[ { "id": 204270, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 38, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n34\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nerrant may be said to have had an ideology, it had more affinity with Taoism than with any other school of thought. True, in their altruism and devotion to duty they showed some resemblance to the Mohists, but they did not share the austerity of the latter. Indeed, the Mohists despised the knights errant and did not think them worth mentioning. It was to Taoism that some knights errant turned for guidance, as recorded in the biographies of several of them. This is hardly surprising: both Taoism and knight errantry came into being before Confucianism became the established official ideology, and both emphasized individualism and freedom from social bonds. To risk a generalization: if the obverse side of the Chinese character is represented by Confucianism—moderate, realistic, and conservative, then its reverse side is represented by Taoist philosophy, knight errantry, and various unorthodox artists and writers: romantic, individualist, and rebellious. It seems to me that it is the obverse side that is familiar to the West while the reverse side is perhaps not so well known and deserves more attention.\n\nTo come back to the history of knight errantry; the early Han emperors, though they paid lip service to Confucianism, actually ruled largely by Legalist methods. It is therefore not surprising that they took strong measures to suppress the knights errant. I have already mentioned that Kuo Chieh's father was executed by order of Emperor Wen. In the next reign, Emperor Ching ordered the execution of many others. And Emperor Wu, as we have seen, ordered the execution of Kuo Chieh and his family. Yet in spite of such suppression, many knights survived, although not all of them lived up to the high ideals of true knight errantry. In later periods, knights errant continued to exist. For instance, the poet Li Po (A.D. 701-762) was a knight errant in his younger days and killed several people by his own hand. In still later periods of history, we also read of people described as being knights errant or behaving in a knightly manner. Sometimes this means no more than that someone behaved in a chivalrous, altruistic way, without necessarily using force or breaking the law. On the other hand, the more swashbuckling knights either degenerated into mere outlaws or became professional bodyguards. As we are concerned here with literature rather than history, I shall give no more examples of historical knights but turn to descriptions of knight errantry in literature.\n\n7 According to the \"Biographies of knights errant\".\n\nSee Lao Kan, \"Yu-hsia, a type of knights errant in the Han dynasty\", Bulletin of the College of Arts, National Taiwan University, No. 1.\n\nLi T'ai-po shih-chi (SPPY), chüan 31, 5a. See Arthur Waley, The poetry and career of Li Po (London, 1950), p. 6.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204361, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 129, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n125\n\nIt is not in my power at present to offer to the Society an exact Catalogue of the Collection, but the enclosed Memorandum will convey a general idea of its nature and extent.\n\nI have the honour to be,\n\nSir,\n\nYour most obedient humble Servant,\n\nGEO. THO. STAUNTON,\n\nPortland Place, March 20, 1823.\n\nThe Memorandum which accompanied this letter gives a very rough idea of the scope of the collection which he offered to the Society. It comprised a total of 186 separate works which Staunton divided under ten headings viz:\n\n \n Class\n Works\n \n \n 1 Chinese Classics\n 15\n \n \n 2 Dictionaries\n 22\n \n \n 3 -\n -\n \n \n 4 Native Superstitions\n 17\n \n \n 5 Arts and Sciences\n 23\n \n \n 6 Travels and Geography\n 9\n \n \n 7 Poetry, Plays and Novels\n 30\n \n \n 8 History and Biography\n 14\n \n \n 9 Laws and Government\n 7\n \n \n 10 Books on Christianity\n 24\n \n \n - Miscellaneous\n 186\n \n\nThe Collection was actually deposited with the Asiatic Society in January 1824.\n\nFrom the card index of the present library of the Royal Asiatic Society at 56 Queen Anne Street it is possible to discover the titles of most of these works, though unfortunately the cards of the Chinese works are not arranged in any significant order. I list below the titles of just a few of these works which I jotted down at random during a recent visit to the library of the Royal Asiatic Society in London.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204455, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 87, "title": "RAS-1962", "content_text": "76\n\nJ. W. HAYES\n\nThe New Territory comprised an estimated 376 square miles of hill and plain situated on the mainland of China and a number of offshore islands, large and small, some of which were inhabited and some were not. For the purpose of this article it is sufficient to say here that in 1898 it was primarily an agricultural district consisting of a few broad valleys and many pockets of farm land among the hills or at their foot, both on the mainland and on some of the larger islands, with a few market towns here and there. The emphasis was on agriculture, though there were a few small industries in operation. Village life was bounded by the two rice crops in summer and autumn and the winter season, when most land lay fallow; and by the occasional visit to the market town, often two or three hours away and over the hills, always on foot, and frequently laden with produce and livestock to sell or exchange.\n\n3\n\nIt goes almost without saying that this small slice of territory, only half the size of San On District which was one of the smaller administrative districts of the Kwangtung Province, and 1,500 miles from Peking, was an insignificant part of the Chinese Empire. However, despite its minute size and remoteness from the central provinces and the seat of government it was fundamentally Chinese and essentially Confucian in its component parts, two features which are worth emphasising. One of its former District Magistrates made an observation covering both these points in a Confucian discourse which he contributed to mark the restoration of a school at Kam Tin in 1744 when he wrote \"In this era of prosperity culture has spread to even this remote place near the sea. Here the Book of Poetry is read as early as sunrise\".4\n\nThe integrated life in which everything under Heaven has its place and plan is a recognisable feature of the Confucian code which was evolved and formulated in an agricultural society ever 2,500 years ago. A study of the daily life and background of New Territory people in 1898, which was also placed in an agricultural setting, though one based on the cultivation of rice and not of wheat, leaves me with the impression that the high degree of mental and environmental integration attainable within a Confucian framework had certainly been attained here. Life was lived generation after generation according to a set pattern. The disciplined life imposed upon an agricultural community", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204677, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 158, "title": "RAS-1963", "content_text": "142\n\nBOOK REVIEWS\n\nBOOKS RECEIVED\n\nLUN-HENG. THE PHILOSOPHICAL AND MISCELLANEOUS ESSAYS OF WANG CH’UNG. Translated from the Chinese and annotated by Alfred Forke. Second edition. 2 Vols. Paragon Book Gallery, New York, 1962. Vol. I, 577 pages, Vol. 2, 536 pages. HK$20.\n\nSYMPOSIUM ON ECONOMIC AND SOCIAL PROBLEMS OF THE FAR EAST. Edited by E. F. Szczepanik. Hong Kong University Press, 1962, 508 pages. HK$50.\n\nTHE ART OF CHINESE POETRY. James J. Y. Liu. Routledge & Kegan Paul, 1962. 165 pages. 30/-", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204702, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 5, "title": "RAS-1964", "content_text": "Volume III (contd.)\n\nNo. of copies in stock\n\nJ. L. CRANMER-BYNG. The Old British Legation at Peking, 1850 - 1959. 28 pp. 2 plates. $6.20\n\nJ. W. HAYES. Cheung Chau 1850-1898: Information from Commemorative Tablets. 19 pp. $3.80 CLIVE ROBINSON. Kashmir Holiday. 5 pp. 2 plates. $1.60\n\nVolume IV\n\nE. W. ELLSWORTH. Journal of Occurances at Canton, 1839. 33 p. 2 plates. $7.20\n\nK. M. A. BARNETT. Hong Kong before the Chinese. 26 pp. $5.20\n\n25\n\n15\n\n24\n\n18\n\n76\n\nHO TICKON. Introduction to Chinese Painting. 3 pp. $0.60\n\n78\n\nJ. W. HAYES. Peng Chau between 1798-1899. 26 pp. 1 plate. $5.50\n\n80\n\nV. R. BURKHARDT. Hong Kong Butterflies. 9 pp. 7 Col. plates. $5.30\n\n75\n\nJ. L. CRANMER-BYNG & A. SHEPHERD. A Reconnaissance of Ma Wan and Lantao Islands in 1794. 15 pp. 5 plates. $4.50\n\n53\n\nD. LESLIE. Forke's Translation of the Lun Heng. 8 pp. $1.60\n\n37\n\nF. B. L. George Chinnery 1774-1852, Artist of the China Coast. 5 pp. $1.00\n\n130\n\nKnight BiggerSTAFF. University of Hong Kong: The First 50 Years, 1911 - 1951. 3 pp. $0.60\n\n21\n\nT. C. LAI. The Art of Chinese Poetry. 3 pp. $0.60 A. ST. G. WALTON. An Introduction to the Birds of Hong Kong. 2 pp. $0.40\n\n220\n\n21\n\n22\n\nE. MANEELY. Asian Perspectives. 2 pp. $0.40\n\nJ. L. CRANMER-BYNG. A Collection of Chinese Books from the Royal Society now in the Library of Leeds University. 1 p. $0.20\n\nJ. W. HAYES. The Tung Chung Fort. 4 pp. $0.80\n\nC. Y. NG. Some Notes on Tung Chung. 3 pp. $0.60\n\nK. M. A. BARNETT. Loan-words in the Chinese Language. 2 pp. $0.40\n\n31\n\n19\n\n19\n\n16", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204858, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 161, "title": "RAS-1964", "content_text": "136\n\nBOOK REVIEWS\n\nbrush and the most excellent ink, washed his hands and cleaned the ink stone as if to receive an important guest. He let the thoughts settle in his soul, and then he work” (page 46). Among other essays and jotting here translated should be mentioned Ching Hao's \"Notes on Brush-work\" and the Hua Yü Lu #4 (\"Notes on Painting\") by Shih-t'ao of the Ch'ing dynasty. One sentence from Shih-t'ao's essay is typical of his attitude: \"When the superior man borrows from the old masters, he does it in order to open a new road\n\nTwo illustrations gave me special pleasure: \"Misty Hills\" by Ch'en Shun and \"Peach-blossom Spring\" by Shih-t'ao (plates 18 and 19). The book is equipped with a full index of Chinese names, terms and books with their Chinese characters.\n\nThis new edition of an important work by the doyen of Western authorities on Chinese art can be recommended to all who are interested in Chinese painting and it serves as introduction to Sirén's magnum opus, his Chinese Painters, Leading Masters and Principles in seven volumes.*\n\nJ. L. C-B.\n\nTHE ART OF CHINESE POETRY. James J. Y. Liu. Routledge & Kegan Paul, 1962. 166 pages. 30/-\n\nMr. James Liu's book is a fine introduction to the poetry of China for the uninitiated, and a substantial source of information and enjoyment for the sophisticated.\n\nOf a moderate size, the book is divided into three sections. Part I consists mainly of information, Part II of interpretation and Part III of criticism. The subject is generously illustrated with short poems translated by Mr. Liu and others.\n\nA remarkable feature of this book is the way in which Chinese poems are translated. Mr. Liu has in many cases followed the original verse form and rhyme scheme, a difficult and painstaking process requiring considerable virtuosity and originality. What he does, goes contrary to prevailing fashion and one is not surprised to find the critic of the Times Literary Supplement, while maintaining the general excellence of the book, taking\n\n*Lund Humphries, 1956. Profusely illustrated,", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204859, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 162, "title": "RAS-1964", "content_text": "BOOK REVIEWS\n\n137\n\nMr. Liu to task for an alleged sacrifice of sense and style to rhyme. There is, however, much to be said for Mr. Liu on this debatable issue. Poetry does not aim merely at the transmission of information or even of ideas. It is in essence a mood, the purpose of which is to induce the same mood in the reader. A completely literal translation no doubt conveys to the reader all the telling details in the original, but often fails to impart the æsthetic pleasure which rhyme and rhythm can alone create. A rhymed translation may lose in factual reality and may at times sound affected; nevertheless, it more often succeeds in conveying the original mood of the poem. Provided that the meaning is clear to the translator, there is always room in the rendering of Chinese poetry for a choice between rhymed verse and prose, and between an emphasis on what is said and how it is said. Mr. Liu's English version of Ma Chih Yuan's lyric to the tune \"T'ien Ching Sha\" perhaps justifies his method:\n\nWithered vines, aged trees, twilight crows.\n\nBeneath the little bridge by the cottage the river flows.\n\nOn the ancient road and lean horse the west wind blows\n\nThe evening sun westward goes,\n\nAs a broken-hearted man stands at heaven's close.\n\nThe translation as it stands does not, may I say so for the translator, pretend to be poetry in its own right: it is entirely up to the reader to judge whether or not it is superior to a completely literal translation which would look something like this:\n\nWithered vines-old trees-twilight crows.\n\nLittle bridge-flowing water\n\n— people's house. Ancient road-west wind—lean horse.\n\nEvening sun- west set\n\nBroken-bowel man at heaven's end.\n\nThe book classifies themes in Chinese poetry into Nature, Love, History, Time, Nostalgia and Leisure. The conspicuous absence of Friendship in these categories is a bit disturbing to most readers whose impressions of Chinese poetry are based on the \"Three Hundred Tang Poems\". But Mr. Liu explains the omission as follows: \"Some Western translators, it seems to me, have over-emphasized the importance of friendship between men in Chinese poetry and correspondingly underestimated that of love", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204860, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 163, "title": "RAS-1964", "content_text": "138\n\nBOOK REVIEWS\n\nbetween man and woman. True, there are many Chinese poems by men professing affection for other men in terms which would bring serious embarrassment if not public prosecution to an English poet; true also that in old China, where marriages were arranged by the parents, a man's need for sympathy, understanding, and affection often found their answer in another man\n\n15\n\nOne of the things that often lead to a misunderstanding of Chinese poetry is the insistence, to the point of excess, on the associative power of Chinese characters. One often hears that the genius of China is in its written language, in the curves and squares and dashes of its mystic signs. However, to the Chinese there is much less mysticism attached to their ideograms. They are taken for granted. No doubt association is important in Chinese poetry but it is allusion which provides the chief difficulty to readers, foreign and native alike. It is often impossible for people who have no classical Chinese background to go beyond the first line of some Chinese poems.\n\nPerhaps Mr. Liu's chief contribution to an understanding of this art is his application of Western methods to the criticism of Chinese poetry and his attempt at a synthesis between the traditional Chinese views of poetry and the verbal analytical approach of the West. This is contained in Part III of the book which begins with a criticism of the four schools of critics, namely, The Moralists, the Individualists, the Technicians and the Intuitionalists, and continues with a description of how these views might be reconciled. Imagery, symbolism, allusion, antithesis and other poetical devices are then described, contrasting Western and Chinese uses of them.\n\nThere will always be two types of readers: the man in the street and the academician. To whichever category one may belong, to those who are looking for something peculiarly Chinese or to those who look upon poetry as an exploration of different worlds (world as \"emotion and scene\")—there will be much to enjoy in Mr. Liu's well-conceived volume The Art of Chinese Poetry.\n\nT. C. LAI.", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 205114, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 70, "title": "RAS-1966", "content_text": "SINO-WESTERN CONTACTS\n\n65\n\nhad been converted to Christianity somewhere in the eleventh or twelfth century. Christian tombs of Önggüt tribesmen have been discovered in Inner Mongolia near Olon Süme and in Ch’üan-chou (Fukien), mostly with Turkish inscriptions, in some cases also accompanied by a Chinese version of the inscription text. But whether Nestorian Christian, Uighur, or Mohammedan Arabs or Persians, all these foreigners became Chinese in a cultural sense. One would look in vain for traces of their foreign origin in their literary works. If they wrote Chinese poems, then these poems are indistinguishable from those written by native Chinese, much as in Medieval Europe when a poet wrote in Latin and thereby obscured his national characteristics. It is amazing to what degree this rapid acculturation was carried out in China. One could perhaps assume that members of a national community which had not yet developed a national literature of its own were easily attracted by Chinese literature; this would apply to the Mongols and some Turkish tribes. But it remains a singular phenomenon that even foreigners coming from a highly civilized country with a considerable literature of their own, such as Arabs or Persians, were so soon absorbed by Chinese literary culture. Nothing in the poems of Sa'd ad-Daula suggests even the slightest trace of a foreign origin. As a typical example, let me quote one poem by Jacob, Ya-ku, in Goodrich's translation:\n\n44\n\nThe path to the plum blossoms is short; snow has been falling. The ripples on the water are as smooth as peach leaves; it is favorable for ferrying across the river.\n\nOne whistle of a metal flute pierces the air above a thousand moonlit homes.\n\nTen reed matting sails ride before a wind of a myriad li.\"\nNothing could be more Chinese than these lines. And they are typical for the poetry written by foreigners. Things are similar in prose literature and philosophy. Foreigners tried to be as Confucian as possible, writing commentaries to the Classics and trying to live up to traditional Chinese ideals. And if they painted, their works were equally Chinese. At least one famous Yüan painter, Kao K'o-kung (1248-ca. 1310) came from the Western Regions, or rather his family did. He was born in Ta-t'ung (Shansi Province), rose to high offices, and became ultimately President of the Board of Justice. Kao was chiefly known as a landscape painter who carried on the tradition of Mi Fu and Tung Yuan, two famous", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205152, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 108, "title": "RAS-1966", "content_text": "The Hanlin Academy\n\n103\n\nFrom 1647 onwards, probationers were required to study either the Manchu language or the Chinese Classics. The number of probationers taking the Manchu course, however, declined as time went on. In the reign of Yung-cheng, only about fifteen scholars were ordered to read the Manchu course, the rest, about forty, took the Chinese course.9 In the next reign (Ch'ien-lung), the aggregate number of probationers studying the Manchu course was about ten each year, and even this small number would sometimes be reduced, as those who took long sick leaves would change to study the Chinese course after their return.10\n\nThe qualification for taking up the Manchu course was physical rather than literary. Only the young and the good-looking with a pleasant voice were selected. Presumably, the reason for such a choice is that probationers studying the Manchu course would have more contacts with the Emperor and senior officials than the others. They were the persons likely to be selected as masters of ceremony in official ceremonies. In the pursuit of the course, the probationers would be called upon to study the \"History of the Liao dynasty, the Chin dynasty, and the Yüan dynasty\" (Liao Chin Yüan shih), \"the Sacred Edicts of the Emperor Hung-wu, the first Emperor of the Ming dynasty\" (Hung-wu pao-hsün), the \"Daily Exposition of the Meaning of the Book of Great Learning\" (Ta-hsüeh yen-i jih-chiang) and the \"Commentaries of the Four Books\" (Szu-shu chieh-i).11\n\n12\n\nProbationers doing research work on the Chinese texts took lessons in Chinese Classics, history and poetry. Together with those reading the Manchu language, they had to sit for a final examination after three years of study. Probationers studying the Manchu course were tested on their ability to translate from Chinese to Manchu and vice versa, whereas those reading the Chinese Classics were each ordered to compose a poem of set form or a piece of irregular verse and to write an argumentative discussion or an eight-legged essay.13\n\nNotice that the final examination of the probationers laid emphasis on the literary skill of writing essays and poems rather than on administrative knowledge. This was because of the need to distinguish \"real\" from \"false\" talent among the candidates. Themes on administrative problems, useful though they might be in testing the practical knowledge of candidates when they were original,", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205801, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 107, "title": "RAS-1969", "content_text": "101\n\nTHE LINGUISTIC AND LITERARY VALUE OF THE MING DYNASTY ‘MOUNTAIN SONGS'\n\nJOHN MCCOY*\n\nPoetry, and the rhyming dictionaries compiled to aid the poet, have presented the linguist with the bulk of his material pertinent to the problem of reconstructing earlier forms of the Chinese language. Of course other aids have been used, such as the evidence of the fan-ch'ieh system of describing character pronunciations by dividing them into initial and final sound segments, the help provided by foreign language data, and the clues from the phonetic elements in the characters. However, the major breakthrough was made with early rhyming dictionaries. Karlgren's great contribution to the history of the Chinese language, his reconstruction of Ancient Chinese, was principally an analysis of the system set up in the Ch'ieh Yün, the Kuang Yün, and other early rhyme books. To this system he assigned phonetic values by positing forms generally consistent with modern dialect pronunciations.\n\nThe value of Karlgren's tremendous scholarship cannot be overemphasized, but note should be made that it does not tell us all we will ever want to know about antecedent forms of the present-day dialects of Chinese. Two aspects of his approach lead us to continue our search for corroborating and supplementary materials with which to increase our knowledge about early Chinese.\n\nFirst, Karlgren's Ancient Chinese must be thought of as a textual reconstruction rather than a linguistic reconstruction, and we ideally want both to fill out our picture. Secondly, for a number of reasons we can assume that the phonology expressed in the formal rhyming dictionaries diverged to some degree from the actual spoken forms of the time.\n\nThe difference between a textual reconstruction and a linguistic reconstruction is the difference between the interpretation and\n\n* Dr. McCoy's article \"The Dialects of Hong Kong Boat People: Kau Sai\" appeared in Volume 5 of the Journal. He is Associate Professor, Division of Modern Languages, Cornell University. This paper is a revised version of one read before the Association of Asian Studies at Philadelphia in March 1968.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205802, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 108, "title": "RAS-1969", "content_text": "102\n\nJOHN MCCOY\n\nanalysis of older texts on one hand and the development of a hypothetical proto-form on the other. Both approaches rely on modern spoken dialect data but they use these data in significantly different ways. In deriving Ancient Chinese Karlgren first worked out the structured format of the older rhyme books then manipulated modern dialect evidence in order to derive phonetic units to fit each slot of the patterns established in these dictionaries. This is a perfectly valid and useful approach but it sometimes becomes arbitrary; for example, at those points where modern dialects show no contrasts to give us clues to contrasts indicated in the rhyming dictionaries.\n\nIn a linguistic reconstruction a proto-form is derived in such a way that it can logically stand as progenitor of all the modern spoken forms. This approaches a one-to-one relationship in that regular features of present-day dialects should then be reconstructed as features in the proto-form.\n\nSince textual reconstructions are based on pre-linguistic materials, they can seldom be expected to give us results which meet the demands of a modern phonemic analysis. Usually this sort of problem can be at least partially solved by reworking the textual data with newer techniques; this was essentially the contribution of Samuel Martin in his phonemicization of Ancient Chinese. A well-done linguistic reconstruction should produce phonemically accurate data, and thus avoid one of the preliminary problems of the textual reconstruction. Although an abstraction in the sense that it is a projection from rather than a record of real data, the linguistic reconstruction establishes a system which can in turn be valuable in rationalizing textual materials.\n\nThere is a second reason for seeking supplementary data with which to refine our picture of the older forms of Chinese. This derives from the fact that the rhyming dictionaries were essentially proscriptive rather than descriptive; that is, they tended to record how a character ought to be pronounced rather than how it actually was pronounced by a given dialect group. Fairly early the style and rhyme patterns of Chinese poetry became formalized and to a large degree classical and learned forms began to predominate. With the high value put on formal education and with the development of a fairly narrow range of classical models within which a man could deem himself well educated, the poetry", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205803, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 109, "title": "RAS-1969", "content_text": "MING DYNASTY 'MOUNTAIN SONGS'\n\n103\n\nwritten by the literati rhymed often by academic fiat rather than in accordance with actual dialect pronunciations and the conversational styles which we know must have been spoken at the time.\n\nThis is not entirely the case since in the verses of the classical poets we often find deviation from the patterns of the rhyming dictionaries. Still the norm held true to the accepted versions, and as time passed the accepted version remained relatively stable while the living language went through a series of sound changes. There is even reason to assume that the earliest rhyming dictionaries may have preserved archaisms or dialect pronunciations, or otherwise mixed the information in a way that would complicate Karlgren's Ancient Chinese. For example, we know from the preface to the Ch'ieh Yün that this important rhyming dictionary was the product of an informal committee composed of members who represented several regional dialects. Presumably a situation like that might lead to a levelling process and the final results might be to some extent an overall pattern of several speech forms rather than a consistent recording of a single dialect.\n\nIn summary, the first proposition is that Ancient Chinese as now reconstructed should be paired with a proto-Chinese developed by the comparative method of modern linguistics. One can look forward to the time when the necessary spoken language data will be gathered and the preliminary reconstructions of individual Chinese proto-dialects will be completed. The second proposition is that the standard rhyming dictionaries can be expected to diverge in greater or lesser degree from any standard spoken language of their time. This second point suggests to the linguist that an ideal target for research might be poetry outside the intellectual, classical tradition. In other words, we can look to folk poetry since in that genre we will more likely be dealing with colloquial rhymes having no reference to the educated patterns of the rhyming dictionaries. This type of poetry would provide rhymes which are so useful in reconstructing earlier forms of Chinese, yet it would be much less likely to present some of the problems of the more artificial rhyming dictionaries. It is a safe assumption that original folk poetry would represent the everyday speech of the area from which it comes rather than any prestige second language of the educated class.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205804, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 110, "title": "RAS-1969", "content_text": "104\n\nJOHN MCCOY\n\nUnfortunately, in the vast collection of Chinese literature there is comparatively little folk poetry and most of it is of recent origin. Doubtless it has existed at all periods, but except for the very early samples which became part of the classical tradition, or for the occasional single item preserved in other writings, most of it was lost. The literati generally scorned it, at least in public, and today we are able to turn up only a few collections of any significant age and these chiefly through historical accident.\n\nIn recent years the Peking government has published a collection of Ming and Ching Dynasty folk songs as part of a general policy to point attention to the artistic efforts of the proletariat. I was lucky enough to run across this material in a Hong Kong book store. Of particular interest was a book called Shan Ko or 'Mountain Songs', a collection made in the later years of the Ming Dynasty by Feng Meng-lung. These songs were recorded verbatim from the farmers and laborers in the fields near Feng's home, that is, in Wu District near Soochow. To date this group of poems represents the earliest popular collection which I have been able to find. At least it is my earliest collection showing no evidence of revision and rewriting by the collector. More such materials doubtless exist but I have not come across them yet.\n\nMountain Songs as a literary genre have probably enjoyed a long life. The oldest reference to them may be that found in the 'Song of the Lute' or P'i P'a Hsing by Po Chu-i of the Tang Dynasty. However, this may be merely a general reference to songs from the mountain areas rather than 'Mountain Songs' as a specific genre. Today the Mountain Songs flourish, particularly in South China, with new verses appearing daily. Other Peking publications have collected modern Mountain Songs and added a companion set of more acceptable lyrics with political themes. This gives us a possible spread of at least 1300 years with extant samples of a homogeneous genre going back about 300 years.\n\nThe poetic structure of the Mountain Songs won't add anything especially new to our picture of Chinese poetry. The basic verse is four lines of eight metric beats each, or multiples of eight in various combinations. This is much like the classical seven character poem where the eighth metric beat is realized as a pause at the end of each line. The major difference is that the Mountain Songs allow a considerable variation in the actual", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205806, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 112, "title": "RAS-1969", "content_text": "106\n\nJOHN MCCOY\n\nCatullus or Boccaccio, and sometimes approaches Robert Burns' Merry Muses of Caledonia without a similar need to expunge words from the Chinese text.\n\nFrom the literary point of view, one of the problems of handling the Mountain Songs, and especially any attempt to translate them, is just the question of how to handle the double meanings which are so much the key to these verses and their enjoyment. Too many footnotes would kill a translation and too little by way of explanation would probably leave a lot of the allusions lost to modern readers. Some of this is of course already lost forever because we have no way to recover all of the secondary references so familiar to the original singers of these songs. Even some of the primary references are difficult and it will take considerable research to dig all of the meaning out of some of the obscure vocabulary. But the problems of handling the grammatical markers and functors of this dialect are solvable. In spite of the fact that some of these items are written with characters not to be found in most dictionaries and obviously made up to handle the unusual Wu dialect pronunciations of the time, we are still able to reconstruct probable phonetic approximations and to propose probable meanings on the basis of our knowledge of modern dialects. It is in this special area that the linguist is in a unique position to help the student of literature.\n\nIf this sort of popular poetry attracts interest, we will necessarily need the services of the dialect specialist to solve some of the problems of interpretation. The linguist will gain a great deal from the information the Mountain Songs give him on Ming Dynasty dialects. Then the linguist will in turn enrich Chinese literature studies by opening up a neglected field.\n\nAlthough their reasons are quite different, Western scholars are beginning to agree with Peking that we have neglected popular literature too long. It seems reasonable to predict that more departments will give some room to folk songs and poetry in Chinese literature courses if the genre can be made accessible to the average reader.\n\nFrom the linguist's point of view, an analysis of the rhyme patterns of the Mountain Songs, done much on the same plan as Karlgren's Ancient Chinese, would be very useful when we are ready to work out a reconstruction of proto-Wu. I have carded", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205946, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 26, "title": "RAS-1970", "content_text": "MORE ON THE YUNG-LO TA-TIEN\n\n21\n\nserved in the Legation Guard in Peking in 1900. The Chester Beatty Library (Dublin) has three volumes not otherwise accounted for (chüan 803/4, 805/6, and 10,110/1). The Wason Collection of Cornell University has chüan 13,853, and the National Central Library, Taipei, has chüan 7527, which Yang Chia-lo failed to reproduce. The number at present count then is 809 chüan out of the original total of 22,877 chüan (not counting the table of contents which has been separately published).\n\nWhat subjects are covered in the volumes that have been saved? Practically everything that concerned the Chinese around the year 1400, but in fragmentary fashion. Thought, morals, poetry of several kinds, frontier people (the Hsiung-nu and Hu, for example), geography, surnames, government, law, the spirits, biography, divination, architecture (gates, bridges, halls, storehouses, walls, offices), villages, capital cities, history, burial customs, astronomy, botany, grain, military matters, Buddhism, Taoism, travels, bronzes, food and drink, caves, dreams, scholars, drama, sacrifices, clothing, mathematics, images, carpentry, post stations, shamans, literary collections. Dr. Walter Swingle, writing on the YLTT in the Report of the Library of Congress (1922-23), asserted: \"It combined all existing Chinese books that were available to Yung-lo, excepting novels and possibly some plays.\" Fortunately, his remark was found to be in error when the Library of Congress acquired (1935) from the collection of Dr. H. A. Giles, professor of Chinese at Cambridge University, a copy of a \"short historical novel, Ch'ieh-fên-lu and a hsü-lu, purporting to describe the experiences of Sung Hui-tsung, made captive by the Chin in 1127.\" (The son of Dr. Giles, Lancelot, was in the British Legation during the siege in 1900, and doubtless picked it up then.) The first notice of the famous play P'i-pa chi (The Lute Song) also appears in a volume of the YLTT. Professor Pelliot has characterized as one of the most important volumes saved the sections from a great Yuan dynasty encyclopaedia (Ching-shih ta-tien, published 1331), including a part on courier stations (jamči), now in the Toyo Bunko. Among other interesting works saved, generally fragmentary, are geographical. Francis D. M. Dow of Australian National University has recently drawn attention to certain gazetteers preserved: one of the prefecture of Soochow, published in 1379, for example; and years ago (1929) the Metropolitan", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206025, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 105, "title": "RAS-1970", "content_text": "100\n\nK. M. A. BARNETT\n\nFor a Chinese in particular, and in still more particular a Chinese brought up in Hong Kong, I am going to make myself unpopular and say it would be a miracle if any of them really did obtain a thorough grasp of English without first learning Latin, quite a lot of Latin, and some Greek. He needs the Greek because English has (perhaps unconsciously) borrowed a lot of its flexibility from Greek. Then, building on that foundation, he needs to read and read: some Shakespeare and Milton, of course, for they are two cornerstones of the English language, but still more he should read, whatever his religion, large chunks of the Authorized (King James) Version of the Bible, both Old and New Testament. Just as any student of Greek must read Plato, regardless of whether he approves of Plato's philosophy, so any student of English who keeps away from the Bible because he is neither a Christian nor a Jew is throwing away the most fruitful source book: for every English person, even the modern pagans, even those who for Scripture teaching use some other version (e.g., the Revised), still falls back in his ordinary speech on the diction and rhythms of the Authorized Version.\n\nLAT\n\nHaving read and learned by heart the basic speech patterns of the language, it is then safe for him to jump to such modern exponents as G. Bernard Shaw; yes, I would advise jumping all that way, leaping over the 18th and early 19th century writers; you can always go back for them afterwards. But in making this big leap you need an inquiring mind and a patient teacher. Why does Shaw always write ARN'T I? when you have been taught AM I NOT and so forth. At this point I could bewail the lack of an efficient method of writing either (or any) language. Cadmus' alphabet is as unsuitable for any modern language as LI HSIH's: though both were miracles in their day. G. B. Shaw must be grinning wryly at the damp squib his legacy turned out. But although it would be a fine thing if someone would bequeath a few millions to our universities to put a good team working on something of lasting value—a way to record, faithfully, the 15 or so local languages—don't forget that we have a way. The tape recorder makes it possible for the prose or poetry writer of today, in any language whether or not it has a writing, to compose exactly as he wishes it to go. So another piece of advice to the student: ask for a library of recorded radio scripts. But avoid\n\n94\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206036, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 116, "title": "RAS-1970", "content_text": "A NEW LOOK AT CANTONESE EXPLETIVES\n\n[11\n\nhave a fairly clear idea of what is a word; with some doubt for forms like CAN'T and SHAN'T. Chinese is not so certain. In the written language the tendency is to regard each character as a word, though even in the classical writing some words, like ZEOE-JRYR78 are clearly disyllables, neither half occurring without the other; and this becomes more so in the Chinese Buddhist writing, whether with direct transliterations like SHEKGHAAHMROWN-REYTM79 for Sakyamuni, abbreviations like NRIPPRUUNN80 for Nirvana, SHAAHNREY81 for Śramaneya, PROWSAAT82 for Bodhisattva, translations like GWHUUNNJHAMM83 for Avalokitesvara, or part-abbreviations-part-translations like BUUT-JREOK-(or BOJREAK-)-SHAMM-GHENQ84 for the Prajñāparamita Sutra.\n\nWhere syllables are closely bound I think it better to keep \"syllable\" for each syllable and call the bound group a \"word”. As soon as we do this, we can observe a pattern of stress or ictus, just as in English and other polysyllabic languages. \"Words” as defined above may consist of single syllables, two syllables (very common), three or four syllables, but rarely more than four. And just as in English, we may distinguish a primary stress with strong ictus and a secondary which may be weak or very weak; and in three- and four-syllable “words\" a tertiary stress. With the distinction that in Cantonese a few monosyllables have null ictus (absence of stress) as a significant feature distinguishing them in meaning.\n\nThen, as in English, two or more \"words\" may be joined together to form a phrase. And the phrase has a stress-pattern of its own which can override the word pattern.\n\nApplying the modern descriptions to these superfixes in Cantonese, I distinguish four levels of stress (including null) and four kinds of junction-strong, weak, null and less-than-null, by which last I mean an obligatory break like the caesura in Latin poetry. This incidentally is a feature in the reading of seven-syllable TRONQ85 and SUNG's poetry, where it regularly occurs between the fourth and fifth syllables.\n\n77齟齬 82觀音\n\n78釋迦牟尼 83般若心經\n\n79涼怨\n\n80沙彌 84痣\n\n81菩薩 85\n\n8.菩薩", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206533, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 81, "title": "RAS-1972", "content_text": "SIR JAMES HALDANE STEWART LOCKHART\n\n75\n\nout the nineteenth century, a fashionable pursuit for the dilettante and the serious amateur scholar; even Elizabeth I, Queen of Rumania, acquired a European reputation, under the pen-name of Carmen Sylva, for her writings on the legends and fairy tales of her country of adoption. Lockhart, like N.B. Dennys and R.F. Johnston, became an addict of the new cult and study of folklore.\n\nThe term 'folklore' was coined as late as 1846 by the antiquarian W.J. Thoms; but the foundations of the study can be traced back to the influence of Bishop Percy's Reliques of Ancient English Poetry, published in 1765, and above all to the German brothers Grimm, whose Kinder und Hausmärchen appeared in 1812 and Deutsche Mythologie in 1835. They, in particular, laid the foundations for a study of folktales and popular superstitions upon a more scientific, comparative basis and examined problems from a wider point of view than that of the local antiquarian or literary romantic. The first folklore society in Britain was founded in 1878 and in that year appeared the first journal dedicated entirely to the study. This was the Folk-lore Record, the name of which was changed to the Folk-lore Journal and finally to plain Folk-lore.\n\nIn 1885 Lockhart was appointed to act as local Secretary of the Folk-lore Society of Great Britain and soon after he published an advertisement in the China Review asking readers to submit specimens of Chinese customs, superstitions and beliefs. He appealed to both European and Chinese readers and stated he would be pleased to translate communications in Chinese. He urged Europeans and Americans resident in China to co-operate for 'there can be little doubt that, either by their position or influence, they could materially contribute towards a thorough investigation of a subject which is daily becoming of great interest, and which is gradually assuming a place of no small importance among other branches of science.' It is not clear what sort of response Lockhart got from the readers of the China Review: but he did publish an article in 1890 in the British Folk-lore Journal, which was mainly a translation of material that had appeared originally in the Hong Kong Chinese newspaper, the Chung Ngoi San Po (Chung-wai Hsin-pao)† †† #報1\n\nLockhart's private papers are now lodged with his old school, George Watson's College, Edinburgh, and contain much material on Chinese folklore.62 What Lockhart intended to do with his treasure", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206859, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 136, "title": "RAS-1973", "content_text": "130\n\nSUNG HOK-P'ANG\n\nSUNG HOK-PANG (宋學鵬) (1880-1962)\n\nA MEMOIR\n\nFifty to sixty years ago, there were in Hong Kong some Chinese scholars who could impart to Westerners knowledge of the Chinese language and culture. Among those who were able to write in both English and Chinese methodical and systematic text-books on the Chinese language, especially on the Cantonese dialect, the name of Sung Hok-pang was prominent. Likewise, fifty to sixty years ago, quite a number of Chinese literary men in Hong Kong depicted the scenery and historic sites there in poetry or prose for pleasure or for commemoration. Among the few who took pains to go and investigate the customs of the people and the historic remains of the New Territories, again Sung Hok-pang was scarcely rivalled in eminence.\n\nFor us who live in Hong Kong and wish to discuss the study and transmission of the Chinese language or the geography and history of Hong Kong, Kowloon and the New Territories, it is essential that we understand Mr. Sung's contributions in these areas.\n\nMr. Sung's original name was Sung Yick-lam (宋錫林). His other name was Sung Pao-lam (宋寶林) but he was generally known as Sung Hok-pang. He was born in 1880 in Fa Yuen of Kwangtung, but from childhood he was reared in Hong Kong. Since he became well versed in both Chinese and English literature and was very enthusiastic about education, he was highly esteemed. In 1905 he was appointed Headmaster of the Belilios Girls' School. Later, in 1911, he also conducted Cantonese classes in the Government Technical Institute for cadet officers and for foreigners comprising merchants, scholars and officers. In 1913, besides being Headmaster, Mr. Sung was also appointed Inspector of Schools in the New Territories. As a result of his inspection and investigation, the Hong Kong Government followed his suggestions, and subsequently many of the schools in the New Territories received subsidy. Also, a new post of Chinese Inspector was established and Mr. Sung was appointed to this. In 1914 he helped organise the Government Evening School of Education and was head of this institution. In 1916 he was appointed Senior Vernacular Master attached to Queen's College, as well as adviser in matters pertaining to the teaching of Chinese in all government schools. In 1925 Sir Cecil", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207047, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 118, "title": "RAS-1974", "content_text": "112\n\nJAMES HAYES\n\nThis recital tells its own story. Hsin-an hsien was not one of the glories of the prefecture. In that useful compendium on the Kwangtung province, the Kuang-tung K’ao-ku Chi-yao of 1893, only the counties of Nan-hai, P'an-yu and Tung-kuan were singled out for mention in the section dealing with the customs and traditions of the Kuang-chou prefecture. These entries speak of the elegant dress and manners of Nan-hai, of its literary and cultured atmosphere, and of how every palace examination brought forth the names of successful local candidates; of the profusion of foreign and local products, and the native and foreign merchants, stationery and itinerant, and the immense shipping of the port.1 Tung-kuan found fame as the ancient examination centre for the province; but no other place is mentioned. In scholars' eyes, the two metropolitan districts of Nan-hai and P'an-yu completely eclipsed the country and coastal districts of the prefecture like Hsin-an and another late creation, Hsin-ning, established in 1498-1499.2 As late as 1745 the district magistrate of Hsin-an when composing an inscription for the repair of the Chau Wong memorial school at Kam Tin, styled it as a place where the Book of Poetry was read as early as sunrise; and culture had spread even to this remote place near the sea.\n\nThe Kuang-tung K’ao-ku Chi-yao, a typical work of Chinese historiography, lovingly compiled, was the work of four Hunanese who had long been employed in the province as huan or officials and mu-fu or private secretaries to senior mandarins. It deals, in 46 chuan, with the wide variety of subjects usually found in district gazetteers and other works on administrative geography. Those chüan dealing with subjects on a geographical basis included material, arranged by prefecture and district. Hsin-an is included whenever, in the opinion of the compilers, there was anything in its records that warranted an entry.4\n\nAs in the chuan on customs and tradition the entries for Hsin-an in other chüan are much fewer than for the older hsien of the\n\n1 KTKKCY 4/1,\n\n2 KTKKCY 1/1 and KCFC 7/4.\n\n3 Tablet dated Ch'ien Lung 10th year, 1st moon, lucky day, inside the building.\n\n4 There is, of course, no shortage of books dealing with Kwangtung and its many localities under similar heads, and in providing their Hsin-an material the compilers did not set out to provide a compendium of all that had ever been included in the successive editions of the standard works on the Kuang-chou prefecture and the hsien of Tung-kuan and Hsin-an, but rather a selection of important material. The KTKKCY seldom provides material after the end of Ming (1644),", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207558, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 326, "title": "RAS-1975", "content_text": "318\n\nNOTES AND QUERIES\n\neverlasting as the Southern Mountain (a classical allusion symbolizing the “realm of longevity”). Providence has showered blessings of prosperity upon the family and bestowed her posterity with divine qualities. Here are gathered the young and the old to offer her their greetings and celebrations. May she live long like the evergreen pine-trees. Her descendants, who devote themselves to academic studies or engage in husbandry, have come forth with their fervent blessings of the \"Nine Similes\" [a psalm from the Book of Poetry].* Your mother, sitting in the North Hall, is presented with auspicious peaches [the \"fruit of longevity\" in Chinese legend]. She radiates with the spirit of the Dragon and the vigour of the Horse. Assembled at this Birthday party in this sumptuously decorated hall are honourable guests, all from noble and dignified families (Scribbled by Sun Ying-suet).\n\nHong Kong, 1976.\n\nFRANCIS SHAM AND JAMES HAYES\n\nHƯNG HȮM (£): AN EARLY INDUSTRIAL VILLAGE IN OLD BRITISH KOWLOON.\n\nBritish Kowloon was ceded in March 1860. Its population at that time was around the few thousand mark, and its growth was steady over the next twenty years. In 1881 the population numbered 9,021. Thereafter the population rose sharply and by 1897 it was 26,402, of which 19,202 were male, (Sessional Papers 1897, p. 485).\n\nThe increase in the Kowloon population from 1860 on may be attributed to the establishment of industrial and manufacturing concerns, that undoubtedly owed their existence to the presence of nearby Hong Kong, then making great strides towards its establishment as a great entrepôt and commercial and financial centre. Among them the Hong Kong Whampoa Dock Company set up its yard at Hung Hom in the 1860's, the Cosmopolitan Dock began at\n\n*The \"9 Similes\" (*) from the Book of Poetry()\n\n(1) (2) (3) (4) (5)\n\n如山如阜,如同如陵,如川之方至,以莫不增,\n\n(6)\n\n(7)\n\n(8)\n\n如月之恒,如日之升,如南山之壽,不騫不崩,\n\n(9)\n\n如松柏之茂,無不爾或承 [FSYS]", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207580, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 348, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n339\n\ncontrolled the central government of the late Ming period. However, due to the expansion of the military power of the Manchus, the central activity of this Association from 1640, turns into the intellectuals' Anti-Manchu Movement.41 The fact that Hsiao Yün-ts'ung has been a member of the Reconquering Association can certainly help us to understand more about his life and personality. Although we know nothing about Hsiao's Anti-Manchu activity, a description of him as, “taking up the life of a hermit, he devoted himself to poetry, essay-writing, scholarship, and painting” (p. 177) is at least not the entire picture of Hsiao Yün-ts'ung's life. He must have been patriotic and full of the spirit of justice at one time. More likely it was only because of the triumph of the Manchus that he was forced to live as a recluse for his last 30 years. Professor Li has tended to ignore this key point in Hsiao Yün-ts'ung's life.\n\nTo conclude, in the 20th Century, in the 60 years since Stephen W. Bushell (1844-1908) published his classic Chinese Art42, due to the stimulation given by the opening of museums, the growth of private collections and a developed new interest in studying things oriental, a good number of histories of Chinese art have been written by scholars of different nationalities. None of them, however, has attempted a Chinese art history based on a single private collection,43 like Thousand Peaks and Myriad Ravines. This appears to be the first book of this kind, and despite those problems that the reviewer has already pointed out, and some other minor disputable points44, it is not inappropriate to call this book the first such publication. It is one, too, that is associated with a unique and earlier feature of writing Chinese art history, the introduction.\n\nThe reviewer suggests that as a Research Curator of the Nelson Gallery and Atkins Museum in Kansas, with its far better known collection, Professor Li should publish another such history of Chinese art, or history of Chinese painting, based on that renowned assemblage.\n\nUniversity of Hong Kong, 1976\n\nFOOTNOTES\n\nCHUANG SHEN\n\n1 For instance, the well-known collection of Mr. K. Sumitomo, is described in the illustrated and descriptive catalogue Senoku Seisho ★A★T (The collection of old bronzes of K. Sumitomo) first edited by Prof. Kosaku Hamada∗ ∗ ∗ and others in 1911. After being revised by Prof. Sueji Umehara∗ ∗ ∗ it was reprinted in 1934 in Kyoto. The additional catalogue concerning Mr. Sumitomo's new acquisitions on ancient", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207913, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 301, "title": "RAS-1976", "content_text": "286\n\nNOTES AND QUERIES\n\nIn Chinese these two characters indicate the mountain's colour as if being lightened by the rosy sunset. According to some Chinese poetry, the sunset time seemed the most lovely time of a day.5 Thus, to Chinese mind, a red mountain is surely a term which indicates not only a poetic feeling but also suggests a painterly mood.\n\nBased on most probably this particular literary name, Ho Chung fixed upon Tan-shan lao-jenA, ‘an elderly man in a red mountain', as his second literary name. However, the nature of his first and second literary names was too closely related. Perhaps because of this reason, he began to call himself Ch'i-shih-erh-feng lao-jen+‘an elderly man who dwells among seventy-two peaks'. This is a good literary name except it seems too clumsy. Perhaps feeling this dissatisfaction, Ho Chung fixed Yen-ch'iao jen, ‘a man on a bridge (particularly hidden) by the smoke' (which had sometime been varied as Yen-ch'iao lao-jen) as his last literary name. Judging their literary implication as well as their mysterious atmosphere, Yen-ch'iao-jen is undoubtedly much better than either Tan-shan lao-jen or Ch'i-shih-erh-feng lao-jen.\n\nCorresponding to the number of his personal literary names, Ho Chung also had four literary names for his painting studio. His first, which was the only one recorded by writing on Kwangtung painting, was Chu-ch'ing shih-shou chih-tsai✯✯&$2★. 'A Studio which houses the emaciated bamboo and the long-lived rocks'. In addition, as could be found from his own writings inscribed on his paintings, Ho Chung's second studio name happened to be Lan-yen chu-hsiao chih-tsai✯✯✯✯, 'A studio in which the orchid speaks and the bamboo smiles (to their master)'; whilst his third was Mei-hua shan-kuan, 'a hall on the plum blooming mountain'. In fact, just as his second literary name (an elderly man of the red mountain) was derived from his first —— a red mountain - so Ho Chung's second studio name (a studio in which the orchid speaks and the bamboo smiles) is also very similar to his first studio name (a studio which houses the emaciated bamboo and the long-lived rocks). As to the 'hall on the plum blooming mountain' it has a special background. Ever since the 13th century, plum blossoms were always treated by Chinese scholars as a symbol of the incorruptness of literati”. Naming his art studio as 'a hall on the plum blooming mountain' suggested Ho Chung's personality", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208310, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 34, "title": "RAS-1978", "content_text": "18\n\nRICHARD J. SMITH\n\nprocess. Ch'i's view was that by seeking \"genuine scholarship,\" badly-needed military talent might be secured for the defense of the dynasty.' His proposal was blocked however — undoubtedly in part because Ch'i fell out of favor as a negotiator with the British, but also because the proposal itself was so revolutionary in spirit.\n\nIn late 1851, the censor Wang Mao-yin resurrected Ch'i's innovative proposal. His memorial, dated November 11, stated baldly that \"for seeking talent within the examination system, there is nothing better than Ch'i Kung's five categories to encourage scholars to study military affairs.\" The memorial was forwarded by the emperor to the Board of Rites for deliberation, but Wang's suggestion regarding the reform of the examination was not approved, on grounds that Chinese scholars were men of breadth and “need not be specialists\" (pu-pi chuan-men ming chia),16 Once again Ch'i's proposal died a swift death. It had no other prominent advocates.\n\nSeveral more years passed, during which time Wang Mao-yin attained the rank of senior vice-president of the Board of War. In the midst of both the \"Arrow War\" negotiations and the Taiping Rebellion, Wang again memorialized the throne (July 9, 1858), once more requesting meaningful military reform. Making pointed reference to the abortive proposals put forward by Ch'i Kung and himself over the past decade and a half, Wang suggested that they might now be reconsidered together with the policy of recommendation (pao-chi) as a means of recruiting badly needed military talent. He did not mince words. Reminding the throne that many of China's best military commanders were not in fact products of the examination system, he went on to criticize the appointment of imperial relatives to positions of military responsibility, and the throne's tendency to place military affairs in the hands of officials schooled only in essay-writing, poetry, and other literary skills. He ended with a highly moralistic appeal for self-cultivation (hsiu-shen) on the part of the emperor, replete with quotations from the Shu-ching and Ta-hsüeh, but his proposals fell on deaf ears,17 Wang retired from office within months of writing this bold but fruitless memorial.\n\nEfforts to reform or abolish the nearly useless military examinations met with no more success than this. During the Hsien-feng emperor's reign, a number of officials advocated changes in the outdated system, including dispensing with the military examinations", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 52, "title": "RAS-1978", "content_text": "36 \n\nRICHARD J. SMITH \n\n38 Holcombe, 82-83; LWCK. Memorials, 27: 405. See also Wang Chia-chien, \"Pei-yang wu-pei hsüeh-t'ang ti chuang-she chi ch'i yin-hsiang,\" Kuo-li T'ai-wan shih-fan ta-hsüeh li-shih hsüeh-pao (April, 1976), 3. \n\n39 LWCK, Letters to the Tsungli Yamen, 4: 39-41. \n\n40 Wang, Huai-chün, 203 and passim; LWCK Memorials, 35; 33b-34, 34b-35. On Wang, see also Bell, 2: 49. \n\n41 On Chou's army, see Japan, Ministry of War, comp. Rimpō heibi ryaku (1882), 3: 45b-46b; Bell, 2: 4, 57-59; Great Britain, War Office, 33/34 (1880), 128-130; FRUS, 1873, part 1, 182-188; CWCK, 1.4: 36b-32; etc. Chou's nien-p'u is included in CWCK. His writings and nien-p'u indicate a rather progressive outlook, including an appreciation not only of Western weapons and military methods, but also of certain aspects of Western science and medicine. \n\n42 CWCK, 2.2: 13a-b; also 1.4; 2b-3, 32-33. \n\n43 Ibid., see also 2.2: 1-8. On the attractiveness of Green Standard rank, consult K. C. Liu, “The Limits of Regional Power in the Late Ch'ing Period: A Reappraisal,\" Tsing Hua Journal of Chinese Studies, n.s. 10.2 (July, 1974), 210, and esp. 218. \n\n44 See, for example, CWCK 1.1.2: 24b; 1.4: 2-3, 5-13b, 19-24, 26b-27, 32-33b; 2.2: 1-2b; \"supplement,\" 1: 11-23, 44; etc. \n\n45 See, for example, CWCK, 1.1.2: 16b-17, 23-24, 27-28; 1.4: 3b-4, 10a-b, 27, 30-32; \"supplement,” 1: 7-24. \n\n46 CWCK, 1.1.2: 17b-18; 1.4: 30-41; etc. \n\n47 Ibid., 1.4: 33b. \n\n48 Bell, 2: 57; see also Cavendish, 721. \n\n49 Bell, 2: 57, 197; Great Britain, War Office, 33/34 (1880), 129, \"The Army of Li Hung-chang\"; CWCK, “supplement,\" 1: 14b, 20, 23b, 35b-37b; see also CWCK, 1.4: 36b-37. \n\n50 CWCK, 1.1: 19b; 1.1.2: 41b-42; 2.2: 22b. \n\n51 Wang, \"Pei-yang wu-pei hsüeh-tang,\" 3-4, 23-24, note 18. \n\n52 CWCK, 1.4: 34. \n\n53 CWCK, 1.4: 33b-34; also 1.1.2: 41b-42. \n\n54 See note 40. \n\n55 Knight Biggerstaff, The Earliest Modern Government Schools in China (Ithaca, 1961), 61-62; Cyrus Peake, Nationalism and Education in Modern China (New York, 1932), 10-12; Wang, \"Pei-yang wu-pei hsüeh-t'ang,\" 7-8. \n\n56 Ibid. (Wang), 7-8. \n\n57 Chinese Times, April 30, 1887. The entrance examination consisted of three parts. The theme for the essay was: \"(When the people have been taught patriotism and loyalty) they may easily overcome their enemies.\" The theme for the discourse was: \"Much planning brings success.\" And the subject for the poetry exercise was: \"Though summer has come, nature is still mild and pleasant.\" Ibid. \n\n58 Biggerstaff, 63; NCH, April 13, 1887; Chinese Times, April 23, 1887, \"The Tientsin Military School\"; etc. The most complete discussion of the establishment, rise, structure, administration and influence of the Tientsin Military Academy is Wang Chia-chien's, \"Pei-yang wu-pei hsüeh-t'ang.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 209986, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 245, "title": "RAS-1983", "content_text": "223\n\nor the artisan. And even The Water Margin 水滸傳, an omnibus of tales about a large band of outlaws, tells us next to nothing about the life of ordinary men and women. drama, poetry and documentary writings.\n\nSo it was, also, with\n\nEarly travellers, missionaries, traders and diplomats from other cultures were not tied in the same way to one social class in China. They do show in many cases a marked preference for chronicling the deeds and circumstances of the elite, but in their writings they roam over all aspects of Chinese life because they could take no knowledge on the part of their readers for granted. By the time that Chinese scholars and Western sociologists came to be interested in popular culture and the workings of everyday life. China was in the throes of modernisation and encroaching foreign influences, and the old accounts of China as seen through the observant and frequently bigoted eyes of early Western writers came into their own again. Here lay a mass of material on what life was like before the -isms and schisms of the twentieth century began to warp it in strange ways.\n\nnow.\n\nWhat has been happening in recent years has been a dovetailing of the study of old China with the study of China We can very well use scientific analysis to show how contemporary people behave, but we cannot necessarily use it to discover why they hold a particular set of beliefs and prejudices. Here the study of Chinese history and traditional culture can help us to achieve an understanding. On the other hand we have no good information on how the common people of imperial China behaved, but we can track back from what we know of how contemporary people behave to gain a greater understanding of what those earlier times must have been like. One China did not cease in 1911 or 1949 and another different China take its place: there is a meaningful continuity over time. Here lies the justification for the Ancestral Images approach, and I do not find it surprising that at the time of writing this a Chinese translation of the books is about to go to press why shouldn't the Chinese want to explore the cultural links with their past, even if through the dim eyes of a foreign observer?\n\nHow good, then is this list of books I have quoted from? Is it a representative sample of what is available? Are all the", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210581, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 188, "title": "RAS-1985", "content_text": "169\n\nthe outside as possible, and the first government is a pair of wadded for winter trousers, called k'u's, then a skirt lapped over back and front and pleated on the sides. Then a wadded or fur-lined Ningpo jacket, and over all, a qua-tsi or outer garment, which somewhat resembles a skirt. And of course Chinese shoes, embroidered on the toes. I will enclose a picture which will show you a little how I look.\n\nWould you mind passing this letter on to Miss Amy, as my time for letter writing is very limited indeed, and I do not know when I can get her letter written.\n\nToday is Chinese New Year and a general holiday. The Chinese women have been coming all day to call, as they understand they can go through the house today, and it is such a treat to them to see how the foreigner lives, and to see the foreign things. Our white beds are an endless source of comment and wonder, and they will not walk on the rugs which are in some of the rooms, but walk around them. Our simple comforts are the essence of elegance to them. Poor dear souls, and so few of them know that Jesus loves them.\n\nI am also enclosing for your little girls the first verse and chorus of \"Jesus loves me\" in Chinese. And on a separate paper you will find the key to it. It begins at the right-hand corner and reads right down the page. The little space in the centre indicates the lines of the verses and forms the poetry. My teacher wrote it for me and I hope it will interest your little ones to pray for the little children in China.\n\nI wish I could give you a glimpse of things as they are here. We are two days and two nights' journey from Shanghai. And when we left Shanghai our life as China women began. We came by steamer to Chinkiang, then up the canal in a native boat. I wondered why we had to have an older missionary with us when we started up the canal, because there were four of us, new ones, and we had a trusty coolie, but before we arrived at our destination I was so thankful to have someone that could speak Chinese. At one of the Chinese custom stations because we did not show ourselves we were accused of smuggling salt, and Miss", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210967, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 29, "title": "RAS-1987", "content_text": "to go to supper and talk in less unusual surroundings.\n\nI hope I have communicated the main characteristics of the man: his great knowledge and capabilities, his friendliness and helpfulness, and his delight in life from which more and more as he grew older, he derived his serenity, compassion and wit.\n\n25th November, 1987\n\nJAMES HAYES\n\nI have remarked before on the propensity of the Hongkong bureaucracy to lose, deliberately or otherwise, the services of its best and brightest. One such was Kenneth Barnett who died suddenly in October while happily playing with his grandchildren. He was 76. He had joined the Hongkong civil service in 1933, fought the Japanese as a volunteer and spent the rest of the war in prison camp. He had left the Hongkong Government as Commissioner of Census and Statistics at the age of 58. He was not the sort of man to take up a lucrative post locally where his years of public service could be profitably exploited by his new employers (as is the lamentable fashion these days); Barnett went to work for the United Nations as a demographer in Bangladesh and then Malawi.\n\nBarnett had one of those impressive brains somewhere up in the upper echelons of IQs. He was master of written and spoken Chinese in many dialects, including some of the more obscure tongues, and of a dozen other languages — each of which he was apparently able to absorb within a few months. He was an expert calligrapher and an authority on Chinese history.\n\nHe was the sort of man who polished cryptic crosswords off in 10 minutes, played chess in his head, littered his letters with obscure Greek and Latin quotations (which he generously assumed any educated person could understand), was an amateur archaeologist and anthropologist of note, and wrote poetry (I have quoted a couple in these columns most recently on 30 April, in which he likened the exoskeletons of Hongkong's buildings to a coral reef).", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 210983, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 45, "title": "RAS-1987", "content_text": "20\n\nbandit will bear the name of France, the other the name of England . . . I hope that some day, France once freed and cleansed will send back to China the booty she has plundered.'\n\n16\n\nIncidentally, the Summer Palace of Peking, sacked and burned by French and British vandals, had been restored in the time of Emperor Qianlong (eighteenth century) by Jesuit architects and painters such as the famous Castiglione. The very contribution of European culture to China was smashed down by European militarism in China.\n\nThat French intellectuals concerned with China not only were very few, but also showed little interest in the political China, is supported by the non-committed attitude of that strange Jesuit, palaeontologist and philosopher, Pierre Teilhard de Chardin. His Chinese years in the 1920s and 1930s were most productive intellectually. He elaborated his partly mystical, partly anthropological views on man's fate and future. Yet, he was utterly indifferent to the complex developments of the Chinese revolution at that time, epoch-making as they were. He was living in a China almost without Chinese --- except fossils.\n\nTeilhard de Chardin was an intellectual explorer, almost an adventurer, and so was the energetic Pelliot, one of the founding fathers of modern French sinology. He had established his reputation with his expedition to the Dunhuang Buddhist caves in the Gobi Desert, had not hesitated to bribe and to steal, brought back to France a unique Chinese library and became a Professor at the College de France at the early age of 27.\n\nFrench sinology then was still entirely oriented towards classical China. Just as British sinology was a by-product of missionary studies on China, French sinology was a distant replica of Latin and Greek studies in the Jesuit tradition. The teaching aids which the Jesuits had prepared for classical Chinese often used Latin. Classical Chinese studies did not have to pay attention to the China of that time, any more than Latin and Greek studies did to the Italy and Greece of modern times. And classical sinology remained quite marginal in French academic life, just as much as China-inspired novels and poetry in French literature. Yet, the\n\nPage 45\n\nPage 46", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211345, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 61, "title": "RAS-1988", "content_text": "37\n\nofficials in Shanghai stopped Sulin from sailing to America because Mrs. Harkness had neglected to obtain the necessary permit to export live animals. After much discussion and wrangling, Mrs. Harkness was able to leave Shanghai for San Francisco with Sulin on the President McKinley, carrying with her a \"passenger voucher\" for \"one dog\".\n\nTwo years later, in 1938, Floyd Smith succeeded in bringing five live giant pandas to England, creating a general sensation around the world.\n\nResearch into Chinese records for records on the giant panda\n\nWith all the hoopla around the world starring one of China's very own, faces were red indeed back in the Central Kingdom. Nobody had even suspected the existence of such a delightful treasure in China's own backwoods.\n\nResearchers were challenged to dig into Chinese historical records and ancient writings to find proof that, after all, the Chinese had known all about the giant panda since antiquity.\n\nThe Synthesis of Books and Illustrations of Ancient and Modern Times, a work compiled during the Ming dynasty (1368-1644) but not printed until 1722, is a wonderful source for quick reference of Chinese scholarship throughout the ages. Thumbing through the chapters on animals, scholars of the 1930s came up with a plethora of animal names that they fitted into physical descriptions of the modern giant panda in one way or another. Some of these choices could be traced to the classics, the Book of Odes, an anthology of poetry mostly dating from the early Zhou era (1122-722 B.C.), and Erya, a dictionary thought to date from the third century B.C. Antiquity indeed.\n\nThat giant pandas had existed in China since geological times was never a point in dispute. Studies of fossil remains have proved beyond any doubt that pandas had lived in China during the Pleistocene. Furthermore, their geographical distribution had been much more extensive than today's. They had lived in areas outside the southwestern mountains, and had roamed the provinces of the north and the east, including Liaoning, Shandong, Anhui, and Jiangsu.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211661, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 76, "title": "RAS-1989", "content_text": "51\n\nAnother version of this legend claims that it was the T'ang emperor Kao Tsu (618-626 AD) who wished to test the 'pope's' powers by hiding 360 of his most elite literati (and not failed scholars) in the basement where they were required to play music. The 'pope' was instructed to stop the unidentified noise in the cellar and having waved his magic sword all sounds ceased. The 360 were all found dead, decapitated. The 360 complained to Yen Lo Wang, the ruler of the Underworld on their arrival at his Court who criticised the emperor and required him to appease the dead literati. This the emperor did by appointing them all to be Wang Yeh and by ordering a magnificent Buddhist mass to be said for their souls.\n\nIn some versions the detail of the test set by the emperor for the Taoist 'pope' suggests that the imagination of the tea-house story tellers was stretched to the limit. In one, when the music reached its crescendo the emperor ordered the 'pope' Chang to put a stop to it. Chang replied that the only way he could do so was by killing the makers of the music but the emperor insisted. Chang sprinkled rice and salt on the floor, struck it with magic sword or wand and all 360 were instantly decapitated. After their souls had appeared before Yen Lo Wang in the Underworld demanding to be restored to life and Yen Lo had explained that this was not possible, the spirits of all 360 were confined to a box and cast into the waves of the sea. Found later by a fisherman on the foreshore, the box was opened and the spirits released. They returned to haunt the emperor who thereupon ordered that they should be deified as Wang Yeh. He also decreed that they should be revered in all parts of the empire. The spirits separated and went their ways with five going to Fukien where they have been worshipped ever since.\n\nA version heard in rural Singapore claimed that Chang T'ien Shih was told by some immortals that other immortals, heavenly ones who played music and wrote poetry, were in fact demons in disguise and that they should be destroyed. Chang, who could not resist a challenge, drew his sword and killed a mere 36 at one blow. Chang was later horrified to hear that the 36 were not demons at all but genuine immortals, and immediately sped to the Court of the Jade Emperor in Heaven to apologise and request that the 36 should be deified. The Jade Emperor granted his request and the 36 were sent to all parts of China to serve as pestilence deities. This legend in one form or another is possibly one of the best known legends about pestilence deities amongst the Chinese.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212096, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 38, "title": "RAS-1990", "content_text": "15\n\ndeities worshipped in the local temples, a Chinese author touches on one important aspect of these events:\n\n**In raising the funds they [the organizers] talk about their god, what he did in the past and what he still means to the people. The theatricals dramatize the divine history. The idol in the temple characterizes him. The tablets and the scrolls in the temple and the opera matshed] call to mind his traits and his relation to the people.**25\n\nIt was the practice on these occasions to prepare and distribute festival brochures which contain such information. This was a tradition that was followed in some of the more popular Tsuen Wan temples.\n\n(c) The Surroundings\n\nAs if the process of indoctrination was not already thorough, the decoration of the temples and the better class of houses, shops and ancestral halls provided a milieu in which cultural influences were strong and could make an impression on youthful minds. Although a small place, Tsuen Wan District had its share of old buildings (and some not so old, dating from as late as the 1920s and 1930s) whose walls were decorated with eaves-paintings in the traditional style. Besides depicting the usual auspicious symbols for long life, good fortune, advancement, wealth and posterity, and the flowers and animals with similar associations, they also carried paintings of well-known stories and persons known to history or from the opera. Verses from T'ang poetry were also commonly included.29 Obviously, the better class of local buildings were not to be regarded as complete without this impressive cultural array.\n\n(d) The Lion and Unicorn Dance Teams\n\n30\n\nBesides what was taught in the rural schoolroom and learned outside its doors, one of the most powerful influences upon young village males was undoubtedly exercised through their training in the village lion or unicorn dance team. In Tsuen Wan and the other settlements of the Hong Kong region, these teams were at the heart of village ceremony. On social, political or religious occasions, they were the personification of the village's collective respect for important visitors and the means of marking the main events in the social life of the", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212271, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 213, "title": "RAS-1990", "content_text": "190\n\nbegan the habit of studying from 3:00 to 8:00 am, carrying the habit with him into his missionary life in Malacca (1839-1843) and Hong Kong (1843-1872), maintaining it even through his twenty-one years at Oxford.\n\nII. Legge's Scottish Inheritance\n\nAlthough Legge mentions numerous sources and authors in his autobiographical reflections written just a year before he died, the most profound early influence came from the 16th century Scottish intellectual, George Buchanan. Two of Buchanan's works had a long-lasting effect on Legge: the paraphrased psalms and his History of Scotland. Much more was elicited from Legge as a consequence of his exposure to these two works than might be initially expected.\n\nLike many pious Scots, James' mother memorized the Psalms and often sang them during her daily work. While he was in grammar school, Buchanan's paraphrased psalms became a great attraction to the young Legge.\n\nThese rhyming psalms provided Legge with a stylistic framework into which he rendered the Chinese classic, The Book of Odes, (*) among other works. Some of Legge's most astute translations of the terse Chinese poems from this classic, first published in 1871, reflect the paraphrastic flexibility which Buchanan achieved in his work. A few years later Legge published a metrical version of the same Chinese classic, rendering its poems in everything from stylish English to Scottish drone, pursuing the goal of portraying the rich variety of language and style The Book of Odes itself contains. Here the influence of Buchanan is particularly clear.\n\nBuchanan's influence on Legge went beyond the medium of Chinese verse. Before entering Oxford, Legge also rendered into English the whole of the Hebrew Psalter in similar paraphrastic poetry, accompanied by a critical introduction, as was his custom. For reasons unknown, this manuscript was never published.14\n\nHaving recognized the mnemonic value of rhymed paraphrases, Professor Legge also prepared a rhymed piece which cleverly related to new students the titles, order, and distinctions of the many dynasties within traditional Chinese history.\n\n35", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212290, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 232, "title": "RAS-1990", "content_text": "209\n\n7\n\nThe texts translated by Legge were given the special subtitle, The Sacred Books of China: The Texts of Confucianism (Oxford: Clarendon Press, 1879-1891). They included six volumes (numbers 3, 16, 27-28, 39-40) in The Sacred Books Of The East Series under the general editing of F. Max Müller: Part I. The Shu King (the Book of Documents), The Religious Portion of the Shih King (The Book of Odes), and the Hsiao King (the Classic of Filial Piety) (XW) (1879); Part II. The Yi King (the Book of Changes) (58) (1882); Part III. The Li Ki (the Book of Rites), (禮記) I-X (1885); Part IV. The Li Ki, XI-XLVI (1885); Part V. The Tao Teh King (道德經) and the Writings of Kwang-Tze (莊子) (the Taoist Classics by Laozi and Zhuangzi), I-XVII (1891); Part VI. The Writings of Kwang-Tze, XVIII-XXXII, and the Thai-Shang Tractate of Actions and Their Retributions, (太上感應篇) with Appendices, I-VIII (1891). One of Legge's more important addresses in this field was to the Oriental Congress which met in Lyons and Florence during September, 1878. It was entitled, \"On the Present State of Chinese Studies and What is Wanted to Complete the Analysis of the Chinese Written Characters\" (September 16, 1878). Legge was Chairman of the Congress.\n\nAfter his Inaugural Address at Oxford, Legge quickly sought to attract students and any interested public by presenting very practical discussions of Chinese language. On November 7, 1876, he presented \"The Nature and History of the Chinese Written Character\". In 1878 another public lecture dealt with \"Principles of Composition in Chinese, or Grammar without Inflections\". By January, 1877, he was able to attract enough students to begin a course entitled \"Elements of Chinese and the Confucian Analects\". By the school year of 1881-1882, Legge was presenting classes on The Four Books, Laozi's (Zhuangzi) Daode Jing (道德經), and Chinese Poetry. See Oxford University Gazette, 1876-1877, pp. 64, 191; 1878-1879, p. 93; 1881-1883, pp. 200-201. The text he used for the grammar course in his early years at Oxford was Stanislas Julien's Syntaxe Nouvelle de la Langue Chinoise (ibid, 1877-1878, p. 193).\n\n* Besides the major Taoist volumes in The Sacred Books of the East, Legge also presented independent public addresses on Laozi and Zhuangzi (莊子) at Oxford's Taylorian Institute. The high regard Legge had for Zhuangzi can be seen in the typescript of the address, still available in the Bodleian. See Oxford University Gazette, 1889-1890, p. 92.\n\nLegge's response to Buddhism was very much influenced by the polemical attitudes of the Tang dynasty scholar, Han Yu, and other criticisms of Buddhism he read in Chinese tractates written by notable missionary scholars. He employed Han Yu's memorial against Buddhism as part of class readings beginning in 1883, added other texts to this in the late eighties and early nineties, and spoke publicly on \"The Purgatories of Buddhism and Taoism!\" in 1893. See Oxford University Gazette, 1882-1883, p. 558; 1884-1885, p. 339; 1892-1893, pp. 226, 491. His most important text and article relating to Buddhism are A Record of Buddhist Kingdoms, Being an Account by the Chinese Monk Fa-Hien of His Travels in India and Ceylon (AD 389-414) In Search of the Buddhist Books of Discipline (Oxford: Clarendon Press, 1886), and “A Fair and Dispassionate Discussion of the Three Doctrines Accepted in China', by Liu Mi, A Buddhist Scholar”, (London; n.d., presented to the Orientalist Congress 188?, pp. 563-580). The original source of publication for the article is not clear.\n\n† Besides the Buddhist texts mentioned above in §9, Legge also published Christianity In China: Nestorianism, Roman Catholicism, Protestantism. On the flyleaf is the following title: Christianity in China; A Rendering of the Nestorian Tablet at Si-an-fu to Commemorate Christianity. London: Trübner & Co, 1888.\n\nCf Lindsay Ride's \"Biographical Note\", in The Chinese Classics with a Translation, Critical and Exegetical Notes, Prolegomena, and Copious Indexes (Taipei: Southern Materials Center, Inc, 1985), p. 22. At the age of 26 he had been awarded a Doctorate of Divinity by New York University (1842).", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212293, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 235, "title": "RAS-1990", "content_text": "212\n\nKong CT. London Missionary Society Archives, South China, April 24, 1845: Legge writes to the headquarters, sending copies of Collie's work to them.\n\nC Andrew J Nathan, \"The Place of Values in Cross-Cultural Studies: The Example of Democracy and China\", in Paul A. Cohen and Merle Goldman, eds., Ideas Across Cultures: Essays on Chinese Thought in Honor of Benjamin I. Schwartz (Cambridge, Massachusetts: Harvard University Press, 1990), pp. 293-314. I quote here the three relevant sections.\n\n**After World War II] relativism especially recommended itself as a corrective to our society's nineteenth and early twentieth-century missionary impulses... that their way of life was not going to sweep the world.... (Ibid. p 296).\n\n**The relativist position |-| adopted in order to prevent missionary zeal from clouding our understanding of the non-Western world |. led in some cases to an equal but opposite kind of self-deception”. (Ibid. p 304).\n\n\"Evaluative universalism by no means requires a return to the missionary mode of promoting Western values. It is not a call for proselytism but an expression of the belief, first, that value differences when they exist can, and can only, be honestly expressed, and second, that beliefs originating in different societies can fruitfully be confronted with one another, compared, and judged, even though disagreement is expected to persist”. (Ibid. pp 312-313).\n\nRecorded in Legge's autobiographical account entitled \"Notes of My Life\" (pp. 25-27), kept now in the Bodleian Library in Oxford.\n\n12 These books are Paraphrasis Psalmorum Davidis Poetica (n.p., 1566) and Rerum Scoticorum Historia (ed. apud A. Arbuthnetum, 1582). English translations of both were available in Legge's time.\n\nLi\n\nThis version was apparently intended as a replacement of the earlier rendition of The Book Of Poetry published by Legge in 1871. It was a completely revised text of both the verse and the commentarial notes. Because it only included the English text and not the Chinese text which appeared in the first edition, however, the later Oxford edition of 1893-1895 republished the earlier text. A comparison of this earlier rendition with the second edition (which others called Legge's \"metrical“ Shijing \"jén) would display the kind of discipline Legge had as a translator of classical texts. See James Legge, The Chinese Classics: translated into English, with Preliminary Essays And Explanatory Notes – Vol III: The She King; or, The Book Of Odes (London: Trübner & Co., 1876). See also Alfred Lister, \"Dr. Legge's Metrical Shi-King\", The China Review 5:1 (July 1876), pp. 1-8.\n\n11\n\nThis Hebrew Psalter was prepared with a twenty-seven page introductory essay which included some critical commentary, and over three hundred pages of metrical paraphrases of the Psalms. Legge's position in presenting the Psalter was primarily meditative and not textual-critical; neither did this tome contain the kind of extensive commentarial apparatus which The Chinese Classics always included. Perhaps it is for some of these reasons that the manuscript was never published. It is now kept in the library of New College at the University of Edinburgh.\n\n14 The printed text of this poetic summary of Chinese history I found in the Oriental Studies Library in Oxford. It was clearly planned and printed as part of some larger work.\n\nFor the value of \"cherishing the old\", see the Analects 2:11, The Chinese Classics: Vol 1, op. cit., p. 49. Han Yu's opposition to Buddhist and Taoist superstitions, his courageous attack on their spiritual deceptions, and his consequent punishment must have stood as a courageous example to Legge. Han's specific interest in the old style, and his influence in stimulating interest in the renewed study of ancient texts and writing styles, parallels some of Legge's own interests.\n\n17 After graduating from King's College, the young James spent time with his father", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212294, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 236, "title": "RAS-1990", "content_text": "213\n\nand older brothers, discussing the possible future vocation he might take up. Becoming a minister or missionary was considered, but that was \"dependent on my becoming a true Christian, and I knew that I was not then such\". He decided to put off all final decisions and become a teacher (9) \"till my mind should become in a more settled condition on the great subject of religion”. Living with his older brother, George, in London in the interim, James went to hear many preachers, but was particularly impressed by the minister of Weigh House Chapel, a Mr. Thomas Binney. (Two years later, when he entered seminary and studied Chinese at the University of London, he made the extra effort to hear Binney's sermons \"frequently and always to my benefit^^.) Later, he heard a message by a famous Congregational minister, Dr. Me'all, on the vow of Jacob in Genesis 28. This encounter set in motion the determination on James' part to be a \"truer and more consistent servant of Christ'. These events took place in 1835 and 1836. Finally, while teaching mathematics and Latin in a school in Blackburn, James joined the Congregational Church in Blackburn. His comment on this commitment reflects his sense of duty and spiritual fulfillment: \"The doing what is right always brings with it an exhilaration of spirit, and gives concentration to the powers of the mind\". There is no note here of an emotionally ecstatic experience, but there is the overcoming of a deep and pressing burden of spiritual accountability. He completed this autobiographical account with the quotation of Biblical passages (predominantly Philippians 3:13-14) and with the Christian witness' simple statement; now he was following Christ, and Christ, he was assured, would not leave him. See James Legge, \"Notes of My Life\", op. cit., pp. 58-67.\n\nIn his eighteen months at the Blackburn school, James taught the upper class boys, who were only a few years younger than himself, mathematics and passages from a number of classical Latin sources. The young teacher later admitted that two texts he taught during this period left a deep impression upon him: Lactantius' Institutiones Divinae (Antwerp, 1539) and Boethius' Consolatio Philosophiae. The latter is particularly important because of the Augustinian commitment to which Boethius was bound: that philosophy could be an aid to and lead one on from the search for human understanding to a humble acceptance of a guiding trust in the living God. In addition, the well-structured poetic strains of Boethius may also have had a continuing impact in Legge's rendering of Chinese poetry, but by his own statement, it appears that George Buchanan's style was more often in mind as a model for translating. See \"Notes Of My Life\", op. cit., pp. 65-66, 72.\n\nT\n\nFor details on Legge's Highbury College experience and first studies in Chinese, see \"Notes Of My Life\", op. cit., pp. 80-87, 102-105.\n\n411\n\nBrian Harrison has written about Legge's attitudes at the Malacca site, arguing that he was a young and inexperienced missionary who stubbornly refused to adopt an older missionary's and other administrators' attitudes toward the College. Other research has challenged this opinion, showing Legge to have been stubbornly opposed to practices which he believed were not only religiously and ethically unacceptable, but also more aligned with both the London office and the original plans of Morrison and Milne. See Brian Harrison, Waiting For China: The Anglo-Chinese College At Malacca, 1818-1843, And Early Nineteenth-Century Missions (Hong Kong: Hong Kong University Press, 1979) and R. L. O'Sullivan, \"The Departure of the London Missionary Society from Malacca,\" Journal of The Malaysian Historical Society 23 (1980), pp. 75-83.\n\n41\n\nSee The Rambles of the Emperor Ching Tih in Keang Nan, A Chinese Tale. (Vol. 1, 320 pages; Vol. 2, 322 pages) trans. Tsin Shen, ed. James Legge (London: Longman, Brown, Green and Longman, 1843). The second work was attributed to Legge by Alexander Wylie, who [according to Dr. R. Gary Tiedemann, currently of the School of Oriental and African Studies at the University of London] was also tutored in elementary Chinese by Legge during the latter's first furlough (1846-1847) See A Lexilogus of the English, Malay, And Chinese Languages; comprehending the vernacular idioms of the", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212455, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 9, "title": "RAS-1991", "content_text": "would be surprised how many members have actually published a book over the last two or three years or are going to publish in this forthcoming year. We are a society whose members get consulted on a variety of matters from the Urban Council when they set up the Hong Kong Museum of History, to the Hong Kong Government when seeking assistance for the grading of historical buildings for the Government Antiquities Advisory Board, and by the Legislative Council inviting us to make representations on the Council elections and even from abroad by people who want to know for instance about how Chinese junks are constructed; we even have applications from persons who wish to work for the society full-time but unfortunately they wish for remuneration! So although we are inclined to look back, historically, we are a Society whose members consist of people from all walks of life and who take an active forward-looking interest in Hong Kong and events which are likely to affect the future well-being of the Society,\n\nAll this may sound too self-congratulatory and in some ways it is: there are of course some problems, but before coming up to them I would like to briefly outline what we have actually done to justify our existence over the last year. First and foremost there is the Journal. The 1989 Journal was published recently and if you do not have your copy please see the Assistant Secretary. I think you will agree with me that it is full of interest and is up to the high scholarly standards we have come to expect. For this we have to thank not only all contributors but particularly our Editor Dr. Patrick Hase. He has toiled long with spectacular results: but even so we are asking him to toil even harder to get out the 1990 Journal and we are hopeful this will be published later this year.\n\nThe next area I wish to highlight is the Programme: the Society has a Programme Committee under the able Chairmanship of Mr. Peter Leeds and arranges a variety of talks and visits: for the last year there have been the following talks:\n\nFather Louis Ha\n\nDr. Graeme Lang\n\nMs. J. Bresnihan\n\nMr. Peter Lee & Judy Bonavia\n\nDr. Patrick Hase\n\n150th Anniversary of the Catholic\n\nChurch in Hong Kong\n\nRise of a Refugee God\n\n(Wong Tai Sin)\n\nGovernor John Pope Hennessy\n\nTibetans and Tus\n\nNew Territories Poetry and\n\nFolk Song\n\nviii", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212516, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 70, "title": "RAS-1991", "content_text": "50\n\nby combing through all of Ruan Yuan's publications, more than 30 published chronological biographies (lie zhuan) of Ruan Yuan of various lengths in Chinese; one essay each about him written in English, French, German and Japanese; numerous annotated catalogues of Qing writings; literally hundreds of biographies or biographical notes of Ruan Yuan's contemporaries who might have had an affiliation with Ruan Yuan; and as many informal writings by these scholars as I could locate and tolerate. I did not include anyone, no matter how well-known, whose association with Ruan Yuan appeared to be only incidental. For instance, I did not include Commissioner Lin Zexu (1785-1859) who paid a courtesy call on Ruan Yuan in Yangzhou after he was dismissed from office in 1840 or 1841.\n\nI have found information on these 200 individuals, some more complete and others only sketchy. The main reason for their association with Ruan Yuan was a common interest in scholarly pursuits, encompassing calligraphy, textual criticism, ancient inscriptions, phonetics, etymology, historiography, poetry, and, in a less expected area for 18th and 19th century China, a concern for the environment, but Ruan Yuan also had among his associates people with lesser scholarly achievements, perhaps, but with greater claim to his largess, for instance, relatives, townsmen, and other scholars he had to accommodate.\n\nThrough Zhu Gui, Shao Jinhan (1743-1796) and Wang Niansun (1744-1832), had exposed the young Ruan Yuan to the new vistas of the School of Han Learning as well as the application of the empirical method devised by Dai Zhen (1727-1777) to investigate the Classics. Ruan Yuan was to become a powerful exponent of Han Learning. Bi Yuan had introduced to Ruan Yuan the excitement of studying ancient inscriptions on stone. Zhang Xuecheng had written to Ruan Yuan “about collecting antiquities in Zhejiang, an activity Ruan Yuan might be interested in in his leisure time.” Zhang also decried that \"there were many libraries and a strong historical tradition (in Zhejiang in the past); many of the scholars who worked on the Yuan and Ming histories came from this area, and there were better historical collections here than elsewhere, But all is scattered and lost!\" In time, Ruan Yuan was to cajole private collectors to preserve and catalogue their libraries, and looked for titles which had not been included in the Si ku chuan shu.\n\nA number of senior scholars received largess from Ruan Yuan. Two", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212765, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 74, "title": "RAS-1992", "content_text": "59\n\nprevail elsewhere, and some of the descriptions held good for the whole of China. But,' continued Mesny, 'China is a large Empire, and General Tcheng was too young when he left China for Europe to have seen much of his own country. He was no doubt much better acquainted with Parisian manners and customs than with many manners and customs which prevail in many parts of the Chinese Empire. Nevertheless, his book deserves to be read more than once, even by me, who have seen so much more of China and the Chinese than General Tcheng has so far. Had I the literary qualifications of the writer of Les Chinois, Peints par Eux-memes, I could write at least a dozen such books on China and the Chinese without exhausting the stock of information I have acquired during my forty-four years' residence in the country. I have been treated in some parts of China much the same as General Tcheng was treated in Paris,'\n\nThe Miscellany probably just about paid its way though from the occasional note of sadness though not despair which appears from time to time, Mesny must have continued more for the desire to make a living and perhaps also to keep his name before the public eye rather than to earn a fortune. It was by no means smooth going and at times he must have upset individuals and even groups such as the announcement he made in July 1899 that his Miscellany was being boycotted by the press, bankers, insurance and shipping agencies and by shopkeepers. He bemoaned the fact [Volume II, Issue 28: Sep 1896] that the loss on the first year's publication was over $2,000.\n\nSeveral times in the course of his Miscellanies Mesny repeats a disclosure of a titbit of news or political scandal to prove that he was first and that the North China Daily News and the Shanghai Mercury had simply copied his original scoop without attribution.\n\nA number of magazines were being published around this time on the China Coast such as The East of Asia Magazine, printed and published by the North China Herald Office in Shanghai, a quarterly illustrated consisting of essays on topical subjects such as Chinese customs and superstitions, gems of Chinese poetry, bits of Fukien travel, Ningpo under the T'ai-ping's, etc mostly written by reasonably well known people. It only ran for a couple of years. Another was Social Shanghai, a monthly glossy journal relating western social happenings mostly in Shanghai but in a few instances referring to the outports. It consisted of the usual society articles, including births, deaths and marriages, the races, and lengthy pieces about the Shanghai Volunteer Corps. This ran", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212943, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 11, "title": "RAS-1993", "content_text": "Lectures:\n\n1993\n\n16 April\n\n14 May\n\n11 June\n\n9 July\n\n15 October\n\n30 October\n\n19 November\n\n26 November\n\n9 December\n\n1994\n\n21 January\n\n18 February\n\n11 March\n\n21 March\n\nChinese Opera Di S.Y Chan\n\nGrowing Up in China Mr Denis Bray\n\nNew Territories Poetry and Song Di Patrick Hase\n\nThe Li Family of Hong Kong Mr Frank Ching\n\nChinese Festivals in Hong Kong. Dr Patrick Hase based on video taken by Mr. Peter Lee\n\nMult-culturalism and Asia Asian Arts Society of Australia Dr. James Hayes\n\nEmigration from Hong Kong Dr. Elizabeth Sinn\n\nLaw as a Foreign Language Professor Derek Roebuck\n\nTriad Societies in Hong Kong Mr. Ip Pau-fuk\n\nWilliam Mesney. Mr Keith Stevens\n\nChinese Clothing An Illustrated Guide Mis Valery Garrett\n\nEternal Serenity Meaning of Architecture of the Chinese Buddhist Monastery Di Puay-peng Ho\n\nAncient Chinese Gold Dr Simon Kwan\n\nCrossing the Taklamakan Desert Mr Charles Blackmore\n\nVisits:\n\n1993\n\n3 April\n\n2 May\n\n22 May\n\n5 June/September\n\n25 June\n\n3 July\n\n30 September\n\nExhibition of paintings by Nancy Woo - Fung Ping Shan Museum, HK University\n\nJewish Cemetery\n\nMer Yung Tang Collection of Paintings by Chan Dai Chien Chinese University Art Gallery\n\nMarine Police Headquarters in Tsim Sha Tsui (two visits)\n\nJapanese Tea Ceremony - Fung Ping Shan Museum, HK University\n\nPicnic and outing to Yuen Tun Village Civil Aid Services Camp, Tar Lam Chung\n\nWo Hang Village to see making and letting off of paper balloons (Moon Festival)", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213329, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 151, "title": "RAS-1994", "content_text": "133\n\ncommemorative book plate. Another of Y F's gifts to me, was a tape recording of his recitation of Chinese prose and poetry from his former school textbook, the Kwu Man in the manner taught in his schooldays at a private academy in Hong Kong. This unique recording is now in the Museum of History, and was used as audio background to a recent exhibition there on the history of education in Hong Kong. \"Y.F\" had joined the Society in its early years, but was later made an Honorary Member in recognition of his interest and personal services to it over a long period. Until increasing debility made it impossible for him to attend, he used to accept our invitations to be a guest at the dinners that followed the Annual General Meetings,\n\nLocal Tours\n\nDuring my long years as an office bearer of the Society in Hong Kong, I have organized many local tours for members and their friends. This was - and when I get the chance, still is – a labour of love. Year in year out, the \"Local Tour Programme\" has exploited the wide variety of topics and locations available for visits. In my time, they were made possible by the contacts generated by my government posts, and by the friendliness of the local people, who never hesitated to make us feel welcome. Always popular and well-attended, they have provided opportunities to view places and things of historical interest and see people in their home surroundings. In addition, some of the tours have enabled visitors to learn something of Hong Kong's modernization and progress over the years, especially in the New Territories where there is still an opportunity to see the new and the old side by side. On my regular visits to Hong Kong since coming to live in Sydney, I have been glad to see that the tradition continues and that the Local Tours Programme goes from strength to strength, with good attendances and the occasional need to repeat the more popular visits. This has reminded me of some \"monster\" visits, like the Hong Kong Island tour of November 1989, when I took four coach-loads to many locations one Saturday, and had to give members time to return to the buses at each location as, with such large numbers, \"whipping in\" was impossible.\n\nTo convey the flavour of such visits, I have included a few notes of tours that took place in the last twenty-two years. They are included here to illustrate the scope and variety of the RAS programme, and may also bring back some happy memories of readers who took part.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 214197, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 55, "title": "RAS-1998", "content_text": "18\n\npeople believe, and there appears to be truth in this (with greater use being made of the Chinese language since the Handover), that Hong Kong as a city-state is becoming more Chinese. Although this can affect the development of Hong Kong humour it is expected to be more than offset by globalisation and the world-wide effects of radio, television, the Internet and information technology.\n\nThe late Lin Yutang postulated that a Chinese believes, while getting in a few puffs while standing in front of a no-smoking sign, that the world is a stage where drama and high comedy abound. Life is a huge farce and one must not take matters too seriously, whether they be government reforms or funerals (Lin, 1936:65). The latter have a certain amount of 'gaiety' about them. Sending a person on his or her last journey to confront the final mystery of life should, it is believed, be expensive. The Chinese consider only Europeans (Lin insists) take funerals seriously and try to make them solemn affairs. What is wrong at a funeral in getting a few words across to a pal, about horse racing or morning walks, when you have not seen him for a long time? The man who takes life too seriously and obeys all the rules (according to Lin), and keeps off the grass when nobody is looking, appears ridiculous. In addition Chinese humour often takes a tolerant view of vice and evil. Instead of condemning them outright why not make fun of them? Lin Yutang believed humour could transcend cynicism and be used for other and better purposes than reconciling oneself to one's down-trodden position.\n\nAccording to Lin Yutang (1936:64), first-class humour is to be found in the Confucian Analects. \"After all, Confucius is quoted as having said, because Tsai Yu napped during the day:\n\nRotten wood cannot be carved nor a wall of dried dung trowelled. How would I rebuke him?\n\nA saying like that is always good for a chuckle.\n\nMuch humour is to be found in Ming dynasty novels, in Hong Kong's New Territories' folk songs (largely forgotten except among the elderly), and in the poetry of the drunkard, Li Po (alias Li T'ai-po), who lived in the eighth century. He made much of the solace and lib-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214337, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 195, "title": "RAS-1998", "content_text": "159\n\nhome and the work and pleasure of establishing common cause with fellow men and women in the whole of China could progress on a less awkward foundation.\n\n(0)\n\n(2)\n\n(3)\n\nNOTES\n\nIllustrations from the Illustrated London News are reproduced by permission of The British Library, shelfmark PP7611(42).\n\nThe following convention is used: when \"[]\" appears within a quotation, this represents that the present writer has either added letters or words missing in her copy of the original, or has supplied an explanatory comment.\n\nThe author is Associate Professor in the Department of English Language and Literature, Hong Kong Baptist University, and author of The Golden Needle: The Biography of Frederick Stewart (1836-1889), published by the David C. Lam Institute for East-West Studies, 4 Renfrew Road, Kowloon Tong, Hong Kong, 1997. ISBN: 962-8027-08-5.\n\nEducated in the United Kingdom, she has previously taught English Literature at the University of Lagos, Nigeria (she was there during the Civil War), the University of Hong Kong, and the University of Auckland, New Zealand. She has worked for Longman University of Auckland, New Zealand. She has worked for Longman Far East as an English-language editor, and she is an occasional freelance writer and journalist. She was briefly an Assistant Mistress at St Stephen's Girls' College, Hong Kong. Previous publications include articles, papers, presentations, and reviews on George Orwell, Leonard Woolf, Lafcadio Hearn, A. C. Swinburne, African Literature in English, New Zealand poetry, and numerous contributions on education in Hong Kong, with a particular focus on the creation of the Government education system under Frederick Stewart, the contributions of the first Anglican Bishop of Hong Kong, George Smith, language policy and standards from 1841 up to date, expatriate teachers, the learning of Chinese by non-Chinese, and the training and supply of translators in early Hong Kong. She has published a Bibliography of Hong Kong creative writing in English. Her entry on Frederick Stewart, commissioned by the New Dictionary of National Biography, has been accepted, and she has now been commissioned to write a revised entry on Bishop Smith, first Anglican Bishop of Victoria (who was the first Warden of St Paul's College, and based in Hong Kong).\n\nShe is married to Dr Verner Bickley, MBE, formerly Assistant Director of Education and founding Director of the Institute of Language in Education in Hong Kong (now absorbed into the Hong Kong Institute of Education).\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214810, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 225, "title": "RAS-1999", "content_text": ".... \n\n190 \n\nby unnatural ones, namely nations and states', an argument against the discourse of the authentic/inauthentic which raises some of the problems of real/virtual communities dealt with here in Conclusion. \n\n6 Baudelaire (1863) in Harvey (1989). \n\n7 \n\n8 \n\nAs Lowenthal (1985) noted of the whole industrial era, \"The great changes of the time...made nostalgia pervasive. By the turn of the century all Britain seemed bent on nostalgic quest'. \n\nCf. Evans and Tam (1997) on the expatriate interest in 'tradition' in Hong Kong. \n\nFor a detailed assessment of the works of some of these local scholars, see Law (1998). \n\nIt is not only the colonialist 'who becomes defender of the native style', as Fanon had it, but to some extent the colonial subject and the post-colonial. For a very general overview of Chinese globalisation, see Ong (1999). \n\nAbbas (1997) confuses the discussion of Hong Kong as a place with its people, and talks of the 'cult of the ephemeral' as if modernity had only happened in Hong Kong. This is poetry (and somewhat hysterical poetry), not analysis. It is easy to say that 'the difficulty with locality in Hong Kong is locating it', or to emphasise as Siu (1999; cf.1996) does that 'the Hong Kong identity is attached to a territory without clear boundaries', or to emphasise as Wong Siu-Lun (1999) does the skilled manipulation of multiple identities by migrants from the south China coast. But Wong emphasises that these identities are also ‘effective shields to deflect state domination', while Siu (1999) speaks of ‘a distinct Hong Kong ethos' which is unique and has emerged from a particular history; 'Hong Kong was not a barren rock when the British came'. \n\n12 Chan (1994) starts from an outmoded notion of culture which he thinks is anthropological'. He then finds it difficult to understand how Hong Kong can have contradictory or diverse cultural values. \n\n13. The notion of 'Chinese' here, though, would repay further examination. Is it zhongguoren which is meant (citizens of China), or tongren, the conventional term for the southern Chinese? \n\n14 Dirlik (1994) too, seeing the post-colonial as a critique of the ideology of global \n\nPage 225\n\nPage 226", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214843, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 258, "title": "RAS-1999", "content_text": "225\n\nNOTES\n\nNot all the materials for this study are available in Sydney libraries, and I have been obliged to take extracts from secondary sources where it has not been possible to consult the originals.\n\n2 William C. Milne, Life in China (London, Routledge, Warnes & Routledge, New Edition, 1859), p. 1.\n\n3 Davis had been a long-serving member of the Honourable East India Committee's Select Committee at Canton, and was a skilled linguist and translator.\n\n5 Sir John himself provided a light-hearted anecdote in the Introduction to a revised and augmented edition of another of his books, The Poetry of the Chinese, published in 1870. This tells its own story. \"When this Treatise was first printed (now more than forty years ago), with types brought from China, in the quarto Transactions of the Royal Asiatic Society, the foreign [i.e. Chinese written] character was so little known in England, that Lord Palmerston, with his usual pleasantry, said he took it 'at first sight for a work on Entomology'.\" (Sir John Francis Davis, The Poetry of the Chinese (Paragon Book Reprint Corp. New York, 1969 of the original, London 1870, p.v)\n\nConcerning the Chinese statecraft reformer Wei Yuan, Jane Kate Leonard comments, \"Never for a moment did he conceive of the West as a new and unique center of culture and civilization in any sense comparable with China\": in Wei Yuan and China's Rediscovery of the Maritime World (Harvard University Press, 1984), pp.3-4.\n\n6 George Henry Mason, The Costume of the Chinese (London, William Miller, 1804), preface.\n\n7 \"An Observer\" in Vol II of this publication, p.111.\n\n8 Lieutenant John Ouchterlony, The Chinese War: An Account of All the Operations of the British Forces from the Commencement to the Treaty of Nanking (London, Saunders and Otley, 1844), p.37.\n\n9 Ouchterlony, pp.37-8.\n\n10 Wyndham Baker wrote home: \"I have read every work I can get hold of", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214959, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 55, "title": "RAS-2000", "content_text": "10\n\nLin Zexu and the Conflict\n\nLin Zexu is not the subject of this paper. However, since he is the central figure of the Symposium, it seems appropriate to devote some little space to this extraordinary man, who no doubt cast a giant shadow on Anglo-Chinese relations.\n\nEmperor Qianlong, great emperor though he was, apart from issuing prohibitive edicts seems to have done little to stop the opium trade. Jiaqing (1796-1820) who followed was equally ineffectual. His successor Daoguang (1821-1850), however, was a man of a different mettle. In 1836, Imperial edicts having failed to check the opium trade, the problem was hotly debated in Beijing. There was one faction that favoured legalizing opium importation and so turning it to public profit. To this Emperor Daoguang replied: 'It is true, I cannot prevent the introduction of the flowing poison; gain-seeking and corrupt men will, for profit and sensuality, defeat my wishes; but nothing will induce me to derive a revenue from the vice and misery of my people,\" noble words by a great monarch. In 1839, deciding to take forceful action, the Emperor appointed Lin Zexu as his Commissioner charged with total eradication of the infamous trade. Commissioner Lin journeyed to Guangzhou and immediately ordered all commerce in opium to be stopped. He further demanded that merchants should surrender all stocks and sign a bond to cease importing, in effect laying the factories to siege. This much is well documented as well as the ensuing course of events which led to the 1st Opium War.\n\nLin Zexu presents an interesting character study of contrasting portraits. For many years the British sources had portrayed him as 'fierce, unscrupulous, and fanatical.'\" Most of the known paintings of him show a fierce, pugnacious countenance. It is, therefore, gratifying to include in this paper a reproduction of a rare painting depicting him as a handsome man with a dignified yet kind expression on his face.** Gradually the picture has changed and Lin is being recognized as an intelligent and learned man, a capable and resolute official, a competent administrator, and a fair and just dispenser of the law; most importantly, he was incorruptible. A modern, progressive man, he observed, however, all the Chinese ceremonies, made sacrifices at temples, and made offerings to the spirits of his ancestors. He liked poetry, which he practised for his own leisure. A man who, at the height of the opium", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215327, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 104, "title": "RAS-2001", "content_text": "52\n\n1101. Though well known for his poetry, he was a celebrated scholar-statesman who has been deified by popular acclaim. However, though not recorded as such, it would be unlikely for him not to have been deified by posthumous imperial decree, an honour coming into vogue at that time.\n\nHe was born in Meixian in Sichuan province and died in Changzhou in Fujian shortly after being permitted to leave exile on Hainan island. His father was a distinguished scholar, and owing to his father's long absences from home, Su received most of his education from his mother. At the age of 21, he entered the state examinations and headed the list of competitors. He rose in public office and was prominent among the strenuous opponents of the political economist, Wang Anshi. His first fall from grace in 1079 was from ministerial office when he was downgraded to be Governor of Hangzhou Fu. In 1086, at the start of a new reign, he was restored to favour but again incurred imperial displeasure, this time being exiled, first to Huizhou in Guangdong and finally to the semi-barbarous island of Hainan in 1097 where he was appointed to the petty office of sub-prefect of Yaizhou. During his exile, having complained that Hainan was wild and its \"frontier\" people, settlers from the mainland, without culture, he took a genuine interest in their welfare as well as the welfare of the original non-Chinese inhabitants. He was permitted to return from banishment in ca. 1100 and died shortly after. He spent the four years of his exile in Hainan in Wenchang, in the north-east of the island, and was the first great name in Chinese history connected intimately with Hainan. His memorial temple in Haikou in Hainan island is now a museum. Within the grounds of the temple is the spring which he is said to have had dug during a severe drought.\n\nd] Zhu Chuping was a magistrate in Hainan who had preceded Su Shi in the post as magistrate by some twenty years.\n\n3: Major Hainanese Deities noted in all Hainanese communities\n\nThese are uniquely Hainanese Gods\n\n13\n\na] Images of the Marquis of Wenzhou, Wenzhou Houwang\n\nI have been seen only on altars in temples founded and run by ethnic Hainanese. According to devotees, he is uniquely worshipped", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215430, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 207, "title": "RAS-2001", "content_text": "156\n\nPopular Jesuit devotional manuals of the times prove useful. A good example is a 1617 book of poetry that was quickly disseminated after its author's death. The Officium parvum Immaculata Conceptionis, or Small Office, by the Spanish Jesuit St. Alfonso Rodriguez intersperses a brilliant cluster of Marian symbols amongst its prayers. Besides the Fountain, the Spotless Mirror, the Enclosed Garden and the Cypress, the Small Office also sings the praises of the Palm tree, the New Star of Jacob, the Eastern Door of the Temple of Jerusalem, the Port of Shipwrecks and others. Thus, the closed door underneath the decorative pyramid topped by a globe seen on the farthest right-hand bay of the façade can be equated to Rodriguez's porta orientalis of the Temple of Jerusalem, taken from Ezekiel, which remained ever closed after the Lord Yahweh had passed through it.\n\nOther carved symbols can be deciphered with other contemporary texts. For instance, one of the three left bay reliefs carved on the base of the third storey shows the seven-branched candlestick of the Jewish Tabernacle. Here it is reasonable to infer that this is a literary conceit typical of much of sixteenth century Mannerist literature in Europe. Thus, through allusion Mary's immaculate earthly body has been likened to a tabernacle and related to the Eucharistic mystery. This is because Mary carried the baby Jesus in her womb in the same way that the consecrated host is housed in a tabernacle, a cryptic simile known from Counter-Reformation religious literature.”\n\nSuch an interpretation is further confirmed by the reliefs decorating the section of the base of the third storey below the two adjoining bays, as well as the left volute. They show a stylised vine and a small monstrance amid branches with berries.\n\nThese reliefs correspond to the flowering plants that adorn the mirror on the right. Like the flowered pedestals of the columns, these plants seem to be more decorative than symbolic, depicting specimens of Chinese or Japanese flora in which Far Eastern artists have been encouraged to integrate more traditional painterly images with images of Western origin. As is the case with the gargoyles in the form of Chinese lions, they attest to the significant role played by Chinese and Japanese artists in the design and execution of the decoration of the church.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215848, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 147, "title": "RAS-2002", "content_text": "80\n\nAppendix:\n\nA Failed Scholar\n\nBy the late 1950s, degree men like Mr. Lo Sheung-fu were few, but it was still possible, by enquiry in the villages, to seek out some old men who, in the language of an earlier day, were failed scholars. By great good fortune, when District Officer, South, I was able to visit one of their number in Ho Chung, one of the larger villages of the Sai Kung area.\n\nBorn in 1876, old Mr. Chan Min-yue was already 86 years old. His house was still older, and its interior, blackened with soot, had like its owner seen better days. The dwelling was one of several within a large courtyard, approached from the outer village street by an entrance gate, and situated within his own clan's section of the village.\n\nBent and shuffling in his gait, Mr. Chan was rather deaf. He could not see very well, and his voice quavered, but he responded well to my enquiries and his memory was still good.\n\nHis education had been long and ultimately expensive: first, at little cost, in his own village school for seven years, then in Canton for another six or seven at a considerable annual outlay to his father. One hundred silver dollars was the figure mentioned, though this was probably an approximation intended to convey the sense of expense. Board and lodging had been required, as well as tuition fees. All in all, he had taken the prescribed examinations leading to the first degree five or six times, but always without success. His father had become reluctant to spend even more money, and the young man had to return to the village. He then went into business with a herbal and Chinese medicine firm in a market town, which (he told me) provided him with a pension when he retired.\n\nUnlike many other failed scholars, Mr. Chan had never taught school, but his proficiency in writing scrolls and couplets had been recognized and utilized in the village and neighbourhood. He carried on with his calligraphy until old age and increasing debility obliged him to stop. Men of this type were accustomed to meeting together for literary pursuits. They composed poetry and discussed its merits, held literary competitions, and wrote scrolls and couplets, replicating at the local level the more prestigious gatherings of senior officials, gentry and literati of the kind to be found in all the district and prefectural cities of China, and in the provincial capitals, like Canton.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215961, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 260, "title": "RAS-2002", "content_text": "194\n\npart in shaping the openness Ch'ea expressed once he had heard about the Christian message from these two Chinese colporteurs. Would he have rejected it if the speakers were Scottish missionaries? It is highly probable that he would have resisted such an obvious foreign intrusion. But as he began to read the Delegates' Version of the New Testament presented to him by A-Wye, Ch'ea read a Sacred Sutra (Shèngjīng23) very different from the texts read by Hóng Xiùquán (1814-1864) twenty years earlier. Previous translations had been prepared primarily by foreign missionaries, always in consultation with some \"native informants,\" but hardly proper persons qualified to act as \"expert consultants\" on translation problems. The Delegates' Version, on the contrary, was the result of a rigorous process of interaction between foreign missionaries and traditionally trained Chinese informants, among them the young scholar, Wáng Tāo.24 Among their translation goals was the concern to create a translation attractive in style to a relatively educated Chinese person, in essence, a Bible with a Ruist flavour. When Ch'ea read the Delegates' Version of the New Testament, he felt the influences of a Ruist mind shaping the ideas of the text in numerous obvious and more subtle ways. In addition, and this very much due to Legge's personal commitments regarding the so-called \"term question\" debates, Ch'ea read a Shèngjīng which referred to \"God\" as shàngdì, the classical term in the Ruist canonical texts of the Book of Historical Documents (Shūjīng or Shàngshū) and Book of Poetry (Shījīng) for the supreme \"Lord on High.\"26\n\n25\n\nNo precise record of the dialogue between A-Wye, the colporteur, and Ch'ea, the keeper of the Poklo temple to Master Kong, was ever made. What is relayed through a letter conjointly written by Legge and Chalmers in 1856 is the following. Since A-Wye and his colleague intended to leave Poklo very soon for other areas in eastern Guangdong, they presented Ch'ea with a copy of the Delegates' Version of the New Testament and then proceeded eastward, promising to return sometime later. Their discussion had apparently focused in part on passages describing Jesus' dialogue with the Jewish literatus, Nicodemus (John 3: 1ff) and the Samaritan woman (John 4), dealing with the question of", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215968, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 267, "title": "RAS-2002", "content_text": "201\n\nMore fundamental to Ch'ea's self-defence was a claim inherent in those translations of the Shengjing, the Chinese Christian Bible, which employed shàngdì as the key term for the Christian God. When Jesus spoke about \"conversion,\" the Chinese phrase suggested a “return” (gūixiàng) rather than a \"turning.\" One who \"turned\" to the Christian God through the sacrifice of Christ was \"returning\" to the Lord on High (shàngdì) worshipped by the ancient sages as mentioned in the Book of Historical Documents and Book of Poetry. For a Chinese to become a Christian was, in the final analysis, to return to the religious worldview of the sage kings and to experience a new fulfilment of their own Ruist cultural heritage.49\n\nPerhaps it was this strain of Chinese Christian theology which was partially influential, though never stated explicitly, in sparing Ch'ea from civil punishment. Probably some months after he had left his post at the local temple, Ch'ea was arrested by government officials and his Christian books were seized. Ostensibly the charge was that he had \"been deceiving the people with heretical doctrines,\" but there were probably other concerns also motivating the officials' harshness. After the initial battles of the new Sino-British war, issues probably not fully known by Ch'ea, all suspicious citizens with obvious foreign connections were being questioned. The threat of foreign invasion determined by the outcome of war and not restrained by any other known international legal institution greatly threatened the Qing hierarchy and Chinese citizens in the Manchurian empire. As a consequence, Ch'ea had this additional complication to face in addition to other, probably more expected, cultural oppositions. After \"squabbling for about three hours\" and trying to \"practice extortion\" on Ch’ëa, who “fearlessly” did not “answer them a word,” nothing could be found as evidence to place him in either a cangue or chains. Did the officials peruse the books and come up with other conclusions? Or was it merely that they found Ch'ea was a poor man without money, and so \"they pretended to be in a great rage\" and let him go?", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216327, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 86, "title": "RAS-2003", "content_text": "35\n\nremarks each still makes about the other to this day. Northerners thought that Cantonese were quick and tricky, often rebellious, and overly concerned with money. They rarely got a good press from the officials, Manchus or Chinese from other provinces, who were posted to the South.\n\n‘Ungrateful and avaricious,' the Emperor was advised by the Imperial Commissioner in Canton in 1841, who said he wrote in these terms 'after personal observation of the character and disposition of the people of this province,23 Earlier, in 1807, a Viceroy observed that 'not only do the common people desire to obtain money, and do all they can to get it, but the gentry talk of nothing else but money.24 In 1847, the Xinan magistrate commented, 'In Kowloon, the people mingle with foreigners, and the custom of the residents is that they value money and material things and belittle poetry and studies.'25\n\nCantonese also had a reputation for being rude to Westerners. Returning with the Amherst Embassy from Beijing in 1816, the future Sir John Davis recounted that, upon approaching Canton, 'Here for the first time in the course of our travels, my ears were greeted with the sounds so frequent and familiar at Canton, Fankwei and Hoong-maou, \"Foreign devil\" and \"Rufus\" - without having the slightest personal claims to the last distinction, however indisputable my claims to the first.'26\n\nThe Boat People of Canton\n\nThe Canton waterfront was noted for the very large number of boat people whose tiny craft were anchored off and along the whole frontage. These were the Tanka, or indigenous boat people of the Pearl River Delta. They appear in many of the China Trade Pictures, whether lying off the Foreign Factories or at Whampoa, Lintin or Macau.\n\nThe river attracted the intense interest of foreigners because of the numbers and great variety of craft and activity to be seen upon its crowded, animated waters. They were impressed by the most remarkable degree of 'order' reigning, but were less enthusiastic about the 'noise of the music, gongs, and other discordant sounds' which 'defied description', compensated in part by the night scene, 'when all the boats display coloured lanterns [and] the scene is extremely pleasing.'\n\nThe boat people provided utility services to the factories and ferried", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]