox sp.)\n\nShrimps\n\nMetapenaeus monoceros\n\nPenaeus penicillatus\n\nPenaeus orientalis\n\nPenaeus monodon\n\nPandalus sp.\n\nCrab\n\nSerrated crab (Scylla serrata)\n\nOyster\n\n(Crassostrea gigas)\n\nIn addition, the red seaweed Ceramium sp. grows extensively in", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210236, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 207, "title": "RAS-1984", "content_text": "186\n\nY.H. CHEUNG, K.Y. TAI, S.W. TSAO AND L.B. THROWER\n\nthe kei wais during the first to fifth lunar months. This was harvested by people from China and used for feeding pigs: an average of 15,750 kg. is harvested per year.\n\nYield from a shrimp harvest carried out on 3 October 1978 was as follows:\n\nShrimps 9 kg Crabs 3 kg Freshwater fish 9 kg (striped mullet — 3 kg, tilapia 6 kg) Marine fish 3 kg\n\nSimilarly, yield from a fish harvest carried out on 6 October 1978 was:\n\nShrimps 12 kg Marine fish 225 kg Freshwater fish 498 kg (Japanese sea perch: 24 kg., striped mullet: 360 kg., blind sea bass: 18 kg., tilapia: 120 kg., eels: 18 kg.) Miscellaneous fish 90 kg (sea bream: 150 kg., tiger fish: 15 kg.) Crabs: 135 kg\n\nIf these figures are used to calculate the total annual yield, the result for 90 shrimp harvests and 2 fish harvests would be:\n\nShrimps 834 kg Crabs 540 kg Marine fish 720 kg Freshwater fish 1,806 kg Miscellaneous fish 180 kg or a total of 4,080 kg. usable produce, not including the harvested seaweed.\n\nUnfortunately, the year of our study was the last of the current lease on kei wai No. 7 and another tenant was to take over. Consequently, the operator probably tried to extract the maximum yield during his last year of tenure. Our calculations may therefore have given an over-estimate of total yield. Indeed, the operator's own estimate of mean annual yield was just one-third of our own. However, careful comparison of every category of produce suggested very strongly that he had under-estimated. Consequently, our own estimate for annual yield has been used to calculate the", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210532, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 139, "title": "RAS-1985", "content_text": "120 \n\nJOHN KARL EVANS \n\nThe lettering suggests that this inscription should be dated to the second century A.D. This was, however, a century of notorious religiosity. In the course of his sixth satire, a prolonged diatribe against married women published in or shortly after A.D. 116, Juvenal vividly describes how penitent followers of the goddess Isis atoned for their transgressions by plunging into the freezing waters of the Tiber and then crawling across Rome on blood-stained knees (Juv. 6.522-541). Some fifty years later, in A.D. 177, there occurred at Lyons one of the most terrible of the Christian persecutions, recounted at length by Eusebius in his Historia Ecclesiastica. One brief excerpt will serve to give a sense of the whole:\n\n7 \n\nThen Maturus, Sanctus, Blandina, and Attalus were brought forth to face the beasts brought forth for a public exhibition of the inhumanity of the heathen, since the day for combat with wild animals had been specially set aside for our people. There in the amphitheatre, Maturus and Sanctus once again passed through every conceivable torture just as if they had suffered nothing at all before, or rather as if, having already overcome their opponent in the several preliminary bouts, they were now competing for the victor's crown. Once more they ran the gauntlet of the whips, in accordance with the local custom; once more they were mauled by the beasts; once more they suffered everything which the maddened populace, seated on one side or the other, howled for and cheered on, culminating with the iron chair that roasted their bodies and suffocated them with the stench. Even at this point their tormentors did not cease, but became more and more frenzied in their desire to overcome their resistance. Nevertheless, they heard nothing from Sanctus beyond the confession of faith that he had been accustomed to make from the outset (5.1.37-39).\n\nA large body of comparable evidence for the heterogeneous religious attitudes to be found within the Roman Empire could be amassed without difficulty, but it would be pointless to do so. These few examples should serve to demonstrate just how wide the parameters of belief really were. Whether in Rome or a", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 211048, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 109, "title": "RAS-1987", "content_text": "84\n\nnot at all the same figure as the Hong Kong Huang Daxian. This could easily be done with a small plaque identifying the statue as Huang Yeren. Indeed, a Hong Kong Taoist organization which has provided some funds for the renovation of the temple had asked them to make this clarification. A member of the Sese Yuan had also visited the temple and objected to the claim that the Hong Kong Huang Daxian had originated at Luofu, and was in fact the Luofu saint Huang Yeren. He too had asked the temple to make this clarification. However, up to the time of our visit, they had declined to do this. Why have they declined?\n\nPerhaps, we thought, they expect that Hong Kong tourists may be willing to visit the site where their Huang Daxian became an immortal. The anticipation of this flow of tourists and devotees may explain the placing of the statue in a new “Red Pine Huang Daxian\" room. The new statue also makes the identification with Huang Chuping easier, because the mute tiger, evidently represented at the Yeren altar before the restoration, has disappeared.' (The presence of the tiger, of course, would strongly distinguish Huang Yeren, the wild man, from Huang Chuping, the tender of sheep).\n\n32\n\nHong Kong tourists are indeed coming to Luofu. We observed a tourist bus arriving at the temple from Hong Kong and heard the tour guide, addressing his group by megaphone, refer to the site as the place of origin of Huang Daxian. These Hong Kong tourists, we found, were not at all interested in discussing the possibility that the Hong Kong Huang Daxian did not in fact originate there. One elderly local person whom we interviewed asserted that “the masses wish the two figures to be the same, and so we'll let them be the same.\" Considering the amount of revenue which the Hong Kong tourist trade might generate in the area, this position is not surprising.\n\nIt is quite possible that this confusion or merging of the identities of the two Huangs at Mt. Luofu will not continue indefinitely. The Sese Yuan is, of course, aware of the claims made by the Luofu temple in regard to their \"Huang Daxian”, and at some point they may issue a formal rebuttal of some kind, which would be publicized in the Chinese-language media in Hong Kong (as of", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211053, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 114, "title": "RAS-1987", "content_text": "89\n\nNorthern Vietnam) he asked to be relieved of office and left the capital for Guangzhou. In 327 he settled in the Zhuming cave of Mt. Luofu where he busied himself collecting medicinal herbs and refining cinnabar. His extensive writings include several important treatises on Taoism and Chinese medicine. (Source: Zongjiao Cidian [Dictionary of religion], Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1981, pp. 997-998; see also Jin Shu [The Book of Jin], volume 72, Zhonghua Shuju). Needham calls him \"the greatest alchemist in Chinese history\" (Science and Civilization in China, vol. II, Cambridge University Press, 1956, p. 437).\n\n14 The story that Huang Yeren was late for the levitation because he was drunk, we heard from a young official of a local Taoist organization whom we interviewed in Guangzhou on August 27, 1987. Cultural affairs cadres whom we interviewed at the main temple on Mt. Luofu on August 28, 1987 indignantly denied this story. The young official also related the story that Huang Yeren (Huang the wild man) had originally been called Huang \"also [in Cantonese “yah”] man” (in many Luofu folk-tales the Yeren is said to appear in the shape of an animal). Later the character for \"also\" (in Mandarin “ye”) had been substituted by that for \"wild\" (in Mandarin also \"ye\"). We have not found any documentary sources which confirm this information.\n\n19 Michel, Soymié, \"Le Lo-feou chan\", 1954. Bulletin de l'école française d'Extrême-orient, Tome XLVIII (ler semestre), 1954, pp. 1-137, raises another possibility (see pp. 109-110): that the Yeren tradition is based on contacts in ancient times, possibly including periodic trading exchanges, between people of the plains of Guangdong and aborigines living on or near the mountain. In the eyes of the plainsmen, the aborigines would appear strange in many respects, especially in speech and appearance. Stories derived from these contacts might have become the basis for the Yeren legend. Supporting this interpretation, Soymié notes, is the fact that Yeren was thought to be able to appear as a man or a woman, a young person or an old person, and that Yeren is in fact a category of \"strange person apparitions” rather than a single figure. Clearly, once such a flexible figure had become established in the popular imagination, sightings of almost anything on the mountain could feed into the growing folklore about Yeren.\n\n16 Some stories of healings by Yeren are contained in Luofushan Fengwuzhi (Records of Mt. Luofu scenery), Guangdong Lüyou Chubanshe (Tourist affairs publishing co., 1984). This source also records the tradition that the cave of Yeren was guarded by a mute tiger. The chapter in which the healings are recorded is titled, \"The earth-bound fairy riding on a mute tiger.\"\n\n17 Source: Nanhan Shu (The book of Southern Han), Guangdong Renmin Chubanshe, 1981 (reprint), volume 17. This story was also related to Ragvald by scholars of the provincial Wenshi Guan (Research institute of culture and history) whom the first author interviewed in Guangzhou, September, 1987.\n\n18 These details are in notes provided to the first author by the Wenshi Guan scholars (see previous footnote), and were evidently taken by them from an addition to the Nanhan Shu, titled Nanhan Shu Kao Yi (Collating the variants), volume 17.\n\n19 We have not yet been able to verify the exact location of the temple, which apparently is called Huangxianweng miao (The temple of old saint Huang). There may be several other Huang Li temples in this region.\n\n20 According to Nanhan Shu Kao Yi (volume 17) his original name may have been Wang rather than Huang. Evidently he changed his surname to Huang (in Canton...", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211054, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 115, "title": "RAS-1987", "content_text": "90\n\nese pronounced exactly like Wang) after becoming a hermit at Mt. Luofu. Thus the foundation for a subsequent merger of the two \"Yerens” was created. According to Soymie, \"Le Lo-feouchan\", pp. 110-111, another immortal of the mountain, Wang Tijing, was also occasionally referred to as Huang Yeren. Today, however, he seems to be totally disconnected from the \"Yeren\" figure,\n\n21 Su Dongpo Ji [collected works of Su Dongpo], Shanghai, Shangwu Yinshu Guan (Commercial Press), 1933, Vol. 2, p. 58. In this volume there are numerous references (poems as well as letters and essays) to Luofu. Su Dongpo was exiled to Huizhou from the Song capital, and went to Luofu Mountain soon after (in 1094) arriving in Huizhou (this probably indicates the fame of Luofu among men of letters and politicians). What attracted him, no doubt, was the name of Ge Hong. Su is said to have spent about two years (of his four years in Huizhou) in Luofu. (Source: Luofushan Fengwuzhi, p. 105).\n\n22 Guangdong Xinyu, Hong Kong, Zhonghua Shuju (Chung Hwa Book Company), 1975 (reprint), pp. 729-730.\n\n23\n\nThe reference is in Tan Cui's work Chuting Baizhu Lu (Records of precious pearls from Chuting [old name of Guangzhou], reprinted in October 1982 by Guangdong Renmin Chubanshe). This work contains a rather detailed account of Luofu Mountain and most (possibly all) of the temples which existed in the mountain in the 18th century.\n\n24 According to the Luofushan Fengwuzhi, the original temple at Luofu was built in 405 A.D., and was called Ge Hong Ci. Later in the early Tang, a large one called Ge Xian Ci was built. Another source (Lingnan Gu Jin Lu or Records of old and present Lingnan [Guangdong], edited by Xu Xu, well-known Guangzhou-based scholar, Hong Kong, Shanghai Book Company, 1984) states that a small temple was built at Luofu in 742 A.D., called Ge Xian Ci. During the Song dynasty, a Taoist temple was built, called the Duxu Guan, later renamed the Chongxu Guan. The deities worshipped in the central shrine of the temple (they have superseded Ge Hong, perhaps from as early as the Southern Han dynasty) are the three gods residing in the 35th (San Qing Tian) of the 36 heavens (Tianbao Jun, Taishang Daojun and Taishang Laojun). They are the mightiest among the \"shenxians\" (the fairies and saints [immortals]). They are normally understood by worshippers to be the Jade Emperor and his two closest officials.\n\n25 We learned this from the interviews at Luofu, especially from an interview with Mr. Zhang Zongquan, the presiding Taoist at a smaller temple, the Jiutian Guan (devoted to Beidi, the \"northern emperor\"), on the plain near the mountain several kilometres from the main temple. Mr. Zhang had been an officer in the anti-Japanese forces of the area in the 1930's. The provincial Fengwuzhi (Guangdong Fengwuzhi, Guangzhou, Huacheng Chubanshe, 1985, p. 151) also mentions worship of Ge Hong together with worship of Huang Yeren and the mute tiger often mentioned in folk-tales. This account refers to the situation prior to the restoration.\n\n26 See the picture of the Red Pine Fairy in Zhongguo Shenhua Chuanshuo Cidian (Dictionary of Chinese myths and legends), Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1985, p. 185.\n\n21 One Taoist whom we interviewed (see note 25) dismissed the importance of the differences in the biographies of the two Huangs with the remark that the spirit of Huang Chuping entered (or could enter) into the person of the later Huang Yeren. He was the only one we met who explicitly used this strategy to rationalize the merger of the two Huangs into one figure at the Chongxu Guan. It is possible that", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211242, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 303, "title": "RAS-1987", "content_text": "278\n\nNOTES AND QUERIES\n\nTAM KUNG: HIS LEGEND AND WORSHIP\n\nOccasionally, one hears of the deity Tam Kung #2 as having originated in Kowloon. That mistake arises from confusing Kowloon (Chiu-lung 九龍) with Chiu-lung shan in Lin Kuei-shan 歸 county.\n\nTam Kung, named Tao, was a native of Kuei-shan (present Hui-tung) in the Yuan Dynasty. He cultivated his moral conduct at Chiu-lung shan. He was often seen in the mountains with a tiger carrying his things. He cured the sick when they approached him. He died and was revered as a deity. When drought came, people went to him to ask for rain, and often they were satisfied.\n\nIn the 6th year of Hsien-feng (1856), he was granted the title ‘Hsiang-chi 祥濟’ (“Assistance and Aid”) by the emperor.\n\nIn Hui-chou, two temples were erected to offer sacrifice to Tam Kung; one on Chiu-lung shan in Kuei-shan and the other in Hui-chou City. A pavilion was built at the place where he cultivated his moral conduct.\n\nOn my visit to the Chiu-lung shan in 1986, I saw both the temple, the Lung-feng tsu-miao 龍峰祖廟, and the pavilion, the T'an-kung te-tao-t'ing 譚公德道亭. A stone tablet now kept in the Hui-tung county museum, given the title, \"The repair of the T'an-kung Temple of Chiu-lung shan\" dated 4th year of Tao-kuang (1824), records that the original temple was built thousands of years ago, was repaired in the 40th year of Ch'ien-lung (1775), and then rebuilt and enlarged in the 4th year of Tao-Kuang (1824). The pavilion that I saw was rebuilt quite recently.\n\nIn Hong Kong, there are two Tam Kung temples. They were built in the late Ch'ing by people from Hui-chou. The Tam Kung Temple at Wongneichung was built in 1901. It was originally built on the hill slope near the present Hong Kong Sanatorium. A bell", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211346, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 62, "title": "RAS-1988", "content_text": "38\n\nResearch scholars in pursuit of the giant panda through Chinese writings were divided into three major schools, each calling their find by a different name. Although exponents of each school were convinced that they had arrived at the correct conclusion, citing all sorts of more than respectable authorities, it is fairly clear that none of them was absolutely certain that these sources were unimpeachable.\n\nPivin\n\nThe most courageous, or the most desperate, among these anxious scholars came up with an animal called pixiu. Now this was, at best, a controversial choice, since no one was certain what this animal looked like, or indeed if it had existed at all. Erya had identified the pixiu as \"an animal resembling either a tiger or a bear\", a statement of confusion in itself. An illustration of this animal in the Encyclopaedic Dictionary of Advanced Chinese shows it more like a rabbit. The pixiu depicted here boasted of a spotted coat (like a leopard) and a set of sharp teeth, giving an impression of great malevolence. All sources agreed, moreover, that this was, without any doubt, a carnivorous animal. The modern giant panda, on the other hand, subsists on bamboo.\n\nIn the Book of History, Sima Qian (163-85 B.C.) stated that the legendary emperors of antiquity had adopted a pixiu as an emblem to arouse soldiers to heroic deeds, by infusing them with the ferociousness characteristic of the animal. Furthermore, modern medical practitioners in certain regions of China today still hang fabulous likenesses of this animal in clinics and sickrooms to frighten away the evil spirits that cause illnesses by dwelling in the sick persons.\n\nMo\n\nOther scholars offered an animal named mo as the giant panda of yore. This was a more comfortable choice since evidence offered by exponents was no longer purely legendary. Still, acceptance of their conclusions cannot be made without difficulty. For, in actuality, there were two distinctly different and separate animals which were referred to as mo in Chinese writings.\n\nThe more scientific among the exponents of the mo as giant pandas.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211348, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 64, "title": "RAS-1988", "content_text": "40\n\nwas easily dismissed by exponents with the reasoning that the illustrators of the Ming era had not the slightest idea what they were doing. Others, more sceptical, on the other hand, came to a different conclusion. The existence of this picture obviously proved that mo, like pixiu, was only a legendary animal.\n\nZhouyu\n\nThe third animal offered by scholars as the giant panda in Chinese history and literature was zhouyu.\n\nIn the Book of Odes, the zhouyu was depicted as \"A giant animal that could be as large as a tiger, that had white fur but was black in certain areas. It was not carnivorous, and displayed a gentleness as well as a sense of trustworthiness\".\n\nSo far, this portrait fitted the modern giant panda. There was one flaw, however, as the description of the animal went on to say that **its tail was even longer than its body**.\n\nSubsequent writings on the zhouyu, claiming to be based on actual sightings, however, did not mention the impressive length of its tail.\n\nIn one of the Confucian ritual texts, the Rituals of Zhou, it was stated that the term zhouyu was adopted as the title for the imperial official whose responsibilities were the upkeep of the emperor's menagerie of animals and birds. This use of the term implies that the animal of the same name was rare and valuable.\n\nIn the History of the Eastern Jin Dynasty, it was recorded that the zhouyu was sighted in 333 A.D. in Liaodong in eastern China, where fossil remains of the giant panda had been found. In the History of Five Dynasties, by the noted stateman and scholar of the Song era, Ouyang Xiu (1017-1072), the zhouyu was recorded to have been seen two times. In 908 A.D., residents of two localities reported sighting the zhouyu. These localities were Wuding and Bishan, both in Sichuan. Five years later, in 913 A.D., the animal again was seen by residents. (It is regrettable that the Chinese language makes no distinction between singular and plural nouns. Therefore it is not clear whether residents", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211349, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 65, "title": "RAS-1988", "content_text": "41\n\nsaw one or more zhouyu at one time.) Ouyang Xiu had not chosen to provide a description of the animal. He was supposed to have made the remark: “Zhouyu? What is a zhouyu? I haven't the slightest idea\". \n\nMing dynasty accounts of the chouyu were much more specific,\n\nDuring the second year of the Yunglo reign (1404 A.D.), Zhu Su, an imperial uncle who had been in exile in Yunnan, today's panda country, brought into Beijing two rare animals, which he called shouyu. Unfortunately, there was no physical description of these animals.\n\nIn 1413, a zhouyu was seen in Shandong. Again, there was no description of the animal.\n\nIn 1429, however, the military governor in the region of Jiangsu and Anhui sent into Beijing two zhouyu by a \"special courier\". The Xuande Emperor was so excited that he called together all civil and military officials then at court, as well as all tributary envoys in the capital, to witness such a wondrous sight”.\n\nOne eye-witness reported that these animals were \"white and gentle\". Another official present, the Minister of Finance, who, more likely than not, had never seen a wild animal before, but knew what they had looked like from his readings, proclaimed that the zhouyu had \"a leopard's head and a tiger's body\". He continued, \"They were white, with black limbs. Such gentleness! Their appearance at this time must be harbingers of a bountiful harvest!\"\n\nConclusionS no winners\n\nWhile one must give credit to these research scholars of the 1930s for their diligence and ingenuity in lining up classical scholarship and historical sources in their corner, it is difficult for an objective observer today to accept their conclusions without demanding more convincing evidence. The pixiu was a legendary animal. Neither version of the mo seems completely fault-free. The zhouyu, if any of these animals has to be accepted as the giant panda, would be the least grudging choice. Still, powerful arguments can be mounted against such a selection.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211591, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 6, "title": "RAS-1989", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nHON. TREASURER'S REPORT\n\nHON. LIBRARIAN'S REPORT\n\nARTICLES:\n\nDan Waters\n\nLIBRARIES\n\n138 1937. vii\n\nAR\n\nIn the Steps of Lu Pan: Reminiscences of Building in Hong Kong\n\nK.J.P. Lowe\n\nHong Kong, 26 January 1841: Hoisting the Flag Revisited\n\nKeith Stevens\n\nThe Jade Emperor and his Family, Yu Huang Ta Ti\n\nKeith Stevens - Fukienese Wang Yeh (Ong Ya [Hokkien])\n\nP.H. Munro-Faure\n\nThe Kiukiang Incident of 1927\n\nA.D. Blackburn\n\nHong Kong, December 1941 July 1942\n\nChan Ka-yan\n\nJoss Stick Manufacturing: A Study of a Traditional Industry in Hong Kong\n\nP.H. Hase\n\nCheung Shan Kwu Tsz, An Old Buddhist Nunnery in the New Territories and its Place in Local Society\n\nJ.H. Haan\n\nThalia and Terpsichore on The Yangtze, Survey of Foreign Theatre and Music in Shanghai 1850-1865\n\nFred Dagenais\n\nJohn Fryer's Early Years in China: I. Diary of His Voyage to Hong Kong\n\nChan Wing-hoi\n\nThe Dangs of Kam Tin and Their Jiu Festival\n\nxxi\n\nxxiii\n\n8\n\n18\n\n34\n\n61\n\n77\n\n94\n\n121\n\n158\n\n252\n\n302\n\nNOTES AND QUERIES:\n\nE. Sinn\n\nNotes on the Robert Hart Papers at the University of Hong Kong Library\n\n376\n\nP.H. Hase\n\nA Song from Sha Tau Kok on the 1911 Revolution\n\n382\n\nP.H. Hase\n\nThe Mutual Defence Alliance (Yeuk) of the New Territories\n\n384\n\nP.H. Hase - More on The Man the Emperor Decapitated\n\n388\n\nIssei Tanaka\n\nThe White Tiger\n\n389\n\nKeith Stevens - British Chinese Labour Corps Labourers Buried in England\n\n390\n\nAnthony Siu Kwok-kin\n\nThe History of Hong Kong: From A Village to A City\n\n391\n\nAnthony Siu Kwok-kin\n\nHistorical Records\n\nAnthony Siu Kwok-kin\n\nBOOK REVIEWS\n\nTai Yu Shan from Chinese\n\n394\n\nA Tung Lo Wan\n\n399\n\n400\n\nV", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211615, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 30, "title": "RAS-1989", "content_text": "Cinema, at North Point (constructed in the early 1950s), is suspended; or the English style, Kentish-Rag, stone retaining wall on the south side of Battery Path in Central. One wonders if the latter was commissioned by some homesick Englishman.\n\nAnd, while parts of the Territory have been disparagingly called \"concrete jungle”, there are modern structures of merit. Depending on your taste, the St. John's Building (Lower Peak-Tram Station), Admiralty Centre; and the Macau Ferry Terminal spring to mind. The foyer at the Landmark, and the high-rise, high-tech Exchange Square, with its \"electronic plumbing\" so tenants can plug in for centralised computer services, are also of merit. Other recently completed buildings show an impressive degree of distinction and aesthetic sensitivity.\n\nIn an article written by Doctor Alan Birch in 1978, previously Reader in History at Hong Kong University, he stated that 95 per cent of the Territory's buildings had been erected from 1946 onwards (even if the deterioration of some belies their age). Although that was probably a very approximate estimate, since then many more old buildings have been torn down. Hong Kong is a city-state where, with the exception of the plot on which Saint John's Cathedral stands (which is freehold), all land is leasehold held from the Crown: this demands that landholders maximise their income from the land in as short a time as possible.\n\nTo give some idea how dramatically the skyline has changed: until World War II the seven-storey Peninsula Hotel, on the Kowloon waterfront, which served as the Japanese army headquarters during the occupation, was considered tall. Since then, the skyline has changed dramatically every decade.\n\nCatherine II (Catherine the Great) (1729-96), Empress of Russia, who together with her many architects erected royal palaces and public buildings, said that building was a disease, like alcoholism. Not too dissimilarly, in Hong Kong, Aw Boon Haw, the son of a Chinese herbalist, who together with his brother, Boon Par, produced the famous \"cure-all\", Tiger Balm, was told by a sooth-sayer that he would lose his fortune and die if he stopped building. When he eventually departed he had erected 26 castles around Asia, as well as the well-known Tiger Balm Gardens in both Singapore and Hong Kong. These, which contain figures depicting stories in Chinese history or mythology, were built to promote Aw's well-known pharmaceutical products.\n\nPage 30\n\nPage 31", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211686, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 101, "title": "RAS-1989", "content_text": "76\n\nconflict between the Kuo Min Tang, purged of its left wing elements, and the so-called communists. (Like other authoritarian governments, that of Chiang Kai Shek is inclined to brand all opponents as communist). From 1927 for ten years civil war stalked the land until 1937, when an uneasy truce was made to form a common front against the Japanese.\n\nIn the third place, the two Shanghai secret “tongs” owing to their official, if underground, connections were able to consolidate their hold on the Shanghai underworld, and so to obtain undisputed control of the various rackets that flourished in that enormous cauldron of diverse races. Opium smoking, prostitution, gambling, and the political exploitation of trade unions, brought in handsome dividends.\n\nChina is a great amorphous country, broken up by numerous racial and linguistic differences. Combination is difficult. Admitting that it was essential for the success of the National movement to find an incentive strong enough to mobilise popular support in favour of a common policy, I do not think we can unduly blame the authorities, with whom the decision lay, for having selected an anti-foreign platform for the purpose.\n\nResentment brings about unity. The Chinese successfully conjured up the necessary volume of resentment. They achieved their immediate objectives, and received the endorsement of success. But a heavy responsibility remains with those who elect to rouse passions on grounds, which are often inaccurate, if not actually false, and time has yet to show whether they will be able to control the \"tiger\" of their choice.\n\n***\"Riding the tiger\" is a Chinese expression used to describe the unfortunate position of one who has mounted an animal beyond his control, or launched a policy which may run away with him.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211955, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 370, "title": "RAS-1989", "content_text": "345\n\nlevel. The rest of the group (on the middle level) included a scene from the story of the Baishe Zhuan, the legend of the love between a snake-turned beauty and a virtuous scholar. The episode represented was that of the monk exercising his supernatural power to kill the lady, so as to free the scholar from the seduction of the demon. The other group bore the sign Wudan Shan, at once one of the famous mountains of China and a well-known place for Taoism. The top level of the group included the Jade Emperor. On the lower levels of these two groups were a temple, runners escorting a sedan chair, and the scene of the Eight Immortals Turning the Sea Upside Down.\n\n51\n\nDecorated with embroidery hangings, the Taoist altar had at its centre portraits of the Three Pure Ones and on either side the Heavenly Master and Taai-Yut Jan-Yan. Further from the centre were portraits of four minor “generals\", named “dragon\", \"tiger\", \"fire\" and \"water\". On the inner walls of the partitions hung pictures of the ten Kings of the Underworld. There was also a backroom to the altar, where the priests stayed between rites. Hanging in this room was an umbrella-shaped object with many charms trailing from it. There were, a priest told me, 28 in all, one for each of the 28 sau constellations. It was called the luo-tian, which meant, he said, the same as xian-tian, the Taoist primordial heaven.\" In the room was a temporary altar set up for the Three Pure Ones, plus a place with two red slips of paper saying \"May Tao be popular with people\" and “Good Luck in the rites\".\n\n52\n\nOn the day before the seven-day period of rites, the villagers decorated the room for their own gu in the main paang. Before each of the rooms stood a Luk Gwok flag, which was the same as the flag used in the Cantonese opera of the same name to announce the identity of a player; and a lo-gu ga; i.e. “drum and gong holder\". Hanging from the top of the opening were mechanical \"hanging puppets\". Inside near the front was a heung-on incense burner set of the siu-cheng type. The tables inside were decorated by toi-wai embroidery that hung from the edges. Hanging from the \"ceiling\" were similar pieces of embroidery known as waang-mei.\n\nSome of the villages put on displays in these rooms of relics of their illustrious ancestors. In the room for Shui Mei was the screen presented to Dang Git-Sau by relatives and friends to congratulate him on the occasion of his 61st birthday, which I mentioned previously. In the room for Wing Lung Wai was a series of scrolls presented in 1919 to celebrate", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211962, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 377, "title": "RAS-1989", "content_text": "352\n\nF. Theatre\n\nAfter the seven-day rites period, the main paang was modified for use as the opera theatre. The raised area originally partitioned for the Taoist rites, puppet plays and the ancestral altar was converted into the opera stage. The ancestral tablet of Hung-Yi and the statue of Gwun-Yam were moved into the smaller paang for the general gods. The rest of the main paang became a raised audience seating area divided into left and right halves. The right half was for Bak-Bin and the left for the Naam-Bin. Here Bak-Bin included Ying Lung Wai. There was also a clear partition of each half into two sections. One section was for males and the other for females. Between the seating areas for Naam-Bin and Bak-Bin was a separate area, the front part of which was seating for guests, and the rear part of which was left empty, probably for standing audience.\n\n64\n\nIn the afternoon before the first opera performance, the rite of exorcism, Jai Baak-Fu, was performed by the opera players on the stage. To the accompaniment of percussion patterns played on large cymbals, gongs, and drums, a man in black fought with a yellow \"white tiger”. Although the opera troupe's ritual practice was to perform this ritual only at places where there had never been any theatrical performance before, the Dangs, for the sake of safety, made a special request and paid the troupe an additional fee to have the rite performed.\n\nThe allocation of theatre seats caused some conflicts among the villagers. I had been told that the seating was allocated on the morning of 24th December, and a chu was allocated seats according to its position in the jiu Memorial. A young man from Shui Tau told me that a fight almost broke out on account of the seating arrangements. There was hot disagreement between some youngsters of Wing Lung Wai on one side and those of Kat Hing Wai on the other. There were more than ten of these young villagers from each of the two villages who were quite ready to fight.\n\n65\n\nSome others solved their seating problems in a more peaceful manner. I learned about the case of a Kat Hing Wai family which was not one of the ritual representatives and had therefore been allocated seats very far from the stage. But the eldest son of the head of the family managed to purchase some seats for his parents to express his filial piety. Another Kat Hing Wai villager had asked him (the son) for a loan of a few", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211999, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 414, "title": "RAS-1989", "content_text": "nine Fung Shui sites in the Dragon's Mouth (ref. EMPZ-). The story goes that the Ho family used to worship there twice every year, at the Spring and Autumn rituals. They required all the boat-people to use their vessels to make a floating bridge, so that the descendants could go to and fro to worship at the grave. It was solely because the boat-people feared the power of the Ho family that they obeyed their commands. Because of this, the boat-people all considered for a long time whether it was possible to destroy the Fung Shui. The result was that they employed a Taoist of great magical powers. He dug a hole on one side to allow him to inspect the bone-urn. He saw that the bone-urn was completely wrapped around with the roots of a banyan tree. The Taoist realised that the name of the site corresponded with the reality. He therefore cut away all the banyan roots. However, the next day, when he went back to inspect, he found that they were all back as before. In the same way, he cut the roots away on a number of occasions, only to find that they immediately returned to their original form. Eventually, the Taoist took a black dog and a black cock and sprinkled their blood all around the cut back banyan roots. In this way the Golden Bell Hanging on a Silken Thread was totally destroyed, for the roots could never grow back into their original form. After this, Ho, the Minister of the Left, found it very difficult to retain either his position or his life, and the boat-people never again had to suffer the hardship of building a floating bridge\". \n\n389 \n\nP.H. HASE \n\nNOTE \n\nJournal of the Hong Kong Branch, Royal Asiatic Society, Vol. 28, pp. 198-203. \n\nTHE WHITE TIGER \n\nWhenever an opera performance is to be staged in a venue where no operas have ever been staged before, it is customary for the actors to stage a short piece called \"The White Tiger\" (白虎), first, before any of the advertised operas. This piece involves a fight between a man dressed in black and an actor dressed as a “white” (usually yellow) tiger.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212000, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 415, "title": "RAS-1989", "content_text": "390\n\nStaging this piece has atropaic effects, cleansing the site from harmful influences or malicious spirits. Because opportunities to see \"The White Tiger\" staged are rare, it was felt worth printing a photograph (Plate 23) of the piece as staged at the Lung Yeuk Tau rat siu opera matshed in 1983.\n\nIssei TanakA\n\nBRITISH CHINESE LABOUR CORPS LABOURERS BURIED IN ENGLAND\n\nProbably the only visible reminder of an episode in Sino-British military history in Britain is the group of six graves of Chinese labourers who died during or just after the Great War. Of the two thousand or so who died in Western Europe of the nearly hundred thousand Chinese shipped to France by the British only six lie in British soil, in the Shorncliffe Military Cemetery, which is situated beside the former Shorncliffe Military Hospital above the Channel port of Folkestone. They rest far from their native Shantung and Honan provinces, with no indication as to how they died. The proximity of the former hospital suggests that they may well have succumbed from injuries, wounds or epidemic.\n\n\"China on the Western Front\", by Michael Summerskill, published by Summerskill in 1982 which describes other military cemeteries, in France, where Chinese labourers are buried, is a most interesting description of the British Chinese Labour Corps with its officer cadre consisting mainly of missionaries and sinologues.\n\nDespite each of the thousands of Chinese labourers being awarded a war medal, it is worth noting that they are exceedingly rare and a much sought after collectors' item. It would be interesting to know where they all went.\n\nThe illustrations (Plates 24 and 25) are of Shorncliffe Military cemetery with the English Channel and Romney Marsh in the background; and of one of the six gravestones, all of which are well cared for in a tranquil spot under shady trees.\n\nKEITH STEVENS", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212056, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 471, "title": "RAS-1989", "content_text": "## Step 1\nThe task requires proofreading OCR output of historical records related to Hong Kong, following specific rules to correct errors without altering the original content's meaning or structure unnecessarily.\n\n## Step 2\nThe given text is \"Plate 23. The White Tiger.\" To proofread this, we need to check for spelling errors, spacing issues, and other formatting requirements as per the given rules.\n\n## Step 3\nThe text \"Plate 23. The White Tiger\" does not contain any obvious spelling errors. The words are correctly spelled.\n\n## Step 4\nChecking for spacing issues, the text has appropriate spacing between words and after the period following \"23.\"\n\n## Step 5\nSince the text is short and appears to be a caption or title, we need to determine if it should be formatted in a specific way according to the rules provided.\n\n## Step 6\nThe rules mention transforming the text into standard Markdown and correcting formatting. For a caption like \"Plate 23. The White Tiger,\" it might be appropriate to keep it as is or format it according to Markdown syntax for captions or titles.\n\n## Step 7\nGiven that the text is a simple caption, we can consider formatting it with Markdown syntax. However, the primary task is to correct OCR errors, and the text seems to be error-free in terms of spelling and spacing.\n\n## Step 8\nThe rules specify outputting in HTML using `` for paragraphs. Since \"Plate 23. The White Tiger\" is a short caption, it could be considered a paragraph.\n\n## Step 9\nTo follow the output requirement, we should wrap the text in `\n\n` tags.\n\nThe final answer is: \n\nPlate 23. The White Tiger", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212064, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 6, "title": "RAS-1990", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nOBITUARY: HUGH GIBB\n\nHON. AUDITORS' REPORT\n\nvii\n\nxiv\n\nxvii\n\nHON. LIBRARIAN'S REPORT.\n\nARTICLES:\n\nJ.W. Hayes — The Old Popular Culture of China and Its Contribution to Stability in Tsuen Wan\n\nC.C. Choi Studies on Hong Kong Jiao Festivals\n\nDavid Wilmshurst The 'Syrian Brilliant Teaching' Chinese Local Semi-Divine Deities\n\nKeith G. Stevens\n\nP.H. Munro-Faure China on the Brink of War\n\nFred Dagenais John Fryer's Early Years in China: First Impressions of Hong Kong and the Chinese People..\n\nSau Y. Chan The Offering to the White Tiger in Cantonese Opera\n\nLauren F. Pfister Clues to the Life and Academic Achievements of one of the Most Famous Nineteenth Century European Sinologists James Legge (AD 1815-1897).\n\nDan Waters Hong Kong Hongs with Long Histories and British Connections\n\nNOTES AND QUERIES:\n\nP.H. Hase Ta Kwu Ling, Wong Pui Ling and the Kim Hau Bridges..\n\nP.H. Hase A Village War in Sham Chun\n\nP.H. Hase Sha Tau Kok in 1853\n\nKeith G. Stevens The Buddha, the Heavenly True Warrior ..\n\nKeith G. Stevens Altar Images from Hunan\n\nKeith G. Stevens T'i-shen: A Substitute for a Person.\n\nRiden Sung Chi-Pui – The Making of a Husk-grinder..\n\nH.J.W. Chetwynd-Chatwin – The British Merchantman \"Norna\"\n\nGeoffrey Roper Report on Visit to Tai Hang Fire Dragon Dance, Mid Autumn Festival 1992.\n\nDan Waters Sojourners in Xiamen: Notes on the RAS Visit.\n\nBOOK REVIEWS\n\n1\n\n26\n\n44\n\n75\n\n89\n\n146\n\n169\n\n180\n\n2\n\n219\n\n257\n\n265\n\n281\n\n297\n\n298\n\n299\n\n302\n\n303\n\n307\n\n309\n\n314\n\nXX", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212250, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 192, "title": "RAS-1990", "content_text": "THE OFFERING TO THE WHITE TIGER\n\nIN CANTONESE OPERA\n\nSAU Y. CHAN*\n\n169\n\nIntroduction\n\nSymbolically, the White Tiger is a mystic figure in Cantonese folk religion. Though it can also bring merits to people, it is often referred to as a fierce devil. Thus the ritual known as zae bak fu (Offering to the White Tiger) should be held from time to time so that the harm caused by the White Tiger could be minimized. It is performed in a variety of Cantonese folk religious practices and a comparatively more elaborate form of the ritual has been preserved in the tradition of Cantonese opera, where it is also called zuk bak fu (capturing the White Tiger), zae toi (offering to the performing stage), po toi (breaking or initiating the performing stage), da mau (beating the cat) and occasionally as tiu coi sen (dance of the Deity of Fortune) and tiu jyn tan (dance of the Jyn Tan deity). As it has often been criticized as a superstitious act in mainland China, troupes there have, according to some informants, ceased to perform this ritual in recent decades. Nowadays this operatic form of White Tiger ritual is mainly preserved by troupes performing in Hong Kong, Singapore and Malaysia.\n\nI\n\nThe Exorcistic Function of the Offering\n\nAccording to interviews with many Cantonese operatic employees, whenever a theatre, whether temporary or permanent, is built on a piece of land that has never been used for such a purpose, the performing stage is called a sen toi (new stage) and the White Tiger ritual has to be performed for the protection of members of the troupe and the community which hires the troupe. It is believed that a tiger turns white when it reaches the age of 500. It would then make use of people's mouths to harm other people. Before the ritual is done, if one calls the name of another person, or simply talks, the words will be made use of by the White Tiger and the one who responds will be harmed. In the past, disasters such as the flooding, collapse and\n\n* Music Department, the Chinese University of Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212251, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 193, "title": "RAS-1990", "content_text": "170\n\nburning of the temporary theatre, and the sudden deaths of the troupe or community members, were believed to be the outcome of either a violation of the taboo, or a bad performance of the ritual. Besides such disasters, harm of a moderate degree can also occur. This might include the sickness of troupe employees, the loss of an actor's voice, the forgetting of one's part and the commitment of some impossible mistakes during a performance. It has also been a custom that local people should stay away from the performance hall or hide themselves at home before the completion of the White Tiger ritual.\n\nWithin the Cantonese operatic troupes which perform in modern Hong Kong, the taboo of shutting one's mouth and keeping quiet is still strictly observed by the two actors, three percussionists and two to three backstage workers who happen to be assigned by the troupe owner to participate in the preparation and performance of the ritual. Such troupe members often avoid laughing and talking from the moment they arrive at the theatre until the ritual is held, even in areas other than the stage. The two actors always stay away from their friends and colleagues and do not talk to each other. Other employees of the troupe try to hide themselves in the dressing compartments of the backstage, or leave the stage area.\n\nAnother tradition connected with the White Tiger ritual concerns the entrance and exit space located between the backdrop and the back wing curtain on both sides of the frontstage. These two areas are called fu dou mun (the tiger's gate of passage) and are referred to as the Tiger Gates in the present paper. It is uncertain whether the White Tiger ritual is related to the Tiger Gates but another taboo requires the employees to enter the frontstage area through the gate at stage left and leave through the one on the other side before the completion of the White Tiger ritual.\n\nAs pointed out by Barbara E. Ward in her paper \"Not Merely Players: Drama, Art and Ritual in Traditional China\", to avoid the breaking of the taboo by outsiders who do not know it, troupe members do not welcome any visits onstage before the ritual is held. However, the present writer has observed that some backstage workers of a younger age often fail to follow the taboos. Some of them said that they did not believe in these taboos and dismissed them as old-fashioned superstitions.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212252, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 194, "title": "RAS-1990", "content_text": "171\n\nThe Non-Operatic Performance of the Offering\n\nThe introduction of the present paper has already mentioned that the White Tiger ritual is often undertaken in contexts other than the initiation of a new Cantonese operatic stage. The other forms of the ritual are discussed below.\n\nIn modern Hong Kong, one of the other rituals that makes use of the White Tiger ritual is known as da siu jen (beating the petty or debased person), which is performed by a male or female religious practitioner for his or her client who suffers misfortune or bad luck. According to Chien Chiao's study, the ritual can be held for “general blessing or exorcising purposes\" (Chiao 1986:213) but it is often aimed at a certain spirit or real person who brings bad luck to the practitioner's client. During the ritual, the practitioner pierces or beats with a sword or shoe a small paper figure cut in the shape of a human being, as an act to punish and defeat the petty person's harmful power. The practitioner also puts a piece of pork in the mouth of a stone statue of the White Tiger as a simple form of offering, which is supposed to be a similar exorcistic action to the more elaborate ritual involved in the initiation of an operatic stage.\n\nWhen a temple is newly opened or re-opened after its renovation, its management sometimes hires priests, operatic actors or puppeteers to perform the White Tiger ritual. According to some Taoist priests, for such an occasion, an offering to the White Tiger should better be staged by puppets as the fierce spirits and evil deities surrounding the temple might harm the priests and actors if actual human beings were to perform the ritual. Sometimes the management chooses to hire a Cantonese operatic troupe to stage operas to celebrate the opening and also requires the troupe to hold the White Tiger ritual for the occasion, even though the stage may not be a \"new\" one. If no operatic troupe is hired, the temple management might hire a group of priests, who are often Cantonese operatic employees, or a group of Cantonese operatic actors and accompanists to stage the offering. Whether performed by puppets, priests or actors, the ritual appears in a form similar to that used for the initiation of a new stage.\n\nSome building managements also arrange to have the White Tiger ritual staged either at the time the construction work begins or concludes. Ward has described this form of non-operatic White Tiger", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212253, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 195, "title": "RAS-1990", "content_text": "172\n\nritual in her paper mentioned above. Her description is as follows.\n\n+\n\n*Indeed, actors may well be especially requested to carry out similar acts of exorcism on behalf of their clients, just like priests. In 1975 at Sai Kung, in Hong Kong's New Territories, a development comprising several modern blocks of shops and high-rise flats was declared open in an official ceremony, which included the (also symbolic but hardly magical) act of cutting a red, white and blue ribbon performed by a high-ranking member of the British administration. On the preceding evening the actors already engaged to perform operas in the town in connexion with a temple festival were asked to perform The White Tiger, and they did so in exactly the same manner as in the performance of the same ritual scene two weeks before. The sole difference was that the second performance was for the purpose of exorcising evil forces from the new buildings, which stood on recently reclaimed land where people had never lived before. In other words, the players were acting here as exorcists for the community, not at all for themselves: like priests.\" (Ward 1979:32)\n\nActors and Characters in the Offering Ritual\n\nIn Cantonese opera, the White Tiger ritual requires only two actors who play the Deity of Fortune and the White Tiger respectively. In Cantonese folk religion, there are five deities which are believed to bring fortune to people. The one portrayed in the White Tiger ritual is known as Jyn Tan (literally \"abstruse altar\") whose real name is Ziu Gung-ming and who is thus often called Ziu gung jyn sey27Ah (supreme commander Ziu). To distinguish him from the other deities of fortune, Jyn Tan is often referred to as the \"military\" Deity of Fortune.\n\nAccording to legends, Jyn Tan has a black face and black beard. He wears an iron helmet, rides on a black tiger and carries an iron staff and a number of other magic weapons. Besides bringing people fortune, Jyn Tan is believed to uphold justice and eliminate disasters.\n\nThe origin of the White Tiger ritual is still unclear though the\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212254, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 196, "title": "RAS-1990", "content_text": "173\n\nThe legend of the Deity of Fortune is known. It is understandable that the deity is incorporated in the ritual as he has the power to eliminate disaster and bring fortune. In the modern performance of the ritual, the deity's magical weapons are represented by a wooden staff and a chain. Troupe members often call the deity hak min (black face).\n\nStage Setting and Preparation\n\nA wooden table and chair are placed in the middle back portion of the frontstage. Another wooden chair is put on its side at the edge of the stage left. Occasionally, additional wooden chairs are put in front of the accompanying musicians who sit at stage right.\n\nA better understanding of the ritual enables one to discover the different functions of these pieces of furniture. The wooden table and chair together symbolize a high mountain, and the chair facilitates the actor's climbing to the top. The other chair that is put on its side at the stage edge has a piece of raw pork hung from one of its legs, so as to facilitate the White Tiger's consumption of the pork. The chairs placed in front of the musicians function to protect them from the possible harm caused by the White Tiger. Ward has mentioned that a row of chairs had been seen at the edge of the stage to protect the audience (1979:31). However, the use of these chairs has not been noticed during the several White Tiger rituals observed by the present writer.\n\nThe accompaniment to the ritual is provided by three percussionists: the gong and cymbal players, and their leader who is responsible for the wood blocks and the zin gwu \"kök (battle drum). Such players usually set their instruments ready one to two hours before the ritual and then stay away from the stage until shortly before the time assigned to hold the ritual comes.\n\nAccording to several experienced actors, traditionally the White Tiger ritual should be held immediately before the evening's operatic items start, which is approximately 8 to 9 p.m. In modern Hong Kong, as many troupe owners find it extremely inconvenient to maintain the taboo, they prefer to hold the ritual in the afternoon, usually at around 3 p.m. on the day that the series of performances begin.\n\nWithin the whole course of preparatory work for the offering, the", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212255, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 197, "title": "RAS-1990", "content_text": "174\n\nmost important part is to fix a piece of ritualistic red sash to the black hat which is to be worn by the Deity of Fortune. Often a pair of gem fu TE (golden flower), which are made of thin metallic foil and used for decorating a deity's shrine, is placed on both sides of the hat, and sometimes the pair of \"wings\" on the hat are turned upright to imitate the hat worn by the deity Zung Kwae who is well known for his exorcistic power. In either case, the hat's peculiar features illustrate that the one who wears it is a deity and not a mortal. Once the hat is ready, troupe members should hide themselves and follow the taboo in an absolute manner.\n\nAfter putting on the appropriate costume, the actor who plays the Deity of Fortune paints his face black with only some white spots, and puts on the mock black beard. Another actor who plays the White Tiger dresses in the tiger costume, and gets the mask but does not put it on until he has to enter the stage. The actors then quietly offer incense at the shrine of the deity Wa Gwong #, who is the major patron of the Cantonese operatic profession. Often incense, fruit and meat are also offered at the shrines of the other patron deities of the numbers of the troupe, which are also placed on the same altar alongside the shrine of Wa Gwong. When the chosen time is approaching, the two actors wait behind the Tiger Gate at stage right. One of the backstage workers hands over the wooden staff to the actor who plays the Deity of Fortune. A string of firecrackers has already been tied to the end of the staff. Holding a joss candle, the worker stands close to the Deity of Fortune and is ready to light the firecrackers when the time comes.\n\nThe Performance of the White Tiger Ritual\n\nThe complete White Tiger ritual is described below and the key episodes are highlighted.\n\n1. With the lighting of the firecrackers and the playing of the gong, cymbals, drum and woodblocks, the Deity of Fortune holds the wooden staff upright, enters the stage from stage right, runs straight across the stage, enters the backstage, runs through the corridor at backstage right behind the backdrop and immediately re-appears onstage.\n\n2. After making a posture, known as zat ga loeng soeng (扎架亮相)", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212256, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 198, "title": "RAS-1990", "content_text": "175\n\n3.\n\n4.\n\n(to make a posture and show one's face), the actor goes through a series of stylised stage movements known as tiu dai ga (literally \"to dance the grand posture\") which is often used in Cantonese opera at battle scenes when a general appears onstage.\n\n5.\n\nWith another series of gestures and stage movements in a style similar to mime, the Deity of Fortune goes indoors, falls asleep, wakes up and discovers that his tiger has gone. The Deity goes out and searches for the tiger but cannot find it. He then climbs up and stands on the top of the wooden table, symbolizing that the Deity is now on the top of a mountain and waits for the tiger to appear. One of the backstage workers often hides under the table to keep the structure steady and firm.\n\n6.\n\nThe White Tiger actor enters the stage from stage right. Sometimes an actor might choose to enter with his back turned towards the audience (if there are any) so that the White Tiger's magical power would not hurt them.\n\nThe White Tiger crawls towards the piece of pork, grabs it and puts it through the mouth of the tiger mask. To symbolize the consumption of the pork, the actor throws it beneath the edge of the stage.\n\nThe Deity of Fortune jumps down from the table and fights with the White Tiger. After some struggle, the Deity surmounts the tiger and sits on its back. A backstage worker then goes onstage and hands a chain to the Deity who then fits it to the tiger's mouth.\n\n7. After the capture of the White Tiger, the Deity of Fortune holds the ends of the chain in his left hand and raises the wooden staff upright with his right hand. In order not to harm the troupe members backstage, the two actors keep facing the audience. With a backstage worker pulling its tail, the White Tiger and Deity of Fortune step backward towards the Tiger Gate at stage left. Upon their arrival at the gate, one of the workers helps the two actors to remove the mask, hat and beard; another worker assists in the cleaning of the painted face with a thin pile of joss papers. Sometimes a towel is used instead. Interviews with some experienced actors reveal that the tradition prescribes that the", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212257, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 199, "title": "RAS-1990", "content_text": "176\n\n8.\n\ntwo actors resume their normal human identity at the conclusion of the ritual before they can step into the backstage.\n\nAt this moment, troupe members who stay onstage cry out loudly to signal the removal of the taboo which prohibits the opening of mouths. Joss papers are then burned as offerings to the spirits and deities. The whole White Tiger ritual lasts approximately from about three to five minutes.\n\nConclusion\n\nAs pointed out by both Tanaka Issei and Barbara E. Ward, there is an inseparable relationship between Chinese opera and religious rituals. The Offering to the White Tiger aptly illustrates how the performing conventions of Chinese opera are incorporated into the staging of an exorcistic act. On the other hand, as many scholars believe that Chinese opera grew out of religious roots, we might also say that the former adopted the conventions of the latter for dramatic expression.\n\nWhat is discussed in the present article relates to the White Tiger ritual and describes only some of the taboos and religious practices which are preserved in the tradition of Cantonese opera. As the present writer has pointed out in his other articles, other taboos and religious practices require troupe members to pay respect to the local deities upon their arrival at the place where they are hired to perform. Troupe members should also offer incense to the shrines of the profession's patron deities backstage, and place joss sticks at the edge of the frontstage to appease the spirits, ghosts and deities which will then protect them from falling off the stage. On the second day of the performance series, before the evening's play starts, joss papers should be burnt, as an offering to troupe members who have died. Moreover, as in many other Chinese regional operatic genres, whenever a troupe first arrives at a performing hall, even if it does not contain a \"new stage,\" the principal comic role actor has to write the Chinese characters dai ger (big fortune) on the wooden or bamboo pillar closest to the Tiger Gate at stage right, with a brush and using a type of red pigment made from a combination of oil and cinnabar, before the other actors can start their make-up. Such a ritual is known as hoi ber (to open a brush'').\n\nA traditional taboo prescribes that the strokes in the radicle hau ...", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212343, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 285, "title": "RAS-1990", "content_text": "262\n\npublic feeling. By his order he has misappropriated public land, and allowed one clan to take it by force and occupy it. A narrow place through which tens of thousands of the people must pass, and one clan has been allowed to grab it and keep hold of it! This is a case of officials and bullies in collusion. Who can trust them?\n\nMoreover, this is an enlightened age. Fung Shui cannot be allowed to impede communications. There are innumerable precedents. Anyway, if the Fung Shui is examined, that village is a good three li away, and the bridge is low down while the village is high up. Where is the problem? Why do we hear of fields and rice being flooded? This is clearly a case of a hidden plot to preserve private income. They are merely hatching a hundred schemes to destroy this bridge. Today the Cheung clan is trying in every way to destroy the bridge-work at Kim Hau. They consider that the ferry should remain as it now is.\n\nWhat they lose today in bribing the officials they can skin the ferry passengers for tomorrow.\n\nMagistrate Yau is a scandalous official uninterested in the public. How can we expect him to investigate this properly? It is useless to accuse an official he can rely on the other officials. It is like sending a lamb into a tiger's mouth.\n\nWe the gentry and others have collected money to build a bridge. We cannot make any profit by this. Why should what we are doing offend those prominent officials and that powerful clan? Why should it cause a lawsuit?\n\nWe have merely planned the construction of this bridge, and the work on it has already been overthrown three times. If the bridge-work were to be overthrown yet again, then not only would there never be a future renaissance for the communications of the people of all the surrounding districts, but also, the people having been oppressed and ground down for ages, so, what the bad consequences\n\nPage 285\n\nPage 286", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212660, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 214, "title": "RAS-1991", "content_text": "195\n\nAgain according to folk memory pirates under Ts'ai Ch'ien raided the coasts of Taiwan plundering the towns from as far south as Lukang, up the coast to Tamsui, Keelung, Su-ao and even sailing up river to Manka [present day Taipei). However, strange to say they never attempted to loot the prosperous port of Lukang, possibly to avoid upsetting the merchants there who were already paying \"Danegeld\", and thereby provoking a major campaign against them, or because the pirates spent much of their time hiding along the coastal strip to the south of Lukang. Ts'ai Ch'ien provided the opportunity for Wang to take his place in history, as has been described above, when Wang, at the age of 37, killed the pirate leader and destroyed his fleet in 1808.\n\nIn 1842, during the First Opium War when it was feared that the British might attack and occupy the Pescadores islands, Wang, despite being 72, was asked to take charge of the fortifications. He died shortly after arriving there.\n\nThe large ancestral painting of Wang in the Clan temple portrays him sitting on a chair covered by a tiger skin, the finials of the chair's arms carved into dragon's heads. He is dressed in Court robes with a winter cap, a flared mandarin collar and a mandarin's string of beads. His rank is depicted by the button on his cap and the square on his chest; however, the badge shows a form of dragon, which is only worn by members of the extended royal family, or under certain circumstances by Imperial Censors, whilst his cap button is plain coral as worn by the first class of mandarin. His honour, the Peacock Feather with double eye is clearly shown. He has a white moustache and goatee beard and a thin, aged face. There is no indication that he was a military official, rather it would seem he was a civil mandarin.\n\nAlthough his wife by rights should have had the same chest badge as her husband, the mandarin square in her ancestral painting is not only a civil badge, with a crane denoting a first class mandarin, but the bird is facing in the wrong direction. In practice, however, bird emblems were common to wives of both civil and military officials. These items suggest that the paintings were made many years after Wang and wife had died, and that the artisan who did the work was unacquainted with the niceties of rank, working as he probably did in the wilds of central Taiwan on numerous ancestral paintings for 'nobodies'.\n\nOne final story about the importance of Wang to the people of Taiwan is patently untrue but reflects how folk tales become garbled with the", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212805, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 114, "title": "RAS-1992", "content_text": "99\n\nrebellion [1851-1868], led by Chang Lo-hsing, was a rising of impoverished peasants against the Manchu dynasty in the area to the north of the Huai River. It was defeated by the local Huai Army under Li Hung-chang into whose army many Nien were enlisted for service in the troubles in the North-west.\n\nNingpo: a treaty port on the coast of the eastern province of Chekiang.\n\nPai-lou: an ornamental archway in memory of a deceased person of exceptional chastity, loyalty or filial piety.\n\nSeals [Mandarin]: Every Chinese official of any standing had a seal of office. [all seals, either government, business house (hong) or personal were usually referred to as 'chops' by foreigners]\n\nSedan chairs: Mesny was first carried by two bearers but was upgraded to three shortly afterwards. The emperor alone was entitled to sixteen bearers, princes of the blood eight, and all other officials down to Prefect four, including District Magistrates if in office. Below this grade two was the rule. All tao-t'ai's rode in green chairs carried by four bearers, accompanied on their official visits by a great number of attendants, some of whom were bodyguards, the others bearers of the insignias of office.\n\n'Self-Strengthening': a Chinese term denoting the policy of selective adoption of western technology and institutions between 1860 and 1895. One of the main proponents was Li Hung-chang about whom Mesny wrote many complimentary and other not so complimentary comments.\n\nSquares: pu-tzu: Square badges denoted the nine grades of official ranks in later dynastic China, worn front and back of the official's surcoat. They were some twelve inches square, embroidered in various designs, portraying, for example, a silver pheasant for a civil official grade 5, and a tiger for a grade 4 military official.\n\nSqueeze: applied both as a verb and substantive to peculation of any kind. Originally it was the commission Chinese servants, fully in accordance with Chinese custom, charged their masters on all articles purchased.\n\nTa Ch'ing**: The Great Pure Dynasty: The name of the last Imperial", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212838, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 147, "title": "RAS-1992", "content_text": "The mule track wound along the mountain side. Looking backwards, or forwards, you could sometimes see the green waters of the Salween glistening in the sun far below. At one point, the place was pointed out to me where Chu Ko Liang had built a fort on a knoll commanding both track and river. He was the able counsellor of Liu Pei, who in the time of the Three Kingdoms mounted the throne of Shu (Szechuan) in the second century of our era. Liu Pei stood 7 ft 5 in high; 'He could see behind his back, his ears reached to his shoulders, and his hands to his knees. He possessed the invaluable power of creating a good first impression and was able to keep his countenance under the most trying circumstances.' He sent Chu Ko Liang on an expedition to the south to subdue the border tribes. Chu Ko Liang is said to have penetrated to Burma: 'He made use of the famous device of \"wooden oxen and running horses\" as a means of transport. What the device was nobody now knows.' (From A Chinese Biographical Dictionary by H.A. Giles.) Legend relates that it was Chu Ko Liang who first thought to keep down the numbers of the wild Wa tribesmen by teaching them to bury a human head in each field at the planting of the spring crop; the plan worked all right until the Wa discovered that a Chinese head was equally effective in propitiating the gods, after which they looked beyond the tribal limits for the supply of heads.\n\nSmall side streams ran into the Salween, and each time we crossed one of these the path dropped several thousand feet, almost to Salween level: it would then rise steeply again up the mountain. Down there the hollows were very hot and steamy; the vegetation tropical and thick; higher up it was cool in the shade and many great trees spread their branches over the mountain slopes. We saw few large wild animals: the commonest I believe is the bear. The inhabitants say there are three kinds of bear; the pig bear, the dog bear, and the cow bear. I saw one pig bear in captivity; it had a thick black coat, little pig eyes, and must have weighed about 300 lbs. Tiger, elephant, panther, wild pig, wolves, sambur and barking deer also exist; the lovely Amherst and Stone pheasants, bamboo partridge, jungle fowl, hare, duck, snipe and quail. But we had no time for any of these; later, when our numbers had increased, one of our Gurkha wireless operators used to go out sometimes to shoot for the pot.\n\nNews of our arrival had gone ahead. As we moved along the headmen came out to welcome us; they prepared food for us and were disappointed", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213141, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 209, "title": "RAS-1993", "content_text": "No. Name of Shop\n\n191\n\nAddress\n\nof Shop\n\nName of Owner\n\nVillage of Owner\n\nSource\n\nComments\n\nTobacco\n\n67\n\nGuesthouses\n\n68-71.\n\nWIS\n\nC\n\nC\n\n'3 or 4\" guesthouses See below under \"Others\" Basel missionaries. 1859\n\nOpium Divan\n\n72\n\nWIS\n\nLunie-burners\n\n73-74\n\nYin Lou\n\nC\n\nC\n\nFt.L\n\nOilers\n\n75\n\n=\n\n}\n\nWH\n\nC\n\ngroceries\n\n76\n\n77\n\n仙\n\n78\n\n利\n\n79\n\nSE\n\nB\n\n1 or 2 limekilns\n\nLockhart's Report, 1899\n\nsweets and small\n\n) these may be two of\n\nB\n\n) the guesthouses\n\nB\n\nJ\n\nB\n\n)\n\nHO\n\n...\n\nB\n\n) nothing is now\n\n18\n\nW\n\nB\n\n} remembered about\n\n82\n\n87\n\nK\n\n4\n\nB\n\n> these shops\n\nB\n\n}\n\n#4\n\n¥\n\n}\n\nProstitutes\n\n85-96\n\nRow neat\n\nCity\n\nC\n\nLS\n\nSaltworks\n\n97-115\n\n-\n\nYon In EL\n\nC\n\nHawken\n\nC\n\nWIS\n\nPunti girls from City\n\nOffered opium to clients\n\nHL workers from\n\nSwabue, sold salt retail\n\nDetail of works in Block Crown Lease\n\nFish, meat, vegetables, cooked food (including noodles), handicrafts\n\nfuel. Also at Yim Liu Ha\n\nE\n\nNOTES\n\nSee G A C Herklots, The Hong Kong Countryside, Hong Kong, 1951, pp 86-89 for tigers and leopard on Ng Tung Shan, and the Hsin An County Gazetteer (1819 Gazetteer, ch 3. Chung Lap Pao Edition, 1979, p. 45) for tiger, wild boar, and deer in the area\n\n2 1688 Hsin An County Gazetteer, ch 3, 127\n\nA salt commission was established at Nam Tau (Nantou) just outside the present borders of Hong Kong, probably in the Nan Yueh period, in the second century BC This was later divided into 4 commissions, probably during the Nan Han period (tenth century A.D) Of the 4 Nan Han commissions, the Kwun Fu commission certainly covered the Mirs Bay area in the Sung; the headquarters of the commission were moved temporarily from Kowloon City to Tip Fuk (Deep Fuk) on the east coast of the Bay in 1163; and probably did so from the establishment of the commission The borders of Tung Kuan County and its predecessors bent round to include just the coastal strip of Mirs Bay.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213265, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 87, "title": "RAS-1994", "content_text": "67\n\nStandard Chartered Bank's big brother, the Hong Kong and Shanghai Banking Corporation (surrounded by the Bank of China, Standard Chartered Bank, the Legislative Council building, and others, which act as 'dragon and tiger' guards), also went to considerable lengths to build 'fung shui considerations' into its award-winning headquarters. It was completed in 1985. Sir Norman Foster, the English architect, brought in fung shui masters at various stages throughout the Bank's design and construction. Although it was described as the 'most innovative bank building in the world', symbolising flexibility with no expense spared, nevertheless 'The Bank' (as it is sometimes known locally) went to great pains to lift its two bronze lions into position simultaneously (Lions Return Home, 1985:19). Work commenced on a propitious day, starting at 5.00 am (Guarding the Bank.., 1985:10) (Chung, 1985:10). Senior British Bank officials attended. On the advice of the fung shui practitioner, the two lions, Stitt and Stephen (named after two past Bank managers), act as guardians. They ward off evil. They are often patted by Chinese to bring them good luck, although the two lions do not directly face each other. Their exact positions are important. Heavy objects such as stones or statues (like two-ton, bronze lions symbolising energy) have the power to stabilise a situation. In everyday life, heavy ornaments and the like can affect the ability of a person to hold down a job or to hang on to a wife.\n\nIn addition to placing two lions in position in front of a bank, turning the first sod, foundation stone laying and topping out ceremonies, and house-warming parties are all important in Western society (Groves, 1991:passim). Also, a Christian priest consecrates a new church. In Chinese culture too, although human sacrifices have long disappeared, special building ceremonies are still sometimes conducted, for example, when starting work on the foundations, erecting the main door, or hoisting the ridgepole of a village house. With the last example, items are hung from the ridge. These include 'lucky' objects, such as a small bag of rice (no-one must ever go hungry). All such ceremonies must be carried out on auspicious days.\n\nOne would imagine the Hong Kong Bank is too concerned with profit and loss accounts to bother about what some describe as superstitions. Yet care was taken, when planning the front entrance on Des Voeux Road, that it is lower than the exit on Queen's Road. This is similar to a humble Chinese college in that the front door should be bigger and lower than the...", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213280, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 102, "title": "RAS-1994", "content_text": "82\n\nThe site of the flat in the case study is not perfect. The hills could surround the home, at the sides, more, thus providing a better 'armchair effect'. The shapes of hills and features on hills, similar to boulders such as Sha Tin's Amah Rock, frequently form the backdrop for wayside shrines. This rock did not ask, some rustics will tell you, to be eroded into the shape of a woman with a baby on her back, and the wind and the rain did not want to sculpt them, it is something that just happened. Such features display the power of nature and the majesty of the cultural landscape. Like the Australian aboriginals, boulders or other objects in Hong Kong can take the forms of beasts, real or imaginary. This is especially so for the Hakka Chinese. There is some resemblance between aspects of Chinese folklore and its Gaelic counterparts. The latter has its mischievous leprechauns.\n\nBut whether it be a Chinese village hovel or a palace, the ideals to aim for are similar. With the basic grammar of an ideal site, with us 'armchair of slopes' and 'ring of sunny hills', the spur on the right is known as the 'Azure (green in Cantonese) Dragon'. That on the left is described as the 'White Tiger'. More of an armchair effect would give the building in our case study better protection against calamities. Like typhoons for instance, which rampage in from the south-east.\n\nIn the case of a mountain, which should be tranquil but can also signify 'authority and vigour, it may 'overpower' the natural environment. A 'killer breath' (shaar hei), as mentioned earlier, with harmful currents that travel in straight lines, may develop. There, the chi is violent. In some instances these forces can be deflected by screens, fences, water, fountains, mirrors or lucky charms. An eight-sided Baat Kwa, with Trigrams in the centre, may be used. A small, hand-held 'windmill' can be employed to disperse strong chi. With such remedial measures an unfavourable site may later be classified as favourable.\n\nNevertheless, because of inauspicious circumstances and the anger of the gods, a slope or cliff consisting of partly decomposed rock may turn to mud during a storm. Thus a hill may not provide the intended security to a building. 'Feels as if the mountain top is always watching you,' is how some villagers explain it. To overcome such 'negative influences', trees can be planted to form a 'curtain' in an effort to 'mask' the ridge (Ajmer, 1968:75). But, during the Japanese Occupation in World War II, such trees were sometimes felled because of a fuel shortage.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213386, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 208, "title": "RAS-1994", "content_text": "196\n\nCambridge History of China, edited by Denis Twitchett et al, Cambridge: Cambridge University Press, 1978+\n\nCampbell, Charles S. Special Business Interests and the Open Door Policy, New Haven: Yale University Press, 1951\n\nCarlson, Evans Fordyce. Twin Stars of China, the Behind the Scenes Story of China's Valiant Struggle for Existence by a US Marine Who Lived and Moved with the People, New York: Dodd, Mead, 1940\n\nCarr, Henry. Riding the Tiger: An American Newspaper Man in the Orient, Boston and New York: Houghton Mifflin, 1934\n\nChang, Sul-jeung. The Jews in Kaifeng. Reflections on Sino-Judaic History, Monographs of the Jewish Historical Society of Hong Kong, vol. II, Hong Kong: Jewish Chronicle, 1986.\n\nChardin, Pacifique Marie. Les Missions Franciscaines en Chine, Paris: Auguste Picard, 1915\n\nCh'en, Yuan. Western and Central Asians in China Under the Mongols, translated from the Chinese and annotated by Ch'en Hsing-hai and L. Carrington Goodrich, Los Angeles: Monumenta Serica, 1966\n\nChester, Ruth (Professor of Chemistry and Associate Dean of Ginling College), 'Women in Wartime China', broadcast May 1941 from Chengtu, in United China Relief Series Inc.\n\nChesterton, Ada Elizabeth (Jones). Young China and New Japan, Philadelphia: Lippincott, 1933\n\nChina in the Sixteenth Century, the Journal of Matthew Ricci 1583-1610 translated by Louis J. Gallagher, SJ, New York: Random House, 1953\n\nChina Miscellany, pamphlets and reprints, Shanghai and Hong Kong, 1864-1948\n\nChinese Repository, Macao and Canton, 1832-1851\n\nChinese Travellers, the. Containing a Geographical, Commercial and Political History of China, etc. collected from Du Halde, Le Comte, and other modern travellers, second edition, London: printed for E. and C. Dilly, 1772\n\nChitty, J.R. Things Seen in China, London: Seeley, Service, 1912\n\nChristmas, Margaret C.S. Adventurous Pursuits: Americans and the China Trade 1784-1844, Washington, DC: National Gallery, 1984\n\nClark, Robert Sterling and Arthur de C. Sowerby. Through Shen-Kan: The Account of the Clark Expedition in Northern China, London: T.F. Unwin, 1912", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213458, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 54, "title": "RAS-1995", "content_text": "21\n\n \n 20\n Natural features are believed to represent animals or figures, such as a girl gathering flowers. Objections on the basis of “fung shui” belief have been raised by villagers when public works have been undertaken. If any project is likely to affect the “fung shui\" of an Hakka village, the villagers believe that a \"tun fu\" ceremony held by a geomancer will safeguard the village. Even in 1912, however, the old ideas of \"fung shui\" were being modified so far as they proved incompatible with foreign laws and ideas; and nowadays the belief is dying out gradually among the younger generation.\n \n\n124\n\n“Fung Shui” objections also occur in the domestic field, to the opening of windows in a house that faces another or a temple. Such a window is thought to be a voracious tiger. A lamp flashing in the direction of another house is counted equally obnoxious. Such objections are mainly confined to Cantonese, but the Hakka, from their greater belief in animism, are more concerned with the \"fung shui” of trees and rocks.\n\nThe siting of graves, as already indicated, is also influenced by \"fung shui\" belief. For the first five years or so, a body is usually buried in an earth grave (wuct chong). Then it is exhumed and the bones are placed in an earthenware funerary pot (kam tap). Such earth graves and earthenware pots are sited in groups where the \"fung shui\" is good. Building or cultivation near such sites is not permitted. If the family or clan of the deceased is wealthy, then the funerary pot holding the bones is usually installed in a masonry grave, which again is sited according to the principles of \"fung shui\" belief, usually on a hill (shan fan). A half-circle in front of such a grave with a radius of ten yards is regarded as sacrosanct, and any disturbance of that ground is, by custom, forbidden.\n\n126\n\nBefore leaving the subject of land, it should be observed that even in the New Territories, the Chinese customary law may be excepted in cases involving land by the provisions of the Ordinance.3\n\nMarriage\n\nThe Chinese customary law of marriage, concubinage, and divorce obtaining in the New Territories does not appear to differ from that same customary law to be found in the Colony.12 From time to time,", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213635, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 231, "title": "RAS-1995", "content_text": "206\n\ntrials, International Military Tribunals were established, and Russia took part in the Tokyo trial although it had been in the war against Japan for only one week before the surrender. In all the other trials, Tribunals of Officers were set up to hear the cases. The range of offences to be tried as war-crimes was never precisely defined, but broadly concerned “offences against humanity” including events causing cruelty, indeed often death, to prisoners and civilians in occupied territories. The notorious Kempetai (military police) had tortured, and indeed, killed, many thousands usually in an effort to extract confessions. Were these trials a \"Victor's Justice\"? It is true that the Japanese surrender had made the trials possible, but the catalogue of criminality left no doubt that those appearing in the dock deserved the punishment they received. There were acquittals mostly as a result of problems of identification, and some because the required standard of proof had not been satisfied. Tribunals did not attach much weight to affidavit evidence since cross-examination was not feasible. Documents which were contemporaneous on the other hand usually told their own story, although bonfires of such documents had been destroying such evidence in the interval between the Emperor's surrender broadcast and the arrival of the Allied forces.\n\nThe first trial was of General Yamashita, the \"Tiger of Malaya\", who became Supreme Commander of Japanese Forces in the Philippines, and this began in Manila on October 29th, 1945. He was sentenced to death. Other trials were conducted by U.S. Tribunals: 90 were sentenced to death. During 1945 and 1946, Nationalist Chinese Tribunals convicted 504 as war criminals. The French convicted 198, the Dutch 969, Australia 644, and in Singapore and Hong Kong, the United Kingdom Tribunals convicted 811.\n\nAccused were permitted legal representation, and given interpreters and the assistance of an Allied officer, and this was strictly adhered to in the British trials. We had the assistance of Army Investigation Units which collected evidence. One problem was that mistreated P.O.W.s wanted to get home to England or Canada as soon as practicable for rehabilitation, and tribute should be paid to the public-spirited few who agreed to return as witnesses.\n\nMy first case in Hong Kong concerned atrocities in Kinkaseki Camp, Formosa, and its \"Hell Mine\", and one of my star witnesses was", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 163, "title": "RAS-1996", "content_text": "135 o'clock we had our dinner on the deck. Such fun and such make shifts. Our stock of portable soup was very good however, and what with venison pasties and other items we got a very comfortable dinner, much to the amusement of the Chinese passengers, about 20, and the sailors. My servant came in very handy, as he was the only professional cook of the party. Our food was cooked in the Chinese way, in a little earthenware stove, and a camp canteen kettle. The deck all the while was at a very considerable slope, so that it was necessary to mind one's p's and q's, in order to avoid catastrophies. Then when we were done and cleared away, the Celestials came forward and took the deck and began their meal. Each passenger pays 30 cash (not quite three halfpence) for his meal of rice and fish and little nic nacs: and as they only eat two meals a day, you may imagine that there is not much profit to be got out of it. They did walk into the rice and no mistake.\n\nOne little boy I took a fancy to: he was a friend of the owner of the ship and his father a rich man at Sam-tsun the place we were going to. I had a long talk with him, and we read some of the Pilgrim's Progress. He had been to school 6 years, and literally knew nothing after all. The Chinese system of education is the greatest folly imaginable: No Chinaman, in less than ten years is supposed to be able to know the meanings of the characters. Many learn 5 years and only know the sounds.\n\nHowever this little fellow and I got on very well together. He was much amused with Stringer's dog, and asked dozens of questions about it. Then I offered to sell it for a dollar, but the youngster said it was no good only to eat,\" and therefore was too dear. So I joked him that he had not a dollar belonging to him, whereupon he produced a handful of dollars from his purse, and showed me a bundle of paper which he said had 7 dollars inside. He seemed to have perfect confidence in us that we would not try to rob him. It was hard to talk with him, through his dialect. It was like a Londoner and Yorkshireman. “Tea” he called \"Chay-yup\" and we call it \"Chah-eep.\" About four o'clock we entered the “Kup shui moon\" a channel opening into the \"Bogue” or as English people say \"Bocca Tigris\" or \"tiger's mouth.\"\n\nHere we passed the Canton steamer going to Hong Kong. The people stared to see Europeans on board a Chinese craft. Towards evening the breeze dropped off, and at sunset there was quite a calm.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213817, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 169, "title": "RAS-1996", "content_text": "141\n\nthe verandah and afterwards in the little parlour I was soon deep in an argument with Eitel and Winness, as to the general tendency and aim of Paul's preaching, and we maintained the point a long time, without either giving way. At last Winness is a fine Chinese scholar, and we had a long talk about religious publications in the Chinese language, of which he has written several. Then we turned in for the night, after our evening devotions, and after hearing Mr Winness' evening service, in his chapel. Really the singing of his boys was melodious to a high degree. He has about 20 whom he teaches German, etc. One is now at Hong Kong waiting to go to Germany to be educated as a missionary, and can play the Harmonium quite well.\n\nWe then turned in. The only two rooms in the house for Europeans served our turn. Four in one, and three in the other. It was sharp work. The mosquitoes were immense great things, and big enough, and many enough to suck all the blood out of one man, but with seven of us, they could not quite manage it. So in the morning we were all able to get up. Few of us slept much. I slept but very little, although I had the best bed.\n\nIn the morning I took a walk over the hills with Eitel for an hour or two, and then after breakfast we prepared to go on the hills pheasant shooting. I got a long two-barrelled gun, and Stringer got another, and so four of us started, with a guide. Two at last struck out one way, and then Capt Drummond and I went the other.\n\nWe were soon out of sight and hearing of the rest. But no pheasants were to be seen. This Drummond is a fine fellow, and has no foolery about him. He appears to be as good a Christian officer as could be expected, considering the many things they have to make them wild and dissipated. His right hand and shoulder were bitten severely by a great tiger in India, which caught him and carried him off. The tiger was soon wounded, and at length dropped him, and next day was shot dead. It just gave him a pat on the head with its paw, and made him insensible. It was a narrow escape. The tiger was rather old and its teeth were almost worn out, or it would have been far worse with him.'2 We walked a long time, but shot nothing.\n\nSo we began to bend our steps home through the village of Lilong. We looked at many houses and things, and even entered some of them and looked about. We were much amused with the immense great wheelbarrows the people use. The wheel is made of planks, sawed...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213821, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 173, "title": "RAS-1996", "content_text": "Philip Winnes of the Basel Mission worked in Kwangtung\n\n145\n\n\"Ernest John Eitel, PhD), (1838-1908) was with the Basel Mission. He worked in South China during 1862-65. Eitel was a scholar and linguist who settled in Hong Kong in 1870, where he was Private Secretary to the Governor and later Inspector of Schools. He migrated to Australia after his retirement in 1897. His book Europe in China, first published in 1895 and reprinted in 1983, is an important history of Hong Kong during the years 1841-82\n\n12 Major AG Harfield has written to say that upon completion of a tour of nine years in India, an officer was obliged to take a leave outside India. China apparently was a popular destination Major Harfield also writes. “The favourite sport of officers serving with the Indian army was to go on tiger hunts. As we are thinking of the mid-19th century such a wound would not have resulted in an officer having to leave the service\n\n|\n\nThis last paragraph appears to be a non sequitur. It is integral to the manuscript and neatly fills up the last page of the manuscript. It refers to the German missionary community at Lilong. Perhaps Fryer omitted something relevant earlier in the narration during transcription from his notes\n\n11 Possibly \"ornament\n\n++\n\n¦", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213835, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 187, "title": "RAS-1996", "content_text": "160\n\nwith the ancestors is piously worshipped.\n\nIndividual worshippers also visit the Houwang Temple regularly to offer oblations on the 1st and the 15th of the lunar month and during important festivals. The temple is obviously owned and controlled by the Tung Chung community and has thus been regarded as a “village alliance temple,” as defined by Brim.1 In such a mix-surname community as Tung Chung, folk religion and the temple of the principal local deity often stand out as a crucial cohesive force in the forming of an inter-village coalition. Researchers such as James Hayes have considered Tung Chung an example of multi-clan communities on Lantau Island, where temples provide the vital link and become the venue of inter-village groupings.2 Emphasizing the concept of territory, Faure suggests that local temples, as centres of collective worship and communal ritual performance, serve as symbols of territorial unity. In villagers' perceptions, as observed by him, their territorial organization is expressed in terms of gods, shrines, and temples, which form one of the most important conceptual systems in the village world. A local temple might be built as a result of the formation of a neighbourhood of villages. The shared management of a temple would, in turn, strengthen a village neighbourhood's territorial dominance. In Tung Chung's Houwang Temple, a tablet recording a 1910 reconstruction project with a list of money donors supporting the work clearly evidences the existence of a community of joint villages worshipping Houwang as its patron god and managing the temple as its village coalition temple.J\n\nt\n\nAlthough two more temples, the Old Temple of Hsuan-t'an (at Shek Mun Kap) and the Ta-wang Palace (E) at Ma Wan Chung, were set up in Tung Chung after the War, they are far inferior to the Houwang Temple in terms of size, style, and architectural structure. In sharp contrast to the mass worship which takes place at the principal deity's temple, personal rituals are performed at these minor temples only by a few residents at individual respective villages. The Old Temple of Hsuan-t'an is situated in front of the big rock that marks the village entrance of Shek Mun Kap. Local legend holds that there used to be a Hsuan-t'an Temple at the village but it collapsed. In the 1970s, Shek Mun Kap's villagers rebuilt the temple for geomantic purposes. They hoped that Hsuan-t'an, the Tiger Conqueror, could vanquish the white tiger, a rock on the hill facing the village, and protect", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214011, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 80, "title": "RAS-1997", "content_text": "46\n\nappeared to the Sixth Son who was resting, weary and sick with over-work and revealed to him that Meng Liang had recovered the bones of another and gave the Sixth Son details of where his, the father's, body really lay. Meng Liang set out once more, disguised as a Tatar soldier and after a series of episodes the bones were recovered, but not before several of the Sixth Son's comrades had been killed or committed suicide. These deaths led the Sixth Son's condition to deteriorate and for his spirit to wander whilst he lay in a coma. The emperor's nephew on his way to visit him saw a tiger barring his path and shot and grazed it with the arrow. On reaching the bedside of the Sixth Son, who rallied at that point, the Prince was told that the tiger was the spirit of the Sixth Son roaming the hills and was duly appalled at the idea that he had nearly killed the Sixth Son. Despite all efforts, the Sixth Son's condition grew worse and soon he died, vomiting blood.\n\nIn another episode of the tea-house tales the ruler of the Liao Khitan planned to assassinate the Sung Emperor at a meeting to which the Sung Emperor had been invited at Chin-sha Nan. As the plan had been detected by the Eldest Son of the Yang family he disguised himself as the Sung emperor whilst the Second Son went as the Crown Prince, with the other brothers in attendance. In the event they in turn were recognised and in the ensuing fight the Second and Third Sons were killed and, apart from the Sixth and Seventh Sons, the others were captured.\n\nOne of several cult centres dedicated to the Yangs in northern China developed in a temple on the Buddhist holy mountain of Wu T'ai Shan, in northern Shansi province. There are at least three temples in Taiwan in which Yang Yeh is the main deity. And only in Taiwan are the Fourth, Fifth and Sixth sons collectively portrayed together on several altars with the collective title of the San Wang-tsu. In an old temple near Taichung the seven main images on the main altar represent the Seven Sons although, according to the temple keeper, the group did not include the father. However, the smaller portable images of the Seven on the front of the same altar had alongside them several other images which did include the Father, Yang Yeh, and the Mother, Yü Lao T'ai-chün, and a complete outsider, the mythological deity, Yang Chien [Erh Lang] who bears the same surname. The temple keeper explained that in about 1986 all nine main images, carved on the mainland many years ago and brought over to Taiwan, which at that", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214018, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 86, "title": "RAS-1997", "content_text": "52 \n\ndedicated to the 3rd century BC hero, Li Mu? Peasant memories have so frequently proved to have been selective and extremely partial to local heroes and as the famous battle fought by Yang Yeh in northern Shansi took place quite close to the site of the temple it would be understandable for them to assume rightly or wrongly that the temple had been dedicated to his son in those distant days before the temple was destroyed. And here is another problem. No one nowadays knew when the temple had been demolished, the best bet would seem to be during the Japanese campaigns of the 1930s.\n\nNOTES\n\n'The Khitan [in Chinese Ch'i-tan] were Tatars who adopted the Chinese name Liao for their dynasty, and were hunters from approximately the area now known as Inner Mongolia\n\n4\n\n༣\n\n\"General\" in Chinese used to be a generic term for the leader of an independent body of soldiers and was even used for leaders of village militia groups as small as a score or so\n\nHe was also known as P'an Hung and referred to in the novel as the Sung Imperial adviser Hung-yang Tung At the Hung-yang cave)\n\nThe Eldest Son was Yang Yuan-ping, the Second Son, Yang Yen-ling, and the Third, Yang Yen-kuang.\n\n*This cult is in no way connected with Yang Hou, whose images have been noted in eight temples in Hong Kong and Macau\n\n7\n\nA small temple in Taipei is dedicated to the Four Ambassadors [who crossed to Taiwan] from the Chin Lake in Ch'uanchou, and despite the main deities within all being pestilence Wang-yeh, and acknowledged as such by the temple keeper, they were also identified as four of the sons of Yang Yeh. The images were well-nigh impossible to discern with any clarity as the protective plate glass was extremely grimy.\n\n8 Werner also noted that Ch'an Shih-kung was a popular deity in Kiangsi province whose aid was sought by peasants for rain during prolonged drought. He added that pictures of the deity in monasteries showed him with a vermilion mark on his forehead and with a tiger crouched at his feet. Legend explained that a tiger which had menaced travellers had been ordered by Ch'an Shih-kung to desist, and it had followed him like a dog thereafter. It would seem that the deity noted by Werner was not in any way connected with Yang Wu Lang.\n\n9 In a small Singapore temple the following title was inscribed into a multi-deity tablet, even though no images of the Yang clan were present: Hsien-feng Yang Chiang-chun Chi-chiao Wang-yeh [The Fleet of Foot Vanguard General].", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214198, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 56, "title": "RAS-1998", "content_text": "19\n\neration to be found in wine. Then there is Journey to the West, which has been translated into English, where the Monkey King goes in search of immortality. We have Chinese opera and puppets (Liu, 1995:43-58). A great deal of mirth is to be found at Hong Kong festivals, whether it be at the Cheung Chau Bun Festival or the festival of the Hakka Boy God, Tam Kung. Then again, close friends of a bridegroom get a great deal of enjoyment from making fun of him on his wedding night.\n\nThere is also considerable humour (funniness) in the countless everyday expressions of 'old one-hundred names' (the man in the street). Such sayings which can be described as 'words that work,' are as common in China as chopsticks. For example, inserting money in a car-parking meter is known as 'feeding the hungry tiger,' and, when one is 'booked,' the 'ticket' placed under the windscreen wiper of one's car by a traffic warden, is called naau yuk kon (4), which is slang meaning a thin slice of Chinese dried, sweet beef. There is also a great deal of humour in the vocabularies of merchants and con men, nicknames and clever allusions to everyday objects and curses (Bolton, 1997:299). To scold someone is also an art which onlookers often treat as entertainment. The art is for the person to stand there and give the other person face and let him or her have their say. Then, after remaining quiet, the other person steps in and lets the other party have it!\n\nThe Chinese language abounds with expressions, many commonly used, which make you smile on the outside and laugh within. There are amusing adages such as:\n\n(a) Melon fields, under the pear tree.\n\n(Cantonese know, when this is said it means: don't bend down in a melon field or adjust your hat under a pear tree, or people may think you are stealing melons or pears. Thus, it implies, do not arouse suspicion.)\n\n(b) When a pretty woman marries an ugly man it is like sticking fresh flowers behind the ears of a donkey.\n\n(c) Local ginger is not hot.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214239, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 97, "title": "RAS-1998", "content_text": "60\n\nconcrete images of Thai Buddhas, the [Chinese] Jade Emperor and Siva with the tiger. Temple staff of the three religions attend to their own altars and help devotees as and when required.\n\nThe most widespread Buddhist images seen throughout China which are obviously not Chinese deities are the four major guardians in the entrance hall to Buddhist establishments, the Defenders of the Faith. These and other similar minor guardian deities are former gods of Indian folklore and include the giant guardian deities known in Chinese as Wu-shih, such as those whose images stand outside the main hall of the Jinci in Taiyuan. A further two are the traditional guardians of Buddhist temple gates dating from at least the 8th century. The one [facing the gate] on the right hand is opened-mouthed and coloured vermilion, whilst the guardian on the left has a closed-mouth and is the colour of charcoal. Both are made of stucco. In China they are known as the two generals Heng and Ha, the Blower and the Snorter. In legend they fought with secret weapons; one blew a deadly yellow gas from his mouth with a ha! and the second snorted a white beam of light from each nostril with a heng! which vaporised his enemies. They can also be seen guarding the entrances to Japanese Buddhist temples where they are known as Kongo Rikishi. All of these guardians are undeniably foreign in form in comparison with the gilded images of the standard Buddhas which are now not even considered by Chinese devotees to be anything but Chinese.\n\nWe know who the Deva are, when they were placed in their present temples, both in Taiwan and the Western Hills, but not why. From our various sources it would seem that these Sinicised Indian deities are celestial protectors. We can guess that the concept was imported at a comparatively late stage but who, individually, sponsored them and had the images made is now lost in time. It is interesting to note that present day monks in the Western Hills have little idea of their origins and were apparently completely disinterested in the subject.\n\nIn the cave-tunnel in the comparatively modern temple in Taiwan, however, the images were, to the religious specialists there, simply Buddhas of Yore, the principal ones who preceded Sakyamuni.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214306, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 164, "title": "RAS-1998", "content_text": "128\n\ngland to write the rest of his magnum opus, the five-volume work The Naturalist in Manchuria, and, as we shall see, kept in touch with the nursing sister who had looked after his brother in the military hospital in France.\n\nIn 1921 he returned to China by way of the United States and visited the National Museum in Washington where so many of the specimens he had collected were exhibited. Once back in China he could not wait to get on with his next expedition, to southeast China. From Peking he travelled first to Shanghai and then on to Foochow in the spring of 1922 where he met Harry Caldwell, the American missionary famous for his book on the 'blue tiger of Fukien province' but, as luck would have it, the blue tiger eluded him. From Fukien, Sowerby decided to move on to southwest China, to Yunnan province in particular, a place he had long wished and planned to visit. It was not to be as Clark telegraphed an order that he should not risk his life as the bandit situation in Yunnan was extremely bad. And as Clark was funding Sowerby, he obeyed and to his everlasting regret never made it to the southwest. China was unstable for several decades following the Revolution of 1911, during which time banditry was endemic. A generic term for some of the bandits was Red Beards, hung hu-tzu, and Sowerby's own red beard, which he had during his expeditions, was quite an asset and rarely was he trifled with.\n\nBy the early part of the 1920s, Arthur found that his chronic arthritis was preventing him from making any more major expeditions and, therefore, when he met and married Clarice Moise in 1922, during her stay in Shanghai on her world tour, they settled in Shanghai where they decided to found the China Journal.\n\nWhat Sowerby later described as the most tense moment in his life happened immediately after the 30 May incident in 1925 when the Shanghai police had to resort to the use of firearms to prevent the over-running of a police station and to quell a student riot during which some students were killed. This led to a major strike against all foreigners and the city came to a standstill. The expatriate Volunteer Corps was called out and organised into specialist units. Sowerby was placed in charge of the 'Sniper' unit with the sole role of covering the Chinese policemen to ensure that they carried out orders. The 'Sniper' unit had orders to pick off any policeman who failed to obey orders and, though", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214353, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 211, "title": "RAS-1998", "content_text": "176\n\nimage with one of the other titles is the same god.\n\nThe Fengshen Yanyi records numerous departments of the Celestial World including, for example, the Department of Thunder. It has a chief, General Wen, and twenty-four subordinates, amongst whom are the spirits of wind, rain and lightning; these are often referred to as the Five Spirits of Thunder, Lei Shen. Another is the Department of Fire Spirits. Its departmental head, Luo Xuan of Fire Dragon Island, called himself Yan Zhong Xian, the Immortal of the Flames, and was a fierce-looking iron-toothed, red individual. His immediate subordinate was Liu Huan, a yellow-faced demonic being who, during the Shang-Zhou struggle, brought along the materials with which they nearly destroyed the capital of Xi Ji, before being themselves routed. Luo Xuan was awarded the title The Chief Spirit Ruler of the Southern Region Three Atmospheres Fire Virtue Star: Nan Fang San Qi Huode Xingjun Zhengshen. Among his subordinates are a pig, monkey, tiger and snake spirits, all representing the different kinds of fires. The tiger is the 'tail fire' which is very hot; the pig is a 'house fire' which bursts out unexpectedly; the monkey is the 'nose fire' which comes suddenly through openings; whilst the snake is the 'winged fire' which leaps from one place to another. Liu Huan causes fires to spread.\n\nThe story begins with the last ruler of the Shang making an offering at the temple of the goddess Nü Wa. Having written a poem on the wall of the temple, a graffiti that offends her, she sends three monsters to bewitch him.\n\nThe following résumé of the last two chapters of the book brings into focus the tenor and style of the story. Jiang Ziya, about whom tales are told of his ineffectual efforts to become a trader and thus satisfy his wife's demands that he should do something useful, was eventually introduced to the Court and King Zhou Xin, who gave him a high position. Jiang antagonised Dan Ji, Zhou Xin's concubine, by getting rid of one of her vampire friends who had disguised herself as a human to share with the evil queen the flesh and blood of the victims she had slaughtered. Jiang was being taken away to be executed outside the palace but managed to slip through a hole in a bridge and disappeared. The guards sought him everywhere and finally assumed that he had been drowned. He had however been able to conceal himself.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214367, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 225, "title": "RAS-1998", "content_text": "191\n\nindustry. It was common, so it claimed, for construction teams to hold Taoist rituals, including the sacrifice of oxen before work began.*\n\nOn the other side of the coin, according to the Bureau of Religious Affairs, about 200 Taoist temples have been re-opened to the public in China since the 1980s and seven Taoist provincial associations have been established. One of these temples is the former Taoist Cheng-i sect centre, the Heavenly Master Sect temple [T'ien-shih Miao] on Dragon and Tiger Mountain, Lung-hu Shan, in Kiangsi province. It was burned down in 1945 and work on rebuilding it did not begin until 1983. This consisted of the renovation of the main hall and the re-sculpturing of the images of the San Ch'ing, the Three Pure Ones, and fourteen other clay statues. Other sites nearby have also been renovated, including the Shang Ch'ing Palace, where the Immortals lived, and the Lien-tan Ch'ih, the Furnace [where pills of immortality were made]. It is interesting to read that both local and central authorities donated more than half a million yuan towards the project.\n\nAbout the same time as the iconoclastic campaign began, a ban was also imposed in Tsingtao, the port in southern Shantung, on the manufacture, sale and burning of funeral objects in a bid to curb a resurgence in superstition.\n\n...\n\nDespite all of these reports of the destruction of illegal temples and the crackdown on superstition, my daughter and I during the years 1995-1997 have visited a number of temples both urban and rural in remote areas of China as well as in cities and towns which, without doubt, fall under the category of superstitious religious establishments. We have not only been guided to several such temples by policemen but also in one instance we found the local party cadre actually lived with his mother inside a small popular religion temple. The only instance where a member of a temple staff had reason to explain that an activity was banned because it was superstition happened in the suburbs of Shanghai. When we asked why there were no oracular blocks on the altar with which to obtain the deity's answers to questions posed by devotees, we were told by the temple guardian that this particular practice was superstition and not permitted, whereas other routine rituals seen in temples in Hong Kong and Taiwan were. A Chinese scholar recently explained that in his view illegal temples are the structures built without permission because local State authorities have not had the quid pro quo erection of a village school, crèche or health centre paid for by the villagers with the same sum funded for the project as\n\nPage 225\n\nPage 226", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214467, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 325, "title": "RAS-1998", "content_text": "293\n\nSIR RALPH MOOR AND THE \"BENIN CANNON OF THE BRITISH MUSEUM AND THE ROYAL ARMOURIES\n\nRonald Bishop Smith\n\n(D\n\nIf might be of interest to the members of the society and to readers of the Journal to know from unpublished sources how four old cannon recovered in Benin City (in modern Nigeria) at the time of the British expedition of 1897 arrived at their present locations, that is a Portuguese swivel-gun of about 1540 in the British Museum and three rather archaic looking pieces of various precedences found in the Royal Armouries.(2) One of the Royal Armouries' cannon, curiously to note, has writing in Chinese on it. These four cannon are the only \"Benin\" cannon presently known to exist in England. Another is found in the Museum für Völkerkunde in Berlin and more may exist.\n\nIn the central Archives of the British Museum there is a document in the \"Book of Presents\" for 1899 which throws much light on the four \"Benin\" cannon in England. It is dated 30 May 1899.\n\nMr Read has the honour to report that he has received from Sir Ralph Moor H.M. Commissioner and Consul General for the Niger Coast Protectorate, through Major Gallwey D.S.O., a consignment of Benin antiquities consisting of three cannon, two of iron and one of bronze; and, in addition, a second bronze gun and a bronze plaque also from Sir Ralph Moor, through the Crown Agents for the Colonies.\n\nMr Read was somewhat doubtful whether all of the three objects in the first consignment were appropriate to the Museum, and whether they would not be more fittingly placed in the armoury of the Tower of London. He therefore consulted Lord Dillon, who confirmed his opinion that the bronze guns were not made in Europe, and are probably, therefore, of Benin manufacture; while of the two iron guns, one is doubtless of European make, and the other a copy made in Africa.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214468, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 326, "title": "RAS-1998", "content_text": "294\n\nMr Read is therefore of opinion that as the two bronze guns are practically identical, and as the iron ones are of more interest as ordnance than from the ethnographical point of view, the three objects forming the first consignment might be more appropriately deposited at the Tower.\n\nHe has consulted Major Gallwey who agrees to this disposal of the guns, but he (Mr Read) would propose to write to Sir Ralph Moor to explain what has been done.\n\nFrom the above we see that the four cannon were offered by Sir Ralph Moor, at that time Commissioner and Consul-General of the Niger Coast Protectorate, to the British Museum in 1899, and that Charles H. Read (then Keeper of the Department of British and Mediaeval Antiquities and Ethnography) in consultation with Lord Dillion (then Keeper of the Armouries of the Tower of London) proposed to keep one of the cannon for the ethnographical collection of the British Museum, and to pass the other three cannons to the Tower of London.\n\nIn the Central Archives of the British Museum, in the \"Report of Donations\" (of the cited department) there is a register of Charles H. Read dated 9 June 1899 stating that Sir Ralph Moor, K.C.M.G., H.M. Commissioner for the Niger Coast Protectorate, donated to the Museum a bronze gun and a modern bronze plaque. It reads as follows.\n\nA bronze gun with the arms of Portugal probably made in Benin, and a bronze plaque, a specimen of modern Benin casting.\n\n(The accession numbers of the two objects, by which they are identified today, are respectively 1899, 6-10, 1 and 1899, 6-10, 2.)\n\nThe two documents from which I quote above have been located for me by Christopher Date, Assistant Museum Archivist, at the Central Archives of the British Museum. To Mr Date I heartily extend my thanks.\n\nAt my request Mr Date has also located for me what I believe is the only published reference to the British Museum cannon before 1995.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214469, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 327, "title": "RAS-1998", "content_text": "295\n\nIf is found in the Annual Report containing an account or statement of objects added to the British Museum in 1899, and other Particulars \"Ordered, by The House of Commons, to be Printed, 5 March 1900\", at p.77. This publication is of very scarce circulation. The entry reads as follows.\n\nBronze cannon with the arms of Portugal and modern cast bronze plaque from Benin city; given by Sir Ralph Moor, K.C.M.G., H.M. Commissioner and Consul-General, Niger Coast Protectorate.\n\nChristopher Date, through help of colleagues in the Department of Medieval and Later Antiquities, has also kindly supplied to me a number of photocopies of letters, to and from Sir Ralph Moor, on various matters, found in the departmental archives. To Mr Date and his colleagues again I extend my thanks. One of these letters is a copy sent to Sir Ralph by Charles H. Read on the cannon. I quote the part referring to the cannons, roughly the first half of the letter. It is dated 13 June 1899.\n\nThe two bronze and two iron cannon that you have been good to send have duly arrived, and Major Gallwey has called here about them, though I unfortunately missed him. I do not know whether you saw all the guns before they came: but they really form two pairs, those of bronze being quite the same in size and general character while the iron ones have differences which are of interest as ordnance, but less from my point of view. I consulted my friend Lord Dillon, who is one of our Trustees, and also Keeper of the Tower Armoury, and he thought that the bronze guns and one of the iron ones were made in Benin, while one iron gun was made in Europe and ...ted. (4) The interest of the pieces being thus chiefly from the point of view of ordnance. I asked Major Gallwey if he thought you would mind some of the guns going to the Tower, in place of remaining here, and he authorized me to do this. Thus you will receive from here only an acknowledgment for one gun and the tablet.\n\nBy letter of Sir Ralph Moor to Charles H. Read dated 29 July 1899", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214470, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 328, "title": "RAS-1998", "content_text": "296\n\nOld Calabar. Niger Coast Protectorate. Sir Ralph concurred with Mr Read's division of the cannon. By letter of 8 September 1899 Mr Read informed Sir Ralph that three of the cannon had gone to the Tower. The Department of Medieval and Later Antiquities possesses an acknowledgement from the ordnance office of the Tower of London to the Director and Principal Librarian of the British Museum, dated 17 July 1899, that three guns from Benin City had been received.\n\nNOTES\n\n(1) Upon which cf. Robert D. Smith's \"A 16th century Portuguese bronze breech-loading swivel gun,\" Militaria. Revista de Cultura Militar N.o 7, Madrid, 1995, pp.197-205 and my \"A 16th century Portuguese swivel gun in the British Museum,\" Lisbon, 1995, where I identified what the writing on this piece means.\n\n(2) Upon these cf. Howard L. Blackmore, The Armouries of the Tower of London. I. Ordnance, London, 1976, pp. 154, 170 and 171 (entries Nos 204, 238 and 239)\n\n(3) cf. page 154; No.204 of Howard L. Blackmore's catalogue (XIX.114 in the Royal Armouries). Mr. Blackmore states that it is an iron gun 3 feet 3 inches long. He portrays it in the catalogue and believes it was made in China in the 18th or early 19th century. He notes: \"An inscription in Chinese characters engraved by the trunnions refers to the weight of the gun and probably gives the names of the officials who supervised its manufacture; it is, however, too worn for accurate translation.” Often judgements of what can be read in old inscriptions are too hastily made. I do not know if that would be the case here. How this piece arrived in Benin City, and when, is presently anybody's guess.\n\n(4) A verb in the past tense, some four letters of which I cannot read, appears to be written here.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214642, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 57, "title": "RAS-1999", "content_text": "21\n\nDespite the busy nature of these paths over the mountains to Sha Tin, they could be dangerous. Sha Tin village elders remember that tigers were to be found in the woods below Lion Rock in the late nineteenth century during every breeding season. The path to Tai Wai was less heavily used than that over Sha Tin Pass, and tigers sometimes closed it. The Tai Wai and Tin Sam villagers, when there were tigers on the mountain, would gather at dawn at the Che Kung Temple, where they would worship the deity and seek his protection (the wild places on the Sha Tin side of the mountain were under his protection, as those on the Kowloon side were under the protection of the Nga Tsin Wai Tin Hau), and then go over the mountain to their market at Kowloon City in a group, with men armed with spears at front and back, and with others blowing conch shells and banging gongs to frighten the tigers off (these conch shells and gongs were kept in the temple for the purpose).\n\nOne young lady of Tai Wai in Sha Tin, about 1906, crossing the mountains to market on her own, was suddenly menaced by a tiger that came out of the undergrowth near the path. She scrambled onto the roof of a bamboo rain-shelter which stood there, but the tiger leapt after her. His weight caused the shelter to collapse, and girl, tiger, and hut all fell to the ground together. The weight of the tiger caused the bamboos to shatter, and many stuck the tiger like so many small spears. The tiger was so enraged at this that he started to attack the ruins of the hut, roaring and flinging himself at the sticks of bamboo, thus allowing the girl to crawl off, unharmed, and so to run home down the mountain, with a story she was still telling in the year of her death more than 60 years later: this story was told me by the son of the lady concerned.\n\nThe slopes of Lion Rock were, as noted above, under the protection and control of Che Kung on the Sha Tin side, but under the protection of the Nga Tsin Wai Tin Hau on the other. Many cautious travellers would come into the village to worship before setting out over the slopes of the mountain. Again, this brought business and prosperity to the village.\n\nNga Tsin Wai and the League of Seven\n\nNga Tsin Wai is the head village of an inter-village union called the Kowloon Tsat Yeuk (七約), or Tsat Po (七堡), the \"Kowloon", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214705, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 120, "title": "RAS-1999", "content_text": "84\n\nNevertheless tun fu may be seen as an extension of feng shui, although the latter is riteless whereas the rites of tun fu are complicated as can be seen from this paper. Feng shui is sometimes inadequately called 'Chinese geomancy', and the home, the workplace and the grave are designed so that they 'reconcile' with environmental currents and cosmic principles. And when the Author has told Chinese friends that there are aspects of feng shui that he believes in they have frequently retorted that you cannot be selective and just pick what you like as in a supermarket. You either believe in it in its entirety or not at all. But with much of the doctrine being considered by some Westerners as little more than superstition, total acceptance is not always easy for the average Caucasian. One person's superstition can indeed sometimes be another person's religion.\n\nThe Pat Heung ceremony\n\nThis paper concentrates on the large tun fu ceremony that was held in the district known as Pat Heung, which is situated at the eastern end of the Kam Tin--Pat Heung Valley.3 This lies nearly in the middle of the New Territories and is enclosed by steep hills on its northern, southern and eastern sides (Hong Kong Government; 1960, 170). To give an idea how rural it was until comparatively recently, in 1965 it was reported that a tiger had been sighted in the Pat Heung district (South China Morning Post, 1965). The police conducted a search but failed to find it. Approximately 90 per cent of the population in Pat Heung are of Hakka stock and the remainder are Punti, although today, only the elderly speak Hakka. The people have mixed surnames unlike many old, single family-name villages in the New Territories although nowadays, with greater social mobility, people with other surnames have not infrequently moved into them in varying numbers. Freedman writes that possibly tun fu rites were originally Hakka but they were adopted by the Cantonese (1979, 207). I have not seen any evidence to support this view nor does he appear to provide any sources supporting this statement.\n\nThe reason this large tun fu ceremony was held in the Pat Heung district, in 1999, was because a tunnel (at the time of writing) is being cut through the mountain for a new railway line. This necessitated moving family graves. It is understood the Government paid Pat Heung District village committees HK$600,000 to meet expenses for the holding\n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214792, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 207, "title": "RAS-1999", "content_text": "172\n\nSaub us uj, listen carefully to what the Master has to say, the Master carries a crossbow on his back and a cock under his arm to accompany you, and now leads you into a deep dark forest, with great crickets wailing, take no notice of them, have no fear, for this is the sound of your own daughters and sons weeping and lamenting, you make your own way and go ahead, go ahead and play\n\nSaub us uj, listen carefully to what I am telling you now, the Master has led you past the leaping mountain crags of Dragon and Tiger, I now take you to your very own country to find the hillside of your grave, that is your country and there is your land, putting aside the breath of life, go off and play\n\nThe Master who leads you to find your country and your land, will lead you to return home again along the flowery path of revival, in the central hall, you will hear the sound of the reed pipes like great crickets wailing, and the sound of the drum like the mighty thunder roaring, but have not fear, these are the ways and the paths of your ancient Mother and Father...\n\nIn tales and legends of the past, the Hmong who have traditionally been shifting cultivators, speak of a vanished kingdom from which they were ousted by the all-powerful, dominant Han Chinese (Tapp 1989). Their dislocation as shifting cultivators and denizens of South East Asia is thus constantly referred to a 'lost point of origin' which is at the same time, most definitely, a physically located place, assumed by many Hmong to be located somewhere in their ancestral homelands in the mountains of southern China.\n\nDuring the many deaths, losses and separations of the political conflicts the Hmong were involved in during the Indo-China Wars from 1954 to 1975, these legendary and nostalgic recollections of the past took on an added personal poignancy, as parents were separated from children, husbands from wives and brothers from sisters, during the fighting and then through the refugee diaspora which followed 1975. This is truly what Robin Cohen (1997) calls a ‘victim diaspora', showing clearly the intrinsic relation between the formation of modern nation-states and the existence of displaced populations (Vertovec and Cohen 1999; Agamben 1998).", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214887, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 302, "title": "RAS-1999", "content_text": "ONE OF HONG KONG'S MANY HILLSIDE TEMPLES:\n\n\"THE TEMPLE OVERLOOKING THE SEA'\n\nDAN WATERS\n\n275\n\nThere are a number of hillside temples, both on Hong Kong Island and in Kowloon. But very little appears to have been written about them or about the communities that worship in them and frequent their environs.\n\nThis short paper looks at a small, ramshackle temple complex, including 'The Temple Overlooking the Sea', which used to cling to the hillside. Painted somewhat garishly bright red, green and yellow, it stood downhill, on the western side of where the remains of the old British Pinewood Battery are still situated. The latter, at 307 metres above sea level, was the highest of all Hong Kong's coastal defence batteries. To get to the temple you went up the winding, partly asphalted and partly concreted, Hatton Road, which starts at the western end of Conduit Road, where it joins Po Shan and Kotewall Roads. Hatton Road is steep and leads up to the Gap between Victoria Peak and the still, relatively unspoiled, High West.\n\nAbout half way up Hatton Road, on the way to the Peak, there is a branch off to the right, and, a further 35 metres or so along with a pavilion atop Dragon and Tiger Hill on your right, you turn left on to a concrete-paved jeep track. Proceeding downhill for approximately 300 metres you can still see the hillside scars and sorry remains of the old Temple complex. They are situated along what is sometimes called Cheung Po-tsai's Path, named after Hong Kong's most notorious pirate who was especially active in the first decade of the 19th century. Whether he actually used the path is debatable. It circles the western end of Hong Kong Island above Mid-Levels.\n\nNotices were posted up in the summer of 1999, in the area around the 'Temple Overlooking the Sea', saying that the complex was to be demolished. It was an illegal structure. The old Chinese folk who were very attached to the Temple were naturally upset and, although there were no strong protests, a few of them did attend meetings organised by government departments. Although the Temple folk sometimes", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215001, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 97, "title": "RAS-2000", "content_text": "53\n\nOf those from the Chinese Customs Service in Shanghai who served with the Allied Forces, the names of 23 are on their Roll of Honour and have been buried or commemorated not only in the UK, Belgium and France but also in Greece and Turkey.\n\nDecorations\n\nMany Chinese members of the CLC received the British War Medals but this is a subject into which I have not carried out any research. The Meritorious Service Medal for devotion to duty was awarded to Zhao Wende [30828] and Wang Chenjing [30064], both Labourers of the 57th Company CLC, and to Liu Dianzhen, Class One Ganger of the 108th Company CLC. Also to Wang Yushao [15333] Labourer of the 59th Company CLC [of Da Cheng county in Zhili] for bravery, his citation reading:\n\nNear Marcoing [near Cambrai] on June 6th, 1919, he observed a fire on a dump of ammunition situated close to a Collecting Station. On his own initiative he rushed to the dump with two buckets of water which he threw on the fire and then seized a burning British 'P' Bomb [apparently the cause of the outbreak] and hurled it to a safe distance from the dump. He then continued to extinguish the burning dump which had spread to the surrounding grass in which rifle grenades and German shells were lying. By his initiative, resource and disregard of personal safety this Labourer averted what might have been a serious explosion.\n\nYan Dengfeng [91085], Class One Ganger of the 130th Company CLC was also awarded this decoration for:\n\nOn 23rd May 1919 at Bailleul [near Armentieres] following an explosion, he worked constantly for four hours removing tarpaulins from the stacks of ammunition and drenching them with water.\n\nSgt W J Yaxley [553653] British Army, serving with the 60th Company CLC was also awarded this medal.\n\nThe Chinese Order of Wenhu [The Order of the Striped Tiger]", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215071, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 167, "title": "RAS-2000", "content_text": "124\n\nHong, was a special deity said to save people from the 'fifteen bad deaths.' Images of both Yin Hong and Yin Jiao flanked that of the Jade Emperor on the latter's altar. The brothers were portrayed, rather surprisingly, sitting naked and with claws, beaks and wings. Grootaers writing about the Kalgan district of northern China, said that Yin Jiao was never seen on altars except as an attendant of the Jade Emperor.\n\nIn a small folk religion temple at the roadside in Kuala Selangor an image of Taisui has a tiger sitting beside him and when asked the reason for this the temple custodian explained that Taisui keeps a tight control over the tiger who would otherwise eat people's luck. A similar image, holding a bell in his right hand and with a pair of tigers, stands on the Taisui altar in a temple in Cholon [Saigon].\n\nIn Ningbo in the 1890s the Gods of Time, of the year, months, days and hours were, according to one missionary, all represented with long black moustaches, and with the central one seated beneath a triple scarlet umbrella richly embroidered in gold representing the highest emblem of authority.\n\nSixty images [presumably Taisui, though the observer did not actually spell it out] ranged down the side walls of the Temple of the Three Emperors in the Native City in Shanghai in 1906, with twenty-six on one side and thirty-four on the other. Paper 'shoes' representing silver sycee [money] were burnt as offerings.\n\nOther images of Taisui have been referred to in all parts of China by western travellers in groups of sixty. One traveller, Grainger, noted all sixty in one temple in Chengdu, the capital of Sichuan province in 1921, were worshipped for rain and called 'The Spirits of the Rain Dragon of the Year' [Dangnian Xingyu Longshen].\n\nThe Legend of Taisui\n\n19\n\n18\n\nThe story of Yin Jiao begins with him being born a lump of formless flesh which so horrified his father, King Zhou E, that he ordered it to be abandoned outside the city walls. The lump was recognised as an immortal, the caul split open and the child removed. Cared for by a hermit he was brought up and nursed by one of the Eight Immortals, He Xiangu. When he came of age he was told about his birth and about", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215078, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 174, "title": "RAS-2000", "content_text": "131\n\nconnection with Chinese history when comparing the same with the Western system. There was also a slight derangement of time over the year, by one day only, with the intercalary moon being so arranged as to have only one solar period in it.\n\nAlthough the months were divided into two fifteen-day periods, markers for rituals, these periods had no particular relevance to the lives of the common man. What did have marked relevance for the majority of the population was the artificial division of the month into three ten-day periods, used mainly to mark rest days. However, as the seven-day week of the Judeo-Christians does not follow the natural laws by which events and phenomena operate, it was an alien concept to the majority of Chinese until 1911 when the western Gregorian calendar was introduced by the Republic.\n\nThe day was divided into twelve equal hours, each of 120 minutes - though the concept of such minuscule divisions as minutes within an hour used to be beyond the comprehension of the great majority of Chinese. Short periods of time used to be described as the length of time it took for a standard incense stick to burn down.22\n\nThese twelve Chinese hours were referred to using the twelve 'branches' or horary characters. These not only provided names for each of the twelve hours of the complete day but also, in combination with the ten celestial 'stems,' they gave titles for the years.\n\nMonths were referred to by twelve [or thirteen in intercalary years23] ordinary and literary names completely unconnected with the stems and branches.\n\nThe twelve hour day began with 11p.m. to 1 a.m., the hour of the rat and known by the first of the 'twelve branches' Zi; the second hour, 1 a.m. to 3 a.m. was the hour of the ox and known by the second 'branch', Chou. The remainder of the twelve branches' were Yin, the hour of the tiger; Mao, the hour of the hare; Chen, the hour of the dragon; Si, the hour of the snake; Wu, the hour of the horse; Wei, the hour of the sheep; Shen, the hour of the monkey; You, the hour of the cock; Xu, the hour of the dog; and finally, Hai, the hour of the pig.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215079, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 175, "title": "RAS-2000", "content_text": "132\n\nThe cycle of years consists of sixty possible combinations of pairs of characters, a system used since remote antiquity. A second system used reign periods similar to that used in England until fairly recent times. In the sixty-year cycle, the Chinese have used individual characters, the ten stems [tiangan] and the twelve branches (dizhi), paired to provide sixty combinations; thus, the first of the stems, Jia, and the first of the branches, Zi, together form a combination for the first year of the sixty, Jia Zi, and each successive year has another pair designating it for the whole sexagenary cycle when the combination begins again.24 The 'branches' were originally used to designate successive days; however, since the Han, they have been used in combinations for successive years.\n\nAlso within that sixty-year repetitive cycle, each individual year, with the five sequences of twelve years, was known, not only by the combination of stem and branch but also, for simplicity, by the animal of the year. Thus, the year 2000 is the Gengchen year as well as being the year of the Dragon. 1988 was and 2012 will also be the year of the Dragon, but neither will be Gengchen years, as this only comes round once every sixty years. For example, the year 2000 was Gengchen, as was sixty years earlier in 1940 and will be again in 2060.\n\nThe Chinese years are also referred to cyclically by one of the twelve named animals. Thus, we have the years of the Rat, Ox, Tiger, Hare, etc., the change taking effect from the Lunar New Year, which can fall any time between late January and the middle of February on the Gregorian calendar.\n\nAlthough the months were divided into two fifteen-day periods, markers for rituals, these periods had no particular relevance to the lives of the common man. What did have marked relevance for the majority of the population was the artificial division of the month into three ten-day periods, used mainly to mark rest days. However, as the seven-day week of the Judeo-Christians does not follow the natural laws by which events and phenomena operate, so it was an alien concept to the majority of Chinese until 1911, when the western Gregorian calendar was introduced by the Republic.\n\nChinese used sun dials and water clocks from an early date, the latter dependent upon a constant and steady flow through control", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215081, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 177, "title": "RAS-2000", "content_text": "134\n\nQuadrants of the 28 Heavenly Constellations, the image of Chen Wu [Xuan Wu], as Lord of the North, was usually to be seen on altars, usually in Daoist monastery or temple entrance halls, together with the Azure Dragon [Qing Long] of the East, the Vermilion Bird [Zhu Qiao] of the South and the White Tiger [Bai Hu] of the West, where they were the guardians.\n\nAlthough Tai Sui is the Minister of Time, another major deity, Fu Xi, has been credited not only with the establishment of kingly rule, of marriage laws, but also the computation of time by inventing a form of calendar using a knotted cord. The Eight Trigrams [bagua] are attributed to him as well as the development of a system of fortune telling using these trigrams which has governed the lives of a great many Chinese ever since.\n\nYang Ren\n\nThere is ambiguity over the rôles of the two deities, Yin Jiao and Yang Ren. In the very early days, before the emergence of the concept of the stems, the twelve branches were represented by images of the deities of the year with all twelve portrayed on altars in temples, especially in northern China where they were regarded as an entity commanded by Yang Ren. Later, when the Sixty Spirits of Taisui, that is the sixty cyclic deities, replaced the Twelve, they too were commanded by Yang Ren - or by Yin Jiao depending on local legend. According to the Fengshen Yanyi Yang Ren is the Jiazi Taisui [the first of the sixty combinations] and is known as Jiazi Taisui Zhengshen.\n\nXIE. [see photograph 4: with small hands emerging from the eye sockets] whilst Yin Jiao, as we have seen above, was identified in the same historical novel as the President of the Ministry of Time. Though we have accepted Yin Jiao as the President of the Ministry and Yang Ren being the identity of the primary Taisui, the picture is far from conclusive.\n\nThe Ten Stems and Twelve Branches have been represented in human form in a number of temples but, as far as can be ascertained, none has been connected with the Lord of Time, Taisui. One of two side walls of the main hall of a temple near Pingyang in Shanxi province representing the Lord of the Northern Dipper, Zhen Wu, contains 13th century frescoes depicting ten figures. These represent five of the Ten", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215250, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 27, "title": "RAS-2001", "content_text": "this project will now be completed by the summer. Please keep an eye on the Newsletter for details.\n\nDuring the year, apart from the Journal, the only other publication with which the Society was associated was the publication of a Polish translation of Han Su-yin's The Crippled Tree. The translator of this novel asked for the Society's assistance. The Society accordingly acted as publisher for the work, and co-ordinated dealings with the printer. No cash assistance was required. A copy of the translation will be available for members in the Society's Library.\n\nThe Volunteers\n\nThe Society has a group of Volunteers who do voluntary work for the Antiquities and Monuments Office, both by visiting historic buildings with a view to grading them, and by assisting with archaeological excavations undertaken by the Office in Hong Kong. The group provides tremendous support for the Office, while, at the same time, providing those members who give up their time to the job with the perfect opportunity of getting to know Hong Kong's antiquities on an intimate level. I must express the Society's thanks to the Volunteers, and especially to Mr. Bob Horsnell and Mr. Bill Greaves, who run the group so noticeably well.\n\nDuring this last year the group has visited a number of historical buildings and sites, and in particular has been researching the Tiger Balm Gardens, and some of the remaining structures connected with the old RAF Station at Kai Tak, a few of which still remain from before the War. Buildings under consideration for grading in old Wanchai have also been researched. On the archaeological side, the group assisted Dr Solomon Bard in his important excavations in the garden at Tai Fu Tai, San Tin, where a number of interesting finds were made, including a very large garden pavilion, a well-laid pathway, and a large pool with a small pavilion built over it on a granite platform.\n\nThe Volunteers remain very much a group in being, and have a programme of work stretching over the next few months. Members interested in joining the group should contact Bob Horsnell: anyone willing to give up a weekend-day on a regular basis would be considered!\n\nxxiv", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215323, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 100, "title": "RAS-2001", "content_text": "48\n\nbetween Han ethnic groups but also both inter-ethnic fratricide and distrust, prevented legends of one ethnic group about their deities being passed to another. The stories of the minority Hainanese are therefore known to few non-Hainanese Chinese.\n\nFolk Religion Deities on Altars in Hainanese Community Temples\n\nDeities worshipped by Hainanese, both in their temples and on their household altars, can be categorised into eight groups:\n\nThe first are the deities revered China-wide such as Guan Yin, Guan Gong, the City God, the Earth God, the Gods and Goddesses of Climate and Time and the patrons of trades and professions. As these are not uniquely Hainanese deities I will not refer to them again.\n\nThere are two exceptions: the first is a deity identified as either the popular and frequently noted deity, the Thunder God, Lei Gong, or Lei Zu, the President of the Ministry of Thunder. He has been noted on two Singaporean Hainanese temple altars where he was only known as the Chief Leader of All the Heavens, Wantian Zhushi, His title was displayed on the temple list in two other Hainanese temples, one in Pontian in southern Malaysia, and the other near Kranji in northern Singapore. His image depicted him with his usual attributes a bird's beak, an axe or hammer held aloft and a chisel in his left hand. In one of the two temples, in Paya Lebar Crescent, he was riding either a tiger or a Qilin a mythical beast, and according to the temple custodian he is the only deity permitted to do so. He was identified by temple keepers as Lei Gong and his image co-located with that of Doutian Fushuai, said to be Lei Zu. However, in the other temple, at Rumba Bomba Circus, he was also portrayed astride what looks like an unusual tiger and here he was identified as Lei Zu.\n\nThe second is Ma Zu Qiong, the Respected Mother of the Hainanese3. Although Tian Hou, the patron goddess of seafarers along the entire coast of China, is revered throughout Hainanese communities, she is also known in a number of Hainanese temples by this unique title. The usual title by which Tian Hou is known in most Hainanese temples is Nantian Shengniang Tian Hou, The Saintly Lady of the Southern Heavens, 南天聖娘天后.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215343, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 120, "title": "RAS-2001", "content_text": "68\n\nLaoshi Gong has a unique image. He is portrayed as a general sitting on a folding camp stool, in the process of drawing his sword from its scabbard with his right hand. The sword is partially withdrawn from its scabbard which is hanging on his left side and clasped by the left hand. His helmet has a large pointed spike on top [like the German pickelhaube], and he has four flags protruding from the rack in which they are secured across his back, above his shoulders indicating his rank. The camp stool is an interesting feature. It is a typical folding stool, with a full tiger skin carefully arranged, draped over the back of the stool, the whole image and stool with skin being carved from one block.\n\nLin Fu Taishi Gong, is usually simply referred to as Taishi Gong or Taishi Ye. He is a minor deity in two temples, one in the Hainanese temple, off Balestier Road in Singapore where he was referred to as Lin Fu Xiangye, Prime Minister Lin, with his annual festival celebrated on the double eighth. The other is a Hokkien temple in Ampang, Kuala Lumpur, where he is a minor deity having been placed there by members of the small Hainanese community. He is also known in Ampang as Marshal Lin, Lin Fu Yuanshuai or Lin Fu Dashi, and, during the annual festival of the major Hokkien deity Nine Emperors, is represented by his incense urn when carried in procession with three other deities. They are all accompanied by spirit mediums who are possessed by these deities, including Lin Fu Dashi. In both of these temples he is renowned for his ability to cure [internal] diseases and, especially in Ampang, he is also prayed to for wealth and good business. Temple custodians identified the deity as one of their clan ancestors, Lin Xiyuan who, according to biographies, was born in Fujian during the Ming, and died in about AD 1561. He became an official who argued long and hard against the power of the palace eunuchs, and was renowned for the help he provided to the populace during a major famine. Amongst his many achievements were his successes in the field of education in Guangdong province, and the use of a military force to destroy a band of robbers. He is also claimed to have pacified a number of outlaws. During the troubles in Annam he organised a pacification force, built up an intelligence network only to find that he was not required to act, either by the emperor or by the situation. He was dismissed, accused of usurping his authority and returned to his home where he wrote poetry and Confucian dissertations. He studied for many years and wrote source books for\n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215349, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 126, "title": "RAS-2001", "content_text": "74\n\nperhaps taken over within their own ethnic temple.\n\nThe Iron-ox General is a black-skinned demonic figure dressed in pantaloons and anklets, standing, with a tiger skin draped around his waist, and with a bolero covering his shoulders. He has a narrow plain coronet, and is holding a heavy chain in his left hand and an axe raised above his head in his right.\n\nThe Iron-ox and Bronze-ox were both live oxen transformed by Lishan Shengmu into human, albeit demonic form, to be her guardians and to protect the gateway to her mountain. They have powers in their own right which include, it is claimed, the prevention of natural disasters, and in particular flooding.27\n\nb] In Fujian province prior to 1949 it was not uncommon to see the Eight Youths, young boys running round the procession when the palanquin containing the image of the deity was being borne around his parish. The boys were regarded in most places as the incarnate soldiery of the spirit armies of the deities. In others they were underworld generals whose exorcising dance was performed to rid the vicinity of demons. In Taiwan groups of young men regularly meet in certain temples and practice exorcist drills which they then perform for the public during annual ceremonies. Their other function is to act as bodyguards to the major deity in their temple when he is taken out in his carrying chair to process around the town. These youths are known in Taiwan as the Eight Underworld Generals A#. They are skilled in martial arts, have their faces painted in specific patterns using a number of bright colours, somewhat similar to the actors in Peking opera but generally regarded as demonic faces, and are dressed in a uniform of jacket and trousers and in a few temples, according to one temple keeper, they wear red bands, similar to those worn by the Boxers of the 1900 Rebellion, identifying which unit they belong to. The markings and forms of these youths tend to be identical with the Ba Jia Jiang, the statues lining the walls of Underworld temples in Taiwan. Such statues have also been noted in several Hainanese temples in South-east Asia where the group of Eight is known as Ba Ban Gong A, The \"Eight Bosses\". Whereas the total, Eight, would appear to be somewhat immaterial to most devotees and temple keepers, in Singapore the Eight represented the large number of gaolers in each of eight of the Ten Courts of the Underworld responsible for purging\n\n28", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215387, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 164, "title": "RAS-2001", "content_text": "TERAKR Bar: A XXS NAVAR\n\n2001 * 12 9 14ÜIADAVKUGAN\n\nCharles Pinker RL.\n\nDavid Blur (Anne) A A\n\nAlexandra Blair' AL\n\nAndrew Blau\n\n113\n\nThe descendants of Sir Frederick Lugard, the Pinker and Blair families, have generously agreed to present The Tribute on permanent loan to the University of Hong Kong. Members of the family attending the presentation ceremony on Friday December 14, 2001, and representing Major Richard Pinker, include (with their relationship to Sir Frederick Lugard):\n\nMr Charles Pinker (great great nephew)\n\nMrs David Blair (Anne) (great great niece)\n\nMiss Alexandra Blair' (great great great niece)\n\nMr Andrew Blair (great great great nephew)\n\n盧押在香港\n\nLugard in Hong Kong\n\n1858 年 1 月 22 日\n\n(Fort St George, Madras)\n\n教士,他出任香港總督一職前,擔任英國\n\nRoyal Niger Company 工作的經歷,使他在 1900 年至 1906 年間出任尼日利亞高級專員。\n\n## 1902 年 Flora Shaw 與 Lugard 結婚\n\n...\n\n旅行家、作家,曾擔任倫敦《泰晤士報》殖民地編輯。\n\n由於 Flora 的健康問題,盧押辭去尼日利亞高級專員的工作,離開當地,並於 1907 年後接受任命為香港總督。\n\n盧押在香港的工作及功績並不屬於本文介紹的範圍。但值得一提的是九廣鐵路通車和香港大學的成立,是他任內發生的重要事件。\n\nFrederick John Dealtry Lugard, Baron Lugard of Abinger, was born of missionary parents on January 22, 1858 at Fort St George, Madras, India.\n\nBy the time he arrived as Governor of Hong Kong, his work and exploits in Africa on behalf of the British Army, the British East Africa Company, the Royal Niger Company and the Colonial Office were legendary. He was High Commissioner of Nigeria from 1900 to 1906. In 1902, he married Flora Shaw, herself a great traveller and writer and Colonial Editor of The Times of London until the end of the 19th century.\n\nBecause of Flora's health and her inability to be with him in his colonial posting, Lugard resigned his post and left Nigeria. However, he accepted the Governorship of Hong Kong in 1907.\n\nLugard as perceived by the cartoonist \"Spy\" in Vanity Fair's \"Men of the Day\" series, December 19, 1895\n\nThe events which followed and Lugard's role and achievements in the life of the Colony are mostly beyond the scope of this introduction to The Tribute. They would, however, include the opening of the Kowloon-Canton Railway and the foundation of The University of Hong Kong.\n\nMiss Blair, who is the assistant foreign editor of The Times of London, continues a family association with the newspaper begun by Flora Lugard.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215469, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 246, "title": "RAS-2001", "content_text": "in Paro. This is housed in the circular Ta Dzong, a former watchtower built in 1649 by the first governor of the Paro valley to safeguard the main dzong from inroads by Tibetans. The museum is well stocked with a great deal of Buddhist artefacts, including a number of *miraculous footprints*; a whole floor dedicated to postage stamps, for which Bhutan is famous in the world of philately; copper teapots and spittoons, the latter being for the use of betel-chewing monks during religious ceremonies; and costumes and coins. Having been frustrated at the hotel, I still wanted to buy some post cards. I saw some, together with other articles for sale, in a glass cabinet that was being guarded by three members of the museum staff. However, I was told that I could not buy any as nobody had the key to the cabinet. It transpired that this was only to be used by the official responsible for collecting the cash, and she had been taken ill and gone to distant Thimpu for treatment. The poor thing could have derived some comfort from the knowledge that her three minions were guarding her stock-in-trade against all comers - especially those that wanted to buy things.\n\nPerfect posers\n\nFrom the museum there were spectacular views up and down the Paro valley from its floor at 7,000 feet to the surrounding mountains, some of which, snow-capped, reached 17,000 feet. And it was up the valley we went to look at the ruined Drukgyel Dzong. Originally built in 1647 but destroyed by fire in 1951, this was one of the many fortresses designed to counter the frequent Tibetan invasions. Our visit included a wander round the village, where we found for the first of countless times to come how willing the people are to be photographed. It almost seemed as though they automatically adopted perfect poses and groupings, even very small children, because they knew that better photographs would be the result. I regretted later, when my films were developed in Hong Kong, that they could not also advise on apertures and exposures. Maybe this will come.\n\nWith a glance up to the sharp and snowy peak of Jhomolhari, Bhutan's second-highest peak at over 24,000 feet, we set off again down the valley for afternoon tea and bickies at the Eye of the Tiger Lodge. Sipping our refreshments we could gaze over the valley at the famous Taktsang Monastery (the Tiger's Nest), perched 3,000 feet above the road up a cliff face, and be thankful that we did not quite have the time", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215483, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 260, "title": "RAS-2001", "content_text": "209\n\nProgenitory implements\n\nHanging from the eaves of most of the houses were crosses of wood, one axis of which appeared to possess a shape that was strangely familiar. We had seen them in other villages, and one of our members asked Brian what they were. With extreme hesitation, Brian said that they were: 'Er ... um ... er ... progenitory implements.' This was greeted with confused and polite silence, until the true meaning dawned on us. 'Oh, you mean they are willies!' In fact, the Bhutanese have quite a fixation with the male sexual organ. We had seen on a great many village houses and other buildings we had passed along the way large (up to five feet long), bright and life-like paintings of them on the walls. Always pointing towards the rafters, sometimes with two lower appendages, occasionally gift-wrapped with a pretty ribbon, usually pink but at times tiger-striped, now and then captured at the point of gushing forth, these representations were becoming ten-a-penny. Local custom has it that they bring fertility to those within.\n\nIt had been arranged for us to visit the inside of a village house in Ura. We had seen early on that all Bhutanese village houses were really quite large, and we had been told that they were not made so in order to be able to accommodate large extended families. We were surprised therefore when, going through the main door, which sported a sign saying: 'Wel Come New Year 2000,' we found the insides to be quite pokey. Perhaps it was the dark wood with which the houses are built (at least, it had become dark with smoke and other usage), or perhaps it was the small size of the windows, or maybe the fact that there were inside 27 more people than usual. Nevertheless, as is the Bhutanese custom when visitors arrive, arak and snacks were offered to all. An old lady sitting in one corner weaving a carpet took us all in her stride without dropping a stitch.\n\nOutside again it had become the later part of the afternoon, and the sun was imbuing everything and everyone with a warm glow. I know that the Bhutanese are a very friendly and happy lot, and apart from the one exception noted earlier, are very happy to have their photographs taken. But a question did occur to me: does the Bhutanese Tourism Authority train them to stand around in picturesque little groups of three or four? I think they could not have been better posed had they been transported to a professional studio.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216094, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 393, "title": "RAS-2002", "content_text": "327\n\nin China. They did not complain. In any case Government did not answer letters written to newspapers but people did not generally criticise Government. That was why, when a column called \"Tiger Talk\" was written by an English solicitor in 1962 and published in the Sunday Tiger Standard, it attracted considerable attention.\n\nThe district of West Point, where legalised brothels for Chinese had been situated up to the mid-1930s, was still an important entertainment district in the mid-1950s, with restaurants with 100 or more Chinese tables capable of seating in excess of 1,200. Sing song girls, the Chinese version of the Japanese geisha, could still be found there.\n\nMy Chinese wife, born in 1936, lived in Hong Kong during the Japanese occupation. After the War Canadian Sergeant Major John Osborn, who was born in Norfolk, the same county where I was born and raised in England, was posthumously awarded the Victoria Cross. It is the most prestigious British award for gallantry on the field of battle. It was the only such award ever made in the colony.\n\nDuring the Japanese occupation my wife recalls seeing arms and legs lying in the streets first thing in the morning. Breakers of the curfew had been mauled by Japanese police dogs. Women did their best to make themselves look old, ugly and undesirable. People wandered the hillsides and seashores as hunters and gatherers looking for anything to eat. Occasionally, human flesh was on sale in butchers' shops, something sometimes denied today. As my wife's family owned a salt-fish shop they were better off than most. They had food and something to barter. My wife and her two sisters survived the occupation although their father never forgave them and his wife for not having a son to \"buy water\" for him at his funeral (Today a symbolic ceremony based on filial piety and the washing of the corpse by the eldest son.).\n\nWhen I arrived in Hong Kong in the mid-1950s conditions had already improved considerably. Although there was rationing still in Britain, you could buy just about anything in Hong Kong - provided you had the money. I stayed together with other government servants in Winner House, a small hotel at North Point, a district sometimes known as Little Shanghai. A number of Fukienese also lived there.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216229, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 528, "title": "RAS-2002", "content_text": "462-\n\nbut not by the use of electrical schemes\n\nwith cables and pylons which shatter our dreams.\n\nBut put in some plumbing, and finish the floors,\n\nand fix all the wiring and make sure the water's hot!\n\n(We'll all drink to that.)\n\nBrian C. flew in from London, just to join the Bhutan tour.\n\nIf you ask him 'Was it worth the effort?' He will answer ‘Sure.\n\nI have seen the Himalayas, I've enjoyed the clear blue sky.\n\nI have seen the zoars and takins and the yaks in pastures high.\n\nI have swum in icy rivers, I have drunk the Tiger beer.\n\nSo of course I think it's worth it to have come from there to here!'\n\nFor Italian chic in the matter of shoes,\n\ndon't look any further, I know who I'd choose.\n\nGigi and her mother Giovanna must know\n\nhow to find rugged footwear, for they don't walk slow!\n\nNow speaking of shoes, there's a tale I can tell\n\nabout a nice couple I've got to know well.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216322, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 81, "title": "RAS-2003", "content_text": "30 \n\non the China coast, first occupied intermittently in 1517 and then from 1557 continuously under payment of a ground rent until 1849, when the Portuguese threw off Chinese control not long after the Opium War.2 Its picturesque title was \"City of the Name of God in China\". \n\nE \n\nIn the 1830s, the entire Portuguese population, including slaves, was not above 5,000; whilst the Chinese of Macau were calculated to exceed 30,000.3 Macau had a senate, a bishop, thirteen churches, three monasteries and a convent. A visiting Protestant wrote, \"...you are every moment reminded you are in a papal town: the bells ring often every day, processions with crucifixes and lighted candles go and come, and priests with black frocks and cocked hats are seen in the streets'.5 \n\nMacau owed its rise solely to trade. Despite its minute size, it was an important part of the Portuguese seaborne empire. It had thrived on the Japan trade, lost after the Japanese rulers turned against Christianity and the overseas trade, which brought its priests into their country; had beaten off Dutch attempts to capture the place in the 1620s; and due to its pivotal role in Eastern trade with South-east Asia and the West, was able to flourish in succeeding centuries. \n\nWith the growth of world trade in the 17th and 18th centuries, Macau became the place to which, by Chinese decree, all foreign merchant ships trading with China through Canton had to report for clearance, and pay for the pilot and permit needed to enter the Canton River. Vessels could then proceed upstream to the Whampoa anchorage where they had to wait to take on their cargoes. Their departure was authorized by a licence, known picturesquely as the Grand Chop. (Plate 2). It is well-known how the foreign merchants conducting business in Canton could only reside there for half the year, and how they had to return thereafter to join their wives and families in Macau. \n\nMacau to Canton \n\nThe Delta is broad, the shores on each side out of sight save for distant mountains, but two-thirds of the way from Macau, we enter the narrow approaches to the Pearl River at the Bocca Tigris or Bogue (\"Tiger's Door\" or \"Gate\"). The change is almost abrupt, and made the more dramatic by the island in mid-stream which blocks the passage into the River. To left, right and centre there were forts. That on the", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]