[ { "id": 205218, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 174, "title": "RAS-1966", "content_text": "168\n\nNOTES AND QUERIES\n\nmeasure were then recorded and the tau chung for these districts was calculated at ten to the acre. With tenant farmers in these villages paying about the same tenant rentals as the rest of the New Territories the enhanced value of agricultural land to the owners in this section was considerable.\n\nA curious method of land measurement called tam shui, which can be related to the tau chung in the manner described below, is conducted at Cheung Chau, an island about four miles by ferry from Hong Kong. Tam shui means \"carry water\". Here, the farmer measures his land by the amount of water needed to water his crops morning and evening. The island is dry and wells are dug which yield a good supply of water for cultivation purposes. This prevents padi being grown but allows general vegetable crops. The method used by the farmer is to have two wooden buckets suspended on a yoke across his shoulders. Each bucket holds about five gallons of water and has a rose at the end of the spout similar to the English watering can. He trots to his pool, presses the buckets into the water until full, trots out to his vegetable patch and waters his vegetables as he walks along. By the time he has completed thirty trips backwards and forwards, using sixty buckets of water he has then completed watering one tau chung of land. Tenant rentals are fixed on this basis.3\n\nKuk (穀)\n\nKuk is the Cantonese word for unhusked rice. It is also the medium through which tenant rentals are fixed.\n\nLandowners and tenants usually agree to conclude a contract at Chinese New Year when most of the fields are lying fallow. Land leases or short contracts are then entered into which are operative after Chinese New Year. The rent is tied to kuk (unhusked rice) and the price it fetches in the open market after harvesting. The rate usually quoted is about half the annual production of the field, so that the tenant gets half the value. For example, if a field of one tau chung can produce four piculs of rice per crop twice a year then the rent payable is the value of two piculs of rice of the first crop and the value of two piculs of rice of the second crop, as calculated at the open market price after harvesting.\n\nBotanically, rice is considered to be a tropical or subtropical", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205597, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 139, "title": "RAS-1968", "content_text": "134 \n\nJ. NACKEN \n\nanswer the purpose. The diamond gimlet especially is a treasure which is not known in Europe. Besides glass and China this simple looking spectacled old man will repair foreign umbrellas, clasps, and hinges, and mark China-ware. Another carries women's toilet boxes with him, which he exchanges for old ones if they are past mending. A third sharpens razors and whets scissors; then come the travelling smith, the cobbler, the tinker; one who hoops tubs and basins, and finally the repairer of mats.\n\nIn passing we may notice the familiar warning cry of our chairbearers 'Mái 'pin* “step aside,” and of the coolies in carrying loads 'T'ai keuk† or 'Hoi lot “look to your footing,” \"clear the road!” and then pass on to hear a few cries in connection with idolatry. Here is the hawker of joss paper, of incense sticks and of candles; there is a table, a chair and a picture of a man's head; a shrewd looking Chinaman has a crowd of eager listeners gathered around him, whilst with his persuasive tongue he tells his fortune to the one who for a few cash has engaged his services. He is a sort of phrenologist. His brother fortune-teller who has his stand at the next corner pretends to read a future happy fate by the lines of his customer's hand. Sometimes you may see an elderly woman with an open umbrella pacing along the sidewalk. Sün meng§ she calls out into the houses. Her prophesying apparatus consists of two tortoise shells. A happy day for a family festival or a felicitous name for a child she is sure to find. And if a child be sick she knows that the little one's spirit has been frightened away by a cat or a dog or something else. She will bargain for some twenty cash, take the child's jacket, light a fire in the street and call the frightened spirit back. After the jacket has been put on the child, the spirit is supposed to have taken up again its former abode within;\n\nand our last street crier walks on.\n\n**\n\n埋邊\n\n千睇脚\n\nL\n\nI BALAS\n\n§ to calculate destinies.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 206245, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 62, "title": "RAS-1971", "content_text": "56\n\nHONG KONG EDITOR\n\nmiles away round yon corner to the South! I ran down there for a day, to recruit, last week, and there, one walks by permission of these Celestial exclusives ashore, viz. on an island, called (I don't exactly know why) - Dane's Island. It is about 3 miles in circumference, and has a triple-peaked hill on it about as high as Arthur's Seat in Edin[burgh] which I mounted; and you can understand the titillating pleasure I derived from discovering a resemblance the most remarkable between the view from this hill and that from Ehrenbreitstein on the Rhine! The absence of a fine City and bridge was all (quite enough, you will say!) and was compensated by a river-reach (in like situation, i.e. immediately below you) occupied for the length of two miles with full 50 gallant Ships of 1500 tons and downwards. The rest of the view the character of the country -- the distribution[?] of the water the mountainous horizon-bore a great resemblance to that on the Rhine\n\n+\n\npersons\n\nSociety here is at the very lowest intellectual ebb-and is thus unencumbered by that pretension and affectation which the half-educated and half-literary disgust you with..... whether they infest the walks of literature, science, art, or anything else. We are so far, therefore, much to be envied. I discover however ominous indications in certain editorial labours of certain here who actually arrange the types for two weekly newspapers imagine if you can, what a Canton Newspaper ought to be! Apart though from what seems, and of course is, mere banter in this - we are as a community perhaps the least enlightened, the least informed, and the most vain, and the most unamiable in our intercourse together, that ever existed of its size. An American missionary who conducts our \"Monthly Repository” excellently well-is a marked but almost solitary exception. The rest of us, unless there be some \"singular few\" who like myself think of all this in secret and are unknown, are to a Man engrossed in business — Oh most dreadfully engrossed — it beats every bondage of lucre I ever beheld; mammon rules not only in the office, but at the dinner-table, and no doubt over the sleepers' dreams; not a moment of life spared to one hearty thought of any other topic that might interest liberal Englishmen\n\nand, more shocking than all, not a moment of the 24 hours (I desire not to speak uncharitably and therefore only deplore what I fear to be generally not untrue) given to the consideration", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 207112, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 183, "title": "RAS-1974", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n177\n\nwhen he had finished, he received a good appointment in a Government post.\n\nThe examinations that it was necessary to pass before a military post could be obtained, were similar to these, the name of each one being the same with the prefix of mo; thus mo sau tsoi, mo kui yan etc.\n\n[6]\n\nIf one walks through Kam T'in Market (#w†), turns to the right, and reaches Shui T'au Village (§‡) a fifteen minutes walk will bring one to an old bridge, which is mentioned in the San On Record book (*) and which is held in much respect by the New Territories people, as an example of filial duty done by a good son of Kam T'in. The bridge is called Pin Mo K'iu (1⁄2✯✯) \"bridge for the convenience of my mother,\" and it was built in the 49th year of Hong Hei (A) A.D. 1710 of Ts'ing dynasty, by Tang Tsun Yuen (2), a nineteenth generation descendant of the \"Five Yuens.\"\n\nTsun Yuen was born in the ninth year of Hong Hei, A.D. 1670 and died in the ninth year of Yung Ching (£), A.D. 1731. The original home of his family was in Shui T'au Village (¿k ši††) but his mother, who was a widow, moved to T'aai Hong Wai (✯✯ ¤) with her two sons. When Tsun Yuen married he rebuilt the old house and returned to Shui Tau but his mother stayed on with her younger son in T'aai Hong Wai as there was not room enough for them to live all together. But every day the mother wanted to go to Tsun Yuen's house to see her young grandsons, and to get there she had to cross the stream. Tsun Yuen used to go to the stream at a certain hour each day and wait there till she came, and wading into the water, he would carry her across on his back. The visit ended, he would escort her to the stream again, and take her across. When the tide rose it was sometimes too deep for him, so he would stay with his mother on the shore and wait with her till the tide fell and he was able to get across. This went on for a long time but he had made up his mind that, although he was poor, he would save up his money to pay for the building of a bridge, and at the end of six years he was able to do so, much to the admiration of the Kam T'in villagers. The elders in later years often used this story when teaching the young people, as an example of a good son.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207322, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 90, "title": "RAS-1975", "content_text": "82\n\nHELGA WERLE\n\ning without giving any thought to it, and above all without hearing the opinion of their daughter about it. But the father repudiates these comments, saying that it is the duty of parents to choose a husband for their daughter and the duty of the daughter to obey.\n\nAct IV\n\nAs soon as the daughter has returned from cousin Kuo's home, the parents inform her about the arranged marriage. Completely shocked she says that this is out of the question, and that they should ask T'ao-hua for the reason. Then she bursts into tears and runs out. T'ao-hua is terribly frightened and follows her, but is summoned back by Mr. Su.\n\nNow the questioning begins. A girl servant fetches \"the law of the house\" [two approx. 60 cm long bamboo-halves fastened together on one side as a handle*]. It comes out that as the daughter spent so many happy years playing and studying with her cousin, the children's fondness for each other has grown into love. They have already openly declared their love and vowed to marry.\n\nT'ao-hua is scolded and accused of letting all this happen, and is asked why did she not inform the parents. Mr. Su beats her. The movements of this scene are beautifully mimed and choreographed into dance, as T'ao-hua kneels and whimpers cries for mercy. Mr. Su holds her left hand and mimes to beat her back. She walks in a circle around him using the ai-tze-pu (dwarf-step) very characteristic of Chiuchow opera. It has been suggested that this imitates the shadow-puppet's way of hurried walk. The knees are bent because the puppet has a joint there, but this joint is not controlled. [In this dwarf-step one foot is put on the ground, then that knee is put on the ground, then the other foot, and then the other knee, etc.].\n\nBut then the mother scolds the father for bringing their only daughter into such a calamity. They now both listen to T'ao-hua's clever arguments and sympathise with their daughter and her maid. They decide to put off the intended marriage with the Yang family until they find a way out of this contract.\n\nAct V\n\nMr. Yang travels with his wet-nurse to Chiuchow to visit the Su family personally. Being betrothed to Su Liu-niang he wants\n\n, used for punishment.\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208937, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 99, "title": "RAS-1980", "content_text": "SILK & SILVER: MACAU, MANILA TRADE\n\n67\n\naffairs clandestinely. This greatly encouraged them to develop autonomous merchant communities with what amounted to extra-territorial rights. The most important of these Chinese merchant communities at the end of the 15th century was in Malacca.\n\nShips went to and from Malacca as far as India and China, trading in a wide variety of Indian and Chinese goods which were exchanged for the products of the Indonesian islands. Malacca, the \"city made for merchandise\", was essentially an entrepôt the very existence of which depended upon its carrying trade. It had an excellent and easily defensible harbour, protected on either side by the narrow straits between Sumatra and the Malay Peninsula and strategically placed, as Pires put it, at the end of one monsoon and the beginning of others. When Afonso de Albuquerque captured Goa in 1510 he was quick to see that Malacca's unrivalled position as an emporium and as a centre for the dissemination of Islam in South East Asia made it essential that he gain control of it also. He could thus fulfil Portuguese obligations to the Holy See and acquire a base for their commercial activities in the archipelago, in particular the carrying trade in spices and other precious goods from Indonesia to Goa and Lisbon in which the Portuguese sought to gain a share, if not a monopoly.\n\nAt the other end of the maritime area with which we are here concerned was another important trading centre. This was the Ryukyu Islands. The inhabitants of these islands, known to the Europeans as Lequeos or Loochoos, were actively engaged in the carrying trade between the northern and southern parts of the area from the 13th to the mid 16th century. The islanders carried to the south Chinese porcelain, silks and other textiles, metal goods and drugs, Japanese weapons and armour, lacquer and gold, all of which they exchanged for spices, aromatic woods, dyewoods and exotic beasts and birds from the Indonesian archipelago — goods that they could sell in China for several hundred times the buying price.2\n\nTechnically this trade with China remained an imperial monopoly and was carried out under the pretence of tribute. As Ming seapower dwindled and piracy in the China Seas accordingly grew, and as the Portuguese extended their trading activities in the years following their conquest of Malacca in 1511 into the Indonesian archipelago and beyond to the spice islands, to Timor and the Solor Islands, to Makassar and eventually to Macau—so the Ryukyu trade became increasingly circumscribed until it was con-", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208997, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 159, "title": "RAS-1980", "content_text": "NOTES AND QUERIES \n\n127 \n\nand gong, and a chi lin dancing, go over to greet the car. More fire crackers are set off to frighten away any evil spirits still around. The bridegroom gets out, dressed in a Western dinner jacket, white shirt with elaborate red-edged ruffles down the front, followed by other relatives, and then the bride. She is dressed in the traditional red kwa—a two-piece jacket and skirt made of satin and elaborately sequinned and embroidered, and hired for the day from a shop in Taipo. On her feet are red wooden-soled clogs with red plastic uppers, in her hair red ornaments, and carrying a pink feather fan. \n\nBefore she steps out of the car, two old women go to meet her. One is carrying a pair of black fu in a bamboo sieve to indicate the bride has older unmarried brothers or sisters or to indicate male dominance? This is carried over the bride's head as she progresses to the house. The other old lady places two bamboo sieves, with red painted circles in the centre, one after the other on the ground for the bride to step in as she walks. The sieves are rolled vertically over each other in a ceremonial fashion, and don't actually make contact with the ground until they are horizontal. The procession moves slowly towards the houses, the bride stepping in the sieves with each step, and following the chi lin, cymbal and gong players and the groom. When she reaches the groom's house, she steps over hot cinders in the doorway. She goes into the house to the back room which is their bedroom, and sits on the bed, with other female relatives and friends. The other villagers and guests then queue up through the house to take turns to peer through the window and doorway into the bedroom, to watch a first glimpse of the newcomer to the village. All the while, the mah jong and Chinese music continues. \n\nDaam, the Chinese term for a dowry, have been exchanged a week before the wedding. After negotiations between the match-maker and the two families, the proper amounts of money, food and livestock etc have been given to the bride's family by the groom's. The marriage has already been registered. \n\nAt 12.45 while the mah jong and music continues, men are seen going into the chi tong to light candles and incense in preparation for the actual ceremony of ancestor worship, which forms an important part of the marriage ceremony. On the altar in the chi tong is a large selection of edible items, including plucked and cooked chickens, pieces of pork, bowls containing sweetmeats etc,", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209607, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 264, "title": "RAS-1982", "content_text": "242\n\nCARL T. SMITH\n\n1 Dec. 1852 - first performance of amateurs under new management.\n\n12 Feb. 1853 — Victoria Amateurs.\n\n\"Twice Killed\" farce (John Oxenham, 1837) \"Slasher and Crasher\" farce (J. M. Morton, 1848)\n\n19 Mar. 1853 meeting at Victoria Theatre for purpose of forming a Corps Dramatique to arrange for another performance at an early date.\n\n20 Apr. 1853 \"Animal Magnetism\" farce (Mrs. E. Inchbald, 1758)\n\n\"A Kiss in the Dark\" farce\n\n19 May 1853 last night of season of Victoria Amateurs.\n\n\"Time Tries All\" dramatic drama (J. Courtney, 1848) \"Toothache, or The Prince and the Chimney Sweep\" farce\n\n1853/54 27 Oct. 1853\n\nMeeting at Victoria Theatre of those interested in theatricals to make arrangements for the coming season. (I found no notice of any performance for this season).\n\n1860/61 3 Jan. 1861 \"Still Waters Run Deep\" (T. Taylor, 1855)\n\n1861/62\n\n1862/1863\n\n29 Jan. 1861 new theatre, Hong Kong Amateur Theatre, performance by officers and gentlemen who have organized this establishment:\n\n\"A Bachelor of Arts\" (P. Hardwicke, 1853) \"A Nice Firm\" (T. Taylor, 1853)\n\n25 Feb. 1861 performance of Gentlemen Amateurs Mon. last.\n\n28 Mar. 1861 theatrical season drawing to close. Appreciation to the Committee. Difficult to see how the Amateur Theatrical Company could have managed without aid from the garrison.\n\nDec. 1861 - first performance of season:\n\n\"Cool as a Cucumber\" (M. W. B. Jerrold, 1851) \"The State Secret\" (A. Snodgrass, 1821, or T. E. Wilks, 1836) in same commodious erection as served so well for last year's performances,\n\n23 Jan. 1862 second public performance of Hong Kong Amateur Theatre:\n\n\"Not a Bad Judge\" comic drama (J. R. Planche, 1848) \"The Critics\" facetious tragedy (Sheridan, 1779)\n\n1862 season\n\n\"Cramond Brig\" (W. H. Murray, 1826)\n\nDec. 1862 The theatre a reproduction of last year's design. \"Uncle Zachary\" comic drama (John Oxenford, 1860) \"Fearful Tragedy in Seven Dials\" (Charles Selby, 1857)", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209608, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 265, "title": "RAS-1982", "content_text": "243\n\n12 Feb. 1863\n\nweek.\n\n30 Apr. 1863\n\nsecond amateur performance of season last\n\namateurs gave fourth performance on Wed.\n\nsubscription: 1863/64\n\n―\n\n17 Dec. 1863\n\n1864/65\n\n―\n\n1865/66\n\n―\n\nfirst performance\n\n\"Follies of a Night\" vaudeville comedy (J. R. Planche, 1842)\n\n\"A Kiss in the Dark\" given also in 1853.\n\n6 Feb. 1864 on 4th third subscription performance and on 6th third public appearance.\n\n31 Mar. 1864- fourth and last performance of season:\n\n\"Tailor of Tamworth\" (also known as \"State Secrets\", T. Wilks, 1836) given also in 1861. \"Alladin, the Wonderful Scamp\" burlesque (T. C. Bryon, 1861)\n\n16 June 1864\n\n___\n\npublic meeting resolved the Amateur Theatrical matshed should be kept up.\n\n13 Oct. 1864\n\nmeeting of those interested in Amateur Theatricals agreed to continue them in next season in usual way.\n\n2 Jan. 1865 a visiting professional group, the Lewis Company, gave first subscription night to the subscribers of the Amateurs\n\n9 Nov. 1865 check given to movement for organizing a new Amateur Theatrical Corp by non-attendance at public meeting. To be hoped they shall not collapse in consequence.\n\n1866/67\n\n3 Jan. 1867\n\nfirst\n\nat new Club Lusitano Theatre performance of season of Amateur Dramatic Society: \"Sent to the Tower\" farce (J. M. Morton, 1850) \"Alladin, or The Wonderful Scamp\" burlesque extravaganza (T. C. Bryon, 1860) also given in 1864.\n\n―\n\n4 Feb. 1867 second subscription night of Hong Kong Amateur Theatricals:\n\n\"The Area Belle\" farce (Brough and Halliday, 1864) \"Shylock, or the Merchant of Venice Preserved\" burlesque (F. Talfourd, 1853)\n\n1866/67\n\n7 Mar. 1867\n\n1867/68\n\nHong Kong Amateur Theatricals third subscription night:\n\n\"Slasher and Crasher\" (J. M. Morton, 1848) given also in 1853.\n\n\"Raising the Wind\" (J. Kennedy, 1803)\n\n23 Mar. 1867\n\nHong Kong Amateur Theatricals fourth subscription performance.\n\n—\n\n28 Sept. 1867 Hong Kong Amateur Theatrical Society propose giving five subscription performances this season.", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 214197, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 55, "title": "RAS-1998", "content_text": "18\n\npeople believe, and there appears to be truth in this (with greater use being made of the Chinese language since the Handover), that Hong Kong as a city-state is becoming more Chinese. Although this can affect the development of Hong Kong humour it is expected to be more than offset by globalisation and the world-wide effects of radio, television, the Internet and information technology.\n\nThe late Lin Yutang postulated that a Chinese believes, while getting in a few puffs while standing in front of a no-smoking sign, that the world is a stage where drama and high comedy abound. Life is a huge farce and one must not take matters too seriously, whether they be government reforms or funerals (Lin, 1936:65). The latter have a certain amount of 'gaiety' about them. Sending a person on his or her last journey to confront the final mystery of life should, it is believed, be expensive. The Chinese consider only Europeans (Lin insists) take funerals seriously and try to make them solemn affairs. What is wrong at a funeral in getting a few words across to a pal, about horse racing or morning walks, when you have not seen him for a long time? The man who takes life too seriously and obeys all the rules (according to Lin), and keeps off the grass when nobody is looking, appears ridiculous. In addition Chinese humour often takes a tolerant view of vice and evil. Instead of condemning them outright why not make fun of them? Lin Yutang believed humour could transcend cynicism and be used for other and better purposes than reconciling oneself to one's down-trodden position.\n\nAccording to Lin Yutang (1936:64), first-class humour is to be found in the Confucian Analects. \"After all, Confucius is quoted as having said, because Tsai Yu napped during the day:\n\nRotten wood cannot be carved nor a wall of dried dung trowelled. How would I rebuke him?\n\nA saying like that is always good for a chuckle.\n\nMuch humour is to be found in Ming dynasty novels, in Hong Kong's New Territories' folk songs (largely forgotten except among the elderly), and in the poetry of the drunkard, Li Po (alias Li T'ai-po), who lived in the eighth century. He made much of the solace and lib-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214407, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 265, "title": "RAS-1998", "content_text": "231\n\nmainly inhabited by Chinese, which circumstance already speaks sufficiently for itself, but eastwards the city is spreading rapidly, with magnificent houses being built; in the two years following my first visit marked progress has been made.\n\nFurther towards the east a magnificent road leads to a beautiful valley, through which flows a small stream. They say this was the only place that was inhabited prior to the occupation of the island by the English. The Chinese (man) who had a farm here and who had cultivated the valley, called it Happy Valley, a name by which it is still known today. Nowadays alongside the excellently cultivated fields other fields are gradually being sown for great harvests in the future. We too planted a few seeds brought here from afar. The name of the valley accords with its choice as the site for the cemetery.\n\nWhat first particularly strikes one in Hong Kong and other trading towns of China is the almost total absence of horses; they are replaced by Chinese. It is too hot to walk on foot and hence improper for a decent gentleman, let alone a lady: on my walks I never met a lady on foot. Each household usually has one covered litter, like a carriage body without wheels, and several open ones, consisting of light bamboo armchairs with two poles attached: in the true sense - a portechaise. Two Chinese are harnessed to both the former and the latter, which obviously works out cheaper than horses, but from the moral point of view they are debased to the level of animals and are no better than any slave. On more than one occasion a poor coolie (porter) received a beating from a passing dandy for not moving out of the way in time or simply because the latter wanted to make use of his cane. It seems that crying out against slavery, or preaching equality, is much easier. During my stay here a small scene took place on 'Queen's Road.' The main role was played by a young officer of the frigate HM Nanking. It seems that the young man, being in high spirits, decided to eat some fruit from the basket of a hawker and the Chinese, not appreciating the joke, demanded payment and not receiving it grabbed the gentleman by the coat. Apparently, this insult to his attire was too much to take, even if the citizen of the Celestial Empire was right, and that is why HM Mr. Officer dealt the 'peasant' a mighty blow, which cut his face. Several peace-loving citizens, who didn't share the hero's warlike spirit, happened to be present and insisted that he be taken to the police, which was indeed done in spite of the loud protestations of his friends. The", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 } ]