[
    {
        "id": 205658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 200,
        "title": "RAS-1968",
        "content_text": "THE LIBRARY\n\n195\n\nSCOTT, A. C.\n\nTraditional Chinese plays, tr., described and annotated by A. C. Scott: Ssu Lang visits his mother and The butterfly dream. Madison, Univ. of Wisconsin P., 1967.\n\nSICKMAN, Laurence C. S., ed.\n\nEarly Chinese art. Newton, Mass., University Prints, [194-?] Monochrome reproductions in portfolio.\n\nSIMON, Walter.\n\nFunctions and meanings of erl. London, Taylor's Foreign P., 1952-54. 4 pts.\n\nReprints from Asia major: a British journal of Far Eastern studies, new series, v. 2, pp. 179-202; v. 3, pp. 7-18, 117-131; and v. 4, pp. 20-35.\n\nSIMPSON, William.\n\nThe Buddhist praying-wheel: a collection of material bearing upon the symbolism of the wheel and circular movements in custom and religious ritual. London, Macmillan, 1896.\n\nSPENCER, Cornelia.\n\nMade in China: the story of China's expression. London, Harrap, 1947.\n\nSTAUNTON, Sir George Leonard, 1st Bart.\n\nAn authentic account of an embassy ... to the Emperor of China. taken chiefly from the papers of the Earl of Macartney, Sir Erasmus Gower (and others). 2nd ed., corr. London, G. Nicol, 1798.\n\nThis set lacks the fol. vol. of plates.\n\nSTERICKER, John, and STERICKER, Veronica.\n\nHong Kong in picture and story. Hong Kong, the authors, 1953.\n\nSTERICKER, John.\n\nA tear for the dragon, London, Barker, 1958.\n\nSTOKES, Gwenneth.\n\nQueen's College, 1862-1962. [Hong Kong, privately published, 1962]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
        "rank": 0
    },
    {
        "id": 205991,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 71,
        "title": "RAS-1970",
        "content_text": "66\n\nCOLONEL V. R. BURKHARDT\n\nyellowish cream with two rows of largish black spots. Emergence took place so quickly after this observation that the stage could not be figured.\n\nThe insect, on emergence, hangs head down, forewings slightly separated and the long tails limp and crumpled. In fifteen minutes the expanding fluid has done its work, the tails are stiff and straight, and the butterfly opens the forewings for drying. If disturbed it attempts a short flight within half an hour of its first appearance. The males were fairly active in the breeding cage to which they had been transferred on pupation, and sought the side of the light. When released on a wooded hillside as dusk was approaching, they did not fly far, but settled with outspread wings on a nearby bush. Only one had a tail damaged in transit but, in nature, many of them are seen tailless, and they are hard to net in undamaged condition.\n\nAs Lamproptera curius was fully out on 9th June, and again reached its peak on 20th July, it would appear that at the most favourable period of the year the cycle is just under six weeks. In spring and autumn it is probably extended to two months, and the butterfly may be expected to be on the wing from February in a mild winter to the end of November, or beginning of December which usually heralds the first cold winds from Siberia.\n\nImago. Wing span male: 36 mm. female 40 mm.\n\nForewing: both sexes pointed and very straight along the outer margin. Transparent with a black frame about 2 mm broad, with seven well-defined black veins from apex to tornus. The basal area black fringed with white which covers about half the hyaline area which is interrupted by a triangle of black from the leading edge (costal margin) to the last but one vein from the tornus.\n\nHind wings: upper part black crossed by a vertical white stripe continuous with the white on the upper wing. There is a tuft of white hairs on the base of the wing. The lower part of the wing, which is markedly elongated, is spangled with white dots, the inner edge being stepped and covered with reddish-brown hairs. The tails are 25 mm in length, and are black fringed with silvery white ending in a white tag.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206137,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 217,
        "title": "RAS-1970",
        "content_text": "210\n\nBOOK REVIEWS\n\nby prolonged contact with the urban environment. Excellent material for comparison with the Plover Cove situation exists in the Tai Lam Chung (1956) and Shek Pik (1960) removals. Like the Plover Cove villages, they were agricultural villages which were removed to urban Tsuen Wan to allow the construction of reservoirs. They have been resettled for a number of years, however, and a brief survey of their religious practices would provide the Christian Study Centre with a most interesting supplement to its information on the Plover Cove villages.\n\nHong Kong, 1970.\n\nELIZABETH L. JOHNSON\n\nNOTES\n\n1 p. vii of the book under review.\n\n2 More information on this village removal can be found in M. I. Berkowitz, \"Plover Cove to Tai Po Market: A Study in Forced Migration.\" Journal of the Hong Kong Branch of the Royal Asiatic Society. Volume 8, 1968, pp. 96-108.\n\n3 p. 142.\n\n* V. R. Burkhardt, Chinese Creeds and Customs. 3 vols. Hong Kong: South China Morning Post, 1955, and Wolfram Eberhard, Chinese Festivals. New York: Henry Shuman, 1952.\n\n3 p. 100.\n\n6 Ibid.\n\n7 Ibid.\n\n8 Ibid.\n\n9 See, for example, pp. 14-15, 116-117.\n\nTRADITIONAL CHINESE PLAYS, translated, described and annotated by A.C. Scott, Ssu Lang visits his mother, Ssu Lang T’an Mu, The Butterfly Dream, Hu Tieh Meng, The University of Wisconsin Press, 1967, Madison, Milwaukee, and London, pp. ix, 165, 13 photos hors-texte.\n\nA. C. Scott, the best Western specialist of Chinese and Japanese theatre, here gives us a translation of two Peking operas. The first, Ssu Lang visits his mother, is a tragedy which takes place in the second half of the tenth century, under the reign of the Sung. The son of a famous general has been taken prisoner by the barbarians, but, because of his fine looks, he is married",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206140,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 220,
        "title": "RAS-1970",
        "content_text": "BOOK REVIEWS\n\n213\n\nacademic subject. Indeed, Scott has tried this with American actors: the Butterfly Dream was played at the Institute for Advanced Studies in the Theatre Arts of New York. This approach to theatre breaks a new path in research. Generally speaking, academics store culture in books as if they were canning it — but tinned food loses its flavour. Here Scott treats Chinese plays as a living part of culture, made to be played, not to be kept in libraries.\n\nBut if the author, by trying not to cut culture off from life, shows that universities need not necessarily be funeral parlours of art, his publisher is singularly backward. It is very difficult to visualise movements from written descriptions alone. It would have been much better if we could have had photos and drawings of each movement in the margin and colour photos for the costumes; and if, as well as providing the tapes, the publisher could supply a little film. Books continue to be published on the same old pattern. In this instance, a little case with a tape, a film, an album of photos and the text itself would have suited the aims of A. C. Scott far better. A documentary film might have been even better than a book; but from my own experience here in Hong Kong, where I have tried to persuade companies and so-called “cultural” organisations to make a purely explanatory film on Chinese opera, I have learnt that films are the monopoly of a mafia and the scholar is condemned to be book-bound.\n\nHong Kong, 1970.\n\nANON\n\nGOLDEN GUIDE TO HONGKONG AND MACAO. P.H.M. Jones, Hong Kong, Far Eastern Economic Review Ltd., 1969, pp. 453, with colour and black and white illustrations and maps. HK$10. (Paperback)\n\nThe preface to this work states that the Far Eastern Economic Review had long planned a companion volume to its Golden Guide to South and East Asia in the form of a detailed guide to Hongkong. This has now materialized in the present Guide ‘which is designed primarily to help tourists and travellers on their way and to sharpen their interest in the modern scene'. The compiler",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    }
]