[ { "id": 204416, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 48, "title": "RAS-1962", "content_text": "THE BUDDHIST CAREER\n\n39\n\nintention to become a monk under the auspices of a master (not necessarily the same one with whom he might have taken the Refuges). \"Leaving home\" was a simple ceremony. The layman went to a barber, had his head shaved, except for a patch of hair on top, and repaired to his future master's temple, where he burned some incense and kowtowed first to the Buddha image and then to the master. Thereupon the latter shaved off the remaining patch of hair in the presence of witnesses and at this moment the layman became his disciple. There are several kinds of master-disciple relationships, but when a Buddhist monk speaks simply of his \"master\" or shih-fu, he means his tonsure-master, or t'i-tu en-shih #1824p, that is the one who shaved his head.\n\nBy leaving home he became a novice, or sha-mi, which is the Sanscrit word sramanera (not to be confused with a sha-men, that is, the sramana, or advanced monk). Notice that he had not received the novice's ordination (as he would have at this stage in a Theravadin country), but he was already called a novice and lived as one; that is, he wore a monk's robe, ate vegetarian food, and observed all the Ten Vows. These vows are, besides the first five mentioned above, not to attend theatricals or dancing parties, not to wear perfume or adornment, not to sleep on a high or large bed, not to accept gold or silver, and not to take food after noon (this last prohibition was ignored by most monks in China on the grounds that the climate was too cold). The disciple lived with his tonsure master in the latter's small temple for a period of training that, according to the rules, lasted three years, but was often shorter in practice. He learned not only ritual and liturgy, but also what it was like to be a monk. It was a trial period, from which he could withdraw at any time without embarrassment, and some did withdraw. At the end he was taken by his master to a big public monastery, shih-fang ts'ung-lin, for ordination. If he lived in the north, he might go to the Kuang-chi Ssu in Peking. If he lived in the south, he might go to Pao-hua Shan, which is not far from Nanking. These two were very strict and he could be sure that if he were ordained there, it had been done correctly. At Pao-hua Shan four or five hundred novices would come to be ordained every autumn and in the spring another four or five hundred would come. Sometimes as many as a thousand came", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 205377, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 139, "title": "RAS-1967", "content_text": "132\n\nREV. MR. KRONE\n\nTo the left of the temple of Confucius, is the temple of “Kwan-kung”關公—the God of War; and on the right another one dedicated to \"Man-tai\", the God of Literature. Behind the latter is the hall Ning-lun, in which the public examinations are held. The literati and elders meet here on special occasions. In the vicinity of these edifices is the temple of “Sha-nung”神農—the God of Agriculture; and before it extends a piece of ground, on which the chief magistrate has to plough a few furrows at the beginning of spring, in accordance with an ancient custom. Near the sea-shore is a large space of ground, which serves for drilling the military, and on which the military examinations are also held. On it also a hall is erected for the accommodation of the officers.\n\nNot far from this place is a Buddhist temple, which contains images of the three Buddhas, and of the eighteen Lo-hou, which are Buddhist demi-gods. In front of the three Buddhas is a tablet, before which the devotees worship the reigning dynasty. On this tablet is the inscription \"Ten Thousand years!\" Farther above this is another tablet with the characters \"Protect my black-haired people.\" The chief magistrate is obliged to repair here once a month, and to prostrate himself before these tablets.\n\nOther edifices worthy of notice are, a five-storied pagoda, a temple to the well-deserving mandarins Wong and Lau, and an altar to the Gods of Land and Grain. Outside the town is the execution ground, and here, in 1854, many rebels were decapitated, and there might be seen at times the heads hung up in baskets as a warning to the people.\n\nThe fort and city of Kowloong are sufficiently known, and there is but little to say of them. The low walls and miserable forts have often been visited by foreigners. The environs of Kowloong contain some curious mementoes of history, of which the rest of the district is destitute. Ping-tai, the last of the Southern Emperors of the Sung dynasty, fled with the remnant of his faithful adherents to the province of Canton. Near Kowloong he attempted to build himself a palace, which however he was unable to complete, and the situation is now marked by a temple to \"Pak-tai”北帝—the God of the North. One of his high officers died here, and his tomb is situated on a hill, which is called to this day Sung-wang-tai. These three characters are engraved on\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 207919, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 307, "title": "RAS-1976", "content_text": "292\n\nNOTES AND QUERIES\n\nCHINESE PRESERVED MONKS (肉身塑像)\n\nThe preservation by both Taoists and Buddhists of the bodies of famous monks and abbots by lacquering, varnishing or coating and embalming in clay was not as uncommon as one would think. It is only too easy to see how after the death of a particularly wise and beloved abbot, his presence would be badly missed throughout the monastic community. They would begin to venerate his memory and perhaps even a cult might emerge. Again we can visualise that his contemporary detractors, should there have been any, would eventually die and their prejudice, jealousy or even dislike perhaps, would fade in time. The opposite however, would be true of the memory of his wisdom, piety and gentleness. Another major motive for the preservation of such saints and very religious monks was the very mundane desire to obtain more funds for the religious institution by exhibiting the body to the faithful. In some monasteries such mummies were kept in private apartments hidden from public gaze. They had been members of a community, so their brethren claimed, and only other members had the right to see them. Most monks were cremated after death and their ashes retained in reliquaries in their monastery.\n\nSome of the more famous \"preserved monks\", or 'fleshy bodies' which is a direct translation from the Chinese, displayed or kept for personal reverence, were to be found in the following temples and monasteries:\n\nPai Sui Kung on Chiu Hua Shan, Anhui\n\nTsu Shih T'ien on O Mei Shan, Szechuan\n\nTien T'ai Ssu in the Western Hills near Peking\n\nYuch Lin Ssu in Chekiang\n\nNan Hua Ssu in Northern Kwangtung\n\nTien An Fu below T'ai Shan in Shantung\n\nHui Chu Ssu in Pao Hua Shan, Kiangsu.\n\nThere is also one such in the Temple of Ten Thousand Buddhas above Sha Tin, Hong Kong.\n\nA Danish architect, J. Prip Møller1 spent a considerable time in the early thirties touring around many monasteries throughout China in his research into monastery construction. He referred on several occasions to 'fleshy bodies' set up as images in monastery", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207923, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 311, "title": "RAS-1976", "content_text": "296 \n\nNOTES AND QUERIES \n\n(A✯✯) who founded the Ten Thousand Buddha Temple above Sha Tin in the New Territories, Hong Kong in 1951 (erroneously recorded as 1961). He was a widely known and admired monk who at the age of 24, according to the Temple broadsheet, had been named Buddha Simba in recognition of having perceived the cause of the Universe. He was born in Yunnan in 1878 into the Wu (A) family and was educated in Shanghai and Peking. In the latter place, the record states, he was a \"professor of philosophy\" at Yenching University at the early age of 19 in 1897 before he became a monk. He preached throughout his life and died in April 1965 at the age of 87 in his temple in Sha Tin.\n\nThe story of his interment, exhumation and preservation is described in the temple brochure. The body was placed in a seated position, cross-legged in a wooden box and buried on the hillside behind the temple. There it remained for eight months. Yueh Chi, during his latter days, had instructed that his body should be exhumed after such a period of time, and when uncovered it was found that very little decomposition had taken place. A mark on the lower side of the right ribs excited comment as it appeared to be an image of a tiger, and another on the breast that of a human head. The body was then gilded, dressed in a salmon pink robe and a five-leaf vairocana crown, and enthroned in May 1966 in front of the large image of Amida Buddha which towers some twenty-five feet above him (plate 28). Another image, carved ostensibly in his likeness, is enshrined in a glass case in the rear of a Buddhist nunnery on a spur some two miles from the Ten Thousand Buddha Temple. This carving, one suspects, is stylized. It is gilded, apart from a heavy beard and a head of hair painted shiny black. The image holds a fly whisk, and has a pair of slippers before his throne, but has no crown.\n\nOther forms of image based on human remains, usually of laymen rather than of monks, such as those seen in Singapore and Ipoh made of a mixture of concrete, sand and human ashes, have not been included in this article. Whereas most wealthy devotees achieve recognition by having their donation details carved on the monastery wall, a few, however, will their ashes to be mixed and made into an image in their likeness, warts and all, in addition to donating a final large sum to the establishment.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 209995, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 254, "title": "RAS-1983", "content_text": "232\n\np. 109. Yang, C. K., Religion, pp. 16-17.\n\np. 110. Tawney, R. H., Land and Labour in China, London, 1932, p. 77.\n\np. 114. Levy, Howard, S., Chinese Footbinding: the History of a Curious Erotic Custom, Tokyo, 1966, p. 56.\n\np. 116. Doolittle, Social Life, Vol II, p. 198.\n\np. 116. Little, Mrs. Archibald, In the Land of the Blue Gown, London, 1912, p. 209.\n\np. 121. Yang, Martin C., A Chinese Village: Taitou, Shantung Province, London, 1948, pp. 239-240.\n\np. 130. Smith, Arthur H., Characteristics, p. 254.\n\np. 130. Huc, M., The Chinese Empire, London, 1859, pp. 298-299.\n\np. 136. De Groot, Religious System, Vol II, p. 793.\n\np. 137. Arlington, Dragon's Eyes, p. 158.\n\np. 140. Smith, Arthur H., Characteristics, p. 275.\n\np. 141. Graham, David Crockett, Folk Religion in Southwest China, Washington, 1961, p. 123.\n\np. 146. Forster, L., Echoes of Hong Kong and Beyond, Hong Kong, 1933, p. 52.\n\np. 147. Peplow and Barker, Around and About, pp. 176-177.\n\np. 150. Smith, D. Howard, Religions, p. 102.\n\np. 152. De Groot, Religious System, Vol I, p. 271.\n\np. 152. Welch, Holmes, The Practice of Chinese Buddhism, 1900-1950, Harvard, 1967, p. 343.\n\np. 152. Ng Shing Kup, The Great Events of the Ten Thousand Buddhas Temple, Hong Kong, 1973, pp. 40-41.\n\np. 156. Cormack, Birthday etc. Customs, p. 26.\n\np. 158. Bredon and Mitrophanow, Moon Year, pp. 427-428.\n\np. 158. Doolittle, Social Life, Vol II, p. 70.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 211635, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 50, "title": "RAS-1989", "content_text": "25\n\nwhich is reserved exclusively for the occasion. The offerings must include red pork and two long stems of bamboo in leaf; these are laid out on special tables placed on small stools so that they do not touch the ground and be defiled.\n\nThe Jade Emperor's image has been noted on altars in nine temples in Hong Kong and in two in Macau. It is also to be seen on numerous altars throughout South-East Asia and in Taiwan. In Taiwan his image appears alone or with two or three attendants on a number of secondary altars and even on side altars. In Hong Kong he is the main deity in six of the nine temples and is the major deity on a secondary altar in the other three.\n\nThe most fascinating image of the Jade Emperor in Hong Kong is to be seen in the upper level hall of the Monastery of the Ten Thousand Buddhas in Shatin where he is flanked by two of his ministers. In a large number of temples in which he is the main deity the Jade Emperor is supported in this way by the two stellar deities, each in his own secondary altar flanking the main altar with the Jade Emperor. They are the Lord of the Northern Bushel and the Lord of the Southern Bushel, Nanpei Tou (jjdk-1-). There are also a number of images of attendants flanking the image of the Jade Emperor, and on occasions the Civil and Military Judges (Wenwu P'ankuan).\n\nHe is the main deity in a tiny temple near Shaukiwan on Hong Kong island, a tiny image in a small single-room temple occupied by one elderly lady, the temple keeper. The original occupants were refugees from Yunnan province in the early fifties, dead these many years. By the mid-seventies the temple was being kept spotlessly clean by the elderly lady who had been an amah to a long-departed English family. She explained that she had to earn her keep somehow, especially as her husband had already 'long time gone topside'.\n\nIn Penang people will tell you that the small red shrine outside their shop or house is dedicated to the Jade Emperor even though neither his name nor title is recorded anywhere.\n\nSupporting the Supreme Deity is a Board or Ministry of Thirty-Six Ministers, with duties to supervise junior celestial officials and clerks, whose images are rarely to be seen on altars though on temple murals all thirty-six are frequently portrayed. Their role is to control and run", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 214237, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 95, "title": "RAS-1998", "content_text": "58\n\nseen in a comparatively modern temple near Taipei. A lengthy tunnel connects the main part of the Kuan Tu temple complex, to the North-west of Taipei, with the front entrance overlooking the Tamshui River. Some twenty-eight images stand in glass-fronted niches carved into the rock down the sides of the tunnel. These large individual images are of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha. They have no altars and as there is an altar dedicated to the Thousand-arm and Thousand-Eye Kuan Yin P'u-sa at the river end of the tunnel they are not offered incense individually.\n\nSeveral aspects of the hagiography of the images in the cave/tunnel are intriguing. First of all, those holding weapons have them in their left hand. They are mostly dressed in gilded armour, and finally, their titles in Chinese, though Sinicised Sanskrit, have proved impossible to translate into the original Sanskrit and are therefore unidentified. Several of these unidentified deities have been depicted in Taiwanese religious literature but without any explanation apart from being listed under a general title of Supportive Incantations to Buddha, Ta Pei Chou Fo 大悲咒佛.\n\nThe following Vedic deities who have been noted in one or both of the temples in the Western Hills would seem not to be present in the cave/tunnel:\n\nMarici, Pancika, Hariti, Pippala [Bodhidruma], Laksmi, Prthivi, Surya, Candra, Vimalakirti, Nanda Upananda and Skanda/Veda.\n\nOf the scores of books, both the popular illustrated and monastic academic, produced over the last half century in Taiwan describing the Buddhas, bodhisattvas and the hundreds of minor deities of Buddhism, one at least has listed what they have called The Celestial Guardians Division. This list includes not only the Four Diamond Kings, the T'ien Wang, [Vaisravana, Dhrtarastra, Virudhaka and Virupaksa] but nine of the Deva seen in the Western Hills. These are Indra [Sakra-devanam], Brahma [Maha-Brahman], Marici, Laksmi [Sri-maha-devi], Sarasvati, Yamaraja, Guhyapati, Skanda [Wei T'o] and Gandharva.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214238, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 96, "title": "RAS-1998", "content_text": "59\n\nConclusion\n\nWe have been examining a particular arrangement of Indian Deva within two temples in the Western Hills of Peking. Each group has an image of the Bodhisattva Kuan Yin as the main deity within the Deva hall itself. Although monks explained that the images of deities down the side walls of the hall had been created in accordance with researches in old Buddhist books, there was no explanation why they should all have a Chinese rather than an Indian form. It has been suggested by devotees that the concept of the Deva might have reflected the Manchu dynasty's affinity with Tantric Buddhism, and perhaps Vedic beliefs or been brought by Lamaist monks during the late Ming but there is no evidence that this was so. Yet another devotee thought that when the images were first created during the early sixteenth century, Chinese craftsmen had a somewhat limited idea of the origins of the deities concerned and even, perhaps, no idea what the people of South Asia looked like and therefore made the images in the form of Chinese. An unanswered question is the presence of several deities within the groups of Deva whose origins were entirely Chinese without any connection whatsoever with Vedic Hinduism.\n\nA small number of individual images of deities with a Brahmanist origin have been seen on altars in temples in all Chinese communities; these however have not been at all widespread. Typically they were adopted by immigrant Chinese from native Buddhism. A remarkable example of a syncretic group of Buddhist, Hindu and Chinese folk religion deities is to be seen in a joint Buddhist, Hindu and Chinese folk religion temple in a quiet area of Angsila some sixty miles south of Bangkok. The three altars against the rear wall in the main hall of this temple are the Thai Buddhist altar, stage right with an image of Sakyamuni Buddha in its centre flanked by two other Thai Buddhist images. The central altar, the Hindu altar, contains one large image of Shiva [Siva], holding a trident and dressed in a robe and turban, and with several small unidentified images standing before him. And finally, the Chinese folk religion altar dedicated to T'ien Hou, the patron deity of sailors, with her small image on the altar, stage left, flanked by her usual demonic attendants, Thousand-Mile Eye and Following-Wind Ear. Devotees of all races pray before each altar in turn, usually beginning with the altar of their own culture and cursorily placing incense before the other two. In the temple forecourt are large brightly painted", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214256, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 114, "title": "RAS-1998", "content_text": "77\n\ning stick of incense before each with a perfunctory bow, the Four are looked upon as mere soldier guardians with a fifth, Wei T'o [see 21 above], their commander.\n\nThe group of Four are the product of the Mahayana school of Buddhism with additions from the Tantric school. Their original Buddhist title in Sanskrit is usually Dvarapala, though others claim that they are the Chin-kang Shou, derived from the Sanskrit \"Vajrapani', the Thunderbolt Bearer, the Great Protector.\n\nThey are responsible for the security of temples, protecting them from demonic attack and also preventing evil spirits from sneaking in. In Taoist temples, where they have different individual identities, they normally stand in the side wings of the main hall, such as in the Jade Emperor Hall at the Monastery of Ten Thousand Buddhas at Shatin in the New Territories of Hong Kong.\n\nThose in Buddhist temples are the Diamond Kings whilst those in Taoist and folk religion temples are Celestial Kings [T'ien-wang]. They are easily recognisable by their stature, location and by the collocation with the others in the group; also, because each usually holds a unique identifying symbolic object, a furled umbrella or a rodent, etc. They stand with defiant stares and have faces in colours identifying the direction for which they are responsible. The Buddhist Four guardians all wear the bodhisattva's five-leaf crowns with minute Buddhas inscribed on the central leaf, and flying scarves forming a nimbus behind and above their heads and shoulders. Many have demons, thieves, liars and adulterers underfoot. The Taoist Four, who also have demons underfoot, generally wear military helmets.\n\nA manifestation of Vaisravana, the protector of the North and one of the Four Chin-kang, appeared during his journey to aid Hsuan Tsang, the Buddhist monk who trekked from China to India and back to obtain Buddhist scriptures. For this reason Vaisravana was later revered by devotees, alone and in his own right, and over the years became associated with General Li Ching.\n\nAll four of the Mo-li brothers, the Taoist identities of the Four Temple Guardian Generals, are included and represented in the sets of", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 } ]