[ { "id": 204263, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 31, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n28\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nEnkianthus quinqueflorus (Chinese Bell) Callistemon rigidus (Red bottle brush) Melastoma candidum (Melastoma) Musseander pubescens (Buddha's Lamp) Ixora chinensis (Flame flower)\n\nCLIMBERS Bauhinia glauca (Pink climbing Bauhinia)\n\nPyrostegia venusta (Fire cracker vine) Lonicera confusa (Honey suckle)\n\n4\n\nHERBS\n\nBongainvillea spectabilis (Bongainvillea) Nelumbium nelumbo (Lotus)\n\nPlatycodon grandiflora (Hong Kong Canterbury Bell) Epiphyllum sp. (Night Blooming Cactus) Mimosa pudica (Sensitive Plant) Hemerocallis fulva (Day Lily)\n\nLilium brownii (Local Chinese Lily) Iris speculatrix (Hong Kong Iris) Arundina chinensis (Bamboo orchid)\n\nHabenaria susannae (Susan orchid)\n\nShort comments were made for each slide and some perhaps deserve recording.\n\nIn temperate countries, plants bearing legume fruits are mostly herbaceous, but in Hong Kong the woody habit of trees, shrubs, and climbers of this order predominates. There are the many different species of Bauhinia, recognized by their bilobed leaves; Delonix regia, or Flame of the Forest, first introduced to Hong Kong in 1908 from Madagascar; the many different species of Cassia with their pink, white, or yellow blooms, and the Erythrina with their coral red flowers. The cultivation of these has greatly beautified our landscape.\n\nThe indigenous plants of Hong Kong require popularizing. Examples are Bauhinia blakeana, discovered in 1908 by Fathers of the Mission Etrangères at Pokfulum and named after Sir Henry Blake, the Governor of Hong Kong at that time; Rhodoleia championi, collected in 1849 by Captain Champion who recorded it as \"the handsomest of Hong Kong's flowering trees\", and noted by Hance in 1870 \"for the extreme beauty of its flowers and its rarity\", Iris speculatrix, discovered and described by Hance in 1875 and regarded as a most interesting discovery because it was then \"the only Iris yet known as a native of S.E. Asia.\" Lastly, there are the Camellias of Hong Kong, members of the Tea family with its close relative Camellia sinensis whose leaves provide us with that \"Indispensible adjunct of daily life: tea\". Hong Kong is specially noted for at least two out of the five indigenous species: Camellia hongkongensis with pure crimson flowers, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204283, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 51, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n47\n\nA: They look for a child who was born some time after the death of the last incarnation. The monks -- perhaps it is the administrative monks or some other lama from the monastery -- will go out and conduct a search quietly. They ask in villages whether any children have been born who have shown exceptional precocity or skill, and then they go through them carefully. If they find one they think is right, they conduct tests, during which he is supposed to pick out some property that belonged to him in his previous life. With some of the lesser lamas they are not so strict about the tests. They simply like to find somebody who is precocious. Sometimes, just as in India, they find children who say that they remember being born before in a certain place. Since they don't go about these tests until the child is 3, 3½ or 4, they can really see whether he has exceptional characteristics.\n\nQ: What is the difference between the Dalai Lama and the Panchen Lama?\n\nA: That's one of those terribly complicated affairs. Let us start with this: Tibetans believe that the superior deity, if you can put it that way, is Adibuddha, who projects himself in the form of five Dhyani-Buddhas. They are the Buddhas of Contemplation and they live on the plane of the spiritual. The Dhyani-Buddhas project themselves in the form of five Dhyani-Bodhisattvas. The Dalai Lama in theory represents one of these Bodhisattvas, Avalokita-Chenrezig. The Panchen Lama in theory represents one of the Dhyani-Buddhas, Amitabha-Hod-dpag-med. You may have heard the view that the Panchen Lama is more spiritual than the Dalai Lama. The fifth Dalai Lama had a very learned teacher, and when he died the fifth Dalai Lama said: \"My teacher must have been an incarnation, and as he was so learned, he must have been the incarnation of my spiritual, my Dhyani teacher.\" That is why some people say that the Panchen Lama is superior spiritually to the Dalai Lama. But the Tibetans have an answer to everything — which may be rather metaphysical hairsplitting — and the answer is this: that as the Panchen Lama represents the world of contemplation, he is untrue to his nature if he takes any part in temporal activities. The Dalai Lama, being an incarnation of the Dhyani-Bodhisattva, who works on the worldly plane to redeem and to teach, is allowed to do what he likes.\n\nQ: How do the Tibetans make tea?\n\nA: You know what Tibetan tea looks like in the brick — it's very coarse and full of twigs and great thick leaves. They just take a chunk off that and put it into a long tube-like funnel, pour in hot water, and break it down a bit. Then they start pounding it into a pulp. That goes on for quite a long time,", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204298, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 66, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n62\n\n11\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n\"(Ching-Hai Fen-Chi) History of the Pirates who infested the China Sea, from 1807 to 1810\"; \"The Cathechism of the Shamans; or, The Laws and Regulations of The Priesthood of Buddha, in China\" and \"Vahram's Chronicle of The Armenian Kingdom in Cilicia, During The Time of The Crusades\". C. F. Neumann was a German sinologue who visited Canton in 1830 to buy Chinese books for the Royal Library, Berlin. He had a letter of introduction to Morrison from Sir George Staunton and enjoyed much hospitality from the British residents during his visit. It is recorded in the Memoirs that he deplored the attacks that von Klaproth and Rémusat were making on Morrison.\n\nSir George Staunton was a staunch friend to Morrison during long years in China and helped him in every way he could. Morrison had taken over the duties as Senior official translator to the East India Company (a post in which he had been assisting) when Staunton had to retire through ill-health in 1812. Two of Staunton's own contributions to translations from Chinese are in the Library, Narrative of the Chinese Embassy to the Khan of the Tourgouth Tartars, in the years 1712, 13, 14 & 15. By The Chinese Ambassador, and published By the Emperor's Authority, at Pekin, 1821 and Miscellaneous Notices Relating to China, and our Commercial Intercourse with that Country, printed for private circulation only in 1828. A letter from Staunton to Morrison telling him that he has sent him four copies of his work is printed in the Memoirs.\n\nThere are two translations from the Chinese by another French sinologue, Stanilas Julien (1799-1873), Le Livre des Récompenses Et Des Peines, En Chinois Et En Français: Accompagné De Quatre Cents Legendes, Anecdotes Et Histoires, Qui Font Connaitre Les Doctrines, Les Croyances Et Les Moeurs De La Secte Des Tao-Ssé and Lao Tseu Tao Te King, Le Livre de la voie et la Vertu, Paris, 1842.\n\nOne more French sinologue Jean Pierre Guillaume Pauthier (1801-1873), is represented by one of two books originally listed in the catalogue, Le Tao-Te-King ou Le Livre révéré de la Raison Suprême et de la Vertu, par Lao-Tseu, Paris, 1838, with the text in Latin and Chinese and with a French commentary.\n\nA noteworthy work by an earlier French sinologue, Jean Joseph Marie Amiot (1718-1793), (in the book printed Amyot) a Jesuit missionary at Peking is the Dictionnaire Tartare-Mantchou-Français, 1789. It is a two-volume work. Unfortunately, the first volume is missing.\n\n11 靖海氛記", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204306, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 74, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n70\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n(P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as \"saints from the West\"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief.\n\nThe amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi (\"Prince Hua-kuang or The Voyage to the South\") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi (\"The Four Travels\"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole\n\n* For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204312, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 80, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n76\n\n*\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nday of the second month, before noon, thirty li from the city, on the north-east and in the mist there was a general, who was ten feet tall, at the head of some three to five hundred soldiers all equipped with armour. Near twilight, the sound of the drums and the hubbub shook the mountains and earth within three hundred li and they stayed there for three days. The troops of the five states all retreated. The strings of their bows were gnawed through by golden rats and their other equipment was broken and became useless. Some of the enemy soldiers who were old and feeble could not escape, and were going to be killed by our men. Then there was in the air a loud voice which ordered, \"Release them and do not kill.\" We looked at the place and saw Vaisravana revealing himself over the tower of the north gate of the city with a bright light behind him. A portrait has been made and is attached to this report.\n\nVaisravana defends our boundaries and comes to the relief of our besieged garrisons to carry out the orders of the Buddha. His third son Nata (E) follows him holding up a pagoda with both hands. It is said by the great priest of the Tripitaka, Amogha, that on the first day of every month Vaisravana assembles his devas and genii; on the eleventh day his second son Tu Chien would say farewell to the father and go on a tour of inspection; on the fifteenth day the four heavenly kings would meet and on the twenty-first day Nata would receive or give back the pagoda to his father.\n\n+\n\nThe above quotation is translated from the Tantric Pi-sha-mên I-kuei (\"The Ceremonies in the Worship of the Vaisravana\") alleged to have been translated from the Sanskrit by Amogha himself. As Amogha's name appears also in the text it cannot be taken as an impartial translation.14 However, as Li Ching was such a famous general in the T'ang dynasty, who fought many victorious battles against the Turks, it was again very natural for the Chinese to identify him with one of the four newly-introduced Maharaja-devas (the four heavenly kings).\n\nThe legend of the pagoda held in the hand of Vaisravana was developed from Tantric texts into a very complicated and interesting story in the Fêng-shên Yen-i (Chs.12-14). I think\n\n14 No. 1249, P'i-sha-mên I-Kuei; No. 1247, Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa I-kuei (#SNIU); No. 1248, Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa Chên-yen (IBR), all translation of Amogha, in The Tripitaka in Chinese.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204315, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 83, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n79\n\nBut this does not explain satisfactorily the record in the Mahavaipulya Mahasamnipata-sutra (李大集遺設堂訴言),21 in Catur-maharaja (四大天王), which maintains that each maharaja has ninety-one sons, but gives no names. And this does not explain the case (in the Janavasabha suttanta22 in chüan 5 of the Dirghagama) of the other god who, because of his accumulated merits would be re-born after his death as a son of Vaisravana in the Caturmaharajakayika (四大天王部). In the Buddha Preaching Jên-hsien Ching (作請人軟訣),* (AB jên-hsien being the Chinese translation for rsi jina) concerning the future of King Bimbisara (望界藤王), it is alleged that he would be re-born as the son of Vaisravana,\n\nPerhaps such confusion would explain why the author of the Fêng-shên, though knowing a good many of the Tantric legends, and adopting (in Ch.99 of the novel)23 the Chinese names for the four heavenly kings as \"Protectors of the Tripitaka and the Country, and Regulators of Wind and Rain\", abandoned the use of the name of Tu Chien and, in order to make his name conform to those of his younger brothers, invented Chin-cha (\"金吳), as the name of the eldest son of Li Ching. Chin-cha, though his origin does not appear in any reliable records, may, I suspect, come from the Tantric dharanis. Also, I have found in Act 1 of the anonymous play, Yüeh-ming Ho-shang Tu Liu-ts'ui (月明和尚堂留利清)24 of the Yuan dynasty, the following words chanted by a priest:\n\nAn! Ch'ih ling Chin-cha, Chin-cha, Sêng Chin-cha, Wo chin wei ju chieh Chin-cha, Chung pu wei ju chieh Chin-cha, An!\n(Listen! I am speaking of Chin-cha. Chin-cha, monk Chin-cha, I come to release you from Chin-cha, not to tie you up with Chin-cha. Listen! 哈！我今為你解金吳, 终不為你縋金吳。哈！)\n\nSince the author of the Fêng-shên was interested in both Buddhism and Taoism and is proved to have known many plays and other works of popular literature, he might have made use of materials such as those quoted above, in his creation of his characters.\n\n3. A LUMP OF FLESH WAS BORN\n\nThe story of No-cha's mother giving birth to him, in Ch.12 of the Fêng-shên Yen-i is as follows:\n\nLi Ching's wife, née Yin, had been pregnant for three years and six months, so he became very much vexed at it.\n\nThe wife dreamed one night at three strokes of the watch\n\n21 No. 397, translated by Dharmaraksa.\n\n22 Tseng-chang, Kuang-mu, To-wên, Ch'ih-kuo, see No. 665, Suvana-prathasa Sutta Sutra (Chin-kuang-ming Tsui-shêng-wang Ching 金光明最膤王訣), 11 & 12.\n\n*9*", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 84, "title": "RAS-1961", "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n80\n\nthat a Taoist priest entered her chamber. She was indignant and shouted, \"This is my inner room; how dare you, a stranger, come in!\" The Taoist priest said, \"Hurry up, madam, receive your marvellous child!\" Before she had had time to reply, the priest pushed something into her arms and she awoke, and her body was wet with cold sweat. She was frightened and before she could tell her husband all about the dream, she was again seized with a birth spasm. Li Ching went to the sitting room which was adjoining and thought over the matter. Suddenly two maids came out exclaiming “Madam has given birth to a monster!” Li Ching held his sword and rushed into the chamber. The room was filled with red mist which emitted a strong fragrance. A lump of flesh was rolling round the room like a wheel. Li Ching cut it with his sword and a baby jumped out, bathed in red light. The boy was very handsome; his face was as white as powder; on his right wrist was a golden bracelet; and his belly was covered with a piece of red silk gauze, which shone with a golden glow. He was a god, a re-incarnation (avatar) of the Ling-chu-tzu (Master of the Intelligent Pearl) and was destined to be the vanguard under Marshal Chiang Tzu-ya.\n\nTo give birth to a lump of flesh is something unusual in Chinese legends. But similar cases can be cited from the Buddhist sutras translated into Chinese as early as the third century. In the tale of Putrah (7) in chüan 7 of the Avadanasataka (# E), it is said that \"when the Buddha was in the country of Kapilavastu (E6) under the nyagrodha tree (ficus Indica), there was an elder who was very rich and his treasures were abundant and beyond measure. He married a wife from a notable family whom he loved very much, and with music and dances he used to entertain her. Now she conceived and when ten months elapsed she gave birth to a freak—a lump of flesh. The elder was vexed about it and thought it inauspicious. In the Fu-kuo Chi (DE \"A Record of Buddhistic Kingdoms\") under the \"stupa in the Vaisali” (œÊME) it is recorded,\n\n+\n\n·\n\n•\n\n•\n\nOn the upstream of the Ganges River there was a king whose concubine gave birth to a lump of flesh. The formal wife was jealous and said it was inauspicious, so she ordered this lump to be put in a wooden box and thrown into the river. Another king went out for an excursion on the river and opened the box in which he found a thousand babies who were extraordinarily handsome and dignified. The king took care of them until they grew up, when they were brave\n\n23 No. 20, The Tripitaka in Chinese.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204317, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 85, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n81\n\nand strong and victorious in fighting. Now the king sent them to invade their own country, and the father was much worried.\n\n24\n\nThis kind of Buddhist story would not pass without leaving some traces in the prompt-books, sources of which are predominantly Buddhist ballads. For instance, in the prompt-book Hsin-pien Wu-tai Liang-shih P'ing-hua (“Popular Tales of the Five Dynasties, Period of Liang”), chüan 1, we read,\n\nThe wife of Huang Tsung-tan was pregnant for fourteen months. One day she gave birth to a substance which looked like a lump of flesh, but inside it was a piece of purple silk gauze in which was wrapped a baby. When the wrapper was opened, purple mist of dazzling brilliance filled the room.\n\n25\n\nThus his mother gave birth to Huang Ch'ao. Again in the Ch'ien Han-shu P'ing-hua (“Han Hsin's Death at the Hands of Empress Lü”), chüan 3, when \"Madam Po (a concubine of the first emperor of the Former Han dynasty) was in labour, Empress Lü went to see her. She was glad to find that the baby was a freak without eyes or eyebrows, like a lump of flesh.\"\n\nIn the anonymous Yüan play, Chin-shui-ch'iao Ch'ên-lin Pao Chuang-ho, in Act 2, when Empress Liu ordered the palace maid K'ou Ch'êng-yü to stab the baby prince and throw him into the river from the bridge, the latter hesitated for she saw \"red light and purple mist enshrouding the body of the prince.\"\n\nWe may now admit that the novel Fêng-shên Yen-i has a closer relation with the \"Four Travels\" than with other prompt-books. In Ch.8 of the Nan-yu-chi, the Buddha of Light told the Flowery Light “to be re-incarnated in the shape of a lump of flesh.” Consequently the Flowery Light, floating about in the air, arrived at the village Hsiao-chia Chuang of Wu-yüan, Anhwei, and darted into the womb of Madam Hsiao who had been pregnant for twenty months. \"Now the maid came out to report to the elder, 'Madam has given birth.' 'A boy or a girl?' the elder asked. 'It is neither a boy nor a girl. It is just like the belly of an ox.' The elder was very much frightened. When they decided to throw the lump away into the river, it...\n\n24 Fu-kuo Chi, translated by James Legge as \"A Record of Buddhistic Kingdoms\", Oxford, 1886, Ch. 25, p. 73.\n\n25 Hsin-pien Wu-tai Shih P'ing-hua, photolithographed edition, published by Prof. Tung K'ang, Wu-chin Tung-shih Sung-fên-shih (AAS), 1911. There are also several popular editions available.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 86, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n82\n\nfloated up again, until the Buddha of Light transformed himself into a monk to advise the elder that it was not a lump of flesh, and that inside it were five children.\n\nNo-cha's mother was pregnant for three years and six months. I think this is derived from the Pei-yu-chi (\"The Dark God Chên-wu or The Voyage to the North\"), Ch.6, which depicts one of the re-incarnations of the god Chên-wu (EH). In that story it is said the queen of Li T'ien-fu (X), a king of the Kingdom of Hsi-hsia (E), was pregnant for three years and sixty days. The king was vexed about it and thought it inauspicious. When the baby was born at last, the whole chamber was \"full of an extraordinary fragrance.\"\n\n4. THE COMBAT AND THE STORY OF THE PAGODA-BEARER\n\nWhen No-cha was only seven he was six feet in height. It was in the fifth month, the weather was hot and that made No-cha irritable and uneasy. He went to request his mother to allow him to go out of the Pass for a walk. The mother was very fond of him and approved his request but said, \"You must be accompanied by an attendant and must not stay outside very long lest your father should come back.\" (Fêng-shên Yen-i, Ch.12)\n\nIn Ch. of the Nan-yu-chi we read: \"The young Intelligent Light (XAF) prostrated before his mother and said, 'Your son knows that the hills around here have lovely scenery. Please allow me to ramble about them.' The mother said, 'You may go, but you must be accompanied by an old servant, lest you rush into calamity. Do not stay too long and forget your home-work.' When we come back again to the Fêng-shên, we read: No-cha and the attendant went out of the Pass for about one li, when he was covered with perspiration and could not continue the journey. They decided to rest under the shade of some willows. Sitting there he unfastened his waist belt, opened his coat and enjoyed the cool air. A stream of green water running between two banks of willows with a lively current was in front of them. A gentle breeze blew over its surface, and the murmur of the water flowing through the rocks could be heard. No-cha hastened to the bank and cried out, 'I will bathe here on the rock.' 'Hurry up,' the attendant reminded him, 'and take care of yourself. Your father will be anxious if he returns and does not find you.' No-cha agreed. He stripped off his clothes, and dipped his seven feet of red silk gauze, which covered his body, into the water as a towel. When this precious gauze was immersed in the water its brilliant ray turned the river to a reddish", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204322, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 90, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n86\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nThe prince Siddhartha thereupon asked, \"Is there any good bow in this city which will suit my strength?\" The father, King Suddhodana was very glad and said, \"Yes, there is.\" \"Where is it then, Your Majesty?\" asked the prince. \"Your grandfather Simhahanu (the lion's cheek) had a bow which is now kept in the temple and flowers are offered to it. No man has ever been able to bend it.\" The prince urged the king to send for it, and when it had been fetched, all the Shakya nobles were allowed to have a trial, but no one could string, nor draw it. Then the minister Mahanama was given an opportunity. He exhausted all his energy yet he could not move a single inch of the string and so he presented it to the prince. The prince remained seated without moving. He seized the bow with his left hand and bent the string with a single finger of his right hand. A startling noise broke out throughout the city Kapilavastu which made all the people frightened. \"What noise is it?\". \n\n+\n\n28\n\nIn Ch.2 of the Pei-yu-chi, the king of the Kingdom of Ko-ko () received a tribute from the Western tribes. It was a bronze drum twelve inches thick. Upon the challenge of the tributary messenger, no one in the court, not even the generals, could pierce its surface with an arrow. The prince, \n\nThe prince, who was only seven, claimed that he could shoot through it. \"He seized the bow with his left hand and put on the arrow with his right hand. The arrow darted off and pierced the surface with the feather of the arrow left outside.' \n\nThe age of No-cha and that of the said prince were seven years. We can see that No-cha's story is derived partly from the Pei-yu-chi and both originated from the story of the Buddha.\n\nNo-cha's arrow darted off to a far distance and accidentally killed a Taoist disciple of Madame Shih-chi (ENR), who was a goddess of the Intercepting Sect. Shih-chi sent the Athlete of the Yellow Turban to bring Li Ching to her grotto in the K'u-lou Shan (Mt. Skeleton) and pressed him for an explanation, Li Ching vowed his innocence and was set free so that he could investigate the matter. No-cha again admitted to his father what he had done, and followed Li Ching to Shih-chi's place to settle the matter. At the entrance to the grotto he had a desperate clash with the goddess, and though he hurled all his precious weapons they fell into her hands and sleeves. No-cha fled to Mt. Ch'ien-yüan for protection. His master, the Immortal T’ai-I had a violent quarrel with Shih-chi on his behalf, and the quarrel\n\n28 No. 190, The Tripitaka in Chinese, translated by Jfianagupta; also Sister Nivedita & Ananda K. Coomaraswamy, Myths of the Hindus & Buddhists, Harrap, 1914, pp. 261-2.\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204327, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 95, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n91\n\nyou will be one of his vanguards. Well, I think I can do something for you in this matter. He ordered Chin-hsia to bring two stalks of lotus and three lotus leaves to him, and with them he made a human shape on the ground, using the stems to represent the joints and articulation of the bones, and set the seed of a golden pill in the middle. He employed his divine power and spoke the magic spells while he pushed No-cha's souls toward the lotuses, and suddenly there sprang up a young No-cha who was handsome and full of vitality, with a rosy complexion, red lips, intelligent eyes and was sixteen feet tall. Thus was No-cha reincarnated from lotuses. (Ch.14)\n\nAs I have said, in chuan 3, Lun-1 P'in (Discourses) of the Ta-fang-pien-fu Pao-ên Ching there is a Buddhist legend which can be summarized as follows:\n\nThe king of Varanasi (*) married Lady Doe-mother who conceived and gave birth to a lotus which was cast into a pond. The lotus then grew five hundred leaves and under each leaf a boy was born. When these five hundred boys grew up they became giants, each of whom was strong and brave enough to fight against a thousand men single-handed. These brothers, from the first one to the four hundred and ninety-ninth all forsook their noble life and became Buddhist priests. The youngest brother attained the fruition of a Pratyeka-Buddha ninety days later and, manifesting his miraculous powers, he preached the dharma for the benefit of his parents.\n\nThis can be cited as an illustration that the story about reincarnation from a lotus had a religious background. In the paragraph in chuan 2 of the Wu-têng Hui-yüan I have quoted, the last sentence of the text is “現本身,運大神通,為父母說法” (manifesting his original body and by his miraculous powers preached the dharma for the benefit of his parents), and now in this sutra the corresponding sentence is “...” which would make no difference in translation. We may consult Ch.27, \"King Resplendent and Buddha Thunder-voice\" (¥2) of the Lotus Sutra, in which the two sons of the king, Pure Treasury (*) and Pure Eyes (), worrying about their father's attachment to the heretical teaching which deviated from the right course, revealed to him some of their supernatural powers (...) and brought him to faith and discernment.3 So we may believe the original story that No-cha “rending himself asunder, gave his flesh back to his mother and his bones to his father”.\n\n3 \"The Lotus of the Wonderful Law\" (Saddharma Pundarika Sutra), translation by Prof. Soothill, Oxford, p. 256.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204334, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 102, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n98\n\nBUDDHIST ORGANIZATIONS IN HONG KONG\n\nby\n\nHOLMES WELCH, M.A.\n\nI. INTRODUCTION\n\nBuddhism has a long history in Hong Kong, going back at least to the fifth century A.D., when the monk Pui To1 is said to have set up a hermitage at Castle Peak. A few monasteries claim an antiquity of one or two hundred years. Most were established after the British acquisition of the Colony as a result of its growing wealth and population.\n\nHong Kong's census-takers have never attempted to discover the number of Buddhist monks, nuns, and their followers, nor has any question on religion been included in the census of 1961. For what it may be worth, the Hong Kong and Macau Regional Centre of the World Fellowship of Buddhists estimates the number of Buddhists in Hong Kong at 500,000, among whom 5,000 are \"active, cultured Buddhists who not only believe in the Buddha but also devote themselves in earnest to the study and practice of the doctrines of Buddhism.\" On the other hand, a monk who has played a leading role in Buddhist organizations here for many years estimates that 100,000 people in Hong Kong are \"purely Buddhist\", while 1,000,000 are occasionally or partly Buddhist. He puts the ordained monks in the Colony at 250 and the nuns at 1,000. We do know that there are at least 116 monks, 324 nuns, and 3,400 purportedly Buddhist laymen, since these numbers have joined the Hong Kong Buddhist Association. Beyond this, we should not go in appraising the accuracy of the figures given above. Only one generalization seems safe to make: the number of active Buddhist laymen is growing, while the Sangha—or body of monks—is getting smaller.\n\nAs to the number of Buddhist institutions in Hong Kong, there are four lay organizations and, according to the list of registered temples, some 68 monasteries and 119 nunneries. Not all the Colony's monasteries and nunneries are on this list, however, and many that are might better be termed \"hermitages\". Only about nine monasteries and ten nunneries in Hong Kong can be considered \"large\", if by that is meant having more than ten ordained monks or nuns.\n\n1 Here and below, all romanizations are based on the Cantonese pronunciation. In a few cases, the conventional Wade-Giles romanizations are included in brackets.\n\n* Report from the Hong Kong and Macau Regional Centre, 1954-1956.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204336, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 104, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n100\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nThe atomization of the Sangha in Hong Kong, as in China proper, has caused a wide variation in the quality of institutions. One monastery, for example, is little better than a public house. It has a restaurant that serves wine; the sound of mahjong drowns out the crickets on summer evenings; there are ping pong tables in the monastery garden; rooms are available; and the abbot (if one can call him that) is said to have originally joined the Sangha in China to escape criminal prosecution. In another, not entirely dissimilar monastery, the abbot is unable to read and write. Yet in both cases, there is a Buddha Hall and worship is carried on. These are two of the monasteries most often visited by tourists.\n\nOn the other hand, there are some institutions that really do credit to Chinese Buddhism. The members study the doctrine and, in many cases, do admirable welfare work, as we shall see below. The Vinaya is observed. The premises are well kept. There is an atmosphere that can make even the casual visitor think of taking refuge there from the dust of the world. The best example is probably the Po Lin Tsz on Lantao.\n\nMost Hong Kong monasteries are in the New Territories, built on hillsides, often with a fine view. They usually have an extensive set of buildings, capable of accommodating a much larger number of persons than are actually in residence (a reminder of greater prosperity in times past). Nuns and lay women devotees may be found in the same institution, living and worshipping separately from the monks. One reason for this type of \"co-educational\" arrangement is that only monks can be dharma masters, qualified to teach. In a nunnery, therefore, disciples must await their occasional visits.\n\nThe largest of the Colony's monasteries is the Tung Po Toh* in Tsuen Wan, which has about 40 monks, 60 nuns and 30 lay women. The Chuk Lam Shim Yuen, also in Tsuen Wan, has 20 monks, 30 nuns, and 100 lay women. On the other hand, another of Tsuen Wan's well-known institutions, the Wang Faat Tsing She, has monks only, ten in number. These figures are representative for the Colony's larger monasteries. Actually, the only other large monastery is the Po Lin Tsz, which has 30 monks, 20 nuns, and 50 lay women.*\n\n* All these figures are approximate, partly because there is a certain amount of coming and going and partly because of the feeling on the part of informants that a round number is adequate\n\nThe internal organization of Hong Kong monasteries (and the same would apply to nunneries) is generally as follows. All authority rests in the hands of the abbot. Under him there are, theoretically, four departments in charge of", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204340, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 108, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n104\n\nVol 1 (1961)\n\nISSN 1991-7295\n\npremises rented, they can operate on a low budget and their financial position tends to be sound.\n\nThis cannot be said of the regular monasteries and nunneries of Hong Kong, few of which are endowed with income-producing properties as were the monasteries of China proper under the Empire. Their ratio of inmates to supporters is usually high. Their buildings, donated by rich patrons of an earlier day, are usually rambling and expensive to maintain. In general, their income comes from the following sources, listed in order of importance.\n\n(1) Fees for ancestor worship. In many monasteries there is a room called the tso t'ong where ancestor tablets are hung and where after services in the Buddha Hall the monks pray for the welfare of the ancestors represented. For this service, the descendents contribute a lump sum at the time the tablet is erected plus a maintenance fee each year (usually at Ch'ing Ming or the Double Seventh). The fee varies according to the position and size of the tablet. A large tablet hung in a prominent place can be quite expensive. This system provides some monasteries with their only dependable source of income. Ancestor worship is also a feature of dharma meetings, which may be held twice a month, or be very special occasions in which thousands of Buddhists participate. In 1959, for example, the Po Lin Tsz held a most elaborate dharma meeting according to the rites of the Surangamasutra, and reportedly received HK$200,000 in donations, mostly from overseas Chinese in Southeast Asia who wished to have their ancestors remembered.\n\n(2) Rents on land or buildings. Some institutions have paddy; some have houses in neighboring villages; some (like the Po Lin Tsz) have both. But the rental income is usually small.\n\n(3) Donations made by the admirers or lay disciples of one of the monks (usually the abbot of the monastery) for some special purpose (like building repairs); or for the performance of funeral and other services.\n\n(4) Small donations (usually HK$1 to HK$10) made by visitors who come to celebrate the birthdays of the gods worshipped in the particular institution. Fortunately some deities, like Kuan Yin, have several \"birthdays\".\n\n(5) Donations made by patrons of lodging or restaurant facilities offered by the monastery (which are always free of charge).\n\n5 Actually, only one is her birthday. The other two are celebrations of her enlightenment and nirvana (sic).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204409, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 41, "title": "RAS-1962", "content_text": "32\n\nG. FINDLAY ANDREW\n\ntravelling for some days over the broad plains of the Kokonor and the first trade centre we reached was the small market town of Tangar. We both had to replenish our cash supply but unfortunately the smallest piece of silver the Scot had was an ingot of some ten taels weight. I took the problem along to the blacksmith smithy in the east gate of the small city. The smith took the ingot and nonchalantly tossed it on to the fire. When sufficiently heated he took it from the fire and laid it on the anvil and commenced to chisel off the required piece of about three taels weight. When old Jock saw the sparks begin to fly he got very excited and jumped in all directions trying to catch them under the firm impression that his precious silver was being dissipated before his very eyes. Of course in the large cities the cash shops had their own silver shears and it was only in the smaller centres that the blacksmith was called upon to act as the travellers' friend in such exchange transactions.\n\nIn the former Tibetan province of Amdo, on the Kansu Tibetan border lies the large lamasery of Labrang. In the days of which I write, the Living Buddha who presided over the destinies of this very large lamasery was Kia Muh Yang. He was reputed to be the owner of a mountain of silver which had been created by the molten silver offerings of the faithful being poured into one solid lump. Thus when the Buddha set off on one of his periodic journeys, all he had to do was to load pack animals with pieces hacked out from the side of his mountain and his finance problems were solved! In another connection, the same practice obtained in the neighbouring lamasery of Kumbum where the gold offerings were melted and poured down the roof of the temple that housed the sacred figure of Tsong Kaaba, the reformer of Lamaism whose birth-place the shrine marks. I wonder whether either the Silver Mountain or the Golden Roof exist to-day?\n\nThe handling of sycee had its own particular problems, perhaps the main one being the assessment of the standard of purity on which subsidiary currency exchange rates were fixed. I shall never forget my feelings when on a certain occasion I opened the boxes of a large consignment of silver which I had received from a Moslem war-lord. Inside was the queerest mixture imaginable of everything approximating to silver either in the form of ornaments or coins. There were bracelets, rings,", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204415, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 47, "title": "RAS-1962", "content_text": "38\n\nHOLMES WELCH\n\nelement of the many-sided popular religion. I shall be talking about the small percentage who were consciously Buddhist.\n\nThe first stage of the Buddhist career was that of a lay devotee, the chü-shih ±. He was someone who was interested in Buddhism, studied it, and perhaps joined a devotees' club, that is, a chu-shih lin ½±✯. There were many such clubs in China, particularly in the large cities. He might attend lectures there once a week, at which an eminent monk would come to talk about the sutras. He might learn from the monk to chant the basic liturgy and to handle the liturgical instruments, the gong, clapper, and so on. He might even learn to expound the sutras himself, although an ordained monk was always supposed to be present to attest to what he said.\n\nThe second stage of the Buddhist career was taking the Refuges, kuei-i. The layman went to a monk and repeated the formula: \"I take refuge in the Buddha, I take refuge in the dharma, I take refuge in the Sangha (i.e., the congregation of monks); and I acknowledge herewith that such and such a monk is my master.\" Afterwards he would get a certificate of this master-disciple relationship. One could take the Refuges over and over again, that is, one could have several masters.\n\n11\n\nThe third stage was to take the Five Vows, shou wu-chieh 1. This was normally done only once, perhaps at a small temple, but more probably at a big monastery in conjunction with an ordination of monks. Sometimes laymen would participate in the very first part of the ordination ceremony, which included the Five Vows, and then they would watch the ordinands go through the rest of it. Taking the Five Vows meant that a Buddhist was probably quite serious about his religion. Specifically it only committed him not to kill, not to steal, not to lie, not to drink wine, and not to indulge in illicit sexual intercourse. But many a layman who had taken the vows would recite a sutra every morning before breakfast in his household shrine, perhaps the Heart Sutra. On the first and fifteenth of the lunar month he would probably abstain from eating meat and he would also fast during the whole of the sixth month. But he was still a layman and likely to remain one.\n\nThe fourth step was to enter the novitiate. This was termed \"leaving home\" ch'u chia. It solemnized the layman's", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204416, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 48, "title": "RAS-1962", "content_text": "THE BUDDHIST CAREER\n\n39\n\nintention to become a monk under the auspices of a master (not necessarily the same one with whom he might have taken the Refuges). \"Leaving home\" was a simple ceremony. The layman went to a barber, had his head shaved, except for a patch of hair on top, and repaired to his future master's temple, where he burned some incense and kowtowed first to the Buddha image and then to the master. Thereupon the latter shaved off the remaining patch of hair in the presence of witnesses and at this moment the layman became his disciple. There are several kinds of master-disciple relationships, but when a Buddhist monk speaks simply of his \"master\" or shih-fu, he means his tonsure-master, or t'i-tu en-shih #1824p, that is the one who shaved his head.\n\nBy leaving home he became a novice, or sha-mi, which is the Sanscrit word sramanera (not to be confused with a sha-men, that is, the sramana, or advanced monk). Notice that he had not received the novice's ordination (as he would have at this stage in a Theravadin country), but he was already called a novice and lived as one; that is, he wore a monk's robe, ate vegetarian food, and observed all the Ten Vows. These vows are, besides the first five mentioned above, not to attend theatricals or dancing parties, not to wear perfume or adornment, not to sleep on a high or large bed, not to accept gold or silver, and not to take food after noon (this last prohibition was ignored by most monks in China on the grounds that the climate was too cold). The disciple lived with his tonsure master in the latter's small temple for a period of training that, according to the rules, lasted three years, but was often shorter in practice. He learned not only ritual and liturgy, but also what it was like to be a monk. It was a trial period, from which he could withdraw at any time without embarrassment, and some did withdraw. At the end he was taken by his master to a big public monastery, shih-fang ts'ung-lin, for ordination. If he lived in the north, he might go to the Kuang-chi Ssu in Peking. If he lived in the south, he might go to Pao-hua Shan, which is not far from Nanking. These two were very strict and he could be sure that if he were ordained there, it had been done correctly. At Pao-hua Shan four or five hundred novices would come to be ordained every autumn and in the spring another four or five hundred would come. Sometimes as many as a thousand came", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204419, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 51, "title": "RAS-1962", "content_text": "42\n\nHOLMES WELCH\n\nof the ordaining monastery or some other monastery, and they were supposed to spend the next five years in meditation and study. This was the first stage of their career as monks.\n\nLife in the Meditation Hall was strict. One slept only five hours a night and meditated about ten hours a day. Rising was at 3.00 a.m. followed by an hour of morning prayers, then an hour's rest; breakfast was eaten before dawn; after it came four and a half hours of meditation. This meant sitting in the lotus position for forty minutes, then having a drink of tea, then twenty minutes circumambulating the altar, then going back to sit, then some more tea, more circumambulation, and so on. Circumambulation prevented the joints from getting stiff, but one had to keep on with mental exercises while doing it. It was not just a matter of walking about. Lunch came before noon and was followed by an hour's rest, two hours' meditation, an hour of afternoon prayers, supper at 5.30, and three and a half hours of meditation in the evening. At ten o'clock the monks went to bed. If one of them dozed during meditation the next morning, the monk on patrol, or hsün-hsiang w†, would tap him on the back. If he talked during meals, quarreled, or broke any of the other rules, he was beaten severely.\n\nThe daily schedule varied from monastery to monastery. Rising in the winter was later and retiring earlier (except during the so-called Meditation Weeks in autumn, when for up to forty-nine days one slept only two hours a night). But the schedule I have given is typical.\n\nSometimes I have asked monks whether they did not get bored meditating ten hours every day. They deny it vigorously. They say there was a programme, a method. For instance, one might be trying to find an answer to a standard question like \"What was my original face before I was born?\" The Instructor would come over and say: \"What are you looking at?\" If one replied, \"At the buddhas and bodhisattvas,\" he would say \"Where are the buddhas and bodhisattvas?\" One could not answer and was beaten. Then the Instructor would ask: \"Who is being beaten?\"\n\nI am afraid that the subject of methods of meditation is too large to embark on here. It is true, however, that many monks found themselves unable to master it, particularly Ch'an (Zen)", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204420, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 52, "title": "RAS-1962", "content_text": "THE BUDDHIST CAREER\n\n43\n\nmeditation. I know of a monk who tried the latter for about a year and a half and then gave up. He changed to T'ien-t'ai meditation, which is somewhat easier. He did this for nine years, but still did not feel that he was getting anywhere, and so for the last eighteen years he has been reciting Buddha's name, which is the practice of the Pure Land sect.\n\nNotice that there was no set career. A monk could meditate; he could recite Buddha's name; he could study. He was not committed to the practice of any one sect. It is as if in the West a Christian could be a Quaker this year, a Roman Catholic next year, and a Baptist the year after, regarding them all as complementary. Much of the Buddhist monk's time, of course, was spent in ritual which was common to all sects: chanting the scriptures morning and evening, rites to celebrate the anniversaries of buddhas and bodhisattvas through the calendar year, masses to release the souls of the dead from hell, prayers for the sick, prayers to avert disaster, and other ceremonies designed to assist the faithful with practical problems of life and death.\n\nThe newly ordained monk was, as I say, supposed to meditate and study for five years after ordination. Study was usually carried on in a seminary. The seminaries (there were about thirty-five of them) were established in the nineteen-twenties as a part of the general revival of Buddhism in China. I shall not go into the seminary curriculum, but it lasted from three to twelve years, depending on how much education the monk had already had. It began with secular subjects (history, mathematics, etc.), and ended with studying how to expound the sutras. Some seminaries had a tough programme: one monk I know got T.B. from overwork.\n\n**\n\nAfter the seminary the next stage of the monk's career was peregrination. I use this word because it properly means making pilgrimages. A monk would start off from the place he had been trained and wander up and down China. He might spend a week in one monastery, a few months in another, many years in a third. But in theory there could be no final settling down.\n\nPeregrination was a hard life, and this was one of the reasons it was considered essential. It rubbed off superficialities—from interest in personal comfort to feelings of self-importance. More than that, it enabled a monk to learn each text and doctrine", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204421, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 53, "title": "RAS-1962", "content_text": "44 \n\nHOLMES WELCH \n\nfrom those who knew them best. The leading exponent of the Lotus Sutra might be living in Kiangsu, the leading exponent of the Surangama Sutra in Manchuria, and so on. One went around the country to the famous monasteries, studying at the feet of the famous masters. One's possessions were all in a bag that theoretically weighed only two and a half catties: bowl, robes, and, most important of all, the ordination certificate—so important that one monk I know keeps his in the Hong Kong and Shanghai Bank. The ordination certificate was like a Diners' Club credit card. At any big public monastery anywhere in China, the travelling monk had merely to show it to the head of the Guest Department and, if it was in order, he had to be admitted and he could live there as long as he liked unless he violated a rule for which the penalty was expulsion. Under certain conditions it was not necessary to show his ordination certificate to gain admission. That could wait until he applied for a place in the monastic organisation.\n\nDuring his first weeks in a monastery the travelling monk lived in the yün-shui t'ang or “cloud-water hall” (monks were thought to be as unattached as drifting clouds or running water). Then when the next semester2 began, he would enroll in the Meditation Hall, or the Hall for Reciting Buddha's Name, or some other part of the organisation. In general he ascended by one or both of two ladders, the ladder of religious positions or the ladder of administrative positions. In the Meditation Hall, for example, he might first be an acolyte, then record the sayings of Instructors, then handle the liturgical instruments, and finally become the wei-no or head of the Hall. Though I call him “head,” his position was in fact inferior to the Four Instructors Ssu-ta pan-shou, who, in rotation, taught the monks how to meditate. On the administrative side he might begin as a serving monk. (The famous Hsü-yun spent four years as a water-carrier, as a gardener, and waiting on table). Step by step he could rise to be a chief of a department, perhaps of the abbot's personal office, or later of the Guest Department or the Treasury. There was a theoretical total of forty-eight positions and in a big monastery like Chin Shan they were all filled.\n\n2 The year was divided into two main periods beginning on the 16th of the first moon and the 16th of the seventh moon,", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204422, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 54, "title": "RAS-1962", "content_text": "# THE BUDDHIST CAREER\n\n45\n\nAt the top of the hierarchy was the abbot, fang-chang 方丈. He was chosen in such a variety of ways that I shall only mention two. The first was called selecting the worthy, hsüan-hsien 選賢. It meant that at the end of the old abbot's three-year term (there was a limit of three terms) the head monks of the monastery and the elders of the neighbouring monasteries would consult with one another to decide who would make a worthy successor. It was not easy because someone had to be found who was qualified both as an administrator and as a teacher, and the trouble was that, even when found, he might be unwilling to serve. Very few monks wanted the responsibility of running a big monastery. What they wanted was hsiu-hsing, to practise religious exercises. So if they heard that they were about to be named abbot, they would silently depart by night. As a last resort those charged with finding a new abbot might get half a dozen candidates to draw lots in front of Buddha's image. This way Buddha himself made the selection and there was no escape for the reluctant.\n\n3\n\nA simpler and far more widespread method than the \"selection of the worthy\" was for the abbot himself to decide which of his disciples should succeed him and then to train him for his future responsibilities. In some famous monasteries this would always be one of his dharma disciples fa-t'u 法徒, not a \"tonsure disciple, t'i-tu ti-tzu 剃度弟子\" and, of course, not a Refuges disciple, kuei-i ti-tzu 歸依弟子. A dharma disciple was a younger monk to whom, in theory, the master had handed on his understanding of the dharma in a direct “imprinting of mind on mind, hsin hsin hsiang yin 心心相印.” In testimony thereof the master gave him a dharma certificate fa-chüan 法券 which stated that he, the master of such-and-such a generation, had received the dharma from so-and-so of the previous generation, who received it from so-and-so of the generation before, all the way back through forty or fifty generations to patriarchs like Nagarjuna or Bodhidharma, the founders of the T'ien-t'ai and Zen sects. The dharma certificate was the highest document conferred in the monastic career. It established formally that a monk belonged to a given sect, though there was nothing to prevent him from...\n\n* i.e., not a monk whose head he had shaved and whom he had trained before ordination,", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204902, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 10, "title": "RAS-1965", "content_text": "4\n\nof the Editorial Board. It is true to say the Journal is a monument to his scholarship and editorial ability. In recognition of their eminent service to the Society, both Sir Robert Black and Mr. Cranmer-Byng were admitted as the first Honorary Members of the Hong Kong Branch of the Royal Asiatic Society. In the summer, Professor F. S. Drake of the University left the Colony on retirement. He had been a great inspiration to the Society and his inaugural address in April 1960 on \"The Study of Asia: A Heritage and a Task\" as well as his lecture on the Nestorian Crosses and his farewell address on the \"Jewish Colony at Kaifeng\", were memorable events. Before he left, Professor Drake was the guest at a dinner in his honour given by the Council. At the end of the year, we also had regretfully to bid farewell to Mr. Mallory-Browne, who had served on the Council and who had, through The Asia Foundation, given generous support to the Symposium in May, and had obtained another grant of HK$2,850 from the Foundation for the purchase of books for the library. We wish to record our appreciation and thanks both to him and The Asia Foundation for their generous support.\n\nWe have to thank other donors also for gifts of books for the library. Dr. L. A. Khan has presented seven books, mainly on the subject of the Qur'an and the Philosophy of Islam. Mr. F. A. Nixon, presented four rare volumes, bound in sheepskin, entitled The Museum of Antiquities (Astasiatika Samlingarna), being four volumes on East Asia antiquities, published in Stockholm, and dedicated to H.R.H. Crown Prince Gustaf Adolf of Sweden. Mr. Nixon has also presented to the Society a rare manuscript in Chinese characters, a fragment of one of the sacred books of Mahayana Buddhism, which had been deposited in the rock temples of the Thousand Buddhas at Tun-huang. The manuscript has been examined by the Department of Oriental Printed Books & MSS. of the British Museum and pronounced a genuine document from the Tung-huang Monastic Library of the eighth or ninth century, but certainly not later. This is a very important acquisition for which we are deeply indebted to Mr. Nixon. The gift raises the question of the custody of such a document and of our collection of books, which is now increasing and which should be made available to members. We have, however, no library or reading room of our own and have no funds to rent one. We should like to make an appeal for a", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 204956, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 64, "title": "RAS-1965", "content_text": "THE DIALECTS OF HONG KONG BOAT PEOPLE\n\n57\n\nfor the modern KS vocalisms. These lists are selective and deliberately ignore a few exceptions, but without being exhaustive they do provide enough information to outline the origins of KS syllable types. The tones are not designated in these lists except in cases where the KS forms differ from or cannot be traced to their traditional categories. Normally these categories will be the same as for the identical word in SC.\n\n✔ a 'tooth', ma 'horse', ma ‘horse', 'melon, fa 'flower', -aithai 'too, extreme', ka ‘household'. A ka ua 'speech'. kai ‘intermediary', mai 'to buy', kai 'strange', fai ‘lungs', kai 'drawer', uai 'to oppose'. lai ‘mud', ai 'dangerous', -au pau 'satiated', au 'to bite', cau ‘to run', □ hau 'mouth', cau ‘wine', kau ‘nine', iau ‘young'. lat 'pungent', sat ‘to kill', at ‘a duck', cat 'mixed', chat ‘a brush'. cak ‘pluck', than 'watery', kan ‘to dare', can 'to cut off', 斬 kan 'barrier', -ak pak 'one hundred', hak ‘guest', -an lan 'south', -ang ang 'hard', san 'to disperse', san 'mountain', fan 'to turn back'. sang 'to give birth', cang 'to struggle', uang 'crosswise'. ie 'night', sie 'snake', ce 'word, character', 蛇 sie‘snake’, chei “dignified', (a surname), hei 'to go', 墟 'market, lei 'you', ei 'ear', fei 'to fly'. -ei hei 'to go', -et fet 'needy', set 'wet', ket 'quick, anxious', het 'blind', ŋ iet 'day', pet 'writing brush', phei 'skin', tei ‘earth', sei ‘to die', -en chet 'to go out', ffet 'Buddha', het 'black'. sen 'deep', len 'forest', then 'to hate', sen 'new', ien 'man', khen (and ken) 'near', & uen", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205010, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 118, "title": "RAS-1965", "content_text": "BOOK REVIEWS\n\n109\n\nof Buddhist Tantrism\" with a discussion of the mystic's approach to what is 'experience.' When he treats the concepts of 'reality' and 'spirituality' his reference to S. Freud's 'super-ego' for the Tibetan yid i.e. 'mind,' lacks persuasiveness, but admittedly this is not part of the main argument. Comparisons with Hegel and Kant as well as the Sanskrit sources and their interpretation could not be checked for this review. Apart from referring, among others, to Bertrand Russell and Karl Jaspers, the author seems to agree repeatedly with William S. Haas's The Destiny of the Mind. Taken as a whole, this broadly conceived study is valuable food for thought to the informed philosopher.\n\n\"Three Impressions of Bamian\" by Alastair Lamb is an exciting introduction to the sculptures, caves and wall paintings of this Buddhist monastic cave complex in Afghanistan. The views and pictures of three visitors to Bamian are compared: Charles Masson in 1832, Vincent Eyre in 1842 and Lamb himself in 1958. The picture section comprises altogether thirty-two plates, mostly photographs. The main features of Bamian are the Buddha colossi of 120 and 175 feet in height respectively, the \"giants of Gandhara sculpture.\" Bamian is taken as “a gigantic demonstration of the great extent of contacts between China, India, Iran and the Mediterranean which flourished from the foundation of the Roman Empire to the period of the T'ang Dynasty.\" The various early domes in Bamian cave architecture are treated in some detail and described as \"convincing proof of the strong Western influence in the Buddhist architecture of Afghanistan.\"\n\nThaung Blackmore presents a comprehensive view of the \"Founding of the City of Mandalay by King Mindon\" in 1857. Though some ancient Burmese customs such as myosade, i.e. human sacrifices at the foundation of a city, were given up, the construction of Mandalay was still mainly influenced by traditional concepts, in particular by astrology.\n\nWalter Hochstadter is a very outspoken fighter for the \"Real Shen Chou,\" as he sees him. Under the heading of \"Popular Conceptions of Shen Chou's Style\" he particularly criticizes Professor Osvald Sirén. Hochstadter lists seven points which are useful to establish a major painter's work, the main one being brushwork. He arrives at the conclusion that only two works", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205129, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 85, "title": "RAS-1966", "content_text": "80\n\nHOLMES WELCH\n\nFederation. In April 1941 the Alliance helped arrange an East Asian Buddhist conference in Nanking, and then tried to reactivate the Chinese Buddhist Association (Shanghai, 1929) — apparently without success. It also sponsored some of the Chinese who went to Japan for study.\n\nJapanese-Chinese Buddhist associations set up by the Alliance were to be found in Nanking, Shanghai, Hangchow, Wusih, Soochow, Chen-chiang, Changshu, Pengpu, Nantung, Wuhu, Hofei, and Kiukiang. They were staffed by three categories of personnel: Chinese monks, Japanese priests, and local Chinese officials. If the head was in one category, his deputies would be in the other two. Among the membership the sangha (mostly Chinese) generally outnumbered the laity. The work of these associations is variously described as relief, arranging lectures, and providing guidance for seminaries and devotees' clubs.22 The real work, of course, was mobilizing China's Buddhists in support of Japanese policy.\n\nAlthough the membership included the Panchen Lama from Tibet and the Living Buddha Chang-chia from Mongolia, only a few well-known Chinese monks appear to have been involved. Among them was Shuang-t'ing, the abbot of Chin Shan, who headed the Japanese-Chinese Buddhist Association in Chen-chiang.23 According to one of his disciples the Japanese authorities told him quite frankly that if he refused this post, there would be \"very serious consequences.\" Shuang-t'ing felt that his first duty was to protect Chin Shan, doubly vulnerable since Nationalist officers had been hidden in a cave there during the Japanese attack. Hence he accepted.\n\nOne reason for his decision was that the parent body, the Great Harmony Alliance, was committed to \"do its best when Chinese monasteries and temples applied for protection.\" According to several informants, it generally succeeded. Well-known Buddhist institutions that cooperated with the Japanese encountered few difficulties. Some of the occupation forces behaved badly (one soldier killed a monk at Chin Shan, for example, \"because of a language difficulty\"), but most of those who visited the immense shrines seem to have treated them with respect or reverence.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205135, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 91, "title": "RAS-1966", "content_text": "86\n\nHOLMES WELCH\n\npurely ritualistic activity and to devote a higher proportion of their time to preaching and meditation. For all these reasons and also because of the desire to join forces with the Theravadins in spreading Buddhism in the West, Buddhist exchanges between China and Southeast Asia grew in number during the 1930's, only to be cut off by the Japanese occupation in 1937. In the final two years not only were students sent abroad, but the Chinese donated four sets of the Tripitaka (two for India) and acquired a plot of land to build a Chinese Buddhist temple at Nalanda (the great Indian Buddhist university of the seventh century). A “propaganda group\" was organized to correspond and exchange news with Buddhists in the West. In Chinese monasteries there was developing a certain vogue for Theravada practices. For example, in the new Pure Land center at Ling-yen Shan meals after noon were taken in a \"room for medicinal eating\" rather than in the refectory, and many of the monks who lived there ate only in the morning. It became slightly less uncommon than it had been to observe the summer retreat (vassa), to recite the Pratimoksa twice a month, and to insist that a monk be twenty years old before he took the bhikkhu vows. All these rules had been observed in early Indian Buddhism and perpetuated in the Theravada countries.\n\nSome of the Chinese monks who had gone abroad for Theravada reordination made it a point, when they returned, to wear a saffron robe rather than their usual black, grey, or brown. Since it still had a Chinese cut, it symbolized, as one of them told me, their desire to reunite the two main divisions of Buddhism. Such an ecumenical spirit exemplifies the Chinese instinct to reconcile differences in a higher synthesis rather than to take an exclusive position on one side or another.\n\nRelations with Christians\n\nThis instinct can also be seen at work vis-à-vis Christianity. Many Chinese Buddhists regarded Christ as a bodhisattva (a buddha-to-be) whose life and teachings exemplified Buddhist principles.38 Several syncretistic sects had come into being between 1850 and 1950 that purported to combine Buddhism with Christianity and other beliefs. In the mid-nineteenth century when Christian missionaries had begun to appear at Buddhist", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205141, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 97, "title": "RAS-1966", "content_text": "92\n\nHOLMES WELCH\n\ngeneration by generation, they became lavish patrons of Buddhism, both where they lived and when they returned home. Monks from China therefore made fund-raising tours of the overseas Chinese communities, while monasteries in certain parts of China received much of their income from overseas Chinese pilgrims.\n\nMonks traveled not only to raise funds, but to spread the dharma and to visit the holy places of Buddhism. One of the most inveterate travelers of the past century was Hsü-yün. In 1889 he visited the holy places of Tibet, India, Ceylon, and Burma.48 In 1905 he went to spread the dharma in Burma, Malaya, and Taiwan. In Malaya alone 10,000 persons became his disciples after hearing him preach.49 Here and elsewhere, almost all of his audience was overseas Chinese, since he spoke no foreign language—this was not the beginning of a dialogue with the Theravadins. On a tour in 1907, however, he won a foreign disciple no less a person than the King of Siam! Interested to hear that Hsü-yün had been in trance for nine days, the King came to see him, invited him to the royal palace, took the Refuges with him, and gave him a large tract of land, which Hsü-yün allocated to the use of the Chi-le Ssu in Penang.50\n\nSometimes he did not get so royal a welcome. In 1916 he was on his way back from Rangoon, where he had gone to get a Buddha image (another common motive for trips abroad51). When he reached Singapore, he was taken off the boat on the suspicion of being a revolutionary. Along with five other monks, he was hustled to the police station, cross-questioned, bound, beaten with fists, put out in the hot sun, and not allowed to move. \"If we moved, we were beaten. They gave us nothing to eat or drink and would not allow us to go to the latrine. This went on from six in the morning to eight at night.\" Finally, some of his disciples heard of his plight and got him released on bail. The reason for this treatment was said to have been a desire on the part of the Singapore police to please their \"good friend\" Yüan Shih-k'ai.52\n\nHsü-yün was not the only monk who went on pilgrimages and lecture tours overseas. In 1902-1906 Yüeh-hsia visited Japan, Southeast Asia, India, and Europe (sic).53 Before 1924 Wan-hui had studied in India and Ceylon.54 Overseas travel became commoner as ships and trains made it more convenient, as Chinese abroad became increasingly able to finance it, and as certain...", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205147, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 103, "title": "RAS-1966", "content_text": "98\n\nHOLMES WELCH\n\n43 Reichelt quotes a warning by the late Ming monk, Hsi-ming, against \"being deceived into joining the Catholic church or some other outside sect,” and states that it was often reprinted (Truth and Tradition in Chinese Buddhism, Shanghai, 1927, pp. 157-158).\n\n44 It was in 1920 that Reichelt first proposed an \"institute for special work among the Buddhists.\" He wanted to make contact with monks whose hearts were filled with bitterness towards Christianity because some Christians were \"so fatally lacking in a sympathetic and gentle attitude towards others.\" It was to be \"a half-way house\" with many of the features of a Buddhist monastery, including a wandering monks' hall, a meditation hall, a bell tower, a crematorium, and a hall for the aged. See K. L. Reichelt, \"Special Work among Chinese Buddhists\" Chinese Recorder 51.7 (July 1920), 491-497. When it finally went into operation, under the name of the \"Christian Mission to the Buddhists,\" in the autumn of 1922, it had only a \"very small, semi-foreign house.\" After a year and a half, it moved to somewhat larger quarters which included a dining room, where vegetarian meals were served, and the all-important \"pilgrims hall\" where monks were allowed to put up for three days (as they would be at a Buddhist temple) and stay longer if they were interested in serious study. The layout was \"just as in monasteries with two long platforms where they can spread their bedding, and, above them, shelves where they can place their things. Between the two platforms, there is an altar with an incense burner and two candlesticks and above all an impressive crucifix.\" Even more significant was the arrangement of the chapel, to which they were summoned for worship twice a day (as they would be in a monastery) by \"a Chinese bell with deep tones.\" The altar was of red lacquer \"in a true Chinese style,\" adorned with gilt designs that included the following: \"the lotus lily symbolizing the purity, the fire, and the water of the cleansing spirit” (but also, of course, symbolizing the Buddha Amitabha and his Pure Land), \"the swastika of peace and cosmic union\" (but also one of the Buddha's sacred marks and a general symbol for Buddhism), and the cross over a lotus, which was the Mission's emblem.\n\nJust as in a Chinese temple, plaques with parallel inscriptions were hung on the walls. One bore a quotation from the Gospel according to St. John: \"The true light that enlightens every man has come into the world.\" The other legend was more Buddhist in flavour than Christian: \"[Join in] the great vow compassionately to help people across to the other shore\" (ta-yüan tz'u-hang).\n\nThese efforts to make Buddhist monks feel at home attracted a large number of them as visitors (about a thousand annually) but in the first four and a half years of operation, only seventeen male Chinese were converted and baptized. See Notto Normann Thelle \"The Christian Mission to the Buddhists,\" Chinese Recorder (September 1927), 571-575. A photograph of four of the Buddhist and Taoist novices, whom Thelle says were enrolled in the boys' school opened by the Mission, appears in the Chinese Recorder 54.11 (November 1923), facing p. 671. When the permanent headquarters of the Mission were constructed at Tao-fung Shan in the New Territories of Hong Kong during the 1930s, the approximation of a Buddhist monastery became almost as close as Dr. Reichelt had originally envisaged it. Some missionaries were afraid that he was being too broad-minded in his use of Buddhist motifs and even that he might be fostering a kind of Buddho-Christian syncretism. He and his colleagues maintained, however, that their only purpose was to \"lead these people into a living faith in Jesus Christ.\" (Thelle, p. 571).\n\n45 Maha Bodhi, 41.3.4 (March-April 1933), 133,\n\n46 Most of the information on Chao-k'ung up to this point is taken from David Lampe and Laszlo Szenasi, The Self-made Villain, London, 1961.\n\n47 Victor Purcell, The Chinese in Southeast Asia, London, 1951, p. 47.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205148, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 104, "title": "RAS-1966", "content_text": "FOREIGN RELATIONS OF BUDDHISM\n\n48 Ts'en, Hsü-yün ho-shang nien-p'u, Hong Kong, 1962, pp. 21-22.\n\n49 Ts'en, Hsü-yün, pp. 40-43.\n\n99\n\n50 Ts'en, Hsi-yün, pp. 47-48. I have been unable to get confirmation of this story in Thailand; nor have I been able to confirm the related episode, in which Hsü-yün on his way to Bangkok that year met an Englishman who had been British consul in Teng-yüeh and Kunming and who gave Hsü-yün 3,000 pounds Sterling towards the expense of transporting a set of the Tripitaka back to Yunnan. The records of the Foreign Office in London do not appear to reveal who this may have been.\n\n51 White marble images from Burma and Thailand, termed in Chinese \"jade buddhas\" (yi-fo) have been popular in China during the past century. In the late 1890's a set of such images was made in India for a Chinese monk from P'u-t'o Shan, who spent the better part of three years at Oudh overseeing the work. So popular were these particular images that when they arrived in Shanghai, they were kept on exhibit in nearby Woosung at the request of the authorities as a large number of Chinese visit them daily, which was quite profitable for the railway.\" See Journal of the North China Branch of the Royal Asiatic Society, 31 (1896-1897), 203. These may well have been the jade buddhas installed during the reconstruction of the Fa-yü Ssu on P'u-t'o Shan,\n\n52 Ts'en, Hsi-yün, p. 66.\n\n53 Cheng-lien, Ch'ang-chou T'ien-ning ssu-chih, Shanghai, 1948, 7:102. Cf. Chou Hsiang-kuang, History of Chinese Buddhism, Allahabad, 1955, p. 214,\n\n54 See Eastern Buddhist, 3.3 (October-December, 1924), p. 274. This is the earliest instance I have encountered of a Chinese Buddhist going abroad to study Theravada. Unlike Huang Mao-lin he is not stated to have had the goal of spreading Mahayana as well.\n\n55 For example in 1916 the head of the Chi-le Ssu, Pen-chung, led a group of his Refugee disciples to Ku Shan to receive the lay ordination: they numbered five out of the six upasakas and forty out of the 114 upasikas. This information comes from the 1916 ordination yearbook.\n\n56 See Yüan-ying fa-shih chi-nien k'an (Memorial volume for Yüan-ying), Singapore, 1954, pp. 13-14.\n\n57 However, they came from around Amoy rather than around Foochow, where Ku Shan was located.\n\n58 Chinese Year Book 1937, p. 74.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205377, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 139, "title": "RAS-1967", "content_text": "132\n\nREV. MR. KRONE\n\nTo the left of the temple of Confucius, is the temple of “Kwan-kung”關公—the God of War; and on the right another one dedicated to \"Man-tai\", the God of Literature. Behind the latter is the hall Ning-lun, in which the public examinations are held. The literati and elders meet here on special occasions. In the vicinity of these edifices is the temple of “Sha-nung”神農—the God of Agriculture; and before it extends a piece of ground, on which the chief magistrate has to plough a few furrows at the beginning of spring, in accordance with an ancient custom. Near the sea-shore is a large space of ground, which serves for drilling the military, and on which the military examinations are also held. On it also a hall is erected for the accommodation of the officers.\n\nNot far from this place is a Buddhist temple, which contains images of the three Buddhas, and of the eighteen Lo-hou, which are Buddhist demi-gods. In front of the three Buddhas is a tablet, before which the devotees worship the reigning dynasty. On this tablet is the inscription \"Ten Thousand years!\" Farther above this is another tablet with the characters \"Protect my black-haired people.\" The chief magistrate is obliged to repair here once a month, and to prostrate himself before these tablets.\n\nOther edifices worthy of notice are, a five-storied pagoda, a temple to the well-deserving mandarins Wong and Lau, and an altar to the Gods of Land and Grain. Outside the town is the execution ground, and here, in 1854, many rebels were decapitated, and there might be seen at times the heads hung up in baskets as a warning to the people.\n\nThe fort and city of Kowloong are sufficiently known, and there is but little to say of them. The low walls and miserable forts have often been visited by foreigners. The environs of Kowloong contain some curious mementoes of history, of which the rest of the district is destitute. Ping-tai, the last of the Southern Emperors of the Sung dynasty, fled with the remnant of his faithful adherents to the province of Canton. Near Kowloong he attempted to build himself a palace, which however he was unable to complete, and the situation is now marked by a temple to \"Pak-tai”北帝—the God of the North. One of his high officers died here, and his tomb is situated on a hill, which is called to this day Sung-wang-tai. These three characters are engraved on\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205491, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 33, "title": "RAS-1968", "content_text": "28\n\nMARJORIE TOPLEY\n\nThe following short description of how some sects related to territorial units comes mainly from my own investigations and examination of sectarian documents in Singapore and Hong Kong. The groups I studied are off-shoots of a widely ramifying system sometimes called Hsien-t'ien Ta Tao, \"The Great Way of Former Heaven\". It contains many sects going under different names. The sects of this religion were found in many parts of China and copied the State system of territorial administration in dividing up areas for administration with lodges descending to the level of the district. Below the district, however, the groups had other centres for members and based, as in Buddhism and Taoism, on pseudo-kinship organization. Provision was thus made for China-wide organization, although it is doubtful whether any sect extended over the entire country at any time.\n\nThe system appears to have worked as follows: administrative lodges existed usually, and where feasible in the face of campaigns of suppression which were waged from time to time against them, in the chief towns of provinces, counties and districts. The \"capital”, however, was not necessarily the same as the imperial capital but might be the town where the sect developed originally or to which it had been forced to remove its head office because of State activity against it. Until the late '50s of the nineteenth century, sects were headed by a patriarch who ideally resided in the main lodge but sometimes lived in another remoter place to escape attention by the State. In the records of some of the sects, the patriarch is compared to an emperor. It is often claimed he was an incarnate Buddha. Under the patriarch, there were various officers administering the branch lodges. All administrators had to hold degrees known as “lotus degrees\" to be eligible for such posts, although not all \"degree\" holders were administrators. Examinations for these degrees were in religious knowledge and techniques, which included knowledge of their own sutras (sometimes written in code) and Taoist type \"hygiene\" and Ch’an Buddhhist type meditation. Degrees have elaborate titles in many of the sects and are likened in their literature to degrees for State examinations. Administrative posts are sometimes compared to those occupied in the State administration by governors, judges and magistrates.\n\nMany sects are \"vegetarian\", that is to say they require degree-holders to practise permanent vegetarianism and also sexual", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205601, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 143, "title": "RAS-1968", "content_text": "138 \n\nNOTES AND QUERIES \n\nsaid to have been of the Buddhist faith and to have lived in China in the early part of the eighth century; or to one of their patriarch-successors. These sects share a common ideology, have the same goals, and some have a similar system of rank and appointments, even possessing the same rank-names and terms of address. Some of these sects are, like Hsien-t'ien Tao, vegetarian, that is to say they demand a permanent vegetarian diet (and also sexual abstinence) from their rank-holders; and some, generally speaking the more recent off-shoots, are non-vegetarian. It is only the vegetarian sects which are organized through vegetarian halls. \n\nSome of the other sects operating in Hong Kong today and recognised by Hsien-t'ien Tao to be related to it are P'u-tu Men: \"The Salvation Sect\" and Kuei-ken Men: \"The Sect of Reverting to the Root [of Things],\" which are both vegetarian; and T'ung-shan She: “The Fellowship of Goodness\", which is non-vegetarian and was particularly active in the period leading up to the founding of the Chinese Republic and immediately afterwards. \n\nThe ideology of these sects is known by Hsien-t'ien Tao rather confusingly as Hsien-t'ien Ta-tao: \"The Great Way of Former Heaven\". It is syncretic, incorporating elements from a number of sources but most importantly from Chinese and Tibetan Buddhism, and from Taoism, and the Yin-Yang cosmology which received general acceptance by the Chinese in traditional times. In combining all these elements however Great Way ideology, as we will refer to it here, produces an original synthesis: a system of ideas distinct from any other. The religion divides time into three major epochs, or cyclical periods, during each of which it is supposed that Absolute Truth comes into the world, is taught by a major Buddha and other distinguished sages, and then, unless men have made efforts to prevent it, becomes distorted and finally disappears. The disappearance of Truth from the world is followed by a major catastrophe (there might also be minor, localised disasters during each period due to minor Truth distortions). All sects in the group believe we have already passed through the first of these periods which was followed by a great flood; some believe we are in the second period now (dominated by Sakyamuni Buddha) which will be followed by a great fire unless we act to prevent it; and a few believe we are actually in the third period which will be followed by a wind catastrophe (interpreted by the sect Kuei-ken Men as an atomic war). It is in this final period that the", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205602, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 144, "title": "RAS-1968", "content_text": "NOTES AND QUERIES\n\n139\n\nBuddha Maitreya: \"The Buddha to Come\", will appear, and the catastrophe can be avoided if men help him to set the world to rights.\n\nIII. THE CHINESE GOVERNMENT AND THE SECTS\n\nEsoteric sects were regarded with the greatest suspicion in traditional times. They clothed much of their religious activity in secrecy; men and women met together for worship in their halls, even sometimes residing in the same premises (although in separate apartments); leaders did not wear clerical dress, they sometimes lived in their own homes and were not easily recognised as sectarians, and therefore could not be controlled like Buddhist monks; and such men wrote their own sutras. All these things were considered highly unorthodox.\n\nBut worse still, organizations of the group to which the Hsien-t'ien sect belongs believed strongly in a millenium. When Maitreya appears, it was believed, he will attempt to set things right by organizing (with man's help) an ideal form of government and preventing the spread of distorted doctrines and the catastrophes they lead to. During the last century the sects were under the control of patriarchs and it was commonly believed by members that Maitreya, when he appeared, would be incarnate in the body of one of these leaders (such men engaged in special religious practices similar to those of tantric Buddhism, to “absorb” Buddhas of their choice and take on their powers). When undertaking work for the millenium the sects took special secret names, one being, significantly, the White Lotus (from the symbol associated with Maitreya Buddha).\n\nWhen the State, in the nineteenth century, heightened its campaigns to stamp out sects, it was particularly those of the Hsien-t'ien group which took its attention. Marjorie Topley has been able to examine the patriarchal records of several of these sects for the period, and they tell a violent tale: many of their top leaders were, at this time, banished, imprisoned or executed, often after torture. The campaign against the sects has continued into this century and in the 1950's mainland newspapers carried news of further punishment for sectarians for their interpretation of local floods and other natural disasters as signs of the distortion of Truth and bad leadership of the country.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205609, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 151, "title": "RAS-1968", "content_text": "146\n\nNOTES AND QUERIES\n\nThe halls are all substantial buildings, somewhat simpler in style than the usual run of Chinese temples and they do not declare themselves obviously as religious institutions. Once inside, however, their religious nature is obvious from the images one sees immediately in the main downstairs shrine room where one enters.\n\nA few words are in order here on the deities worshipped by members of the sect and particularly in the vegetarian halls, for one of these deities effects the lay-out of the hall itself.\n\nWomen inmates may worship any god or goddess popular with them in a private capacity, and some have pictures and small images of such deities in their own sleeping quarters. Hsien-t'ien religion has itself incorporated, however, a number of gods and goddesses and Buddhas and Bodhisattvas into its worship. Kuan-yin is commonly found in halls of the sect and was in fact found in the halls in Ngau Chi Wan. Popular Chinese triads such as: Sakyamuni, Lao Tzu and Confucius (Buddhism, Taoism and Confucianism) are also common and appeared in the lower shrine room of the WING LOK TUNG. The sects relate various gods and Buddhas to each other by the theory of reincarnation: one god is the reincarnation of another, or of a Buddha in a different age. They are also related to each other by their cooperation in the work for Truth in a particular \"Truth\" epoch.\n\nA goddess peculiar to the sects of the religion exists, however. In this sect she is known as \"Golden Mother of the Yao Pool\" (Yao-ch'ih Chin-mu). In other sects she is known by different names: several simply call her \"Venerable Mother\" (Lao-mu), while Kuei-ken Men \"The Sect of Reverting to the Root [of Things]\" calls her \"Unbegotten Venerable Mother\" (Wu-shêng Lao-mu). Some sectarian leaders have told Marjorie Topley that they can tell when a particular sect split off from others in the religion by the term of address they use for \"Mother\". Mother is supposed to change her name every few years or so in order to prevent the unorthodox off-shoots from obtaining access to her. Any message sent to her under the incorrect name will fail to arrive. More sophisticated members say, however, that this goddess is in fact a symbolic representation of the Void: out of which the cosmos, and with it, Absolute Truth, emerged. But to most ordinary members, particularly female members, she is a goddess of great compassion and power and they sometimes identify her with Kuan-yin.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205790, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 96, "title": "RAS-1969", "content_text": "90\n\nR. BRUCE\n\nLike Sakya-muni who became Gotama Buddha, he left the rich life of the Palace for the austerity of monkhood. His head and eyebrows were shaven, his dress was the yellow robe, his dwelling a cell in a city monastery. He shared the simple life of the most humble. Each morning he went into the streets to receive in a metal alms bowl gifts of food from the people. Each day the monks chanted the Pali sutras, studied, or practised meditation. It was a life of abstinence. No worldly wealth is allowed in the Order. It is absolutely forbidden to tell lies, to take any form of life, to gossip, to steal, to have any contact with women, to handle money, or to eat after mid-day. A monk's demeanour is important - how to stand, sit, walk, how to address people, and how to maintain that composure which is revealed in the face of Buddha's image in every Wat in Thailand.\n\nThe discipline was not irksome to Mongkut, and it became him as easily as the luxury of the Palace. He immersed himself in Buddhist studies and acquired a good knowledge of Pali, the language of the scriptures. He found in his research that there were serious gaps in the collections of texts and commentaries in Siam. At the young age of thirty-three, he had been in the Order three years. Mongkut became the Abbot of Wat Bowaniwate. He ordered many Pali books from Ceylon to repair the omissions in the Buddhist writings. But the most important part of his work as a monk was the reform and revitalising of the Order of monkhood itself.\n\nPrince Mongkut, the Abbot, found the observance of the code of conduct too slack. Some monks in Wat Po, the Temple of the Reclining Buddha, were even gambling and handling money. He set a new standard of discipline in his own Wat and then established a new sect within the Order. This was the Dharmayuta, the Followers of the Law, which survives today. The rules prescribed for this school of monks are far stricter than for the majority group, the Mahanikai, the Great Sect. Mongkut preached to the monks in his Wat and to the people, bringing a fresh interpretation of the Dharma, the Law, in place of what had become atrophied ritual. In creating a new sect among the monks, Mongkut did not bring about a \"Reformation\"; he left no cleavage among the followers of Buddhism. He re-inspired belief and disciplined practice. That this was done by a Priest, half-brother to the King and his likely successor, was doubly significant in a country where", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206082, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 162, "title": "RAS-1970", "content_text": "HONG KONG BEFORE THE BRITISH\n\n157\n\nbegging bowl. However, since the first reference to Buddhist worship on the mountain occurs in 954, when an officer of the garrison called Ch'an carved a figure of Buddha which he put in a cave, we can assume that its Buddhist connotations were created by the Chinese soldiers. Before being a Buddhist hill it was made famous as a sacred spot by the visit of Han Yü, the famous Confucian scholar and one of the greatest names in Chinese literature.\n\nHan Yü was brought up in North China in the same region as Confucius, for whom he had the greatest veneration. He was a particularly intransigent type of philosopher who disliked all signs of mysticism. In 820 he attacked the Emperor for installing a relic of Buddha in the palace. \"I am not so naif as to think Your Majesty is deceived by Buddhism,\" he wrote. \"This ceremony is no more than a pageant got up to please the people, and how could your august wisdom deem it anything else?\" For these scathing remarks he was sent into exile to Chao Chou, which was then one of the most remote outposts of the T'ang Empire. On his way, whether coming or going, he passed by this region, and according to the Topography, \"ascended the mountain of T'un Mun and looked over the vast unfathomable ocean and the forests and waters and felt that it was indeed a sacred spot.” This local tradition is confirmed by a passage from one of his poems which describes a storm at sea with the lines:\n\n\"Tun Mun is a high mountain they say,\n\nBut even the waves swallow it up.\"\n\nHan Yü held an official post at Chao Chou. Although the place is outside our region it is worth while illustrating the conditions then prevailing in South China by quoting from his famous ‘Address to the Crocodiles.\" Han Yü was asked by the aborigines to drive away crocodiles by throwing charms into a river. His address to the crocodiles was thrown into the river by the chief of the garrison. Part of it reads as follows:\n\n\"If the crocodiles have any intelligence they should listen to the words of the prefect of Chao Chou. The great ocean spreads in the South. There live huge whales and monster birds, tiny shrimps and little crabs: all creatures find space and nourishment therein. If the crocodiles start in the morning they will reach the sea by nightfall. I conjure them, if they", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206629, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 177, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n171\n\ndated either about the turn of the second millennium BC, or mid-eleventh century BC (ca. 1121 BC) about the same time as the Trojan wars. King Wu's victory is the theme of many Chinese legends and also forms the plot of the Deification of the Gods, which was recounted by story tellers the length and breadth of China. Woven into its historical background are a multitude of supernatural events involving the heroes before they were deified. They were divided into two forces: the benevolent under King Wu, and the malevolent under King Chou. The battle was fought with practically every form of weapon known to man and included the use of flame, gas and germ warfare, together with the conventional swords, spears and arrows.\n\nThis long Taoist novel is known, either in part or in whole, by the Chinese peasants, many of whom believe quite genuinely that the gods, both Taoist and Buddhist, were first deified at this juncture. It portrays many of the Buddhist and Taoist heroes, describing the events leading to their deification, and it played an important role in Chinese iconography, crystallising the beliefs and characteristics of the Chinese deities. Although several major characters link the events together and provide the thread for the story, most of the heroes appear only in one or two episodes.\n\nFrom this mixture of Buddhist and Taoist heroes in this fifteenth-century novel may have developed the practice of worshipping Taoist deities side by side with Buddhas and other Buddhist religious figures in Chinese temples; and in many a Chinese mind these Taoist mythological and folklore deities are inextricably involved with Buddhas and Bodhisattvas.\n\nGENERAL YIN CH'IAO\n\nXHT\n\nThe President of the Ministry of Time and The Supreme Ruler of the Year and the Seasons.\n\nAlso known as T’AI SUI (★A)\n\nBackground\n\nIn the spirit world of Chinese folk religion, the Ministry of Time is ruled over by the deified hero, General or Marshal Yin Ch'iao, who bears the title T'ai Sui. He is a stellar deity particularly connected with the planet Jupiter, worshipped China-wide, and is said to be one of the fiercest gods in the pantheon who has to be placated if one is moving, building or when the ground is disturbed.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206631, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 179, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n173\n\nborn a lump of formless flesh which so horrified his father, King Chou, that he ordered it to be abandoned outside the city walls. The lump was recognised as an Immortal, the caul split open and the child removed. He was cared for by a hermit and brought up and nursed by one of the eight Immortals, Ho Hsien Ku († plikt). When he came of age, Ho revealed to him his identity and that his mother, as punishment for bearing such a \"monster\", had been thrown from a high window. Yin then determined to destroy the Imperial concubine who was the Royal favourite and by her calumnies had caused both the death of his mother and his ejection from the city. Yin was presented with two magic weapons by the Goddess T'ien Fei (Ait), a gold club and battleaxe. After the big battle between the forces of Shang and Chou, Yin destroyed the Imperial concubine and was rewarded by the Jade Emperor for his bravery and for his filial piety with the titles of T'ai Sui and Marshal Yin (†). Yin Ch'iao means \"Yin (who was deserted in) the suburbs\". His child's name, so Doré records, whilst living with Ho Hsien Ku was Chin No Cha (4). This adds further confusion to the legends surrounding No Cha, another deity and one who appears with great frequency in Chinese legends and fairy tales.\n\nAnother of the legends in The Deification of the Gods tells of Yin Ch'iao first on the side of his father, the wicked King Chou, and then later, switching sides, and fighting with the good King Wu. Yin Ch'iao was decapitated by a general during the battle after being enclosed by the Buddha Jan Teng () between two mountains leaving only his head protruding. He was deified by Chiang Tze Ya (†††), as described in the 99th chapter of The Deification of the Gods during the general elevation of the gods and also given the presidency of the Ministry of Time. In another novel of the same era as the Deification, the Sou Shen Chi (†††2) the Jade Emperor (11) conferred on Yin the title of T'ai Sui, Marshal Yin (★★K) for his services in combating evil.\n\nYet another story describes a jealous rival of Yin Ch'iao's mother who, as a concubine to the King, caused him to order the execution of Yin Ch'iao, his son, for plotting treason. He was saved by the magic of Ch'ih Tsing Tze (T).\n\n2 Record of Research into the Gods (part of the T'ao Tsang).", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206644, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 192, "title": "RAS-1972", "content_text": "186\n\nKEITH STEVENS\n\nfeatures, but as with all Chinese images there are local variations of which two major ones observed have been:\n\na. A shiny black Fa Chu Kung with six arms and standing barefoot, holding in his six arms:\n\n(1) a sword held in each of three of them,\n\n(2) a scimitar in one,\n\n(3) a magic ring in one (this is identical to the bracelet of San T'ai Tzu),\n\n(4) the sixth has a hand making the magical sign described above.\n\nHe is dressed in flowing golden robes, and has a small snake entwined around the arm with the hand making the magical sign. (Plate 25)\n\nb. A Ch'ao Chow style carving of Fa Chu Kung has two pillars protruding from the base on either side of his body reaching to his waist height, making two \"side table\" tops on either side of him. On one side, on the \"table top\", stands a vase and on the other stands a bowl. Otherwise he is exactly as described in the basic description.\n\nThe images most likely to be confused with Fa Chu Kung are those of his two brothers which apart from the colour of their faces are identical to his. They have never been observed on an altar without him.* Also possibly confused with Fa Chu Kung is T'ai P'ao or Sha Ho Shang who is described at the end of this article.\n\nTitles\n\nFa Chu Kung is known by various names or titles than by his best known title of Fa Chu Kung. According to Fukien temple keepers, Fa Chu Kung means the Controlling Duke. There is, however, a Buddhist term, Fa Chu, for the Lord of the Dharma, which is the Buddha himself. It is unlikely that this is the origin of Fa Chu Kung's title, even though several informants have suggested that, as he is black, he was an Indian and was formerly a trader from India. The various titles and names by which he is referred to, are:\n\na. Fa Chu Sheng Chün 法主聖君\n\nTitle given in Mutseh near Taipei to the group of the three brothers, all to be seen on one\n\n* See Plate 26. A Fukienese god-carver's sketch of Fa Chu Kung is at Plate 27.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206651, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 199, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n193\n\nfrom the Imperial Palace. These Chinese expeditions sailed as far afield as the coast of East Africa, the Maldive Islands, Mogadishu, the Persian Gulf, Aden and Mecca, Siam, Champa, Java, Sumatra and Malacca, visiting more than thirty countries in South East Asia, the Indian Archipelago and the Indian Ocean.\n\nCheng Ho\n\nThe most famous of the admirals to command these expeditions was Ma Cheng-ho, a eunuch from the Imperial Palace and the son of a Chinese Moslem Hadji from Yunnan. The Admiral is remembered either as Cheng Ho or by his title, San Po Kung (2) and not by his family name which was the common Chinese Moslem name Ma ( ). The full title by which he was known after his death was San Pao T'ai Chien (2), the Three Jewelled Eunuch, but this in South East Asia has been shortened to San Pao Kung (ET). Cheng Ho's last expedition in 1430 visited seventeen countries from which tribute had ceased to be received, but after he died in about 1431 all official intercourse between these countries and China ceased.*\n\nWhere or when he was deified is not known. However, amongst the overseas Chinese communities which are mentioned below Cheng Ho is still prayed to for protection, both in everyday life and on short journeys. In the earlier days of the Chinese migrations to South East Asia, he was prayed to by the junk crews of the southern maritime provinces of China and the South Seas. Cheng Ho himself on his voyages is said to have prayed to Tien Fei, the Heavenly Consort (kt), the Chinese seafarers' goddess, who is now normally called Ma Tsu or Tien Hou. What a good example of Chinese toleration Cheng Ho was: or perhaps a good example of the prudent Chinese who takes the opportunity not to offend, and also backs all horses. Here he is, a Mohamedan who prays to Tien Fei for protection and who during one of his voyages erects a tablet in honour of the local Buddha.\n\nImages of Cheng Ho\n\nStatues of Cheng Ho are to be seen in temples in Singapore; in Malaysia in Muar and Malacca; in Sarawak; in Semarang in Java,\n\nSee J. V. G. Mills' edited translation of Ma Huan's Ying-yai Sheng-lan. The overall survey of the Ocean's Shores, Cambridge University Press for The Hakluyt Society, 1970.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206683, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 231, "title": "RAS-1972", "content_text": "BOOK REVIEWS\n\n225\n\nrank in a number of groups) and even the White Lotus itself — all listed by the author (I am here using his translations and romanizations) — had a systematically worked-out theology, exegeses existing independently of any other Chinese religion, a mother goddess unknown in any other Chinese pantheon, and they looked for the coming of an incarnate buddha, Maitreya, who is to preside over a millennial age. They had elaborate ranks with elaborate religious qualifications, and indeed in many cases it would appear by examination of such ranks, as well as theology and lines of patriarchal succession that they are offshoots of each other. This is certainly claimed to be the case by leaders of some of these messianic organizations living overseas in contemporary times (Topley 1963). Such groups attracted the frustrated intellectual as well as the poorer member of society who might find a home in one of their residential, commonly vegetarian, halls. They had a dialectical approach to the social and ideological contradictions they saw in their society and culture: in some ways more Confucian than the Confucians who urged self-cultivation as a requirement for good government by the official, they made a necessity of a virtue and demanded this qualification for an administrative position in their own organizational hierarchy. And here is an important point. They offered a social and ideological system which was a complete challenge, not just to existing leadership but the form of society itself. Social organization would be unnecessary when the millennium came, because people would act from intuitive knowledge of the right way to behave. Virtue would be the only qualification for the decision-maker and its own reward. There would be no poverty and no contradictions. Such notions are not of course without parallel in secular China today. Is it really true, as the author suggests that they 'contributed to the survival of outdated ideas and beliefs'? Or might they have not paved the way for certain contemporary Chinese ways of thinking? All this requires much more serious thought, as does also, the particular nature of their militant involvements: what role in military activities and strategy-planning would a leader of this kind of organization have a man whose position appears to depend on religious rather than social achievements; on intellect rather than physical prowess (Topley 1968: 35, 38)?\n\nJ\n\nThere was then another kind of grouping which was different. It used religious concepts and symbols but had no separate theology or exegeses. No religious qualifications were necessary for leader-", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206795, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 72, "title": "RAS-1973", "content_text": "66\n\nCHIU LING-YEONG\n\nThe style of I-seng was of Iranian origin, in which modeled and shaded polychrome figures seemed to stand out in relief, or even to float free from their background. His style is believed to have influenced Wu Tao-hsüan and to be traceable in the caves of Tun-huang.\n\n35\n\nFrom Chinese sources, Ta Yü-chih had three paintings extant in T'ang period, namely: (1) Liu-fan tu; (2) Wai-kuo pao-shu tu (the six foreigners); and (3) Po-lo-men tu (exotic tree from foreign country); (the Brahmara). However, according to Hsüan-ho hua-p'u, there were seven paintings of Hsiao Yu-chih's work, kept by Sung Hui-tsung, namely:\n\n1. Icon of Maitreya 彌勒佛像一;\n\n2. Buddhist icon 佛鋪圖一;\n\n3. Buddhist followers 佛從像一;\n\n4. Buddhist followers from foreign country 外國佛從像一;\n\n5. Avolokitesvara 大悲像一;\n\n6. Vidyaraja 智;\n\n7. Foreigners36;\n\nThese seven masterpieces were kept by the Emperor in the Inner Palace. Some of I-seng's paintings are still kept by collectors either in China or America, like the Dancing girl of Kucha #✯✯; A Sitting God 坐神; Buddha under the Mango Trees 吉羅林果佛; and Drunken Monk 醉僧圖.\n\nThe Yu-chihs were also masters of mural-paintings. Some of their works can still be found in temples and pagodas in China. In the Sung period, their works were classified as shen-p'in (divine category). I-seng also introduced the 'iron-wire' line to China—the Western technique of using a line of unvarying thickness to outline figures.37 I-seng, according to Chang Yen-yüan, had brought new light to Chinese painting and made more paths for painters of the later generations to develop.\n\nCh'in Ming-ho\n\nAt th...\n\nIn the field of medical science in T'ang China, Professor Lo Hsiang-lin inclines to believe that Persians had made tremendous contributions, especially in surgical operations. In A.D. 683, a Persian known as Ch'in Ming-ho, performed a neurosurgical", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206893, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 170, "title": "RAS-1973", "content_text": "164\n\nNOTES AND QUERIES\n\ntraditional Buddhist scenes. Wat Suwannaram on Klong Bangkok Noi is one of the best known temples for murals. The building was constructed in the reign of Rama I and its paintings, dating from the time of Rama III, were executed by two artists, Luang Vichit Chetsada and Kru Khonpae, whose names have, unusually, come down to us. The wall inside the entrance illustrates the conquest of the Buddha over the spirit of evil, Mara, and the wall behind the altar shows the Buddha descending to the earth, the Traibhumi. At the upper levels on the long side walls are rows of orahan or followers of the Buddha, and between the windows the jataka tales, the stories of the last ten incarnations of the Buddha-to-be, are represented, the whole of the left-hand wall being given over to the very last jataka, the Vessuntarajataka, or renunciation. The paintings are remarkable for their delicacy and charm.\n\nSome more examples of traditional Siamese painting were to be seen in the collection in Krisnavara House, the home of the epigraphist and art historian Alexander B. Griswold, which was opened specially for the tour. Mr. Griswold's collection of rare Sukhothai porcelains and ancient stuccos and bronzes was much appreciated.\n\nThe Siam Society, a learned body established in 1904, has a traditional northern house, the Kamthieng museum, re-erected in one corner of its fine grounds. The Society was the setting for an introduction to traditional Siamese folk opera, likay. Especially for the tour, the Hom Huan troupe of actors performed with verve the story of Chantakorop. The prince of this name falls in love with a fickle girl Mora who has come from a magic casket and who agrees to be his wife, but she is then attracted by a bandit leader and enables him to kill Chantakorop. The prince is taken up to heaven by the god Indra, the bandit leader runs away from his new wife who is alone and hungry in the jungle. Indra, disguised as a bird, offers her food on condition she marries the bird. She agrees and is transformed into a gibbon as a reward for her fickleness.\n\nLikay is an old theatrical form, possibly of southern or Malay origin, but having by syncretism absorbed most other Thai theatrical forms including the masked dance khon. Once extremely popular, it is now dying out in the capital. It is rumbustious and bawdy, and incorporates popular songs, traditional dance and improvised dialogue. The costumes are gay, extravagant and imaginative. The small orchestra of six performed on traditional instruments.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206894, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 171, "title": "RAS-1973", "content_text": "NOTES AND QUERIES\n\n165\n\nments which were capable of delicate romance and noisy battle music.\n\nA tour through the large compound of the National Museum gave a perspective of the best examples of Thai art from the Dvaravati to the Ratanakosin periods. The latest discoveries of pots from Ban Chieng, thought to date from approximately 5,000 BC, were on display. In a museum as packed with treasures as this is hard to select any one piece as particularly outstanding; certainly the magnificent Avalokitesvara from Chaiya and some of the early Khmer pieces were much appreciated. The museum has the added advantage of containing the buildings of the former palace of the second king, which themselves are attractive and include the chapel of Buddhaisawan with its large lacquer cupboards and fine frescoes. The lavish carving of the royal funeral carriages, the rajarot, was also noted.\n\nThe group visited Suan Pakkard Palace in Bangkok, the home of H.R.H. Princess Chumpot of Nagara Svarga, whose large collection of antiques, including some fine Ban Chieng and Sukhothai pieces, is elegantly and informally arranged in adjoining traditional Thai houses modernised for contemporary living. The grounds also contain the only lacquer pavilion to survive the Ayuthia period; with its fine decoration it has been restored to its former grandeur. After visiting the palace the members of the tour were entertained to lunch by Her Royal Highness.\n\nPitsanuloke was used as a base for the visit to the Sukhothai area. In that city Wat Mahathat with its exceptional polished bronze statue of the Sukhothai period, Phra Buddha Chinarat, was seen. At Sukhothai itself some time was spent in the vast area of Wat Mahathat, strewn with ruined chedi, chapels and ante-chapels, where there is a number of stucco Buddha statues recently restored. The well-preserved Khmer style temple Wat Si Sawai, with its three symmetrical prang and double enclosure of brick and laterite was in its severity in marked contrast with the ebullience of Wat Mahathat. The ruins of Wat Trapan Ngoen and Wat Sra Si and their moats were noted, the massive walled Wat Si Chum was visited, with its vast and contemplative Buddha open to the sky surrounded by high walls with a hidden staircase in their mass, up which the adventurous climbed. The site of the ancient celadon kilns, Tao Turiang, was seen and Wat Saphan Hin, at the end of a long stone path up a hill from which it gets its name, offered a fine view over", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206895, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 172, "title": "RAS-1973", "content_text": "166\n\nNOTES AND QUERIES\n\nthe surrounding countryside reposing in the benediction of its large standing Buddha. The museum of Sukhothai also displayed a number of very fine pieces, not least the magnificent walking Buddha, phra lila, a purely Sukhothai invention.\n\nThe sister city of Srisachanalai is further to the north of Sukhothai but of the same period. It is famous for the Sangkaloke variation on Sukhothai celadons, and it is from there that the Chalieng wares came. To get to the site one has to cross the river Yom in a boat below the rapids; the ruins are visited on foot. The entire spread of the area was seen from the top of Wat Khao Phanom Pleung. Wat Chang Lom, with its stucco-on-laterite elephants around giving it its name, dates from the beginning of the Sukhothai period. Wat Chedi Chet Tao has among other chedi the characteristic lotus-bud finial which was also seen in Wat Mahathat in Sukhothai; as in that temple, too, there were also some good stucco remains, here, of a Buddha seated under a protecting naga. Wat Uttayan Yai is another ruined temple, and between it and the high city wall still remaining are the ruins of Wat Nang Phya, the walls of the chapel containing some delicate decorative stucco work. In the ruins of the palace is an interesting covered arched sanctuary,\n\nThe site of Kampengpetch lacks the hills of Sukhothai or Srisachanalai but is surrounded by denser secondary jungle which adds to the attraction of the area. Wat Chao Awat Yai has little of particular note apart from the deep rectangular pool before it from which the blocks of laterite were cut to erect the building. The elephants surrounding the central section of Wat Chang Rob are better preserved than at Srisachanalai and finer in their detail, and there is a stucco decoration of Bo trees and demons on the walls between them. Wat Phra Si Irayabot has in the middle of the jungle a vast laterite platform for a vihara and behind it a most unusual construction with four Buddhas placed round a high core in standing, walking, sleeping and seated positions. The first two are still in good condition but little remains of the last two. All these temples lie outside the old city walls, inside which are to be found the ruins of Wat Prathat and Wat Phra Keo, with their bare outlines of laterite Buddhas and fallen chedi. The new museum at Kampengphet was also visited by special arrangement and contains some exceptional pieces, notably an U-Thong Buddha and some torsos of Hindu deities which seemed to have found more favour in Kampengpetch than in the other cities of Sukhothai.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206896, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 173, "title": "RAS-1973", "content_text": "NOTES AND QUERIES\n\n167\n\nBy way of comparison, the tour also visited Ayuthia and saw the gigantic Buddha at Wat Phanan Cheong, by the river, and the ruins of Wat Yai Chai Mongkon, Wat Phra Sri Samphet, and Wat Phra Ram. The magnificent Wat Na Pramane in its peaceful country setting, with its elaborate carved pediment (the only one to survive the holocaust of the Burmese attack in 1767), its fine ceiling and remarkable bronze Buddha in kingly attire of the Ayuthia period in the main bot and the no less striking stone Dvaravati Buddha seated in the European fashion with its characteristically placid Mon face left a deep impression,\n\nBefore leaving Bangkok a visit was made to three representative temples of the Ratanakosin period, Wat Suthat, with its wealth of Chinese statuary and carved and gilded doors said to be the work of Rama II (the vihara was unfortunately closed and its murals could not be seen). However at Wat Borworniwes the unusual murals depicting scenes of western eighteenth century palaces introducing alien perspective were noted; the bot also contains the revered statue Phra Buddha Chinasara, a good example of Sukhothai statuary. The peaceful temple grounds with their canals full of turtles were in considerable contrast to the roaring city outside the temple walls. The better known Wat Benjamabhopit with its copies of various statues, including that at Pitsanuloke of which the original had been seen, was also visited. Most interestingly perhaps, on the last day the group visited the gold-leaf beaters' lane where for several days layers of gold are pounded by hand to produce the wafer-thin pieces which are applied on statues by the devout.\n\nIt should not be thought that the members of the tour remained aloof to daily life of contemporary Thailand; elements of this were seen at the weekend market at the Pramane Ground, and, in the country, working elephants, the pounding of rice flour in villages and the releasing of birds to gain merit in temple courtyards left their impression.\n\nIn what was effectively four very full days, a great deal was seen and much ground was covered (it took ten hours by bus to reach Pitsanuloke from Bangkok). The pace was intense but rewarding. The tour was considered culturally illuminating, revealing the many facets of the rich artistic heritage of Thailand.\n\nHong Kong, 1973.\n\nMICHAEL SMITHIES", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206904, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 181, "title": "RAS-1973", "content_text": "BOOK REVIEWS\n\n175\n\nTHE BUDDHIST CONQUEST OF CHINA: THE SPREAD AND ADAPTATION OF BUDDHISM IN EARLY MEDIEVAL CHINA by E. Zürcher. Leiden: E. J. Brill, 1972, in two volumes (Vol. I, pp. 1-320 and 5 ink-drawing maps; vol. II, pp. 321-469, including Notes, Bibliography, Indexes, Additions and Corrections), H.K.$320.00.\n\nThis book, in two volumes, is a revised edition of the original edition first printed in 1959, also in Leiden. The text is organized in the following six Chapters: 1. \"Introductory remarks\", 2. \"Historical survey from the first to the beginning of the fourth century\", 3. \"Buddhism at Chien K'ang and in the South-East, ca. 320-420\", 4. \"The centres at Hsiang-yang, Chiang-ling and Lu-Shan, and the influence of Northern Buddhism\", 5. \"Anti-clericalism and Buddhist apologetic in the fourth and early fifth centuries\", 6. \"The conversion of the Barbarians, the early history of a Buddho-Taoist conflict\".\n\nConfining his scope to the development of Buddhism during early Chinese medieval periods, Zürcher has not only contributed a great deal of detailed researches but has also demonstrated a high degree of scholarship. Despite this, there are certain aspects which have apparently escaped the author's attention.\n\nAs to the first, speaking in general, any review of the history of Chinese Medieval Buddhism from a broad sense should not be limited to the rise of Buddhistic sects due to variations of religious theology. Other over-all aspects of Chinese culture, directly or indirectly influenced by the introduction of Buddhism at that time, should also be taken into account. One such point, the Buddhistic influence on Chinese language, seems to be notable. The earliest reference to this aspect was perhaps first made by Thomas Watters as early as 1889 when he presented his primary discussions in Chapters 8 and 9 of his Essays on the Chinese Language, a book published in Shanghai. Similar in nature but more authentic discussions of this theme were made by contemporary Chinese scholars, such as the well-noted article by Chen Yin-k'o “Ssu-sheng san-wen” 四聲三間 (which appeared in the Tsing-hua hsueh-pao 清華學報 Vol. IX, No. 2, pp. 275-288, 1934, Peking) and the \"Indian Influence on the Study of Chinese Language\" by Lo Ch'ang-pei 羅常培 (which appeared in Sino-Indian Studies, Vol. I, No. 3, pp. 117-124, 1944). The “Eastward transmission of Buddhism and its influence…", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206905, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 182, "title": "RAS-1973", "content_text": "176\n\nBOOK REVIEWS\n\non Chinese phonology”, 佛教東傳對中國音韻學之影響 by Chou Fa-kao which appeared in Collected Essays on History of Buddhism in China + ***£*4, pp. 775-808, 1961, Taipei, is another example.\n\nThe most remarkable Indian influence on Chinese culture could perhaps be regarded as the latter's adaptation of rock-cut caves in Indian fashion, although there are 'Chitaya' and 'Vihara' caves in China. Geographically speaking, such rock-cut caves in China have not only been constructed in at least fourteen provinces, but also cover a vast territory which extends from Chinese Turkestan in the West to Manchuria in the East, and from the high-land area of the Yellow River in the north crossing the Yangtze River's basin in middle China to the basin of Pearl River in the South. Furthermore, chronologically, these rock-cut caves seem to have been continuously practised in China for as long as eight centuries. It is certainly essential to give, at least, a brief account of the Chinese adaptation of such caves of Indian origin, in terms of their place in the history of Chinese art and architecture, in relation to the transmission of Buddhism as a whole.\n\nSecondly, it seems that the author has apparently overlooked certain important studies contributed by 20th-century scholars. In Chapter 6, Mr. Zürcher has devoted his discussion on the early history of a Buddho-Taoist conflict in relation to the nature of \"Sutra in Forty-two Sections\". Yet, as early as 1935, Hu Shih ♬ in has convincingly demonstrated in his Tao Hung-ching Ti Chen-Kao K'ao # 3 & 43 A ✯ ✯ (Notes on Tao Hung-ching's Chen-kao, in Ts'ai Yuan-pei Memorial Volume, Part II, pp. 539-554, edited and published by the Institute of History and Philology, Academia Sinica, in Peking, 1933), that the Chen-kao Д, one of an important Taoist writings written in the 5th century by T'ao Hung-ching ₪✯ ✯ (457-536), contains 13 different sections which are plagiarisations taken from the \"Sutra in Forty-two sections\". The Taoist borrowings from Buddhist sutra would be one of the best examples of documentary clarification of the religious conflict between Taoism and Buddhism in medieval China.\n\nThe second instance of oversights of this kind occurs in dealing with the maps in this book. Except for Map II, which deals with the main routes and trade centres in later Han time, the others all refer to Buddhism in China from the first to the fourth century", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207037, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 108, "title": "RAS-1974", "content_text": "102\n\nMICHAEL SMITHIES\n\nFrench, advancing up the Mekong from Saigon, over-anticipating its value as a trade route to China and claiming suzerainty over Annamese vassals, slowly filled.\n\nThe explorer Mouhot was at Luang Prabang in 1861 and Doudart de Lagrée and Francis Garnier shortly thereafter. The Kha rebellion of 1885 gave the French an excuse for intervention and stopping further extension of Siamese power in Laos; in 1886 a provisional Franco-Siamese convention was signed giving the French the right to establish a vice-consulate at Luang Prabang. The first mission by Pavie to Luang Prabang took place early in 1887, but French expansionism was effectively held in check for three years by the devastation caused by Deo Van Tri and the Black Flags (the Ho 'pirates' operating from Yunnan and Tonkin). Incidents increased between Siam and France and culminated with the French naval demonstration at Bangkok in 1893; the Siamese gave way and ceded the left bank of the Mekong to France. The Franco-Siamese treaty of 1907 gave the right-bank province of Sayaboury and those right bank parts of Champassak to France, but recognised Siamese authority over the rest of the right bank. The present frontiers of Laos were effectively decided by the French, from whom the Lao gained independence in 1949 under King Sisavong Vong. Prince Boun Oum of Champassak having in a secret protocol of 1946 renounced his right to the kingdom. More recent events have been well chronicled and the agreement of the three major political princes of left, right and centre in 1974 to form a joint government offers hope that the troubled post-war history of Laos might enter a more peaceful phase.\n\nThe buildings in Vientiane then are either restorations or totally modern and, as always in mainland southeast Asia, the monuments of note are almost exclusively religious. The most attractive shrine is the That Luang slightly outside the city. This solid tapering square tower was built in the 16th century by King Settathirat and is said to contain Buddhist relics. It was badly destroyed by the Red Flags in 1873 and its reconstruction was completed in 1929. It is an impressive pile set in a large open square fringed with trees. A vast fair takes place here every November and assumes a national importance.\n\nVat Pra Keo was also built originally by King Settathirat to house the Emerald Buddha on its arrival from Chiengmai; the statue", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207038, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 109, "title": "RAS-1974", "content_text": "The monuments of Vientiane and Luang Prabang\n\n103\n\nwent to Bangkok and the temple in Vientiane lost its importance. It has been restored many times and is technically no longer a temple but a 'haw' or hall since services are not held and the building has been converted into a museum. At the entrance is a fine Dvaravati Buddha and there are several good examples of bronze Lao Buddhas with characteristic sharp, pointed noses both outside and inside the building. Among those inside is an elegant and extremely attenuated standing Buddha and two walking Buddhas. The restored pediments of the building are good examples of Lao woodcarving and so are the carved window panels.\n\nNearby is Vat Srisaket which is a quiet spot without having any particular artistic merit, though its galleries of Lao-style Buddhas, the carved ceiling of vihara and its naive frescoes of animals are worth seeing. The only other temple of note is Vat Ong Tu, near the market with good carving on the portal only in the Chiengmai style. The primitive wall paintings at Vat Oup Muong are a modern interpretation of the Ramayana but the temple is otherwise without interest; Vat Xieng Yuen and Vat Chantaburi, by the river Mekong, have peaceful and shady courtyards, and the temple of the Sankaraj, or Lao Supreme Patriarch, Vat Dong Mieng is remarkable mostly for its carving and hideous modern paintings.\n\nVientiane boasts the usual ministries of an administrative capital and a small modern royal palace for the occasions when the king comes from Luang Prabang. Modern Vientiane is largely without interest, the only building of note being the Monument to the Dead on the broad avenue leading to the That Luang; it is a top-heavy and as yet still incomplete miniature of the Arc de Triomphe. The teak-lined boulevards running parallel to the Mekong have a tranquillity which few capital cities can boast.\n\nThe difference between Vientiane and Luang Prabang is striking; the former has on occasions something approaching a bustle of modernity. Luang Prabang, a half-an-hour away by plane, is a century away in time. There are virtually no modern buildings, there is no traffic, and the ring of mountains around seems to keep the world away. The morning market is peopled by Lao villagers and Meo tribesmen, the latter heavy with silver and bright with colour; three soldiers look after a pig and half-a-dozen people watch a kettle boil on the side of the road. Local silk is offered at very low prices and the silverware is unusual. Luang Prabang is the", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207039, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 110, "title": "RAS-1974", "content_text": "104\n\nMICHAEL SMITHIES\n\nhome of the Lao royal family and the small royal palace at the foot of the Phu Si or central hill sets the modest tone of the town. Its temples are so numerous that it would be impossible to detail each one, and unrewarding, for many are extremely simple, testimonies to the faith of an unaffected and devout people.\n\nThe most splendid is undoubtedly Vat Xieng Tong, originally approached from the Mekong river up a broad stairway. It is the largest temple in area and the compound has a number of interesting buildings; the vihara has high curving roofs coming down very low to the sides and surmounted by an elegant dort xoi fa (flowers pointing to heaven), the many-pronged symbol of the universe, each point tipped with a tiered parasol, that is to be found on nearly every Lao temple roof. The carved portico is striking and the inside of sober simplicity; the altar has a large antique Lao Buddha statue and the ceiling is coffered and painted. The runnels with decorative dragon-head spouts used in ordination ceremonies are kept in many temples in Luang Prabang and there is a good example in Vat Xieng Tong. At the back of the altar, on the outside wall, is a mosaic representing the tree of life, and nearby a small chapel to a Lao hero, Sri Sawai, is entirely covered with charming mosaics on a red background. There are a number of other chapels in the grounds, as well as a small building for a prayer drum. The most opulent of these is undoubtedly the building containing the royal funeral carriages; the carving and gilding is almost overwhelming on the outside, and if the inside of the building is simple, the objects it contains are not; the royal funeral carriages are masterpieces of carving which, until the present king changed the tradition of burning them after the cremation of the monarch they had borne, used to disappear without trace.\n\nAlong the main street going towards the Phu Si is Vat Sene, with a three-tiered roof in the Lao style. The entrance is elegant and raised on octagonal columns and the walls are decorated gold on a red background. Nearby is Vat Pak Khe, one of the most unusual temples in Luang Prabang, with Siamese style frescoes inside and on one of the entrances are supposed to be represented Dutchmen and on a window Venetians. Certainly the objects of the panel carver's attention are European and the style of the dress dates from two to three centuries before the founding of the temple in 1861. Father de Leria visited Vientiane between 1642 and 1647 and his information is recorded in Father Filippo de Marini's book", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207040, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 111, "title": "RAS-1974", "content_text": "THE MONUMENTS OF VIENTIANE AND LUANG PRABANG\n\n105\n\non Tonkin and Laos; the Dutch merchant van Wusthoff also visited the capital of Souligna Vongsa from 1641-42 and left an interesting account of his travels. But neither Protestant merchants nor Jesuit priests could have made such a visual impression that more than two hundred years later their envoys should be recorded in a different city from that they visited. No known accounts, either written or visual, survive from the Lao side to record the visits of these gentlemen; however the visual tradition of Europeans, particularly the French, in 17th century Siam was strong during the reign of King Narai (as the lacquer pavilion in Suan Pakkard Palace in Bangkok bears witness), and was continued into the nineteenth century, and as the artists for the frescoes undoubtedly came from Siam one suspects that the inspiration for the unusual door and window carving comes from the same source. It is significant that the foundation date of the temple is also that of Mouhot's visit to Luang Prabang, one of the first recorded visits by Europeans. In the grounds of the temple a resourceful monk had utilised a plasma bottle and dripper to feed his roses.\n\nVat May, past the royal palace in the main street, was built in 1820 and has an unusually high roof; the portico is decorated with large gilded panels representing scenes from the life of the Buddha. It was for a time the shrine of the Pra Bang, the palladium of the Lao kingdom. This statue came from Cambodia in 1358 at the founding of the Kingdom of Lane Xang and was moved to Vientiane when the capital was transferred in the 16th century. It was taken in 1778 with the Pra Keo by the Siamese; the Pra Bang was returned in 1781 to Ong Boun. The Siamese again removed it in the sack of Vientiane in 1828 but King Mongkut restored the statue in 1867. Recently it has been moved from the temple for safekeeping in the Royal Palace. Between the temple and the palace is a small red lacquer post and dais; until recently, each year the royal elephants were preached at and requested to behave themselves before being sprinkled with lustral water.\n\nThe two other principal temples of the town are away from the main street. Vat Vixun was restored in 1867 and much changed in shape. It has a large nave and fat pillars and it is far more imposing than many temples in the town. A number of pieces of woodcarving have been collected in it to form the basis of a museum, but at present it is but a jumble of spirit houses and shrines. Here are to be found several flags, each with a number of small Buddhas", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207041, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 112, "title": "RAS-1974", "content_text": "106\n\nMICHAEL SMITHIES\n\nrepresenting the age of the person who placed the offering in the temple, and also long metal forks offered to priests indicating their age. In the grounds of Vat Vixun is the melon-shaped stupa in memory of a Lao queen, the That Mang Mo and another vihara, unrestored, lies nearby. Vat That Luang is raised on a mound overlooking a sports field and is very sober. The vihara has a two-tiered roof and rises from an ornamental stucco band with medallions on the walls. There is an excellent and large carving of a scene from the Ramayana at the back of the altar, and the temple possesses a number of fine palm-leaf manuscripts which are copied by novices. At each end of the vihara is a chedi; the square one to the south is topped by bronze metal plates and is impressive.\n\nThis is by no means an exhaustive list of the temples of the city; temple building still continues, and Vat Monnorom, which used to consist of nothing except a large torso of an antique Buddha statue, is now being rebuilt around the statue. The energetic may climb to the top of the Phu Si less to visit the shrine, which is without interest, but to admire the magnificent view over the Mekong valley and that of its tributary, the Nam Kam. The Vietnamese temple is in hideous taste but again has fine views over the river. The small modern royal palace may not be visited and the residence of the crown prince is a modest French-style colonial building. A number of side streets are worth strolling down, if only for their tranquility; they are unpaved, the houses are of bamboo matting and atap, the gardens bright with bougainvillias and children look with amazement at westerners.\n\nSome thirty kilometres up the Mekong river are the Pak Ou caves. The scenery becomes ever wilder, the mountains more dramatic and the rapids stronger. Pak Ou consists of a limestone block straddling a bend in the river at the point where the Nam Hu joins it. There are two caves; the first, Tham Tong, contains numerous statues of the Buddha left there by the faithful (and some of which have recently been removed by the unfaithful, which is why it is necessary to report to the police on arrival and to be watched throughout the visit); through the frangipanni trees a path leads upwards to a second cave which goes further into the rock. The entrance to this is of carved wood and it is guarded by a jovial Buddha of Chinese inspiration; remnants of carved and decorated posts are to be found inside, leading one to suppose that there might have been a kind of baldachino.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207042, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 113, "title": "RAS-1974", "content_text": "The Monuments of Vientiane and Luang Prabang\n\n107\n\nOn the return journey one can stop at the village on the bank opposite to Luang Prabang which contains one of the most interesting temples in the whole of Laos, Vat Chieng Men. Its doorways are among the best examples of the carving modelled with a mixture of mahogany sap and ash which hardens in the air; peacocks, perhaps a reminder of the Mon hamsa, decorate the outer arch of each door which is triple tiered and deeply recessed. The ceiling is coffered and carved, and the altar contains a fine Buddha statue. The surrounding buildings are simple kuti, or monks' dwellings, and the whole temple blends harmoniously into the jungle background of the mountain at the very wall of the temple. Not least of the attractions of this temple is the walk to get there from the river bank; one goes along a path through the village where children play, mothers chatter and sell bananas and dogs look suspicious but wag their tails. As everywhere in Laos, the scene may be unsophisticated but it is not wanting in humanity and charm.\n\nReaders of this note should not think that the tour did nothing else but visit temples. A silk-weaving village was seen, a Meo settlement, and the making of silver; the royal palace dancers performed specially for the group and the final evening included a specially-arranged baci blessing ceremony with a Lao dinner.\n\nThe principal point of the tour was to absorb something of the restful atmosphere of Luang Prabang through its not magnificent but charming temples, its unhurried way of life and its noble simplicity. Vientiane provides a more modern contrast, but remains a quiet provincial town rather than a frenzied capital of the twentieth century. Laos might have the lowest income per capita in the world and its problems may be enormous, but it is not lacking in dignity and the charm of its people is unforgettable.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207263, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 31, "title": "RAS-1975", "content_text": "A HONG KONG SPIRIT-MEDIUM TEMPLE\n\n23\n\nweekday. His possessing spirit is the saintly monk Buddha Sha僧。\n\nThe third medium is also a Chiu-chow in his early 30's. He is employed as a performer in a Chiu-chow opera troupe and seldom appears at the temple except on major feast days, e.g. Chinese New Year. His possessing deity is the Supreme Buddha.\n\nThe medium \"in training” is a Chiu-chow in his early 20's who was until recently employed as a security guard at a local transportation facility. He now supports himself by odd jobs such as take-home piece work from local factories. His possessing deity is the mythical Monkey of Chinese legend.13\n\nIt is obvious that an individual kei tung's rank within the cult is not based on the relative position of their possessing deities within the Chinese pantheon. Rank is predicated on the kei tung's experience as a medium and degree of involvement in the affairs of the temple association. The mere fact that the cult master's possessing deities would be judged as relatively minor personages in the Chinese pantheon in no way affects his recognized position of dominance among the ritual specialists. His over twenty years of experience as a kei tung, and his role as one of the founding “19 Brothers\" of the temple association, render his position unassailable.\n\nMany elaborate ceremonies are conducted by Tai Wong Ye kei tung, the most ostentatious being those held during Chinese New Year and the Yu Laan or Hungry Ghost Festival. It is our contention, however, that the keystone of the cult's appeal as a religious centre lies in the simpler ritual held each evening at 10 p.m. It is that ritual which we will now discuss.\n\nTai Wong Ye Temple: The Possession Ritual\n\nEighty-seven years ago a Christian missionary in Amoy described a spirit possession ritual as follows:\n\n\"The graven idol can be seen sitting in the shrine, with its attendant figures by its side. The group of men that are chanting in a steady, monotonous voice charms that are supposed to bring the spirit are usually men of no reputation in the village. There is no scholar in his long role present, and no man of influence standing by to do honor to the idol. The men seem fit for scenes of darkness and remind one of Macbeth's witches making their", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207807, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 195, "title": "RAS-1976", "content_text": "180\n\nMICHAEL SMITHIES\n\ndevelopment from this, a temple built around a solid core. A narrow passage runs around the central core in which is set a niche containing the principal Buddha statue. The hollow temple, with immensely thick walls to support the weight of the vaulted roof, was in its early stages a core with the passage around and an antechamber or nave in front, usually on the eastern side. The stupa rising above the core could be of any shape, the Singhalese bell form or the stepped figured squares topped with a pinnacle, a form inspired by Pala architecture from India (particularly from one of the sacred Buddhist shrines at Bodh Gaya where the transformation of the Buddha took place). A development from this simple shrine is the Greek cross plan exemplified by the magnificent Ananda temple built by Kyanzittha, Anawrahta's son, in 1091. This still has the solid core but a double gallery around and antechambers on the axes of all four sides. A further development of this was where the whole temple was raised a level and the central core shifted slightly to contain and enfold the main Buddha facing east; the Thatbinnyu and Sulamani temples are good examples of this later style.\n\nOf the early buildings the Ananda is undoubtedly the most impressive, and the recent (mid-1975) earthquake, far from apparently damaging the building, has removed in parts the plaster and whitewash and shown the arching to be of bricks of alternating light and dark colours. The four main statues in the teaching posture have with overgilding lost their interest, but they impress by their size and the illumination from the hidden upper windows which show the Mon craftsmen as highly skilled technicians. The numerous glazed terracotta plaques ornamenting the base of the temple tell different Jataka tales (the lives of the hundreds of Buddhas before the Gautama Buddha and often taking the form of morality fables) and the small stone sculptures set in the internal walls tell the story of the life of the Gautama Buddha himself.\n\nThe terracotta plaques (the great invention of Pagan, as the distinguished archaeologist Bernard Groslier indicated in a lecture to the Hong Kong Branch of the Royal Asiatic Society at Pagan) can be seen at their best at the very late (1284) Mingalazedi temple, a little damaged by the earthquake, and the two Petleiks of the 11th century, where the exceptional series is preserved almost in entirety.\n\nThe early temples near Myinkaba are remarkable for their excellent preservation and for the quality of their decoration. One\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207808, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 196, "title": "RAS-1976", "content_text": "The Ancient Mon-Pagan, Peru & NAKORN PATHOM 181\n\nof the earliest is also one of the most unusual; the Nanpaya has beneath the spire four square pillars of stone each of which on two sides has a figure of Brahma holding lotus flowers in both hands. This is reputed to have been the residence of the captive Mon king Manuha, but this seems unlikely; it could have been his particular temple. The figure of Brahma in what was almost certainly a Buddhist temple is not impossible to explain away; the Brahma carvings face towards the central square pedestal which, originally, would have had a statue of the Buddha, possibly one looking in four directions; Brahma, a representative of Hinduism would be looking towards, and lower than, the Buddha. The temple is exceptionally faced with stone throughout, and the quality of the window pediments very fine.\n\nThe Abeyadana temple, not far away, is attributed to King Kyanzittha but an inscription determines his chief queen as the founder. It has a prominent harmika or bulge on the spire above the central core and a large seated brick Buddha in a recess in the core to the north (the whole temple is oriented to the north). The temple's great importance is in the quality of the paintings it still possesses, with Hindu gods and deities of Mahayanist Buddhism round the core and some excellent Jataka scenes with Mon inscriptions in the walls of the front projecting nave.\n\nAlmost opposite this temple is the Nagayon. It has good proportion and a very dark corridor pierced with five windows running round the central core. The quality of the paintings illustrating Jataka tales with Mon and Pali inscriptions is good.\n\nThe two Seinnyet temples are a little further south; the Ama is a square temple with four main porches, and the Nyima a solid stupa on three terraces. Lastly in this group is the Lawkanada stupa, built in 1059 by Anawratha beside the Irrawaddi, over which a magnificent view is obtained at sunset.\n\nOf the temples in the central area, nothing remains of the bulbous Bupaya stupa which fell into the river in pieces in the earthquake. The Gawdawpalin of the later period suffered severely and its tall finial is no more. In style, however, it resembles the Thatbinnyu which was built in the middle of the twelfth century. Only the eastern porch projects from the main plan, and the first floor where the main Buddha is located is reached by two narrow passage stairways built into the walls. The effect is of considerably greater height than the earlier buildings. As it is still in use it is", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207809, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 197, "title": "RAS-1976", "content_text": "182\n\nMICHAEL SMITHIES\n\nwhitewashed, and any paintings there might have been are obliterated. The views from the upper floor, particularly over the river and the plain at sunset, are of remarkable beauty and peace. The Manabodhi is a late temple modelled on the Pala decorated spire. The Shwesandaw pagoda outside the old city walls is a solid stupa raised on five terraces and was the first built after the conquest of Thaton and nearby is the Shinbinthalyaung or sleeping Buddha of the 11th century; like most such images, being horizontal rather than vertical, it fails to impress and is too narrowly confined within its building.\n\nIn the village of Nyang-U is to be found the much-revered Shwezigon pagoda, which is believed to contain a bone and a tooth of the Buddha. It was started by Anawratha and completed by Kyanzittha. The gilded cone of the stupa cannot be seen at present as it is sheathed in a decorative and complex framework of bamboo scaffolding in order that repairs to earthquake damage can be carried out. The only noticeable damage was to the hti or gilded and jewelled ornamental umbrella at the top, which as Groslier pointed out were 18th and 19th century additions to temples of no archeological and little artistic consequence. However, the Shwezi-gon hti is currently displayed in a building on the ground floor and one can see the precious stones close to. Of more consequence is the magnificent Kubyaukki near Wetkyiin village. This is fairly late, dating from the early 13th century and relatively small, with a stupa in the Bodh Gaya form. Its importance lies in the very good state of preservation of the wall paintings, neatly lined up in rows and illustrating the Jataka tales with a Burmese inscription beneath each scene. The colours are still in very good condition. Unfortunately most of the paintings on the lower half of the nave were removed to Germany by Thomann at the end of the nineteenth century, but what remains in place is extremely fine.\n\nHtilomino, built in 1211, is a double-storeyed building like the Thatbinnyu. There is some excellent stucco decoration still on the building, particularly on the frieze below the cornice, the ornamental corner pilasters and the pediments of the arches. There are four Buddhas on the ground floor as well as the floor above. Like all the other temples, this was once painted, but little remains except some decoration on the vaulting. Sulamani and Dhammayangyi are located near to each other and are superficially similar, the former dating from 1183 and the latter from the middle of the 12th", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207812, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 200, "title": "RAS-1976", "content_text": "The Ancient Mon-Pagan, Peru & Nakorn Pathom\n\n185\n\nfrom 1823 to 1837, Amarapura once more from 1837 to 1857, and Mandalay from 1857 to 1885. Of Ava, which had also been the capital under another dynasty from 1636-1752, little remains; it is more famous now for the mile-long Ava bridge across the Irrawaddi, though U Bien's wooden bridge across the often dry Taungthaman lake, made from the timbers of the Ava palace, is more charming and evocative. This leads to the Kyauktawgyi pagoda of 1847, the principal interest of which is in the wall paintings similar to those in Siam of the same period. The Patotawgyi pagoda is not without interest, although it is essentially a stupa of later foundation (1820). The sacred hill of Sagaing, across the river, boasts no temples of great beauty, though the ensemble of the view from the top over the many spires and pagodas is delightful. The Kaunghmudaw pagoda, to the north of the town, is however unusual. It was built in 1636 in the shape of a gigantic almost spheroid dome, said to resemble a queen's breast. The shape is in fact Singalese, though one of the traditional attributes of Indic feminine beauty is perfectly rounded breasts. The stupa is also said to contain a tooth of the Buddha, and attracts many pilgrims to perform the pradakshina, the walking round the monument three times in a clockwise direction to obtain merit. The passage of the devotees at night was illuminated by a large number of upright pillars into which were inserted coconut oil lamps.\n\nMinggun, an afternoon's boat trip upriver from Mandalay, is well worth the journey. Clearly, Bodawpaya intended to make it his capital and he had a temporary residence there until he died in 1819. The base of the great unfinished pagoda is a witness to his folie de grandeur; the massive brick structure is on a 450-foot square and rises to 162 feet. It was abandoned even before it was severely damaged in an earthquake in 1838. Seen in the setting sun, the building impresses by its golden glow against the dark green foliage around. It has nearby a massive bell, said to be the largest ringing bell in the world, 12 feet high. To the north is the Hsinbyune pagoda built in 1816. It represents the Hindu-Buddhist cosmography; Mount Meru is symbolised by the central core containing a vaulted chamber for the Buddha, rising above the seven seas, represented by seven circular terraces with wave-like lines on their retaining walls. One has a fine view of the ensemble of Mingin from the Irrawaddi which for its size is a surprisingly empty river.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207813, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 201, "title": "RAS-1976", "content_text": "186\n\nMICHAEL SMITHIES\n\nWith Pegu one is back to the culture of the early inhabitants of Burma, the Mons. Their original centre was around Thaton, further east than Pegu and this was certainly in existence by the 5th century AD. It was a Mon monk who had converted the Burmese King Anawrahta in the middle of the 11th century to Buddhism, and the king had requested certain relics and texts from king Manuha, who had refused. The result of the refusal was the destruction of the Mon kingdom but its cultural preeminence was recognised in the religion, architecture and art of early Pagan. After the fall of Pagan the Mons reestablished their kingdom, first at Mataram, and then, from 1369 at Pegu (Hanthawaddy or Hamsavati). They were temporarily ruled by the Burmese from 1539-1550 and again from 1551-1740; but Mon independence was due to be short-lived and the last king Binnya Dala was killed in 1747 by Alaungpaya and the Mons, like the Chams in Vietnam, then became a people without a country, though they still exist in large numbers in lower Burma near Moulmein and also in scattered villages in central Thailand.\n\nPegu is a day trip out of Rangoon, but as much as the present capital now reflects the condition of contemporary Burma, so Pegu is lost in its past. Its most famous sight is the Shwemawdaw pagoda, centred round a stupa with a broad stepped octagonal base and which is still taller than the Shwedagon in Rangoon. It is in many ways the palladium of Mon culture. Its foundation date is not known, but it was already raised in height by the Mon king Thamala in 825. In the twentieth century it suffered three severe earthquakes, and the present spire effectively dates from 1954 when restoration was completed. A number of ancient Buddha images was found when much of the stupa collapsed in the 1930 earthquake. Not very far from the Shwemawdaw is the spot where the two Hamsa birds alighted, one on the other's back, on a shallow spot in what was then the sea. The Hamsa is the symbol of the Mons and is also of course the mount of Brahma. This site is the Hinthagone, which now boasts a rather horrible modern shrine with vulgar paintings of hamsas but with a good view towards the Shwemawdaw. Hardly less vulgar is the reclining Buddha, the Shwethalyaung, reputed to be largest such image and certainly one of the ugliest. It was originally built in 994 but fell into disrepair and was restored in the 15th century. It was neglected again and became overgrown, to be rediscovered by a railway engineer at the", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207814, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 202, "title": "RAS-1976", "content_text": "THE ANCIENT MON--PAGAN, PERU & NAKORN PATHOM 187\n\nend of the last century. The iron shed that covers it exactly reproduces the architecture of railway stations at the turn of the century, and the quality of the decoration is likewise Burmese Victorian. The clumsiness of the feet, which are iconographically incorrect, does not however apparently disturb the local people in their veneration of the statue. The four-imaged Kyaikpan pagoda is much ruined; the Buddha's back on to a central solid square core. It was originally built by Dhammaceti (Damuazedi), a Mon king of great piety who reigned from 1472-1492. The images, of plaster on brick, have been much restored.\n\nRangoon was at first a Mon village called Dagon centred around the Shwedagon pagoda, the origins of which are lost in time. The shrine is said to cover a number of the Buddha's relics. The Mon king Binnya-U is recorded to have raised the height of the stupa to sixty-six feet in 1362. The present height of 326 feet was reached in 1774. The shape is that common in Burma, of a square base to the main terrace for the pradakshina, then the beginning of the bell after a square base with recessed edges: multiple mouldings, the bud and the hti follow. The whole is gilded where it is not actually covered with gold plates and the hti is gilded and encrusted in stones. Of perhaps greater interest are the innumerable baroque shrines round the bases of the stupa and the vast crowds of pilgrims coming for their devotions. By night the illuminated gold stupa is to be seen from the distance in impressive display.\n\nThere are no other monuments in Rangoon of interest; the Sule pagoda, reputed to be ancient, is a modern jumble. The bargaining in Scott's market or the buying in the diplomatic shop is more representative of the capital today. But the National Museum, consisting almost exclusively of the relics of Thibaw's regalia taken by the British and kept until quite recently in the Victoria and Albert Museum in London, have now been returned and are well displayed. They have often been described before; the luxury of the jewel-encrusted objects, the ornamental hamsa, and the robes are in complete contrast with the austerity and constraints of present day Burma.\n\nIn Rangoon can be seen a 'cultural show' representing various traditional dance forms. The uncourtly little jumps and hops in the classical dances are as surprising as they are interesting. But the soul of Burmese dance and entertainment is not in this, nor in", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207815, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 203, "title": "RAS-1976", "content_text": "188\n\nMICHAEL SMITHIES\n\nthe minority dances like those the repetitious groupings of the Karen, but in the pwe, a complicated form of popular opera where the narrative of a traditional story is intertwined with a modern play which, reaching its end about two or three in the morning, then reverts to the rest of the pwe story. Pwe has everything for the villager wishing to take his mind off current cares, for it includes love songs, stories of handsome princes chasing after princesses who can wiggle their bottoms, often in contrary directions, with regal exquisiteness, and the strident orchestra gives the appropriate support to the stage. Mandalay is the great centre for pwe activities.\n\nThe Mon theme can be resumed in Thailand by a visit to Nakorn Pathom, a few hours drive from the city. Like Pegu, Nakorn Pathom is an ancient Mon centre, called Davaravati in Siam, and is thought to date from the 5th century. Just before arriving at the modern city, which was established in the 19th century, is the Phra Pathone; little remains of the original stupa which is probably the oldest Buddhist monument in Thailand. Nearby a kind of grotto has recently been erected by a deceased monk into which are inserted heads and objects found in the temple grounds; they are nearly all Davaravati period and some Buddha heads are of much beauty. Not far from this is the unimpressive brick remains of Wat Chulapathone which has however yielded considerable artistic riches in the form of terracotta bas-reliefs which were originally placed around its base. These illustrate Mon versions of the Jataka tales and are to be seen in the new museum to the south of the giant chodi in the town. Wat Pramane is a much-excavated brick ruin to the south of the city giving but a faint idea of its early importance. But the chief pride is the 19th century stupa erected over the original stupa that was Phra Pathom. The work of building the enormous tiled cupola was started by King Mongut, who discovered the original stupa when still a monk, and was continued by his son Chulalongkorn. The stupa may be higher than the Shwe-dagon in Rangoon but it cannot begin to compare in interest. At its base, on the upper terrace, are twenty-four small turrets with bronze bells for the faithful to ring. The projecting chapel to the north contains a venerated statue in the Sukhotai style, and in a detached prayer hall to the east is an excellent Davaravati stone Buddha seated in the European fashion. Also of interest in Nakorn Pathom is the Sanam Chan palace built by King Vachiravuðh", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207816, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 204, "title": "RAS-1976", "content_text": "The Ancient Mon-Pagan, Peru & Nakorn Pathom 189\n\n(Rama VI) complete with Shakespearian house and a statue to his dog whom he suspected had been poisoned by jealous courtiers.\n\nThe Pagan theme of temple paintings, though of a different period, may also be taken up again in Dhonburi, across the river from Bangkok. Dhonburi was the capital between the fall of Ayuthaya in 1757 and the establishment of Bangkok in 1782 and boasts a number of old temples, many still having their original mural paintings. The little visited Wat Wai Thepnimit is lost amid sluggish canals and has paintings in good condition dating from the late 18th century. Like many of such temples, the scene above the main door inside represents the victory of the Buddha over the temptations of Mara; the scene behind the altar shows the division of the world into paradise, earth, and hell; and at the lower levels on the sides, between the windows, are the stories from the last ten Jataka tales, while above are serried rows of alternating orahan, or devotees, and yaksa or giants. In better condition, though in not so charmingly dilapidated a building, is the temple of Wat Chaiyathit, which can only be reached by a walk by narrow canals and a railway track. The well-known paintings at the fine Wat Suwannaram on Klong Bangkok Noi need little introduction. The small dual buildings of Wat Rumarin Ratchapaksi near Wat Dusit, bombed by accident in the last war, are now at last being repaired, though not before the weather has caused considerable damage to the quality of the paintings. One of the most impressive buildings to survive the passage of time and weather is the old library at Wat Rakhang, the Ho Trai. This has three rooms and was formerly part of a dwelling of General Chakri, the founder of the present dynasty, in the 18th century. He had it converted into a library for the temple after he became king. The carved entrance doors are magnificent, and the Ayuthia period lacquered library cupboards are in very good condition. The paintings, which had been much damaged by time and smoke from a fire at the temple, are now being restored. The scenes depict barely recognisable episodes from the Thai version of the Ramayana.\n\nBangkok does not lack evening entertainment, but there is not much that can rival the setting of Krisnavara House, with its collection of antiques beside the Chao Praya River, for a performance of the now rarely presented hoon krabawk, or stick puppet theatre. The figures are clothed in 19th-century court dresses and", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207919, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 307, "title": "RAS-1976", "content_text": "292\n\nNOTES AND QUERIES\n\nCHINESE PRESERVED MONKS (肉身塑像)\n\nThe preservation by both Taoists and Buddhists of the bodies of famous monks and abbots by lacquering, varnishing or coating and embalming in clay was not as uncommon as one would think. It is only too easy to see how after the death of a particularly wise and beloved abbot, his presence would be badly missed throughout the monastic community. They would begin to venerate his memory and perhaps even a cult might emerge. Again we can visualise that his contemporary detractors, should there have been any, would eventually die and their prejudice, jealousy or even dislike perhaps, would fade in time. The opposite however, would be true of the memory of his wisdom, piety and gentleness. Another major motive for the preservation of such saints and very religious monks was the very mundane desire to obtain more funds for the religious institution by exhibiting the body to the faithful. In some monasteries such mummies were kept in private apartments hidden from public gaze. They had been members of a community, so their brethren claimed, and only other members had the right to see them. Most monks were cremated after death and their ashes retained in reliquaries in their monastery.\n\nSome of the more famous \"preserved monks\", or 'fleshy bodies' which is a direct translation from the Chinese, displayed or kept for personal reverence, were to be found in the following temples and monasteries:\n\nPai Sui Kung on Chiu Hua Shan, Anhui\n\nTsu Shih T'ien on O Mei Shan, Szechuan\n\nTien T'ai Ssu in the Western Hills near Peking\n\nYuch Lin Ssu in Chekiang\n\nNan Hua Ssu in Northern Kwangtung\n\nTien An Fu below T'ai Shan in Shantung\n\nHui Chu Ssu in Pao Hua Shan, Kiangsu.\n\nThere is also one such in the Temple of Ten Thousand Buddhas above Sha Tin, Hong Kong.\n\nA Danish architect, J. Prip Møller1 spent a considerable time in the early thirties touring around many monasteries throughout China in his research into monastery construction. He referred on several occasions to 'fleshy bodies' set up as images in monastery", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207920, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 308, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n293\n\nhalls, noted how common they were in Central China and continued \"they may almost be said to abound in Szechuan\". He suggested that the custom sprang from the belief that the benevolent influence exercised by the deceased during his lifetime would still be active if his body was preserved and set up. These mummies were placed in a hall on their own and even in the main hall beside the Buddha's image directly in front of the main altar. The \"images\" were usually gilded, though several on O Mei Shan were made up in fresh colours and dressed in silken robes which sometimes produced quite a monumental effect. The finest example he saw was in a wayside monastery on Chiu Hua Shan at the Ts'ui Yun An where the features of a monk who had died about the turn of this century had been gilded and “stood out as though carved in oak”.\n\nThe Chinese appear to have used two ways of preserving corpses. The usual method consisted first of evisceration; the body was then pickled in salt for a considerable period of time, afterwards being placed in a sealed urn and left for several years. If, when opened up, the urn was found to contain an undecayed body a subscription list was opened for the gilding and enshrining of the relic. The body was thickly gilded or varnished and, if not exposed to the elements or to great extremes in temperature and humidity, it would then last for centuries. The second method was for the dying monk, if he felt divinely inspired, to fast before death and in the process dry himself out, so that after death little was required to finish off drying the body into a leathery, hard mass of skin and bone3.\n\nThe following short notes on the better known \"fleshy bodies\" provide a clearer picture of how widespread the practice was. In May 1975 a preserved body, just emaciated skin and bones, seated in a cross-legged position was returned from Japan to Taiwan. The relic, the body of the monk Shih Tzu-kung (#4) known as the Stone Monk (GI✯✯), had been in Japan since World War II when it had been secretly shipped there by a Japanese military dentist. The body, more than a thousand years old, was of a T'ang Buddhist leader born about 700 AD in Kwangtung into a family named Ch'en (#). His title during life was Wu Chi Ta Shih (AR), which is the title he is still known by. He has now been returned to his original monastery in Taiwan.\n\nAn embalmed body exhibited in the eastern part of the Great Hall of the Yueh Lin Temple in Chekiang was claimed to be that", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207922, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 310, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n295\n\nThere was a 'fleshy body' in Anking in Central China. It had been placed in a large earthenware k'ang filled with willow charcoal and left for three to four years. The corpse was then gilded and set up beside an image of the Buddha, Sakyamuni7.\n\nThe shrivelled and varnished body of a Taoist priest named Sun (), who died in 1703 aged 94, was enshrined in a glass case in the Grotto of the Immortals in the east side of the lower Court of the Temple of either the Jade Emperor or, as stories vary, of the Three Sovereigns on T'ai Shan in Shantung. He had lived in the temple nearby for some sixty years under the religious title of Chen Ch'ing and was known as \"the Immortal\". Apparently he felt divinely inspired, and slowly starved himself to death; he became just skin and bone sitting cross-legged. He had requested his fellow priests not to inter him but instead to leave him in a vacant room. This they did, and he remained withered but not decayed as a relic for future generations of believers. One could see, apparently, only the bare bones of his arms and legs. His face had been replaced by a mask in his likeness and all that remained on his hands was skin and nails.\n\nIt was not only monks who had their bodies preserved. In 1878 Reverend MacKay, a missionary in Taiwan, wrote of a Chinese girl who died of consumption not far from Tamshui, North of Taipei. Someone in the neighbourhood more gifted than the rest announced that a goddess was present, and her wasted body immediately became famous. She was given the title of the Virgin Goddess, (Sien Lu Niu in Fukienese) and a small temple was erected and dedicated to her. Her body was immersed in salt and water for some time, and then placed in a sitting position in an armchair with a red cloth around her shoulders and a wedding cap on her head. Seen through the glass of the case in which she was placed she looked to MacKay, with her black face and teeth exposed, very much like an Egyptian mummy. Before many weeks had passed, hundreds of sedan chairs were to be seen bringing worshippers, especially women, to her shrine, and rich men sent presents to adorn the temple. Another preserved body of a female was exhibited in a temple near Fenchow in Szechuan. She was a Buddhist devotee who died there in a sitting position: being Tibetan she was particularly worshipped by the local aborigines?.\n\nThe most recent example of a 'fleshy body' has been the mummification of the corpse of the Buddhist monk, Yueh Chi Fa Shih", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207923, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 311, "title": "RAS-1976", "content_text": "296 \n\nNOTES AND QUERIES \n\n(A✯✯) who founded the Ten Thousand Buddha Temple above Sha Tin in the New Territories, Hong Kong in 1951 (erroneously recorded as 1961). He was a widely known and admired monk who at the age of 24, according to the Temple broadsheet, had been named Buddha Simba in recognition of having perceived the cause of the Universe. He was born in Yunnan in 1878 into the Wu (A) family and was educated in Shanghai and Peking. In the latter place, the record states, he was a \"professor of philosophy\" at Yenching University at the early age of 19 in 1897 before he became a monk. He preached throughout his life and died in April 1965 at the age of 87 in his temple in Sha Tin.\n\nThe story of his interment, exhumation and preservation is described in the temple brochure. The body was placed in a seated position, cross-legged in a wooden box and buried on the hillside behind the temple. There it remained for eight months. Yueh Chi, during his latter days, had instructed that his body should be exhumed after such a period of time, and when uncovered it was found that very little decomposition had taken place. A mark on the lower side of the right ribs excited comment as it appeared to be an image of a tiger, and another on the breast that of a human head. The body was then gilded, dressed in a salmon pink robe and a five-leaf vairocana crown, and enthroned in May 1966 in front of the large image of Amida Buddha which towers some twenty-five feet above him (plate 28). Another image, carved ostensibly in his likeness, is enshrined in a glass case in the rear of a Buddhist nunnery on a spur some two miles from the Ten Thousand Buddha Temple. This carving, one suspects, is stylized. It is gilded, apart from a heavy beard and a head of hair painted shiny black. The image holds a fly whisk, and has a pair of slippers before his throne, but has no crown.\n\nOther forms of image based on human remains, usually of laymen rather than of monks, such as those seen in Singapore and Ipoh made of a mixture of concrete, sand and human ashes, have not been included in this article. Whereas most wealthy devotees achieve recognition by having their donation details carved on the monastery wall, a few, however, will their ashes to be mixed and made into an image in their likeness, warts and all, in addition to donating a final large sum to the establishment.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207960, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 348, "title": "RAS-1976", "content_text": "Plate 28. The mummified body of Yueh Chi Fa Shih at the Shatin Temple of 10,000 Buddhas, Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208075, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 114, "title": "RAS-1977", "content_text": "98\n\nK. G. STEVENS\n\ncharm papers, some new, but mostly faded and tattered. The temple keeper said that supplicants had stuck these on to ward off demonic influences, each being a plea to Chao to order his tiger to devour baneful demons. This image is not in the Disaster Altar but its function is exactly as though it were. According to the temple keeper it is an old image, pre-1840.\n\nThe cut-out red and green charms, called Green Horse and Nobleman, should not be confused with yet other red paper charms with cut-out holes in them, which are pasted annually on lintels of altars, temple doorways and shrines, thus reconsecrating them. These are called slips (piao) (*) and come in three sizes, small, medium and large (1-✯✯). Most of them bear a small square of gold paper pasted on them.\n\nAlthough only Taoist popular religion temples have Under Altars, there is also a Buddha who comforts “in time of calamity”, Yao Shih Fo (***) (whose full title includes the phrase “disaster” “Hsiao Tsai Yen Shou” (5* £**). He never appears in Under Altars.\n\nAnother \"Under Altar\"\n\nAnother small inset Under Altar at ground level, which is nearly always central under the main altar, is the altar to the tutelary deity of the temple, Ti Chu Fang (H). It is often called the Prosperity Hall and is unconnected with our study. It consists of a tiny open fronted \"box”, lined with red or orange paper, containing only one or two small red plaques dedicated to the tutelary deity (£* 五土龍神;護廟地主財神),(五方五土地主財神) or (前後地主 神財).\n\nIn one temple only, in Wanchai, a second altar under yet another side altar, contains a large image of the local Earth God (No2) which is normally on a side altar or beside the temple entrance. Behind him is pasted an orange paper bearing black characters describing the Earth God as the Controller of Wealth, and naming in a parallel row of characters the other major Cantonese Wealth God \"Ts'ai Po Hsing Chun\" (# $ £*) who is not represented by an image in this instance. This is a rogue disposition, doubtless ordered by a well-meaning but ignorant temple committee.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208470, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 194, "title": "RAS-1978", "content_text": "178\n\nDAVID H. S. CHAU\n\nThe fact that in the Tsin Dynasty (#), 303-379 AD, the technique had been widely used, and about the seventh or eighth century the Chinese already used woodblock to print calendars (Ɔ).\n\nThe oldest woodblock printed book still in existence, so far as we understand, is the Diamond Sutra (✨#∞) a Buddhist text (**) printed in the year 868 AD, which was found along with thousands of manuscripts from Mokao (†) the Caves of the Thousand Buddhas (†) at Tun-huang ( ). Tun-huang, a city situated on the outskirt of the Lob Desert in western Kansu Province (+), was once the main gate of the Old Silk Road (***). From the first century until the fourteenth century, merchants, caravans, travellers, monks, and armies leaving for the West all passed through Tun-huang on their way to the Middle East, the Mediterranean, and Europe. The Italian merchant Marco Polo („§ +) used the same route to come to China.\n\nHollowed out in irregular tiers along the face of a steep cliff, the cave temples of the Thousand Buddhas were known in the Tang Dynasty () as Mokao or “Grottos of Surpassing Height\". They are located a few miles southeast of Tun-huang City. There had been huge Buddhist monasteries at the place for centuries, but it became forgotten when the Ming Dynasty (#9) began trading with the West by sea, and since then most of the caves had been buried by the shifting sand of the desert. In the late nineteenth century, it was rediscovered by a Taoist Priest called Wang Yuan-lu (10*), but by then all the wooden structures of the monasteries had vanished, and only the stone caves used as shrines remained.\n\nMokao is more than five thousand feet in length and consists of four hundred and ninety-two caves of various sizes. Over two thousand Buddhist statues and numerous huge murals can still be found in the caves. If we could have all the murals linked together, they would be at least twenty-five miles long.\n\nIn the year 1899, Wang Yuan-lu discovered an old monastery library in a walled-up chamber behind a mural in one of the caves. In the chamber, he found more than twenty thousand volumes of manuscripts and woodblock-printed documents and books, among them the Diamond Sutra. The news of the discovery soon spread abroad. In 1907 an Englishman, Sir Aurel Stein, traded with the priest and carried away 29 cases of manuscripts and books. More", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208728, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 185, "title": "RAS-1979", "content_text": "158\n\nJULIAN F. PAS\n\nAs I see the situation, Chinese temples can be grouped under various criteria, for instance, (i) religious affiliation; (ii) nature of deities enshrined; and (iii) ownership. Let us try this proposal and see how it works out.\n\n(i) Temples according to their religious affiliation:\n\nFirst, there are temples that must be considered as essentially Confucian: in Taiwan only a small number located in most of the district capitals: Taipei, Tainan, Tai-chung, Changhua, Hsinchu, Kaohsung, Hualien, Chiayi, Taitung. These are the temples erected in honor of Confucius himself. A number of temples enshrining Kuan Ti or other deities do not fall under this category.\n\nSecond, a great number of temples are distinctly Buddhist: they are built by the Buddhist community (monks and/or nuns) or by a distinctly Buddhist group of lay people or even by an individual Buddhist believer or Buddhist family. They enshrine Buddhas and/or bodhisattvas, and are in most cases attached to monastic establishments. Temples enshrining bodhisattvas Kuan-Yin or Ti-tsang are not necessarily of this type.\n\nThird, there are temples in Taiwan that may be called Taoist. Their numbers on the mainland tend to be much larger: they were in some cases attached to Taoist monastic institutions, just like their Buddhist counterparts. Taoist monasteries (as the author also mentions, p. 113) do not seem to exist in Taiwan nowadays (although a revival is taking place, e.g., the Tao Te Yuan in Kao-hsiung) but Taoist temples can still be recognized as such, although it is not easy to formulate practical criteria.\n\nNegative criteria are: temples designated as Taoist either in government publications and official lists or by the temple administration itself are not necessarily Taoist. In those cases \"Taoist\" temple means any temple which is not Confucian, Buddhist or ancestral. Furthermore, a Taoist temple is not necessarily one that enshrines Taoist deities (cf. Buddhist temples). Positively speaking, a Taoist temple is one founded and/or administered by a distinctly Taoist", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208731, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 188, "title": "RAS-1979", "content_text": "CHINESE RELIGION REDISCUSSED\n\n161\n\npresent day Taiwan, I may point out the cult of the Golden Mother of the Jade Pool and the cult of Kuan Ti focussing on divinatory writing and the publication of morality books.\n\nHaving discussed the great variety of temples according to the first criterium: religious affiliation, the other two criteria mentioned (nature of deities enshrined, and ownership) do not need much attention, since they have already been co-discussed. However, the second criterium needs some elaboration: distinction of temples according to the nature of the deities enshrined. In a few cases there can be no mistaken identity although this criterion by itself is insufficient to determine the temple type. The clearest cases are when the Buddhist Holy Ones are the main objects of worship; Buddhas Sakyamuni, Amitabha or Amita, the Buddha of Healing (rather than 'Medical Buddha' as Baity calls him on p. 126), bodhisattvas Kuan-yin (Avalokitesvara), P'u-hsien (Samantabhadra), Maitreya, Wen-shu (Manjusri), to name the principal ones. In most instances these temples are essentially Buddhist. However, one has to be very careful: the mutual absorption of cult objects by various religions has often blurred the origins; in many Matsu temples (community temples of the folk religion) there is a secondary shrine behind the central hall, in which Kuan-yin is enthroned on the central altar. However, the iconography has been changed: this Kuan-yin does not have the appearance of traditional Buddhist sculpture but appears as another deity of the folk religion. Therefore such temples are still essentially folk religious temples, and the dissonant appearance of Kuan-yin should not deceive the observer.\n\nThe same principal applies to the cult of Ti-tsang (Ksitigarbha). Although originally a bodhisattva, his cult has become so popular that he has been absorbed into the folk religion: his image can be found in many community temples throughout Taiwan, mostly on a secondary altar in the central hall. But once again he has lost the typically Buddhist iconographic appearance.\n\nWhat is the difference between Taoist and popular deities? The most distinctively Taoist Holy Ones are those one does not often see in the temples: their images, painted on scrolls, are in the possession of Taoist priests and brought to the temples or temporary roadside shrines by them for special occasions: such as rituals for the dead or the great chiao festival. Besides those there", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208735, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 192, "title": "RAS-1979", "content_text": "CHINESE RELIGION REDISCUSSED\n\n165\n\nthe possibility of a popular religious world view that is not clearly developed and consistently structured. The popular concept of \"soul\" is an example: the division of yin “soul” and yang “soul” does not work in a consistent way and often exasperates the logical mind. If one proceeds in a logical way one arrives at misinterpretations. If the differentiation of temple types is linked with concepts of pollution vs purity, one comes to wrong conclusions.\n\nI can point out several examples where the author's reasoning goes astray. On p. 142, he writes that \"Ancestral temples are off-limits to all ghosts except ancestors\". This is a tautology if one keeps in mind why ancestral temples are built in the first place. \"In community temples the converse (the opposite?) tends to be the case, ..\n\n\"This again is obvious: the community temple is built as a centre for community worship. The cult of the dead is considered a private matter that belongs to the family, and as the author elsewhere acknowledges, only those ghosts who may be a threat to the community as a whole, are pacified through community rituals.\n\n+\n\nOn p. 144: \"The bones of the deceased are never kept in the home with the spirit tablet. . .”: an obvious and unnecessary statement. The bones as in all cultures belong in the grave, and only in some cultures where cremation is practiced are they stored in special depositories as, e.g. pagodas. These, author says, \"are carefully segregated from the deity altars or the tablet halls.\" This is of course so, since pagodas must be seen as extensions of graveyards or cemeteries.\n\nOn p. 148-149 it is said that “bone temples\" are not appropriate temples for enshrining community gods\". This again is obvious: \"bone temples\" are not meant to be community temples in the first place. Buddhas on the other hand, are not believed to be contaminated: they are beyond the duality of life and death or do not suffer death, having attained nirvana. This reasoning is unconvincing. Buddhas are enshrined in \"bone temples\" for totally different reasons: putting the tablets in their presence symbolizes the Buddha's welcoming his devotees to his Pure Land. Moreover, what about bodhisattvas? They have not entered nirvana like the Buddhas. We have here to do with a great ideological difference between Buddhism and the folk religion: Buddhas and bodhisattvas transcend this impure world. Although living in this world, they", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208739, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 196, "title": "RAS-1979", "content_text": "CHINESE RELIGION REDISCUSSED\n\n169\n\nticipants in the (li-tou) festival usually come from within the protective area of the deity.”\n\nIn my opinion this is a tautology: community temples are defined by their geographical areas: the word \"because\" does not explain anything.\n\nOn p. 197 we have a case of logic in reverse: gods are said to be ranked on the basis of their wealth and by extension of their luck and efficacy. The opposite is true: gods first prove their efficacy to the worshippers; if they prove their spiritual powers, the worshippers will flock to them in great numbers and the temple's finances will prosper.\n\nWith regard to li-tou rituals in \"bone temples\" it is said (on p. 200) that they attract far fewer worshippers than those held in community temples. This again is obvious, although not for the reasons indicated: \"the presumed efficacy of the Buddhas... and the pollution of the temple\". The reasoning here is doubtful, but Buddhas and bodhisattvas should be taken together as one group and Kuan-yin is admittedly an exception. The pollution of the Buddhist temple cannot be taken too seriously, for as the author states on p. 180, \"bone pagodas\" are kept separate from tablet halls and Buddha altars. If a li-tou ritual takes place in a Buddhist temple, it is not held in the \"bone temple\".\n\nMoreover, the reason for the smaller number of Buddhist participants in the li-tou ritual is due to the particular nature of a Buddhist temple community in which membership is on a voluntary basis and is stricter than in the popular religion. Worshippers are often from different geographic areas and are in many cases exclusively Buddhist. Therefore the li-tou rituals are not community events in the same way as in the community temples.\n\nOn p. 206, author discusses the chin-t'a (entering the pagoda) ritual and identifies it with the final act of second burial. However, the chin-t'a most frequently takes place at a different time altogether: after cremation following death the ashes are put in an urn and stored in the pagoda.\n\nThe chapter concludes with a rather long informative description of the p'u tu rituals to liberate the lonely ghosts. The author perhaps over-emphasizes the community's concern with the rituals for the living, while it \"pays mostly lip service to its responsibility", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208741, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 198, "title": "RAS-1979", "content_text": "CHINESE RELIGION REDISCUSSED\n\n171\n\nto a ghost, perhaps to bones or a corpse\" (p. 251). Soon afterwards he makes this ghostly origin a positive fact, although the emphasis is slightly shifted. Matsu (and Ch'ing-shui tsu-shih as well) were originally \"spirits without descendants” (p. 252). There is one weakness in the author's reasoning: do gods arise from \"lonely ghosts\", also called “hungry ghosts\" or \"orphan spirits”, or do they arise from Kui (\"ghosts\")? No clarification is ever given to the terms, although I find them crucial in this context. Evil spirits were believed in by the Chinese people from ancient times, but with the advent of Buddhism they were identified with the pretas, which means \"hungry ghosts\" in the context of popular Hinduism and Buddhism. An important distinction should be made, however, between the anonymous mass of hungry spirits, and the ghosts of individuals. It appears that all the gods arising from ghost-state to divinity have been individually known during their lifetime and after their death. Some of them died without offspring, but is that the determining factor here? The author says yes; but I am not convinced. The author sees here a likeness with the Buddhas (bodhisattvas as well?) and the immortals of Taoism; but again, they did not reach the high state of perfection because they broke off the family ties; but, having left their families, they had a better opportunity to reach that state. The same principle applies to the examples given by the author to prove his thesis: they were not worshipped by the community just because they had no family ties; but because they were extraordinary persons possessing a special power that elevated them above the ordinary man. Not being married and leaving no descendants is just one aspect of their higher status. In other words, they were admired by the people — perhaps also feared (sharing the ambiguity of the sacred: fascinans et tremendum) and after their death a cult started to emerge.\n\nThis is only one process of cult formation. I accept the possibility that some gods arose to divine status as the author claims, but this to me is rather exceptional. In any case, he owes us better proof than what he provides here. It is my claim that most of the major gods, if not all, worshipped in the area under scrutiny, rose to eminence as a variety of hero-worship. Some of them had families of their own but this fact may have been forgotten or considered unimportant. I cannot accept the author's a priori statement that", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208742, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 199, "title": "RAS-1979", "content_text": "172\n\nJULIAN F. PAS\n\n\"If gods did have actual descendants, then it is clear that they could not serve the function which they do as foci of worship which goes beyond the Family.” (p. 240)\n\nTo clarify my a priori statement, let us examine the major gods of the author's research area (mentioned in Chapter I).\n\n✪ Matsu\n\n(ii) Shen-nung\n\n(iii) Kuan-yin\n\n(iv) K'ai-chang sheng-wang\n\n(v) Ch'ing-shui tsu-shih\n\n(vi) Ting-kuang Fo\n\n(vii) Cheng Ch'eng-kung (Koxinga)\n\n(viii) Kuang-tse tsun-wang\n\n(ix) Pao-sheng Ta-ti\n\n(x) Kuan-Ti\n\n(xi) The Wang-yeh gods\n\n(xii) The city gods\n\nNone of those can be proven to have developed from a “withered corpse\"; on the contrary, several of them were historical personages of much fame, who had been great leaders in their life-time and almost certainly led a normal life within a family. If a deceased person of great merit to the community cannot become a cult object because he has posterity, then by the same token, a great official cannot serve the community at large during his lifetime either. Family ties are not necessarily an obstacle either for government service or for cult formation. When people start worshipping a great person after his death, they do not worship him as an ancestor but as a great person who transcends the limitations of his family.\n\nAn example to show how the author confuses two ideas and uses them as the need arises is the case of the Buddha: as I already quoted from p. 252 above: many small gods but also major deities can be shown to have been spirits without descendants. Now, the author also draws the Buddhas and bodhisattvas into the series \"as exemplars of the same tradition of breaking the family tie\" (my underlining). Now, it is well-known that Buddha Sakyamuni had a son (not without descendants) but that he later on broke the family tie.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208749, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 206, "title": "RAS-1979", "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN\n\n179\n\n2. The Participants\n\n(a) Confucianism\n\nWhether it ever was a religion or not, is no longer relevant and depends largely on the assumption that Confucianism can be identified with the state cult, the imperial cult of ancient and imperial China. Today it is no longer a religion in that sense although the old system of ethics is still adhered to and has been partially absorbed by the folk-religion.\n\nThere has been, however, an increase in the construction of temples: in the cities of Taichung and Kaohsiung large new temples have been built in the middle seventies. The old temples in Tainan and Changhua have been completely restored (1977-78), and since these enterprises are financed by the municipal governments, this movement of renewed attention for the great sage is sometimes interpreted as a reaction against the recent campaign of denigration of Confucius in China.\n\nActivities in the Confucian temples are, however, still minimal: they are rather memorial halls than centers of worship. Only once a year, on the birthday of the sage (since the republican period fixed on Sept. 28), a great sacrifice takes place in the temple premises. It is a grandiose event, based on ancient rites, but performed by government officials in the early hours of the morning.4\n\nOutside this yearly event, the temples are visited by tourists (especially in Taipei and Tainan), although other cultural activities are organized by the local temple committees: for instance, in Taichung a series of lectures was given on the interpretation of the I Ching.\n\n(b) Buddhism\n\nAlthough Buddhism has infiltrated folk religion in several ways, it is easier to define Buddhism as a distinct religious tradition. The revival of Buddhism, already started in China some decades ago, continues in Taiwan, but it seems to happen along traditional patterns rather than as break-away new religions.5\n\nAccording to a pamphlet about Taiwan published in May 1978 by the Chunghua Information Service, \"Followers of the Buddha are estimated at 8 million. More than 2,500 temples are attended", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208757, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 214, "title": "RAS-1979", "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN \n\n187 \n\nThis may at first appear as a tautology: all religions are naturally human. However, in contrast again with the Judaeo-Christian and Islamic traditions, in which God is seen as the Absolutely Holy and Transcendent One, the Chinese worshippers in the folk-religion conceive of their deities and relate to them in very human or humanistic terms. This can be explained in many different ways. One aspect is the magico-religious treatment of the gods, just mentioned, but there are several other angles to look at this complex phenomenon. The Chinese deities are often man-made: created by the people, and sometimes in the past appointed by the imperial government. Many gods and goddesses are actually apotheosized historical figures of special reputation or virtue who after their death proved to possess spiritual powers to assist the suffering people. There exists even the conception that the whole Chinese pantheon (not including the Buddhas-bodhisattvas) is modelled after the imperial government: they present a mirror-image of this world with the emperor — the Jade Emperor at the top. Underneath him are the various boards or ministries, the provincial governors, district and city officials down to the lowest rank of neighborhood inspectors. The humble Tu-ti-kung or Earth-spirits are thus the lowliest rank in the divine hierarchy. Gods and goddesses can be promoted or fired just like humans; in cases of mismanagement or misconduct they are sent into exile or otherwise punished. Man's imagination sees this whole spiritual world as operating by virtue of rules and relationships characteristic of his own this-worldly society. Perhaps the most striking manner to illustrate the humanity of the Chinese religion is that it is so evidently utilitarian. The gods and goddesses are worshipped by the people mainly and perhaps exclusively to obtain divine assistance in various difficult or important circumstances. These may be of individual significance or may relate to social concerns: family and community. But most often the blessings requested belong to the sphere of this life: health and wealth, fertility and progeny, position, success in business, cures of diseases (often in the past: epidemics) and overall protection against evil forces, evil spirits who threaten to destroy human happiness. Concern with the after-life may also be a motivation of religion, but then life after death is seen as a continuation of life on earth. The deceased are imagined to have the same needs as in this world: food, shelter and clothing are their most important concerns. Therefore, the ancestor cult is utilitarianistic in two ways: if it is not intend-", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208870, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 32, "title": "RAS-1980", "content_text": "4\n\nKEITH G. STEVENS\n\nTemples and monasteries, despite their outward appearance are not always simple, self-contained religious units. Quite frequently they contain a number of major and minor deities, each with its special shrine or altar, hall or building.10 The original major deity may, for one of several reasons, be relegated to a secondary position and a new primary deity installed on the main altar. After some years and changes in abbots or temple keepers, the identity of certain deities, including surprisingly, major gods and goddesses, have been forgotten and, so as not to lose face, their identities are guessed at by temple staff, often wildly inaccurately.\n\nThere are several groups or complexes of folk religion temples in the two territories and to identify the number of individual temples on one particular site apart that is from where it is possible from reading the titles over the entrances-it is necessary to count the number of Earth Gods and Door Guardians in their niches inside the temple on the inside walls, usually opposite each other, facing across the various entrances. A single or pair of these deities is usually found in each individual temple within a complex of temples irrespective of how many entrances there are. The Wen Wu temple (or Man Mo in Cantonese) in Hollywood Road, Hong Kong is an example, with two temples side by side seeming to be one having only one courtyard. The Wen Wu itself, a large traditional temple, is to the east with its Door Official and Earth God sitting side by side in one shrine. In the smaller \"Temple of the Buddha of Light\" on the west, there is only a single image, a lone deity called the \"Door Official Earth God\", a title which amalgamates the titles of the two usual deities.\n\nUrban and rural11 folk religion temples differ in that the former tend to be more sophisticated, always have a keeper and several other staff, cater for worship by individuals at any hour (between 8am and 6pm) and have a wealth of images. Rural temples, in the main also boast keepers, but these are usually absent as they are \"pensioners\",12 very elderly people who spend much of their time asleep, calling on friends or shopping. Devotees visiting a rural temple normally find no one to assist them, and presumably, as this is an accepted facet of rural life, nobody seems to mind. The urban temple keeper on the other hand has to earn his living or recoup his investment of an annual tender, and so he ensures that a member of the staff is permanently in the temple during opening hours to assist in devotions, offer for sale incense, oil, charms and", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208875, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 37, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n9\n\nThese are the wooded valley running down from Lantau Peak through Luk Wu to Tai O, the wooded area around Lo Wai to the north of and above the new town of Tsuen Wan, and the oldest of all, the easterly wooded slopes of the hill known to foreigners as Castle Peak. (Plate 2)\n\nBuddhist temples can also be established by a monk wishing to set up an establishment of his own to earn credit. The usual pattern would be first to open a small temple consisting of a Buddha Hall, a living room and kitchen. As others join him, if of course they do and if the temple retains its popularity, so the establishment will thrive and grow. However, should he die prematurely, his establishment usually dies with him.\n\nBuddhist monasteries, nunneries and temples usually follow a pattern based on the origins of the monk who first founded or organized the establishment. Hence, a monk from Shandong will reflect his provincial background in the organization and iconographical features of the establishment.\n\nBuddhists rarely have simple temples. Whereas traditional folk religion temples consist of a single storey, monasteries tend to have an upper and lower hall. Buddhist and Daoist monasteries and temples may best be described as being a series of \"boxes\" which, unlike a very high proportion of traditional temples, do not need to be symmetrical. They tend to run to complexes with their numerous rooms and halls, separate buildings and shrines, each housing one or more images. In each devotional hall the main sanctuary or altar which holds the image or symbol of the deity (or in the case of the Halls of Long Life and Rebirth, the spirit tablets) serves as the focal point of devotions and rites. Some monasteries and a few temples have a separate hall dedicated to the Ten Judges of the Underworld (with Di Zang Wang on the main altar) or the Eighteen Luohan (the disciples of the Buddha Sakyamuni).\n\nThere are, in addition to the devotional halls, monks' and nuns' quarters, kitchens, visitors' halls, refectories, study rooms, reading and meditation halls. Many small images are to be seen in each, though they are not always Buddhist. The occasional state religion cult hero or folk religion deity may be seen usually donated by a not too discriminating devotee. Abbots rarely refuse an image, particularly if it is accompanied by a donation to the establishment.\n\n*路盧遮那寺 in Lo Wai.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208876, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 38, "title": "RAS-1980", "content_text": "10\n\nKEITH G. STEVENS\n\nInside the library large cases of books cover the walls and some books, used more frequently, are individually wrapped in cloth and lie on tables and altars. The larger monasteries have rooms for the aged, and most have halls where ashes of devotees may be deposited.\n\nIn general, a visit to a Buddhist monastery would take you first past the shrine of the folk religion tutelary deity of the neighbourhood, the Earth God (1✯✯). (Illustration 3) Once through the gates and the entrance hall with its six \"guardians” (Mi Luo Fu, Wei Tuo and the Four Heavenly Kings) the layout follows a fairly standard pattern. The main altar will be straight ahead in the Great Hall which houses the main Buddhas. The main altar may be occupied by a single image, a group of three, or an array of a dozen or so. On and along the secondary altars, altars down the side walls and side halls there are images of other lesser deities. These, in twelve monasteries and temples in Hong Kong and Macau, include the well-known groups of eighteen or five hundred Luohan. Frequently, immediately behind the main altar and back to back with the main deity, stands the most popular and honoured of the Bodhisattvas, Guan Yin, with her two assistants.\n\nMahayana Buddhist temples contain a large number of images of Buddhas and major Bodhisattvas, some of which are considered to be more important than the image of Sakyamuni Buddha himself, unlike the Theravada Buddhist temples of Thailand, Vietnam, Burma and Srilanka in which Sakyamuni is the most important.\n\nThere appears to be only one temple in Hong Kong in which Lamaist images are worshipped, although there is one other, above Tsuen Wan, where in a private room, some forty or so Lamaist bronze images are on display.* The temple in which the Lamaist images appear on its altars is a shoddy, fairly modern concrete and corrugated iron construction above a new estate in North Point, where an elderly and now deceased Cantonese gentleman settled after spending some years in Tibet. Most devotees appear to have little idea of the style or origins of imagery, and the rituals and ceremonies performed in the temple by the widow of the founder are identical with those in other temples in Hong Kong.\n\n* Guan Yin temple in Fu Yung Shan,", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208894, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 56, "title": "RAS-1980", "content_text": "28\n\nKEITH G. STEVENS\n\ntemples are willed from generation to generation to adopted sons. In religion, whilst private folk religion temples are bequeathed to sons, nephews and even daughters. Buddhist temples, willed from generation to generation, are all only very small ones with a minimal monkhood.\n\nAt least several thousand people in Hong Kong alone, earn a living in some way connected with folk religion practices, many in or connected with temples though by no means all. A small number of these earn a comparatively reasonable income due to their expertise, energy and intuitive business acumen. Although few would admit it, their competition for business from devotees, though not fierce, exists. One keeper, washing his temple floor, said that he knows that the devotees who use his temple appreciate its cleanliness; another met two elderly ladies at the entrance, escorted them in and presided over the rites they required performed. He made it clear that these ladies came regularly and that the service he performed for them was well rewarded. This explained, he said, why he had gone beyond the norm in going to the entrance to welcome them.\n\nIn the fifties, according to one temple's records, the pay for the temple keeper was made up of subscriptions of one sheng of rice from each family annually and HK$30 monthly from the village public fund.\n\nCertain temples are centres for societies formed by devotees around one particular deity. These societies, registered with the Hong Kong Government, have rules and subscriptions and have been established for the welfare and advancement of the devotees. An example is the Society centred around the Living Buddha Zhi Gong in a hillside squatter temple constructed illegally above Shamshuipo. The Society comprises some 450 members, mostly Chaozhou immigrants from Swatow, who have settled and set up small shops and businesses in Shamshuipo. Their subscriptions help keep the temple clean and well run by the staff employed by the Society. The staff consists of a keeper, sometimes known as the secretary as he controls the sale of incense and oil and takes fees for his professional assistance; an odd-job man who tends the garden and sweeps up; and the apprentice who does the chores and runs messages. The Society meets on festival days connected with", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208896, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 58, "title": "RAS-1980", "content_text": "30\n\nKEITH G. STEVENS\n\nor halls.32 Nearly 70% of all nunneries are on Lantau island, whereas only 10% of the monasteries are; and three hundred and fifty-three temples and monasteries have resident staff.\n\nThere are thirty-two temples in Macau, of which two are well-nigh derelict. Of the thirty-two temples, six are coastal, twenty-four are urban, and two rural. The majority of temples contain a mixture of Buddhist and folk religion images (no temples contain only Buddhist images), and the remainder contain only folk religion deities.\n\nDegrees of popularity of the major deities in temples and shrines\n\nThe total number of temples dedicated to a specific deity throughout the two areas reflects the importance of that deity to devotees. In Hong Kong and Macau, forty-four different gods each have at least one temple dedicated to him (or her), whilst only seven gods have more than five temples to him (or her). The seven, in order of precedence (based simply on them being the main deity of a temple or monastery), are Tian Hou (seventy-eight) (*), Sakyamuni Buddha (thirty-nine), Guan Yin (thirty-eight), Guan Di (twenty-one), Hong Sheng (twenty), Bei Di, who is better known as the Northern Emperor, (ten), and Lu Zu or Lu Dongbin (seven). Although this gives only a very rough guide, the number of images of Guan Yin throughout Hong Kong and Macau vastly outnumbers those of Tian Hou. However, when the criterion is the number of temples in Hong Kong and Macau in which a particular deity is to be found (on any altar and not necessarily as the main deity), then the first five are Guan Yin, whose image appears in at least seventy-five temples, Tian Hou (114), Guan Di (88), Qi Tian Da Sheng (Monkey) (61), and Di Zang Wang (59).\n\nThe Kitchen God, most frequently depicted by a reddish-orange paper pasted on the chimney above the stove, is the most common deity to be seen on the household altar, followed closely by Guan Yin, whose image, as we have noted, is also to be seen in 70% of all temples. The most common deities outside the home are Tu Di Gong, the Earth God (the local tutelary deity), in both urban and\n\n* The totals are not the number of images seen but the number of temples in which the deity is the main image in both Hong Kong and Macau.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209085, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 247, "title": "RAS-1980", "content_text": "Plate 1.\n\nA small rural monastery above Tsuen Wan.\n\nf\n+\nTHE\n\nPlate 2. A modern Buddhist temple in Lo Wan (The Western Monastery),\nThe Buddha Hall is on the first floor.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209167, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 70, "title": "RAS-1981", "content_text": "56\n\nHUBERT SEIWART\n\nand modern Chinese culture. They present, to a certain degree, a religious interpretation of modernization in Taiwan. But if we examine the above mentioned elements, we find that virtually none of them is really new. They are all patterns which are well known from Chinese intellectual history. I shall just give a few examples:\n\nThe devaluation of the present time as a period of moral decline can be traced back as far as Confucius. In the earliest Confucian writings we can also find the theme of the return of the Golden Age of Yao and Shun.\n\nThe concept of the Great Harmony, Ta T'ung, also originated in antiquity, it is elaborated in the Li Chi. Probably somewhat later, during the Han dynasty, the idea was formulated that the emergence of the new ideal world would be preceded by a period of destruction, as can be seen in the T'ai-p'ing Ching. Finally Buddhism added to these elements the theory of the declining dharma and the expectation of the future Buddha Maitreya. Maitreya is still of utmost importance in the eschatological teachings of I-kuan Tao.\n\nThe rejection of foreign influence is also a familiar topic. As we know, Buddhism has long been the target of anti-foreign propaganda. During the Six Dynasties Buddhism was held responsible for all the deficiencies of the time.\n\nFinally, we should observe that I-kuan Tao as well as most of the other popular cults combine elements of Buddhism, Confucianism and Taoism, and promote the idea of san chiao he i, \"the three teachings form a unity\". This explicit syncretism goes back at least to the Sung dynasty.\n\nThese remarks suffice to show that the reactions of these popular religious movements to the social changes resulting from modernization are by no means new. The symbolization of the tensions caused by cultural contact and modernization draws heavily upon the traditional symbol repository. Not only are the traditional symbols relied on, but also their content: The values by which modern society is measured derive mainly from the traditional moral teachings. It would therefore not be untrue to say that the religious responses to modernization as we have analyzed them so far can be characterized as traditionalism and conservatism.\n\nNevertheless, it would be misleading to regard movements like I-kuan Tao as mere survivals of a past historical period. For, as we shall see presently, besides the traditional elements there are also", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209180, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 83, "title": "RAS-1981", "content_text": "RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN THE CASE OF 1-KUAN TAO 69\n\nagainst I-kuan Tao see L. Deliusin, “The I-kuan Tao Society\", in Popular Movements and Secret Societies in China 1840 – 1950, ed. by J. Chesneaux, (Stanford, 1971) pp 225-233.\n\n21 In orthodox Buddhism San Pao stands for Triratna, i.e. Buddha, Dharma and Sangha (W. E. Soothill and L. Hodous: A Dictionary of Chinese Buddhist Terms, Reprint Taipei 1970, p 63)\n\n22 Cf. for example Ching-fen Hsiao, loc.cit., p 17.\n\n23 Cf. Shih Wen-tu *, \"Wo tsen-yang t'uo-li I-kuan Tao” #, in Chuch Shih #(Kao-hsiung, Sept. 1977) pp 20 -- 32.\n\n24 Since these accusations can neither be proved nor refuted by the observer it is very difficult to give a fair description of the sect.\n\n25 Cf. Chao Wei-pang, \"The Origin and Growth of the Fu-chi\", in Folklore Studies, 1 (1942) pp 9 — 27; Hai Ti-shan #, Fu-chi mi-hsin ti yen-chiu *****(Taipei 1966).\n\n26 Cf. G. Seaman, Temple Organization in a Chinese Village, (Asian Folklore and Social Life Monographs, No. 101 Taipei 1978) pp 20 – 35.\n\n27 Cf. Halao, loc. cit., pp 12 – 16. For a case-study ref. Seaman, op. cit.\n\nThe members trace the origin of the sect back to Fu Hsi and have an elaborated list of the transmission of the Tao through the centuries. The historical evidence for the existence of I-kuan Tao as a separate tradition does not reach beyond the last century, however.\n\n29 The ordinary fu-luan cults have sessions much more often, in general eight or twelve times every lunar month.\n\n30\n\nObviously many teachings of the fu-luan cults have their origin in the popular \"Buddhist” tradition which is also a main source of the I-kuan Tao teachings. It is difficult, however, to assess to which degree there is a direct influence of I-kuan Tao on these cults in Taiwan today. Probably there is a mutual influence since many followers of I-kuan Tao participate also in ordinary fu-luan cults. Actually, some fu-luan cults seem to be reservoirs of potential I-kuan Tao proselytes.\n\n31 Tian-jan *, 2 (Hsinchu Febr. 1980) pp 2 - 3.\n\n32 Cf. K. Ch'en: \"Anti-Buddhist Propaganda During the Nan-Ch'ao\", Harvard Journal of Asiatic Studies 15 (1952) pp 166 - 192.\n\n33\n\nFor examples see J. Chesneaux ed. Popular Movements and Secret Societies in China 1840-1950, (Stanford 1972).\n\n34 Of course, Mohammed is not regarded as a god in Islam. The knowledge of Islam in China, however, is rather poor and Mohammed is thought to be a divine person much like the Chinese \"historical\" gods or for that matter – Jesus.\n\n36\n\nThe medium belonged to the Sheng-hsien t'ang in Taichung.\n\n36 W. Grootaers, \"Une société secrète moderne, I Kuan Tao: Bibliographie annotée\", in Folklore Studies 5 (1946) p 332f.\n\n37 Tian Tao Kai Lun (1979 2nd printing), p 61.\n\n38 ibid., pp 61 – 62.\n\nby Su Ming-tung (Kaohsiung, 1978)", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209698, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 355, "title": "RAS-1982", "content_text": "BOOK REVIEWS\n\n333\n\nArt Treasures of Dunhuang, comp. by the Dunhuang Institute for Cultural Relics Hong Kong: Joint Publishing Co., 1981, 254 pp., 84 col. pls. & 84 b. & w. figs.\n\nThe preface of this book is by the first, and only recently retired, Director of the Dunhuang Institute for Cultural Relics Chang Shuhong. It offers a brief history of the Mogao grottoes or the Cave-Temples of the Thousand Buddhas at the Dunhuang oasis in the Gobi Desert of Gansu Province. A longer essay, by Shi Pingting and Shu Xue, follows. In this, more attention is given to description of the mural art which is the chief glory of the site. Although architecture (imitated in the rock-cut caves) and sculpture are also mentioned as other arts important to the temples, less is said about them. Finally, the vicissitudes of this long-abandoned centre of Buddhist worship since the Middle Ages are described.\n\nThe colour reproductions are chronologically arranged and compare well to those in recent Japanese publications which are considerably more expensive than this Hong Kong printed volume. However, this more modestly scaled production is intended for a less specialized readership and does not illustrate the murals as completely as the multiple-volumed works from Japan. One cannot obtain the impression of how a total cave complex looks from a few selections of details, especially as there are no views of caves as a whole and sculpture is separated to follow the wall-painting section.\n\nMost useful are the notes for each plate, compiled by Wan Gengyu and Huang Wenkun. The content of each scene, and especially of narratives from Buddha's pre-birth legends or jataka tales, is given. Brief as these paragraphs are, they are the result of considerable new research and contribute greatly to both aesthetic pleasure and intellectual understanding in our viewing of the plates.\n\nFinally, a five-page chronology of the caves ends the book.\n\nThe English translations of the original Chinese texts are quite good, although perhaps still reading as translations rather than as well-written English language.", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209789, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 48, "title": "RAS-1983", "content_text": "26\n\nthe problem of space was solved and the ancestors acquired additional merit by sharing that gained by the monks' prayers. Thus, the ancestors' hall (1) has become a rich source of revenue in many Hong Kong monasteries. The affluence of the sangha is most easily seen in the many very spacious and ornate temples built or rebuilt in recent years. These magnificent buildings in turn become centres of attraction for devotees and tourists. As we shall see below, these temples do not really serve the direct needs of the sangha, which has diminished in number. (Very often, only a handful of monks live in a monastery which could accommodate hundreds.)\n\nThe affluence of the monks is again seen in the proliferation of small temples and houses of cultivation (#4). There are altogether about 400 big and small temples and the significance of this large number is self-evident if we bear in mind that there are altogether only about 200 to 250 monks and about 1,000 nuns in Hong Kong. It is estimated that there are about a dozen big monasteries each of which holds in excess of ten monks, and a significantly larger number of nunneries containing about that number of nuns. It appears then that a small temple has on the average only one monk or two or three nuns. If a monk is wealthy enough, there is a great attraction for him to own a temple himself, for then he can avoid the difficulties of living in common with other monks or of subjecting himself to an abbot. The impact of this development on the monk's religious cultivation is yet to be investigated.\n\n4.\n\nAnother development during this period was the establishment of Buddhist centres within the urban areas. Many of the small temples mentioned above are situated within high-rise blocks of flats in the crowded areas of the city. Thus, the monks make themselves readily accessible to the populace whether for the purpose of spreading the Buddha's teaching, doing social work, administering to the schools or performing Buddhist ceremonies. The old centres in the New Territories were not given up. With the expansion of the population and the development of new towns, these old centres have in turn become readily accessible. Constant streams of devotees and tourists are a normal happening nowadays. The net effect has been that contact between monks and ordinary people has become very considerably increased.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209792, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 51, "title": "RAS-1983", "content_text": "29\n\nare bent on material enjoyment. 3. The sangha system is seen as out-moded. It seems to belong to strange old men who cling on to superstitious beliefs and customs. 4. Military service in certain countries has robbed young men of opportunities to join the sangha. 5. Parents may have discouraged their children from joining the monks.\n\nThe monks made it clear that, while objective causes outside their control do play a part in the decline of young recruits, they put the major share of the responsibility on themselves. They were dissatisfied with the image they projected. This is an important indicator of their changing perception of themselves.\n\nThe remedies they proposed also indicated their perception of the need to change roles. They were aware that their life-style should be seen as attractive and relevant to the present age. Secondly, they felt responsible for communicating this attractive new monkhood to eligible young men through as many channels as possible. They encouraged more contact with young men through education, youth work, study groups, and choirs. Parents were to be exhorted to nurture some of their sons towards the possibilities of entering monkhood. Short-term going-forth-from-home ceremonies were undertaken so that young people could get a taste of monkhood. The last was an innovation borrowed from the Theravada tradition in Thailand and was quite new to the Mahayana tradition. Lastly, someone suggested that, as a last measure, each monk should adopt an orphan so as to train him to become a monk when he grew up.\n\nUnfortunately, such good intentions remain largely on paper and one seldom hears more about them nowadays. The reason for this is that the problem of recruitment has been linked to the issue of re-organization of the sangha, and, as the latter ran into trouble, the former was also dropped from discussion. Nevertheless, the problem of recruitment remains as real as ever.\n\nB. Sangha Re-organization\n\nThe Buddhist community is organized according to rules laid down in the vinaya which claim Buddha himself as the authority.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209793, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 52, "title": "RAS-1983", "content_text": "30\n\nThus, the written rules for community living are considered perfect and valid for all times and places. However, in common with all traditions which rely on the written word as the sole authority, difficulties in interpretation arise as soon as conditions and environmental customs change. The built-in weakness of written rules is that they can never hope to provide solutions to all situations and yet they have to claim perfection in order to boost their authority. With changed conditions and times, many Buddhists have asked themselves: Should the letter of the law be kept or should the spirit of the founder be preserved when the letter is no longer seen as embodying the spirit? If the spirit is considered the more important thing, how does one know that one has the founder's spirit? Would knowledge gained aside from the rules be mere guessing? These tensions have plagued the sangha throughout its 2,500 years' of history. There are situations where the rules are verbally recited and yet only certain ones are kept, while the others are tacitly ignored. Such has been the practice of the sangha in China. The monks verbally received 250 precepts at their ordination ever since the introduction of Buddhism into China and yet many of these precepts were never kept. The inherent difficulty in adapting the written law to suit the situation of a different time and place so that the true Buddha spirit may be readily lived is the lack of a central Buddhist authority which is strong enough to effect such a change. The result is a schizophrenic verbal adherence to the law with constant deviation in practice. Conscientious monks realize the unsatisfactoriness of such a situation but there is little they could do to alter the situation. Recent discussions of the re-organization of the sangha fall readily into this familiar pattern.\n\nThe biggest recent discussion of the re-organization of the sangha was initiated by an agenda of proposals to be discussed at the conference of Chinese monks in 1977. The agenda was presented in the context of an open letter which called for responses to matters concerning the sangha system, dress, ranking of monks, education etc. The initial reaction was collected in volume 209 of the magazine Buddhism in Hong Kong. Unfortunately, the media got hold of the report and rightly or wrongly, made a sensational report that monks were contemplating marriage. The scandal, real or imaginary, killed any further", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209799, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 58, "title": "RAS-1983", "content_text": "36 \n\nto say to every aspect of human life. The Buddha has a teaching for worldly way (#M✯). \n\nE. Buddhism and Science \n\nThe question of the attitude of Hong Kong Buddhists towards science is too wide a topic to be discussed fully in this paper. However, a short sketch of the current trend is desirable for an understanding of the monk's mental framework. \n\nScience has come to the attention of the monks because its effect on modern life cannot be ignored and because it has captured the faith of almost everybody. Buddhism has been pushed to a defensive position when some of its beliefs and practices have been judged superstitious and 'unscientific.' It has tried very hard to rid itself of the tag 'superstition.' Four kinds of arguments have \n\nbeen put forward in recent discussions. \n\nThe first is a redefinition of Buddhism or a restoration of the Buddha's original teaching. This argument contends that all that can be called superstitious in Buddhism belongs to accretions and borrowings of rituals and beliefs of other religions and these have been tolerated in order to please the incorrigible tendencies of unsophisticated believers. These can be and should be done away with when the believer makes advances in his knowledge of the religion. The Buddha's teaching is a philosophical one and contains nothing contrary to science.20 \n\nThe second argument, a favourite one, is that Buddhist teaching anticipates discoveries in science and thus possesses a cosmology more compatible with modern scientific discoveries than the cosmologies of other religions. Many examples of anticipation have been offered. The following is only a sampling: 1. Buddhism affirms the existence of millions and billions of world systems. This anticipates and corresponds to the astronomical discoveries of innumerable galaxies and solar systems in the universe.21 \n\nThe Buddhist cosmology is thus superior to the Judaeo-Christian one which makes this world the centre of everything. 2. \n\n2. The Buddha saw 84,000 worms in a bowl of water. This anticipates the discovery of microbes after the invention of the microscope.22 3. The Buddha says that the world", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209800, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 59, "title": "RAS-1983", "content_text": "37\n\nhas apparent existence because of the apparent union of countless dust particles. Aside from the dust particles, there is no world. Similarly, according to modern scientific view, the world is made up of atoms. Aside from the atoms, there is no world.23\n\nThe third argument is that since the Buddha's teaching is the truth, it must contain all the knowledge ever discovered by science. However, the Buddha's words do not contain every detail of science, but they do contain the principles from which science is derived. One writer puts it: \"Although Buddhism is not science, it is science and philosophy on a higher level.\"24 Another writer puts it: \"Buddhism is the philosophy from which science is derived.”26 Since Buddhism is super science, it fulfills the a priori conditions of not getting into conflict with science.\n\nThe fourth kind of argument is the reconciliation of apparent contradictions between science and Buddhist teaching. One problem discussed is the existence of Amitabha's western paradise. The conviction that the world is a globe spinning round the sun has rendered the interpretation of the term \"west\" rather problematical. Two essays have been written to solve this problem and I leave the reader to reconstruct the arguments for themselves.20\n\nIV. The Self-perception of the Monks\n\nAt the outset of this paper, the observation was made that the monk's self-perception changes in relation to his perception of the reality around him. At whatever point in time, monkhood must maintain its sense of purpose. The monk must find his own life attractive and his sense of value adjusted to his perception of reality, which cannot be totally cut off from the community's perception of it. Hong Kong has experienced a lot of changes in recent decades and these changes posed challenges to the sangha and I have documented some of its major responses. Here I shall discuss the monks' self-perception in terms of these responses.\n\nDuring the last two or three decades, monks in Hong Kong have experienced great changes in material conditions. There have been great fluctuations in the numbers of monks when immigrant monks came from mainland China and later dispersed", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209802, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 61, "title": "RAS-1983", "content_text": "39\n\nneed for a solid education, both in secular subjects and in Buddhism. The new education proposed would also support the monks in new professional works, which would fulfill the Mahayana ideal of benefiting all beings. Thus, the monks would have an honourable means of livelihood which would externally win respect from all corners of the society, and internally, would give a new sense of purpose in life. A new orientation towards the world is also seen in the recent institution of a Buddhist marriage ceremony at which the monk acts as the chief witness.\n\nRecent responses of Buddhist monks to the changing social situation have lent themselves easily to a psychological analysis. This is precisely what has been done in the above article. The reason for the shift of self-perception has largely been psychological. That is to say: the changes have not been precipitated by convictions of a doctrinal nature and this fact sets limits of change. From what the Buddhists write about science, it is clear that the sangha does not yet have a clear notion of the implications of science for Buddhism. When such a clear notion arises, the effect would be very serious for the sons of the Buddha. But they may yet emerge chastened, but with the founder's vision essentially intact.\n\nNOTES\n\nHolmes Welch, \"Buddhist Organizations in Hong Kong,\" Royal Asiatic Society, Hong Kong Branch, I (1960-61), 99.\n\n*火頭僧,「偕實延續問題」,香港佛教 (abbreviated to 香), V. 208 (1977), p. 4 :「近二十年來,香港佛教界一部份,是適應的,最明顯一點是各道場佛事興隆, 財政延,做到經濟掛帥。佛事一語,指出家人替人誦經禮懺,超度亡靈,或過生日消災延壽。正因誼種佛事興隆,利之所在,不少投機人士崛起,也替人大做佛事,一樣收得」\n\n*編者(速道),「本月二十週年紀念縱橫談」,香, V. 241 (1980), p. 17 : 「二十年來的香港僧團由聚而散,大有一人一樓的傾向,所謂制度,幾乎成了自治區。」\n\n*高永得,「香港佛教各宗派弦做概況」,香, V.241 (1980), p.4.\n\n7\n\n*ibid., p. 8. 「鑑於香港各佛教團體多數是各自為政,尚未收團結一致之效。」\n\n*白聖「致華附大德法師一封公開信」,香, V.206 (1977), p. 5.\n\nThat monks received 250 precepts at their ordination at an early time can be seen in a Han document Mo-tzu li huo lun, T2102, 2a, line 2.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209848, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 107, "title": "RAS-1983", "content_text": "85\n\nLoan Word\n\nChinese Characters\n\n*Choy sum 蔡心\n\nConfucius 孔夫子\n\nCongou 工夫\n\nCumshaw 感謝\n\n*Chung Young 重陽\n\n*Dimsum 點心\n\n*Ding how 真好\n\n*Fanqui, 番鬼\n\nfankwei 番鬼\n\nFan-tan 番攤\n\nFen 分\n\nFeng shui, fung shui 風水\n\nFo 佛\n\n*Foki 伙計\n\nFoo yong, fu yung 芙蓉\n\nGalingale 高良薑\n\nGinseng 人蔘\n\nMeaning\n\nA species of leafy Chinese vegetable, with yellow flowers.\n\nK'ung Fu-tse n. the Chinese name of Confucius.\n\nA kind of black tea imported from China.\n\nIn the Chinese ports: A gratuity.\n\nA Chinese festival falling on the ninth day of the ninth moon on which according to traditional belief people have to go up to high places to avoid calamity. Also a day for sweeping ancestral graves.\n\nTidbits eaten at a Cantonese repast taken either in the early morning or at lunch time known as yum cha or 'drinking tea'. Literally meaning 'the most excellent best'.\n\nLiterally 'barbarian ghost', used to refer to westerners in the early days of contact between China and the west.\n\nA Chinese gambling game in which a random number of counters are placed under a bowl and wagers laid on how many will remain after they have been divided by four.\n\nA monetary unit of the People's Republic of China worth one hundredth of a yuan.\n\nIn Chinese mythology, a system of spirit influences, good and evil, which inhabit the natural features of landscapes; hence, a kind of geomancy for dealing with these influences in determining sites for houses and graves.\n\nChinese Buddha.\n\nA term used to refer to waiters in restaurants, but sometimes also used in the wider sense of people who work in the same organization, i.e., 'colleagues'.\n\nFu yung, lit. hibiscus: a Chinese omelet made with bean sprouts, green pepper, and onion and fried in deep fat.\n\nLit. 'mild ginger from Ko'.\n\nEither of two arallaceous plants, Panax Ginseng (Schinseng), of China, Korea, etc., or P. quinquefolium, of North America, having an aromatic root used in medicine by the Chinese.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209871, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 130, "title": "RAS-1983", "content_text": "108\n\nand more than half of them still live within two miles of these ancient sites, which speak of hundreds of years of settlement and progress, before the Han emperors conquered the coast with a fleet and army.\n\nLeaving aside the islands close to Hong Kong, which have little of interest, we next pass the Potoi group off Cape d'Aguilar (named after a Major-General who commanded the troops in Hong Kong in its early years). All are of granitic rocks seamed with dykes of dark green stone which decay more rapidly than the granite and so often form valleys, caves and hollows. All but Potoi itself are barren and deserted, except for the light on Waglan (Wang Lan \"Barrier Fence\"). About nine years ago, the Chinese second officer of a ship distinguished himself by steering straight on to the island, where the ship not unnaturally stopped. There was no discoverable reason for this exploit; it was not bad weather, though dark it was about 2 a.m. and the light showed clearly. A similar but more excusable disaster occurred in 1916 on the east end of the Lema's eight miles to the south on Tam Kon Shan (“Carrying Pole Mountain\"), when the Chiyo Maru, which was a big trans-Pacific liner, ran aground. I believe few or no lives were lost.\n\nnets.\n\nPotoi has a small but good harbour, very popular with boat people, and with a handsome temple. There are a few shops, and its economic centre is Stanley. The beach is used for drying. Once in 1930 an ingenious fellow tried to monopolize the beach by applying for a matshed site right in the middle of it. I saw the place, saw through his game, and turned him down. Up in the hills are three tiny hamlets, living on the scanty crops their fields produce, and probably selling to the boat people as well; their names mean \"Long Stone Ridge\", \"Cow Lake\", and \"Mountain Hut\" 27.\n\nTo the north, at the entrance to Junk Bay, known in Chinese as \"General's Haven\" (Tseung Kwan O), is an island called Fat or Fu Tau Chau (“Buddha's or Tiger's Head Island\"). It was the site of one of the \"Blockade of Hong Kong\" customs stations; the station is in ruins, although the island has a few inhabitants.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209872, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 131, "title": "RAS-1983", "content_text": "109\n\nNam Tong Island (“Southern Hall Island\"). This island is large and mountainous. Military defence work is currently going on there. It was formerly cultivated, but in 1929 the cultivated area was abandoned. There is an Aga light on the southern point. The channel to the north of this island is \"Buddha's Head Pass\". The harbour within this channel is well sheltered: there is a big temple on the mainland to the north of the channel. The chief place of interest on this island is the old fort near the north point, with a south wall thickened, apparently for mounting cannon. This fort is probably Chinese, perhaps built by pirates.\n\nHere we leave the islands of the South District, and enter the North District as we pass into Port Shelter. The interest of this place lies in its extraordinary geography and geology, and its wonderful beauty. The surf which beats on the high pillared cliffs of High Island, Bluff Island, and Basalt Island dies away as your launch passes into the long calm channels, and under the hills of the mainland there is perfect shelter, though I do not think the anchorages are good. Grassy hills come down to the waters' edge, and near Saikung the sea is studded with diminutive islets.\n\nThe soil of these islands appears extremely barren, as the population of the islands is very small. Fishing seems the chief occupation. Settlements are few. Yim Tin is named after some abandoned salt fields a little to the south of the (Roman Catholic) mission church: Kau Sai (\"West of the Channel\") explains itself. There is also a group of settlements in the southern part of High Island. These have the remarkable names of \"North Fork\", \"Tribute Rice Junks Bay\", and \"White Insect Wax\",32 This group and Yim Tin are the only places in these islands where cultivation is of any extent. \"North Fork\" is a most remarkable place. Someone has lavished money on it, the houses and the ancestral temple are well built, a high platform held up by a big masonry retaining wall stands in front of them, and a small stream by the village is crossed by a fine three-span bridge all of stone: it is the sort of stream for which the rest of the Territory think six stepping stones are ample. I have no idea how these names originated, except that the bay may have been an anchorage for junks carrying the tribute rice north from Canton to Peking.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209875, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 134, "title": "RAS-1983", "content_text": "112\n\nHaven\".\n\nPui O at present often uses for its name characters meaning \"Shell Harbour\".\n\n1* Yi Long Wan (\"Second Wave Bay\").\n\n1 These villages used to stand just south of Discovery Bay but have since given way to the major housing project of that name.\n\n\" Tai Pak Island is now called Tai Lei (\"Great Profit\").\n\n19 Shau Chau is now called Sha Chau (\"Sand Isle\").\n\n\"Tongkwu is now called Lung Kwu Chau (\"Dragon Drum Island”). \"The Society for the Aid and Rehabilitation of Drug Addicts (SARDA) has had a treatment centre here since about 1960.\n\n31\n\n* Capital of San On District.\n\n** No villages now survive on Hei Ling Chau, which, after the closure of the leprosarium, is now occupied solely by the Correctional Services Department. The remaining villagers were resited to various places on Lantau in 1952-53.\n\n** Chau Kong is now called Sunshine Island (Chau Kung To), after an agricultural rehabilitation programme for refugee families launched there in the 1950s by Mr. Gus Borgeest (of Hong Kong) and others.\n\n\"Kau Yi Tsai is now called Siu Kau Yi Chau, with the same meaning.\n\n**A prewar periodical magazine containing many items of great interest, including Father D.J. Finn's contributions on local archaeology, 1933-36. These were reprinted, edited by Rev. T.F. Ryan S.J., by Ricci Hall, University of Hong Kong, 1958, entitled Archaeological Finds on Lamma Island (M) near Hong Kong.\n\n** Waglan at present uses for its name characters meaning \"Barrier to the Waves\".\n\n#T\n\nRespectively Cheung Shek Pai, Ngan Wu, and Shan Liu.\n\n\" Also known in English as Junk Island. At present the island is known in Chinese only as Fat Tau Chau (\"Buddha's Head Island\").\n\nNam Tong Island is now known as Tung Lung Chau (\"Eastern Dragon Island”).\n\n* This is the Tin Hau Temple (Tai Miu) on Joss House Bay.\n\nAfter partial excavation, it is now listed as an ancient monument under the care of the Urban Services Department.\n\n** Respectively Pak A, Leung Shuen Wan, and Pak Lap.\n\n** These inlets were drowned in the mid 1970s to form the High Island Reservoir.\n\n*Tolo Harbour.\n\nYuen Chau Tsai, see note 2 above.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209960, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 219, "title": "RAS-1983", "content_text": "197\n\nFrom 1860 there is, firstly, a collection of China Medals and related items and eight drawings by a Royal Marines Light Infantry officer who served in the Second China War. There is also a vase and a gilded, seated, Buddha which were taken from the Summer Palace in that year.\n\nThe Marines were involved in the fighting occasioned by the Boxer uprising in 1900, and the Museum holds a number of relics of this involvement. A Boxer flag is, for instance, on display. This was captured by Sgt. Preston, Royal Marines Light Infantry, on the walls of Peking on July 14, 1900, an act for which he was awarded the Conspicuous Gallantry Medal. The notes explain that Preston kept the Boxers at bay while an American Marine seized the flag.\n\nA Victoria Cross was won at about the same date which is commemorated by the display of a large pike. This was captured by the RMLI detachment during the siege of the Legations. Captain L.S.T. Holliday led a sortie during which he had half a lung shot away. He later became Adjutant General of the Royal Marines and when he died in 1966 at the age of 95 he was the oldest holder of the VC. A squat, gape-mouthed, mortar about two feet high is also on show. This was seized at the capture of the Taku forts in 1900. A large brass shell case used by the Quick Firing guns at the Taku Forts is mounted in the museum as a gong. The case has the name Berndorfer stamped upon it, an Austrian firm.\n\nNext came a quick visit to the National Army Museum, in Chelsea, London. Among the items which I spotted there were the following, and I am sure there must be others which I missed.\n\nThere is a large, full-length, portrait of Sir Hugh Gough, by an unknown artist. He is shown with what looks to be an Indian servant buckling on his sword and is impressively bemedalled. A tall, slim, figure, with a white moustache, the General was in his fifties or sixties when the picture was painted. A silver model pagoda commemorating the Treaty of Nanking, August 1860, is on loan from the present Viscount Gough. It was made by Richard Hennell and is hallmarked London 1860-61.\n\nA long rampart gingall, manufactured at South Tientsin Arsenal in 1895 slants diagonally across a case which also features", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209995, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 254, "title": "RAS-1983", "content_text": "232\n\np. 109. Yang, C. K., Religion, pp. 16-17.\n\np. 110. Tawney, R. H., Land and Labour in China, London, 1932, p. 77.\n\np. 114. Levy, Howard, S., Chinese Footbinding: the History of a Curious Erotic Custom, Tokyo, 1966, p. 56.\n\np. 116. Doolittle, Social Life, Vol II, p. 198.\n\np. 116. Little, Mrs. Archibald, In the Land of the Blue Gown, London, 1912, p. 209.\n\np. 121. Yang, Martin C., A Chinese Village: Taitou, Shantung Province, London, 1948, pp. 239-240.\n\np. 130. Smith, Arthur H., Characteristics, p. 254.\n\np. 130. Huc, M., The Chinese Empire, London, 1859, pp. 298-299.\n\np. 136. De Groot, Religious System, Vol II, p. 793.\n\np. 137. Arlington, Dragon's Eyes, p. 158.\n\np. 140. Smith, Arthur H., Characteristics, p. 275.\n\np. 141. Graham, David Crockett, Folk Religion in Southwest China, Washington, 1961, p. 123.\n\np. 146. Forster, L., Echoes of Hong Kong and Beyond, Hong Kong, 1933, p. 52.\n\np. 147. Peplow and Barker, Around and About, pp. 176-177.\n\np. 150. Smith, D. Howard, Religions, p. 102.\n\np. 152. De Groot, Religious System, Vol I, p. 271.\n\np. 152. Welch, Holmes, The Practice of Chinese Buddhism, 1900-1950, Harvard, 1967, p. 343.\n\np. 152. Ng Shing Kup, The Great Events of the Ten Thousand Buddhas Temple, Hong Kong, 1973, pp. 40-41.\n\np. 156. Cormack, Birthday etc. Customs, p. 26.\n\np. 158. Bredon and Mitrophanow, Moon Year, pp. 427-428.\n\np. 158. Doolittle, Social Life, Vol II, p. 70.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210068, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 39, "title": "RAS-1984", "content_text": "18\n\nJULIAN PAS\n\ndoes not play any role in the actual consultation; only 49 stalks are thus used. Although two sets of 49 oracles are found in the Taotsang, none has so far been spotted in actual use in Taiwan or other places.\n\nA Sample Study in Taichung, Central Taiwan\n\nMy own research and collecting of samples in Taiwan started in 1977-78 and was continued in 1980. Each time when I visited a temple, I tried to obtain a few sample sheets of the oracles either hanging on a side-wall in the temple, or stacked away in specially built wooden cabinets with small drawers for each oracle. Whenever I came across a new variety, I asked the temple superintendent's permission to collect sample sheets of the whole series. I did not always receive a friendly welcome, but in most cases, the response was excellent, especially when I explained that I was studying and trying to understand all aspects of Chinese folk religion. A donation to the temple made all wrinkles of doubt disappear. In the autumn of 1978, I discovered W. Banck's publication, which increased my interest in this area but left quite a few questions unanswered. I hope he will soon complete his second volume. In the meantime, I decided to examine the relative frequency of each type of oracle sets and to test the possibility that the proper character or affiliation of a temple also indicates the type of oracles that can be found there. After collecting about 340 samples throughout Taiwan, I came to certain basic conclusions: the set of 100 oracles, called the Kuan Ti series (Banck #2), is always found in temples dedicated to Kuan Ti (obviously) but is also usually adopted in city god temples, and often but not always in temples in honour of Hsuan-t'ien Shang-Ti, Yu-huang Ta-ti, and even Sakyamuni Buddha. In other words, this oracle is almost never found in the temples honouring the common folk deities (there are a few exceptions). It is certainly not the most frequently found oracle, as will be pointed out below. By far, the most popular series is the 60 slips Matsu oracle (Banck #1).\n\nThen I decided to take the city of Taichung as a sample case. It is located in central Taiwan and has a fast-growing population, being already over 600,000 inhabitants. The newly built harbour will continue to influence the city's growth for many years to come.", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210290, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 261, "title": "RAS-1984", "content_text": "240\n\nCHOI CHI CHEUNG\n\nburnt and vegetarian food was offered by many worshippers there.\n\nAt the entrance of the Tao Ch'ang, 4 notices stated: \"The water and land cross-over is at this Tao Ch'ang ()\" separating the Tao Ch'ang area from the other areas. Within the area, there were 39 worshipping objects. There were three distinct areas to the Tao Ch'ang: i) On one side of the entrance, there were the territorial gods of the human world, and, on the other side of the entrance, there was a god who holds the key to the door between earth and hell (two of his runners were with him). ii) In the main hall, there were tablets of different spirits who were supposed to come from the ten courts of the underworld, and tablets of the Taoist Saints. Two Generals were put in the centre of the hall to watch over the spirits. iii) At the back of the area, was the altar (or Hoza in Japanese) where the priests practised their rituals under the images of the 3 Buddhas and the Goddess of Mercy. Compared with the typical Buddhist arrangement for rituals for appeasing the dead, the Tao Ch'ang area of the Kobe Chinese 'Yue Lan' was more inclusive and closer to Chinese folk tradition, though the priests were all Buddhists.\n\n32\n\nThere were 7 types of objects worshipped (Table in the Appendix):\n\ni) Those represented by incense bowls and offerings only.\n\nii) Paper-made figures.\n\niii) Paper-made lanterns.\n\niv) Porcelain statues.\n\nv) Paper-made houses.\n\nvi) Paper-made tablets.\n\nvii) Paintings.\n\nNot all worshippers knew the names and roles of all the objects worshipped. During the festival, worshippers presented incense sticks to all the objects of worship in the festival area. However, besides the Ming-che and the \"Ancestral Hall\", the two runners attracted the most attention from the worshippers. Worshippers bribed them with bundles of paper money. One Cantonese lady of about 75 years old explained that by doing so, it was hoped that the runners \"would take care of our ancestors whose spirits are com-", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210291, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 262, "title": "RAS-1984", "content_text": "241\n\ning here and not give them trouble\". According to the introduction in the Pang (see Appendix), as posted up at the main entrance, \"the festival was held for the purpose of assisting the reincarnation of i) the soldiers who died during the world wars, ii) the ancestors of all surnames, and iii) the ghosts who were not worshipped by anyone. And it was hoped that through the mediation of the priests, the Three Buddhas and all the spirits would give their permission and open the door for them to cross-over and become human beings again. However, the worshippers, being more interested in self-prosperity, were more concerned about their own ancestors who are the only ones who can guarantee their prosperity.\n\nV. Conclusion; History of the Festival in Kobe\n\n34\n\nAccording to an appeal to the Hyogo Government in 1873, the Ningpo merchants were the first to hold a Ghost Festival for the Chinese in Kobe. Mr. Chan (70 years old, Cantonese, born and educated in Kobe, now vice-president of the History Museum of the Kobe Chinese) told me that before the Second World War, the festival was organized by the Cantonese who then out-numbered the Hokkienese. The Cantonese were wealthier and 'had more knowledge'. Mr. Chan continued to tell me that during that time the Hokkienese were relatively poor. They were mostly travelling merchants (f). They therefore had no stable residential place neither were they economically strong enough to be the organizers of the festival. Though there was a bachelor-centre for about 17 Hokkienese laborers in Nagoya about 30 years ago, there was no Hokkienese cluster in Kobe. Today, however all the three Chinese Ghost Festivals in Japan are organised by the Hokkienese\". Mr. Chan's narration agrees with the information given by Li Ta-shen.36 The Hokkienese, now organisers of the Festival, had never been an influential group until the end of the Second World War. However, since then, until 1978, the Hokkienese were said to be the centre of the Kobe festival.37\n\nDue to the anti-Chinese incident in Kobe in 1976, the Chinese started to pursue unification among all the different Chinese territorial groups, and to disregard their origins. In 1978, the Kobe Chinese News (US) was changed to the Kansai Chi-", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210296, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 267, "title": "RAS-1984", "content_text": "246\n\nCHOI CHI CHEUNG\n\nTable A. Name of the Objects of Worship\n\n \n 1.\n A Nan Chun Che *\n \n \n 2.\n Buddha #N*\n \n \n 3.\n Chia Ych Chun Che\n \n \n ***\n \n \n \n 4.\n Kannon, the Goddess of Mercy\n \n \n 5.\n Dragon Kings of the 4 Seas\n \n \n 6.\n Representative of the Heavenly Kitchen 天厨使者\n \n \n 7.\n Chin Kwong Wang\n \n \n 8.\n Cho Kiang Wang thi\n \n \n 9.\n Sung T'i Wang ✯E\n \n \n 10.\n Wu Kwan Wang HE\n \n \n 11.\n Yen Lo Wang\n \n \n 12.\n Bien Chen Wang |\n \n \n 13.\n Thai Shan Wang E\n \n \n 14.\n T'u Shi Wang\n \n \n 15.\n Pin Deng Wang\n \n \n 16.\n Chuen Lun Wang\n \n \n 17-18.\n The Courts of extreme happiness 極樂殿\n \n \n 19.\n Kan Tsai Wang\n \n \n 20.\n Wai Lo ##\n \n \n 21.\n ?\n \n \n 22.\n The Great Kings and Emperors 大王大帝\n \n \n 23.\n The Lord of Pu-tu\n \n \n 24.\n Ancestral Hall of all Lineages 各姓宗祠\n \n \n 25.\n 6 paths and 4 species 0%\n \n \n 26.\n Wandering spirits of 4 directions 西方忘魂\n \n \n 27.\n The 3 Pure Ones E\n \n \n 28.\n Gods of the 3 levels\n \n \n 29.\n ?\n \n \n 30.\n Male and female orphan spirits 男女孤魂\n \n \n 31.\n 3 religions and 9 schools\n \n \n 32.\n Million souls of the 3 levels 三界萬靈\n \n \n 33.\n Office of the Yin and Yang H\n \n \n 34.\n Lord 8th A\n \n \n 35.\n Lord 7th\n \n \n 36.\n Temporary resting place ✯✯S\n \n\nQ 1-3 as told by the organizer of the Uji O Festival\n\nR\n\nET\n\nT\n\nH No. 7 to No. 16 were the ten courts of the Underworld. Informants always mention them without any difference from no. 17 and 18, as ‘Chigoku Juunoo' (M&E) or 'Chigoku” (Ten Kings of Hell, or Hell). 7 to 9, 10 to 12, 13 to 15, 16 to 18, were all made in one paper-made house (informants simply class them as Ming-che too) respectively.\n\nF Both 19 and 20 were regarded as the guardians of the festival. 19 for avoiding any meat, and 20 for keeping out evil and watching over the spirits.\n\nQ No one knew what it was\n\nT\n\nT\n\nGIF\n\nT\n\nQ No one knew what it was\n\nT\n\nT\n\nQ Told by the organizer of the Uji festival. It was also called T'ien Ti Tan (X).\n\nF Both 34 and 35 were the runners of Hell.\n\nH\n\n! \n\n! \n\n! \n\n¡", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210415, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 22, "title": "RAS-1985", "content_text": "and God answered my question through my own mouth. I asked first, \"Who are you? Are you God or an immortal or the Buddha?\" God replied, “I have no name or characteristic. I am God who has no beginning or end.\" I said, \"You deign to descend upon my humble quarters, notwithstanding my lowness and foolishness. For this I feel greatly honoured. Please enlighten me.” God said, “You have great capacity. I want to transmit to you the Great Method of Curing and Exorcism. Are you willing to accept or not?\" I said, “Of course. But I do not know if time will allow it or if I can successfully learn it.\" God said, \"The learning of it is instantaneous.” At that time, I accepted the message not without scepticism.\n\nShortly afterwards, a servant maid in the Patriarch's household was taken ill with a severe stomachache. He tried the new method of curing despite his scepticism. In less than half-an-hour the maid was completely cured. After that, he used the method on other sick people and cured them as well. Finally, he became convinced of the truth of the events that had occurred to him.\n\nAs one would imagine, the conviction that he had seen a new god was not arrived at without a struggle with his previous Christian faith. As witnessed by his family, Patriarch Lo slapped himself uncontrollably and uttered words of self-reproach whenever he entertained doubts about the new god.\" Lo's new-found faith caused a shock-wave through his devout Christian family. Commotion reigned within the family until finally everybody agreed on a test-case. Lo's brother-in-law, Tam Tao Wing, had been ill with an unknown and incurable disease and was at the point of dying. Preparations had already been made for his funeral. Lo said that the brother-in-law's sickness was caused by a demon and offered to cure him in return for non-interference with his new religious beliefs. The family agreed. Lo attempted his exorcism and within minutes the brother-in-law was completely cured.\" After this episode, the Patriarch was left to do whatever pleased him. Lo's wife, at first his most vociferous opponent, later became his most convinced follower.\n\nNews about the Patriarch's prowess at curing spread like wild", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 210424, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 31, "title": "RAS-1985", "content_text": "12\n\nBARTHOLOMEW P.M. TSUI\n\nThere are certain dispositions on the part of the patient before he or she can be cured. The first is that the patient should venerate the Supreme Deity with devotion. Secondly, he should repent of his wrong-doings and resolve to live a better life thereafter. Thirdly, he should not worship other gods or the Buddha. Fourthly, he should not use paper gold and candles (in worship).\" There are also four conditions under which a patient may not be cured: firstly, where the patient has committed a grave sin; secondly, where the disease is a result of the patient's misdeeds; thirdly, where the patient has only a minor sickness; fourthly, where the patient has reached the end of his or her natural life-span. (However, the Supreme Deity may grant an extension to the natural life-span as a favour.)\n\nAlthough a recognition of the Supreme Deity on the part of the patient is necessary for healing, a full initiation into Tan Tse Tao is not necessary, and many who were not followers were cured.\n\nVI. Notable Characteristics\n\nWe have now seen the history, teaching, practices, organization and healing method of Tan Tse Tao. It has all the essential elements which go to make up a religion. Thus it claims to have a special revelation, a beginningless and endless God, a teaching which will settle the perplexities of human life, a hierarchical church which governs the group of followers, a form of worship, its own festivals, and its own holy books. The most striking thing about this religion is the spontaneity of its origin and the unlikelihood of its having a thoroughly Westernized Protestant uninterested in traditional Chinese religion as its founder. It is as if the circumstances of the Patriarch's conversion were so chosen as to accentuate the authenticity of this revelation. The fantastic power of Tan Tse Tao's healing method also contributes to this end.\n\nAnother striking thing about Tan Tse Tao is that, unbeknown to Patriarch Lo, it bears remarkable resemblance to certain other faith-healing sects. I have in mind, for example, the Tenrikyo of Mrs. Nakayama Miki (1798-1887) of Japan and the Heavenly", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 211389, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 105, "title": "RAS-1988", "content_text": "81 + trying to find food and help. At last they came to a grasscutters path which they followed. After walking about ten miles they heard the sound of monastery bells and smelt the fragrance of burning joss sticks. Filled with hope they knelt and prayed to Buddha to bring them to safety. Then they came to a monastery, large and beautifully decorated, and saw ten or more priests outside, but coming nearer they found that they were made of stone. The travellers were amazed, and being afraid began to pray to be forgiven their sins. In the distance they heard a voice shouting to them, and searching in the direction of the voice they came across another priest, but found he also was made of stone. Many times they heard voices calling them, but could find nothing but some stone figures. Then they said to each other, \"Those are all Saints, we are unworthy wicked men, so how can we see them\", and they knelt down and prayed very earnestly for forgiveness. When they had finished praying they looked up and saw a real priest coming towards them, who welcomed them kindly and brought them into the monastery. A meal was set before them, all the dishes were ordinary vegetables such as Buddhist priests eat, but they smelt very fragrant, and tasted delicious, and the travellers had never tasted anything as good before. When the meal was over, they asked the priest how to get to the capital city, who answered, \"From here to the capital is more than 200,000 miles, but do not worry, make up your mind to go and you will reach there quickly\". Then he asked Chuc, \"Do you know Pooi To?\" The minister answered, \"Yes, I know him well\". Then the priest pointed to the north wall and showed him a cloth sack, a tall Abbot's staff, and a priest's alms bowl hanging there. He said, \"Those are Pooi To's things. I beg you to give him back this alms bowl when you see him, and this letter that I will give you. And here is a green bamboo stick, which when you get back to your boat, throw into the water in front of the boat and shut the windows of the boat and sit quietly. You need not trouble to row or sail, for you will arrive at the capital very speedily.\"\n\nThey all said goodbye and a young priest took them to the monastery door and showed them a path to follow which would bring them back to their vessel quickly. Once more on board they did what they had been told, and soon found to their amazement that the boat had left the water and was sailing over the tops of the trees. After three days of this novel means of travel, they reached the Waai river (17) and arrived at a place named Chue Tseuk (k) not far from the capital. Here they\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211632, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 47, "title": "RAS-1989", "content_text": "22\n\nremoval to T'ai Miao.\n\nIn Tainan in southern Taiwan an elderly temple keeper claimed that the heads of the five major religions, Confucius, Lao Tzu, The Buddha, Christ, and Mohammed gathered and chose Kuan Yu (otherwise known as Kuan Kung, the Patron deity of loyalty) to be raised in succession as the 18th Jade Emperor. He assumed the throne at Chinese New Year in AD 1864 and still occupies the throne.\n\nAlthough the Jade Emperor is concerned with running the bureaucracy of the spirit world and with meting out justice, he delegates many of his day-to-day responsibilities to his ministers and judges. It is accepted by devotees that he is the arbiter during disagreements between the gods. His rule is conceived of as similar to a reigning Chinese emperor, he being the heavenly ruler with the Chinese emperor the terrestrial ruler. Most people believed that the emperor of China was his terrestrial equal. Despite the large pantheon the Jade Emperor commands, containing an inordinate number of Buddhas and bodhisattvas, The Five Emperors, Kings/Judges of the Underworld, major gods and all the deified spirits (shen), in Chinese mythology he is frequently duped and outwitted, as indeed the Chinese well knew that their emperors were. One only has to remember the story of Ch'i T'ien Ta Sheng, better known in the West as Monkey to see how gullible he can be. This does not mean that he was not feared. The Jade Emperor's forces include his powerful spirit armies, capable of destroying anyone or anything, which he can unleash upon anyone who offends him.\n\nAn English missionary in the nineteen thirties after 36 years in North China wrote \"Lao T'ien Yeh is the Supreme God, the popular equivalent of Shang Ti of the Classics. He is not represented by any image or other symbol nor are there any temples in his honour, nor is he the object of popular worship. But built into the outer wall of the house, beside the doorway, there is commonly a little shrine in which thank offerings are placed at harvest time. When you inquire what people know about him, the usual answer is 'He sends the wind and the rain and ordains life and death, and to him the Kitchen God makes his annual report'\"*.\n\nIt is well known that the Jade Emperor personally receives reports from each and every Kitchen God during the period from the 12th day of the final lunar month until the Lunar New Year's Day, and from these", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211635, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 50, "title": "RAS-1989", "content_text": "25\n\nwhich is reserved exclusively for the occasion. The offerings must include red pork and two long stems of bamboo in leaf; these are laid out on special tables placed on small stools so that they do not touch the ground and be defiled.\n\nThe Jade Emperor's image has been noted on altars in nine temples in Hong Kong and in two in Macau. It is also to be seen on numerous altars throughout South-East Asia and in Taiwan. In Taiwan his image appears alone or with two or three attendants on a number of secondary altars and even on side altars. In Hong Kong he is the main deity in six of the nine temples and is the major deity on a secondary altar in the other three.\n\nThe most fascinating image of the Jade Emperor in Hong Kong is to be seen in the upper level hall of the Monastery of the Ten Thousand Buddhas in Shatin where he is flanked by two of his ministers. In a large number of temples in which he is the main deity the Jade Emperor is supported in this way by the two stellar deities, each in his own secondary altar flanking the main altar with the Jade Emperor. They are the Lord of the Northern Bushel and the Lord of the Southern Bushel, Nanpei Tou (jjdk-1-). There are also a number of images of attendants flanking the image of the Jade Emperor, and on occasions the Civil and Military Judges (Wenwu P'ankuan).\n\nHe is the main deity in a tiny temple near Shaukiwan on Hong Kong island, a tiny image in a small single-room temple occupied by one elderly lady, the temple keeper. The original occupants were refugees from Yunnan province in the early fifties, dead these many years. By the mid-seventies the temple was being kept spotlessly clean by the elderly lady who had been an amah to a long-departed English family. She explained that she had to earn her keep somehow, especially as her husband had already 'long time gone topside'.\n\nIn Penang people will tell you that the small red shrine outside their shop or house is dedicated to the Jade Emperor even though neither his name nor title is recorded anywhere.\n\nSupporting the Supreme Deity is a Board or Ministry of Thirty-Six Ministers, with duties to supervise junior celestial officials and clerks, whose images are rarely to be seen on altars though on temple murals all thirty-six are frequently portrayed. Their role is to control and run", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211636, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 51, "title": "RAS-1989", "content_text": "26\n\nthe destinies of mankind on behalf of the Jade Emperor.\n\nImages of four of his 36 ministers are to be seen with him on several altars. They are:\n\nHsu Chenjen (許眞人)\n\nSa Chenjen (薩眞人) both on his right hand, and\n\nChang Chenjen (張眞人)\n\nKo Chenjen (葛眞人) both on his left hand.\n\nTheir collective title is Hsu Lung Chang Ko Ssu Chenjen (許呂張葛四眞人).\n\nPopular versions of the deification of the Jade Emperor are no more than an echo of the stories related by tea house story tellers who, in turn, came by many of the stories from the Ming dynasty book containing a collection of myths describing the wars which ended in the fall of the Shang dynasty and its replacement by the victorious Chou, \"The Deification of the Gods' (Feng Shen Pang). The collection, also known as the Feng Shen Yen I, describes the appointment of the Jade Emperor by Chiang Tzu-ya, the Prime Minister of the Chou, in about 1180 BC. Chiang had appointed the majority of the heroes who had lost their lives in the wars to overthrow the Shang tyrant to fill vacancies in the bureaucracy of the spirit world with only one post left unfilled, that of the Supreme Deity, the Jade Emperor, which Chiang had been reserving for himself. When he was offered the post, with customary courtesy he paused and asked people to 'wait a second' (Teng lai) whilst he considered. However, having called out \"Teng lai', an opportunist, Chang Teng-lai, hearing his name, stepped forward, prostrated himself and thanked Chiang for creating him the Jade Emperor. Chiang Tzu-ya, stupefied, was unable to retract his words. However, in tense anger he quietly cursed Chang Teng-lai, ‘Your sons will become thieves and your daughters prostitutes!' Chang Teng-lai became the Jade Emperor but was unable to prevent the curse from working. The sons, in the Feng Shen Pang, planned to steal Buddha's lotus throne, but omniscient Buddha trapped them with his fingers and enslaved them under a pagoda. Despite this human origin, and his apparent lack of qualifications for the post of Supreme Deity in the pantheon, he is above all other spirits in the Taoist and folk religion pantheon and is a distant deity to whom all others must pay their respect.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211639, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 54, "title": "RAS-1989", "content_text": "29\n\ndedicated to Pao Kung, the Lenient Judge, and also in a Buddhist temple in Beverley Hills on Cebu where he has behind him a small image of the Jade Emperor's second son Erh T'ai Tzu (...). The whole group of the Jade Emperor's family, though only the two sons (the second one and the third) are portrayed, is referred to as Chiu Chung T'ien Lao Tsu (LICEEM).\n\nA rural temple on the island of Penang contains three images on its secondary altar identified as the Three Sons of the Jade Emperor. They are referred to as San Yuan T’ai Tzu (SAT).\n\nAnother rural folk religion temple at Bukit Mertajam on the Malaysian mainland opposite Penang contains an image of the Jade Emperor's Fourth Daughter (Ti Ssu Kung Chu Pч2) on one side of the main deity on the altar, the Jade Emperor himself, with an aide to the princess on the other side of the Jade Emperor. The aide is known as Meng Yen Hua (夢燕花),\n\nAn unusual image, of a farmer standing holding a hoe over his shoulder, stands on a private altar belonging to a Hakka petty businessman in Kranji, Singapore. The businessman explained that it portrayed one of the sons of the Jade Emperor and had been brought from eastern Kuangtung province last century; it has been prayed to for good crops ever since. He is known as Li Po Kung Kung (#22).\n\nIn one group in Singapore, on a Taoist altar in Lorong How Sun, the Jade Emperor is attended by four of his seven daughters. The first is Hsien Chi Niang Niang (瑄姬娘娘), the second is Kuan Yin, the third is T'ien Hou and the fourth is Nu Wa. All but the eldest are well known deities from early Taoism and Buddhism in their own right. Hsien Chi Niang Niang has only been noted twice, both times in Singapore, on altars where she is said to be the eldest daughter of the Jade Emperor. She is portrayed standing on rocks, holding a fly whisk in her right hand.\n\nAgain in Singapore, on a private altar, a Buddha figure, gilded and seated in a lotus position, was identified as Han Hsien Fu Tsu (#\n\nbili), and said to be a daughter of the Jade Emperor (see Plate 8). She has three identifying features apart from her Buddhist five-leaf crown. These are a small dragon crawling over her left knee, a vase balanced on her right knee and her palms held facing together before her chest with her fingers making a mystic sign. This image has also been seen", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211642, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 57, "title": "RAS-1989", "content_text": "32\n\nHuang T'ien Shang Yi (LR)\n\nSan Chieh Yu Huang Ta Ti (三界玉皇大帝)\n\n(The San Chieh altar before a temple entrance in Fukienese and Ch'aochou communities, represents the Supreme Deity, T'ien Kung (The Jade Emperor). It is a trinity of Heaven, Earth and Mankind, and the altar is usually higher than normal altars.)\n\nYuan Chih T'ien Tsun (X) (Taiwan)\n\nYu Huang Chih Tsun(玉皇至尊)\n\nYu Huang Ta T'ien Tsun (X) (Taoist)\n\nCh'ing Ching Tzu Jan Chiao Wang Ju Lai (a**=**)\n\nSome temple keepers claim that Yuan Shih Tien Tsun is an incarnation or alternative title for the Jade Emperor. Though Yuan Shih T'ien Tsun is often claimed to be the Supreme Emperor of the Beginning of time, he is primarily a member of the Trinity, the San Ch'ing (), and its first member. He is the First Principle, he has no beginning and no end, is the source of truth and his doctrine leads to Immortality. He dwells in the Kunlun Mountains and was possibly a deity invented by the Taoists to counter the then growing influence of Buddha. His image appears with that of the Jade Emperor on a number of temple altars, thus highlighting the difference between the two deities.\n\nMost of the information related above about the Jade Emperor is reasonably well known; however, the question of the images of the children of the Jade Emperor is a subject which appears not to have been investigated before. Most of the children, numbering up to seven daughters and four sons, appear on altars with their father, in groups on their own or individually alone as deities in their own right. Temple keepers without exception did not know why the particular son or daughter was represented on the altar in their temple though some suggested that the children were really well known major deities such as T'ien Hou and Kuan Yin. However, it is understandable that individual members of the Jade Emperor's family who are referred to on a number of occasions in the legendary history, the Feng Shen Yen I, together with mythical apotheosised heroes from the same legends whose images appear on Chinese altars, should themselves also appear on Chinese altars.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211731, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 146, "title": "RAS-1989", "content_text": "121\n\nCHEUNG SHAN KWU TSZ (長山古寺), AN OLD BUDDHIST NUNNERY IN THE NEW TERRITORIES, AND ITS PLACE IN LOCAL SOCIETY\n\nThe Plan of the Nunnery\n\nP. H. HASE*\n\nHong Kong has dozens of Buddhist monasteries and nunneries, mostly located in the New Territories. Almost all are recent foundations. The majority were founded by monks or nuns fleeing from one of the three major disturbances to Buddhist life in China in the last 80 years - the 1911 Revolution, and the chaos of the Warlord years which succeeded it; the Anti-Superstition Campaign mounted by the Kuomintang from the mid 1920s; and the Communist Revolution of 1949-1952.\n\nThese monasteries and nunneries mostly share a single common plan, which distinguishes a Buddhist place of worship from the ordinary temple of the traditional village religion. The ordinary temple consists of a windowless rectangular hall, with the altar to the God against one of the short walls, and entered through the opposite short wall. The hall usually has a Tin Tseng (天井), or lightwell, in the centre for the escape of incense smoke. Often two subordinate similar halls are placed one on either side of the main hall, interconnecting by arches.\n\nMost Buddhist institutions are built to a different plan. They are centred on a Buddha Hall (A, 大殿), which is also a rectangle, but one entered through the centre of one of the long walls, and the altar is not against the opposite long wall, but free-standing a little in front of it. These Buddha Halls usually have windows, and do not have Tin Tseng. In large monasteries or nunneries, the Buddha Hall is a free-standing structure surrounded by a portico, placed in the centre of an enclosed courtyard-garden on a raised podium, with the other buildings forming ranges along the edges of the courtyard. The whole complex is enclosed: the monastery or nunnery, unlike the ordinary temple, is\n\n* The author would like to thank those Ta Kwu Ling elders who gave him the information on which much of this article is based, and also the staff of the District Office, North, who assisted in setting up the interviews. He would also like to thank the staff of the District Land Registry, North, for their unfailing courtesy and assistance.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211732, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 147, "title": "RAS-1989", "content_text": "122\n\nusually considered private in character, and hence the entrances are such that the general public can be excluded as desired.2\n\nIn smaller institutions, the buildings tend to form only a single range, and the Buddha Hall is built in the middle of it. Even here, however, the range of buildings will usually front an enclosed courtyard-garden, and the Hall will be raised up a few steps higher than the other buildings.\n\n1\n\nAlthough the great majority of Buddhist monasteries and nunneries in Hong Kong were founded in the last 80 years, a few are older, founded by indigenous groups before the coming of the British. Five are known to me in the mainland New Territories3 — the Ching Shan, or Pooi To (#4 · *) monastery at Tuen Mun, (certainly in existence in the fifth century*), the Ling To () monastery at Ha Tsuen (probably founded or refounded in the Ming Dynasty), the Ling Wan () nunnery at Shek Kong (an early Ming foundation4), the Lung Kai () nunnery near Lung Yeuk Tau (probably an early Ch'ing foundation5), and the Cheung Shan Kwu Tsz (££‡), near Man Uk Pin on the old road from Sha Tau Kok to Sham Tsun (Shen Zhen).\n\nThe subject of this article.\n\nOf these ancient foundations, the Ching Shan monastery was rebuilt in 1918 and several times since, and the Ling Wan nunnery was rebuilt between 1919 and 1927. These now show the standard Buddhist plan mentioned above. The Lung Kai nunnery is a total ruin, following abandonment and the stripping of the roof during the last War. The Ling To monastery was rebuilt in 1928, and again (from the foundations up) in 1970. It is believed that both rebuildings used the foundations from the 1861 rebuilding, but the interior layout of the present structure is only a shadow of the original. Only the Cheung Shan Kwu Tsz survives unreconstructured and undamaged as an example of a Buddhist institution in the area from before the twentieth century influx of immigrant monks and nuns. Because of this it seemed worth studying the monastery in some detail.\n\nThe old road from Sha Tau Kok to Sham Tsun ran more or less along the line of the present Sha Tau Kok road from Sha Tau Kok to the Wo Hang Au above Sheung Wo Hang. It then cut to the north-west of the present road, passing Man Uk Pin village, and thence on through the mountains by a low pass called Miu Keng (M, \"Temple Pass''), past Ping Yeung village, to cross the Sham Tsun river by the bridge", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211735, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 150, "title": "RAS-1989", "content_text": "125\n\nhillslope at the back and sides.\n\nstone\n\nAs far as can be ascertained, the walls of the nunnery are throughout either of blue brick or of heavily plastered stone rubble, on footings of the standard building technique in the region. The roofs are of tile laid single thickness on beams supported directly by the walls. The only windows are very small (about one foot square) openings with bars and wooden shutters in the front face in the second and fourth sections, and the side wall of the fourth section, and two tiny single-brick openings, in the front wall of the second section, and the side wall of the fourth section.\n\nThe main temple hall is the third section. The main entrance to the nunnery is here, at the top of a shallow flight of steps. The double-leaved door opens into an Entrance Hall bare of all furniture except for the brick spirit-screen wall, with the altar to Wai To (卫道), the Defender of the Way, against its inner face. The Entrance Hall opens out into the Tin Tseng, which is mostly filled with the large brick paper-burner, and the steps up to the upper level. Above the steps is the Main Hall, with the altar against the back wall, and with a large offering table in front. The altar is to Kwun Yam, and has statues of the Lord Buddha (Sakyamuni), and the King of Hell (Ti Ts'ang Wang, 地藏王), as well as of Kwun Yam on it. To either side of the main altar are very small subordinate altars, where the tablets commemorating certain deceased monks are kept. In front of the main cult statues are five small images: two are unidentified, the others are of Milofu, Shan Ts'ai (善财), and Yũ Nũ (玉女). Below the altar is the usual shrine to the spirits of the Five Directions (五方).*\n\nTo the left of the Main Hall as you look at it from the entrance, i.e., at the back of the second section of the building, is the Side Hall, containing an altar to the Earth God (To Tei, 土地). This Side Hall has no Tin Tseng or windows, and is in consequence rather dark, being lit only by the light coming in from the arch which links this Hall with the Main Hall. The nunnery is now in a very run-down state, and it is not clear what furnishings were originally in this Hall: presumably there was an offering table of some sort in front of the altar. This Side Hall contains the inscription commemorating the rebuilding of the nunnery in 1868.\n\n* I am indebted to Mr. Keith G. Stevens for identification of the deities worshipped in the nunnery.\n\nPage 150\nPage 151", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211743, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 158, "title": "RAS-1989", "content_text": "133\n\n\"Friends part reluctantly at the pavilion of separation, by the ancient road, there they think of the parting of their ways, shelter against the rain, protection from the dust, a need for man, day after day\". \n\n\"On the mountain the birds greet the spring, while the monastery proclaims the dawn to all, the scent of incense on the breeze, the sound of the bell, a need for me, year after year. \n\nThis couplet has a double meaning, referring, in the first line, not only to the nunnery as a place for proclaiming the ancient way of the Buddha, a shelter from the impermanence and contamination of this world represented by rain and dust, but also to the nunnery's secular duty of sheltering men from physical rain and dust as they pass along the physical road in front of it. In the second line, the poem not only refers to worship in the nunnery at dawn on a spring morning, but to the nunnery's duties to bring enlightenment to all the people. \n\nThe History of the Cheung Shan Kwu Tsz \n\nThe bell of the nunnery is dated Chien Lung 54 (1789), and this is almost certainly the date of first foundation. The inscription on the bell makes it clear that it was donated by villagers from the various nearby villages,\" and it remains the unanimous belief of the local villagers that the nunnery was founded by the joint action of their ancestors. \n\nThe history of the nunnery is soon told. The original buildings became decrepit and were demolished and rebuilt in full in 1868.2 Local villagers believe that the nunnery was originally built a little further up the side of the mountain, and was only moved down to stand immediately adjacent to the road it served in 1868. \n\nThe reputation of the nunnery was at its highest in the late nineteenth century. Lee Pui-yuen (李沛源), of Sheung Wo Hang, a famous local teacher, had a great affection for the place, writing the couplet for the main door mentioned above. According to a fellow-villager, \"when aged he retired\" to Cheung Shan Kwu Tsz, and lived there until his death.\" In 1887, Lee Cheung-chun (李章駿), one of his pupils from Sheung Wo Hang, went to try his luck in the Sau Tsoi (秀才) examinations in Canton. After leaving his village, he spent the first night at the nunnery, to say farewell to his old teacher, and to pray for divine assistance. He", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211754, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 169, "title": "RAS-1989", "content_text": "144\n\nThe Shing Ping She was thus required to maintain the Kim Ho Temple, and at least the Heroes Shrine part of the Ping Yuen Temple, and had to meet the costs of the rituals it conducted there. It also had to maintain the bridges and roads, and to meet the costs of the patrols it sponsored. However, it had no land at the time of the Block Crown Lease (1905). Apart from the temple itself, the Ping Yuen Hap Heung owned no land at that date either. Similarly, none of the individual villages of the area owned any significant amounts of communal land. The Shing Ping She did, however, have enough income to buy a good deal of land within the New Territories later — five and a half acres was bought, together with a house, between 1911 and 1920, at a cost of $1,272.50 for just over three of the five and a half acres. Villagers believe the She also bought land at Wang Kong Ha during this period.\n\n18\n\nThe She seems to have imposed a grain tax on all householders and cow owners within the patrol district. At least in the 1930s, as the elders recall, some of this grain was passed to the nuns at the Kim Ho temple and the Cheung Shan Kwu Tsz for their sustenance, but most was sold.\n\nThe villagers claim that the Shing Ping She also bought from the Cheung Shan Kwu Tsz all the nunnery's lands within Ping Che and Ping Yeung, at a date somewhen in the 1920s, but without changing the registration of the land in the Land Registry. This is possibly why the She's programme of land purchase in its own name comes to an abrupt end in 1920.\n\nThis claim may well hide a more complex situation. As mentioned above, neither the Shing Ping She nor the Ping Yuen Hap Heung held any communal land in 1905, although they had significant communal commitments: Loi Tung, equally, seems to have had no communal land to provide income for the needs of the Loi Tung Yeuk. At the same time, the nunnery land does not seem to have been used to meet nunnery needs. After the fire, the abbess repaired the roof by seeking donations, not by selling or mortgaging part of the land, and this was clearly the position also at the time of the 1868 rebuilding, since the inscription in the temple records the donors. In the 1930s, the nuns' rice came from donations from the Shing Ping She, not from rent. It seems very likely that the Ping Yuen Hap Heung and Loi Tung people had placed their communal lands under the name and protection of the Buddha. This is not uncommon in the area; such an arrangement made it more difficult for managers to embezzle the land entrusted to them, and protected it from external...", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211759, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 174, "title": "RAS-1989", "content_text": "149\n\nThe villages or lineages which owned the nunneries chose the nuns, and reserved the right to dismiss them if they brought the nunnery into disrepute. It was the practice, when an abbess was appointed, for the leaders of the village group owning the nunnery to issue a public document detailing their choice, and reserving their future rights, to ensure that no dispute over who was the abbess could arise. The document issued in 1931 when Yip Yuet-kwan was appointed abbess at the Cheung Shan Kwu Tsz survives, and is printed and translated as an Appendix to this article. It was, as a \"lucky\" document, written on red paper. It was drawn up in Man Uk Pin, and has the Man Uk Pin Chung clan signatures, and the Loi Tung signatures, added in the handwriting of the writer of the deed: it was then clearly taken round the other villages with interests in the nunnery for the other signatures to be added. The deed includes three signatures of Wo Hang villagers. That village had no share in the nunnery: these signatures probably represent a continuing interest in the nunnery by the last surviving students of Lee Pui-yuen.\n\nThis short note does no more than touch on the subject of the place of Buddhism in the nineteenth century New Territories. Much remains quite unclear. Where were the nuns ordained, for instance, and by whom? What was their tradition of worship, and how was it maintained? Did monks visit the nunneries on a regular or intermittent basis or not at all? Did the nuns have any direct secular influence, or was it only the members of the nunnery management committee who exercised the political influence of the nunnery? What was the religious influence of the nuns and their beliefs in the area? Village elders tend to consider that it was confined to those who professed a pious regard for the Buddha, but is this so?\n\nMany questions of this sort need study, but, incomplete as it is, this study of the last remaining pre-modern Buddhist establishment in the mainland New Territories, in this its last year of presiding in quiet over its remote mountain pass before new roads shatter its primeval peace, seemed worth pursuing.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211760, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 175, "title": "RAS-1989", "content_text": "150\n\nAPPENDIX\n\nA public announcement by the faithful on a lucky occasion in the spring of the 20th year of the Republic (1931)*\n\nA document relating to the appointment of a nunnery head, and to the service of the gods. It has happened that in our Cheung Shan nunnery, since the death of Tik Yuen, the teacher of meditation, frequent small robberies have made it that no-one dares to spend the night in the nunnery. No-one wishing to make vows to the divinities, or to make offerings, comes to the door, nor can they bear to enter there. Sighs of disappointment can be heard. Clearly, it is impossible not to have someone to look after the nunnery halls. It is impossible to leave it neglected for even one day. Now we have heard that the nun Yuet Kwan is a perpetual vegetarian, who lives in retirement from the world, worshipping the Buddha, a good woman, not scrambling for personal gain. She is worthy to be called to the position of head of this nunnery. All the people involved agree, and they have signed this public announcement in the matter. Should she at any time hereafter offend against monastic rules or the precepts of the Buddha, we the owners of the nunnery, the faithful, and others with the right to do so, will drive her out of the nunnery. And to overcome possible difficulties we have issued this unanimous announcement.\n\nThe list of those who signed is as follows:\n\nMan Uk Pin village: Chung Shing-kwai, Chung Shing-fooi.\n\nTong Yuet-woh, Law King-kwong.\n\nLoi Tung village: Tang Shue-yung, Tang Tsap-lai, Tang Kwan-hoi, Tang Tsok-san.\n\nLei Shin-yue, Lei Kwan-lan, Lei San-ming. [These are from Wo Hang villages]\n\nPing Che village: Man Kei-kwai, Man Shiu-lun.\n\nPing Yeung village: Chan Wan-wai, Chan Wan-sang.\n\n* I am grateful to Mr. Chan Wing-hoi for assistance in translating this document.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211762, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 177, "title": "RAS-1989", "content_text": "152\n\nMun, founded by Pooi To. This is, however, perhaps unlikely. The note of 1089 on the history of Pooi To and his monastery (Hsin An County Gazetteers, loc.cit.) is sufficiently comprehensive that it is unlikely that it would have failed to notice if Pooi To had founded two monasteries in the immediate vicinity of Tuen Mun, but it refers to only one, and clearly identifies Pooi To's Kwangtung area of interest with this one monastery. I am indebted to the students of Ng Yuk Secondary School who presented a study of the Ling To monastery to the Hong Kong Institute for the Promotion of Chinese Culture for the Institute's 1990 Historical and Cultural Investigation Award for much of my information on the Ling To monastery.\n\n4 See Sung Hok-p'ang, \"Legends and Stories of the New Territories: Kam Tin (B)\", in The Hong Kong Naturalist, June 1936, reprinted in Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 13, 1973, p. 127-129.\n\nThe nunnery bell is dated Kang Hsi 40 (1701), and this is probably the date of foundation. The bell speaks of a desire to achieve success for the Tang lineage in the imperial examination.\n\n9\n\nSee Plan, and Plates 20 and 21.\n\nSee Location Map.\n\nA two-day survey was conducted on December 11th and 12th, 1904, which showed that 1823 persons used the road on the 11th (a market day at Sham Tsun), and 708 on the 12th (a non-market day). The market day at Sha Tau Kok would have been the 10th. The survey was taken “on the road”, and very probably at the nunnery. These figures suggest a monthly total of up to 43,000 travellers: even if this is substantially discounted (the report suggests that travellers carrying rice after the second rice harvest, and fish, made the road very busy at that time) about 25,000 a month would seem a reasonable figure, or 300,000 a year. The Governor gave a more conservative statement of the yearly total, at 250,000, or about 20,000 a month. Of the 2531 travellers surveyed on the two days, 679, or 27%, (29% on the market day, 22% on the non-market day) were \"carrying goods\". Assuming that these carriers were carrying the standard cookie distance load of 100 lbs, then they were carrying 67,900 lbs, or 30 tons, implying perhaps 400 tons a month, or 4,800 tons a year. The survey for this road gave figures entirely in line with those shown by the surveys conducted at the same time on the other roads along the line of the railway. See file C.O.882, despatch No. 59, from Sir Matthew Nathan to Mr. Lyttelton, received February 13th, 1905, Public Record Office, London, (copy in P.R.O. Hong Kong). A second survey, conducted outside the nunnery, on 26th and 29th December, 1910 (both market days at Sham Tsun) showed 319 and 203 people \"carrying goods\" on those days. Assuming that the percentages of people carrying goods (those not carrying goods were not surveyed) was, as in 1904, 29%, then total passengers on those days would have been 1100 and 700, suggesting a monthly total of about 23,000, and a yearly total of just under 300,000. See file C.O.129/376, despatch no. 165 (page 582), from Sir Frederick Lugard to Rt. Hon. Lewis Harcourt, 28th April, 1911, (copy in P.R.O. Hong Kong). A monthly total of between 20,000 and 25,000 people passing the nunnery, therefore, seems very reasonable.\n\n... The inscription is at Vol. 3, p. 679 of David Faure, Bernard H.K. Luk, and Alice N.H. Ng Lun, The Historical Inscriptions of Hong Kong, Urban Council of Hong Kong, 1986. The bell was donated to stand for ever before the altar of the Lord Buddha in the nunnery at Cheung Shan by \"the mass of the devout people from all the villages\". 各鄉衆信弟子慶具鳴鐘一口，敬酹長山廟佛生爺爺案前永遠供奉、福有攸歸。The nunnery is mentioned in the Hsin An County Gazetteer of 1819, as the \"Cheung Chun nunnery, at the Loi Tung Pass\", at ch'uan 18, page 149 of the Chung Lap Pao edition, 1979.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211947, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 362, "title": "RAS-1989", "content_text": "337\n\nThe Jau and Wong Temple also used to house spirit tablets to \"heroes\". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies.\n\nKam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist.\n\nThese temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated.\n\nFui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories.\n\nThe titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211948, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 363, "title": "RAS-1989", "content_text": "338\n\ntwo less common gods.\n\nThe villagers have very little to say about the gods per se. They have more to say about who is responsible for worshipping which god. For example, when I asked who Ngau-Wong was, the response was \"Ngau-Wong is Ngau-Wong\", and I could not get any further than that. But the informants have very interesting things to say about who worshipped the god. The Ngau-Wong of Naam-Bin was worshipped by an association known as Ngau-Wong Wui. The Wui was started by a group of cowherds who spent their time on the same hilltop during their work. They gambled using coins. They decided that each time a person won he would give a portion of the money to a fund. This money accumulated and with it farm land was bought to endow the association so that descendants of the members would get their share of pork in the annual celebration. The place is an ordinary stone on the hill top, which they did not worship until the association was started.\" There is another Ngau-Wong near Shui Mei, whose responsibility it is to worship the god. Before each jiu festival the ritual representatives of Shui Mei will fetch the god from his place on the top of a hill, and walk him back afterwards. The only story about the god a knowledgeable elder could tell me is that, in a previous jiu celebration, the person responsible for walking the god home neglected his duty. Without reaching the hilltop he went home. He got sick soon afterwards, and as if in possession revealed the anger of the god. Probably the most important thing about any god is its place in the social framework.\n\n45\n\nNeither Juk-Yun Nunnery nor San-Sin Fu, the two nunneries within Kam Tin, exists any more. Still extant is Miu-Gok Yun, which was built by the [Dang] Tung Fuk Tong. The tong was a charitable association which collected unburied human bones and buried them in a charity tomb (yi chung). \"It was started to collect gam-taap bones that were not worshipped by anybody. Some of those containers would have been broken, and animals might eat them\". The Tong also cares for the Temple for Dei-Jong Wong, whose role, similar to that of Daai-Si Wong in the Offering to Ghosts ritual in the jiu ritual, is to watch over the ghosts. The date and the circumstances in which the Tung Fuk Tong started is no longer remembered. There were Dangs who had shares in the association. They contributed towards buying some landed property as endowment to the Dei-Jong temple. The nunnery with an altar for the Buddha was built in 1936, before which time there were already some monks and nuns resident at the temple. They did not rebuild the temple", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212064, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 6, "title": "RAS-1990", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nOBITUARY: HUGH GIBB\n\nHON. AUDITORS' REPORT\n\nvii\n\nxiv\n\nxvii\n\nHON. LIBRARIAN'S REPORT.\n\nARTICLES:\n\nJ.W. Hayes — The Old Popular Culture of China and Its Contribution to Stability in Tsuen Wan\n\nC.C. Choi Studies on Hong Kong Jiao Festivals\n\nDavid Wilmshurst The 'Syrian Brilliant Teaching' Chinese Local Semi-Divine Deities\n\nKeith G. Stevens\n\nP.H. Munro-Faure China on the Brink of War\n\nFred Dagenais John Fryer's Early Years in China: First Impressions of Hong Kong and the Chinese People..\n\nSau Y. Chan The Offering to the White Tiger in Cantonese Opera\n\nLauren F. Pfister Clues to the Life and Academic Achievements of one of the Most Famous Nineteenth Century European Sinologists James Legge (AD 1815-1897).\n\nDan Waters Hong Kong Hongs with Long Histories and British Connections\n\nNOTES AND QUERIES:\n\nP.H. Hase Ta Kwu Ling, Wong Pui Ling and the Kim Hau Bridges..\n\nP.H. Hase A Village War in Sham Chun\n\nP.H. Hase Sha Tau Kok in 1853\n\nKeith G. Stevens The Buddha, the Heavenly True Warrior ..\n\nKeith G. Stevens Altar Images from Hunan\n\nKeith G. Stevens T'i-shen: A Substitute for a Person.\n\nRiden Sung Chi-Pui – The Making of a Husk-grinder..\n\nH.J.W. Chetwynd-Chatwin – The British Merchantman \"Norna\"\n\nGeoffrey Roper Report on Visit to Tai Hang Fire Dragon Dance, Mid Autumn Festival 1992.\n\nDan Waters Sojourners in Xiamen: Notes on the RAS Visit.\n\nBOOK REVIEWS\n\n1\n\n26\n\n44\n\n75\n\n89\n\n146\n\n169\n\n180\n\n2\n\n219\n\n257\n\n265\n\n281\n\n297\n\n298\n\n299\n\n302\n\n303\n\n307\n\n309\n\n314\n\nXX", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212141, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 83, "title": "RAS-1990", "content_text": "60 \n\na year after the erection of the Sian tablet. During his stay in the Chinese capital he met the Nestorian archbishop, and the two men embarked on an ambitious project:\n\n\"He collaborated with Ching-ching, a Persian priest of the Ta-ch'in monastery, on a translation of the Satparamita-Sutra from a Uighur text, and translated seven volumes in all. But at that time Prajna was not familiar with the Uighur language, and did not understand Chinese, and Ching-ching did not know Sanskrit and was not familiar with the teaching of Shakya. Although they claimed to have translated the text, they did not really extract its real value. They wanted to make a name for themselves, and gambled that they would not be caught out. They submitted their translation to the emperor [Te-tsung], expecting that he would have it published. But the emperor was not fooled at all. He was a shrewd man and a fine scholar, and had a great respect for the canon of the Shakya. He examined their translation and found that they had muddled the author's thought and obscured the clarity of his language.”\n\nThe passage concludes with a direct quotation from a decree of the emperor Te-tsung:\n\n\"The monastery of the Shakya and the Ta-ch'i monastery have different customs and conflicting religious beliefs. Let Ching-ching hand down the teachings of Mi-shi-he ba (i.e. Messiah) and the Shakya monks publish the scriptures of Buddha. The boundaries of the two doctrines must be kept distinct, and their followers must not intermingle. Orthodoxy and heterodoxy are two different things: the King and Wei rivers flow in two different courses.\n\nIt may be possible to go further still. Besides the reference to Adam in the Sian tablet inscription already quoted, the Syriac notes at the end of inscription make another reference to a man named Adam. He is described as Adam mesamsona bar Idbuzid qurapisqupa, ‘Adam, minister, son of Jazedbouzid country-bishop'. We know from a number of references in the inscription rather more about this Adam. His grandfather, dead by 781, was a man named Milis, who had been a priest in the city of Balkh in the eastern Persian province of Tocharistan,", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212159, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 101, "title": "RAS-1990", "content_text": "78\n\nicon form on minor altars in Taiwan. These icons are understandable as portraits of Sun the 'Father of the Nation' appear with those of Chiang Kai-shek in offices, schools, barracks etc. where they were bowed to each morning as a sign of respect. Among the less literate and more superstitious it is not difficult to see how this has led to such icons appearing on altars with incense burnt before them.\n\nIn the mid-1960s, the Kuomintang organised a political demonstration in Cambodia on the 15th day of the seventh lunar month, the middle of the month during which Hungry Spirits return to the human world for thirty days. During the demonstration public sacrifices to the spirits of the victims of the communists in China were performed. There was also talk of deification of one or two but this came to nothing.\n\nIt has not been unknown for outstanding living persons to have a sanctuary built in their honour. The magistrate of Ch'ing-ho district in Hopei was such a man. He brought about a substantial reduction in taxes and other government levies and thus lightened the financial burden on a hard pressed people. In 1886, two years after he had been transferred to administer another district, the grateful populace of Ch'ing-ho built a shrine in his honour.\n\nIn Singapore in 1970 a new cult was founded near Woodlands on the northern tip of the island when the deity, Wu T'ien Chu, appeared to a Singapore Fukienese man in a dream. The deity explained to the Fukienese that he, Wu T'ien-chu [The Military Master of Heaven], was a mighty deity who had chosen the Fukienese man to become the 'Master Warrior' of his cult. He required a new bungalow to be converted into accommodation for the founder with the lounge becoming the altar hall. He told the Fukienese man that he would protect his devotees, cure their illnesses and bring them good fortune. A statue of the deity was carved in the likeness of the spirit as he appeared in the founder's dream and placed on the altar. The founder, the Fukienese man, explained that with his wide knowledge of all religions he encourages devotees from every nation and creed to worship in his temple. He explained that the world's most powerful deity is the Jade Emperor, with Sakyamuni, The Buddha, as his deputy. Next in seniority is Kuan Yin followed by Wu T'ien-chu who has a great many assistants and warriors under his charge, none of whom is ever portrayed in image form. He continued that the four pillars of the cult are \"the four gods (shen) of other religions, Buddha, Christ, the Pope and Mohammed”.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212208, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 150, "title": "RAS-1990", "content_text": "127\n\nThe Taoist temple, a centre of superstition, visited by the people of the village at certain seasons and particularly popular with the old women, is usually larger than the ancestral hall. It can be distinguished from the rarer and finer Buddhist temples by its walls of red. The Buddhist colour is yellow. Both Taoist and Buddhist temples prefer remote sites, often amidst the crags of tree-clad hills, but their colour apart are difficult to distinguish the one from the other. They are equally filled with images, from the fearsome spirits that guard the entrance hall, and the divers gods in the succeeding halls, to the Great Buddhas in the main hall, behind which there will be a very demoniacal representation of the Buddhist hell.\n\nThe temples to Confucius contain no images. They are to be found in the larger towns, amidst ancient trees and stately courtyards. They are now generally used to shelter government offices or schools. Wherever there are troops, the temples are their barracks; and they provide convenient cover for forlorn travellers.\n\nOn the second evening we reached Kanchow, the wealthy city in south Kiangsi, where the Generalissimo's elder son has been appointed Commissioner in charge of a group of magistracies. While in Russia, where he spent a number of years, he had married a blonde Russian wife. The two have set themselves to converting their district into a model area. No mercy is shown to opium smokers: they are executed. Dishonest officials are inexorably punished. Wealthy merchants, who have profited by holding stocks for a rise, are made to contribute heavily for the benefit of local services, and the sons of the influential are not allowed to dodge conscription. The dispensation is popular with the poorer classes, but not with the privileged. The Generalissimo is proud of his son's work, and one day sent a foreign reporter, who had been critical of Chinese administration, to investigate. He returned with a glowing report. Would that there were more districts in China, where honesty is the rule! Unfortunately, since 1937, there has been a relapse. The improvisations of war have left increasing spheres of administration in the hands of the military, and graft is again the order of the day. It is another of those Chinese anomalies that the Generalissimo, the relentless opponent of Communism, should be proud of a son who unquestionably is influenced by Russian ideology.\n\nConscription in China is not applied in our sense of the term. There\n\nPage 150\n\nPage 151", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212299, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 241, "title": "RAS-1990", "content_text": "218 \n\nin the Bodleian Archives at Oxford.\n\n71 I have found no direct support for this claim, though according to Ralph Covell the influence of William Paley's natural theology on nineteenth century Protestant missionary apologetics was immense. See Ralph Covell, Confucius, The Buddha, and Christ: A History of the Gospel In Chinese (Maryknoll: Orbis Books, 1986), pp. 98-102. A helpful text on the background of William Paley and his rationalistic theology is D. L. LeMahieu's The Mind of William Paley: A Philosopher, and His Age (Lincoln: University of Nebraska Press, 1976).\n\n72 This is a claim made in her essay entitled \"James Legge\" (pp. 10-11), presented to the Sino-Scottish Society at the University of Edinburgh on February 4, 1951.\n\n73 See James Legge, The Chinese Classics, Vol 1, p. 89. This is significantly changed from the original 1861 edition.\n\n74 Ibid.\n\nPage 367\n\n75 Ibid., pp. 100-101.\n\n76 Ibid., pp. 49-51, 94-97.\n\n77 The Book of Rites and The Rites of Zhou, cited in The Chinese Classics. Vol 1, op. cit., pp. 110-111.\n\n78 I am thinking here of Liang Qichao, who in 1902 and 1903 wrote some famous articles urging Chinese intellectuals to discard the inadequate value system of traditional Confucian life. See my article which includes this attack, “Liang Qi-Chao and the Problematic of Social Change: Analyzing a Philosophical Tension in Twentieth Century Chinese Philosophy\". Synthesis Philosophica (Yugoslavia) 4:1 (1989), pp. 189-212.\n\n79 Legge wrote a series of three articles on Qu Yuan entitled \"The Li Sao Poem and its Author,\" all of which appeared in The Journal of the Royal Asiatic Society of Great Britain And Ireland. See n. 5. Another interpretation of these texts is offered in \"The 'Failures' Of James Legge's Fruitful Life For China\", op. cit., pp. 258-260.\n\nFor a recent translation of Qu Yuan's \"Heavenly Questions\" see David Hawkes, The Songs of the South (Harmondsworth, Middlesex: Penguin Books Ltd, 1985). Legge did begin translating other poems of Qu Yuan, but never had them published.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212378, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 320, "title": "RAS-1990", "content_text": "[1849] it numbered 25 boys. The free tuition he offered brought him goodwill in the eyes of the people, without much cost, since the boys provided their own food and brought their own books to the school.\n\nIt was very difficult for Brother Hamberg to live alone and lonely in this way, in the midst of a great crowd of Chinese people, far from any of his Brethren or friends.\n\n110\n\n297\n\nNOTES\n\nP.H. Hase\n\nSee C. Smith, \"The Archives of the Basel Mission”, Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 28, 1988, pp. 203-207.\n\n2 Basel Mission Archive, Document A-1,2 Nr. 44, \"Half-Yearly report of the Missionary Rev. P. Winnes, from 1st January to 1st July, 1853**.\n\n1 I am grateful to M. Anne-Maria Pordes for her help in transcribing and translating this document.\n\n#\n\nUnfortunately, the Mission in Sha Tau Kok was closed down and moved to Lilong in 1853, so no further descriptions of Sha Tau Kok of this type were written.\n\n6\n\n5 Jahresberichte der Basler Mission 1849, pp 141-143.\n\nHamberg was forced to abandon his work at Sha Tau Kok in 1849; the Mission there was taken up again by P. Winnes and R. Lechler in 1852, but it was effectively abandoned again in 1854.\n\nTHE BUDDHA, THE HEAVENLY TRUE WARRIOR\n\nAn interesting phenomenon seen only in Taiwan was first noted in 1984 in Tainan. From an iconographic point of view, the sudden appearance on altars of a wooden carved image portraying a middle-aged scholar sitting sideways cross-legged on a crouching winged mythological creature with a dragon's head* was most unusual.\n\nThe image, now observed in some sixty temples in most areas of Taiwan, labelled T'ien Chen-wu Fo ADA is gilded, though the creature is usually brown. The scholar, clean-shaven, with a full face, holds a seal in his right hand bearing the inscription, 'With\n\n* See Plate 6", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212388, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 330, "title": "RAS-1990", "content_text": "307\n\nrecovering them and their stubborness in this belief undoubtedly saved the lives of 21 British seamen.\n\nH.J.W. CHETWYND-CHATWIN\n\nREPORT ON VISIT TO TAI HANG FIRE DRAGON DANCE, MID AUTUMN FESTIVAL 1992\n\nOn the 11th September, 1992, a party of Society members, family and children visited the Tai Hang Tsuen Fire Dragon Dance at the invitation of the Tai Hang Residents Welfare Association.*\n\nThe Tai Hang Fire Dragon Dance started in 1880 when Tai Hang was a small Hakka village of farmers and fishermen on the waterfront of Causeway Bay.\n\nAccording to local legend, on a stormy night that year, just prior to the Mid-Autumn Festival, some villagers killed a serpent at a stone house in Sun Chun Street. They placed the body of the serpent in a bamboo cage, intending to hand it over to the local police station the next morning. However, by then the body had disappeared. A few days later a plague broke out in Tai Hang and over ten persons died.\n\nOne night a village elder in his sleep was told by Buddha (one version says that the message came through Kwun Yum, the Goddess of Mercy) to make a grass dragon and burn firecrackers and incense sticks during the Mid-Autumn Festival. This advice was followed and the sulphur in the firecrackers drove away the disease and the villagers were saved.\n\nIt then became customary to hold a fire dragon dance every year during the Mid-Autumn Festival in order to drive away infectious diseases and to bring good fortune. This custom has been followed every year since 1880, with the exception of the Japanese Occupation and during the 1967 disturbances. The arrangements are in the hands of the Tai Hang Residents Welfare Association, and the event is very much a community function which continues a long-standing village tradition in the heart of modern, urban Hong Kong.\n\n* See Plates 14-15.\n\nPage 330\n\nPage 331", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212436, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 378, "title": "RAS-1990", "content_text": "Plate 6: The Buddha, The Heavenly True Warrior.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212573, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 127, "title": "RAS-1991", "content_text": "107\n\nis unacceptable to many Chinese. In China, therefore, organs are often obtained from executed criminals.\n\nIn this study the three sisters cried bitterly when informed an autopsy would be carried out on their mother's body. They were relieved when the authorities relented. The three blamed themselves because the mother was alone at the time of the heart attack. A soothsayer, however, said that nobody could have saved her. If she had been taken straight to hospital at the onset she would have died just the same. Because of her age and the hour of death it was prophesied the deceased would go to heaven.\n\nThat the dead person had not eaten that evening before death was construed as a good omen. Missing the meal signified she has left everything behind for her children. However, she was in the habit of drinking from a special mug. This had disappeared. It was assumed she had taken it with her. That three months before death she had given a friend a piece of jade and had told her: 'I may not be here for your next birthday,' was repeated frequently by mourners.\n\nIn her early thirties, influenced by eldest daughter, mother had been baptised a Catholic. But the attractions of a combination of native Taoism, Buddhism and folk religion were too great. By the 1960s, mother was no longer practising Christianity. She never expressly told relatives why she left the Church. It was probably because, to a very Chinese person who spoke no English, Catholicism was too western; in spite of the Church adopting a few Chinese customs, such as three bows to a deceased's photograph and the 'last glance' at a funeral. Many quote the saying: 'One Christian more is one Chinese less.'\n\nA few hours after death, the mother's spirit, which left the body as visible vapour, was in limbo wandering about'. Depending upon deeds performed on earth there are six possible 'destinations': hell, heaven, and becoming an animal, a ghost, a human again or a buddha. Everybody possesses a number of spirits, one of which first descends into hell (described as dark and yin) to await sentencing by 10 judges. There the spirit is tried, punished and purged. Those who have committed excessive evil spend longer in purgatory before going to heaven (seen as bright and yang). People can later be reborn as children, or, if sinful, as animals.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212575, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 129, "title": "RAS-1991", "content_text": "109\n\nbasket-like container. A pail of water sprinkled with fresh pomelo leaves is sometimes left on the spot where death occurred and a pair of new trousers (these pun with ‘rich' in Chinese) with a blue sash may be draped over the pail. As a more down-to-earth disinfectant, sulphur is burned.\n\nIn 1840s Hong Kong, the dying were often abandoned on hillsides, in open spaces or matsheds, although the Government tried to track down offenders.\"2 Later an I ts'z (#), a public ‘ancestral hall', was constructed. In places like Cheung Chau Island a 'death house' (something like the hospice of today), established in 1878, still stands where the very ill were taken.\" There was another at Tai O. A similar building now in ruins, built by the Kai Fong (neighbourhood welfare association), existed on Peng Chau Island where the destitute could die in peace.\" This was temple-like in appearance with three rooms, one for the sick, one for the dying and one for the caretaker. It also contained an image of the Lord of Purgatory, a Buddha who saves souls. Avoidance of death was not necessarily because of callousness.\" Many Chinese fear spirits of the dying or the dead will possess the living. This was why, of those that took their own lives, many preferred violent, bloody suicides, involving pain on the doorstep of their tormentors, so the unfortunate had the right to haunt the oppressors.\n\n16\n\nThe Tung Wah Hospital was established in 1870, ostensibly to replace the above I Ts'z. It also provided free burials for paupers. Originally sited at Kennedy Town, it moved in 1899 to Sandy Bay where the present 'coffin home', on a 100,000 square foot site, provides transshipment sometimes from overseas to China and storage of bones, bodies in coffins or ashes in urns. The remains of the Tung Wah Director, who was instrumental in building the present home, have rested there since 1906. There is capacity for the bones of about 900 persons. Only about 200 remain at present. Some relatives spread bones of relatives out on sheets of paper to air. Some remains await an auspicious day to be interred. Many emigrants now take ashes of loved ones with them overseas so they can be properly tended.\n\nUp to the 1950s, when people did pass away at home in urban Hong Kong, bamboo ramps were frequently erected so coffins could be brought direct, head first ('head should face heaven, feet should face earth': in England it is feet first), from upper floor balconies or windows to the ground.\" With narrow stairways and corridors, and coffins larger than in the West, knocking and scraping walls were considered harbingers of 'death tapping at doors'. With the construction of multi-storey", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 213072, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 140, "title": "RAS-1993", "content_text": "121\n\nhe was a hero who helped pacify the San P'ing area of Changchou who then had settled in the area, and when the T'ang philosopher, Han Yu, was banished to Ch'aochou in AD 819 he and I-chung saw much of each other.\n\nHis legends are so similar to those told about Ch'ing-shui Tsu-shih that it is more than likely that they have been confused and adapted by devotees. His image portrays him as a seated Buddhist monk, holding a fan in his right hand, but without any unique identifying characteristics. His festival is generally celebrated on the double sixth. It is also celebrated on two other dates, lesser festivals, the 26th of the sixth, being the anniversary of his enlightenment, and the 26th of the tenth, the anniversary of him being borne off to Heaven.\n\nThree temples in Taiwan are dedicated to him, two in Taman and one in Nantou, though his image also appears on a number of secondary altars elsewhere in Taiwan. In a large temple in central Taman his image is the centre one of a triad flanked by Ch'ing-shui Tsu-shih on his right hand, and San Tai Tsu-shih on his left. They are said to have been sworn blood brothers.\n\nHis image has not been seen in Hong Kong or Macau, and has only been noted on one altar in SE Asia, in Singapore where he is said to have been an incarnation of Ti-ts'ang Wang. They claimed that he died in Amoy where he sank into the ground and disappeared. He is portrayed on the Singapore altar as a standing gilded figure wearing a Buddhist mitre, and holding a rattle stick in his right hand and a bowl in his left.\n\nSan Tai Tsu-shih\n\nAnother separate southern Fukienese cult appears to be confused with Ch'ing-shui Tsu-shih. Three individual images have been noted on two altars, both in Yunlin county in central Taiwan, under the title of The Three Generations of Patron Saints or, as it was explained in one of the temples, that the three images represented one deity, The Third Generation Patron Saint, San Tai Tsu-shih. The main deity of the three is said to be the Second Buddha of the 31st kalpa. Some Taiwanese hagiographies claim that Ch'ing-shui Tsu-shih and San Tai Tsu-shih are one and the same deity, though one of the two temple keepers refuted this and explained that Ch'ing-shui Tsu-shih is the deputy to San Tai Tsu-shih.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213392, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 214, "title": "RAS-1994", "content_text": "Gordon-Cumming, Constance Frederica, Wanderings in China, Edinburgh Blackwood, 1888\n\nGraham, Gerald S. The China Station Wan and Diplomacy 1830-1860, London Oxford University Press, 1978\n\nGraham, Dorothy, Through The Moon Door the Experiences of an American Resident In Peking, New York JH Sears, 1926 (Bj19j/A2/926g)\n\nGray, John Henry, Walks in the City of Canton, Hong Kong De Souza, 1875\n\nGray, Mrs John Henry, Fourteen Months in Canton, London Macmillan, 1880\n\nGreen, Owen Mortimer, The Foreigner in China, London Hutchison, 1942\n\nGreenberg, Michael, British Trade and the Opening of China 1800-42, Cambridge the University Press, 1951\n\nGriffith, Robert, China fu - China fydd, etc, London Gwasq Livingston, 1935\n\nGue, Caroline, China 13 (An Account of Travel to Treat Trachoma), London Faber and Faber, 1964\n\nGumpach, Johannes von, The Burlingame Mission, a Political Disclosure on the Position and Influence in China of Robert Hart As Confidential Advisor of the Tsungli Yamen, the Dispersion of the Lay-Osborn Flotilla, the Policy of the United States in China, Shanghai, London and New York, 1872\n\nGutzlaff, Charles (Gutzlaff, Karl Frederick), Journal of Three Voyages Along the Coast of China in 1831, 1832, and 1833, London Frederick Westley and A H Davies, 1834\n\nChina Opened, or a Display of the Topography, History, Customs, Manners, Arts, Manufactures, Commerce, Literature, Religion, Jurisprudence, etc of the Chinese Empire. London Smith Elder and Co. 1838\n\nHall, Josef Washington, In the Land of the Laughing Buddha, New York Putnam, 1924.\n\nHao, Yen-p'ing, The Comprador in Nineteenth Century China Bridge Between East and West, Cambridge (Mass) Harvard University Press, 1970\n\nChanging Chinese View of Western Relations 1840-95, Cambridge History of China, vol 11, 142-201\n\nHarkness Ruth, The Baby Giant Panda, New York Garrick and Evans, 1938 (Yale copy entitled The Lady and the Panda, an Adventure)\n\nHarris, George L, The Mission of Matteo Ricci, SJ a Case Study of an Effort at Guided Cultural Change in China From Sixteenth Century, Monumenta Serica XXV 1-168 (1966)", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213619, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 215, "title": "RAS-1995", "content_text": "Canton He founded the Meditative School, Ch'an Men (9) which taught that the Buddha was to be sought within the mind and not learnt from books. His image is to be seen alone on a number of altars, revered in his own right.\n\nThe second Patriarch is Shen Kuang (4) the Spiritual Light, who lived some 107 years, dying in AD 593, some sixty years after the death of Bodhidharma. When he was forty he went to the Shao-lin Monastery near Loyang in Honan province following a vision and there received from Bodhidharma the robe and the sacred alms bowl. Bodhidharma also changed Shen Kuang's name to Hui K'o (7) Intelligent Ability. Many years later the emperor T'ang Te Tung bestowed upon him the title of T'ai-tsu Ch'an-shih ().\n\nThe Third Patriarch, Seng-ts'an (), is said to have introduced himself to Hui K'o and as a result of the conversation the Patriarch realized that he had met his successor. He explained and taught Seng-ts'an all he knew and when dying appointed him as his successor. Seng-ts'an died in 606.\n\nThe Fourth Patriarch, Tao-hsin (), was a precocious youth who became a disciple of Seng-ts'an and eventually his successor. He lived during the period when the first two emperors of the T'ang ruled China, with the reign of the second, Tai Tsung, regarded as one of unrivalled brilliance and glory, and died in 651. He appointed Hung-jen as his successor. Legend describes how Tao-hsin saw a beggar woman and her child at the side of the road and learnt that she had been driven from her home by her parents having become conceived her child miraculously, it being a reincarnation of an aged wood gatherer who had sought instruction from Tao-hsin. Tao-hsin immediately recognised the child as his successor and having sought his mother's consent to the boy entering a monastery. Tao-hsin instructed him and changed his name to Hung-jen, Vast Endurance.\n\nHung-jen (L), the Fifth Patriarch, died some 24 years after his appointment. Hung-jen, and to a greater extent his successor, Hui-neng, founded the Ch'i-su Chiao, the Buddhist Vegetarian sect. To select this successor he held a verse competition, more a hymn with a moral purpose, and Lu Hui-neng being judged the winner became the Sixth and final Patriarch of Chinese Buddhism.", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213797, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 149, "title": "RAS-1996", "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214015, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 83, "title": "RAS-1997", "content_text": "49\n\nIn one temporary temple run by Chaochou immigrants in Hong Kong the Fifth Son was portrayed simply by a stylised painting depicting him as a ferocious warrior, unarmed, standing on one foot. This likeness was on a secondary altar whilst the main deity, also represented by a portrait, was of the first emperor of the Sung, Sung T'ai Tsu. The temple keeper explained that the Fifth of the eight sons of General Yang Ling Kung, who is better known as Yang Yeh, was a bodyguard to the first emperor of the Sung.\n\nA story related in Tainan county claims that a herdsboy who, having picked up a piece of wood which had the outward appearance of a Buddhist priest, was playing with it. A teacher, having seen him with the odd-shaped wood, requested a medium to clarify whether it was an image of a spirit. He was taken aback when the answer was an affirmative and that the spirit was that of a local man who had been borne off to Heaven in the not too distant past. Furthermore, the deceased had been an incarnation of the loyal Sung \"minister\" [sic], Yang Wu Lang, who had now become a Buddha. The piece of wood was placed on the altar in the village temple where it is prayed to as the spirit of the Fifth Son, and known as Yang Wu Sai Yuan-shuai 吳賽元帥.\n\nAn image of a black-bearded general with protruding eyes, five flags on his shoulder rack, and a magic sword raised in his right hand, stands on the main altar of a rural temple in Muar near Malacca. He is only known as Yang Wu Shih is said to be \"the Fifth Son of a famous general who lived a thousand years ago\".\n\nYang Yen-chao, is known as Yang the Sixth, Yang Liu Lang or Liu Shih-yeh. His image on the main altar in the temple near Taichung is one of two individually identified. The temple near Taichung would appear to be the only temple in Taiwan in which the Sixth Son is the main deity and the temple keeper, proud of his deity's uniqueness, explained that Liu Lang was captured by the Tatars and had even married a Mongol bride. His image has not been seen in any temple in South-east Asia though a story told in Penang claimed that a massacre of Fukienese by an army under a 'cruel general, Yang Liu Lang' continued for several days until, on the 8th of the first lunar month, many were able to escape by hiding in sugar cane fields. Ever since, annually on that date, sugar canes with foliage have been placed", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214233, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 91, "title": "RAS-1998", "content_text": "54\n\nfirms that the majority of deities in these two temples are Deva. The categorization of the Twenty-eight Immortals as Deva was arrived at by comparing the Sanskrit identities of the twenty-eight images and the list of the Twenty Deva provided by Soothill. The minor variation in inclusion and omission between the Twenty Deva listed by Soothill, the Twenty-two Deva in the Ta Pei Ssu and the Twenty-five in the Pi-yun Ssu cannot be explained.\n\nIn some temples the Deva have been equated with the Asuras. This is incorrect as the Asuras are those who are not only not Deva but are, according to some writings, the greatest enemies of the Deva and, in others, it is written that the Asuras are anti-gods and not, as claimed so often in English, demons.\n\nIt would not have been possible to identify any one of the images of the Deva without its Sinicised Sanskrit title on the tablet before it apart, that is, from the three fundamentally Chinese deities with their Chinese titles included within the Deva groups, Wei T'o and the four T'ien Wang Guardians.\n\nImages within the Two Temples in the Western Hills\n\nWithin the main hall of both temples, apart from the images of the Deva lining the side walls, stands the popular and well-known Buddhist bodhisattva, the Goddess of Mercy, Kuan Yin adapted from images brought from India where he [a male deity at that time] was the Brahmanist deity Avalokitesvara. In the Ta Pei Ssu she is alone whereas in the Pi-yun Ssu she is sitting crossed-legged and is flanked by two pairs of secondary bodhisattva. The first pair is Wen Shu and P'u-Hsien, whose Sanskrit titles are Manjusri and Samatabhadra respectively. They were two of the twelve divine Buddhist teachers. They in turn are flanked by another pair of bodhisattvas, Ti-tsang Wang, the Saviour of the Underworld and Ta-shih Chih. The latter is one of the members of the retinue of Amitabha [O-mi-t'u Fu] known in Sanskrit as Kshitigarbha and Mahasthama respectively. Mahasthama is believed to be the deified Maudgalyayana, the right hand disciple of the Buddha, Gautama.\n\nIn the Pi-yun Ssu, the bodhisattva Saviour of the Underworld, Ti-tsang Wang, is depicted in his modern standard form, sitting side-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214236, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 94, "title": "RAS-1998", "content_text": "57\n\nis the conservation or preservation of the divine order in the world. Despite being a major deity and having many incarnations, of which Rama is but one, he is not included within the 28 Deva seen in the Ta Pei Ssu. However, his wife Laksmi is included. Another Vedic deity not included in the groups of Devas in the Western Hills is Krishna probably because he is the eighth avatar of Vishnu.\n\nPopular Buddhist figures which, at first thought, we might have expected to see listed among the Deva would, however, not be eligible because they were purely Buddhist without a Brahmanist or Vedic origin, and were Indians who lived and died during the lifetime of the Buddha himself. These include, amongst others, Kasyapa, Ananda and Lochana.\n\nAlthough Ming iconography portrayed Indra and Brahma on many altars as Chinese figures; the question remains why are they, and in particular in these two temples in the Western Hills why are so many Vedic deities, portrayed as Chinese?\n\nTales of the Ta Pei Ssu\n\nAn off-beat description of the Ta Pei Ssu in 1884 describes its picturesque location and whilst not referring to the deities, least of all the Deva, it does provide two colourful vignettes. The first gave the reason for the main entrance to the temple being blocked. It was a punishment for the priests who had permitted a suicide to take place within the temple confines. One of the monks so the story went had greatly insulted a coolie and he, instead of attacking his persecutor, had “with the perverseness of your true Chinaman” had taken vengeance on him by committing suicide. The second told of the usual practice of the era when foreigners rented temples in the cool of the hills for the summer. Having read various bits of graffiti the 'Student-Interpreter' claimed that the temple must have been a favourite resort of members of the Russian Mission between 1828 and 1840.\n\nA Third Temple containing a Group of Deities with Sinicised Sanskrit Names\n\nYet another group of deities with sinicised Sanskrit names can be", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214237, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 95, "title": "RAS-1998", "content_text": "58\n\nseen in a comparatively modern temple near Taipei. A lengthy tunnel connects the main part of the Kuan Tu temple complex, to the North-west of Taipei, with the front entrance overlooking the Tamshui River. Some twenty-eight images stand in glass-fronted niches carved into the rock down the sides of the tunnel. These large individual images are of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha. They have no altars and as there is an altar dedicated to the Thousand-arm and Thousand-Eye Kuan Yin P'u-sa at the river end of the tunnel they are not offered incense individually.\n\nSeveral aspects of the hagiography of the images in the cave/tunnel are intriguing. First of all, those holding weapons have them in their left hand. They are mostly dressed in gilded armour, and finally, their titles in Chinese, though Sinicised Sanskrit, have proved impossible to translate into the original Sanskrit and are therefore unidentified. Several of these unidentified deities have been depicted in Taiwanese religious literature but without any explanation apart from being listed under a general title of Supportive Incantations to Buddha, Ta Pei Chou Fo 大悲咒佛.\n\nThe following Vedic deities who have been noted in one or both of the temples in the Western Hills would seem not to be present in the cave/tunnel:\n\nMarici, Pancika, Hariti, Pippala [Bodhidruma], Laksmi, Prthivi, Surya, Candra, Vimalakirti, Nanda Upananda and Skanda/Veda.\n\nOf the scores of books, both the popular illustrated and monastic academic, produced over the last half century in Taiwan describing the Buddhas, bodhisattvas and the hundreds of minor deities of Buddhism, one at least has listed what they have called The Celestial Guardians Division. This list includes not only the Four Diamond Kings, the T'ien Wang, [Vaisravana, Dhrtarastra, Virudhaka and Virupaksa] but nine of the Deva seen in the Western Hills. These are Indra [Sakra-devanam], Brahma [Maha-Brahman], Marici, Laksmi [Sri-maha-devi], Sarasvati, Yamaraja, Guhyapati, Skanda [Wei T'o] and Gandharva.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214238, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 96, "title": "RAS-1998", "content_text": "59\n\nConclusion\n\nWe have been examining a particular arrangement of Indian Deva within two temples in the Western Hills of Peking. Each group has an image of the Bodhisattva Kuan Yin as the main deity within the Deva hall itself. Although monks explained that the images of deities down the side walls of the hall had been created in accordance with researches in old Buddhist books, there was no explanation why they should all have a Chinese rather than an Indian form. It has been suggested by devotees that the concept of the Deva might have reflected the Manchu dynasty's affinity with Tantric Buddhism, and perhaps Vedic beliefs or been brought by Lamaist monks during the late Ming but there is no evidence that this was so. Yet another devotee thought that when the images were first created during the early sixteenth century, Chinese craftsmen had a somewhat limited idea of the origins of the deities concerned and even, perhaps, no idea what the people of South Asia looked like and therefore made the images in the form of Chinese. An unanswered question is the presence of several deities within the groups of Deva whose origins were entirely Chinese without any connection whatsoever with Vedic Hinduism.\n\nA small number of individual images of deities with a Brahmanist origin have been seen on altars in temples in all Chinese communities; these however have not been at all widespread. Typically they were adopted by immigrant Chinese from native Buddhism. A remarkable example of a syncretic group of Buddhist, Hindu and Chinese folk religion deities is to be seen in a joint Buddhist, Hindu and Chinese folk religion temple in a quiet area of Angsila some sixty miles south of Bangkok. The three altars against the rear wall in the main hall of this temple are the Thai Buddhist altar, stage right with an image of Sakyamuni Buddha in its centre flanked by two other Thai Buddhist images. The central altar, the Hindu altar, contains one large image of Shiva [Siva], holding a trident and dressed in a robe and turban, and with several small unidentified images standing before him. And finally, the Chinese folk religion altar dedicated to T'ien Hou, the patron deity of sailors, with her small image on the altar, stage left, flanked by her usual demonic attendants, Thousand-Mile Eye and Following-Wind Ear. Devotees of all races pray before each altar in turn, usually beginning with the altar of their own culture and cursorily placing incense before the other two. In the temple forecourt are large brightly painted", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214239, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 97, "title": "RAS-1998", "content_text": "60\n\nconcrete images of Thai Buddhas, the [Chinese] Jade Emperor and Siva with the tiger. Temple staff of the three religions attend to their own altars and help devotees as and when required.\n\nThe most widespread Buddhist images seen throughout China which are obviously not Chinese deities are the four major guardians in the entrance hall to Buddhist establishments, the Defenders of the Faith. These and other similar minor guardian deities are former gods of Indian folklore and include the giant guardian deities known in Chinese as Wu-shih, such as those whose images stand outside the main hall of the Jinci in Taiyuan. A further two are the traditional guardians of Buddhist temple gates dating from at least the 8th century. The one [facing the gate] on the right hand is opened-mouthed and coloured vermilion, whilst the guardian on the left has a closed-mouth and is the colour of charcoal. Both are made of stucco. In China they are known as the two generals Heng and Ha, the Blower and the Snorter. In legend they fought with secret weapons; one blew a deadly yellow gas from his mouth with a ha! and the second snorted a white beam of light from each nostril with a heng! which vaporised his enemies. They can also be seen guarding the entrances to Japanese Buddhist temples where they are known as Kongo Rikishi. All of these guardians are undeniably foreign in form in comparison with the gilded images of the standard Buddhas which are now not even considered by Chinese devotees to be anything but Chinese.\n\nWe know who the Deva are, when they were placed in their present temples, both in Taiwan and the Western Hills, but not why. From our various sources it would seem that these Sinicised Indian deities are celestial protectors. We can guess that the concept was imported at a comparatively late stage but who, individually, sponsored them and had the images made is now lost in time. It is interesting to note that present day monks in the Western Hills have little idea of their origins and were apparently completely disinterested in the subject.\n\nIn the cave-tunnel in the comparatively modern temple in Taiwan, however, the images were, to the religious specialists there, simply Buddhas of Yore, the principal ones who preceded Sakyamuni.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214240, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 98, "title": "RAS-1998", "content_text": "61\n\nAppendix A\n\nDETAILS OF THE DEITIES WITH SINICISED SANSKRIT NAMES\n\nWHOSE IMAGES APPEAR IN THE GROUPS IN THE TWO TEMPLES IN THE WESTERN HILLS OF PEKING\n\nAND THE ONE IN NORTHERN TAIWAN\n\n1] Brahma [Mahabrahman] usually known in Chinese as Fan T'ien 梵天\n\nBrahma is the ancient Vedic creator and the Soul of the Universe, an impersonal being, chief of the Hindu gods and celestial spirits and the first in the Hindu trinity. He is usually paired with Indra [see Ti Shih below] though married to Sarasvati. It is believed that the Vedas sprang from Brahma's head.\n\nHe is known in China by several titles including Ta Fan T'ien-shen and Fan Wang as well as Ta Fan T'ien Wang. In India his image varies from place to place but frequently he is portrayed with four arms and four faces or heads. Over the centuries his worship slowly declined in favour of Vishnu and Shiva.\n\nHis image has been noted in a number of folk religion temples in China where he is considered to be one of the forms of the Jade Emperor. In several Buddhist monasteries he has been noted as one of the two attendants flanking Sakyamuni Buddha, the other attendant being Indra.\n\nIn a number of temples in southern China he has been represented as a bearded middle-aged man, standing, wearing long flowing robes, and either the standard Hanlin-style Chinese literati cap or the tiny Taoist crown. He can also be portrayed carrying a stylised incense-stick holder which looks very similar to the long-stemmed tobacco pipe. In some temples in central China he was depicted riding a swan.\n\nIn the Ta Pei Ssu in the Western Hills he is portrayed as an imperial minister, standing with a tablet held in both hands before his chest and dressed in a colourfully decorated robe and Ming decorated leather.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214243, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 101, "title": "RAS-1998", "content_text": "64\n\nMaritchi [or Marici Deva], [a Sanskrit term for the Indian mythological form of Parbati, the wife of Siva]; and Ma-yeh, the mother of Sakyamuni, The Buddha, the whole being confused by devotees who tend to describe them all as Chun-t'i, with the legends of Maritchi and Cundi producing an inextricably involved and perplexing picture.\n\nImages of Marici are present in both the Ta Pei Ssu and the Pi-yun Ssu and in both temples he, rather than she, is portrayed as a standing Buddhist deity with eight arms and with three faces. The face facing forward is of a benign human with hooded eyes commonly seen on Tibetan images. He has a third eye in the centre of his forehead. The other two are faces of a pig and of a human. He is dressed in colourful robes and a five-leaf Buddhist crown, and is barefoot.\n\nThe association between Chun-t'i and Kuan Yin goes back to the original relationship in Buddhism of Chun-t’i with the bodhisattva Avalokitesvara who promised to save mankind and bring them to deliverance before they, the two bodhisattvas, Chun-t'i and Avalokitesvara themselves entered Nirvana. Marici has the face and eight arms of Chun-t'i, and is one of the six manifestations of Avalokitesvara who is concerned especially with humans, rather than the deities and demons. Chun-t'i in the form of Avalokitesvara is a male deity, though Tantric sects, giving her an entirely different role left her feminine.\n\nLegends about Chun-t'i usually include stories of her valour in battle. According to the Ming novel The Deification of the Gods [Feng-shen Yen-i], from which many of the beliefs of folk religion devotees have evolved, Chun-t’i was summoned to Heaven during the legendary period of Chinese history when the heroes and Immortals were emerged, in order to acquire the necessary skills to take on K'ung Hsüan, one of the contestants for the dynastic throne. This was because she had attained the required degree of perfection on Earth. She found herself whisked aloft in a rainbow, and having acquired the skills necessary she reappeared in a cloud of fire with twenty-four heads and eighteen arms and, throwing a silken cord around her adversary's throat, she turned K'ung Hsüan into a one-eyed peacock on which she rode off to the Western Heavens.\n\nImages of Chun-t'i show her with four or nine pairs of arms, each", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214244, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 102, "title": "RAS-1998", "content_text": "65\n\nhand holding a precious object including a rosary, cudgel, jar, spear, pagoda, golden arrow, halberd, or bell, etc. and it is therefore not surprising that the images of Chun-t'i on the altars of both Buddhist and folk religion temples portray her with eight or eighteen arms and hands, the main two hands being held palms pressed together before the chest in prayer. The uppermost hands hold discs of the Sun and Moon respectively and the remainder, individually, hold various attributes including a seal of office, a sword, shield and fly switch. She is variously represented with three heads though predominantly she is depicted with one head with three faces one of which is that of a sow. Chun-t'i again often has a third eye in the centre of her forehead, usually a Taoist form but attributed to her Indian origin as a metamorphosed caste mark. She is generally portrayed sitting on a lotus throne in the same posture adopted by the Buddha and, in one of her poses, also by Kuan Yin P’u-sa. According to Werner the legend explaining the third face being that of a sow and the creatures supporting the lotus also being pigs relates how one of the abbesses of the Semding monastery in Tibet in whom the goddess Chun-t'i was believed to be successively incarnated, had an excrescence resembling a sow's ear at the back of her head.\n\nIn northern and central China in Tantric Buddhist temples, the Lamaist goddess Maritci, portrayed in a chariot drawn by seven pigs is identified as Chun-t'i; in the south however, where Tantric Buddhism hardly penetrated, images identified as Chun-t'i are said by priests, should devotees enquire, to be the Brahmanic cult of Maritci. However, in Tibetan and Mongol [Tantric] Buddhism Tou-mu is a common deity with her three eyes and many arms; she is considered to be an incarnation of Avalokitesvara, the bodhisattva known throughout China as Kuan Yin and this doubtless explains the confusion with Kuan Yin in central and southern China. She has been identified as Tou-mu Yuan-chün, the main deity in the T'ai Sui Hall in the Jade Emperor temple in Tainan, where she is flanked by two Tantric aides, Ch'ieh-ch'ih and Yao Ya.\n\nIn her Taoist form she is portrayed seated on a lotus, again of Indian origin, which in a number of temples rests on the back of a tortoise which in turn rests on three or seven pigs. Most likely this is no more than a reflection of the tale in the Feng-shen Yen-i in which one of the disciples of Tou-mu, Shui-huo Tung-tzu, who changed into a tortoise, bore off Tou-mu to the Western Heavens.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214245, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 103, "title": "RAS-1998", "content_text": "66\n\nIn Malaysia where a number of Tamils also pray in certain Chinese folk religion temples, they refer to Tou-mu on her tortoise and pigs as the sister of the deity Maritci.\n\n5] Pancika known in Chinese as Pan-chih-chia\n\nPancika is the third of the Eight Great Yakshas, one of the Eight Generals of Vaisravana, husband of Hariti. An image of Pancika is present in both the Pi-yun Ssu and the Ta Pei Ssu. His image in the latter depicts him as a semi-demon, with dark skin, large round eyes and a narrow coronet with a sunburst facing forward. He is dressed in colourful robes over armour and has the swirling scarf round the back of his head, draped over his arms. He is making a 'v' sign horizontally with his right hand pointing to his left, using his fore- and middle-fingers. He has no other unique characteristic. In the Pi-yun Ssu, however, he could easily be taken for Wei T'o but without Wei T'o's diamond sword. His hands are grasped together before his chest; otherwise, he is much the same as in the Ta Pei Ssu.\n\n6] Hariti known in Chinese as Kuei-tzu Mu The Mother of Demons\n\nHariti is also known as the Mother of Loving Children, the children sometimes being known as the malevolent Yaksha [Yeh-sha]. She was the mother of one thousand demons, half of them living in Heaven and the rest on Earth. She is one of the standard group of Twenty Devas [Erh-shih T'ien] though she, too, is regarded by some as a Yaksha.\n\nOriginally her diet had consisted solely of human children and only after Sakyamuni, the Buddha, snatched one of her five hundred children and hid it, causing her great anguish, did she come to realise the suffering she was causing to humans by her diet. She became a vegetarian and a devout Buddhist. She eventually became a Buddhist deity whose images were to be seen in a few temples in northern China, in Shansi in particular, portraying her as a tall, slim beautiful woman whilst beside her stood one or more tiny demonic creatures, some of her offspring.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214246, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 104, "title": "RAS-1998", "content_text": "67\n\nAn image of Hariti is present in both the Pi-yun Ssu and the Ta Pei Ssu. She is portrayed in both temples as a middle-aged Chinese woman with a full face, dressed in colourful robes and crown, resting her left hand on the head of a small pig-like winged demon with a child on his shoulders.\n\n7] Bodhidruma who is also known in Chinese as P'u-t'i Shu Shen 提樹神\n\nThis is an Indian Vedic goddess, the guardian of the Bo-tree; the 'wisdom tree' [peepul tree] under which Sakyamuni obtained enlightenment and became the Buddha. She is one of the group of Twenty or Twenty-four Devas and is also known in Sanskrit as Pippala, a peepul tree, after the tree in question.\n\nImages of Bodhidruma are present in both the Ta Pei Ssu and the Pi-yun Ssu. The image in the former has a human body and demonic face. It is difficult to make out the sex of this deity with him/her having black skin, colourful decorated robes and black pill-box cap with red band, and small sunburst on the front. He/she holds a tablet before his/her chest clasped in both hands. His/her face has the large flat nose, the slightly jutting wide jaw and round eyes. In the Pi-yun Ssu his/her image depicts him/her with white skin, a calm and benign face, standing, dressed in colourful decorated robes and crown and with his/her hands pressed together before his/her chest in prayer.\n\n8] Sarasvati known in Chinese as Pien-ts'ai Tien\n\nShe is the Vedic goddess of speech and learning, the goddess of rhetoric, and female energy. It is widely accepted in India that she was the inventor of Sanskrit. Originally a mother-goddess she has developed over the centuries into her present role as the goddess of wisdom and learning, and the patron deity of music. An image of Sarasvati is present in both the Pi-yun Ssu and the Ta Pei Ssu. In both she is depicted as an eight-armed goddess, standing dressed in colourful, decorated robes and crown, with six of her hands each holding a symbolic object. The main pair of hands are pressed together before her chest in prayer. She is barefoot in both temples.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214250, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 108, "title": "RAS-1998", "content_text": "one of the Twenty Deva. Sagara Naga, the Dragon King of Rain.\n\n71\n\nIn Chinese he is the Dragon King. His image has only been noted in one of our two temples in the Western Hills, the Pi-yun Ssu where he is portrayed as a standing, black-skinned official in multi-coloured robes and a pill-box cap with a small sunburst on the front. He has large round eyes and a black beard and is holding a tablet in both hands clasped before his chest. His image is also present in the cave/tunnel under the Taiwanese temple where he is known as Sha Lo Wang 沙洛王 and is portrayed as a middle-aged Chinese, standing,\n\ndressed in gilded armour and small Taoist crown. He is holding an unsheathed sword in his right hand and a small snake-like dragon in his left.\n\n15] Asura known in Chinese as Ah-hsü-lo\n\nThe Asura in the Lotus Sutra are one of the Eight Classes of super-natural beings - Asura originally meant a spirit or even a god - and are regarded as demons who fight against the forces of Indra. There is an image of an Asura in the group in the Ta Pei Ssu but not in the Pi-yun Ssu, nor in the cave/tunnel in the Taiwanese temple. In the Ta Pei Ssu he is a demonic human with four arms, three eyes and a further head superimposed upon his normal head. He has fiery red spiky hair, red moustache and beard, large round eyes and rings one in each ear. He is stripped to the waist and is white skinned, has bare legs and feet and is wearing a highly decorated colourful skirt.\n\n16] Vimalakirti known in Chinese as Wei-mo Chu-shih\n\nVimalakirti was a disciple of Sakyamuni at Vaisali who the Buddha is said to have instructed, and who later recorded it as the Sutra of Vimalakirti. The realm of Vimalakirti is a realm of profound joy.\n\nAn image of Vimalakirti is in the group in the Ta Pei Ssu but not in the Pi-yun Ssu, nor in the cave/tunnel in the Taiwanese temple. He is standing, dressed in a green robe decorated with gilded roundels and border, and a scarf round his head holding his hair in a loose knot protruding up and through it. He has grey hair, beard, moustache and eyebrows. There are no unique characteristics.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214251, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 109, "title": "RAS-1998", "content_text": "72\n\n17] Kinnara known in Chinese as Chin-na-lo The heavenly musicians\n\nListed as one of the twenty Deva in Soothill, and also one of the Eight Classes of supernatural beings in the Lotus Sutra. They are a group who, in Java for example, are portrayed as half-bird and half-human, and known in their plural as Kinnari. They are also one of the twelve spirits connected with the cult of Yao-shih Fo, the Buddhist Master of Healing. Another version claims that they are the musicians of Kuvera, with bodies of humans and heads of horses. In yet another version they dwell in the tall trees which grow on Gandhamadana, Incense Mountain.\n\nThere are images of a Kinnara in both the Ta Pei Ssu and in the Pi-yun Ssu. In the former he is portrayed as a military figure, standing in armour and helmet and with a scarf swirling round the back of his head and down across his arms. His hands are clasped before his chest and his face, pink and friendly, has a short black beard and mutton-chop moustache. In the Pi-yun Ssu the image has a similar friendly face but this time he is wearing robes and cap of an official and not those of a soldier.\n\n18] Mahoraga known in Chinese as Mo-hu-lo\n\nMahoraga is one of the twelve spirits connected with the cult of Yao-shih Fo, the Master of Healing and the Buddha of Medicine. He is one of the twelve guardian spirits each of whom is associated with one of the twelve hours of the day. The twelve include Vajra, Indra and Kinnara.\n\nAn image of the Mahoraga has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. He is portrayed as an extremely ugly, ferocious inhuman demon with black skin. Dressed merely in a decorated and multi-coloured skirt he is standing and has a swirling scarf behind his head and a snake held in his right hand. He has spiky hair on either side of his head protruding like small snakes, and his large protruding jaw and upper lip and his sloping forehead make his face almost animal. The hair on the head is pulled up into a high point, with two ear-pressing tufts one on either side. His eyebrows are like white flames, and his", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214252, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 110, "title": "RAS-1998", "content_text": "73\n\nlarge, wide, gaping mouth has but four small teeth showing, these being normal human-size incisors top and bottom. Finally, he has three small white skulls across his forehead held in place by a pink band.\n\n19] Gandharva known in Chinese as Kan-t'a-p'o\n\nThe Gandharva are one of the eight classes of supernatural beings referred to in the Lotus Sutra. They are Indra's musicians and also in the retinue of Dhrtarastra [they are the same as or similar to the Kinnaras]. They do not eat meat nor drink wine but feed on incense and fragrance.\n\nAn image of the Gandharva is in the Ta Pei Ssu but not in the Pi-yun Ssu. His image portrays him standing, dressed in multi-coloured robes over armour, a helmet over black spiky hair, and is clean shaven. His face is semi-demonic, with large protruding eyes. He has no unique characteristics.\n\n20] Nanda Upananda known in Chinese as Nan-t'o Pa-nan-t'o 跋難陀\n\nLittle seems to be known about Nanda Upananda apart from being a protector of Magadha [near Bihar]. His image has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. It depicts him as an elderly man but with a semi-demonic face. He has round eyes, small ugly protrusions on his cheeks, a gaping mouth and fang-like eye-teeth, no moustache but a short pointed beard, and is wearing decorated robes and cap. His hands are held together as if holding a tablet [which may well be missing].\n\n21] Skanda, Viharapala or Veda' known in Chinese as Wei T'o #BE\n\nWei T'o, a Hindu deity, the Deva Protector of the Dharma, guards the sanctuary of virtually all Chinese Buddhist temples. He stands with his back to the main entrance in the inner temple hall facing the main altar and back-to-back with the Laughing Buddha of the Future, Mi-lo Fo, who greets visitors with his smiling welcome. Wei T'o is also to be seen guarding many a folk religion temple, though only very rarely does he appear on a household altar. Because of the prayers offered to", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214253, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 111, "title": "RAS-1998", "content_text": "74\n\nhim by priests he has been regarded by some foreigners as the patron deity of monks: he was and still is, however, the protector of the Buddhist Law before whom lots were drawn during the selection of the new abbot.\n\nSkanda, son of Shiva and brother of Ganesh [Tunhuang fresco] is a major protector, a destroyer of demons and a god of war, identical with Karttikaya.\n\nWei T'o in Japan is known as Idaten, whilst in Tibetan and Lamaist Buddhism he is known as Skanda: Wei T'o T'ien-shen ## [or in transliterated Chinese: Ssu-chien-t'o].\n\nAlthough the image in the Ta Pei Ssu is labelled in Chinese, Wei T'o; the well-produced and colourful Chinese guide to the Hall of the Bodhisattvas produced in Taiwan gives the title in Chinese as Wei T'o and in English as Skanda. Skanda according to Werner is the Hindu mythological god of war, usually known as Karttikaya. He is represented riding a peacock, holding a bow in one hand and an arrow in the other.\n\nHe has numerous appointments, all protective. Originally he was one of the Thirty-two Generals under the command of the Four Celestial Kings - Ssu Ta T'ien-wang (see 23 below). One such appointment is his rôle as Commander of the Heavenly Hosts, the head of the Heavenly Guard [one of the Twenty or Twenty-four Devas], the protective spirit or spirits of Buddhism and its sanctuaries. In the biographies of Hsüan Tsang, Wei T'o is described as the leader of all the kuei-shen [minor deities], and was charged by the Buddha who was at that moment on the point of entering Nirvana, with the protection of the Law.\n\nOfficially he is neither a Buddha nor a bodhisattva though commonly he is referred to as the latter and it is often claimed that for his zeal he was promoted to bodhisattva when he became the commander of the Four Diamond Kings [Chin-kang: see below]. His title would appear to be the Chinese form for the Sanskrit term \"Veda\", the body of sacred writings brought to India by invaders and from which Hinduism developed. However, it is generally said that his origin is uncertain even though, for example, Vitasoka, the younger brother of King Asoka", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214254, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 112, "title": "RAS-1998", "content_text": "75\n\nis transliterated into Chinese as Wei-t'o.\n\nThere are images of Wei T'o in both of our temples, within the Ta Pei Ssu and the Pi-yun Ssu. He is portrayed in both in his standard form dressed in armour and helmet, and in Ta Pei Ssu with his diamond sword resting across his arms which are with his hands pressed together in prayer.\n\nOne of the Chinese fables related in the Chinese Repository claimed that Liang Wei-t'o, a general of the King of India, was ordered to go and find his son, Prince Fu [later to be the Buddha] who had fled to the wilderness. He found Fu covered in snow and without food, since when Wei T'o has been recognised as the commissary in Buddhist temples.\n\nHis image is one of the comparatively few which can be identified on sight without ambiguity. His antiquated, fantastic uniform, armour and helmet, and his ponderous boots are survivals from the centuries when soldiers did not march far but stood guard over their senior officers. He is depicted as a clean-shaven youthful soldier standing dressed in armour, high boots and a spiked helmet [sometimes bearing a bird with spread-wings], and with a flowing sash haloing around his head. He is standing on clouds or waves and holds what at first glance looks like a club, cudgel or knobbly sword. This is known as a ‘diamond sword' or thunderbolt used to destroy demons and other enemies.\n\nGrootaers writing about the very far north of China, on the Inner Mongolian borderland, said that in the early days of Buddhism in China it would seem likely, particularly during the T'ang and Sung dynasties, that the right-hand side of the visitor's entrance hall was occupied by Wei T'o whilst the left-hand side held the image of Pei Wang [the Northern King] who was now called Li T'o, Li Ching or T'o-t'a T'ien-wang with the recognition feature of a pagoda in the palm of his hand.\n\n22] Guhyapati Raja known in Chinese as Mi-chi Chin-kang 剛\n\nLittle appears to be recorded about Guhyapati Raja other than the", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214256, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 114, "title": "RAS-1998", "content_text": "77\n\ning stick of incense before each with a perfunctory bow, the Four are looked upon as mere soldier guardians with a fifth, Wei T'o [see 21 above], their commander.\n\nThe group of Four are the product of the Mahayana school of Buddhism with additions from the Tantric school. Their original Buddhist title in Sanskrit is usually Dvarapala, though others claim that they are the Chin-kang Shou, derived from the Sanskrit \"Vajrapani', the Thunderbolt Bearer, the Great Protector.\n\nThey are responsible for the security of temples, protecting them from demonic attack and also preventing evil spirits from sneaking in. In Taoist temples, where they have different individual identities, they normally stand in the side wings of the main hall, such as in the Jade Emperor Hall at the Monastery of Ten Thousand Buddhas at Shatin in the New Territories of Hong Kong.\n\nThose in Buddhist temples are the Diamond Kings whilst those in Taoist and folk religion temples are Celestial Kings [T'ien-wang]. They are easily recognisable by their stature, location and by the collocation with the others in the group; also, because each usually holds a unique identifying symbolic object, a furled umbrella or a rodent, etc. They stand with defiant stares and have faces in colours identifying the direction for which they are responsible. The Buddhist Four guardians all wear the bodhisattva's five-leaf crowns with minute Buddhas inscribed on the central leaf, and flying scarves forming a nimbus behind and above their heads and shoulders. Many have demons, thieves, liars and adulterers underfoot. The Taoist Four, who also have demons underfoot, generally wear military helmets.\n\nA manifestation of Vaisravana, the protector of the North and one of the Four Chin-kang, appeared during his journey to aid Hsuan Tsang, the Buddhist monk who trekked from China to India and back to obtain Buddhist scriptures. For this reason Vaisravana was later revered by devotees, alone and in his own right, and over the years became associated with General Li Ching.\n\nAll four of the Mo-li brothers, the Taoist identities of the Four Temple Guardian Generals, are included and represented in the sets of", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214260, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 118, "title": "RAS-1998", "content_text": "81\n\nOther Buddhist protective deities are also listed as Chin-kang, such as their commander, Wei T'o, and Huo-shou Chia-lan X.\n\n27] Vipasyin P'i-p'o Chia-lo Wang EE\n\nantiquity. His\n\nVipasyin is the first of the Seven Buddhas of image is not included in either of the temples in the Western Hills but has been included in the cave/tunnel in Taiwan where his image portrays him as a youthful man dressed in gilded armour and helmet, with a bared sword held vertically in his left hand before his chest. He has a gilded halo behind his head and shoulders but no unique characteristic.\n\n28] Kumbhira Chin-p'i-lo Wang EE\n\nKumbhira is a Yaksha king who was converted and became a guardian of Buddhism. His image is not included in either of the two temples in the Western Hills but is in the cave/tunnel in Taiwan where he is portrayed as a youthful warrior, standing dressed in gilded armour and gilded winged helmet. He is holding an arrow-less bow in his left hand at waist height, whilst his right hand rests on his hip.\n\n29] Chin Ta Wang X\n\nThe Great King Chin is the Protector of Travellers in the train of the Kuan Yin with a Thousand Arms and a Thousand Eyes. His image is not included in the groups within the two temples in the Western Hills but is included within the cave/tunnel in Taiwan where he has no Sinicised Sanskrit title and is portrayed as a middle-aged clean-shaven Chinese with his right hand held slightly forward at shoulder height with his hand making a mystic sign, whilst his left hand rests against his body below the waist. He is dressed in gilded armour and has a small Taoist crown resting on his hair which has been drawn up into a bun. There is a flaming halo behind his head and shoulders.\n\n30] Chin-se Kung-ch'iao l€\n\nThe Five-colour Peacock\" is depicted within the cave/tunnel group in Taiwan but does not appear in either of the two temples in the Western Hills. He has no Sinicised Sanskrit title and is portrayed as a brown-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214272, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 130, "title": "RAS-1998", "content_text": "93\n\nAppendix D\n\nTHE TWENTY-EIGHT BUDDHAS OF YORE\n\nTwenty-eight images of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha, are to be seen in the Kuan Tu temple complex, to the north-west of Taipei. These 28 'Old Buddhas' are:\n\nTa Fan T'ien Wang 大梵天王\n\n[Maha Brahman - Brahma]\n\nP'i-p'o Chia-lo Wang 毘婆迦羅王\n\n[Vipasyin: the first of the Seven Buddhas of antiquity]\n\nKan-ta-p'o Wang 乾達婆王\n\n[Gandharva: the gods of fragrance and music: the musicians of Indra]\n\nTi-shih T'ien 帝釋天\n\n[Indra]\n\nTa Pien-ts'ai 大辯才\n\n[Sarasvati]\n\nMa-hsi-shou-lo 摩醯首羅\n\n[Siva: Mahesvara]\n\nTa Hai Lung Wang 大海龍王\n\n[Sagara - Lung Wang]\n\nChien-na-lo Wang 監那羅王\n\n[Kinnara]\n\nWu Pu Ching 五部凈\n\nChin-p'i-lo Wang 金毘羅王\n\n[Yama - as protector of the 1000 arm Kuan Yin]\n\n[Kumbhira - a Yaksha king, who was converted and became a guardian of Buddhism]", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214277, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 135, "title": "RAS-1998", "content_text": "98\n\nthe shoulder and forbidden by the Buddha.\n\n12 The Afterworld is usually referred to in English as The Underworld and to most Chinese this is apt as the entrance is often described as a large hole in the ground in Szechuan province or at the base of T'ai Shan in Shantung. However, in several Underworld scrolls hanging in Buddhist monasteries the Courts of the Underworld are portrayed in the clouds with carefree humans wandering below.\n\n13 The hammer and chisel produce the avenging thunderbolts, and the drums cause the rumbling thunder.\n\n14 These Four Great Celestial Kings are to be seen in the entrance hall to most Buddhist temples. They are the Hindu Lokapala, the guardians of the Four Corners of the World and known colloquially as the Four Diamond Kings.\n\n15\n\nx stands for an illegible character.\n\nPage 135\n\nPage 136", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214496, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 354, "title": "RAS-1998", "content_text": "323\n\nTHE DRUNKEN DRAGON DANCE AND THE TAN GONG (TAM KUNG) FESTIVALS: NOTES ON THE RASKB VISIT TO MACAU, MAY 1997\n\nGEOFFREY ROPER\n\nThe eighth day of the fourth lunar month is an important date in the Chinese religious calendar. Principally it is Lord Buddha's birthday, and for that reason is soon to become a Hong Kong public holiday. In Macau, on a more local basis, it is also the date of the Drunken Dragon Dance Festival around the markets of central Macau and the Tan Gong (Tam Kung) Festival celebrations in Coloane Village, Coloane Island. It was with these two Festivals mainly in mind that a twenty-strong party from the Hong Kong Branch of the RAS, led by President Dan Waters, set off for Macau early on Wednesday, the 14th May (the date in the 1997 Western calendar).\n\na.m.,\n\nPreceded by Chinese opera performance the evening before, the initial Drunken Dragon Dance celebrations had already started by 8:30 by the time we arrived at the western end of the former Sao Domingos Market. The dragon heads and tails were being blessed by a Taoist priest outside the adjacent Guan Di (Kwan Tai) Temple and brought to life by the painting of eyes by invited VIPs. A golden flower with a red ribbon was tied around the head of each dancer - representing God's gift of energy for the dancing ahead.\n\nThe scale of the festivities was somewhat smaller than the previous year, with humbler staging for the sponsors from the Macau Fish Merchants Association and restrictions on the free distribution of rice and vegetables to the public at the first market. The reason was disruption caused by building work, but most importantly, the Dance itself remained unchanged.\n\nThe dragons, the dancers, and the dance itself are best seen in the illustrations (which were actually photographed by the author at the 1996 celebrations). Accompanied by a loud drumbeat, the group of about twenty male fish porters circled around and took turns in holding the wooden red and gold dragon heads and red and green tails. As", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214497, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 355, "title": "RAS-1998", "content_text": "324\n\nthey danced they conspicuously imbibed large quantities of beer and Chinese spirit wines and were showered with water. Although some of the drink was spat out, the dancers' actions became increasingly drunken, with some entering a short-lived trance-like state. After about thirty minutes the dancing concluded with the eating of lettuce, the presentation of _lassie_ and the lighting of a string of firecrackers. The group then set off by van for other markets and fish trading establishments, with the final dance of the morning outside the \"Red Market\" due to be the most drunken of all.\n\nFor much of our knowledge of the Dance Festival, in particular the history and legend, we are indebted to Mrs. Ana Brito, an anthropologist from the Macau Maritime Museum, who as part of her studies on the Festival had interviewed a number of the dancers the year before. Copies of her notes in English, generously supplied to us by Mrs. Brito, show that the Festival was brought to Macau some decades ago from Sek Kei District in nearby Zhongshan County. According to a version of the legend that gave rise to the Drunken Dragon Dance, a certain village had been plagued by a terrible epidemic. In despair the villagers held a procession in Buddha's honour. As the procession was winding its way through the village a dragon in the guise of an enormous serpent arose out of the river. The serpent was killed, hacked into pieces and thrown back into the river, which turned blood red. The villagers drank the water and were miraculously cured.(1)&(2)\n\nLeaving the Dragon to make its way through the Inner Harbour area we left for Coloane Village, where festivities were centred on the Tam Gong Temple on the waterfront. This was heavily decorated and had all the trappings and atmosphere of a well-attended Chinese festival. There were many worshippers, as well as beggars, and clouds of smoke from joss sticks and fireworks. We played our part with Dr Patrick Hase lighting the RAS HK string of firecrackers. Nearby a large matshed had been erected where stars from the Cantonese opera world were soon due to perform.\n\nTowards noon the Tam Gong Festival procession gathered in the Rua da Cordoaria, off the village square, and then made its way through the village to the Temple. This procession was a less spectacular affair than the Tam Gong processions held in Ah Kung Ngam Village, Shaukiwan, Hong Kong, but was equally attractive within its own", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214550, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 408, "title": "RAS-1998", "content_text": "377\n\ntranslated into Italian, then into French. It was the undated French version that we saw. It had been written, possibly in Macau, on the instructions of the Pope and described the persecution of priests. There was also a massive hand-written \"Tartare-Mantchou French dictionary” 1st edition, Paris 1789, in 3 volumes. Another interesting book was \"Dr Fryer's Travels: A new account of East India and Persia in eight letters, being nine years travels\" by John Fryer MD (Cantab) and Fellow of the Royal Society, published in 1898.\n\nThe more linguistically accomplished of our members interpreted these works for the benefit of all and there was much erudite discussion. This was the Society at its best and we could have spent many more hours, even days, delving into this fascinating collection. [Illustration Two].\n\nOn Saturday afternoon we drove out to Fa Hai (Sea of Dharma) Temple, in the distant western suburbs at the southern foot of Cuiwei Mountain. The temple was begun in 1439 during the Ming Dynasty (1368-1644) with funds raised by Li Tong, a favourite eunuch of the Emperor. It was completed in 1443 and named by Emperor Ying Zhong. The most outstanding features are the frescoes, which completely fill the walls of the main, Mahavira, hall. These reflect a relatively pure Buddhism without Taoist depiction. They are of Buddhas, Avalokiteshvara (Kuan Yin) and the three other bodhisattvas, devas, wonderful animals, auspicious clouds, flowers and realistic landscapes. There are five Buddhas on either side with the 10 Buddhas together representing the full power of Buddhism, and possibly also the idea of east and west. The colours are subtle and not too faded (although the viewing of a colour-enhanced video prior to touring the Temple helped our appreciation). In the temple grounds are unusual pine trees with silver-white bark; ancient trees, said to resemble dragons, and a bell engraved in Chinese characters expressing Sanskrit teachings. The auspicious clouds inside were matched outside, for misty rain added to the atmosphere of the temple, set in the mountainside woods.\n\nOn Easter Sunday we were up very early to go to the oldest Christian church in Beijing - the Cathedral of Immaculate Conception of Blessed Mary, on Qianmen Avenue. This is also known as Nan t'ang, or South Church. The Emperor bestowed on Matteo Ricci the lands and funds to build the church near the then Calendrical Bureau inside", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214578, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 436, "title": "RAS-1998", "content_text": "405\n\ndery of Shakyamuni preaching on Vulture Peak, with attendants. This is notable for the skill of the stitchwork, which flows with the contours of faces and draperies to add depth and texture. Some colours, such as the blues, are stunningly deep and fresh, but the reds and greens have faded with time. This item dates from the 7 or 8th century.\n\nA Japanese conservator mounted the paintings on silk in the 1910s at the Victoria and Albert Museum. Many were in an extremely fragile state and they survive today largely as a result of extremely fragile condition. Unfortunately some of the backing material is quite dark. One of the brighter paintings is of Kwanyin on a lotus base surrounded by swirling green draperies that bring the work to life. An inscription on the back of this exquisite piece, from 910, has aided scholars.\n\nA scroll painting also depicts Kwanyin waving a banner on a staff, with the figure of a deceased lady in the background. The scroll is believed to have been offered so that the lady might ascend to the halls of paradise, with Boddhisattvas leading the way. Posters of this work were used to publicise a past exhibition. The collection includes some of these banners - surprisingly modest pieces a metre or so long. One of these notably depicts a Boddhisattva holding a glass bowl of Middle Eastern design, clear evidence that the object, or at least knowledge of its form, was carried on the Silk Route.\n\nWe also saw a vibrant section of a scroll painting of a fierce guardian, originally larger than life size. Sadly only a fragment remains of what would have been a fabulous piece.\n\nIn a different medium altogether, another item is a window painting on paper backed with cloth. This depicts stylised lotuses on the outside and images of the Buddha on the inside.\n\nTo realise that these items, when Aurel Stein discovered them, were rolled, stacked up and abandoned in a cave in northern China only makes one grateful that this much has survived.\n\nFurther reading: The International Dunhuang Project website (http://idp.bl.uk) includes a vast amount of material. It says that an international conference, Dunhuang 2000, is to be held in Beijing to", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214579, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 437, "title": "RAS-1998", "content_text": "406\n\ncoincide with the 100th anniversary of the opening of Cave 17 in June 2000. Another takes place at Dunhuang in August and the site has been getting a facelift in preparation. The website has a massive illustrated database of collections held in various parts of the world - those interested can sponsor a sutra for as little as £50 sterling. The money pays for the digital scanning and the sponsor's name appears beside the object. A newsletter reports on meetings of academics and recent research. Sadly, the BM does not appear to be part of the International Dunhuang Project, but Dr Farrer told us that the museum is trying to raise funds to put its collection on the Internet in the same way.\n\nREFERENCES\n\nRoderick Whitfield and Anne Farrer, Caves of the Thousand Buddhas: Chinese Art from the Silk Route, The British Museum, London 1990.\n\nPeter Hopkirk, Foreign Devils on the Silk Road, John Murray, London 1980.\n\nAnnabel Walker, Aurel Stein: Pioneer of the Silk Road, John Murray, London 1995.\n\nLife Along the Silk Road, Susan Whitfield, Hardcover - 253 pages (June 1999), John Murray; ISBN: 0719557577", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214823, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 238, "title": "RAS-1999", "content_text": "204\n\nEarth Gods and Tree Spirits\n\nBesides the gods of Buddhism and Taoism worshipped in the village temples, there were also the gods of each locality. In the villages of the Hong Kong Region, in addition to whatever temples had been erected to the deities, it was usual for there to be several earth gods in each village, and in each of the streets in the local market centres. These animistic spirits were equally sought out by the village people.30 Besides the regular acts of worship performed at the shrines, with their supplications and thanksgivings, it was common practice to place children, especially boys, under the protection of a temple deity, an earth god or a tree spirit during the uncertain years of childhood, in order to secure protection against the many dangers that beset young lives. If a tree died or had to be felled, the protégés were transferred to another protector, with the appropriate ceremonies of disengagement (recognition of and thanksgiving for favours bestowed) and adoption at each place.31 Either Buddhist or Taoist priests were required for such rituals.\n\n31\n\nChinese Women and Religion\n\nFinally, it should be noted that Chinese women are considered to be more religious than their menfolk. As Rev. Dr. Robert Morrison's biographer observed in the last century:\n\n46\n\n'...their nature is much more religious than that of the men...it is they who visit the temples. The incense pots which smoulder before the placid countenance of Buddha are filled and kindled by them; they burn ten sheets of paper to the men's one....The men can do without worship, the women cannot.”32\n\nFrom my observations in Hong Kong and elsewhere, I believe this to be as true of today's worshippers as when it was written one hundred years ago.\n\nNOTES\n\nWilliam Frederick Mayers, The Chinese Reader's Manual (Shanghai, American Presbyterian Mission Press, 1874) called them \"The Three systems of Doctrine (or Religion)\" and stated that they “constitute the recognized systems of religion,", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214828, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 243, "title": "RAS-1999", "content_text": "209\n\nto find there is an image of the great Ch'ing emperor Ch'ien Lung (reigned 1735-1798) on the altar!\n\nMy own experiences in Hong Kong have highlighted this feature of Chinese religious life. Examples that come to light include the many images washed-up from the sea and placed in temples or shrines (Shaukiwan and Ngau Chi Wan, East Kowloon), the Kwun Yam image in the Tai Ping Shan temple to that goddess, and the Kwun Yam image that started the Kwun Yam Temple at Tung Shan, east Kowloon. These examples, readily multiplied here and elsewhere, amount to \"cults of numberless description\".\n\n30 There is much relevant background in the long chapter on Chinese religion in\n\nVol. II of Latourette, op.cit., especially at pp. 124-132, 139-140, and 162-167.\n\n31 See Hong Kong Standard [ ] February 1986, with photographs, for a recent example at Shun Fung Village (Fui Sha Wai), Yuen Long, occasioned by the tree in question having to be felled to make way for the construction of the Light Rail System.\n\n32 William John Townsend, Robert Morrison, The Pioneer of Chinese Missions (London, Partridge & Co., n.d. but my copy presented in 1892), pp.266-267. John Crawford also singles out the women for special mention in the journal of his embassy to Siam and Cochin China in 1821-22, where he cites from the Manuscript of Monsieur Chaigneau, \"The religion of Cochin China is, with little difference, the same as that of China. The lower orders, the women, the ignorant, follow the worship of Buddha; while persons of rank, and men of letters, are of the sect of Confucius”. See John Crawford (with an Introduction by David K.Wyatt) Journal of an Embassy to the Courts of Siam and Cochin China (Singapore, Oxford University Press, 1987), p.500, fn.", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214898, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 313, "title": "RAS-1999", "content_text": "287\n\nfive, offshore islets but, due to silting up over the years, they became part of the mainland. Mysterious caves within the mountain shelter altars dedicated to Buddha, different gods and genies based upon popular beliefs held by the area's inhabitants. Today, these caves still serve as religious sanctuaries. The mountains are also a valuable source of red, white and blue-green marble. At the foot of the mountains, skilful marble carvers create a great variety of objets d'arts.\n\nOur fifth day was spent in Hoi An. About 15 miles southeast of Danang, this charming old town was once a flourishing port and meeting place of eastern and western cultures in central Dai Viet under the Nguyen lords. Hoi An was originally a seaport in the Champa Kingdom; by the 15th century it had become a coastal Vietnamese town under the Tran Dynasty. In the beginning of the 16th century the Portuguese came to explore the coast of Hoi An. They were followed by the first western traders in the area. Then came the Chinese, the Japanese, the Dutch, the British and the French. In the early 1980s, UNESCO and the Polish Government took the initiative and funded a restoration program to classify and safeguard Hoi An's ancient quarters and historic monuments. The old town area borders the Thu Bon River to the South of the town. Le Loi Street was the first street to be built, about four centuries ago. The Japanese quarter with its covered bridge, Japanese style shops and houses followed half a century later, then came the Cantonese quarter a further 50 years later still.\n\nHoi An's ancient past is superbly preserved in its architecture. The old quarter is a fascinating blend of temples, pagodas, community houses, shrines, clan houses, shop houses and homes. One of the most remarkable historical architectural examples is the Japanese covered Bridge. Built by the Japanese community in the 17th century, the bridge's curved shape and undulating green and yellow tiled roof give the impression of moving water. Some pagodas and 20 Chinese clan houses stand in the centre of the ancient town. The clan house has been the meeting place for many generations of the same clan. Here they recall their origins and worship their ancestors. The Chinese migrant community built most of the temples and houses here over a span of 40 years, between 1845 and 1885.\n\nThe most characteristic examples of Hoi An's architecture are the old houses along Nguyen Thai Hoc Street. These elongated houses", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215072, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 168, "title": "RAS-2000", "content_text": "125\n\nthe death of his mother who had been defenestrated on orders from her husband, King Zhou, as punishment for bearing such a 'monster.' Yin Jiao was determined to destroy not only his father but also the Imperial Concubine, Da Ji, the Nine-tailed Fox Spirit and current royal favourite who had caused the death of Yin's mother by her calumnies. Yin was presented with two magic weapons by the Goddess Tian Fei, a gold club and a battle-axe, and after the final great battle between the forces of the declining, sinister and corrupt Shang dynasty and the victorious future Zhou dynasty at Wan Xian Chen, Yin Jiao fought first on the side of his father, King Zhou. Later, after switching sides and fighting for the good King Wu, he was unfortunately decapitated by a general during the battles having been sandwiched by the Buddha Randeng between two mountains. He was deified during the general deification at the end of the war by Jiang Ziya, the future Prime Minister of the new dynasty, on the authority of the Jade Emperor. Yin Jiao, at the end of the novel, having been sent by Heaven to bring dread calamity down on to King Zhou because of his blasphemies and evil ways, volunteered to be the executioner of his father and his father's concubine, Da Ji. He was proclaimed Prince Jingming and was rewarded by the Jade Emperor for his bravery and filial piety with the titles of Taisui, Marshal Yin and with the presidency of the Ministry of Time. In the novel, the full title of Yin Jiao, the younger son of the evil King Zhou of the Shang dynasty, is Dou Lei Taisui Yin Yuanshuai.\n\nRC\n\nand as one of the Twenty-four Heavenly Lords he is also referred to as Yin the Heavenly Lord (Yin Tianjun).\n\nAn entirely different story is given in another novel, the Shenyi Jing which tells of Jin Chong, the son of Pan Gu the creator of the world, who lived in the mountains of Shandong province. Jin was canonised as Taisui by Fu Xi, a primeval ruler and sage, the first of the three emperors of the legendary period, for his many good deeds and was made responsible to Heaven for supervising the activities of all the spirits and demons. Few Chinese would appear to know this story.\n\nDoré, who refers to Taisui as the Patron of the Harvests, explains that Yin Jiao's baby name whilst living with He Xiangu was Jin Nazha. This adds further confusion to the legends surrounding Li Nazha [the Third Prince - San Taizi], a very popular deity who appears with great frequency in Chinese legends and fairy tales.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215207, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 303, "title": "RAS-2000", "content_text": "267\n\nAMENDMENTS ON THE ARTICLE \"YAUMATEI AND THE YU LAN FESTIVAL” AS IN \"IN THE HEART OF THE METROPOLIS: YAUMATEI AND ITS PEOPLE\"\n\nCHIU HANG-SHI\n\nI believe it would be desirable to amend some of the information, mainly about translation, in the article mentioned above through this Journal.\n\n1. 2nd paragraph, pg.151 (as in the book mentioned above)\n\nThe \"Shing\" in \"Yu Lan Shing Wui\" is, \"\" and not “” (as shown in the Glossary, pg. 181).\n\n2. 6th paragraph, pg. 151\n\n\"Upper Original Festival” should be held on the fifteenth day of the first moon, not of the fifth moon. Another (ancient) version of the dates of the Upper, Middle and Lower Original Festivals are the seventh day of the first moon, the seventh day of the seventh moon and the fifth day of the tenth moon.\n\n3. 4th paragraph, pg.155\n\nThe \"King\" in \"Nim King Fat She\" is, \"\" and not “\" (as shown in the Glossary, pg. 181). The English translation would be \"The Buddhist Society for Reciting with Respect\"\n\n4. 3rd paragraph, pg. 157\n\nThe title of the Announcement (\"Pong\") should be \"The Golden Piece of the Bestowal Bliss\" and not \"The Golden Seal of the Bestowal Bliss\". I was confused by the character \"\" for it means both \"seal” and “piece”.\n\n5. 6th paragraph, pg. 158\n\nMung Shan Offering Ceremony: This ceremony is held every day since it has been incorporated into the Evening Recitation in Chinese Buddhism. For those who would like to read the whole text of it in English, please refer to the “Sagely City of 10,000 Buddhas Daily Recitation Handbook” (1991) published by the Dharma Realm Buddhist University, Buddhist Text Translation Society. The founder", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215352, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 129, "title": "RAS-2001", "content_text": "77\n\na] Changhua Laoye Shen\n\nIt\n\nseen in Singapore on a Hainanese wayyang street theatre altar connected in some way with the major China-wide deity Hua Guang Dadi.\n\nb] As with small folk religion temples in all southern Chinese communities there are very minor deities on their altars about whom nothing is known. The following stand on a side altar in a small Hainanese temple on the Tampines Road in Singapore and are largely ignored though they are prayed to by a few devotees, more in passing rather than specifically for protection:\n\nmain deity: The Marquis of the Heaven of the Buddhas, Fo Tian Houwang\n\nSoldier astride a red horse, wearing green and gilt armour, with a pink face, black beard and a sword raised in his right hand.\n\nflanked by: Shata Zunwang Qi Guan\n\nand\n\nSoldier astride a white horse, with green-gilt robes, black beard, brown face and sword raised in his right hand.\n\nYongmeng Yatou Wang San Guan\n\nSoldier astride a black horse, with green-gilt robes over his armour, black bearded and a sword raised in his right hand.\n\nConclusion\n\nThere are some seventy to eighty major Han Chinese folk religion deities to be found in every part of China, and Hainan is no exception. However, in Hainan as in every local community, be it province, county, town or village, and even ethnic group, there are also local deified heroes and worthies not seen beyond their immediate area.\n\nTaken all in all, the range of deities on Hainanese altars is much the same as in all the other southern Chinese Han ethnic group temples. Hainanese communities, however, do have a number of uniquely Hainanese cult deities both on Hainan island as well as within Hainanese communities in south-east Asia. Although their legends are unique to", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215491, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 268, "title": "RAS-2001", "content_text": "217\n\nfortunate. An official-looking monk passed along each row, giving what looked like two banknotes to each seated monk. Then, down each row, ran a small boy-monk with a metal kettle, leaving a small trail of water behind him (the water coming from the kettle, I should point out). Obviously symbolic of something - ritual cleansing? Stunned and devoid of all feeling except a sense of being overwhelmed, we were ushered out into the next and final courtyard, beyond which was the building that had suffered most in the flood.\n\nIt may have suffered, but was now receiving its reward. This vast structure was the principal target of the king's no-expense-spared command. Ten years later and the restoration was far from complete. (But didn't Salisbury Cathedral take about a century to build?) The focus of this hall, the highly decorated ceiling of which stretched about six or seven storeys above our heads, was three enormous seated statues. The centre figure was that of Buddha himself, about 40 feet high and carved in wood. He was flanked by two smaller (30 feet) figures, one of whom was Guru Rinpoche. These, we were told, were of brass but they had been covered in clay. In front of these was what must have been a container-load of prayers and religious representations printed on tissue paper. It is the custom to fill the hollow back of statues with printed prayers, so that they are always there. These were waiting to be sealed within Buddha and his sidesmen.\n\nAttention to detail\n\nWorking in a stream of slanting sunlight, and with the dubious benefit of some 40-watt light bulbs, were about a dozen artisans who were putting the finishing touches to 100 or so smaller seated statues. These figures, about two feet high, were waiting to be placed into a similar number of niches in the walls around this 200-foot square hall. Other workmen were carving wood, modelling detailed bits of decoration in clay, and painting. Rood wooden scaffolding surrounded the three major figures, behind one of which I climbed. There I saw a craftsman carefully moulding clay to represent more perfectly the flowing robes of the seated guru. What struck me most was that nobody would ever see the fruits of this man's labours, but that did not seem to matter one bit. Again, thinking of my own culture, a similar amount of unrecognised effort went into the facial expression of a gargoyle high in the wall of Salisbury, or the decoration of a ceiling boss 200 feet off", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215625, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 402, "title": "RAS-2001", "content_text": "353\n\nA CONTENTIOUS CHRISTIAN MISSIONARY IN CENTRAL CHINA, 1887\n\nKEITH STEVENS\n\nChristian missionaries, especially Victorian, came in for much criticism and derision, as well as great praise for, amongst other things, their devotion to the Chinese man-in-the-street. During the years of bigoted and the blood and thunder Christianity of the Victorian era it was not uncommon for them to be mocked and lampooned by the expatriate business community, sometimes not without reason.\n\nWilliam Spencer Percival relates a hard-to-believe story in the late 1880s during one of his boating and shooting excursions to the Gorges of the Upper Yangzi. The description of Chinese reaction to such an aggressive missionary is probably reasonably accurate and possibly even moderate for the day; and from today's point of view not without some justification.\n\nHis story is related here in full, without comment. While up the river I met a gentleman who was a missionary. He was an Englishman; but belonged to an American-Scotch mission. This may appear to the uninitiated a little mixed, but it is substantially correct.\n\nAmong the various means adopted by the missionary body for Christianising the heathen, this gentleman chose the most curious and original method I ever heard of. Before he was appointed to the ------ mission he was stationed at one of the fortified towns some miles lower down the river. Here he resided in one of the strongholds of Buddha himself, among a people who were entirely ignorant of the first principles of Christianity. I cannot say he hit upon a very wise plan in his style of religious instruction.\n\nThis place, as I have said, was a fortified town, and a very stringent rule of the city - which was occupied by a detachment of troops - was, that the gates should, every night, be closed at ten o'clock. Our worthy Free-Lance of the Cross was very fond of rambling round the country in the cool of the evening, and on many occasions returned long after the gates had been closed. When he found that no entrance was to be", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216002, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 301, "title": "RAS-2002", "content_text": "235\n\nEdith Legge, James Legge: Missionary and Scholar, p. 120.\n\n89. Legge's letter to Arthur Tidman, Secretary of the London Missionary Society, dated October 31, 1861, also printed in the EMMC/MM 26 (1862), pp. 18-19.\n\n90. The first and second volumes comprising Legge's translations and commentaries to the Four Books had been completed in February and November that year,\n\n91. The essay, Che'a Kin Kwáng, must be a pastiche prepared by Helen Edith Legge in preparation for her larger book on her father, James Legge: Missionary and Scholar. It is particularly evident in the last few pages, when letters from Chalmers and others are quoted (without notes or details, typical of her style in the book as well). A comparison of the typescript and the chapter in Helen Edith Legge's book on \"Che'a\" (notice the same error in transmitting the name of the martyr, pp.102-121) show that she was using the typescript liberally, the last pages of both documents being exactly the same except in one final addition within the book. That addition is a final, short paragraph, hagiographic to the extreme, summarizing how Ch'ea had received the \"salvation and strength and the kingdom of our God and the power of His Christ\" so that he \"loved not his life unto the death\". Though its sentiment could be shared by all sympathetic Christians, Helen Legge's writing also had other purposes in mind.\n\nA careful reading of the chapter in her book on Ch'ea reveals numerous factual errors -- wrong timing, mixing up place and person names, confusing original situations -- but also contains some new material from her mother's letters (Hannah Mary) received from her father that provide little cameos of other dimensions of the situation. Unfortunately, she used these sources only selectively, and then apparently destroyed the originals. It is quite significant, therefore, that it is only in the typescript mentioned above and in her chapter in the book that a defence of her father's leaving Poklo in the early morning before the vigilantes attacked the city is presented. (She may, however, be referring to the content of a letter by her father to her mother, or to the later portions of the Reminiscences which I could not check.)\n\n92. See a historical description of the development of this very important institution, one which continued on for forty years as the major bureau for foreign affairs in China, provided by Masataka Banno, China and the West, 1858-1861: The Origins of the Tsungli Yamen (Cambridge, Massachusetts: Harvard University Press, 1964).\n\n93. See his Appendix I, “Incidents Mentioned in Text, 1861-1870\" in Paul A. Cohen, China and Christianity, pp. 275-276. In spite of the title of the table, it seems that the summary is supposed to include all major incidents among the religious affairs documents within the files of the Zongli yámén. Another important gap in the record is the burning of the newly built chapel in Buddha Hill City (Fat-shan, M. Fóshan) in September 1870, a malevolent act perpetrated by crowds who opposed the erection of the building and threatened all those who were there with severe bruisings. Ho Tsun-sheen was one of the Christian officials present at the meeting, escaping through a rear window and finding his way back to Hong Kong independently. The event was so traumatic for him, that within six", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216024, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 323, "title": "RAS-2002", "content_text": "257\n\nand pleasure-grounds, all of which showed evident signs of great neglect. The suburbs were one dense mass of habitations of two stories in height; the lower portions of which were devoted to the handicraftsmen, who employed themselves in them, or to store rooms, in which merchandise was deposited. There were numerous public buildings, most of them appearing to be of a religious character, either dedicated to Buddha or Confucius.\n\nMainly for safety reasons ships passing up and down the Yangzi tended to use the main channel which ran along the north bank of the Great River opposite Zhenjiang. Down the years spits have formed close to Zhenjiang, mainly off Ganlu Si [Consular Bluff] and Xiang Shan Bluff, whilst the Zhengrenzhou spit steadily advanced downstream from the west blocking off the approaches to the harbour. The flat sandy bottom, so the Admiralty Guide tells us, does not provide good holding ground, especially during autumn gales.\n\nThe channel of the Great River at Zhenjiang is some two miles in breadth and had long been a ferry crossing point over the Yangzi, linking Zhenjiang with the major city of Yangzhou, a short distance upstream of the northern section of the Grand Canal. The long-mooted bridge over the River has still to be built. In the early days of the opening up of China by the West the city was believed to be the furthest point upstream on the Yangzi which seagoing vessels of the heaviest burden could reach with comparative ease. When Hankou, over five hundred miles further upstream, was opened to foreign trade it soon became apparent that trade at Zhenjiang consisted of little more than being an agency for steamers using the port as a stopping point, and for the Customs House for Chinese merchants. So it was that when vessels had access to the fountainhead of trade at Hankou, together with the fact that the harbour at Zhenjiang having silted up, the importance of the port became in great measure superseded. Sadly, the dolphins which not too long ago frolicked in the Great River and were commonly seen off Zhenjiang have been fished into extinction with today's oily pollution preventing any return, though a very occasional porpoise may still be seen.\n\nA Victorian writer described the climate and temperature of Zhenjiang as 'little different from that in Shanghai, whereas the varied scenery and hilly surroundings of Zhenjiang were an advantage which", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216041, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 340, "title": "RAS-2002", "content_text": "274\n\nThere also used to be an early Buddhist shrine dedicated to the former abbot of renown, Fa Hai, concealed in a cave on the hillock. In recent times the few foreign tourists visiting Zhenjiang have been perplexed by the description of Jin Shan being an island when it is so obviously part of the mainland. The reason is all too obvious. Alluvial silt left by the Yangzi floods down the past hundred and fifty years has not only completely joined the island to the mainland but also reclaimed part of the River, land now used for agriculture. 19th century western accounts of the town usually tended to begin with a description of the view from the Yangzi of the pagoda of the temple on the island of Jin Shan or, during the storming of the town by British forces in 1842, of troops being disembarked on the mainland across the strip of water at that time still separating Jin Shan from the mainland.\n\nAccording to Doré's description of the Jin Shan temple following his visit during the early days of the twentieth century, \"the visitor was confronted on entering with the Falstaffian figure of the Buddha Maitreya [Mile Fo], the Buddha of the Future, squatting in his turret as guardian of the precincts. Behind him opens out a vast vestibule at the sides of which are four gigantic statues - about fifteen feet in height - of the Four Heavenly Kings, Si Da Jingang, inner guardians of the monks and the monastery. Crossing the inner court, one entered the great Hall. On the altar were two Buddhist triads. Facing North are gigantic statues of Sakyamuni, Yao Shi Fo and Mile Fo, the Buddhas of the Present, Past and Future. Beside Sakyamuni in the centre, stand his two disciples, the old Kasyapa and the young Ananda. Right and left of the altar are the two guardians Li, the Pagoda-bearer and Wei Tuo. Facing South is the Triad San Da Shi: Guan Yin, Wen Shu and Pu Xian. Guan Yin rides over the waves on a sea monster; near by are the rocks of her sacred isle, Pu Tuo and, in between these, sundry immortals and Buddhas were housed. The Golden Boy, Shan Cai and the Naga Maiden, Long Nu are conventionally in attendance on Guan Yin whom the authorities in the temple recognise as formerly having been a god - not a goddess\".\n\nThe second large Hall was the Hall of the Yangzi Spirit, Jiang Shen [Spirit of the River]. Serving as a military barracks at the time of Doré's visit “it retained of its former glories only one ordinary-sized statue of the god, in a lateral niche, viz. a fish about three metres in length carved in wood with a copper plaque providing the honorific", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216077, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 376, "title": "RAS-2002", "content_text": "310\n\nBuddhist temple. The party ended the day at the sunset service at which, in the twilight, before three huge statues of the Buddha, stood the abbot surrounded by serried ranks of robed monks. The whole service was beautifully done with only one incongruity—a small boy walked past with a basket of bean curd wrapped up in a copy of the Los Angeles Daily Herald. The Inspection party continued their journey on to Nanjing that evening.\n\nA typical announcement in the China Inland Mission journal, China's Millions, noted that \"In August 1932 Communist activity in North Anhui had prevented four lady workers of the CIM appointed to that part of the field. They had continued their language training in Chinkiang through the summer\". The policy of the then central government of Chiang Kai-shek placed blame for any banditry on the shoulders of the Communists who were then based in Jiangxi province.\n\nZhenjiang was one of the cities overrun during the Japanese advance on Nanjing in the December of 1937 when the former Concession was largely destroyed in the hostilities between China and Japan. However, Zhenjiang appeared on the international scene at least once more during the run up to the Second World War. In their drive south in April 1938 the Japanese 5th Division crossed the Yangzi at several places including Zhenjiang and pushed on forcing the KMT [Chinese Nationalist] divisions along the River Huai defence line to the south to crumble.\n\nTo frustrate Japanese use of the Yangzi as a route by which to advance into central China the KMT forces sank a number of ships at strategic points including a number near Zhenjiang. To ensure that freight got through Butterfield and Swire transhipped cargo brought down from up-river on to a dedicated boat they kept moored between Zhenjiang city and the entrance to the southern part of the Grand Canal, and then once more transhipped it on to junks which carried the cargo down the Canal south to Shanghai. Parts of Zhenjiang, including the B & S office, were destroyed during the comparatively short period of heavy Japanese bombing preceding the eventual capture of the city and their advance up the River. The small British B & S staff simply moved to the APC installation outside the city.\n\n \n43", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216203, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 502, "title": "RAS-2002", "content_text": "436\n\nAfter a good Chinese lunch at the Lai Yue Mun Restaurant in Xin Hui we took a taxi (RMB250) through the County city of Tai Shan and past some interesting old Chinese villages, including Yeung Do. We arrived at the Guang Hai Bay port of Shen Ju in good time to catch the 4:00 pm public ferry to Shang Chuan Island. The timetable shows ferries leave daily at 9:30 am, 11 am, 2 pm, and at 4 pm, for the crossing that took us just over an hour. They are scheduled for the Shang Chuan to Shen Ju crossing at 7:30 am, 9:30 am, 12:00 and 2:00 pm. A group could otherwise hire a speedboat.\n\nWe were told that the island had been closed to visitors until 1983 and that there was still a sizeable PLA naval base there. As we entered the fishing harbour at the NW side of the island we passed some naval vessels and fishing boats. We also had our first view of the St Francis Xavier Church on the hillside. There were several modern large tourist hotels in the Fei Sha Tan Tourist Resort at the eastern side of the island. We took a public minibus from the port to the Resort. Probably the best of the hotels was the Biyun Tian Hotel (Eastern Harbour View Hotel), though we chose a smaller one. Both faced the beach, with a pleasant esplanade packed with plenty of hawkers in the evening. The choice of restaurants was uninspiring. In the morning we hired a minibus with driver for a half day (RMB150) to show us around the island. He took us to the fishing village, purpose-built in 1992, and over the Cheung Po Chai pirate pass with the Twin Treasure Rocks. He also took us to a grotesque Laughing Buddha cave with little figurines representing the Journey to the West.\n\nSuch were the delights the driver thought we should enjoy, but for us the highlight was the visit to the Church of St Francis Xavier at the NW side of the Island. The church was a simple white tiled building with a plaque above the porch dating the church at 1869. There was reported to have been a church at the spot since 1700 with various restorations from 1813 to 1932. The caretaker unlocked the church for us. There are several rows of pews facing a large wooden cross. On the altar stands a statue of a bearded priest in front of which is a statue of the Virgin Mary. Religious paintings were hanging on the walls. In the centre of the church lay a stone sarcophagus with some Chinese inscriptions.\n\nOutside, a modernist sculpture had been erected by the Yamaguchi", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216205, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 504, "title": "RAS-2002", "content_text": "438\n\nto the spot where he died, by some French missionaries in the 19th Century. Father Kane referred me to Father Antonio Tam in the Macau Jesuit Residence who, despite being elderly, still travelled regularly to St Johns, and was leading a Taiwanese group there the following month. He recommended the services of the Religious Affairs Bureau rather than China Travel to organize our trip, so that we would gain a better insight into the history of Christianity in the area. This proved more difficult than it sounded, but China Travel came to the rescue with a reasonable-sounding itinerary.\n\nOur trip eventually took place in the first weekend of November 2002. China Travel suggested a suitable package tour for five adventurers - Patricia Bierregard, Anna and Michal Niewiadomski, Jenny Wu and myself, Chris Bailey - members of the HK Branch of the RAS. We had planned a varied itinerary including St Francis' Church on the island, Flying Sand beach, Big Buddha and Nine Dragon's cave - with the firm CTS instruction: No missioning! We caught the 8:30 am ferry to Gong Yi from the China Hong Kong Terminal. The sea journey was quite rough until we reached Macau, where a right turn along a Pearl River tributary took us back through time for a pleasant 3 hours viewing village life along the river banks (having upgraded ourselves to the upstairs first-class cabin). The rice-fields at harvest time were particularly splendid and the hamlets looked inviting, with interesting watch towers.\n\nWe disembarked at around 1 pm at the small port of Gong Yi and were met by Roger, our excellent CTS guide who escorted us to the town of Tai Shan for an elaborate lunch. We caught the 4 pm boat for another rough trip across the muddy waters, but in less than an hour were rewarded with the splendid sight of our goal - a white church on the hillside - as we arrived at the island, dominated by a large PLA base. Roger could not tell us how many military personnel were stationed at the base and we glimpsed only a few blue and white uniformed sailors walking along the streets.\n\nThe day's end was approaching and Roger speedily herded us into another vehicle for the short drive to the church, and the resident caretaker opened the gates - we finally climbed the stairs to the recently redecorated church and entered its large wooden doors. The interior was well-kept and featured a large central \"tomb\" with paintings along", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216206, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 505, "title": "RAS-2002", "content_text": "439\n\nthe walls (St Francis healing the sick etc) and statues around the altar. In the surrounding grounds, a garden seemed to have been abandoned; a large copper statue dominated. We managed to snap a few interior shots. With the light fading rapidly, we walked down to a nearby spring from where St Francis was supposed to have drawn his water supply. The stone upon which he is said to have died can still be seen.\n\nWe were rushed onwards for our remaining sight-seeing: a huge, fat Buddha on the nearby hillside, an ex-PLA storage cave which had been turned into the Nine Dragons Cave, complete with waxwork figures, and Flying Sand beach - a lovely 2-mile stretch where our hotel was situated. A few weeks before our visit, the hotels had all been full for the Golden Week holiday in China, but now everywhere seemed deserted except for a few hopeful souvenir shops. The hotel itself was also empty but we were nevertheless given rooms right next to the disco and so were \"entertained\" (or changed rooms in our case) to the sounds of karaoke till 3am.\n\nWe agreed on an early start the next morning, including a pre-breakfast swim despite a chilly wind, to enable us to include an extra sight on our tour, back on the mainland - a typical village with watch tower. Roger, our guide, was very accommodating on this, though as we sped through the outskirts of Tai Shan we also spotted a Ming dynasty pagoda in the distance which looked worthy of investigation: \"No time” was Roger's response, which, at least, provided us a good reason to return.\n\nAfter lunch in Tai Shan, we walked around the central area and Roger showed us a recently completed pedestrian mall. The old facades of the buildings had all been renovated and painted in pastel tones - our photographs look like a typical Macau street scene. Tucked amongst the mall buildings was another church and we were invited inside by the female pastor, Huang Bi Juan. She gave us a brief history of the \"Three Self Patriotic Protestant Church\" and its present active role serving some 200 local families.\n\nWe took the country road for our return journey and soon spotted a suitable village with watchtower. We wandered into our chosen village with its harvest of golden grain spread out to dry in the sun in front of the houses, and spoke to some elderly residents - one old lady was 105", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216308, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 67, "title": "RAS-2003", "content_text": "16\n\nappear during the Northern Song Dynasty (960-1126). In the year 1066 the Northern Song Emperor Ying Zong (1063-1067) built a new Big Buddha Hall (Da Fo Dian) and the New Precious Pagoda (Xin Bao Ta) on this same site. Although at that time it was named Kong Xiang Si, it is from this date that Longhua Temple's history can accurately be traced through a continuous progression of events up to the present day. In fact, it is even possible that the 11th Century Xin Bao Ta is the same pagoda which still stands today, albeit after having been repeatedly repaired and restored countless times.\n\nDuring the Li Zong reign (1224-1264) of emperor Zhao Gui Cheng at the end of the Southern Song Dynasty (1127-1279), four boundary stones were erected in 1262, one in each of the four corners of the temple's property. Two of these supposedly still exist today, and one of them can actually be seen in the Mu Ta Yuan, lying on the ground beside the Tao Ming Chan Si Mu Ta.\n\nIn the Yuan Dynasty (1279-1368) the temple was given several land grants which added considerably to its territory. However, at the end of the Yuan Dynasty the temple buildings were completely destroyed during a battle, except for the Bao Ta pagoda, which is recorded as somehow miraculously surviving the conflagration, as it supposedly would in many similar situations throughout the temple's history.\n\nThe third Ming Emperor Yong Le (1403-1424) completely rebuilt the temple from the ground up between 1410-1416, and also changed its name from the Northern Song Dynasty name of Kong Xiang Si to the present day name of Longhua Si. Later, the Shan Men front gate was built between 1506 and 1521.\n\nThe structures built by Yong Le importunely had a short life span of only 140 years as the whole temple was destroyed during an invasion by Japanese Wako pirates in 1553. Nonetheless, after the destruction of the Wako pirates, the Ming Dynasty began a reconstruction project which lasted for about ten years, from 1563 to 1574. However, during the late Ming Dynasty the temple suffered from neglect and only one new hall, the Scripture Storage Pavilion (Cang Jing Ge), was built in 1611. A Cang Jing Ge is used by a temple to store the Tripitaka (San Zang) scriptures.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 68, "title": "RAS-2003", "content_text": "17\n\nIn the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge).\n\nIt will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery.\n\nDuring a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time?\n\nAfter a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216311, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 70, "title": "RAS-2003", "content_text": "19\n\nestablished to restore order within the temple's community of resident monks. In 1944 this committee restored the Da Xiong Bao Dian, and the next year, 1945, the Bao Ta. Once the Sino-Japanese War had ended, in 1946 life in the temple returned to a resemblance of its pre-war normalcy. However, the tranquility which existed within the temple for the next three years was suddenly disrupted when the Communist's captured Shanghai in May 1949 and proclaimed the People's Republic in October 1949. With all the disasters the temple had survived over the previous 900 years, the worst was yet to come.\n\nPeople's Republic, 1949-2003\n\nIn June 1949, one month after their capture of Shanghai, the new Communist government took over the temple, and on October 1, 1949, the day celebrating the establishment of the People's Republic of China, the Red flag of the P.R.C. was flown from the top of the pagoda. This unprecedented disrespect shown by the new regime to the temple by flying its flag from the pagoda was only the first in a series of incidents which illustrated the temple's now endangered status. The temple grounds were drastically reduced in size by at least two-thirds when their garden area was seized by the state and converted into Longhua Park in 1954. The temple's halls were temporarily appropriated by the government in January 1956 for a series of meetings held between local government officials and Chinese businessmen to explain and then celebrate the new policy of abolishing private enterprise in favor of a new system of joint private-state companies. The celebration involved a party for 2,000 people which undoubtedly included activities such as smoking cigarettes and drinking alcohol which are contrary to the Buddhist faith. This temporary appropriation of the temple by the government for non-religious purposes was herald of worse things to come during the Cultural Revolution (1966-1976).\n\nIn the summer of 1966 Longhua Temple suffered a devastating series of events over a one month period which destroyed nearly all vestiges of its centuries old heritage. On August 24, 1966 a mob of more than 1,000 Red Guards (Hong Wei Bing) rushed into the temple and in one day destroyed all of the temple's Buddha statues, library of books, treasures, and art work. The next day, August 25, the Red Guards returned with the intention of destroying the Longhua Pagoda (Bao Ta), which we've seen had probably been built in the Northern Song", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216312, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 71, "title": "RAS-2003", "content_text": "20\n\nDynasty (960-1126). First they tied ropes around the base of the pagoda and tried to pull it down, but when this failed they poured oil all around its base, intending to set it on fire and burn it down. At this stage the account recorded in the local records (zhen zhi) states rather mysteriously that \"the strong opposition of the residents and other people\" forced the Red Guards to give up. Thanks to the intervention of these nameless people, the pagoda repeated its performance of having miraculously survived many upheavals throughout the temple's history.\n\n1\n\nNonetheless, the destruction of the relics within the temple halls continued for another month. On September 3rd an estimated 103 antique relics found in the temple were looted. This was followed on September 14th by the intentional destruction of the Da Cang Jing, a sacred Buddhist scripture which weighed 1,763 kilograms before it was shredded into waste paper. Finally, on September 30th the Ming Dynasty bronze bell in the Bell Tower (Zhong Lou), which weighed 2,574 kilograms, was cut into pieces and melted down as scrap metal, as was the last remaining Buddha statue, which had been a gift of Ming Emperor Wan Li, and weighed 334 kilograms.\n\nHaving now been destroyed as a functioning temple, all that remained were the empty buildings. In 1967 the temple buildings were all rented out as warehouse storage space to the China Rice and Oil Import Export Co. The one exception was the Master's Room (Fang Zhang Shi), in which some monks may have continued to live a hidden existence.\n\nAfter 15 years of having been closed as a place of worship, Longhua Temple was finally reopened in February 1981 after three of the main halls had been repaired, including the Mi Le Dian, Tian Wang Dian, and the Da Xiong Bao Dian. The government tried to make further amends in 1983 by giving the temple a new set of scriptures known as the Long Cang, which had been preserved in the Shanghai Library. In 1984 the Bao Ta pagoda was repaired, and these repairs continued with the restoration of the San Sheng Dian in May 1986.\n\nIn 2001 a giant new shopping centre called Longhua Tourist City was built behind the pagoda, but this surprisingly has not damaged the environment, and in fact has added the convenience of additional restaurants in the area at which one can rest after a long day's exploration.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216314, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 73, "title": "RAS-2003", "content_text": "22\n\nsuccessive courtyards which separate the six main halls on the central axis. All told there are about a dozen halls, towers, and pavilions, each containing golden effigies of a wide variety of various Buddhist deities. This goes well beyond the typical scale of the average Buddhist temple which normally has only three main halls and sometimes just one.\n\nIn this first courtyard are four stone relics of uncertain age, but probably not older than the Minguo era at most. These include two stone lions and two octagonal stone lanterns, all four enclosed by stone railings. Two large trees in the courtyard were transplanted here in January 2004. On the right side of the courtyard is a new expanded gift shop (shu dian) added in January 2004. It offers not only Buddhist trinkets, but a fine selection of Chinese language books containing histories of Longhua Temple and Buddhist scriptures. Until 2004, there was not a single published history of Longhua Temple available for sale here, but late in December 2003 no less than three new well-researched titles on this topic were published, several of which can be found here.\n\nThe first main hall is the one-story Maitreya Buddha Hall (Mi Le Dian). This hall dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. It is dedicated to the Maitreya Buddha of the future, known in China as Mi Le Fo, and depicted here as the fat laughing Buddha of the Song Dynasty (960-1279). This Mi Le Fo image is a golden effigy, seated on a square stone base and protected by a glass case. He is depicted as having a third eye in the centre of his forehead. The Buddha can be seen from the first courtyard through a partially open gate of the hall, but the hall itself cannot be entered without passing through the adjoining orange wall into the second courtyard and entering from the other side.\n\nAlthough, Mi Le Fo usually does occupy the first hall of many temples, he often has to share his space with the Four Heavenly Kings (Si Tian Wang). In this case he has the whole hall to himself, the kings occupying a separate building of their own. Until January 2004 he had to share his home with the temple gift shop (shu dian), but this has now been moved out to a separate new hall in the first courtyard.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 75, "title": "RAS-2003", "content_text": "24\n\nas seated, holding a long-stemmed lotus flower with a small temple perched on the blossom, and has a third eye in the centre of his forehead. Wei Tuo Pusa is represented by a golden statue in which he poses wearing armor and holding a drawn sword. Wei Tuo is the protector of all Buddhist temples.\n\nOn the other side of the Tian Wang Dian is the third courtyard, on the far side of which is the Hall of the Great Hero (Da Xiong Bao Dian). This hall's origins date to an 1878-1879 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebels' attacks on Shanghai in 1860-1862. The hall was closed for a massive reconstruction and renovation in November 2002, but had been reopened by January 2004. The interior is now nothing less than spectacular. Three large Buddhas (San Fo) are placed in the centre. Sakyamuni Buddha stands in the centre, flanked on the left by the bodhisattva Samantabhadra (Pu Xian) seated on an elephant, and on the right by the bodhisattva Manjusri (Wen Shu) seated on a blue lion. Overhead the hall's ceiling is pierced by a massive wooden dome that spirals upward, looking much like the wooden domes (Zao Jing) often found over traditional Peking Opera stages (Xiju Wutai). Behind the San Fo facing out the rear exit is a large Guanyin statue in front of a floor-to-ceiling landscaped rockery covered with smaller figurines depicting the Buddhist heaven and hell. Along the side walls stand 36 quite expressive human statues of the Buddhist saints, 18 on each side of the hall. This is an unusual number, which seems to include 16 Arhats (Luohan) and 20 Devas (Zhu Tian), and an assortment that includes such non-Buddhist figures from Chinese tradition as Confucius (Kong Fu Zi), the War God (Guan Di), the God of Literature (Wen Chang), and the Kitchen God; Hindu gods such as Brahma, Indra, and Yama (Yen Lo); as well as Buddhist deities such as the Four Heavenly Kings (Si Tian Wang) and the bodhisattva Wei Tuo as well. The hall also houses one of Longhua's three bronze bells, this one dating from 1586.\n\nOn the other side of the Da Xiong Bao Dian is a fourth courtyard. On the far side of this fourth courtyard is the Hall of the Three Gods (San Sheng Dian). This hall is dominated by enormous floor-to-ceiling golden statues of three Buddhas (San Fo) who appear side by side in an unusual standing position with golden flames rising up behind them. In the centre is Amitabha Buddha (O Mi Tuo Fo), to your left is the bodhisattva Da Shi Zhi, and on your right is the bodhisattva Guan Shi Yin.\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216317, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 76, "title": "RAS-2003", "content_text": "25\n\nYin. While Guanyin has compassionate mercy for those in need, it is Da Shi Zhi who possesses the power to actually carry out her acts of kindness. The San Sheng Dian houses by far the oldest of Longhua's three bronze bells, this one supposedly dating from 1132, which would also make it the oldest historic relic the temple possesses today. The hall itself dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1986.\n\nImmediately behind the San Sheng Dian is a walled garden with trees which unfortunately is closed to the public. Inside this walled garden is a fifth main hall, the Abbot's Quarters (Fang Zhang Shi), which is for the private use of the resident monks and their master, the Fang Zhang. It was the only hall which the monks maintained control of during the Cultural Revolution. Normally it is kept off limits to the public and cannot be visited. However, the author was able to steal a glimpse and found that the hall was furnished with rows of large armchairs, and lacked any large statues. Possibly it is a modern day form of the Meditation Hall (Chan Tang). At the far left end of the hall is a small office decorated with framed color photos of the temple's Buddhist leaders posing with Communist Party leaders such as Jiang Zemin.\n\nBehind the Abbot's Quarters is the sixth and final courtyard, and the sixth hall on the central axis, the newly built two-story Scripture Hall (Cang Jing Lou). This modern building holds most of the temple's few genuine relics, including a library of 7,000 Qing Dynasty volumes; a Ming Dynasty gold seal given to the temple in 1598 by the emperor Wanli (1573-1620); a Ming Dynasty gold-plated bronze Buddha statue; Tang Dynasty scriptures; and a copy of the Heart Sutra dating from the year 1098, the fifth year of the Zhe Zong reign (1085-1100) of Emperor Zhao Xu of the Northern Song Dynasty (960-1126). Exactly how these relics survived the destruction of the Taiping Rebellion, the lengthy military occupation of the Min Guo era, and the Cultural Revolution is unclear. Possibly they were donated to the temple sometime later. Unfortunately the public is not welcomed to visit this sixth hall, and the relics are kept hidden from view, although photographs of them appear in a recent pamphlet sold at the temple's bookstore.\n\nHidden in a seldom visited corner of the temple grounds on the east side of the Fang Zhang Shi's walled garden is a smaller garden", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 77, "title": "RAS-2003", "content_text": "26\n\nwhich is open to the public, the Mu Ta Yuan, so named for the Tao Ming Chan Si Mu Ta, a broken stone tomb pagoda dating from the year 1667 in the reign of Emperor Kang Xi which stands in the centre. The Mu Ta is a hexagonal stone pillar on a lotus flower with a round stone ball balanced on top decorated with dragon images wrapped around it. Two faint inscriptions can be seen on either side of the pillar. Lying on the ground beside the Mu Ta is a broken piece of an ancient inscribed tablet. This is one of the original four boundary stones of Longhua's predecessor Kongxiang Temple dating from the year 1262 in the late Southern Song Dynasty (1127-1279). Near the Mu Ta are three stone statues of a mythical animal, the Si Ge Lin Shou. These broken stone remains may be the oldest relics on the site, but their age, origin, and significance seem a mystery. In one corner of this courtyard is a corridor connecting with the Longhua Hotel next door. At the rear of the courtyard is the monk's Dining Hall (Zhai Tang), not to be confused with the separate Vegetarian Restaurant (Su Cai Guan) intended for public visitors located on the right side of the Da Xiong Bao Dian beneath the sign of the large wooden fish (pang) hanging from the rafters.\n\nTwo long barracks-like halls run along almost the full length of the western side of the temple compound and are divided up into many small Buddhist chapels. The major ones include the Arhat Hall (Luo Han Dian), and the Goddess of Mercy Hall (Guan Yin Dian). The Luo Han Dian is a new addition to the temple, added sometime during 2002. It features small golden statues of 500 arhats or Buddhist saints. This chapel has become quite popular with worshippers, but one woman who had just finished praying mistakenly told the author there were 800 arhats, testimony to the newness of this innovation. The Guanyin Dian is on the left side of the fourth courtyard and features an impressive golden statue of Guanyin, who is depicted as facing in all four directions, and has 1,000 arms. Many of her hundreds of hands hold objects of special significance.\n\nIn between the Luo Han Dian and Guanyin Dian is yet another hall, seemingly nameless, which although devoid of architectural splendor does have three splendid gilded Buddha statues. These three include Sakyamuni Buddha (Shi Jia Mou Ni Pusa) in the centre, Manjusri (Wen Shu) on your left, and Guanyin on your right. The interior walls of this hall are literally covered with memorial slips of paper and photographs meant to commemorate lost loved ones. It is", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216319, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 78, "title": "RAS-2003", "content_text": "27\n\nalso in this hall that one is most likely to see the resident monks performing ceremonies which include chanting and the use of musical instruments such as cymbals and drums.\n\nA second long barracks-like hall hidden behind the first one is known as the Jade Buddha Hall (Yu Fo Dian), and contains other side chapels which are usually kept closed and only opened on special occasions. One of these is a chapel which contains an unusual Reclining Jade Buddha (Yu Wo Fo) like the one at the Jade Buddha Temple (Yu Fo Si). Above this chapel is a second floor with another image inside a glass case, and windows looking down on the gardens of Longhua Park next door.\n\nThe monks' residence is in a separate set of buildings in a back corner of the complex and is off limits to visitors. Through the windows of the second floor can be seen their private library stacked with books.\n\nApproximately 90 resident monks live here now, with another 30 student monks in apprenticeship. The temple's current abbot is Master Ming Yang. The monks of Longhua supposedly belong to the Chan Zong sect (Zen) of Chinese Buddhism. However, the vast array of gilded effigies here, representing the whole Buddhist pantheon of deities, makes one wonder about the accuracy of this claim or the status of Chan Buddhism in China today. Chan was originally an iconoclastic sect which prohibited use of images of any kind. At least one resident foreign monk was noticed living here in January 2004, made obvious by his large crooked nose, white skin, and wide girth, as well as his lateness for morning prayers.\n\nColor photos of Longhua Temple can be seen in the author's Vol. I of his New Yangzi River series, entitled Shanghai and the Yangzi Delta, published by Times Publishing Ltd. of Singapore in 2004.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216509, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 268, "title": "RAS-2003", "content_text": "220\n\nBuddha. After all, the Greeks had settled here even earlier, in the third century BCE. Other examples, before being blown up in 2001, were the huge images of Buddha carved out of the cliff in Bamiyan, Afghanistan, with their moulded mud and stucco draperies. Alexander's forays and settlements to lands well to the east of his Macedonian homeland remind us that several of the cities that Tucker describes were far more ancient than the Silk Road. Babylon, which fell to Alexander in 331 BCE, had already by then been the Middle East's most magnificent city for over fifteen hundred years. The earliest city to occupy the site of Chang'an was in existence before 1000 BCE.\n\nTucker manages to convey a huge sweep of history and geography. You will need time to read this book as, if you merely dip into it, you will lose the interconnecting threads, which are the crux of his thesis, i.e. that, throughout fifteen hundred years, numerous cultures met along the Silk Road and nourished each other's creative spirits. You will need to read it at a table because it is too heavy to read on your knees. And you will need an atlas alongside it that has maps showing some realms not often shown on a single spread. Your maps will need to show the geographical proximity of the towering mountain ranges of the Pamirs and the Hindu Kush with the drainage basins of the Aral Sea to their west and north and with the upper tributaries of the Indus to their east and south. The passes connecting these regions beckoned both Alexander and, nearly two thousand years later, Tamerlane, both intent on conquering and settling the north of the Indian subcontinent. You will need a single map to show the vast latitudinal spread of the great grasslands, deserts and semi-deserts from Turkey to northern China over which the nomads galloped. It was along these northernmost routes of the Silk Road that the Mongols charged on their terrifying way to Vienna, besieging it in 1241 and only withdrawing because they had to travel back, unexpectedly but unavoidably, all the way to Karakorum to appoint a new Grand Khan. The Silk Road saw many such events that were turning points in history, such as when in 1218 the governor of a city in what is now Kazakhstan killed an envoy of Ghengis Khan, suspecting that he was a spy, an action that precipitated the wrath of the Khan, and \"was to propel the world into an abyss, setting in motion a chain of events that would lead to the deaths of millions of people from the Danube to the Sea of Japan' (p.221) - because Ghengis Khan's horsemen set out to avenge this insult, inflicting terrible retribution on all in their path.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]