[
    {
        "id": 206667,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 215,
        "title": "RAS-1972",
        "content_text": "NOTES AND QUERIES \n\n209 \n\nat Castle Douglas. It was a very large building as befitted the size and importance of the Press, and can be seen on the old photographs on view in the entrance corridor at University Hall. \n\nAn account by the Rev. Fr. Leon Trivière states: \n\nThe press used 67,899 matrices, which shows how much work was carried on at this house. Thousands of examples of catechisms, prayer-books, works on dogma and morality, spirituality and meditation, the pastorate, canon law, sermons, catechesis, liturgy were brought out. These books were published in 28 languages: Chinese, Annamite, Latin, French, English, Chamorro, Tibetan, Laotian, Malay, Tho (Cao-Bang), Cambodian, Japanese, Thai (Chau-Laos), Banhnar, Portuguese, Kanaka, Lolo, Tagalog, Yap, German, Italian, Siamese, Kanao, Korean, Dioi, Palau, Spanish and Ainu. Notable among the publications of Nazareth Press was an amazing collection of dictionaries printed in twelve languages. A certain number of them were honoured by the Académie des Inscriptions et Belles-lettres, and sought after by great Universities such as Oxford, Cambridge, London, etc. ...or by famous Libraries specialising in Oriental Languages. Numerous works by missionaries attached to the École Française d'Extrême-Orient, the Académie Stanislaus and other bodies engaged in scientific research, were printed at Nazareth \n\nNazareth House. Considerable building alterations and additions were made to Castle Douglas by the Mission, including, some years after its occupation, an extensive reconstruction of the original building which was in danger of collapsing. The additions included dormitory accommodation, a chapel, a library and the printing house. The new House was first used in May 1896 and the chapel was blessed in October of that year. A life of prayer and work on editing, translating, printing and proof-reading was inaugurated at the former Castle Douglas, and was to continue until the Japanese Occupation in 1941-1945. The house continued to be used by the Fathers in those years, but printing stopped. Work began again after the war; but with the establishment of the People's Government at Peking in 1949, continental China was soon closed to foreign missionary effort, and in 1953 the Central Council in Paris decided to give up Nazareth House. It was bought by the University of Hong Kong in 1954, to be used as a Hall of Residence for students.",
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    {
        "id": 209701,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1982",
        "page_number": 358,
        "title": "RAS-1982",
        "content_text": "336\n\nBOOK REVIEWS\n\n(No. 92) are equally successful in giving new perspectives on the human life of Hong Kong.\n\nAll in all, this volume is recommended to anyone wishing to own a superbly produced volume of intelligently conceived and masterfully produced photographs of Hong Kong.\n\nP. H. HASE\n\nChukoku Saiki Yengeki Kenkyu (Ritual Theatres in China). By Issei Tanaka, Institute of Oriental Culture, The University of Tokyo, 1981, xvi + 926 pp, Index.\n\nThis impressive book contains the results of the author's researches during the period of ten years since he joined the Institute of Oriental Culture, University of Tokyo, in 1972. Trained as a sinologist, Prof. Tanaka started his study on ritual theatre in China from a historical viewpoint. Later his research focus shifted to field studies, particularly in Hong Kong. Between 1978 to 1981 he visited Hong Kong eight times and stayed here in total for eleven months. Most of the data presented in this volume are his field reports collected during his time in Hong Kong, and these form a mine of fascinating material which will prove to be of great value to many scholars.\n\nIn addition to presenting the field reports, however, the book analyses three aspects of ritual theatre in China. One of these is the origin of ritual theatre. Based on historical data, the author traces the process of transformation of ritual theatre from ancient times to the present. Through these studies, he points out that the original form of ritual theatre was aimed at exorcising or controlling evil forces or at celebrating beneficial forces and seeking their assistance. Theatre of this kind can still be found in Hong Kong. The ritual theatre of Hoklo and Ch'ao-chou people in Hong Kong are mostly performed for exorcising, i.e., these theatrical performances are mainly aimed at freeing orphan souls and wandering spirits. Cantonese ritual theatre, on the other hand, is of the latter type, celebrating the deities' birthdays and beseeching their blessing.\n\nThe second aspect is concerned with the social organization of ritual theatre. The author classifies Chinese local theatre,",
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    {
        "id": 210615,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1985",
        "page_number": 222,
        "title": "RAS-1985",
        "content_text": "203\n\n第二冊\n\n[伏以拜請\n\n+ +\n\n+\n\n]\n\nCopied from a reprint made for James Hayes by a priest who practised from a room in a housing estate in Tsuen Wan\n\n茅山來源 張法能傳 張子興書] 迎聖科 道安堂宣統貳年吉立\n\nCopied by Prof. Tanaka Issei at the Lam Tsuen ta-tsiu 1981\n\n第三册\n\n洪聖廟 宰西年 月號\n\n(洪聖廟釋氏借出之大悲懺[孔嶺村]1982年7月20日)\n\n仙巷庵\n\n蓮花經 (仙悲庵藏書)\n\n早晚課誦\n\n蓮花經 (孔嶺洪聖廟釋氏借出 一九八二年七月二十日)\n\n第四册\n\n調朝書 民國十四年抄 林道常置\n\n(林培先生藏 元宵洪朝文獻)\n\n晋今洒口神水蕩穢天尊...This is a text that the naam-mo priest 陳九先生 used in the 襬 斗 ceremony at the ta-tsiu in Lam Tsuen on 1/12/81\n\n引福堂蓮惜\n\nThis is a text that the naam-mo priest Mr. 陳九 used in the ji ceremony in the Lam Tsuen ta-tsiu on 1/ 12/81. I was told afterwards that the original belongs to Mr. 謝貴 北斗經 引福堂\n\n深圳文獻:\n\n第一册\n\n(以下各目皆為向西張子英先生藏)\n\n西溪家乘 扯年五月重修\n\n廣東城西湖街張瑞元堂鐫 張氏述善堂藏版\n\n(Mr. Cheung said this was presented to him by an American scholar, but confirmed this is their genealogy)\n\n契尼 光緒十六年\n\n稅契 民國十九年\n\n第二冊\n\n羅湖袁氏家譜 上卷 ·中華民國八年歲次乙未孟秋重鐫\n\n(Copied through kindness of Dr. James Hayes)",
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    {
        "id": 210749,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1986",
        "page_number": 100,
        "title": "RAS-1986",
        "content_text": "83\n\nthe right direction. At that time the Shek O men worked as seamen and their farm land was idle. The newcomers did vegetable gardening and fishing, renting farm land from Shek O people. To explain why the locals accepted the newcomers, Mr. Lau said that the local population was only some 300 at that time. The newcomers had built their houses on Crown land, which Mr. Lau said was ba-wong-dei, i.e. land which was claimed by the exertion of physical presence in force.\n\nBesides the predominately Western residents of the “villas”, there were newcomers from the cities too. One woman who started a brief conversation with me when preparing among others the final offerings to the ghosts told me that her husband who worked in an accounting firm moved to Shek O some 20 years ago in his forties because he liked the place. Among the newcomers was also a Tanka family.\n\nShek O has a temple for Tin Hau, who was the main god of the jiu celebration. According to Professor Tanaka Issei, the oldest dated object found in the temple was a bin-ngaak inscription dated the eighteenth year of Gwong-seui (1893).* Immediately to the left of the Tin Hau temple is a Residents' Association which organized an annual celebration in honour of Tin Hau. Third in the row of houses is the Man San Sports Association. I remember that the primary school is also named Man San, and at one of the shops or tea-houses near the bus stop, there was a poster announcing the results of football matches organized by the Man San Sports Association.\n\nAccording to Mr. Wong, the Shek O Residents Association takes care of local public affairs, relaying messages from the Hong Kong Government. It liaises with the South District Office and the Chai Wan district police headquarters. I saw a poster inviting entries for a South District Festival competition, with \"forms available from the Shek O Association” added in handwriting. The officers of the association also organize the annual opera performances in honour of Tin Hau. Mr. Lau saw the association as essentially a development of the village office (heung-gung-so) of pre-War times. The association has almost 2,000 members, although some of the Shek O residents do not join. Mr. Lau could",
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    {
        "id": 210766,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 117,
        "title": "RAS-1986",
        "content_text": "100\n\nCHAN WING HOI\n\nNOTES\n\nBesides \"three-day jius\", there are more elaborate “five day jiu” celebrations in the New Territories.\n\nThe annual ritual takes place typically in Chiu Chau, Wai Chau and Hoklo settlements to make offerings to uncared-for dead spirits.\n\n1 The oldest dated object in the Tin Hau Temple, which housed the main god of the festival, was about one hundred years old. I shall refer to this again later.\n\n6\n\nThere could have been more than one \"chairman\".\n\nProbably part of the golf club, or otherwise a similar establishment.\n\nTanaka Issei 田仲一成, Chugoku saishi engeki kenkyū 中国祭祀演劇研究 (Tokyo: Institute of Oriental Culture, University of Tokyo 1981) p. 891.\n\n7 The Fuk-Wai-Chiu immigrants had their own gods and their operas in the Tin Hau festival. According to Tanaka, eleven or twelve gods other than Tin Hau were sacrificed to (op. cit., pp. 891-3). One of them, the Daai Wong Paak Gung of Naam Bin Chyn, is attributed by Tanaka to the Hoklo residents. Tanaka also points out that the Fuk-Wai-Chiu members of the organizing committee were alone responsible for a special part of the festival, that is, the performance of Wai Chau and Chiu Chau operas.\n\n8 Piu-sik are usually carried on frames at a height far above that of the audience in a parade. Because of the rain during the procession this time they stood in a lorry instead.\n\nAbout half of the gods sacrificed to in the Tin Hau Festival, including the Fuk-Wai-Chiu deity mentioned above, were not found among the spirit tablets in the jiu festival.\n\n10 \"Picking green\". In this case the two lions competed in capturing a bank note hanging near the entrance to the house.\n\nGlossary\n\nChoi Paak Lai 蔡伯勵\n\nchoi-cheng 採靑\n\nDai Wong (Ye) 大王(爺)\n\nba-wong-dei 霸王地\n\nChiu Chau 潮洲\n\nbaai-chaam 拜懺\n\nBaak Mou Seung 白無常\n\nBaak-gung 伯公\n\nBak Dai 北帝\n\nBao'an 寶安\n\nbui 杯\n\nbin-ngaak 匾額\n\nChai Wan 柴灣\n\nChan Wa 陳華\n\nCheung Chau 長洲\n\nDaai Si (Wong) 大士(王)\n\ndaai-gat 大吉\n\ndiu-lau 碉樓\n\nDongguan 東莞\n\nfa-laam 花籃\n\nfa-paai 花牌\n\nFaaigou jeungdaai ...",
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    {
        "id": 211591,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 6,
        "title": "RAS-1989",
        "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nHON. TREASURER'S REPORT\n\nHON. LIBRARIAN'S REPORT\n\nARTICLES:\n\nDan Waters\n\nLIBRARIES\n\n138 1937. vii\n\nAR\n\nIn the Steps of Lu Pan: Reminiscences of Building in Hong Kong\n\nK.J.P. Lowe\n\nHong Kong, 26 January 1841: Hoisting the Flag Revisited\n\nKeith Stevens\n\nThe Jade Emperor and his Family, Yu Huang Ta Ti\n\nKeith Stevens - Fukienese Wang Yeh (Ong Ya [Hokkien])\n\nP.H. Munro-Faure\n\nThe Kiukiang Incident of 1927\n\nA.D. Blackburn\n\nHong Kong, December 1941 July 1942\n\nChan Ka-yan\n\nJoss Stick Manufacturing: A Study of a Traditional Industry in Hong Kong\n\nP.H. Hase\n\nCheung Shan Kwu Tsz, An Old Buddhist Nunnery in the New Territories and its Place in Local Society\n\nJ.H. Haan\n\nThalia and Terpsichore on The Yangtze, Survey of Foreign Theatre and Music in Shanghai 1850-1865\n\nFred Dagenais\n\nJohn Fryer's Early Years in China: I. Diary of His Voyage to Hong Kong\n\nChan Wing-hoi\n\nThe Dangs of Kam Tin and Their Jiu Festival\n\nxxi\n\nxxiii\n\n8\n\n18\n\n34\n\n61\n\n77\n\n94\n\n121\n\n158\n\n252\n\n302\n\nNOTES AND QUERIES:\n\nE. Sinn\n\nNotes on the Robert Hart Papers at the University of Hong Kong Library\n\n376\n\nP.H. Hase\n\nA Song from Sha Tau Kok on the 1911 Revolution\n\n382\n\nP.H. Hase\n\nThe Mutual Defence Alliance (Yeuk) of the New Territories\n\n384\n\nP.H. Hase - More on The Man the Emperor Decapitated\n\n388\n\nIssei Tanaka\n\nThe White Tiger\n\n389\n\nKeith Stevens - British Chinese Labour Corps Labourers Buried in England\n\n390\n\nAnthony Siu Kwok-kin\n\nThe History of Hong Kong: From A Village to A City\n\n391\n\nAnthony Siu Kwok-kin\n\nHistorical Records\n\nAnthony Siu Kwok-kin\n\nBOOK REVIEWS\n\nTai Yu Shan from Chinese\n\n394\n\nA Tung Lo Wan\n\n399\n\n400\n\nV",
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    {
        "id": 211669,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 84,
        "title": "RAS-1989",
        "content_text": "59\n\ndeities are not pestilence deities. The confusion has been compounded by the Fukienese themselves when over the years they unconsciously accepted all deities bearing the honorific Wang Yeh as protectors from epidemics.\n\nNOTES\n\nThe term Wang Yeh is best translated perhaps as 'The Excellencies'. It was a title given to imperial princes or lords, and interestingly it was also a term used by robbers for their brigand chief. See Plates 9-14 for illustrations to this article.\n\n2 There has long been controversy whether the Pestilence Wang Yeh are shen (Supernatural beings, spirits or deities) or kuei (shades of the human dead and pejoratively used for ghosts, spectres and demons). One god carver in Singapore explained that Pestilence Wang Yeh are \"half-deities\", (pan shen) that is half-shen and half-kuei. However, whilst a number of Pestilence Wang Yeh have ferocious faces, the great majority are portrayed as standard deities with no indication of demonic characteristics. An elderly and authoritative Fukienese god carver in Singapore explained in hushed tones that the Pestilence Wang Yeh are neither gods nor demons, are feared but not revered, and not only protect against plague but also cause it. They are, he repeated, semi-deities from the lower echelons of the bureaucracy of the Afterworld who do not like the human world and therefore cause trouble and bring calamity and misfortune. However, if prayed to they are quite prepared to care for devotees who seek protection. For this reason, more often than not the scale of devotion and offerings to the Pestilence Wang Yeh is greater than that provided to more powerful but orthodox gods.\n\nE\n\nDoolittle J. Social Life of the Chinese 2 Vols: New York: (1865).\n\nA god carver in Singapore suggested that Pestilence Wang Yeh have been given surnames so that no particular surname group is left without a specific deity to worship.\n\nThe only time that all images can be guaranteed to be on their altar in their temple is during the temple's annual festival.\n\nThe altar of Chu Wang Yeh in a temple in Lukang, Taiwan was destroyed by a flood some fifteen years ago. Of the three Wang Yeh images in the temple at that time (Chu, Ting and Nieh) only one image, that of Chu, was recovered. Although a new temple has been built for the three but only containing one image, the one of Chu recovered from the flood, devotees have largely stopped away. They seem to have lost confidence in deities who were unable to protect themselves against disaster.\n\n7\n\n**At Cheung Chau Island in Hong Kong in the afternoon of the third day (of the chiao festival of ritual purification held every ten years) a ('paper boat') ritual to chase away the Demon of Pestilence is performed. A Taoist issues orders to a Heavenly Envoy to carry off the boat and puts the Demon of Plague on a boat and leaves it in the outer seas. The Heavenly Envoy, like the King of Ghosts (Yenlo Wang), has a fierce-looking face. It is an image of about one metre high and the boat is a small one of about one and a half metres long. A Taoist lifts the Heavenly Envoy to a stage in the matshed theatre and chants a question-and-answer song which instructs the Heavenly Envoy. Having finished that, the villagers then put the Heavenly Envoy into the boat loaded with offerings. The boat is taken to the sea shore and left on the waters.\" Tanaka Issei: \"The Jiao festival in Hong Kong and the New Territories\", The Turning of the Tide Religion in China Today: Hong Kong Branch, Royal Asiatic Society, and Oxford University Press (Hong Kong); (1989), p. 287.\n\n8 There is a K'ang Yuanshuai, ie Marshal K'ang, on several Taiwanese altars where he",
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        "document_key": "RAS-1989",
        "page_number": 344,
        "title": "RAS-1989",
        "content_text": "Long\n\nOld Marker\n\nKam Pin Wai\n\nNg Ling\n\nYuen Long\n\nNew\n\nKam Tin and its vicinity\n\nGwai Gok Shaan\n\nBay\n\nTin Hau Temple\n\nShu Mei\n\nChing Lok\n\nAncestral Halls\n\nMau Ging Tong Ancestral Hall\n\nHung Sing Temple\n\nJau & Wong Temple\n\nAround Sire\n\nSwamp\n\nKam Hing/Wa Sa Bui Tai Hong Leng Wai\n\nNg Ling\n\nGwong\n\nSan Wai\n\nTsuen\n\nMarket\n\nKo\n\nSHAP\n\nPAT\n\nHEUNG\n\nShop Per Heung Tin Hau Temple\n\nKat Hing Wai\n\nTong Ancestral Hall\n\nPAT HEUNG\n\nPa Heung Temple\n\nYuen Kong Temple\n\nLing Wan Monastery\n\nApproximate boundaries of Kam Tin\n\n(Map taken from Tanaka 1989)\n\n319",
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    {
        "id": 211953,
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        "document_key": "RAS-1989",
        "page_number": 368,
        "title": "RAS-1989",
        "content_text": "Ching Lok Ancestral Hail\n\nFaan Posts\n\nSite for fetching water\n\nFaan Posts\n\nN\n\nMau Ging Tong) Ancestral Hail\n\nJau & Wong Temple\n\nSite for posting the name list\n\nPaak Mou Seung Wing used as kitchen\n\nGeneral Gods\n\nJade Emperor & City God\n\nFaan Posts\n\nA\n\n8\n\nSite for offering to gods\n\nGuardian Gods Yau-Saan Daai Si Wong Gwon Yam\n\nCompartment for villages\n\nCompartment for villages\n\nC\n\nAncestral altar\n\n0\n\nPuppet altar Theatre\n\nA-B-C-D Main paang Later used for opera\n\n(Map taken from Tanaka 1989)\n\nThe Kam Tin Jiu Festival Ground\n\n343",
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    {
        "id": 211978,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 393,
        "title": "RAS-1989",
        "content_text": "368\n\nSung, Hok-p'ang et. al. (1984), pp. 1-9.\n\n1973 \"Legends and stories of the New Territories: Kam T'in', JHKBRAS xiii, 1973, pp. 28-40.\n\n1974 \"Legends and stories of the New Territories: Kam T'in\", JHKBRAS xiv, 1974, pp. 160-185.\n\nTaga, Akigoro Tanaka, Issei\n\n1982 Chugoku Sofu no Kenkyu, vol. 2, Tokyo.\n\n1985 \n\nTsui, Bartholomew\n\nWatson, Rubie S.\n\nWolf, Arthur P. (ed.)\n\nA Chiu 亞潮(?) baai 拜 baai-san\n\nBaak Mou-Seung Ú Baak-Ging\n\nBaishe Zhuan\n\nLineage and Theatre in China. Interdependence of Festival Organization, ritual, and theatre in the lineage society of South China, Tokyo.\n\n1989 Village Festivals in China: Backgrounds of Local Theatres. Tokyo\n\nforthcoming\n\n\"Daojiao Yili ya Jishen Kiju zhijian de Guanxi”,\n\nforthcoming\n\n\"Taoist Ritual Books of the New Territories\".\n\n1985 Inequality Among Brothers: Class and Kinship in South China, Cambridge University Press.\n\n1974 Religion and Ritual in Chinese Society, Stanford.\n\nGLOSSARY\n\nchiu-gaan chiu-dou * Chiu-Yip #\n\nchu 柱\n\nChuk Yuen 竹園\n\nChung E\n\nChung Yeung 重陽\n\nChung-Saan\n\nU\n\nBak Bin 北便\n\nBak Dai 北帝\n\nbei 陂\n\nbong 榜\n\nBou-Dak Chi #AM\n\nbui\n\ncha-gwo 茶果\n\nChan Gau 陳九\n\nChan 陳\n\nchau-san\n\n+\n\nChenghua 成化\n\ncheun-ding\n\nT\n\ncheun-fu 巡撫 Cheung-Cheun Yun cheung-saam Chi-Naam Ching Ming U Ching-Lok\n\nChung-Yut Я\n\nchyun 村\n\nDaai-Si Wong ✰±\n\nDaai-Wong E\n\ndaai-yan ★A daai-yau daam\n\ndaam-jung da-jai 打仔 da-jiu 打醮 dan 躉 Dang 鄧\n\nDang Chung 鄧璁 Dao 道 da-saat\n\nDei-Jong Wong E",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 398,
        "title": "RAS-1989",
        "content_text": "373\n\nMany Dangs attributed the deceased worshipped in their Altar for Heroes (Ying-Hung Chi) and those buried in the big grave known as yi-chung to the battle with the British in 1898. We found that the number of \"heroes\" for whom paper clothing were ordered for the jiu of 1955 is only 2 more than the 1895 figure, i.e. only two can be attributed to the 1898 incident.\n\nSee also Law and Lau (1985) about this dispute.\n\n19\n\nAccording to this informant the Dangs married villagers of Lam Tsuen, Tai Hang, Sheung Shui and places like Sha Tau across the border. Other Tangs who discussed the point included Tuen Mun and Gak Tin, a place of the Wong surname, also known as Fuk Tin, across the border.\n\n20 Another stone inscription dated 1786 recorded a similar case. Although it has been cited by many scholars as another rent dispute case that involved the Dangs of Kam Tin as the landlords, I cannot find any of Dangs whose names appear in the inscription in other documents.\n\n21\n\nIn Kam Tin Historical Documents, vol. 2.\n\n11 The original expression is that the villagers were the diding of the Dangs. Diding refers to tax on land and persons.\n\n73 See also Kamm (1977:213-214) on other similar disputes.\n\n24 See Cheng (n.d.).\n\n25\n\nBesides the formal names that appear in local documents and present-day road signs and maps, many of these villages had other names that were used in everyday conversation.\n\n10\n\nFormal names\n\nKam Hing Wai\n\nKat Hing Wai\n\nPak Wai\n\nTai Hong Wai\n\nWing Lung Wai\n\nAccording to the jiu festival record of the year.\n\n\"Nickname\"\n\nGaak Seui Yun\n\nFui Sa Wai\n\nLaan Bak Wai\n\nTaan Wai\n\nSa Laan Mei\n\n27 Tanaka (1985:935-7), quoting A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories, Hong Kong, pp. 172-173.\n\nThe original expression was \"Tai Hong Wai and Tsuen\" and probably included only the part of Tai Hong Tsuen whose residents were considered Tai Hong Wai people.\n\n20\n\nKam Tin Historical Documents vol. 2.\n\n30 See the account dated 1966 in the Si Kim Tong genealogy.\n\n31 According to a descendant of Fau-Ng. The genealogical relationships among the ancestors he gave may be wrong.\n\n32 Ying Lung Wai is part of Shap Pat Heung, the group of villages which was involved in several disputes with the Kam Tin Tangs. It seems that the Ying Lung Wai Dangs join the Kam Tin Dangs only in the jiu festival and the worship at the Mau Ging Tong ancestral hall. I have not heard anything about its position in the disputes between Kam Tin and Shap Pat Heung.\n\n33 Sung (1974:168) says Tai Hong Tsuen. This is my interpretation.\n\n34 Ditto.\n\n35 Siu-Geui, with his father and others, made a new stone inscription for the grave of the wong-gu in 1483. Kei-Fong's will is dated 1562. (See the genealogy in Kam Tin Historical Documents vol. 1 for both.) Kai-Wa was born in 1494 (See inside text of his spirit tablet,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 212000,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 415,
        "title": "RAS-1989",
        "content_text": "390\n\nStaging this piece has atropaic effects, cleansing the site from harmful influences or malicious spirits. Because opportunities to see \"The White Tiger\" staged are rare, it was felt worth printing a photograph (Plate 23) of the piece as staged at the Lung Yeuk Tau rat siu opera matshed in 1983.\n\nIssei TanakA\n\nBRITISH CHINESE LABOUR CORPS LABOURERS BURIED IN ENGLAND\n\nProbably the only visible reminder of an episode in Sino-British military history in Britain is the group of six graves of Chinese labourers who died during or just after the Great War. Of the two thousand or so who died in Western Europe of the nearly hundred thousand Chinese shipped to France by the British only six lie in British soil, in the Shorncliffe Military Cemetery, which is situated beside the former Shorncliffe Military Hospital above the Channel port of Folkestone. They rest far from their native Shantung and Honan provinces, with no indication as to how they died. The proximity of the former hospital suggests that they may well have succumbed from injuries, wounds or epidemic.\n\n\"China on the Western Front\", by Michael Summerskill, published by Summerskill in 1982 which describes other military cemeteries, in France, where Chinese labourers are buried, is a most interesting description of the British Chinese Labour Corps with its officer cadre consisting mainly of missionaries and sinologues.\n\nDespite each of the thousands of Chinese labourers being awarded a war medal, it is worth noting that they are exceedingly rare and a much sought after collectors' item. It would be interesting to know where they all went.\n\nThe illustrations (Plates 24 and 25) are of Shorncliffe Military cemetery with the English Channel and Romney Marsh in the background; and of one of the six gravestones, all of which are well cared for in a tranquil spot under shady trees.\n\nKEITH STEVENS",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 212109,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 51,
        "title": "RAS-1990",
        "content_text": "28 \n\nmembership of an alliance.\" \n\nIII. Studies on Jiao Festivals in Hong Kong: the 1980s \n\na. Trend \n\n18 \n\nThere are not as many studies of Jiao festivals in Hong Kong as in Taiwan. The earliest study in Hong Kong is probably Taylor's 1953 ethnographical essay on the Cheung Chau Jiao festival. The article was re-printed in every issue of the special annual bulletin for the Bun festival in Cheung Chau until the beginning of the 80s. The late Prof. B.E. Ward noticed very early the importance of the Jiao festival to the understanding of rural society. Her account of the festival itself, however, appeared only briefly in her introductory guide book on festivals in Hong Kong. Dr. James Hayes has also noticed the importance of the celebration during his studies on rural communities in the outlying islands and new towns in Kowloon. However, only some of the celebrations were given brief mention in his 1983 book. Mathias' study on the 1975 Kam Tin Jiao festival is probably the earliest comprehensive study of the festival. It is a pity, however, that it has not been published. Kani, Obuchi and Yoshihara are probably the earliest Japanese scholars to realize the significance of Jiao festivals in Hong Kong. Kani, in his study of boat people in Hong Kong regards the Jiao on Cheung Chau island as an event, like the Hungry Ghost Festival, to feed wandering ghosts. Obuchi, working with a Taoist priest, Mr. Chan Wah, studied the symbolic meanings of different Taoist rituals performed in the 1975 Shatin Jiao festival. Yoshihara in a section of his paper on religion in Hong Kong briefly described the 1977 Tai Wai, Sha Tin, event. Beginning in 1979, Tanaka and Segawa commenced active data collection on the festival. Tanaka began his extensive research in Hong Kong in 1979. At least 14 different Jiao festivals were recorded in his three books. Segawa joined the research later, from 1983 to 1985, and several articles have since been published in Japanese. \n\n20 \n\n22 \n\nThe nineteen eighties saw a growth in interest in Jiao festivals among local institutions and scholars. In 1980, students and lecturers of the History Department (Dr. D. Faure), the Sociology Department (the late Prof. B.E. Ward), the Anthropology Department (Dr. S.H. Wang) and the Music Department (the late Dr. B.C. Lu) of the Chinese University of Hong Kong [CUHK] began concurrent studies on Jiao",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212114,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 56,
        "title": "RAS-1990",
        "content_text": "Table | Comparison of three Lam Tsuen Jiao Bulletins\n\n  \n    \n    1963\n    1972\n    1990\n  \n  \n    Total no. of pages\n    20\n    20\n    64\n  \n  \n    Colour\n    black & white [b/w]\n    b/w\n    colour\n  \n  \n    Content (columns relating to)\n    1\n    3\n    6\n  \n  \n    the community\n    \n    \n    \n  \n  \n    the opera\n    1\n    5\n    6\n  \n  \n    greetings from:\n    1\n    1\n    9\n  \n  \n    commercial organizations\n    7\n    6\n    2\n  \n  \n    the community\n    \n    2\n    4\n  \n  \n    other communities\n    \n    \n    4\n  \n  \n    individuals\n    \n    \n    \n  \n  \n    Government officials\n    \n    \n    \n  \n  \n    Advertisements\n    21\n    \n    \n  \n  \n    Committee members\n    \n    \n    \n  \n  \n    Photos:\n    \n    \n    \n  \n  \n    other community members\n    3\n    3\n    43\n  \n  \n    guests\n    \n    4\n    3\n  \n  \n    community\n    \n    \n    \n  \n  \n    opera performers\n    4\n    9\n    20\n  \n  \n    Sources:\n    \n    \n    \n  \n  \n    Lin Cun [Lam Tsuen] Xiang Taiping Qingjiao Shenghui Tekan (Lam Tsuen, 1963) Renzhi nien Lin Cun Xiang Taiping Qingjiao (Lam Tsuen, 1972)\n  \n  \n    Gengwu nien Lin Cun Xiang Shinien Yijie Taiping Qingjiao (Lam Tsuen, 1990)\n  \n\nc. Approaches to the study of Hong Kong Jiao Festivals\n\nIn general, Saso's \"cosmic renewal\" is the view most commonly accepted by researchers of Hong Kong Jiao festivals. Instead of looking at the rituals, there is a strong tendency to study the social and organizational aspects of the festival.\n\nTanaka recorded more than 14 different Jiao festivals in his three comprehensive volumes on Chinese ritual theatre.* Starting from the quest to uncover the origin and the route of diffusion of Chinese ritual theatre, Tanaka gradually moved his focus to social and structural complexities of the Jiao festival. This shift in focus is likely to have resulted from his expanding his scope from immigrant",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212115,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 57,
        "title": "RAS-1990",
        "content_text": "34\n\nsocieties to indigenous agricultural communities. His second book concentrated on descent and territorial groups and ritual theatre. It analyzed the basic structure of worshipping groups, examined their organizational concepts and the structures of rites and customs, and, finally, speculated on how different aspects of rites and operas are reflected unconsciously.\" In his 1985 book Tanaka analyzes different festivals celebrated in the New Territories. He categorized those festivals which focus on the worship of “local deities” as “Gaishin Saishi\" (Worship of external deities). Such festivals are organized according to the territorial connections of different groups. Contrasted to this, he uses the term \"Naishin Saishi\" (worship of internal deities) to describe festivals dedicated to ancestors.\" Tanaka attempts to establish a theatrical and worshipping strata which is closely related to the complexity of a society's structure. The structural complexity of a society can be examined by three indicators: the society's worshipping area, members and economic capabilities. The rural communities are categorized into different levels according to complexity. In the lowest level is the single-lineage village community where conservative Confucianist rites are performed during worshipping. As the structure of community becomes more complicated the role of recreational theatre becomes more important, and the emphasis on traditional rituals declines. Jiao festivals celebrated by village alliances or market town districts are placed by Tanaka in the most complex stratum.\n\n41\n\nAn undeniably significant contribution of Tanaka's work to the study of Jiao festivals is his detailed information. His books provide field records which are invaluable to students of the festival.\n\nFaure, in his study of Chinese rural societies in the New Territories, sees the festival as a means to set up community bonds. Recognizing the complexity of the festival, he concentrated his interest on how the territorial community is represented in the Jiao festival **through the layout of the (festival) ground, through the interaction between the priests and the villagers and through the villagers' own rites\".\n\n42\n\nClose to Faure's study on the Jiao festival is Segawa's work on the Ha Tsuen Jiao festival. He illustrated a “dualism\" in the villager's world. This he refers to interactions between and coexistence of the secular and sacred world, and between the local deities and the higher level gods, the great and little traditions of Chinese culture. Through",
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    {
        "id": 212118,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 60,
        "title": "RAS-1990",
        "content_text": "37\n\nNOTES TO TABLE 2\n\nA = yearly cycle claimed\n\nB = celebration period (one-day, three-day, five-day), (refers only to main rituals started from the ritual “Qi Tan” [Opening of the Jiao) and ended with the \"Da You\" [Great Offering])\n\nC = predominant occupation of the community\n\n== market town\n\nD = spority ethnic groups:\n\nE\n\nP → Punti Cantonese\n\nH\n\nT = Takka\n\n:. = Tanka\n\n=Territorial type:\n\nบ = village\n\nVC = village cluster\n\nlocal alliance\n\n1: = Descent type:\n\nS = single-lineage\n\nsc = single-lineage dominated\n\nH = single-lineage village, multi-lineage community\n\nm = multi-surname in one community\n\nyear celebrated\n\n--\n\nSources: Either seen by myself\n\nJE = from beginning to end,\n\ne = only partially.\n\nrecorded in other scholars' work [0], or provided by villages or Taoist priests\n\n[T].\n\nOI\n\n02\n\n——\n\n03 = Chan, \"Jiu festival** see note 37\n\nTanaka, Village Festival, 99, 816\n\nNote:\n\n*1 In fact, it is held every ninth year, as the year of celebration is counted into both the outgoing and incoming decade.\n\n*2 Photos taken on 1989.3.10. A poster was written Cheung Lung walled-village of Ping Kong Tsuen village, ten years' once Taiping Qing Jiao\". The notice recorded the Year Mu Wa (1988).\n\n*3 This alliance include the following fishing villages in the northeastern part of Hong Kong: Tap Mun, Kau Lau Wan, Sham Wan, Wong Wan, Kat O, Sam Mun Tsai. See Tanaka, Village Festival, 99, 816.\n\nPage 60\n\nPage 61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212120,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 62,
        "title": "RAS-1990",
        "content_text": "39\n\nKat Hing Wai and Wing Lung Wai terminated their own independent Jiao but continue to participate actively in the Jiao of the whole Kam Tin community. Still others, like Tai Wai and Tin Sam, celebrate their own Jiao festivals on the one hand but also participate as members in the Jiao celebrated by the Sha Tin Kau Yeuk (Sha Tin Village alliance). Reasons such as the Japanese occupation or economic recession given by villagers themselves cannot explain the diversities found in the New Territories. All villages experienced the Japanese occupation. With regard to economic constraints, a community like Ping Shan, though as prosperous and powerful as Kam Tin and Ha Tsuen, stopped the celebration for some unknown reason. Therefore, the continuity or discontinuity of the Jiao festival depends on the effectiveness of the festival's communal structure and organization. In Lam Tsuen, the Jiao festival is a means to reconfirm the roles of its alliances (the Luk Hap Tong [Lui He Tang] “Hall of the Six [Sc. Village Clusters] United\"). In Kam Tin and other single lineage communities, the Jiao plays an essential role in re-establishing the structure of the segmented lineage as well as in re-confirming membership in the branches. The question of whether Jiao festivals will survive after the 1997 take-over is in fact a question of whether or not there is a need to preserve such a tradition in the community.\n\nNOTES\n\nLiu Zhi-wan, \"Taiwan Taibeixian Zhonghexiang Jianjiao Jidian\" Bulletin of the Institute of Ethnology, Academia Sinica 33 (1972): 135-64.\n\nTanaka, Issei, Chugoku Kyoshon Saishi Kenkyu: Chihogeki no Kankyo [Village Festival in China: Background of Local Theatres] (Tokyo: Tokyo Univ. Press, 1989), 799. Some fishing villages in Hong Kong like Kau Lau Wan, Tap Mun and Kat O name their Jiao festivals \"An Long Qing Jiao\" meaning the Jiao celebrated to pacify the earth dragon.\n\nTanaka claimed that originally \"Qi An Jiao\" was celebrated only when there was need to pray for peace (Ibid., 799). However, evidence in Hong Kong, at least, shows that the festival is celebrated in a regular cycle. The shortest cycle is the Jiao of Cheung Chau where it is celebrated yearly. The longest is Sheung Shui and Shuen Wan where the Jiao is said to be celebrated once every 60 years. In some fishing villages in the New Territories, it is celebrated once every two or seven years. A five-year cycle is also practised in some agrarian communities like Tai Hang. However, a ten year cycle is the most popular in agrarian communities. Nonetheless, the method of counting also differs from one community to another. For instance, Lam Tsuen claims to celebrate the Jiao once every ten years but they actually celebrate it once in nine years. Their Jiao festival was celebrated in the following years: 1963, 1972, 1981, 1990.\n\nMr. Cheung Chi-fan (Zhang Zhi-fan), JP, and Mr. Chung Chi-leung (Zhong Ji-liang), interviewed by author, Lam Tsuen, Dec. 1, 1990. According to Dean, about 80,000 Chinese yuan was spent on the Jiao in a village in Zhangzhou, Fujian in 1986. See",
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    },
    {
        "id": 212121,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 63,
        "title": "RAS-1990",
        "content_text": "40\n\nDean. Kenneth “Revival of Religious Practices in Fujian: a Case Study in Pas. Julian F. (ed.) The Turning of the Tide: Religion in China Today (Hong Kong: Hong Kong Branch of the Royal Asiatic Society & Oxford Univ. Press, 1989), 72.\n\n4\n\nMr. Pang Cheng-chuen (Peng Zheng-chuen), interviewed by author, Fanling, Dec. 30. 1990.\n\nP\n\nDean. 54. A student of the University of Hong Kong told me on Feb. 3, 1991 that he saw, by chance, a Jiao festival in 1990. He could not recall the exact date and location. However, he was very sure, from the celebrating flower boards, that it was a Jiao festival.\n\nK\n\nIbid., 776.\n\nLiu Zhi-wan, Taibeishi Songshan qi an jian jiao jidian, Institute of Ethnology Academia Sinica Monograph, no. 14, (Taipei: The Institute, 1967). Besides Liu, the research team from the Academia Sinica included Song Lung-fei and Xu Jia-ming. Song's paper concentrated on aspects of folk architecture and decoration while Xu focused on the economic and social aspects. See Song Lung-fei \"Song-shan jian jiao jiao tan jianzhu di zhuan shi Yi shu\" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 157-217; Xu Jia-ming: \"Songshan jian jiao yu shequ\" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 109-153.\n\n4\n\nLi Zian-zhang. \"Daojiao jiaoyi di kaizhan yu xiandai di jiao” Sinological Researches 5 (1968): 261.\n\nIbid., p. 201.\n\nSaso, Michael R., Taoism and the Rite of Cosmic Renewal (Washington: Washington State Univ. Press, 1972), 34.\n\nLaw, Joan & B.E. Ward, Chinese Festivals (Hong Kong: South China Morning Post, 1982), 83.\n\nOkada, Yuzuru, Kiso Shakai (Tokyo: Kobundo, 1949).\n\nSee Brim, John A. “Village Alliance Temples in Hong Kong\" in Wolf. A.P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford Univ. Press, 1974), 93–103; and Suenari, Michio \"Sonbyo to sonkyo: Taiwan Hakka shuraku no jirei kara” [Village temple and village boundary: a case study of the Hakka communities in Taiwan] Bunka Jinna Gaku [Cultural Anthropology] (1985) 2:255-260.\n\n15 Ueno, Hiroko, \"Taiwan nanbo no osho to sonraku: Tainanken hito saishiken no sonraku aida kankei\" (Wang Jiao and villages in southern Taiwan: worshipping area and village relationship] Bunka Jinriú Gaku 5 (1988): 64-82.\n\n+\n\nTaylor, W.A. \"The Spirit Festival\" Bulletin of the Cheung Chau Bun Festival 1980 (Cheung Chau: n.p., 1980), 39-41. (reprinted from Wide World Magazine, Dec. 1953). The annual Cheung Chau Jiao festival is better known to westerners as the Bun festival because of the three tall \"bun mountains\" erected at the ritual area. The festival is the most studied Jiao festival in Hong Kong probably due to the fact that (1) the island is comparatively easy to get to, (2) it is celebrated every year and (3) it is widely publicized by the Hong Kong Tourist Information Bureau. Besides Tanaka's accounts (see note 36), see also Jonathan Chamberlain and Ian Lambot's photographic account. The Bun Festival of Cheung Chau (Hong Kong Studio Publications, 1990).\n\nדן\n\nI owe my interest in the Jiao festival to Prof. Ward who first introduced me to Jiao festivals in 1980. She then suggested that I participate in the Jiao festival in Kau Lau Wan.\n\nK\n\nLaw & Ward, 83-84.\n\nHayes, James W., The Rural Communities of Hong Kong: Studies and Themes (Hong",
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        "page_number": 64,
        "title": "RAS-1990",
        "content_text": "41\n\nKong: Oxford Univ. Press, 1983), 156-160 & 163-164, on the Jiao festivals celebrated between 1964 and 1972 in Ma Tau Wai, Nga Tsin Wai, Tung Chung and Tai O.\n\nN Mathias, John R.G., Study of the Jiao: a Taoist Ritual in Kam Tin in the Hong Kong New Territories (unpublished D.Phil. thesis, Oxford University, 1977-78).\n\n#I Kani, Hiroaki, \"Hồn Kôn Chugokujin no shukyo shiso no ichidan nitsuite\" Shigaku 40, no. 2 & 3 (1967).\n\n22\n\nObuchi, Ninji, “Hon Kon no tokyo girei\" |Daoist ritual in Hong Kong] in Ikeda Sueri Hakase Koki Kinen Toyo Gaku Ronshu (Tokyo, 1980), 753-769.\n\n27 Yoshihara, Katsuo. \"Shukyo\" [Religion] in Kani Hiroaki (ed.) Motto Shiritai Hon Kon (Tokyo: Kobundo, 1984), 184-191.\n\n11\n\nSee note 37.\n\n14\n\nI have been told that Dr. Faure had a manuscript on the Jiao festival sent to a publisher in Hong Kong. However, due to whatever reasons, it has not yet been published. See also Hayes, 164, about Faure's book on Jiao festivals.\n\n36 I was probably the only researcher who participated in the 1980 Kau Lau Wan Jiao festival when I was first introduced by the late Prof. B.E. Ward and Dr. S.H. Wang to the Jiao festival celebrated by the fishing village. In October the same year, Dr. Faure and I attended the Jiao festival at Pak Kong, Sai Kung. In November, the late Dr. Lu Bin-chuan of the Music Department of CUHK, Dr. Lu's student Mr. Chan Wing-Hoi and I attended the Jiao festival in Fanling. Dr. Faure, Prof. Ward and Prof. Tanaka also came. The Jiao festival of Fanling and that of other areas are mentioned here and there in Faure's 1986 book. In December 1980 students of CUHK under the guidance of Dr. Faure, Dr. Wang and Prof. Ward started an ethnographical research on the Jiao festival in Ho Chung, Sai Kung. A detailed report of daily rituals was written by Lee Lai-mui and Cheng Shui Kwan, two CUHK students majoring in History and minoring in Anthropology. The report was sent to interested scholars. Unfortunately it has never been published. Two students of the CUHK at that time should perhaps be mentioned here: Chan Wing-hoi, who specializes in music and computer, was employed by the History Museum of Hong Kong to study the Kam Tin Jiao festival in 1985, a report of which was published in the Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989). Chan's master's thesis on folk music in Hong Kong also includes a chapter on the ritual music played by the Taoists at the Jiao festival. Chan also has an ethnography on the 1986 Shek O Jiao festival published in the Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. The master's thesis of Leung Chor-on, now Ph.D. candidate of Cambridge University, submitted to the Anthropology Department of the CUHK gives a good account of the ritual symbols of the festival. Chan, Leung and I held a seminar on Jiao festivals on Dec. 11, 1988 for the \"Research Circle of the Regional Society of Southern China\" focusing on musical, ritual and social aspects of the festival.\n\n27 Locally published works besides those by Faure and my own are:\n\n-\n\n(a) Chamberlain, Jonathan, \"Introduction” in Chamberlain J. and Iam Lambot The Bun Festival of Cheung Chau (Hong Kong: Studio Publication, 1990). This is largely a collection of photos. Chamberlain's introduction is very descriptive but no sources are quoted.\n\n(b) Chan Wing-hoi, “Observations at the Jiu [Jiao] festival of Shek O and Tai Long Wan, 1986\" Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. Chan recorded meticulously what he was told and observed about the 'settlement', the 'participants', the \"ritual site\", the \"local gods\" and the \"events\".\n\n(c) Xiao, Kuo-jian (Anthony K.K. Siu), Xianggang Xiandai Shehui [Pre-modern society of Hong Kong] (Hong Kong: Chung Wah, 1990), 86-97. Xiao attempts to illustrate three reasons why the communities in Hong Kong celebrate the Jiao. The first reason is to plead for fortune, to pay sacrifices to the gods, to drive away evils and to prevent\n\n4",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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        "rank": 0
    },
    {
        "id": 212123,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 65,
        "title": "RAS-1990",
        "content_text": "42\n\ndisasters. the second is for those who died because of plague. The final reason is to thank the benevolent governors Wang Lai-ren and Zhou You-de of the beginning of the Qing dynasty. In my opinion, all these reasons can be integrated into the first one.\n\n(d) Chan Wing-hoi \"The Tangs of Kam Tin and their Jiu festival\", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989) 302-375, a rich and detailed account of the lineage, its temples and villages, and the festival which draws them together.\n\nDr. Faure gradually switched his interest to the Pearl River Delta while Prof. Tanaka, as I was told, is now looking at Sichuan province. Talk on publishing a book on Hong Kong Jiao festivals has been going on for years by members of the \"Research Circle of the Regional Society of Southern China''. In 1990, the editorial board of the society set up a schedule to compile a book focusing on the Jiao festival. It is expected that papers on various aspects will be completed by the end of April 1991. (Correspondence from the society dated 28.12.1990)\n\nSchipper, Kristofer M., \"The Written Memorial in Taoist Ceremonies\" in Wolf, Arthur P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford University Press, 1974), 324,\n\nFor example, according to Chan Wing-hoi, villagers of Shek O celebrated their 16th Jiao in 1986 (Chan, 78). The Dengs in Kam Tin claimed to have celebrated their Jiao since 1684 (Tanaka, 918).\n\nSee for instance Basel Mission Archives, doct. Al-6, No. 51 (1869), and doct. Al-7, No. 51 (1870) and Der Evangelische Heidenbote, July 1867, in which a missionary describes how he was forced to go to the Magistrate to get his support before he could avoid having to pay his share of the Jiao expenses. All these cases are from Hsin An County. The Sha Tin poem will, it is hoped, shortly be published by Dr. P.H. Hase.\n\nThese two series are part of the 15 series of historical documents collected by Dr. D. Faure and others in the New Territories. Copies of the collections are kept in the libraries of CUHK, Hong Kong University, Sha Tin Regional Council Library, and Institute of Oriental Culture, Tokyo University.\n\n31\n\nTanaka Chugoku no Sozoku to Engeki [Lineage and Theatre in China] (Tokyo Univ. Press 1985), 608. Jiao festivals celebrated by the powerful communities in Hong Kong like Kam Tin, Ha Tsuen, Lung Yeuk Tau etc., were all performed by the Zhengyi Taoist group, led first by the late Master Lin Pei and now by Master Chan Kau. Another Zhengyi Taoist group is led by Master Chan Wah. However, many Taoist priests work for both groups. There are also other Taoist groups who performed for the Jiao festivals, like a Cantonese group which performed for Ho Chung and a Heklo group for Cheung Chau. In 1983, four out of five Jiao festivals were performed by monastery Taoists. It is not clear whether it was because of tradition or out of economic reasons. A comparison of the two Taoist groups has yet to be made.\n\n14 Choi Chi-cheung **Sho matsuri no jinmei risuto ni mirareru shinzoku ban'i” [Kinship as seen in the name lists of Jiao festival] Bunka Jinnú Gaku 5 (1988): 131, table L. 35 **Shinshi men\" [Section of Believers] in Fanling Wenxian (Historical Literature of Fanling) vol. 8. This brief account records details of the arrangement of the Jiao area, including the contents of couplets, names of deities invited, location and direction of matshed stages, and the sacrifices prepared etc.. See n. 32 for the depositories of Fanling Wenxian.\n\n36 See (1972) Lin Chuan [Lam Tsuen] Xiang Taiping Qingjiao huiyi jilubu in Dapu [Tai Po] Wenzian [Historical Literature of Tai Po] vol. 1. (see n. 32 for depositories)\n\n37 Tanaka Issei's three books, all published by the Tokyo Univ. Press are: Chugoku Saishi Engeki Kenkyu [Ritual Theatres in China] (1981), Chugoku no Sozoku to Engeki [Lineage and Theatre in China) (1985), and Chugoku Kyoson Saishi Kenkyu: Chihogeki",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212124,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 66,
        "title": "RAS-1990",
        "content_text": "no Kankyo [Village Festival in China: Background of Local Theatres] (1989). The Jiao festivals studied by Tanaka are as follows:\n\n  \n    Communities\n    Year\n  \n  \n    Cheung Chau\n    1979\n1979, 1983\n  \n  \n    Recorded in\n    1981:74-99\n1985:227-302\n  \n  \n    Ha Tsuen\n    1981\n  \n  \n    \n    1985:199-226\n  \n  \n    Hung Hom, Kowloon *1\n    1978-80\n  \n  \n    \n    1981:771-780\n  \n  \n    Kam Tin\n    1985\n  \n  \n    \n    1989:915-996\n  \n  \n    Lam Tsuen\n    1981\n  \n  \n    \n    1985:359-528\n  \n  \n    Leung Shuen Wan, Sai Kung\n    1980\n  \n  \n    \n    1981:99-113\n  \n  \n    Lin Fa Tei *2\n    1967\n  \n  \n    \n    1985:558-572\n  \n  \n    Lung Yeuk Tau\n    1983\n  \n  \n    \n    1985:609-720\n  \n  \n    Sha Tin, Kau Yeuk\n    1985\n  \n  \n    \n    1989:1041-1112\n  \n  \n    Sha Tin, Tai Wai\n    1987\n  \n  \n    \n    1989:977-1040\n  \n  \n    Sha Tin, Tin Sam\n    1986\n  \n  \n    \n    1989:1040\n  \n  \n    Tai Po Tau\n    1985\n  \n  \n    \n    1985:121.131-138\n  \n  \n    Tuen Tsz Wai\n    1986\n  \n  \n    \n    1989:817-913\n  \n  \n    Yuen Long\n    1983\n  \n  \n    \n    1985:139-198\n  \n  \n    43\n  \n\n*1: From the context, this festival, held on the 14th of the seventh moon, can be best seen as a ghost festival organized by the Hoklo dialect group.\n\n*2: Tanaka did not attend this festival. Analysis of the festival was mostly based on the 1967 account collected by H. Baker.\n\nSee map for the location of places.\n\nJH Tanaka, Ritual Theatres, 5.\n\n班 Tanaka, Lineage and Theatre, 11.\n\n40\n\nfbid., i-ii.\n\n41 Tanaka, Village Festival, i-iij.\n\n42\n\nFaure, David, The Structure of Chinese Society: Lineage and Village in the Eastern New Territories, Hong Kong (Hong Kong: Oxford Univ. Press, 1986), 81.\n\n4.3 Segawa, Masahisa, \"Daa Chiu: matsuri ni arawareru Hon Kon no mura no sugao” [Da Jiao: facets of villages in Hong Kong as shown in the festivals] Kikan Minzoku Gaku Ethnography Quarterly 33 (1985): 21-35.\n\n14\n\nSegawa, Masahisa \"Ta-tsiu [Da-Jiao], feuds, and village alliances: the case of Pat Heung\" (unpublished manuscript, 1991).\n\n45 Choi, Chi-cheung, “Chi o urai ekibyo o harau taihei shinsho\" [Jiao festival: to wash: the land and remove illness] Kikan Minzoku Gaku 40 (1987): 90-105.\n\n4\n\n40\n\nChoi, Jiao festival\", 1046.\n\n47 Choi, \"Kinship\", 147-149.\n\n4#\n\nThough Tanaka wrote that only a few communities in the New Territories celebrated the festival during his seven and a half years' observation (Tanaka, Lineage and Theatre, 608), we are still unclear as to how many communities continue to celebrate it. For instance, the Cheung Long Wai case was not mentioned by any informants. It was known only by an occasional visit to the village. A likely source is the Police since theoretically every festival celebrated in Hong Kong has to receive permission from the police for security measures. The district offices in the New Territories are another source of information. Certainly there were in the past other celebrations which have now ceased for one reason or another (e.g. at Sha Tau Kok, Shuen Wan and Ta Kwu Leng).\n\n49 Segawa, \"Daa Chiu', 35.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212257,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 199,
        "title": "RAS-1990",
        "content_text": "176\n\n8.\n\ntwo actors resume their normal human identity at the conclusion of the ritual before they can step into the backstage.\n\nAt this moment, troupe members who stay onstage cry out loudly to signal the removal of the taboo which prohibits the opening of mouths. Joss papers are then burned as offerings to the spirits and deities. The whole White Tiger ritual lasts approximately from about three to five minutes.\n\nConclusion\n\nAs pointed out by both Tanaka Issei and Barbara E. Ward, there is an inseparable relationship between Chinese opera and religious rituals. The Offering to the White Tiger aptly illustrates how the performing conventions of Chinese opera are incorporated into the staging of an exorcistic act. On the other hand, as many scholars believe that Chinese opera grew out of religious roots, we might also say that the former adopted the conventions of the latter for dramatic expression.\n\nWhat is discussed in the present article relates to the White Tiger ritual and describes only some of the taboos and religious practices which are preserved in the tradition of Cantonese opera. As the present writer has pointed out in his other articles, other taboos and religious practices require troupe members to pay respect to the local deities upon their arrival at the place where they are hired to perform. Troupe members should also offer incense to the shrines of the profession's patron deities backstage, and place joss sticks at the edge of the frontstage to appease the spirits, ghosts and deities which will then protect them from falling off the stage. On the second day of the performance series, before the evening's play starts, joss papers should be burnt, as an offering to troupe members who have died. Moreover, as in many other Chinese regional operatic genres, whenever a troupe first arrives at a performing hall, even if it does not contain a \"new stage,\" the principal comic role actor has to write the Chinese characters dai ger (big fortune) on the wooden or bamboo pillar closest to the Tiger Gate at stage right, with a brush and using a type of red pigment made from a combination of oil and cinnabar, before the other actors can start their make-up. Such a ritual is known as hoi ber (to open a brush'').\n\nA traditional taboo prescribes that the strokes in the radicle hau ...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 213854,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 206,
        "title": "RAS-1996",
        "content_text": "179\n\nStewart II Lockhart. Report on the New Territory during the First Year of British Administration, Hong Kong Sessional Papers, 1900, p. 251\n\nBrum, op cit. p.94\n\n12 David Faure, The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories (Hong Kong: Oxford University Press, 1986), p. 100\n\nInterviews: \"Uncle Lau\" (age: 73), Lam Che, Jun 18, 1991; Cheng Man Yim, op cit.; the Tung Chung Public School, Jan 24, 1991; K'ung Chuo-Yim (age 56), Ma Wan Chung, Jul 11, 1991; Headmaster Mui Wen Hsi (age 50), the Tung Chung Public School, Jun 6, 1991; Tseng Jung Wu (age 53), Ngat Au, Jun 28, 1991\n\n14 Interview of Lo Ch'uan Mei (age 82), Shaek Mun Kap, Jun 22, 1991\n\n15. Ha Wan Yee, \"Tung-chung-hsiang te min-chien tsung-chiao hsin-yang chi ch'i han-tung,\" Unpublished Graduation Thesis, History, Chinese University of Hong Kong, 1991, p. 4\n\nSessional Paper, 1911 (Hong Kong: The Government Printer), p. 103 (38)\n\n17 Interview of Teng Ch'iao (age 66), Ha Mei, Jun 26, 1991\n\n18 Interview of Teng P'ei (age 61), Ha Mei, Jun 18, 1991. According to her story, the Teng's ancestral hall was damaged by the Japanese, and since then the lineage has failed to raise money for its reconstruction. San Tau's Hsiehs also lost their genealogy as well as medical books to the Japanese, according to the interview of Hsieh Ch'i, op. cit., Jun 21, 1991\n\n19 Interview of Huang Wu (age 80+), Village Head of Tai Po, Aug 12, 1991\n\n20 Interview of Cheng P'o, op cit.\n\n21 Faure, op. cit., pp. 70-71; Marjone Topley, \"Chinese Religion and Rural Cohesion in the Nineteenth Century,” HKBRAS, Vol. 18 (1978), pp. 9-43\n\n22 Interview of Tseng Jung, op cit.\n\n23 Ho, op cit., p. 5\n\n24 For details of the ceremony, see Faure, op cit., p. 71\n\n25 C.K. Yang, Religion in Chinese Society. A Study of Contemporary Social Functions of Religion and Some of Their Historical Factors (Berkeley: University of California Press, 1961), pp. 11-12, 99\n\n26 For details of the chan festival, see Faure, op cit., pp. 84-86; David Faure, \"Hong Kong and China in the Village World,” HKBRAS, Vol. 24 (1981), pp. 76-79; Tanaka",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213855,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 207,
        "title": "RAS-1996",
        "content_text": "180\n\nThe\n\nIssei, \"The Jiao Festival in Hong Kong and the New Territories,\" in Julian F. Pas, ed., Turning of the Tides: Religion in China Today (Hong Kong: Oxford University Press, 1989), pp. 271-298\n\nInterviews: K'ung Chao-hsiang (age 79), Lung Tseng Tau, Jul 6, 1991; Hsieh Ch'i, op. cit.\n\nInterview of Mo Shu-ling (age 65), Mok Ka, Jun 29, 1991\n\nInterview of Lo Ch'uan, op. cit., Jul 8, 1991\n\n[hid]\n\n\"Ho, op. cit.; while some villagers did not remember the role of the Houwang in the rituals, an old man, who had witnessed the festival three times, indicated that the Houwang idol would be \"invited\" from the temple and enshrined on an altar set up for the ceremony (Interview of Lo Ch'uan, op. cit., Chap Mun Tau, Jun 22, 1991)\n\n\"Tanaka, op. cit., pp. 273-274\n\n*Faure, 1986, op. cit., p. 84\n\n14\n\nJames Hayes, The Rural Communities of Hong Kong: Studies and Themes (Hong Kong: Oxford University Press, 1983), pp. 159-160\n\n\"Ho, op. cit., p. 6\n\n16\n\nInterviews: Cheng P'o, op. cit.; K'ung Chao-hsiang, op. cit.\n\n\"Interviews: Cheng Man-hung, op. cit.; the Tung Chung Public School, Jul 1991; Tseng Kuan-hsing (age 60+), Upper Ling Pei, Jul 12, 1991\n\n*Interview of K'ung Chao-hsiang, op. cit.\n\n14\n\nJCH\n\nIbid.; Interviews: \"Uncle Li\", op. cit.; Cheng Man-hung, op. cit.; the Tung Chung Rural Committee, Aug 12, 1991\n\nInterview of Feng Po (age 65), Ma Wan Chung, Jun 16, 1991\n\nBrum, op. cit.\n\n*James Hayes, \"Chinese Temples in the Local Setting,\" in Some Traditional Chinese Ideas and Conceptions in Hong Kong Social Life Today, Week-end symposium, Oct 2, 1966, the Hong Kong Branch of the Royal Asiatic Society, p. 92\n\n\"Faure, 1981, op. cit., p. 76\n\n**\"Ch'ung-hsiu Houwang-miao pei-chih,\" IV, 1910, collected in K'o Ta-wen, Lu Hung-chi, & Wu Lun Ni-hsia, comp., Hsiang-kang...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    {
        "id": 215390,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 167,
        "title": "RAS-2001",
        "content_text": "116\n\nThe present The Tribute and 4 abun to Kai\n\n1\n\nft\n\n...\n\n# G A HAD AN\n\nDATO €\n\nF# 陷阱\n\n# B 7 X 5 trai\n\nA\n\nJ\n\nI I\n\n24\n\nLau\n\n710\n\nMY AM I WM (I\n\n#OMI\n\nDA\n\n作一份值得擁有了雪律\n\nJ\n\nUVM FARL PICKU\n\nf #\n\nقطر\n\nAT MEX\n\nTIMOTA 1P 400AY ARMP (\n\n#BIT MADYAAL IN IF\n\nI AM MAI M\n\n44\n\nA\n\n41\n\n腆情路\n\n香港大學的成疒\n\n#\n\nA004 11\n\n翻糖\n\n香港人做作我(J嵌入\n\nMANKAI B&HL\n\nACH AU KAMKI PLOT AN\n\nTATA\n\nAMM 以長期的商業低潮的\n\n(TWEN)M (LIENTEMINIZ 上有廣闊 AMS DIMILAJAR JANAKA\n\n2\n\nng\n\nMy u plea e far! eller or behalf of the lead ræember OF be thine e com unut¡ [1 «e he nonot r lo dit pre car you u sto\n\nuld\n\nin aldres a o Ibu ceen embr idered on atın and u bub IxR ask ye i sir te do us he h now to graciou l¡ ucept i a mill oken of the high esteem and iffe i mi i hue for you is ur (veren ind ruler will frie id an C0072 ellor\n\nIt was clear that the Tribute was behind schedule as it had been the intention to have it completed on Wednesday 16th March 1910. But the pace of the fine work carried out by the craftsmen in Canton dictated otherwise.\n\nIt was our intention to present you with the address shortly after the laying of the foundation stone of the Hongkong University, but time did not permit us, for we desired to present you with a work of art more worthy of your acceptance, and so we had perforce to wait for this occasion in order to allow time to get the work properly executed.\n\nYour administration was unstinting without being in any way fulsome.\n\nIt is scarcely three years since our arrival in this colony, but during the comparatively short period, you have achieved much by your wise and able administration. You have come through a most trying time and succeeded in placing the colony once more on the high road to prosperity and success.\n\nThe University\n\nIn the presentation address, the founding of The University of Hong Kong is given special prominence.\n\nNo one appreciates more than the Chinese community the immense benefits which you have conferred upon this colony, and they are doubly grateful to you for, though we have had a long commercial depression, you have succeeded by your broadmindedness and by your incomparable energy and enthusiasm in founding the Hongkong University.\n\nThe benefits conferred by such an institution on the colony as a whole, and more especially upon the Chinese, whether resident in this colony or throughout China, are incomparable, and we thank you, sir, most cordially and most gratefully for such a boon. I am sure future generations will cherish your memory and thank you.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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