[ { "id": 204252, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 20, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n17\n\nEnglish was the most eminent. A new era in Sinology opened with Edouard Chavannes and Paul Pelliot at the turn of the century, by whom the pattern for present day studies was set.\n\nAt this time too (1898) the Ecole Française d'Extrême-Orient was established in Indo-China, and the thorough and many-sided work of the French scholars in South-east Asia commenced, which included the superb achievement, still in progress, of the conservation of Angkor,\n\nSpace does not permit to treat of the studies in Indonesia and Malaya, in Japan and Korea.\n\nBut in closing mention must be made of two special subjects, which affect all countries: Buddhism and Oriental Art.\n\nIt is hard to realize that there was a time when Buddhism was unknown to the West. The study of Buddhism commenced at the beginning of the nineteenth century with a young Hungarian scholar who set out for the East to find the origin of the Magyar race, which he rightly divined was connected with that of the Turks. His travels brought him to the Tibetan-Himalayan borderland, where he settled in the little village of Kanum in the Upper Sutlej valley to study Tibetan Buddhism. It is interesting to note that it was with the Tibetan branch of Buddhism that the study of Buddhism commenced. Later the great studies of the Sanskrit and Pali Canons began, and later still of the Chinese Canon, in which Japanese scholars have played a very great part. At the present time the Tibetan Canon and the mystic forms of Tibetan Buddhism are receiving great attention.\n\nThe study of Chinese, Japanese, Indian, Persian, Tibetan and Cambodian art is now receiving great attention. The last century saw a beginning in all these directions. Through the fundamental books of the pioneers, the magnificent collections in museums, the improvements in modern photography, and the facilities in travel, the finest examples of oriental art are now open to all. Persian miniatures, Moghul architecture, Indian sculpture, Chinese porcelain, Japanese temples, Angkor Wat and Borobudur are now well known.\n\nBut a final word must be said: he who would understand the East must be deeply religious. This does not refer to any particular church or sect of religion, but to the religious spirit diffused through all.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204561, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 42, "title": "RAS-1963", "content_text": "PRINTING IN CHINA\n\n37\n\nin the desert beyond Tun-huang, which Lao Kan subsequently dated around A.D. 98 or a little later. This confirms the date of 105 given for the announcement of the invention to the throne in the biography of Ts'ai Lun in the Hou Han shu. The technical processes included:\n\n(a) the fashioning of seals out of metal, stone, and clay;\n\n(b) the taking of rubbings (or inked squeezes) of inscriptions on bronze and stone.\n\nSeveral bronze seals have been found in Shang sites, and many later ones made of bronze, ivory, horn, stone, pottery, jade, and iron. They were cut both in relief and in intaglio. Known as yin, the seals were generally small; their purpose was a proof of genuineness. (The woodblock, yet to appear, was large and its purpose was reduplication.)\n\nAs to inked rubbings, these make their appearance during the 5th and 6th centuries; by 649 three professionals were appointed to the T'ang court. They were called T'a shu shou. Chinese scholars love to own copies of prized inscriptions; so the making of rubbings became a popular pastime.\n\nBy the year 640, after the T'ang had consolidated the empire, and achieved victories everywhere, except in Korea, China entered upon a period of material prosperity and cultural advance. It is small wonder that in the ensuing century printing should have developed. The demand must have been very great for elementary texts, dictionaries, copies of the canon, histories, Buddhist sutras, almanacs, etc.\n\nOne must mention here the interesting hypothesis of Robert Shafer [Journal of the Oriental Society, v. 80, No. 4 (Oct.-Dec. 1960), pp. 328-329] that the printing block originated in Tibet. This may be true; but was it first used for literature, or for some other purpose, such as textiles? The authors of both the Chiu T'ang shu (196 A/la) and the Hsin T'ang shu (216 A/lb), writing of the early years of the Tang dynasty, state categorically that the Tibetans had no writing. So do the writers of the Tibetan annals, covering the years 650-747, found by Pelliot at Tunhuang. (Cf. the translation of J. Bacot and Ch. Toussaint in Documents de Touen-Houang relatifs à l'histoire du Tibet.)", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 206667, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 215, "title": "RAS-1972", "content_text": "NOTES AND QUERIES \n\n209 \n\nat Castle Douglas. It was a very large building as befitted the size and importance of the Press, and can be seen on the old photographs on view in the entrance corridor at University Hall. \n\nAn account by the Rev. Fr. Leon Trivière states: \n\nThe press used 67,899 matrices, which shows how much work was carried on at this house. Thousands of examples of catechisms, prayer-books, works on dogma and morality, spirituality and meditation, the pastorate, canon law, sermons, catechesis, liturgy were brought out. These books were published in 28 languages: Chinese, Annamite, Latin, French, English, Chamorro, Tibetan, Laotian, Malay, Tho (Cao-Bang), Cambodian, Japanese, Thai (Chau-Laos), Banhnar, Portuguese, Kanaka, Lolo, Tagalog, Yap, German, Italian, Siamese, Kanao, Korean, Dioi, Palau, Spanish and Ainu. Notable among the publications of Nazareth Press was an amazing collection of dictionaries printed in twelve languages. A certain number of them were honoured by the Académie des Inscriptions et Belles-lettres, and sought after by great Universities such as Oxford, Cambridge, London, etc. ...or by famous Libraries specialising in Oriental Languages. Numerous works by missionaries attached to the École Française d'Extrême-Orient, the Académie Stanislaus and other bodies engaged in scientific research, were printed at Nazareth \n\nNazareth House. Considerable building alterations and additions were made to Castle Douglas by the Mission, including, some years after its occupation, an extensive reconstruction of the original building which was in danger of collapsing. The additions included dormitory accommodation, a chapel, a library and the printing house. The new House was first used in May 1896 and the chapel was blessed in October of that year. A life of prayer and work on editing, translating, printing and proof-reading was inaugurated at the former Castle Douglas, and was to continue until the Japanese Occupation in 1941-1945. The house continued to be used by the Fathers in those years, but printing stopped. Work began again after the war; but with the establishment of the People's Government at Peking in 1949, continental China was soon closed to foreign missionary effort, and in 1953 the Central Council in Paris decided to give up Nazareth House. It was bought by the University of Hong Kong in 1954, to be used as a Hall of Residence for students.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 } ]