[
    {
        "id": 207807,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 195,
        "title": "RAS-1976",
        "content_text": "180\n\nMICHAEL SMITHIES\n\ndevelopment from this, a temple built around a solid core. A narrow passage runs around the central core in which is set a niche containing the principal Buddha statue. The hollow temple, with immensely thick walls to support the weight of the vaulted roof, was in its early stages a core with the passage around and an antechamber or nave in front, usually on the eastern side. The stupa rising above the core could be of any shape, the Singhalese bell form or the stepped figured squares topped with a pinnacle, a form inspired by Pala architecture from India (particularly from one of the sacred Buddhist shrines at Bodh Gaya where the transformation of the Buddha took place). A development from this simple shrine is the Greek cross plan exemplified by the magnificent Ananda temple built by Kyanzittha, Anawrahta's son, in 1091. This still has the solid core but a double gallery around and antechambers on the axes of all four sides. A further development of this was where the whole temple was raised a level and the central core shifted slightly to contain and enfold the main Buddha facing east; the Thatbinnyu and Sulamani temples are good examples of this later style.\n\nOf the early buildings the Ananda is undoubtedly the most impressive, and the recent (mid-1975) earthquake, far from apparently damaging the building, has removed in parts the plaster and whitewash and shown the arching to be of bricks of alternating light and dark colours. The four main statues in the teaching posture have with overgilding lost their interest, but they impress by their size and the illumination from the hidden upper windows which show the Mon craftsmen as highly skilled technicians. The numerous glazed terracotta plaques ornamenting the base of the temple tell different Jataka tales (the lives of the hundreds of Buddhas before the Gautama Buddha and often taking the form of morality fables) and the small stone sculptures set in the internal walls tell the story of the life of the Gautama Buddha himself.\n\nThe terracotta plaques (the great invention of Pagan, as the distinguished archaeologist Bernard Groslier indicated in a lecture to the Hong Kong Branch of the Royal Asiatic Society at Pagan) can be seen at their best at the very late (1284) Mingalazedi temple, a little damaged by the earthquake, and the two Petleiks of the 11th century, where the exceptional series is preserved almost in entirety.\n\nThe early temples near Myinkaba are remarkable for their excellent preservation and for the quality of their decoration. One\n\nPage 195\n\nPage 196",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 207808,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 196,
        "title": "RAS-1976",
        "content_text": "The Ancient Mon-Pagan, Peru & NAKORN PATHOM 181\n\nof the earliest is also one of the most unusual; the Nanpaya has beneath the spire four square pillars of stone each of which on two sides has a figure of Brahma holding lotus flowers in both hands. This is reputed to have been the residence of the captive Mon king Manuha, but this seems unlikely; it could have been his particular temple. The figure of Brahma in what was almost certainly a Buddhist temple is not impossible to explain away; the Brahma carvings face towards the central square pedestal which, originally, would have had a statue of the Buddha, possibly one looking in four directions; Brahma, a representative of Hinduism would be looking towards, and lower than, the Buddha. The temple is exceptionally faced with stone throughout, and the quality of the window pediments very fine.\n\nThe Abeyadana temple, not far away, is attributed to King Kyanzittha but an inscription determines his chief queen as the founder. It has a prominent harmika or bulge on the spire above the central core and a large seated brick Buddha in a recess in the core to the north (the whole temple is oriented to the north). The temple's great importance is in the quality of the paintings it still possesses, with Hindu gods and deities of Mahayanist Buddhism round the core and some excellent Jataka scenes with Mon inscriptions in the walls of the front projecting nave.\n\nAlmost opposite this temple is the Nagayon. It has good proportion and a very dark corridor pierced with five windows running round the central core. The quality of the paintings illustrating Jataka tales with Mon and Pali inscriptions is good.\n\nThe two Seinnyet temples are a little further south; the Ama is a square temple with four main porches, and the Nyima a solid stupa on three terraces. Lastly in this group is the Lawkanada stupa, built in 1059 by Anawratha beside the Irrawaddi, over which a magnificent view is obtained at sunset.\n\nOf the temples in the central area, nothing remains of the bulbous Bupaya stupa which fell into the river in pieces in the earthquake. The Gawdawpalin of the later period suffered severely and its tall finial is no more. In style, however, it resembles the Thatbinnyu which was built in the middle of the twelfth century. Only the eastern porch projects from the main plan, and the first floor where the main Buddha is located is reached by two narrow passage stairways built into the walls. The effect is of considerably greater height than the earlier buildings. As it is still in use it is",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 207809,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 197,
        "title": "RAS-1976",
        "content_text": "182\n\nMICHAEL SMITHIES\n\nwhitewashed, and any paintings there might have been are obliterated. The views from the upper floor, particularly over the river and the plain at sunset, are of remarkable beauty and peace. The Manabodhi is a late temple modelled on the Pala decorated spire. The Shwesandaw pagoda outside the old city walls is a solid stupa raised on five terraces and was the first built after the conquest of Thaton and nearby is the Shinbinthalyaung or sleeping Buddha of the 11th century; like most such images, being horizontal rather than vertical, it fails to impress and is too narrowly confined within its building.\n\nIn the village of Nyang-U is to be found the much-revered Shwezigon pagoda, which is believed to contain a bone and a tooth of the Buddha. It was started by Anawratha and completed by Kyanzittha. The gilded cone of the stupa cannot be seen at present as it is sheathed in a decorative and complex framework of bamboo scaffolding in order that repairs to earthquake damage can be carried out. The only noticeable damage was to the hti or gilded and jewelled ornamental umbrella at the top, which as Groslier pointed out were 18th and 19th century additions to temples of no archeological and little artistic consequence. However, the Shwezi-gon hti is currently displayed in a building on the ground floor and one can see the precious stones close to. Of more consequence is the magnificent Kubyaukki near Wetkyiin village. This is fairly late, dating from the early 13th century and relatively small, with a stupa in the Bodh Gaya form. Its importance lies in the very good state of preservation of the wall paintings, neatly lined up in rows and illustrating the Jataka tales with a Burmese inscription beneath each scene. The colours are still in very good condition. Unfortunately most of the paintings on the lower half of the nave were removed to Germany by Thomann at the end of the nineteenth century, but what remains in place is extremely fine.\n\nHtilomino, built in 1211, is a double-storeyed building like the Thatbinnyu. There is some excellent stucco decoration still on the building, particularly on the frieze below the cornice, the ornamental corner pilasters and the pediments of the arches. There are four Buddhas on the ground floor as well as the floor above. Like all the other temples, this was once painted, but little remains except some decoration on the vaulting. Sulamani and Dhammayangyi are located near to each other and are superficially similar, the former dating from 1183 and the latter from the middle of the 12th",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    }
]