[ { "id": 204439, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 71, "title": "RAS-1962", "content_text": "60\n\nHEROLD J. WIENS\n\nof south China that have evolved a significant culture. But precisely because of this and because they occupied irrigable valley lands, the Han Chinese came into conflict with them. Moreover, because of superior culture, technology and number, the Han gradually took over the T'ai states of the Yangtze valley and assimilated their populations. Those among the T'ai leadership who escaped Han political and cultural conquests were the ones who led their following in migration away from the front of contact. The direction of this slow historical flight was southward and southwestward,\n\nBefore the Han Chinese conquest under the Ch'in dynasty (Third century B.C.), south China contained 6-8 large T'ai states. In Szechwan the T'ai state of Shu was centered on the present provincial capital of Ch'eng-tu. The Pa state was centered at Chungking. In the central and lower Yangtze region were the T'ai states of Ch'u and Wu respectively. The T'ai state of Nan-yueh included such areas as the Canton delta and the Red river delta of Tongking. In Fukien were the Pai-yueh, sometimes politically centralized at Foochow. All of these were absorbed into the political body of China during the 400 years of the Han dynasties. Sinicization, however, took many more centuries and reached its greatest flowering in the Canton delta region during the T'ang period. West of this region in the Yunnan-Kweichow plateaus, however, a Sinicized T'ai power lingered on through the T'ang and Sung periods in the state of Nan-chao, at times strong enough to pose threats to the stability of the T'ang empire. The successor to this state, Ta-li, withered under the Mongol onslaught directed by Kublai Khan, and T'ai political genius moved across the southern borders of Yunnan into the Mon-Khmer cultural sphere in the basin of the Chao Phya river where it evolved the present state of Thailand.\n\n7\n\nT'ai autonomy within southwest China continued in smaller units in the lake and river basins of Yunnan near the Burma borders until the Communist conquest of China. The reasons for the extended freedom from close Han Chinese control over the southwest include the rough topography of the region with agriculture restricted to small basins or primitive self-sufficiency\n\nCh'en Pi-sheng, T'ien-pien san-yi (Reflections on the Yunnan borderlands), Chungking, 1941, 21-24.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204452, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 84, "title": "RAS-1962", "content_text": "CHINA'S 35 MILLION NON-CHINESE\n\nTABLE 1\n\n73\n\nCHINA'S MINORITY POPULATIONS IN ORDER OF SIZE,\n\n1. Chuang\n\n2. Wei-wu-erh (Uighur)\n\n3. Hui (Dungan)\n\n4. Yi (Lolo, etc.)\n\n1953\n\n5. Tsang (Tibetan)\n\n6. Miao\n\n7. Man (Manchu)\n\n8. Meng-ku (Mongol)\n\n9. Pu-yi\n\n10. Ch'ao-hsien (Korean)\n\n11. Tung\n\n12. Yao\n\n13. Pai (Pai-man)\n\n14. Ha-sa-k'e (Kazakh)\n\n15. Ha-ni\n\n16. T'ai\n\n17. Li\n\n18. Li-su\n\n19. Tu-chia\n\n20. She\n\n21. K'a-wa (Wa)\n\n22. Kao-shan (Malay-Polynesian)\n\n23. Tung-hsiang\n\n24. Na-hsi (Na-khi)\n\n25. La-hu\n\n26. Shui\n\n27. Ching-p'o (Singpho, Kachin)\n\n28. Ko-erh-k'e-tzu (Kirghiz)\n\n29. T'u (Mongor)\n\n30. Ta-kuan-erh (Daghor)\n\n31. Mo-lao\n\n32. Ch'iang\n\n33. Pu-lang (Palaung)\n\n34. Sa-la (Salar)\n\n35. Ngo-lo-ssu (Russian)\n\n36. K'e-lao\n\n37. Hsi-po (Sipo)\n\n38. Mao-nan\n\n39. A-chang\n\n40. T'a-chi-k'e (Tadjik)\n\n41. Wu-tzu-pieh-k'e (Uzbek)\n\n42. Nu\n\n43. T'a-t'a-erh (Tatar)\n\n44. O-wen-k'e (Evenki)\n\n45. Pao-an\n\n46. Yü-ku (Sara Uighur)\n\n47. Peng-lung\n\n48. Tu-lung\n\n...\n\n7,000,000\n\n3,640,000\n\n3,559,000\n\n3,250,000\n\n2,775,000\n\n2,511,000\n\n2,418,000\n\n1,463,000\n\n1,247,000\n\n1,120,000\n\n712,000\n\n665,000\n\n567,000\n\n509,000\n\n481,000\n\n478,000\n\n360,000\n\n317,000\n\n300,000 *\n\n286,000\n\n210,000\n\n200,000\n\n155,000\n\n143,000\n\n139,000\n\n133,000\n\n101,000\n\n70,000\n\n53,200\n\n44,100\n\n43,100\n\n35,600\n\n35,000\n\n30,600\n\n22,600\n\n20,800\n\n19,000\n\n18,400\n\n17,700\n\n14,400\n\n13,600\n\n12,700\n\n6,900\n\n6,200\n\n4,900\n\n3,800\n\n2,900\n\n2,400\n\n2,200\n\n450\n\nO-lun-ch'un (Orochun)\n\n50. Ho-che (Nanai)\n\n* Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000.\n\n† From April 19, 1957 issue of Kuang-ming Daily News.\n\n† An estimate.\n\n§ Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137).\n\nHere is the revised response in HTML format using Markdown table syntax for the table:\n\n \n Order\n Minority Population\n Population (1953)\n \n \n 1\n Chuang\n 7,000,000\n \n \n 2\n Wei-wu-erh (Uighur)\n 3,640,000\n \n \n 3\n Hui (Dungan)\n 3,559,000\n \n \n 4\n Yi (Lolo, etc.)\n 3,250,000\n \n \n 5\n Tsang (Tibetan)\n 2,775,000\n \n \n 6\n Miao\n 2,511,000\n \n \n 7\n Man (Manchu)\n 2,418,000\n \n \n 8\n Meng-ku (Mongol)\n 1,463,000\n \n \n 9\n Pu-yi\n 1,247,000\n \n \n 10\n Ch'ao-hsien (Korean)\n 1,120,000\n \n \n 11\n Tung\n 712,000\n \n \n 12\n Yao\n 665,000\n \n \n 13\n Pai (Pai-man)\n 567,000\n \n \n 14\n Ha-sa-k'e (Kazakh)\n 509,000\n \n \n 15\n Ha-ni\n 481,000\n \n \n 16\n T'ai\n 478,000\n \n \n 17\n Li\n 360,000\n \n \n 18\n Li-su\n 317,000\n \n \n 19\n Tu-chia\n 300,000 *\n \n \n 20\n She\n 286,000\n \n \n 21\n K'a-wa (Wa)\n 210,000\n \n \n 22\n Kao-shan (Malay-Polynesian)\n 200,000\n \n \n 23\n Tung-hsiang\n 155,000\n \n \n 24\n Na-hsi (Na-khi)\n 143,000\n \n \n 25\n La-hu\n 139,000\n \n \n 26\n Shui\n 133,000\n \n \n 27\n Ching-p'o (Singpho, Kachin)\n 101,000\n \n \n 28\n Ko-erh-k'e-tzu (Kirghiz)\n 70,000\n \n \n 29\n T'u (Mongor)\n 53,200\n \n \n 30\n Ta-kuan-erh (Daghor)\n 44,100\n \n \n 31\n Mo-lao\n 43,100\n \n \n 32\n Ch'iang\n 35,600\n \n \n 33\n Pu-lang (Palaung)\n 35,000\n \n \n 34\n Sa-la (Salar)\n 30,600\n \n \n 35\n Ngo-lo-ssu (Russian)\n 22,600\n \n \n 36\n K'e-lao\n 20,800\n \n \n 37\n Hsi-po (Sipo)\n 19,000\n \n \n 38\n Mao-nan\n 18,400\n \n \n 39\n A-chang\n 17,700\n \n \n 40\n T'a-chi-k'e (Tadjik)\n 14,400\n \n \n 41\n Wu-tzu-pieh-k'e (Uzbek)\n 13,600\n \n \n 42\n Nu\n 12,700\n \n \n 43\n T'a-t'a-erh (Tatar)\n 6,900\n \n \n 44\n O-wen-k'e (Evenki)\n 6,200\n \n \n 45\n Pao-an\n 4,900\n \n \n 46\n Yü-ku (Sara Uighur)\n 3,800\n \n \n 47\n Peng-lung\n 2,900\n \n \n 48\n Tu-lung\n 2,400\n \n \n 49\n O-lun-ch'un (Orochun)\n 2,200\n \n \n 50\n Ho-che (Nanai)\n 450\n \n\n* Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000.\n\n† From April 19, 1957 issue of Kuang-ming Daily News.\n\n† An estimate.\n\n§ Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137).", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 205165, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 121, "title": "RAS-1966", "content_text": "116\n\nA. L. Y. CHUNG\n\nNOTES\n\n1 See H. S. Galt, History of Chinese Educational Institutions (London, 1951) pp. 364-65; also see K. S. Latourette, The Chinese, Their History and Culture (New Haven, Conn., Mar., 1945), pp. 187, 524-25,\n\n2 Huang-ch'ao tz'u-lin tien-ku (64 chüan in 20 ts'e, 1805, reprint 1887), 17:4b-5b, 18:1b, 49:17b-21b.\n\n3 Ch'ing-ch'ao t'ung-tien (ed. by Chi Huang and others, 100 chüan. Shanghai, 1935 reprint), p. 2162. For further understanding of the Nei-san-yüan, see A. W. Hummel, Eminent Chinese of the Ch'ing Period (Washington: United States Government Printing Office, 1943-44), vol. I, pp. 3, 308, 603.\n\n4 Shang Yen-liu Ch'ing-tai k'o-chü k'ao-shih shu-lu (Peking, 1956), p. 129; Ta-Ch'ing hui-tien shih-li (ed. by Li Hung-chang and others, 1220 chüan, preface dated 1886), 70:9a.\n\n5 See Ta-Ch'ing hui-tien (100 chüan in 10 ts'e, 1764 ed.), 84:1b.\n\n6 Ta-Ch'ing hui-tien, 84:5b.\n\n7 Ch'ing-tai k'o-chü k'ao-shih shu-lu, p. 129.\n\n8 Ch'ing (Huang)-ch'ao wen-hsien t'ung-k'ao (edited by Yung Hsüan and others, 300 chüan, 1882, Shih-t'ang ed. from ts'e 841-1000), 47:19a,\n\n9 Ch'ing-tai k'o-chü k'ao-shih shu-lu, p. 129.\n\n10 Ch'ing (Huang)-ch'ao wen-hsien t'ung-k'ao, 50:32a-b; Ch'ing-shih (8 vols., Taiwan, 1961), vol. 2, 1314.\n\n11 Shang Yen-liu, p. 129.\n\n12 Ta-Ch'ing hui-tien, 84:5b.\n\n13 Huang-ch'ao tz'u-lin tien-ku, 24:5a-b.\n\n14 Ta-Ch'ing hui-tien, 84:5b.\n\n15 Ku Ching-te Hsiu-ts'ai, chü-jen, chin-shih (Hong Kong, 1956), p. 30.\n\n16 Shang Yen-liu, p. 130.\n\n17 Huang-ch'ao tz'u-lin tien-ku, 23:21a-b.\n\n18 Ch'u Tui-chih, Wang Hui-tsu chuan-shu (in Chung-kuo shih-hsüeh ts'ung-shu, Shanghai, 1934), pp. 48-49.\n\n19 Huang-ch'ao tz'u-lin tien-ku, 18:1b.\n\n20 Ta-Ch'ing hui-tien, 84:1b.\n\n21 Ch'ing shih, vol. 2, 1375.\n\n22 Ta-Ch'ing hui-tien shih-li, 70:2a.\n\n23 Huang-ch'ao tz'u-lin tien-ku, 21:7a-b.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205268, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 30, "title": "RAS-1967", "content_text": "THE TRAVELLING PALACE OF SOUTHERN SUNG\n\n23\n\nleft the country without a ruler, the ministers and generals, after consultation with their mother, the concubine Young, unanimously installed I Wang Shih as the Generalissimo of the state and his brother Kuang Wang Ping as his deputy. After a while, they decided to travel south by boat. When everything was ready for departure, the cunning premier Ch'en I-chung begged to remain behind, using the excuse that he must bury his mother who had just died in Wenchow. Everybody disliked him and took him for a coward. The impetuous and impulsive warrior Chang Shih-chieh thought up a cunning scheme: he ordered some of his soldiers to remove the coffin of Ch'en's mother and to place it on a ship. Consequently Ch'en had to follow, much against his will.\n\nIn the 4th month they arrived at Foochow, Fukien, In the next month they crowned I Wang Shih Emperor who thus became the last Sung emperor but one. He was then eight years of age. His posthumous name is Tuan Tsung, (*) by which I shall call him hereafter. From that month on, his reign was called Ching Yen (*). His younger brother Ping received the new title of Wei Wang (£), and his little sister, that of Princess of Tsin Kuo (+), while his own mother was properly honoured as the Queen Mother. They stayed in Foochow until the 11th month when news came that the Mongols were invading Fukien, so they sailed southward.\n\nAfter passing by Ch'uanchow (¥) and Amoy in Fukien and Ch'aochow (¶) (Swatow) and Chia-tsu-men (‡ƒ¶) (of Huichow) in Kwangtung, they entered the territory of Kwangchow-fu early in 1277. Passing by Mirs Bay (Ta-p'eng-wan (★*), northeast of Kowloon), the royal party probably went ashore for a short time to get a rest, since there remain a few historical sites by the names of Wang-mu chuang-t'ai (the Queen-mother's Dressing Table) and Wang-mu hsu (Queen-mother's Market). During the next two months they stayed at an island then called \"Mei-wei\". (This place at present is still unidentified.) In the 4th month (May 1277) the royal refugees landed at Kuan-fu Ch'ang accompanied by many descendants of former Sung emperors who had joined the royal party from different places along the coast.\n\nPage 30\n\nPage 31", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205944, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 24, "title": "RAS-1970", "content_text": "MORE ON THE YUNG-LO TA-TIEN\n\n19\n\ndictionary, the characters were arranged under four main tone groups, based on the Hung-wu chêng-yün, sponsored by the first Ming emperor. Kao Kung oversaw the first and second tone-groups, Ch'in Ming-lei (1518-93) the third, and Ch'en I-ch'in (1511-86) the fourth. On May 23, 1567, Hsü Chich (1494-1574), then chief grand secretary, submitted the duplicate copy to the throne. Great rejoicing must have ensued, for the shih-lu records a long string of honors and emoluments presented on that day to high officials at court. The original was now stored in the Wên yüan ko (Peking) and the duplicate in the Huang shih chêng (office of imperial 皇史宬 archives). In 1594 a number of scholars, among them Lu K'o-chiao (a chin-shih of 1577 and currently chancellor of the National University), agitated for the installation of a bureau for the compilation of a history of the Ming dynasty. Following the approval of their proposal, several historians began to busy themselves with various aspects of the work, and gather documents for their research. Lu at this time recommended that the YLTT be printed, the labor of doing so to be parcelled out to publishers in various parts of the country. Regrettably his suggestion, along with the initial proposal of a dynastic history, was never consummated, at least in Ming times. The war in Korea against the Japanese invaders, incursions by the Mongols in the north-west, and insurrections in the south-west were all then in progress, and the resources of the empire could not bear so heavy a burden. At the end of the dynasty, during the occupation of the capital by the rebel Li Tzu-ch'eng (d. 1645), the original set was entirely put to the flames, and a considerable portion of the duplicate (about one-tenth) likewise destroyed.\n\nFor over a century silence reigns, Ch'ing dynasty scholars seeming to be totally unconcerned about the YLTT. Then in 1771/72 Chu Yün (1729-81) suggested to the Ch'ien-lung emperor first that he launch a similar and even greater enterprise, and later that certain rare books contained only in the YLTT be reproduced in the new work, which came to be known as the Ssu-k'u ch'üan-shu. The emperor was pleased to accept both suggestions; as a result, 385 works in 4,946 chüan were made an important part of the latter. By this time only 9,677 volumes were available (although a report of Nov. 9, 1794, records\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206057, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 137, "title": "RAS-1970", "content_text": "132\n\nHENRY D. TALBOT\n\nLo cheou-Lo Chau (Beaufort Island)\n\n=\n\nMers Bay Mirs Bay\n\nMew Is.-Mo Chau\n\nNako chau-Papai (Nei Kwu Chau or Hei Ling Chau)\n\nNine-pin-Ninepin Group\n\nPo-ke-long Point=Lei Yue Mun Point\n\nPsang-chau-Kau Yi Chau\n\nRagged Island Steep Island\n\nRat Island or Ling Ting-Ling Ting\n\nR. Povado or Iron River-Hebe Haven\n\nSin-can-hien-Hsin-an Hsien (San On Yuen) or, rather, the district city of Hsin-an\n\nSingan Islands-Siu Chau and Tai Shan\n\nShu-lap-ko Is.-Chek Lap Kok Island\n\nSui-pak Siu Kau Yi\n\nSoko Cheou Is. the Soko Islands\n\nSong-kco Sung Kong\n\nTa baco=Chung Chau\n\nTat-hong Moon-Tathong Channel\n\n=\n\nTay Pak Peng Chau\n\nTay-pak-hoe Green Island (or perhaps the sea between Hong Kong and Lantao Islands)\n\nTsa-cheou Is. =Sha Chau\n\nTsan-Cheou-Kau Pei Chau (off Cape D'Aguilar) Tysa=Small island 1⁄2 mile south of East Brother\n\nWang Laang-Waglan Island\n\nNOTES\n\n1 Cf. The British Museum General Catalogue of Printed Books (London, 1961) Vol. 100, Col. 222.\n\nThe British Museum Catalogue of Printed Maps. Charts and Plans (London, 1967) Vol. 7, Col. 359,\n\nMorse, H. B. The Chronicles of the East India Company Trading to China 1635-1834 (Oxford, 1926-29) Lists of Ships.\n\n2 Cf. Bonacker, W. Kartenmacher Aller Lander und Zeiten (Stuttgart, Hiersemann, 1966) p. 200,", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206798, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 75, "title": "RAS-1973", "content_text": "PERSIANS, ARABS IN T'ANG CHINA\n\n69\n\nshould be well-treated.48 The Emperor based his policies on the principle of 't'ien-hsia pai-ch'uan kuei ta-hai' 天下百川歸大海 (all rivers in the empire enter the sea), and accepted everyone from different parts of the world, either to pay tribute to or to trade with China.\n\nThere is no doubt that Persians, Arabs, Turks, Japanese and others did enjoy their stay in China; and it is also an undeniable fact that T'ang emperors wished to befriend these foreigners. It is equally true that in such a highly Sino-centric society as the T'ang period, nobody felt that such a process of assimilation was untraditional or against the theory of Sino-centrism. In T'ang times, such a social pattern was a reality, not a myth, and its spirit may serve as a model for the future.\n\nNOTES\n\n* I wish to express my appreciation to Professor Woodbridge Bingham of the University of California, Berkeley (Visiting Professor in Chinese History, Centre of Asian Studies, University of Hong Kong 1970-71) for reading an earlier version of this paper, weeding out mistakes and suggesting improvements.\n\nAbbreviations used in the footnotes:\n\nCTS Chiu T'ang-shu\n\nHTS Hsin T'ang-shu\n\nTCTC Tzu-chih t'ung-chien\n\n1 In T'ang time, Islamic followers used to call the Chinese Tamghai, Tomghaj, Tonghaj, Tangas, Tubgao or Tapkao. Some historians believe that these were transliterations of T'ao-hua-shih. However, Kuwabara Jitsuzō suggested that these were derived from T'ang-chia-tzu. Cf. J. Kuwabara 'On P'u Shou-keng', Memoirs of the Research Department of the Toyo Bunko 2:1-79 (Tokyo, 1928), 7:1-104 (Tokyo, 1935). See also Chinese translation of this, with additional notes by Ch'en Yü-ching, P'u Shou-keng k'ao (Peking, 1954), pp. 103-109.\n\n2 Edward O. Reischauer and J. K. Fairbank, East Asia: The Great Tradition (London, 1958), p. 155.\n\n3 See Lo Hsiang-lin, T'ang-tai wen-hua shih (Taipei, 1963), pp. 54-87.\n\n4 Hsiang Tai, T'ang-tai Ch'ang-an hsi-yü wen-ming (Peking, 1957), pp. 24-25.\n\n5 Edward H. Schafer, The Golden Peaches of Samarkand: A Study of T'ang Exotics (Berkeley and Los Angeles, 1963), pp. 10-11. I must express my thankfulness to Professor Schafer's opus magnum; I have fully made use of Professor Schafer's work.\n\n6 See Chiu Ling-yeong, Superintendents of Customs in Canton during the Tang and Sung Dynasties (unpublished M.A. thesis, University of Hong Kong, 1963), Chapters 5 and 6.\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206838, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 115, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207583, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 351, "title": "RAS-1975", "content_text": "342\n\nBOOK REVIEWS\n\n34 This observation is mainly based on the fact that the first poem from his own collection is entitled \"Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.”\n\n毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era).\n\n35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung\", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98.\n\n36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414.\n\n37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close.\n\n38 See Hu I: \"Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1.\n\n39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type.\n\n40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu \"Records of Members of the Fu-she Association\" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan.\n\n41 Hsieh Kuo-chen: \"Nan-ming shih-luch\" “A Brief History of the Southern Ming Period\" (1957, Shanghai), pp. 12-13.\n\n42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London).\n\n43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings\" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208207, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 246, "title": "RAS-1977", "content_text": "230\n\nNOTES AND QUERIES\n\nLiang-ssu-ma (梁司馬) each in command of 25 soldiers, all under the command of a Centurion (Tsu-chiang † †). (5) Chien Chiang, the Chekiang literatus, never joined up with the Taipings, but later enlisted in Lei I-hsien's (†) headquarters in 1853 near Yang-chow. He was shortly afterwards executed by Lei after proposing the Li-kin system of taxation. (6) Lo Ta-kang at the beginning of the uprising was appointed a Chun-Shuai (軍帥) and never appointed Wang (king) or Great General.\n\n(7) There were no other two Los each with title of Wang and Assistant General,\n\n(8) Yang Hsiu-ch'ing was East King (東王), not Assistant Councillor. He was the number two man in the Tai-Ping-Tien-Kuo next only to the Heavenly King, while Feng Yun-Shan was the number four in rank.\n\n(9) The Taiping forces were organized into five main armies, Central, Front, Rear, Left and Right, and was not divided into left and right wings.\n\n(10) Concerning religious faith, the deserter knew nothing about the distinguishing features of Taiping Christianity, but reechoed a superficial doctrinization very vaguely recalled from Gützlaff's teaching.\n\nFor general references to the above historical facts, see my book The Taiping Revolutionary Movement (New Haven and London, Yale University Press, 1973) relevant chapters.\n\nThus, it can easily be seen that this ex-member of Gützlaff's Chinese Union, aside from being ignorant of Feng's death, did not know the personnel, itinerary, enrolment numbers, titles, organizational structure, and the Christian religion of the Taipings. In other words, we may reasonably presume that he had never joined up with the Taipings. But his return to Hong Kong with such a false report in 1853 did create a sensation, and provided a seemingly firm ground for general belief in the fable of Feng's relation with Gützlaff. Even the editor of the Register proclaimed \"it worthy of credit\". Readers generally still ignorant of Taiping affairs of course, took both the account and the connection as bona-fide fact. Clarke states (p. 164) that the first Anglican Bishop of Victoria, George Smith, publicized being informed by a Union Member that Tien-Teh-Wang and Feng Yun-Shan were identical and that Feng had been a member of the Union. He also consulted with Robert", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208847, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 9, "title": "RAS-1980", "content_text": "208\n\nDAVID FAURE\n\nTseng Lan Shue an on lung ceremony every thirty. Sha Kok Mei also had a regular ta tsiu.\n\n* Mr. Yau T'aam Shang 31.7.81, Mr. Chau T'in Shang 9.7.81. The ceremony, taken more as a game of fun, was known as \"puk sha ngau tsai\".\n\n49 Mr. Lok Kau Kei 26.6.81, Mr. Lei 9.7.81.\n\n60 Before the War, puppet shows were performed at the earthgods' festivals at Sai Kung Market and Pak Tam Chung, and the ta tsiu at Pak Kong and Pak Sha Wan. With the exception of Pak Kong's ta tsiu, which was held once every ten years, these were annual celebrations. See ints. Mr. Kong Hei 21.6.81, Mr. Chau T'in Shang 7.5.81, 9.7.81, Mr. Yau T'aam Shang 8.5.81, Mr. Lok Kau Kei 26.6.81, Mr. Leung Yung Hei 16.6.81, Mr. Lok Tsau On 21.6.81.\n\n\"1 See, for instance, descriptions of the feasts in int. Mr. Yau T'aam Shang 8.5.81, feast at grave worship in int. Mr. Cheung T'o 15.6.81, at wedding ceremony in int. Mr. Tsang 25.6.81.\n\n52 For general comments see Mr. Tse Wing 9.6.81, Mrs. Lau 21.6.81, Mrs. Tse 21.6.81, Mrs. Cheung née Wan 26.6.81, and for samples of these songs, Mr. Lok Kau Kei 26.6.81, Mr. Ip Wan 2.7.81.\n\n53 C. Fred Blake, \"Death and abuse in marriage laments: the curse of Chinese brides\", Studies in Asian Folklore 37, pp. 13-33 quotes extensively from a text of Hakka songs found in Sai Kung. The Oral History Project has found records of these songs in other villages, but not in Sai Kung itself.\n\n5 Hong Kong Government Administrative Report 1913, p. N 16.\n\n56 From the Hong Kong Government Administrative Report 1922, the Hong Kong Government Administrative Report 1923, and interview reports, schools were found in Sai Kung Market (Sung Chen and two others) and the following villages (names of schools in brackets): Mang Kung Uk (Ts'ung Kong), Pak Tam Chung, Wo Mei, Ho Chung (Tsik Shin), Tseung Kwan O (Lap Tak), Yim Tin Tsai, Tai Po Tsai, Sha Kok Mei (Yuk Yin), Tai Wan (Sui Ying), Tai No, Nam Wai, Pak Kong (Man Shang), Tai Long, Wong Chuk Yeung, Pan Long Wan, Sheung Yeung (Ling Wan), Ta Ho Tun, Pak Ngah, Kau Lau Wan, Kau Sai, Seung Sz Wan (Wai San), Hang Hau (Man Uen), Tseng Lan Shue (Lung T'ang), Tan Ka Wan (Shung Ming), Yung Shu O, Ko Tong, Tai Wan Tau, Wong Mo Ying, Ma Yau Tong, Man Yee Wan, Nam Shan, Che Keng Tuk, Pak Kong Au, Ma Nam Wat, Siu Hang Hau.\n\n56\n\nInts. Mr. Lok Shang 21.5.81, Mr. Chan Kei Shang 28.5.81, Mr. Cheung To 29.5.81, Mr. Chan Shau 19.6.81, Mr. Uen Chan Wan 22.6.81, Mr. Cheung Ts'oi 20.6.81, Mr. Wong Yung Ts'ing 20.5.81, Mr. Lam Kaap Shau 8.6.81, Mr. Lai Foh 8.5.81.\n\n57 Mr. Lei Shiu Yam 8.5.81, Mr. Wong Yung Ts'ing 20.5.81, Mr. Kong Hei 21.6.81 went to Sung Chen. Mr. Wong went from Sung Chen to the Roman Catholic School in Wai Chau and then Canton. Mr. Cheng Chung T'ing 21.5.81 went to the Yau Ma Tei Government School, Mr. Uen Chiu Ming 13.2.81 went to the Tai Po Teachers Training School, but did not graduate. The Chans of Ho Chung sent their sons to Nam Tau or Canton; see Mr. Chan P'aang Hing 29.5.81. Mr. Chau T'in Shang's elder brother was educated in Canton, see int. 3.6.81. See also int. Father George Carusso 20.5.81.\n\n58 Mr. Wong Ts'ing 23.6.81, Mr. Tsang Yau 23.6.81, Mrs. Tse née Lau 24.6.81, Mr. Lau Wan Hei 25.6.81, Mrs. Yung née Wan 2.7.81, Madam Chiu I Mooi 18.7.81, Mrs. Yau née Tse 22.7.81, Mr. Chan T'aai", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209058, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 220, "title": "RAS-1980", "content_text": "188\n\nWILLIAM Y. CHEN\n\nHan-shan, 1546–1623. Kuan Lao-Chuang ying hsiang lun. Taipei, 1974.\n\n憨山,觀老莊影响論.台北,廣文書局,1974.278 p. BC\n\nHsi-hsin-tzu、Ming-tao yù lu. Taipei, 1970.\n\n洗心子,明道語錄,再版,台北,真善美出版社,1970. 4, 5, 6, 159 p.\n\nLC\n\nHsiao, Tien-shih, Tao-chia yang sheng hsiüeh kai yao. Taipei, 1963\n\n蕭天石.道家養生學概要·儒釋合叁.台北,自由出版社,1963. 7, 3, 4, 450, 2, 6 p.\n\nLC\n\nHu, Che-fu. Lao-chuang che-hsüeh. Shanghai, 1935.\n\n胡哲敷,老莊哲學,上海,中華書局,1935.1 v.\n\nCA\n\nKaibara, Ekiken, 1630-1714. Shinshiroku. Osaka.1815.\n\n益軒貝,慎思錄, 大阪, 勝寫喜六郎,1815.6v.\n\nKan ying lei ch'ao, Taipei, 1967.\n\nBC\n\n感應類鈔,史潔珵纂輯,台北,自由出版社,1967. 158 p.\n\nLC. SA\n\nKimura, Eiichi, 1906– Rō-shi no shinkenkyů. Tokyo, 1959.\n\n木村英一,老子の新研究.東京,創文社,1959. 7, 2, 633, 9, 25 p.\n\nLC\n\nKo, Hsüan. Ko-hsien-weng chih tao hsin ch'uan. Taipei, 1968.\n\n葛玄,葛仙翁至道心傳,台北,自由出版社,1968.5, 34, 102 p.\n\nLC, SA\n\nLao-Chuang ssit hsiang yi hsi fang che-hsieh. Taipei, 1968.\n\n老莊思想與西方哲學,宋稚青譯,台北,三民書局,1968. 4, 170 p.\n\nLC\n\nLi, Shu-huan. Tao-chiao tien ku chi. Kao-hsiung, 1975.\n\n李叔還,道教典故集,高雄,李叔還,1975. 6, 7, 104 p.\n\nBC, LC\n\nLi, Shu-huan. Tao-chiao yao i wen ta ta ch'üan. Kao-hsiung, 1972.\n\n李叔還,道教要義問答大全,修訂本,高雄,李叔還,1972. 6, 25, 237 p.\n\nBC\n\nLi, Tao-shun. Chung-hochi. Taipei, 1957.\n\n李道純,中和集,台北,自由出版社,1957. 4, 6, 178 p.\n\nLC, SA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209061, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 223, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\n191\n\nTao shu shih ĕrh chung. Shanghai, 1913.\n\n道書十二種,上海,江東書局,1913. 16 v.\n\nCA\n\nTao-tsang. Shanghai, 1924–26.\n\n道藏,上海,商務,1924-26.\n\n1200 v. in 128 cases.\n\nCA, SA\n\nTao-tsang chi yao. Taipei, 1971.\n\n道藏輯要,賀龍驤校勘,台北,考正出版社,1971.\n\n25 v. (11308 p.)\n\nLC, SA\n\nTao-tsang ching hua lu. Shanghai, 1922.\n\n道藏精華錄,丁福保編纂,上海,醫學書局,1922.\n\n12 v.\n\nCA\n\nTao-t'ung ta ch'eng. Taipei, 1975.\n\n道統大成,汪東亭輯,台北,新文豐出版公司,1975.\n\n2 v.\n\nLC\n\nTs'ao, Wen-i. Ling yüan ta tao ko pai hua chieh. Taipei, 1964.\n\n曹文逸. 靈源大道歌白話解,台北,自由出版社,1964.\n\n1 v.\n\nLC, SA\n\nWan, Shang-fu (Ming dynasty). T'ing hsin chai k’o wen. Taipei, 1966.\n\n萬尚父,聽心齋客問,台北,台灣商務,1966.\n\n13 p.\n\nSA\n\nWei, Po-yang. Ku pen Chou-i ts'an-tung-ch'i chi chu. Taipei, 1974.\n\n魏伯陽,古本周易參同契集註,台北,自由出版社,1974.\n\n398 p.\n\nSA\n\nWu shang mi yao. Taipei, 1966.\n\n無上秘要,撰人不詳,台北,台灣商務,1966. 8 p.\n\nSA\n\nYen Ling-feng, 1903- Tao-chia ssu tzu hsin pien. Taipei, 1968.\n\n嚴靈峯,道家四子新編,台北,台灣商務,1968.\n\n2, 6, 2, 858 p.\n\nLC\n\nYoshioka, Yoshitoyo, 1916– Eisei e no negai. Kyoto, 1970.\n\n吉岡義豐, 永生への願、道教, 京都,淡交社,1970.\n\n271 p.\n\nLC\n\nYü-ch'iao-tzu. Hsüan-hsüeh mi lu. Taipei, 1975.\n\n玉樵子,玄學秘錄,再版增訂本. 台北, 1975.\n\n[41] double leaves.\n\nLC", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209067, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 229, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\nTsuda, Sokichi, 1873–1961. Dōka no shiso to sono tenkai. Tokyo, 1927.\n\n津田左右吉,道家の思想匕其の開展,東京, 東洋文庫, 1927. 3, 3, 639, 9 p.\n\nCA\n\nYajima, Genryō. Chūgoku Bstsu-Dõ nempu. Tokyo, 1974. 矢嶋玄亮,中國佛道年譜,修訂增補,東京,國書刊行會, 1974. 402, 24 p.\n\nLC\n\nTu, Erh-wei. Chung-kuo ku tai tsung chiao yen chiu. Taipei. 1960.\n\n杜而未.中國古代宗教研究:帝道后土研究,台北, 華明書, 1960. 6, 172 p.\n\nCA\n\nTu, Erh-wei. Chung-kuo ku tai tsung chiao yen chiu: T'ien tao Shang-ti chih pu. Taipei, 1959.\n\n中國古代宗教研究:天道上帝之部,台北,翠明書, 1959, 6, 246 p.\n\nLC 杜而未\n\nYi, Nung-hwa, 1869-1945. Chosōn togyo sa. Korea, 1977. 李能和,朝鲜道教史,什竜,永信卟101韓國學研究所, 1977. 18, 480 p.\n\nLC\n\nYoshioka, Yoshitoyo, 1916– Dökyō keiten shiron. Tokyo, 1955. 吉岡莪豐,道教經典史論,東京,道教刊行會,1955. 5, 584, 50 p.\n\nCA, LC\n\n5. TAOIST DOCTRINES\n\nChang, Pai-t'ao. Pu-t'ien sui. Taipei, 1960. 張百燾.補天髓,台北, 自由出版社,1960.\n\nLC, SA 1 v.\n\nChang, Tung. Chang San-feng ta tao chih yao. Taipei, 1971. 張通,張三丰大道指要,台北, 自由出版社, 1971. 232 p.\n\nLC, SA\n\nChang, T'ung. Chang San-feng tsu shih Wu-ken-shu tz'u chu chieh. Taipei, 1962.\n\n張通.張三丰祖師無根樹詞註解,台北,自由出版社, 1962. 67 p.\n\nLC, SA\n\nChang, Yung-chéng. Wu-chen-p'ien ch'an yu. Taipei, 1959. 張用成,悟真篇闡幽,台北,自由出版社,1959.\n\n1 v. LC, SA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209077, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 239, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\nNei wai kung t'u shuo chi yao. Taipei, 1971.\n\n207\n\n内外功圖說輯要,莫釐席纂輯,再版,台北,自由出版社,1971. 20, 6, 444 p.\n\nLC. SA\n\nNü-chin-tan fa yao. Taipei, 1960.\n\n内金丹法要,傅金銓輯錄,台北,自由出版社,1960.\n\n1 v.\n\nLC, SA\n\nTao-chia yang sheng mi chih tao lun. Taipei, 1965.\n\n道家養生秘旨導論,歷代古真傳,台北,自由出版社,1965. 3, 3, 22, 4, 6, 191 p.\n\nLC, SA\n\nWai-chin-tan ta ch'eng chi. Taipei, 1970.\n\n外金丹大成集,歷代外金丹祖師傳著,台北,自由出版社,1970. 1 v.\n\nLC, SA\n\nWu, Shou-yang. Nei-chin-tan hsin fa mi chih. Taipei, 1960.\n\n伍守陽,内金丹心法秘指,台北,自由出版社,1960.\n\n1, 62 p.\n\nLC, SA\n\nWu, Shou-yang. Wu Ch'ung-hsü tan-tao-ch'üan-shu Tan-tao-ju-men ho k'an. Taipei, 1965.\n\n伍守陽,伍冲虚丹道全書,丹道入門合刊. 台北,自由出版社,1965. 1 v.\n\nLC, SA\n\n9. IMMORTALS 神仙\n\nCh'ang sheng ch'i kung chieh fa chi ch'eng. Taipei, 1969.\n\n長生氣功捷法集成,台北,自由出版社,1969.\n\n5, 88, 89 p.\n\nLC, SA\n\nChou, Shao-hsien. Tao-chia yi shen hsien. Taipei, 1970.\n\n周紹賢,道家與神仙,台北,台灣中華,1970.\n\n4, 4, 276 p.\n\nHsien hsieh chen ch'üan, Taipei, 1960.\n\n仙學真詮葆真子元同子傳述,台北,自由出版社,1960.\n\n1 v.\n\nLC, SA\n\nHsien hsieh chi chin. Taipei, 1963.\n\n仙學集錦,龔松仙編著,台北,真善美出版社,1963.\n\n3, 4, 12, 7, 318, 4 p.\n\nLC. SA\n\nHsien hsieh miao hsüan, Taipei, 1967.\n\n仙學妙選,李帶俅編,台北,真善美出版社,1967.\n\n11, 9, 472 p.\n\nLC, SA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209278, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 181, "title": "RAS-1981", "content_text": "60\n\nJUAN YUAN'S MANAGEMENT OF SINO-BRITISH RELATIONS IN CANTON, 1817-1826 167\n\nIbid., 1:22b-23. Court letter to Juan Yuan et al., TK 2/5/25 (1822/7/13). 07 After Juan Yuan left Canton, his successor as Governor-General of Kwangtung and Kwangsi, Li Hung-pin, established a system of patrol boats to check on opium smuggling. Each boat received a monthly bribe to permit the illicit trade. Liang, Kuang-chou shih-san hang k'ao, p. 299.\n\nChang Shun-ts'un #\n\nTao-Kuang ch'ao\n\nCh'en 陳\n\nCh'en-Li shih ★BA\n\nchin f\n\nchüan-na ‡Ã1⁄4\n\nfen 分\n\nHsiang-shan J\n\nHsin-hui hsien-chih Hsi Nai-chi 許乃濟 Hsüeh-hai t'ang***\n\nHu-Kuang Hu-pu 户部\n\nHuang I-ming *** I-li-pu 伊里布\n\nJuan Yuan 阮元\n\nKuang-tung shih-san hang k'ao\n\nKuang tung tung chi là ki\n\nKung-chung-tang\n\nkung-hong 2Ấ\n\nKuo-Liang shih\n\nLi Hung-pin 李鴻賓 Liang Chia-pin 梁嘉彬 Liang-Kuang✯ Liang-Kuang yen-chih\n\nch'ou-pan i-wu shih-mo\n\ntao-t'ai\n\nTi-tzu chi, for (Lei-t'ang-an-chuɃ‡ƒ‡ ti-tzu chi)\n\nTs'an-chan ta-ch'en ★★★E ts'un += 1/10 Chinese foot) Wai-chi-tang >-*#\n\nWai-chiao shih-liao ££* Wu Kuo-yung Wu-lung-a\n\nWu Shou-ch'ang ££ 3\n\nWu Ts'ung-yao 14\n\nWu Tun-yuan {£✶ ̃\n\nyang-hang *{1\n\nyang-shang 洋商\n\nYeh Huan-shu #£#\n\nYeh Hsia 葉及\n\nYen-ching shih-chi &*£✯ Yun-Kuei +\n\nNei-wu-fu\n\nPan-yü 番禺 pao-chia 保甲\n\nTa-Ku\n\n#", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209287, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 190, "title": "RAS-1981", "content_text": "176\n\nNG LUN NGAIHA\n\nthe Chinese population. This was to make Sun different from Ho Kai and other intellectual or bourgeois reformists whose interest in economic reform was centred more on industry and commerce. He maintained that improving agricultural productivity was the most urgent and important reform in China. He found it deeply regrettable that in the recent westernization movement undertaken by the Government, agricultural affairs had been neglected as no one was sent abroad or into agricultural college to learn Western techniques. It was perhaps for these reasons that he offered to serve the state, to promote agricultural reforms. He did not claim to have specialized training in this field. But \"for many generations my family had been engaged in farming, and I was able to gain some experience in it\", and \"when I was educated abroad, I often read books concerning Western farming methods, geology and other science subjects\". He admitted that practical knowledge was essential and he was ready to go abroad to study sericulture and other Western agricultural methods.\n\nDr. Sun Yat-sen's years in Hong Kong being an essential part of his formative age, had a significant influence on his intellectual development. He mentioned more than once in his recollections that his revolutionary ideas germinated in Hong Kong, and in his few early essays that can be found, it is evident that he also shared some reform notions of the time. Much of this thinking then, as expressed in his presentation to Li Hung-chang in 1894, was also nurtured by his experience and observations in Hong Kong.\n\nNOTES\n\n1\n\nAccording to Wang Teh-chao, this was published in the September and October (1894) issues of the Wan-kuo kung-pao. It was then republished in issue No. 19 of Yu-shih. See Wang Teh-chao, “Tungmeng hui shih chi Sun Chung-shan hsien-sheng k'o-ming szu-hsiang ti fen-hsi yen-chiu”, Chung-kuo hsien-tai shih ts'ung-k'an, vol. 1 (Taipei, 1960), p. 66, note 3.\n\n2 ibid. note 4.\n\n3\n\nFeng Tzu-yu, “K'o-ming i-shih” (Taipei reprint, 1957), and K'ai-kuo chien k'o-ming shih (Taipei reprint, 1954); Ch'en Shao-pei, Hsing-Chung hui k'o-ming shih-yao (Canton, 1934). See also Chou Hung-jan, \"Kuo-fu 'shang Li Hung-chang shu' chih shih-tai pei-ching”, Ta-lu tsa-chih 23.5, pp. 157–161.\n\n4 The pamphlet, Kidnapped in London, was published in England in 1897. In this, Sun recalled that a Ch'ing official in the Chinese legation said to him, \"You have previously sent in a petition for reform to the Tsung-li yamen in Peking asking that it be presented to the Emperor.\" See Kuo-fu ch'uan-chi vol. 5 (Taipei, 1973), p. 16.", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 210093, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 64, "title": "RAS-1984", "content_text": "43\n\nB-2\n\nB-2 Pai-shou ling-ch'ien, Ku-shih chu-chieh ti by Cheng Chin-ling $436. Tsoying, Kaohsiung, 1976.\n\nM. Published\n\nKuan-sheng Ti-chun ying-yan t'ao-yian ming-sheng ching E KNMVTÆ. Published by the Fu-ch'uan Fo-t'ang in Kang-shan, Kaohsiung. QUI÷HES, 1971. (The oracles are in the Appendix).\n\nB-6 Kuan Yin ling-ch'ien chu-chieh, erh-shih-szu shou Pi. Taichung: Jui-ch'eng Bookstore, 1975.\n\nB-34 Ch'ien-shu chu-chieh, Tien-shang Sheng-mu, lished by the Nan-yao Temple in Changhua M, R, LTE. Pub Mä, 1977.\n\nB-54 Huang Ta-hsien (Wong Tai Sin) ling-ch'ien, ku-pen chu-chieh A¶ LASER. Published by the Wong Tai Sin Temple in Kowloon, HK, n.d. (purchased in 1980).\n\nB-55 Po-chi hsien-fang 1981;. Taiwan (no exact place indicated but stamped by the Tz'u-yu Temple in Taipei, BMK), 1951.\n\nB-55 Lu Ti ling-ch'ien hsien-fang, PPARI), Hsinchu: Chu-lin Book-store 新竹市竹林書局,1977.\n\nB-55 Fu-yu Ti-chün chüeh-shih ching, Lü-tsu ling-ch'ien chi hsien-fang Fili MEIM.NG MAUZERO/2A07), Hong Kong, N.T., SEDILE. 8-0 1976.\n\n+ Wu-nien ch'ien-sui ling-ch'ien chu-chieh 1F, Published the Chen-an Temple (2000) of Ma-ming-Shan in the county of Yiin lin, Taiwan, 1963.\n\n(ii) Taiwan Oracles: Temple Samples\n\nWerner Banck, Das Chinesische Tempelorakel PPE (part 1: Sources), Taipei: Ku-t'ing Bookstore, fillaliliPVM, 1976.\n\n(iii) Canton Temple Oracles, collected by the Library of the Center of Asian Studies, University of Hong Kong (not included in Banck's source edition)\n\n1. Kuan-shih-yin ling-ch'ien, #, published by Wu-kui t'ang 4, in Canton, n.d. (circa 1940?) block print reproduction; contains 100 oracles).\n\n2. Hung-sheng-wang ch'ien 1, published by I-wen tang in Canton, n.d. (blockprint reproduction; contains 64 oracles).\n\n3. K'ang-kung ling-ch'ien 12, published by T'ien-pao Printing Co.: Ch'an-shan, Canton, dated 1855 (nice wood block print edition)\n\n+ 4. Fu-shen T-u-ti ch'ien (@J:22, published by Wen-tang Bookstore, **W in Yue-tung ch'an shan 40, dated 1859. (woodblock print; 30 oracles).\n\n5. Shang-ti ling-ch'ien (zar, published by Wen-t'ang Bookstore, Z, n.d. (wood block print; 50 oracles).", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 211005, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 67, "title": "RAS-1987", "content_text": "42\n\nNOTES\n\nAnthony K.K. Siu, \"The Kowloon Walled City”, Journal of the Hong Kong Branch of the Royal Asiatic Society, (hereafter, JHKBRAS) vol 20 (1980) 139-140; his Chiu-lung ch'eng shih lun-chi ” (“Studies on the Kowloon Walled City\") (Hong Kong: Hin Chiu Institute, 1987) p. 27. It was called miserable by the Rev. Krone in his “A Notice of the Sanon District” China Branch of the Royal Asiatic Society Transactions 6 (1859) 71-105, reprinted in the JHKBRAS 7 (1967) 104-137, 132.\n\n2 Chou-pan i-wu shih-mo (The complete account of the management of barbarian affairs) 260 ch'uan (Photographic copy of original compilation, Hong Kong, 1964), ch'uan 70: 18b-19b.\n\nThe hsun-chien originally administered 496 villages in the county; with the cession of Hong Kong Island, 5 were taken out of his hands, and in 1860, another 12 were lost with the cession of the Kowloon Peninsula. Thus by 1898, he was only responsible for 479. See Siu, Chiu-lung ch'eng, pp. 16-20.\n\n3 ibid., p. 28.\n\n4 Chou-pan i-wu shih-mo, ch'uan 76: 3a-4a.\n\n5 J.H.S. Lockhart, [Report on the New Territory], enclosed in Lockhart to Chamberlain, October 8, 1898 in Great Britain. Colonial Office. Original Correspondence (Series 129) (hereafter CO129)/289; p. 74. According to a later account, however, the wall was about 23 English feet high, and the width at the top between approximately 5.8 feet and 11.75 feet. See Chiang-shan ku-jen LA, “Hsiang-kang hsin-chieh feng-t'u ming-sheng ta-kuan\" (A panorama of local customs and famous places in Hong Kong and the New Territories) part 104. These articles appeared in the Hua-chiao jih-pao between 1935-36, and are collected in an album deposited at the University of Hong Kong Library. Based on observations, these articles are an important source of geographical and historical information of places in the territory. However, it seems that Lockhart, who had been commissioned to reconnoitre the newly leased territory, might have gone to greater lengths to obtain accurate measurements.\n\n6 Another detailed observation of the wall and guard houses was made by Walter Schofield in 1928, and his notes are reproduced in JHKBRAS 9 (1969) 154–156.\n\n7 Chiang-shan ku-jen, “feng-t'u”, part 104.\n\n8 Lockhart, p. 75.\n\n9 Lockhart, p. 75.\n\n10 Chiang-shan ku-jen, “feng-t'u”, parts 109-110.\n\n11 See the inscription recorded in David Faure, Bernard Luk and Alice Ng Lun Ngai-ha ed. Hsiang-kang pei-ming hui-pien (Historical inscriptions of Hong Kong) 3 volumes. (Hong Kong: Urban Council, 1986) vol. 1, p. 101,\n\nJames Hayes, The Hong Kong Region 1850-1977 (Hamden, Connecticut, 1977) pp. 167-168. The building was partially demolished in the early 1980s, and a high-rise apartment building was built over it. At the moment (1988), the frame of the entrance with the original couplet is still in place, and an altar, said to be from the school, still stands on the ground floor.\n\n12 Hsun-huan jih-pao June 13, 1883.\n\n13 Hayes, p. 168; Chiang-shan ku-jen, \"feng-t'u”, part 107.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211638, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 53, "title": "RAS-1989", "content_text": "28\n\nSheng Mu (玉皇聖母)\n\nOne of the more interesting arrangements is the main hall of the Temple of the Jade Emperor in Tainan. The Jade Emperor occupies the main altar with the San Kuan (Three major Taoist deities) immediately before him. On his left hand is his son, referred to as the Fourth Heir Apparent (Yu Huang Ssu Tien Hsia F) (see Plate 4) but without any personal name, and on his right is his grandchild, the Third Princess (San Kung Chu Niang, see Plate 5). According to the temple keeper she is the younger sister of the Jade Emperor's heir Yuh Huang T'ai Tzu, and her annual festival is celebrated before her altar on the 15th day of the third lunar month. The other children of the Jade Emperor are not represented. An image of the Jade Emperor's third daughter (see Plate 7), a princess whose name is not given, is the main deity on an altar in a temple in Pai Sha on the Pescadores Islands. On the same altar are four other princesses, said to be her sisters, but again without names. These four are lesser deities.\n\n10\n\nMrs. Goodrich was told by her Peking informant that Yen Kuang Niang-niang, the deity who watches over eyesight, was the sixth daughter of the Jade Emperor. Her image in the Temple of the Eastern Peak in Peking portrayed her carrying images of eyes in her hands. She has to be worshipped by a pregnant mother or her child will be born with incurable eye trouble.\n\nIn another temple on the Pescadores, the Lung Tu Temple in Makung, the Third Prince of the Jade Emperor is the main deity on one of the major altars. He is flanked by smaller images of the First, Second, Fourth, and Fifth Princesses (Ta, Erh, Ssu, Wu Kung Chu). This Third Prince Yu Huang San T'ai Tzu should not be confused with Na Cha, who is also referred to as the Third Prince (Nacha San T'ai Tzu). The third son of the Jade Emperor is portrayed as a seated, beardless, middle-aged man holding an unsheathed sword vertically before his chest and with his left hand raised to shoulder height making a mystic sign. He is wearing a high, round-topped cap with a bead-screen, and has four flags signifying his military rank in a rack across his back.\n\nThis same deity, Yu Huang San T’ai Tzu, has been noted with an image of the Taoist deity, the Saintly Mother (Sheng Mu) on a side altar in the main hall of a large folk religion temple in Manila.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211650, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 65, "title": "RAS-1989", "content_text": "40\n\nPestilence Wang Yeh contained the character revealing where he had originated from. An altar in a converted shophouse temple in the suburbs of Taichung bore the title 'Chinmen Su Fu San Wang Yeh'. The temple keeper's family, also named Su, had brought the image over from Quemoy (Chinmen island) off Amoy.\n\nAn example of the many idiosyncrasies involving the worship of the surnamed Wang Yeh can be observed in the Ma Temple in Ssu Hu village in Yunlin county where the Ch'en family has worshipped Pai Fu Ch'ien Sui+ for many generations. The temple was built there with Pai Fu Ch'ien Sui as the major deity but following an epidemic Ma Fu Ch'ien SuiT, the ancestral deity of the local Ts'ao# family became the major deity on the altar. He is regarded as the senior of the two Wang Yeh. According to local legend, during a virulent epidemic Pai Fu Ch'ien Sui gathered together Ma Fu Ch'ien Sui, Ta Sheng Yeh (Monkey god), the Third Prince (T’aitzu Yeh), Kuan Yu (the red-faced god of loyalty), and T'ien Shang Shengmu (The Holy Mother of Heaven better known as T'ien Hou) and together they stopped the epidemic. In their gratitude the locals extended the temple to honour them and, according to the temple keeper, the whole area has been peaceful and harmonious ever since. Ma Fu Ch'ien Sui, the senior Pestilence deity in the group, is portrayed as a multi-armed deity, with a multi-coloured striped face sitting on a throne. It is very Hindu in its appearance.\n\nIn Hsin Ying near Tainan a main deity known as Han Lao Yeh##Zm but better known colloquially as Han Ch’ien Sui### was discussed by a number of villagers. In consensus they decided he was not a Wang Yeh despite being a protective deity who was particularly revered for the maintenance of good health. They were unable to identify Han but recalled that he had been a civil official in Fukien whose image had been brought over to Taiwan long after he had been deified.\n\nPestilence Wang Yeh generally occupy the main altar of the temple in which they reside. The main deity will occupy the centre spot with the junior Wang Yeh in lesser positions beside him. However, in a number of temples they can also be seen in a row on the altar table before the main altar which can be dedicated to another, entirely unconnected deity. This would seem to be the temple staff taking advantage of the custom of borrowing a Wang Yeh image to take home for private reverence by the sick, who leave a donation in the temple for the service. Pestilence Wang Yeh images are frequently carried home from temples", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211729, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 144, "title": "RAS-1989", "content_text": "119\n\nNOTES\n\n1 Ch'ü, Ta-chün, Kuang-tang hsin-yü [New Tales from Kuang-tung], Hong Kong: Chung-hua ch'u-pan-shê, 1974, reprinted from 1700 edition, p. 677.\n\n2 ibid, pp. 674-676.\n\n3 Yung-yen, “Hong Kong ti ming k'ao” [The Origin of Place Names in Hong Kong], in: Li Chun-wei (ed.) Hong Kong pai nien [Centenary History of Hong Kong], (Hong Kong: Nan chung pien yi ch'u-pan-shê, 1948), p. 68.\n\n4 Hong Kong Daily Press, February 5, 1873.\n\n5 Siu, A.K.K., “The Hong Kong Region Before and After the Coastal Evacuation in the Early Ch'ing Dynasty”, in: Faure, David, James Hayes and Birch (eds.), From Village to City, (Hong Kong: Centre of Asian Studies, University of Hong Kong, 1984), p. 2; Fêng K'ê-pin (ed.), Hsiang chien [Notes on Incense], in: Kuang pai ch'uan hsüeh hai (1), 1998. (Taipei: Hsin-hsing shu-chü, reprinted in 1970).\n\n6 Balfour, S.F., “Hong Kong Before the British”, Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 10, 1979, p. 176.\n\n7 Ch'ü, p. 677.\n\n8 Chang, Y.N., \"Hong Kong Ts'un (Hong Kong Village) and the Cultivation and Exportation of Incense from Kowloon and the New Territories”, in: Lo, Hsiang Lin (ed.), Hong Kong and Its External Communications Before 1842, (Hong Kong: Institute of Chinese Culture, 1963), p. 114.\n\n9 Tung-kuan Hsien-chih [Tung-kuan Gazetteer], compiled by Ch'ên Pai-tao, (Tung-kuan yang-hêng yin-wu-chü, 1910), Section 14, p. 13; Dunn, Stephen Troyte and William James Tutcher, Flora of Kwangtung and Hong Kong, (London: Her Majesty's Stationery Office, 1912), p. 9.\n\n10 Iu, K.C., \"The Cultivation of the Incense Tree (Aquilaria sinensis)”, Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 23, 1983, pp. 247-249.\n\n11 “Imports for the Year 1846”, Hong Kong Blue Book 1846, p. 200, 204, 207.\n\n12 “Imports for the Year 1847”, Hong Kong Blue Book 1847, pp. 200-212.\n\n13 “Imports for the Year 1848”, Hong Kong Blue Book 1848, pp. 251-254.\n\n14 Hsü, Kuang-ch'i (ed.), Nung chêng ch'üan shu [Encyclopedia on Agricultural Techniques], (1847), Section 18, pp. 13-15.\n\n15 Yung-yen, p. 68.\n\n16 Lockhart, S. \"Extracts from A Report by Mr Stewart Lockhart on the Extension of the Colony of Hong Kong on October 8, 1898”, Sessional Papers concerning the Acquisition of the New Territories 1899, p. 190.\n\n17 Nathan, cited by J.W. Hayes. \"Notes and Queries: Sandalwood Mills at Tsun Wan\". Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 16, 1976, pp. 282-283.\n\n18 'Report on the New Territories for the year 1925; B. Southern District\", Hong Kong Administrative Reports 1925, p. J13.\n\n19 'Report on the New Territories for the Year 1931; B. Southern District\" Hong Kong Administrative Reports 1931, p. J18.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211764, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 179, "title": "RAS-1989", "content_text": "154\n\n19\n\n, at Law Fong) are believed to have entered the area after 1700. See Map of Ta Kwu Ling.\n\nIt is interesting to note that, of the 21 villages in the Ta Kwu Ling area, seven are purely Punti, nine are purely Hakka (including two of originally Punti but now Hakka speaking Mans), but five are of mixed Punti and Hakka residents, including the large village of Chau Tin (which has only a tiny handful of Hakka residents), Fung Wong Wu, Kan Tau Wai, and Law Fong, and Tong Fong which consists partly of Punti speaking Mans, and partly of Hakka speaking Mans.\n\n+\n\n1\n\nYeung, and Ng, at Fong Wong Wu; Siu, and Ho, at Chau Tin; Wong, at Kan Tau Wai; Pang, and Au, at Tai Po Tin; Fu Lau, (and others) at Wo Keng Shan; Yiut, at Chuk Yuen; Chan, and Yiu, at Law Fong (Luofang); Chau at Wang Kong Ha; Yeung, and Kwu, at Sai Ling Ha (Xilingxia), and others.\n\n21 The temple bell, of Chien Lung 21 (1756) was donated by \"all the faithful people of the Ping Yuen Hap Heung...\n\n...to stand for ever before the altar of the Lady Tin Hau*. Faure, Luk, Ng, op. cit., Vol. 3, p. 670. The only earlier dated item in the temple, a Cloud Gong of 1727, was donated by a single family from Ping Che, Faure, Luk, Ng, op. cit., Vol. 3, p. 661. The temple continued to be owned and controlled by this group of villages. Faure, The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories, Oxford Univ. Press, Hong Kong, 1986, p. 104 is incorrect in saying that the temple was owned by Ping Yeung. In the Block Crown Lease, the Manager of the temple was Man Shan-fung, of Ping Che. The Tong Fong people, although closely related genealogically to the Ping Che people, were not part of the Ping Yuen Hap Heung, and did not take part in the Ta Tsiu.22 Faure, op. cit., p. 103.\n\n+\n\n+\n\n23 The four managers at the time of the Block Crown Lease were Tang Hung-wai (a houseowner of Loi Tung), Chan Shing-pong, called a houseowner of Ping Yeung in a District Office report of 1979), Man Ying-shau (probably a villager of Ping Che, a relative of the houseowners Man Ying-kei, Man Ying-wai, and Man Ying-fat), and Chung Choi-wah (a houseowner of Man Uk Pin). These died in 1938, 1926, 1925, and 1942 respectively, according to a report made to the District Office in 1979. The abbess, Wong Tik-yuen, was appointed a manager in 1926, but she died in 1931. After the War, the lack of managers caused trouble on a number of occasions. A temporary manager was appointed in 1968. In 1979 the Chairman of the Sha Tau Kok Rural Committee and others were appointed as managers, although he, as a Lin Ma Hang villager, had no connection with the nunnery. This seems to have been with a view to rebuilding the nunnery. This proposal has led to a string of vigorous complaints from the elders of the six villages with shares during the last three years, but the situation remains, at present (1991), unresolved.\n\n24 See Faure, The Structure of Chinese Rural Society, op. cit., pp. 100-127, for a discussion of the Yeuk.\n\n25 The only alternative was a dangerous, difficult, and often impassable waist-deep ford, as the 1896 Kwong Fuk bridge tablet makes clear. See Faure, Luk and Ng, Historical Inscriptions of Hong Kong, op. cit., Vol. 1, p. 298.\n\n26 See Robert G. Groves, \"The Origins of Two Market Towns in the New Territories\", Aspects of Social Organisation in the New Territories, Royal Asiatic Society, Hong Kong Branch, Symposium Report, 1964, pp. 16-20, and Alice Ng Lun Ngai-ha, \"Xianggang Xinjie xushi zhi xingqi yu shuailao: Dabuxu yanjiu\" [The Foundation and Decay of Market Towns in the New Territories of Hong Kong: A Study of Tai Po], in Chinese Studies, Vol. 3, No. 2, 1985, pp. 633-655. The very widespread support for the Tsat Yeuk can be gathered from the list of donors shown on the Kwong Fuk bridge tablet, Faure, Luk and Ng, loc. cit.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212528, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 82, "title": "RAS-1991", "content_text": "62\n\nYun nan tong zhi gao\n雲南通志稿\n\n選平樂府重建聖廟碑記\nXuan Ping lo fu chong jian sheng miao bei ji\n\nTa xin shuo 塔性說\n\nSan jia shi bu yi 三家詩補遺\n\nWen xuan lou shu cang shu ji\n文選樓書藏書記\n\nBa zhuan yin guan ke zhu ji 八轉吟館刻記\n\nBu bi tu shi 布幣圖識\n\nA4\n\nRuan shi Chi gu zhai Han tong yin te\n阮氏積古齋漢銅印得\n\nWen xuan lou cang bei\n文選樓藏碑\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nHan shi jing can zi 漢石經藏碑\n\nLang huan xian guan shi\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nLun yu lun ren lun 論語論仁論\n\nMeng zi lun ren lun\n\nNOTES\n\nArthur F Wright, \"Values, Roles, and Personalities” in Confucian Personalities, edited by Arthur F Wright and Denis Twitchett (Stanford 1962), 11\n\nIbid., 4\n\nSee Appendix 1 chronology of Ruan Yuan's government appointments and Appendix 2. Ruan Yuan's major works and compilations\n\n4\n\nLyn Struve, \"The Hsu Brothers and Semi-official Patronage of Scholars in the K'ang-hsi Period\", Harvard Journal of Asiatic Studies 42-231-266 (1982). R Kent Guy, The Emperor's Four Treasuries. Scholars and the State in the Late Ch'ien-lung Era, Harvard, 1987 Guy has inscribed \"We await Ruan Yuan\" on the front piece of my copy of his work\n\nStruve, 231\n\nThe three Xu Brothers were Xu Qian xue (1631-1694), Xue Bing yi (1633-1711), and Xu Yuan wen (1634-1691) Other officials who were patrons of scholars included Ye Fang ai (1629-1682), Song De yi (1622-1687), and Yu Guo zhu (d ca 1688), Struve, 232-239\n\n7 Guy, 52 Guy had neglected to include the group Ruan Yuan had organized at the Gu Jing Jing she in Hangzhou earlier. A number of scholars from this group had followed Ruan throughout his official life from the late 1790s to the late 1830s for over 40 years I have opted to keep the Wade-Giles transliteration of the Guy original\n\n8 Wang Jun-yi, “Kang Qian sheng shi yu Qian Jia xue pai — jian lun Qian Jia xue pai di liu pai ji chi ping jia\" 清代乾嘉學派的流派及其評價 Qing shu yen jiu 4 342-366 (Beijing, 1986). Unless otherwise indicated, all translations into English in this paper are made by me\n\n9 Qian Mu, Zhong guo jin san bai nian xue shu shi [A history of Chinese learning during the past 300 years], (Taipei edition, 1976), 478", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212809, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 118, "title": "RAS-1992", "content_text": "316\n\nMESNY'S CHINESE MISCELLANY\n\n1420. HSIANG SHAN HSIEH ш:-\n\nThe Hsiang Shan Brigade, composed of two regiments. Each regiment is commanded by a Tu-stu, Major, who has a Shou-pei, or Second Major, for his Adjutant. At the same time the Major commanding the Left Wing Regiment performs the duties of Brigade-Major and Adjutant to the Brigadier-General. Each regiment is divided into two Shao or companies, called in both cases the Tso Yu Shao, or Left and Right (Wing) companies. Each company is commanded by a Ch'ien-tsung, Captain, who is assisted by a Tou Ssu Pa-tsung, First-Lieutenant, and a Er-ssu Pa-tsung, Second-Lieutenant, thus giving a total of seventeen officers for the whole brigade, besides the usual complement of non-commissioned officers and men.\n\n1421. TA PENG HSIEH :-The Ta Peng Hsich Brigade stationed at Chinese Kowloong, opposite the British Colony of Hong-kong.\n\nThe brigade as usual is commanded by a Brigadier-General, Fu Chiang, or Isich Tai, called Hip Toi in Cantonese.\n\nThe brigade has a Tu-ssu, Major, as Adjutant to the General, but it is composed of two battalions, only each commanded by a Shou-pei or Second-Major. Each battalion is divided into the usual Left and Right (Wing) Companies or Shao, having a Ch'ien-tsung for Captain to each Company, with Tou and a Er-ssu Pa-tsung, First and Second-Lieutenant, besides the usual number of non-commissioned officers and men, thus giving a total of sixteen officers.\n\n1422. CHIEH SHIH CHEN # #- The Chieh Shih Chen division, composed of a staff corps or Chên Piao of three regiments and a territorial regiment called the Ping Hai Ying.\n\nJan. 9th, 1896.\n\nmanded by a Ts'an Chiang, or Colonel. Each regiment has a Shou-pei, or Second-Major as adjutant.\n\nThe Lieutenant-Colonel commanding the central regiment acts as the General's Adjutant. Each regiment is divided into the usual left and right wing companies, and is commanded by a Chien tsung, Captain, assisted by a Tou-ssá Pa-tsung, First-Lieutenant, and a Er-ssu Pa-tsung, Second-Lieutenant, in each case, thus giving a total of twenty-four officers for the staff corps, besides the usual complement of non-commissioned officers and men to each regiment, besides the General.\n\n1423. PING HAI YING\n\nThe division is commanded by a Tsung Ping, or Chen Tai, Lieutenant-General. The central and left wing regiments of the staff corps are each commanded by a Yu-chi, Lieutenant-Colonel; the Right Wing Regiment is commanded by a Tu-ssu, or Major, the Territorial Regiment is commanded by a Ts'an Chiang, Colonel.\n\n-The Ping Hai Regiment. This territorial regiment, as I have said, forms part of the Chieh Shih division, and is commanded by a Ts'an Chiang, Colonel, who has a Shou-pei, or Second-Major, for his Adjutant. The regiment is also divided into two companies, each having a Chien-tsung, Captain, a Tou-ssŭ Pa-tsung, First-Lieutenant, and a Er-ssŭ Pa-tsung, Second-Lieutenant, that gives eight officers, besides non-commissioned officers and men.\n\n1424. NAN AO CHÊN YU YING ★ UЯ6\n\n-The Nan Ao (or Namao as it is pronounced locally) division has but two staff regiments, Tso Yu Liang Ying, and one of them, the left wing regiment, is paid and equipped by the government of Fu-kien province, as the station is partly in Fu-kien territory and partly only in Kuang-tung territory. The Right Wing Regiment, belonging to this province, is commanded by a Yu-chi, Lieutenant-Colonel, who has a Shou-pei, Second-Major, for his Adjutant.\n\nThe regiment is divided into two Shao or companies, each commanded by a Chien-tsung, Captain, assisted by a First and Second-Lieutenant, thus giving nine officers, including the General, besides the usual complement of non-commissioned officers and men. Beside its staff regiments the Nan Ao division has two territorial regiments and one territorial battalion in the Kuang-tung province.", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212810, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 119, "title": "RAS-1992", "content_text": "Jan. 9th, 1896.\n\nMESNY'S CHINESE MISCELLANY.\n\n1425. CHENG HAI YING-This territorial regiment is commanded by a Tsan Chiang, Colonel, who has a Shou-pei, or Second-Major, for his Adjutant. The regiment is divided into two battalions, each of which is commanded by a Shou-pei, Second-Major; each battalion is also divided into two Shao or wing companies. Each company being commanded by a Chien-tsung, Captain, assisted by a First and Second-Lieutenant, thus giving a total of sixteen officers, besides the usual complement of non-commissioned officers and men.\n\n1426. HAI MEN YING-The Hai Men Regiment. This Territorial Regiment also forms part of the Nan Ao Division in this province, and is commanded by a Tsan Chiang, Colonel, who has a Shou-pei, or Second-Major, for his Adjutant. The regiment is divided into the usual two (left and right wing) companies, each of which is commanded by a Chien-tsung, Captain. The left company having a First and Second-Lieutenant, the right company having a First, Second and Third-Lieutenant, which gives a total of nine officers, besides the usual number of non-commissioned officers and men.\n\nThe Ta\n\n1427. TA HAO YING Hao Ying is a Territorial Battalion also forming part of the Nan Ao Division.\n\nIt is commanded by a Shou-pei, or Second-Major, under the orders of the Colonel of the Hai men Regiment.\n\nBesides the Commandant of the Battalion there is a Chien-tsung, Captain, a Tou-ssu Pa-tsung, First-Lieutenant, and a Er-ssu Pa-tsung, Second-Lieutenant, with the usual number of non-commissioned officers and men under them.\n\n1428. YANG CHIANG CHEN The Yang-chiang Division. The division was lately transferred to Pakhoi, or the neighbourhood, with the name of Pei-hai Chên derived from the port of Pakhoi, but I have not yet learnt whether the staff officers and men remain as before whilst at Yang-chiang. The Yang-chiang division was composed of two staff regiments.\n\nThe first called the Tso ying, or left (wing) regiment, was commanded by a Yu-chi, or Lieutenant-Colonel, who was also the General's Adjutant; the Regimental Adjutant as usual being a Shou-pei, Major. The regiment is divided into two or Shao companies; the one being a territorial company its captain is called the Chun Cheng Chien-tsung, and he has the assistance of a Tou-ssu Pa-tsung, First-Lieutenant, and a Er-ssu Pa-tsung, Second-Lieutenant, in the ordinary manner, but the Yu Shao, or right (wing) company has, besides its Chien-tsung, or Captain, no less than four Lieutenants, styled respectively Tou-ssu, Er-ssu, San-ssu and Ssu-ssu Pa-tsung with a corresponding number of non-commissioned officers and men.\n\nThe Right Wing Regiment of the Yang Chiang staff corps is commanded by a Major, who has a Shou-pei, or Second-Major, as his Adjutant. The regiment is also divided into two wing companies or Shao in the usual way, each with a Captain and two Lieutenants to a company, besides the usual number of non-commissioned officers and men.\n\n1429. CHIN CH'I HSIEH Chi Chi Brigade. This is composed of its own two battalions, besides one Territorial Regiment and two Territorial Battalions, all of which also form part of the Yang Chiang Division.\n\nThe head-quarters of the Chi Chi Brigade are quite near Macao. Its two Wing Battalions are each commanded by a Tu-ssu, Major, the left (wing) Commandant being also the General's Adjutant. Each battalion is divided into two Shao or companies, each of which is commanded by a Chien-tsung, Captain, who is assisted by First and Second-Lieutenant, thus giving a total of fifteen officers, including the General, besides the usual complement of non-commissioned officers and men.\n\n1430. WU CH'UAN YING: The Wu Chuan Regiment. This Territorial Regiment is commanded by a Tu-ssu, Major, subject to the orders of the Chi Chi, Brigadier-General,", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213746, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 98, "title": "RAS-1996", "content_text": "69\n\nmales, while their families remained behind. In other words, those villages with an excess of females are the inevitable reverse side of the coin, off-setting the towns and cities of the area, with their excess of males. Not surprisingly, given the more urban character of Southern District, most of the villages with excess females were in Northern District, as this temporary male emigration was a feature of rural villages, just as temporary male immigration was a feature of the industrial villages, towns, and cities. Appendix I lists the villages with significantly low ratios of males to females (less than 47.0% of total population male, excluding villages with total populations of less than 35, except where the imbalance is extreme) Table 31 maps these villages\n\nIt will be seen at once from the map at Table 31 that the villages with low percentages of males are concentrated in the mountainous east of the New Territories, and on Lamma. Because of this, more Hakka than Punti villages are low in males. This is, however, a factor of social and geographical conditions, rather than racial or cultural ones: large Punti villages within the eastern New Territories (such as Siu Lek Yuen, Ho Chung, Sha Kok Mei, Wu Kai Sha, Tai Hang etc) share a shortage of males with their smaller Hakka neighbours. Indeed, in Ta Kwu Leng, it is the Punti villages (Ping Che, Lo Shue Ling, Lei Uk Tsuen, Tai Po Tin) which are short of males, the Hakka villages having either a balanced population, or even a surplus of males (eg Heung Yuen with 53.4% of males, and Ping Yuen with 55.9%). Within the richer western parts of the New Territories, villages with shortages of males are less common, but a few clusters can be seen, such as around Ha Tsuen and Yuen Long Markets. These clusters are probably mostly of villages with significant numbers of males working in the markets (the shortage of males in all the Yuen Long villages with shortages was in total 242: the number of excess males working in the markets at Yuen Long and Ha Tsuen was 197) Similarly, it is likely that at least some of the absent males from Lam Tsuen were working in the market at Tai Po\n\nThe shortage of males in the eastern New Territories is to be explained by emigration. The missionaries of the Basel Mission, who were active in the north-east New Territories from 1849 onwards, remarked on the high levels of emigration from villages in this area from 1851 onwards. By 1880, the missionaries were speaking of \"emigration fever\" in their reports on the area, by 1894 of \"deserted", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213855, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 207, "title": "RAS-1996", "content_text": "180\n\nThe\n\nIssei, \"The Jiao Festival in Hong Kong and the New Territories,\" in Julian F. Pas, ed., Turning of the Tides: Religion in China Today (Hong Kong: Oxford University Press, 1989), pp. 271-298\n\nInterviews: K'ung Chao-hsiang (age 79), Lung Tseng Tau, Jul 6, 1991; Hsieh Ch'i, op. cit.\n\nInterview of Mo Shu-ling (age 65), Mok Ka, Jun 29, 1991\n\nInterview of Lo Ch'uan, op. cit., Jul 8, 1991\n\n[hid]\n\n\"Ho, op. cit.; while some villagers did not remember the role of the Houwang in the rituals, an old man, who had witnessed the festival three times, indicated that the Houwang idol would be \"invited\" from the temple and enshrined on an altar set up for the ceremony (Interview of Lo Ch'uan, op. cit., Chap Mun Tau, Jun 22, 1991)\n\n\"Tanaka, op. cit., pp. 273-274\n\n*Faure, 1986, op. cit., p. 84\n\n14\n\nJames Hayes, The Rural Communities of Hong Kong: Studies and Themes (Hong Kong: Oxford University Press, 1983), pp. 159-160\n\n\"Ho, op. cit., p. 6\n\n16\n\nInterviews: Cheng P'o, op. cit.; K'ung Chao-hsiang, op. cit.\n\n\"Interviews: Cheng Man-hung, op. cit.; the Tung Chung Public School, Jul 1991; Tseng Kuan-hsing (age 60+), Upper Ling Pei, Jul 12, 1991\n\n*Interview of K'ung Chao-hsiang, op. cit.\n\n14\n\nJCH\n\nIbid.; Interviews: \"Uncle Li\", op. cit.; Cheng Man-hung, op. cit.; the Tung Chung Rural Committee, Aug 12, 1991\n\nInterview of Feng Po (age 65), Ma Wan Chung, Jun 16, 1991\n\nBrum, op. cit.\n\n*James Hayes, \"Chinese Temples in the Local Setting,\" in Some Traditional Chinese Ideas and Conceptions in Hong Kong Social Life Today, Week-end symposium, Oct 2, 1966, the Hong Kong Branch of the Royal Asiatic Society, p. 92\n\n\"Faure, 1981, op. cit., p. 76\n\n**\"Ch'ung-hsiu Houwang-miao pei-chih,\" IV, 1910, collected in K'o Ta-wen, Lu Hung-chi, & Wu Lun Ni-hsia, comp., Hsiang-kang...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213912, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 264, "title": "RAS-1996", "content_text": "241\n\nDISTRIBUTION OF TEMPLES ON HONG KONG ISLAND AS RECORDED IN 1981\n\nANTHONY SIU KWOK KIN\n\nHong Kong Island lies to the south of mainland China. It was not known until the later part of the Ming Dynasty, when the names of Heong Kong 香港, Tit Hang 鐡坑, Chung Hum 舂磴, Chek Chu 赤柱, Tai Tam, Shoo-ke-wan (Shau Kei Wan) and Wong Nei Chung were recorded in the book called Yuet Tai Kee.\n\nDuring the 1st year of the Kang Hsi reign of the Ching Dynasty (1661), the people living in the coastal area had to move back to the inland.2 Seven years later, in the 8th year of the Kang Hsi reign (1669), they were allowed to come back. At that time, only the villages of Heong Kong (Hong Kong village or Shek Pei Wan Village) and Wong Nei Chung were rebuilt. However, the other villages were abandoned during the Coastal Evacuation. Then in the Chia Ching reign (1796-1820), two more villages were founded: they were the Pok Fu Lam Village and the So Kon Po Village.\n\nFrom then on, the population increased rapidly, with people flocking to the area. In 1841, Hong Kong Island came under British rule. At that time, there were the villages of Chek Chu (Stanley), Heong Kong (Hong Kong Village), Wong Nei Chung, Kung Lam (A Kung Ngam), Shek Lup (Shek O), Shoo-ke-wan (Shau Kei Wan), Ta Shek-ha, Kwan-tai-loo (Victoria City, or Central), Soo-Kon-poo (So Kon Po), Hung-heong-loo (Causeway Bay), Sai Wan (Chai Wan), Tai Long, Too-te-wan (To Tei Wan), Tai Tam and Shek-tong-chui (Sai Ying Pun). Tseen Sui Wan (Repulse Bay), Sum Wan (Deep Water Bay) and Shek-pac (Shek Pei Wan) were deserted fishing hamlets. Since then many local temples were built and repaired.\n\nThe temples listed below are in existence in 1981. Though some are ruined, we can still get information about their previous existence.\n\nTin Hau Temple\n\n1. Causeway Bay Built in the early Ching period, repaired in 1848,", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214016, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 84, "title": "RAS-1997", "content_text": "50\n\nin pairs on Min [Fukienese] community altars as offerings to the Jade Emperor, whose birthday is celebrated the following day and who had persuaded Yang to call off the pursuit.\n\nAn image categorically identified as the Seventh Son, Yang Yen-ssu has only been observed in one temple, in Medan in Sumatra, where it stands alone on a separate side altar simply marked, Yang Ch'i Yeh. He is portrayed as a black-bearded general, standing dressed in long yellow robes and holding a long staff but without any unique features. In a temple near Taichung where he is depicted together with the rest of his brothers he is inexplicably portrayed with a ferocious, decorated face and a bird's beak mouth. His black skin is decorated with a white [opera-style] face pattern, whilst the beak with a red edging is under a human nose. His eyes are staring, round and bulging, and he is holding an unsheathed sword at the ready. All in all, an extraordinary image which, whilst accepted and labelled as the Seventh Son by the temple staff, is completely out of character.\n\nFinally, in Seremban in central Malaysia, the temple keeper of a small rural temple pointed out a small standing figure of a soldier in armour at the rear of a crowded secondary altar. The image has no unique characteristic and could be any soldier/deity. The temple keeper identified him as Yang Sung-pao, a T'ang general who had been the protector of a Sung emperor. In Seremban he was also known as the Venerable Golden Lion, Chin-shih Ta-jen, as well as the Great General, Ta Chiang-chün.\n\nThe Eighth Son, Yang Pa Yeh, has only been noted on two altars in northern China despite the two Yang Family Daughters being numbered Eight and Nine, Yang Pa Chie and Yang Chiu Mei. These two daughters were involved in several battles fighting alongside the Sixth Son.\n\nPost Script\n\nChinese characters carved into a roadside rock beside the modern main road from the Fen River plain in northern Shansi to Inner Mongolia proclaimed that the nearby old temple had been dedicated to Wu Lang, the Fifth Son of the Yang. This was confirmed by a local peasant. The temple was in a col between two mountains, itself several thousand", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214231, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 89, "title": "RAS-1998", "content_text": "52\n\nSsu and the Pi-yun Ssu. They were first placed there some three hundred years ago, towards the end of the last fully Chinese dynasty, the Ming and before the overthrow of the Ming by the non-Chinese Manchus.\n\nThe Two Temples in the Western Hills\n\nThe old Kuan Yin Hall of the Ta Pei Ssu X, the fourth of the Eight Great Places in the Western Hills of Peking, is sealed off and not available to the general public. It contains a modern image of the major deity, the bodhisattva Kuan Yin with a Thousand Arms and a Thousand Eyes together with old but refurbished images of the Deva with their name in Sinicised Sanskrit but without providing any hint as to their origins and legends. The statues of the Deva were originally made during the Ming, ca. 1500 AD, and consist of clay reinforced with hemp. They are referred to in temple literature as the Group of 28 Great Immortals +. The image of the Thousand Arm and Thousand Eye Kuan Yin was replaced by the Japanese after the Second World War in an attempt to make amends for having taken the original and melted it down for the brass content during the War.\n\nThe Kuan Yin Hall in the Ta Pei Ssu contains in addition to the one bodhisattva, Kuan Yin, twenty-eight images, which can be categorised as follows: twenty-six deities with Sanskrit titles including the five T'ien-wang [Guardians] together with two Chinese folk religion deities. Of the twenty-six, five are deities specifically referred to separately in the Eight Classes of Supernatural Beings? [Deva, Mahoraga, Kinnara, Asura and Gandharva]\n\nIt is lamentable that the Kuan Yin Hall is closed to the public; however, fortunately, there is also a Hall of Bodhisattvas in the second temple, the Pi-yun Ssu #, some five kms. to the north of the Ta Pei Ssu, which is open to the general public and it too contains the Twenty-eight Deva; however, the images here have all been made within the past fifteen years, probably replacements for the original images destroyed during the Cultural Revolution and yet again without any signs to indicate that they are anything other than Chinese deities. The fact that all but three were originally Hindu deities brought to China by Buddhism is not explained in temple literature, though the monks un-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214232, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 90, "title": "RAS-1998", "content_text": "53\n\nderstood that all twenty-eight of the deities in the hall were followers or disciples of the Kuan Yin with the Thousand Arms and Thousand Eyes.\n\nThe twenty-eight images in the Bodhisattva Hall of second temple, the Pi-yun Ssu, (apart from the main deity Kuan Yin), fall into three categories: four bodhisattvas [P'u Hsien, Wen Shu, Ta Shih Chih and Ti-tsang Wang - but not including the main deity, the Bodhisattva Kuan Yin]; seventeen deities with Sanskrit titles [including four T’ien-wang Guardians] and three Chinese native folk religion deities.\n\nThe monks also explained that a stream which ran through the area had attracted imperial favour and several temples had been sited and built by palace eunuchs to enable the emperors to relax during the summer heat or visit the nearby shrines of deities of longevity and prosperity. Amongst these were the Ta Pei Ssu and the Pi-yün Ssu. They also understood that when the decision was taken to set up the images in the Hall each image was specially constructed and given a name or title all in accordance with Buddhist sacred writings.\n\nHowever, these two temples in the Western Hills are not quite unique in that a further 28 deities can be seen in a cave-tunnel in a comparatively modern temple near Taipei in Taiwan, each labelled with a Sinicised Sanskrit or pseudo-Sanskrit name, similar to the deities in the two temples in the Western Hills. Such alien names mean nothing to most Chinese.\n\nIn the Ta Hui Ssu X, a third temple, within the city of Peking, statues referred to in the temple as the Twenty-eight Protectors of the Buddhist Law line the flanking walls of the main hall. These too are very similar in style and appearance to the Twenty-eight Deva in the Ta Pei Ssu in the Eight Great Places and though not individually identified as such in the Ta Hui Ssu they are probably similar Deva.\n\nAccording to Soothill's Dictionary of Chinese Buddhist Terms Deva is a general designation of the gods of Brahmanism, celestial beings whom he lists as the Twenty Deva [+]. The Sinicised Sanskrit titles of the deities seen in the two temples in the Western Hills, compared with the list of twenty in Soothill's dictionary, con-\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214233, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 91, "title": "RAS-1998", "content_text": "54\n\nfirms that the majority of deities in these two temples are Deva. The categorization of the Twenty-eight Immortals as Deva was arrived at by comparing the Sanskrit identities of the twenty-eight images and the list of the Twenty Deva provided by Soothill. The minor variation in inclusion and omission between the Twenty Deva listed by Soothill, the Twenty-two Deva in the Ta Pei Ssu and the Twenty-five in the Pi-yun Ssu cannot be explained.\n\nIn some temples the Deva have been equated with the Asuras. This is incorrect as the Asuras are those who are not only not Deva but are, according to some writings, the greatest enemies of the Deva and, in others, it is written that the Asuras are anti-gods and not, as claimed so often in English, demons.\n\nIt would not have been possible to identify any one of the images of the Deva without its Sinicised Sanskrit title on the tablet before it apart, that is, from the three fundamentally Chinese deities with their Chinese titles included within the Deva groups, Wei T'o and the four T'ien Wang Guardians.\n\nImages within the Two Temples in the Western Hills\n\nWithin the main hall of both temples, apart from the images of the Deva lining the side walls, stands the popular and well-known Buddhist bodhisattva, the Goddess of Mercy, Kuan Yin adapted from images brought from India where he [a male deity at that time] was the Brahmanist deity Avalokitesvara. In the Ta Pei Ssu she is alone whereas in the Pi-yun Ssu she is sitting crossed-legged and is flanked by two pairs of secondary bodhisattva. The first pair is Wen Shu and P'u-Hsien, whose Sanskrit titles are Manjusri and Samatabhadra respectively. They were two of the twelve divine Buddhist teachers. They in turn are flanked by another pair of bodhisattvas, Ti-tsang Wang, the Saviour of the Underworld and Ta-shih Chih. The latter is one of the members of the retinue of Amitabha [O-mi-t'u Fu] known in Sanskrit as Kshitigarbha and Mahasthama respectively. Mahasthama is believed to be the deified Maudgalyayana, the right hand disciple of the Buddha, Gautama.\n\nIn the Pi-yun Ssu, the bodhisattva Saviour of the Underworld, Ti-tsang Wang, is depicted in his modern standard form, sitting side-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214234, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 92, "title": "RAS-1998", "content_text": "55\n\nsaddle on his recumbent lion, holding his rattle-stick in his right hand and his pearl in his left. He wears monk's robes and the five-leaf Buddhist crown and is a benign middle-aged monk. However, in the Ta Pei Ssu he is without any unique characteristics, and is portrayed as a middle-aged deity, standing, with palms held together in prayer before his chest; he is dressed in multi-coloured robes and an ornate crown. Without his label it would not have been possible to identify him.\n\nNative Chinese Deities co-located but unconnected with the Deva\n\nTwo of the Twenty-eight deities in the Ta Pei Ssu are not Deva, being native Chinese deities. One is known as the Lord of the Purple Planet, Venus, Tzu-wei Ta-ti and the other, the Lord of the Underworld, Tung Yüeh Ta-ti.\n\nIn the Pi-yun Ssu the additional native Chinese deity, bringing the total to three, is the Spirit of Thunder, Lei Kung, though in practice he might perhaps be regarded as originally Hindu in that he is a form of Garuda, a human with wings, the beak of a bird and clawed feet.\n\nThe great majority, if indeed not all Chinese visitors to these temples, be they devotees or merely sight-seers, tend to assume that the deities were legendary Chinese figures, possibly because the sign-board outside one of the halls describes them as P'u-sa [bodhisattvas], a term Chinese are familiar with considering it to be Chinese. Having said that, a number of the deities have titles on individual tablets before them which, though in Chinese characters, are obviously not Chinese names such as Kan-ta-p'o, the Sinicised version of Gandharva. These names can be somewhat confusing if not bewildering as different Chinese characters for the alien sounds are used. In addition they are not always the full titles provided in Buddhist religious literature.\n\nThere are several major differences between the array in the Ta Pei Ssu and in the Pi-yun Ssu. Primarily, though both groups stand within a hall dedicated to Kuan Yin, the image of the goddess in the closed temple hall stands some fifteen feet tall and is the thousand-arm, thousand-eye Tantric version, standing, with two of her arms resting one each on the heads of her two attendants. The image of Kuan", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214235, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 93, "title": "RAS-1998", "content_text": "56\n\nYin in the other temple, the Pi-yun Ssu, depicts her with only two arms sitting cross-legged on a recumbent blue lion. Her assistants are an unnamed dark-faced elderly minister who appears to be South Asian, standing holding a tablet before his chest and dressed in a long blue robe. Her other attendant is the Red Youth, Hung Hai-eh, standing on her left hand with his hands held together before his chest, and dressed in a red robe over green trousers with a flowing scarf-like halo.\n\nTaking the three groups, the twenty Deva listed in Soothill, and the two groups in the Ta Pei Ssu and the Pi-yun Ssu, we have twenty deities common to all three.\n\nThese are:\n\nBrahma, Indra, Pancika, Sarasvati, Laksmi, Skanda [Wei T'o], Prthivi, Hariti, Marici, Surya, Candra, Siva, Yamaraja, Bodhidhruma, Guyapati, Kinnara and the four T'ien-wang guardians Vaisravana, Dhrtarastra, Virudhaka and Virupaksa.\n\nIn the Ta Pei Ssu we also have five additional Deva not present in the Pi-yun Ssu, the Asura, Vimalakirti, Nanda Upananda and Mahoraga. A further two Deva images are seen only in the Pi-yun Ssu. These are Lei Kung and Sagara.\n\nTaking each of the deities in turn, we shall examine their background and in particular their Brahmanist [or Vedic] origins, their role in the Chinese pantheon and any ambiguities or contradictions we encounter. The important three Brahmanist deities are known in Sanskrit as the Trimurti:\n\nthe creator\n\nBrahma\n\nthe preserver\n\nVishnu\n\nthe destroyer\n\nSiva\n\nBrahma and Siva are indeed included in the two temples whilst Vishnu is not3. Though a major Hindu deity today Vishnu was not so during the Vedic era of the second millennium BC. His particular task", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214236, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 94, "title": "RAS-1998", "content_text": "57\n\nis the conservation or preservation of the divine order in the world. Despite being a major deity and having many incarnations, of which Rama is but one, he is not included within the 28 Deva seen in the Ta Pei Ssu. However, his wife Laksmi is included. Another Vedic deity not included in the groups of Devas in the Western Hills is Krishna probably because he is the eighth avatar of Vishnu.\n\nPopular Buddhist figures which, at first thought, we might have expected to see listed among the Deva would, however, not be eligible because they were purely Buddhist without a Brahmanist or Vedic origin, and were Indians who lived and died during the lifetime of the Buddha himself. These include, amongst others, Kasyapa, Ananda and Lochana.\n\nAlthough Ming iconography portrayed Indra and Brahma on many altars as Chinese figures; the question remains why are they, and in particular in these two temples in the Western Hills why are so many Vedic deities, portrayed as Chinese?\n\nTales of the Ta Pei Ssu\n\nAn off-beat description of the Ta Pei Ssu in 1884 describes its picturesque location and whilst not referring to the deities, least of all the Deva, it does provide two colourful vignettes. The first gave the reason for the main entrance to the temple being blocked. It was a punishment for the priests who had permitted a suicide to take place within the temple confines. One of the monks so the story went had greatly insulted a coolie and he, instead of attacking his persecutor, had “with the perverseness of your true Chinaman” had taken vengeance on him by committing suicide. The second told of the usual practice of the era when foreigners rented temples in the cool of the hills for the summer. Having read various bits of graffiti the 'Student-Interpreter' claimed that the temple must have been a favourite resort of members of the Russian Mission between 1828 and 1840.\n\nA Third Temple containing a Group of Deities with Sinicised Sanskrit Names\n\nYet another group of deities with sinicised Sanskrit names can be", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214240, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 98, "title": "RAS-1998", "content_text": "61\n\nAppendix A\n\nDETAILS OF THE DEITIES WITH SINICISED SANSKRIT NAMES\n\nWHOSE IMAGES APPEAR IN THE GROUPS IN THE TWO TEMPLES IN THE WESTERN HILLS OF PEKING\n\nAND THE ONE IN NORTHERN TAIWAN\n\n1] Brahma [Mahabrahman] usually known in Chinese as Fan T'ien 梵天\n\nBrahma is the ancient Vedic creator and the Soul of the Universe, an impersonal being, chief of the Hindu gods and celestial spirits and the first in the Hindu trinity. He is usually paired with Indra [see Ti Shih below] though married to Sarasvati. It is believed that the Vedas sprang from Brahma's head.\n\nHe is known in China by several titles including Ta Fan T'ien-shen and Fan Wang as well as Ta Fan T'ien Wang. In India his image varies from place to place but frequently he is portrayed with four arms and four faces or heads. Over the centuries his worship slowly declined in favour of Vishnu and Shiva.\n\nHis image has been noted in a number of folk religion temples in China where he is considered to be one of the forms of the Jade Emperor. In several Buddhist monasteries he has been noted as one of the two attendants flanking Sakyamuni Buddha, the other attendant being Indra.\n\nIn a number of temples in southern China he has been represented as a bearded middle-aged man, standing, wearing long flowing robes, and either the standard Hanlin-style Chinese literati cap or the tiny Taoist crown. He can also be portrayed carrying a stylised incense-stick holder which looks very similar to the long-stemmed tobacco pipe. In some temples in central China he was depicted riding a swan.\n\nIn the Ta Pei Ssu in the Western Hills he is portrayed as an imperial minister, standing with a tablet held in both hands before his chest and dressed in a colourfully decorated robe and Ming decorated leather.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214241, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 99, "title": "RAS-1998", "content_text": "62\n\nbonnet. He has a Chinese face, white moustache and beard and rather hooded eyes.\n\nHowever, in the Pi-yun Ssu, also in the Western Hills, his modern image depicts him in what appears to be a sarong held up by a long blue bow, and with a bare chest. His shoulders are covered with a decorated blue robe down to his knees, parted revealing his bare chest, and an unusual bonnet which appears to have a pair of short wings extending out beyond his ears. He has a squat nose, large mouth and is holding his right hand making a mystic sign at chest height. His left hand grips an incense-stick holder at waist height. He looks marginally less Chinese than the other images but does not look Indian.\n\nPaired with Indra, he stands in prime position at the head of one of the two rows of fourteen Deva.\n\n2] Indra, known in Chinese as Ti Shih and Yin-t'o-lo\n\nHe is the greatest of the Vedic deities with the dual function of weather and war god, known also as Sakra Devanam. He has been adopted by Buddhists as representative of secular powers, protector of the religious body but inferior to any Buddhist saint. He is said to have taken an oath to defend Buddhism during a former incarnation and was reborn as the King of the Yakshas.\n\nAlthough some Chinese Buddhists identify Indra as the Taoist supreme deity, the Jade Emperor, Brahma is much more commonly accepted as a form of the Jade Emperor.\n\nHis image is present in both the Ta Pei Ssu and in the Pi-yun Ssu, and in both he is completely Chinese with no hint whatsoever of foreign origins. He is standing, an ancient minister, dressed in colourful decorated Chinese robes and imperial bonnet, with pink flesh, a black moustache and goatee, and with both hands held together before his chest, fingers pointing upward.\n\nIn Hong Kong he has been paired with Brahma on altars and is portrayed carrying a golden bowl somewhat similar to an incense pot. He is depicted in a form and dress virtually identical with that of Brahma,", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214242, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 100, "title": "RAS-1998", "content_text": "63\n\nthe golden bowl being his unique characteristic.\n\nMahesvara, Mahadevi or Siva, known in Chinese as Mo-hsi-shou-lo T'ien 摩醯首羅天\n\nMahesvara is one of the numerous titles borne by one of the best known of the Indian deities, Siva. He has come to be regarded as the Supreme Being though he more generally represents the more malignant forces and destruction, all part of the cycle of creation and destruction. He is married to either Uma Mahesvara [also known as Parvati], by whom he had a son named Skanda [see 21 below], or to Kali, who is also Durga. The latter is known as Hariti [and in Chinese Kuei-tzu Mu: see 6 below] whose image is also one of the twenty-eight Devi. Hariti has one face, six arms and a necklace of skulls\".\n\nImages of Siva stand in both the Ta Pei Ssu and the Pi-yun Ssu. In the Ta Pei Ssu he is portrayed as a typical northern Chinese deity dressed in multi-coloured robes and a tall Buddhist crown, but with six arms and an ageless Chinese face of indeterminate sex. He looks like and could easily be confused with other multi-arm Buddhist deities as he has no unique characteristic. In the Pi-yun Ssu he is naked apart from a skirt in colourfully decorated cloth down to his knees. He has four arms and a smaller head on top of his normal head. He has red spiky hair on both heads and fangs rising out of the lower jaw of his normal head.\n\nSoothill described Siva as having eight arms, three eyes and riding a large white bull, holding a handful of snakes and a small drum, and can be represented as the phallic symbol.\n\n4] Maritci [Maritchi or Marici] known in Chinese as Chun-t'i P'u-sa\n\nThe Tantric [Lamaist] bodhisattva, Chun-t'i, is the Buddhist form of the Hindu personification of light and an offspring of Brahma, Cundi or Candi. She is often confused with the Tantric many-armed Kuan Yin and the Taoist stellar deity, Tou-mu Hsing-chün. Two separate deities also are referred to by Chinese devotees as Chun-t'i; these are as", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214243, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 101, "title": "RAS-1998", "content_text": "64\n\nMaritchi [or Marici Deva], [a Sanskrit term for the Indian mythological form of Parbati, the wife of Siva]; and Ma-yeh, the mother of Sakyamuni, The Buddha, the whole being confused by devotees who tend to describe them all as Chun-t'i, with the legends of Maritchi and Cundi producing an inextricably involved and perplexing picture.\n\nImages of Marici are present in both the Ta Pei Ssu and the Pi-yun Ssu and in both temples he, rather than she, is portrayed as a standing Buddhist deity with eight arms and with three faces. The face facing forward is of a benign human with hooded eyes commonly seen on Tibetan images. He has a third eye in the centre of his forehead. The other two are faces of a pig and of a human. He is dressed in colourful robes and a five-leaf Buddhist crown, and is barefoot.\n\nThe association between Chun-t'i and Kuan Yin goes back to the original relationship in Buddhism of Chun-t’i with the bodhisattva Avalokitesvara who promised to save mankind and bring them to deliverance before they, the two bodhisattvas, Chun-t'i and Avalokitesvara themselves entered Nirvana. Marici has the face and eight arms of Chun-t'i, and is one of the six manifestations of Avalokitesvara who is concerned especially with humans, rather than the deities and demons. Chun-t'i in the form of Avalokitesvara is a male deity, though Tantric sects, giving her an entirely different role left her feminine.\n\nLegends about Chun-t'i usually include stories of her valour in battle. According to the Ming novel The Deification of the Gods [Feng-shen Yen-i], from which many of the beliefs of folk religion devotees have evolved, Chun-t’i was summoned to Heaven during the legendary period of Chinese history when the heroes and Immortals were emerged, in order to acquire the necessary skills to take on K'ung Hsüan, one of the contestants for the dynastic throne. This was because she had attained the required degree of perfection on Earth. She found herself whisked aloft in a rainbow, and having acquired the skills necessary she reappeared in a cloud of fire with twenty-four heads and eighteen arms and, throwing a silken cord around her adversary's throat, she turned K'ung Hsüan into a one-eyed peacock on which she rode off to the Western Heavens.\n\nImages of Chun-t'i show her with four or nine pairs of arms, each", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214245, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 103, "title": "RAS-1998", "content_text": "66\n\nIn Malaysia where a number of Tamils also pray in certain Chinese folk religion temples, they refer to Tou-mu on her tortoise and pigs as the sister of the deity Maritci.\n\n5] Pancika known in Chinese as Pan-chih-chia\n\nPancika is the third of the Eight Great Yakshas, one of the Eight Generals of Vaisravana, husband of Hariti. An image of Pancika is present in both the Pi-yun Ssu and the Ta Pei Ssu. His image in the latter depicts him as a semi-demon, with dark skin, large round eyes and a narrow coronet with a sunburst facing forward. He is dressed in colourful robes over armour and has the swirling scarf round the back of his head, draped over his arms. He is making a 'v' sign horizontally with his right hand pointing to his left, using his fore- and middle-fingers. He has no other unique characteristic. In the Pi-yun Ssu, however, he could easily be taken for Wei T'o but without Wei T'o's diamond sword. His hands are grasped together before his chest; otherwise, he is much the same as in the Ta Pei Ssu.\n\n6] Hariti known in Chinese as Kuei-tzu Mu The Mother of Demons\n\nHariti is also known as the Mother of Loving Children, the children sometimes being known as the malevolent Yaksha [Yeh-sha]. She was the mother of one thousand demons, half of them living in Heaven and the rest on Earth. She is one of the standard group of Twenty Devas [Erh-shih T'ien] though she, too, is regarded by some as a Yaksha.\n\nOriginally her diet had consisted solely of human children and only after Sakyamuni, the Buddha, snatched one of her five hundred children and hid it, causing her great anguish, did she come to realise the suffering she was causing to humans by her diet. She became a vegetarian and a devout Buddhist. She eventually became a Buddhist deity whose images were to be seen in a few temples in northern China, in Shansi in particular, portraying her as a tall, slim beautiful woman whilst beside her stood one or more tiny demonic creatures, some of her offspring.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214246, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 104, "title": "RAS-1998", "content_text": "67\n\nAn image of Hariti is present in both the Pi-yun Ssu and the Ta Pei Ssu. She is portrayed in both temples as a middle-aged Chinese woman with a full face, dressed in colourful robes and crown, resting her left hand on the head of a small pig-like winged demon with a child on his shoulders.\n\n7] Bodhidruma who is also known in Chinese as P'u-t'i Shu Shen 提樹神\n\nThis is an Indian Vedic goddess, the guardian of the Bo-tree; the 'wisdom tree' [peepul tree] under which Sakyamuni obtained enlightenment and became the Buddha. She is one of the group of Twenty or Twenty-four Devas and is also known in Sanskrit as Pippala, a peepul tree, after the tree in question.\n\nImages of Bodhidruma are present in both the Ta Pei Ssu and the Pi-yun Ssu. The image in the former has a human body and demonic face. It is difficult to make out the sex of this deity with him/her having black skin, colourful decorated robes and black pill-box cap with red band, and small sunburst on the front. He/she holds a tablet before his/her chest clasped in both hands. His/her face has the large flat nose, the slightly jutting wide jaw and round eyes. In the Pi-yun Ssu his/her image depicts him/her with white skin, a calm and benign face, standing, dressed in colourful decorated robes and crown and with his/her hands pressed together before his/her chest in prayer.\n\n8] Sarasvati known in Chinese as Pien-ts'ai Tien\n\nShe is the Vedic goddess of speech and learning, the goddess of rhetoric, and female energy. It is widely accepted in India that she was the inventor of Sanskrit. Originally a mother-goddess she has developed over the centuries into her present role as the goddess of wisdom and learning, and the patron deity of music. An image of Sarasvati is present in both the Pi-yun Ssu and the Ta Pei Ssu. In both she is depicted as an eight-armed goddess, standing dressed in colourful, decorated robes and crown, with six of her hands each holding a symbolic object. The main pair of hands are pressed together before her chest in prayer. She is barefoot in both temples.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214247, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 105, "title": "RAS-1998", "content_text": "68\n\nSarasvati is the sister of Yama and wife of Brahma and Manjusri [depending on the legend], and sometimes assumes the form of a swan or peacock. Chinese texts however, describe her as male. She is portrayed in India as having two arms and a lute or with four or eight arms.\n\n9] Laksmi known in Chinese as Chi-hsiang T'ien-nü or 落吃澀弭. She is the Hindu goddess of beauty, pleasure and wealth, that is, fortune, and of good auspices. She was the wife of Vishnu in several of his incarnations, including that of Vishnu's incarnation as Rama when she was known as Sita. In some cults she is also one of the personifications of Sri Devi, as is Prthivi [see 10 below]. She is usually depicted with two arms though in some places she has four.\n\nThe active power of creative energy portrayed by female deities has been personified as the goddess Sri Devi. She has manifested herself in many different forms including male and non-human. She has a number of names one of which is Laksmi.\n\nAn image of Laksmi is present in both the Pi-yun Ssu and the Ta Pei Ssu. In both temples she is standing dressed in highly colourful, decorated robes and crown, with no unique characteristics.\n\n10] Prthivi known in Chinese as Chien-lao-ti-shen or 提毗. He is the Earth-devi, the god of the soil, ground, etc. and also one of the four with thunderbolts in the Vajradhati group. In some cults in India Prthivi is known as Bhu Devi, one of the personifications of Sri Devi.\n\nImages of Prthivi are present in both the Ta Pei Ssu and the Pi-yun Ssu. In the Ta Pei Ssu his image portrays him as a typical northern Chinese image of a youthful minister. He is remarkably feminine in his facial features, and is dressed in a colourful highly decorated robe and crown without any unique characteristics. He is much the same in the Pi-yun Ssu though here he is carrying a small symbolic club between\n\nPage 105\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214248, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 106, "title": "RAS-1998", "content_text": "69\n\nthe fingers of his right hand and the palm of his left.\n\n11]\n\nSurya known in Chinese as Jih Tien-tzu EX F\n\nSurya, one of the more important deities, personifies the sun and is the Vedic sun-god. He is regarded as a Yaksha and as the ruler of the sun. He is the source of all knowledge; and also within agricultural communities he controls the seasons. In India his main characteristics are lotuses, one held at shoulder height in each hand.\n\nAn image of Surya is present in both the Pi-yun Ssu and the Ta Pei Ssu. In the Ta Pei Ssu he is portrayed as a standard Chinese minister, standing in colourful robes, highly decorated with a floral pattern. He is wearing a Ming dynasty leather bonnet of an official and is holding a tablet between both hands before his chest. He has a black moustache and beard but no unique characteristics. In the Pi-yun Ssu the deity would appear to be female. She is dressed in multi-coloured robes and crown, but this time holding a very long-stemmed flower between her right and left hands.\n\n[2] Candra known in Chinese as the ruler of the moon 7.\n\nHe is male and referred to also as Yüeh T’ien and as Soma Deva or Candra Deva.\n\nAn image of Candra is present in both the Pi-yun Ssu and the Ta Pei Ssu. In the latter he is depicted as a youthful emperor or chief minister with an ornate official leather bonnet and highly colourful, decorated robes. He holds a tablet in both hands before his chest but has no unique identifying characteristic. In the Pi-yun Ssu he is again dressed in multi-coloured robes. This time, however, he is wearing an ornate and colourful crown and his hands are held in what perhaps is a symbolic sign, with the right hand held at shoulder height, fingers poised as if to pluck something out of the air and the left hand outstretched.\n\n13] Yama Known in Chinese as Yen-mo-lo\n\nIn the Vedas Yama is the god of the dead with whom the spirits of the departed dwell. He would appear to have several forms and identities,", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214249, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 107, "title": "RAS-1998", "content_text": "70\n\nthe primary one in China being as the Lord of the Underworld known as Yen-lo Wang. In later Brahmanist mythology he is one of the eight Lokapalas, the guardian of the south and judge of the dead. He was the son of the sun, with a twin sister Yamuna - regarded by some Hindus as the first human pair. An image of Yama is present in both the Pi-yun Ssu and the Ta Pei Ssu.\n\nIn northern China images of Yen-lo Wang have been noted in several old temples where he is portrayed as a benign elderly human, dressed in court robes and cap of dynastic China. In the Kuan Yin Hall of the Ta Pei Ssu in Peking his image depicts him thus, with his hands held palms together before his chest. He has no unique characteristics and is known simply as Yen Mo Lo. He is referred to by the temple staff as Yama and appears to have no other title and is looked upon by the monks as the Lord of the Underworld. In the Pi-yun Ssu he is a general wearing armour under his colourful robes and has an axe clutched in his right hand. His left hand is held across his body pointing with two of his fingers. He has dark skin, round eyes, a short black beard and moustache and a scarf swirling behind his head hanging down in front of his body.\n\nThere is also Yen-mo Hu-fa, a Lama Buddhist [Tantric] deity, whose image stands in the Lama Temple in Peking. It is typical Tibeto-Mongol iconography, swathed in silken robes obscuring the body leaving only the fierce head and the raised right arm visible. The head, which looks somewhat like a blue pig with gold eyebrows and red mouth, has a row of skulls across the top of the head mounted on a coronet, with a fiery nimbus behind that. He is holding in the air in his right hand a short rod [a heavenly cane] with a miniature white skull mounted on the top. Without the silken robe the deity is revealed standing on a blue horse or mule which, in turn, is prostrate on a naked human. The deity has another small blue-skinned demonic figure standing before him, facing him and holding its hands up towards the deity in supplication.\n\n14] Sagara known in Chinese as P'o-chie Lung-wang and P'o-chie-lo\n\nSagara is the Naga King of the Ocean Palace north of Mount Meru,", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214250, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 108, "title": "RAS-1998", "content_text": "one of the Twenty Deva. Sagara Naga, the Dragon King of Rain.\n\n71\n\nIn Chinese he is the Dragon King. His image has only been noted in one of our two temples in the Western Hills, the Pi-yun Ssu where he is portrayed as a standing, black-skinned official in multi-coloured robes and a pill-box cap with a small sunburst on the front. He has large round eyes and a black beard and is holding a tablet in both hands clasped before his chest. His image is also present in the cave/tunnel under the Taiwanese temple where he is known as Sha Lo Wang 沙洛王 and is portrayed as a middle-aged Chinese, standing,\n\ndressed in gilded armour and small Taoist crown. He is holding an unsheathed sword in his right hand and a small snake-like dragon in his left.\n\n15] Asura known in Chinese as Ah-hsü-lo\n\nThe Asura in the Lotus Sutra are one of the Eight Classes of super-natural beings - Asura originally meant a spirit or even a god - and are regarded as demons who fight against the forces of Indra. There is an image of an Asura in the group in the Ta Pei Ssu but not in the Pi-yun Ssu, nor in the cave/tunnel in the Taiwanese temple. In the Ta Pei Ssu he is a demonic human with four arms, three eyes and a further head superimposed upon his normal head. He has fiery red spiky hair, red moustache and beard, large round eyes and rings one in each ear. He is stripped to the waist and is white skinned, has bare legs and feet and is wearing a highly decorated colourful skirt.\n\n16] Vimalakirti known in Chinese as Wei-mo Chu-shih\n\nVimalakirti was a disciple of Sakyamuni at Vaisali who the Buddha is said to have instructed, and who later recorded it as the Sutra of Vimalakirti. The realm of Vimalakirti is a realm of profound joy.\n\nAn image of Vimalakirti is in the group in the Ta Pei Ssu but not in the Pi-yun Ssu, nor in the cave/tunnel in the Taiwanese temple. He is standing, dressed in a green robe decorated with gilded roundels and border, and a scarf round his head holding his hair in a loose knot protruding up and through it. He has grey hair, beard, moustache and eyebrows. There are no unique characteristics.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214251, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 109, "title": "RAS-1998", "content_text": "72\n\n17] Kinnara known in Chinese as Chin-na-lo The heavenly musicians\n\nListed as one of the twenty Deva in Soothill, and also one of the Eight Classes of supernatural beings in the Lotus Sutra. They are a group who, in Java for example, are portrayed as half-bird and half-human, and known in their plural as Kinnari. They are also one of the twelve spirits connected with the cult of Yao-shih Fo, the Buddhist Master of Healing. Another version claims that they are the musicians of Kuvera, with bodies of humans and heads of horses. In yet another version they dwell in the tall trees which grow on Gandhamadana, Incense Mountain.\n\nThere are images of a Kinnara in both the Ta Pei Ssu and in the Pi-yun Ssu. In the former he is portrayed as a military figure, standing in armour and helmet and with a scarf swirling round the back of his head and down across his arms. His hands are clasped before his chest and his face, pink and friendly, has a short black beard and mutton-chop moustache. In the Pi-yun Ssu the image has a similar friendly face but this time he is wearing robes and cap of an official and not those of a soldier.\n\n18] Mahoraga known in Chinese as Mo-hu-lo\n\nMahoraga is one of the twelve spirits connected with the cult of Yao-shih Fo, the Master of Healing and the Buddha of Medicine. He is one of the twelve guardian spirits each of whom is associated with one of the twelve hours of the day. The twelve include Vajra, Indra and Kinnara.\n\nAn image of the Mahoraga has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. He is portrayed as an extremely ugly, ferocious inhuman demon with black skin. Dressed merely in a decorated and multi-coloured skirt he is standing and has a swirling scarf behind his head and a snake held in his right hand. He has spiky hair on either side of his head protruding like small snakes, and his large protruding jaw and upper lip and his sloping forehead make his face almost animal. The hair on the head is pulled up into a high point, with two ear-pressing tufts one on either side. His eyebrows are like white flames, and his", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214252, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 110, "title": "RAS-1998", "content_text": "73\n\nlarge, wide, gaping mouth has but four small teeth showing, these being normal human-size incisors top and bottom. Finally, he has three small white skulls across his forehead held in place by a pink band.\n\n19] Gandharva known in Chinese as Kan-t'a-p'o\n\nThe Gandharva are one of the eight classes of supernatural beings referred to in the Lotus Sutra. They are Indra's musicians and also in the retinue of Dhrtarastra [they are the same as or similar to the Kinnaras]. They do not eat meat nor drink wine but feed on incense and fragrance.\n\nAn image of the Gandharva is in the Ta Pei Ssu but not in the Pi-yun Ssu. His image portrays him standing, dressed in multi-coloured robes over armour, a helmet over black spiky hair, and is clean shaven. His face is semi-demonic, with large protruding eyes. He has no unique characteristics.\n\n20] Nanda Upananda known in Chinese as Nan-t'o Pa-nan-t'o 跋難陀\n\nLittle seems to be known about Nanda Upananda apart from being a protector of Magadha [near Bihar]. His image has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. It depicts him as an elderly man but with a semi-demonic face. He has round eyes, small ugly protrusions on his cheeks, a gaping mouth and fang-like eye-teeth, no moustache but a short pointed beard, and is wearing decorated robes and cap. His hands are held together as if holding a tablet [which may well be missing].\n\n21] Skanda, Viharapala or Veda' known in Chinese as Wei T'o #BE\n\nWei T'o, a Hindu deity, the Deva Protector of the Dharma, guards the sanctuary of virtually all Chinese Buddhist temples. He stands with his back to the main entrance in the inner temple hall facing the main altar and back-to-back with the Laughing Buddha of the Future, Mi-lo Fo, who greets visitors with his smiling welcome. Wei T'o is also to be seen guarding many a folk religion temple, though only very rarely does he appear on a household altar. Because of the prayers offered to", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214253, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 111, "title": "RAS-1998", "content_text": "74\n\nhim by priests he has been regarded by some foreigners as the patron deity of monks: he was and still is, however, the protector of the Buddhist Law before whom lots were drawn during the selection of the new abbot.\n\nSkanda, son of Shiva and brother of Ganesh [Tunhuang fresco] is a major protector, a destroyer of demons and a god of war, identical with Karttikaya.\n\nWei T'o in Japan is known as Idaten, whilst in Tibetan and Lamaist Buddhism he is known as Skanda: Wei T'o T'ien-shen ## [or in transliterated Chinese: Ssu-chien-t'o].\n\nAlthough the image in the Ta Pei Ssu is labelled in Chinese, Wei T'o; the well-produced and colourful Chinese guide to the Hall of the Bodhisattvas produced in Taiwan gives the title in Chinese as Wei T'o and in English as Skanda. Skanda according to Werner is the Hindu mythological god of war, usually known as Karttikaya. He is represented riding a peacock, holding a bow in one hand and an arrow in the other.\n\nHe has numerous appointments, all protective. Originally he was one of the Thirty-two Generals under the command of the Four Celestial Kings - Ssu Ta T'ien-wang (see 23 below). One such appointment is his rôle as Commander of the Heavenly Hosts, the head of the Heavenly Guard [one of the Twenty or Twenty-four Devas], the protective spirit or spirits of Buddhism and its sanctuaries. In the biographies of Hsüan Tsang, Wei T'o is described as the leader of all the kuei-shen [minor deities], and was charged by the Buddha who was at that moment on the point of entering Nirvana, with the protection of the Law.\n\nOfficially he is neither a Buddha nor a bodhisattva though commonly he is referred to as the latter and it is often claimed that for his zeal he was promoted to bodhisattva when he became the commander of the Four Diamond Kings [Chin-kang: see below]. His title would appear to be the Chinese form for the Sanskrit term \"Veda\", the body of sacred writings brought to India by invaders and from which Hinduism developed. However, it is generally said that his origin is uncertain even though, for example, Vitasoka, the younger brother of King Asoka", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214254, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 112, "title": "RAS-1998", "content_text": "75\n\nis transliterated into Chinese as Wei-t'o.\n\nThere are images of Wei T'o in both of our temples, within the Ta Pei Ssu and the Pi-yun Ssu. He is portrayed in both in his standard form dressed in armour and helmet, and in Ta Pei Ssu with his diamond sword resting across his arms which are with his hands pressed together in prayer.\n\nOne of the Chinese fables related in the Chinese Repository claimed that Liang Wei-t'o, a general of the King of India, was ordered to go and find his son, Prince Fu [later to be the Buddha] who had fled to the wilderness. He found Fu covered in snow and without food, since when Wei T'o has been recognised as the commissary in Buddhist temples.\n\nHis image is one of the comparatively few which can be identified on sight without ambiguity. His antiquated, fantastic uniform, armour and helmet, and his ponderous boots are survivals from the centuries when soldiers did not march far but stood guard over their senior officers. He is depicted as a clean-shaven youthful soldier standing dressed in armour, high boots and a spiked helmet [sometimes bearing a bird with spread-wings], and with a flowing sash haloing around his head. He is standing on clouds or waves and holds what at first glance looks like a club, cudgel or knobbly sword. This is known as a ‘diamond sword' or thunderbolt used to destroy demons and other enemies.\n\nGrootaers writing about the very far north of China, on the Inner Mongolian borderland, said that in the early days of Buddhism in China it would seem likely, particularly during the T'ang and Sung dynasties, that the right-hand side of the visitor's entrance hall was occupied by Wei T'o whilst the left-hand side held the image of Pei Wang [the Northern King] who was now called Li T'o, Li Ching or T'o-t'a T'ien-wang with the recognition feature of a pagoda in the palm of his hand.\n\n22] Guhyapati Raja known in Chinese as Mi-chi Chin-kang 剛\n\nLittle appears to be recorded about Guhyapati Raja other than the", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214255, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 113, "title": "RAS-1998", "content_text": "76\n\nfact that he is listed in Soothill as one of the Twenty Deva. His image is to be seen in both the Ta Pei Ssu and the Pi-yun Ssu. In both temples he is depicted as a ferocious guardian general with a wide gaping mouth, large round eyes and a highly decorated Buddhist crown. He holds the standard weapon, the vajra, the diamond sword, resting in his left hand and against his left shoulder, and has the swirling scarf behind his head. He is stripped to the waist, has bare legs beneath a highly colourful decorated skirt, and sandals. A mural in the Sakyamuni Pagoda in Ying county in Shansi province depicts Guhyapati in much the same form.\n\nThe Chin-kang as a group are minor deities, guardians belonging to the class of Lokapalas borrowed by Buddhism from Brahmanism. The standard four Chin-kang, the Diamond Kings, are each the ruler of the four continents surrounding Mount Sumeru and though Guhyapati Raja is a Chin-kang he is not one of the usual four. The standard four are the Ssu Ta T'ien-wang [see 23-26 below].\n\n23-26] Ssu Ta T'ien-wang XX The Four Great Celestial Kings\n\nThe Four Deva Kings, known also as the Four Diamond Kings, Ssu Ta Chin-kang X, are the four guardians whose images stand, usually portrayed much larger than life-size, just inside temple entrance doorways, in pairs, two to either side.\n\nWerner points out that these are not gods but guardians, Buddhist protectors who should be thought of as minor divinities. Chinese Buddhists adopted four Hindu Brahmin deities from Indian Buddhism, the Lokapala, the guardians of the four sides of the fabulous Mount Meru [the Guardians of the Four Corners of the World] who, in turn, were later adopted by the Taoists from the Chinese Buddhists. The Four were probably first introduced into China during the T'ang dynasty [6th and 7th centuries AD] and still today are regarded as the grim-faced temple guardian generals, enormous statues in T’ang armour, tamed demons who were redeemed and who now symbolise the seasons and control the elements of fire, water, earth and air. Although the majority of images of the Four stand up to and even over fifteen feet high they can also be as tiny as eighteen inches high. They used to be deities in their own right and offered worship, reverence and offerings. Nowadays however although most devotees solemnly place one smoulder-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214257, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 115, "title": "RAS-1998", "content_text": "78\n\nthe Twenty-four Heavenly Lords. The Four, said to be brothers, are believed to have been born during the 11th century BC and are now protectors of Mi-lo Fo. The 16th century novel, Feng-shen Yen-i, describes the popular myths surrounding the defeat of the four Mo-li brothers during the legendary wars of the 12th century BC who fought with their magical weapons but whose main weapon was the white rat which devoured all enemies. However, Yang Chien, the nephew of the Jade Emperor and son of Li Ching [the General with the Pagoda] was swallowed by the white rat but once inside it he ate the rat's heart and at the same time transformed himself into the white rat which was unsuspectingly put back into its bag by one of the Mo-li brothers. Yang Chien stole out whilst the Four brothers were in a drunken sleep and stole the magic umbrella, whilst Na-cha who had fought and defeated them broke their magic jade ring. The Four lost heart, were defeated and slain. The war was followed by their canonisation by Chiang Tzu-ya who appointed them to the posts of the Heavenly Kings, controllers of the elements, from whom people sought protection from calamities.\n\nThere are standard images of all four of the Great Celestial Kings in both the Ta Pei Ssu and the Pi-yun Ssu.\n\nThere has been a certain amount of confusion over the colours, names, and titles of these guardians; even their characteristics and attributes vary from monastery to monastery. Confusion has arisen over the centuries due to non-Buddhist and even pre-Buddhist factors, with every combination to be seen, such as the General of the North with the Umbrella, the General of the West with the Rat or Mongoose, and so on. The most frequently noted observations are as follows:\n\n \n Taoist Titles\n Symbol\n Characteristics\n Buddhist title\n Sanskrit title\n \n \n Mo-li Ch'ing\n Magic weapons or Sword/lance or Jade Ring or Parasol\n black face or black beard\n Ch'ih-kuo T'ien-wang\n Dhrtarastra 持國天王 or 東方大王\n \n \n \n [colours: blue/green] or Lyre/lute", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214262, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 120, "title": "RAS-1998", "content_text": "83\n\n35] Man-shan Ch'e Wang 慢善車王\n\nMan-shan Ch'e Wang has only been seen in Taiwan, in the cave/tunnel where he is portrayed as a semi-demonic figure with a large slightly open mouth, and bushy eyebrows. He is wearing gilded armour and helmet and is carrying a short dagger in his left hand with his right hand extended vertically. He has a gilded halo behind his head and shoulders.\n\n36] P'o-x-Hsien-jen 婆x仙人\n\nP'o-x-Hsien-jen, the Immortal P'o-x, has only been seen in the cave/tunnel under the Taiwanese temple where he is depicted as an emaciated elderly Chinese, wearing no more than a wrap-around gilded skirt. He is holding a small gilded scroll in his left hand at face height and leaning on a staff with his right. He has white eyebrows and goatee beard and has a gilded halo behind his head and shoulders.\n\n37] Tung-yüeh Ta-ti The Great Emperor of the Eastern Peak 東嶽大帝\n\nImages of Tung-yüeh Ta-ti are included in the groups of Deva in both the Pi-yun Ssu and the Ta Pei Ssu but not in the cave/tunnel in the temple in Taiwan. In the Ta Pei Ssu he is standing, dressed in colourfully decorated robes, but with an open-winged bird on the crown which usually is only worn by a female deity. Perhaps the present generation of monks have misidentified the deity and this is the image of the major deity, Pi-hsia T'ien-chun, the daughter of Tung-yüeh Ta-ti. He or she is holding a long-stemmed flower in the left hand resting up against the outstretched right hand. The hair style too suggests a female as do the facial features. The image in the Pi-yun Ssu, however, is an elderly standing male, with grey beard and multi-coloured robes and cap. He holds a tablet clasped in both hands before his chest.\n\nTung-yüeh Ta-ti is the Lord of T'ai Mountain [T'ai-shan Yeh 泰山爺], a Chinese deity and the Supreme ruler of the Underworld12. Many Chinese do not seem to appreciate that these two titles are one and the same deity, a fact borne out by Mrs Goodrich when she noted in 1931 that “no one thought of this minor god T'ai-shan Fu-chün of the Underworld and the Great Ruler of the Eastern Peak as one\". T'ai-\n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214264, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 122, "title": "RAS-1998", "content_text": "85\n\nIn addition to being the final arbiter in the judgement of souls and the Keeper of the Registers of Life and Death, Tung-yüeh Ta-ti protects the virtuous, especially those who are truthful, good and excel at filial piety.\n\nImages of Yama, that is Yen-lo Wang, are to be seen in both of the temples in the Western Hills where they are Deva, but together with Tung-yüeh Ta-ti, indicating that they are regarded as two separate deities in these temples.\n\n38] Tzu-wei Ta-ti\n\nThe Great Emperor of the Purple Heaven, a major Chinese Taoist stellar deity of the North Pole Star, the keeper of the book of destiny, a controller of blessings, and one of the most potent destroyers of demons, is revered for his power to ward off evil influences and spirits. In northern China he was occasionally regarded as one of the Four Heavenly Kings and portrayed as a benign middle-aged Taoist, with Taoist crown and tablet held between both hands before his chest. Icons bearing his likeness are pasted or nailed to doors as popular charms to ward off demonic attack.\n\nHis image stands in both the Ta Pei Ssu and the Pi-yun Ssu. In both he is portrayed as a standard Chinese Taoist figure, with long multi-coloured and highly decorated robes, and a small Taoist crown on his head. He has a benign face, a small goatee and moustache and in the Ta Pei Ssu holds both hands together before his chest as if holding a tablet. His image in the Pi-yun Ssu is similar but has the tablet in place.\n\nA mural in the Mahavira Hall of the Yunlin temple at Yangkao in Shansi portrays the Emperor Tzu-wei of the North Pole.\n\nThere is also some confusion within Cantonese communities about the role of this deity. In some temples he has been claimed to be the chief of the heterodox Taoist stellar deities and identified either as the god, or one of the gods of the Pole Stars. He is popular with the Boat People of the Pearl River estuary, and is also one of the stellar deities seen on charms and scrolls used during rituals. A number of devotees", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214265, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 123, "title": "RAS-1998", "content_text": "86\n\npray to him for the blessing of a son. However, in Cholon [Saigon] his image, seen in several temples are known as Tzu-wei Ta-ti but identified as T'ai-sui, the god of the planet Jupiter and of Time, though in the major Jade Emperor temple in Cholon images of both T'ai Sui with his bell and Tzu-wei astride his lion stand side by side.\n\nHis standard image in Cantonese communities portrays him as a clean-shaven youth with large round protruding eyes, astride or sitting side-saddle on a reclining mythical beast, possibly a stylised lion. He is holding a seal aloft in his right hand, a talisman bearing the inscription \"The Star looks Straight On\" R. He also has a unique feature, a flag pole behind him on to which is fixed a sheathed sword. The youth holds a conch shell in his left hand and is dressed in only trousers and a cape which hangs round his neck and down his back. He is wearing shoes and has neck-length hair which is held in place by a tiara from which two objects, like insects' feelers, protrude upwards.\n\nIn yet another tale, an extraordinary and complicated legend, an emperor had eighteen robes specially embroidered for the Eighteen Lohan. These were being delivered by a trusted minister who reached their palace in the Western Heavens only to find seventeen Lohan. He sought the eighteenth and found him dead in the kitchen crawling with big fat lice. As this Lohan was the god of the star Tzu-wei and this star represented the emperor of China, the minister knew immediately that the emperor had died since his departure and the spirit of the dead Lohan had been incarnated as the new emperor. The minister was puzzled - what he should do? Finally, he placed the cape around the body of the dead Lohan and returned to Earth bearing a box from the other Lohan which would, they assured him, prove that he had accomplished his mission. When, after months of travel, he reached home, the new emperor opened the box and out flew a crane up into the sky and back to the stars. Artists customarily depict this in their portrait of Tzu-wei.\n\n39] Lei Shen The Spirit of Thunder\n\nLei Shen is portrayed and named as such in only one of the two temples, the Pi-yun Ssu. The problem is that Lei Shen, as such, has been noted on remarkably few altars. Lei Kung, the God of Thunder is", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214276, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 134, "title": "RAS-1998", "content_text": "97\n\nNOTES\n\nMacGowan J : Men and Manners of Modern China: T Fisher Unwin: London 1912\n\n2 Werner in his Dictionary of Chinese Mythology gives the Eight Classes of Dragon Kings as follows:\n\n3 Deva naga, Yaksha, Gandharva, Asuras, Garudas, Vinnaras, Mahonagas and Rakshas Soothill in his Dictionary of Chinese Buddhist Terms lists the Eight Classes of Supernatural Beings as follows: Deva, Naga, Yaksha, Gandharva, Asura, Garuda, Kinnara and Mahoraga.\n\nMajor well known Brahmanist deities not included in the groups of Deva in the Western Hills of Peking include Hanuman, Parbati and Ganesh.\n\n* A Student Interpreter: Where Chineses Drive : English Student Life in Peking Wm Allen & Co : London: 1885\n\n6 As with a number of titles the romanised spelling varies depending upon the form used and, as examples, we have Siva and Shiva, Pancika and Panchika. He is the esoteric cult Deva, a masculine form of the wife of Siva. He is the tutelary god of Mongolian Lama Buddhism, and is also said to be an incarnation of Vairocana for the purpose of destroying demons.\n\n7 Werner, ETC: A Dictionary of Chinese Mythology:\n\n8\n\n9 x stands for an illegible character. Although images iconographically look like the standard Buddhist image of the Temple Guardian, Wei T'o, they have been identified as being one of three Vedic deities. Lessing in his Yung-Ho-Kung [Stockholm 1942] and the Taiwanese guide to The Guan Yin Hall of the Ta Pei Ssu both identify Wei T'o's origin as Skanda whilst Soothill claims that he is Viharapala.\n\n10 Occasionally Yüeh T'ian-wang, that is the 12th century hero Yüeh Fei, takes the place of Li Yüan-shuai.\n\n\"Chin-se are the Five Primary Colours permutated in various ways to represent various ideas; also, a five coloured emblematic cord, a Brahman sign worn on", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214636, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 51, "title": "RAS-1999", "content_text": "15\n\nLing, and at Ma Tau Wai/Ma Tau Chung. The Tsuk Po also give no dates for the branches of the Ng clan settled at Sha Po and Shek Kwu Lung, although it is likely that these broke away from the Nga Tsin Wai main stock late, in the nineteenth century (there were also branches of the Lei clan of Nga Tsin Wai in these two villages, who probably moved there at about the same time as the Ngs).\n\nOver time, so many of the Chans and Leis moved out of Nga Tsin Wai that that village became almost entirely resided in by the Ngs. As of today there are only one or two households left of the Chans and Leis. Even a hundred years ago, the great majority of the Chans had already moved elsewhere, as will be discussed further below, and in the last few decades most of the Leis have left as well. Nonetheless, the Nga Tsin Wai Ngs remain very much aware that their village is a three-clan village, even if two of the clans have declined to a very low percentage. Groups of Tses () and Yungs (the Chinese character for their surname is not known) bought into Nga Tsin Wai late in the last century, but these incomers are in no way to be compared with the Chans and Leis who are, the village elders of today state, “truly our brothers\". The Tses and Yungs eventually sold out and left the area, anyway. The Nga Tsin Wai villagers invite all their clan brethren from Nga Tsin Long, Siu Lek Yuen, Lamma, Tseung Kwan O, and the other Kowloon villages for the Tin Hau Birthday celebrations each year. Most send representatives, to show that they still recognise their relationship with Nga Tsin Wai. This is even more the case with the decennial Ta Tsiu (the “Great Sacrifices\" which bring a community back into conformity with the wishes of the deities), which Nga Tsin Wai and its nearby villages have held every ten years since 1726\".\n\nTopography of the Village Area\n\nThe village as laid out in 1570, and as rebuilt and rehabilitated in 1724, consisted of a rectangular, almost square, walled enclosure (about 60 yards deep by 67 wide) set in the middle of a wide moat (between 30 and 35 feet wide) which surrounded it on all sides, and which could be accessed only over a single narrow causeway leading to the single gate. This gate consisted of two leaves of stout planks, barrable from behind, and with provision for being reinforced across the front by iron bars or stout wooden bars let into housings cut into the jambs and lockable from within the gatehouse. The walls were of good brick, on stone", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214701, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 116, "title": "RAS-1999", "content_text": "08\n\nMAP 1\n\nThe Kowloon City Area about 1905\n\nTai Wai\n\nChok Yoen\n\nSiu Lek Yuen\n\nTai Po\n\nDiamond Hill\n\nHau Wong\n\nTa Kwa Leng\n\n(Nga Yau Tau)\n\nHau Wong Temple\n\nKowloon City\n\nSai Tau Tsuen\n\nNga Trin Long\n\nKai\n\nKwy Lung\n\nPa Kong\n\nKak Hang\n\nNga Trin Wai\n\nKowloon Market\n\nKan Pui Shek\n\nTung Tau Tsuen\n\nSheung Hok Lo Tsuen\n\nPier\n\nWaste Land\n\nTai Hom Yuen\n\nLing Wai\n\nPing Yi Tsai Tau\n\nSha Tei Yuen\n\nKowloon Bay\n\nCustoms Pier\n\nSai Kung\n\nNgee Chi Wan\n\nPak Uk Tsuen\n\n(Ping Shek)\n\nLei Yue Mun\n\nShau Kei Wan\n\nTau\n\nNgan Kok Hill\n\nSham Shui Po\n\nTsuen Wan\n\nYau Ma Tei\n\nMa Tau Wai\n\nHau Pui Long\n\nYi Wong Tin\n\nTsim Sha Tsui\n\nSacred Hill (Sung Wong Toi)\n\nKilometres\n\nMa Tau Kok\n\nCoastline in 1905\n\nBuildings 1905\n\nFootpaths\n\nEdge of Hill\n\nMarshes\n\nKowloon Market", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 } ]