[
    {
        "id": 204365,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 133,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n129\n\n  \n    HAINES, Miss F.\n    10-F Headland Road, H.K.\n  \n  \n    HALLIDAY, Lt. Col, P. A. T.\n    Headquarters Land Forces, H.K.\n  \n  \n    HARRISON, Prof. B.\n    Dept. of History, H.K.U.\n  \n  \n    HAYDON, E. S.\n    The Supreme Court, H.K.\n  \n  \n    HAYE, C.\n    Education Dept., Fung House, H.K.\n  \n  \n    HAYIM, E. J.\n    41 Island Road, Deep Water Bay, H.K.\n  \n  \n    HELLBECK, Dr. H.\n    German Consulate-General, 1 Duddell St., 4th fl. H.K.\n  \n  \n    HENSMAN, Dr. Bertha\n    Chung Chi College, Ma Liu Shui, N.T.\n  \n  \n    HINDMARSH, R. H.\n    Hong Kong Club, H.K.\n  \n  \n    HO Teh-Kuei\n    61 Fort St. 3rd fl., North Point, H.K.\n  \n  \n    HOGAN, The Hon. Sir M.\n    Chief Justice's Chambers, Supreme Court, H.K.\n  \n  \n    HOLMES, D. R.\n    N.T. Administration, N. Kowloon Magistracy, Kln.\n  \n  \n    HOLMES, G. M.\n    9 Chater Hall, 1 Conduit Road, H.K.\n  \n  \n    HOLMES, The Hon. J. C.\n    U.S. Consulate-General, H.K.\n  \n  \n    HORSMAN, Miss A. M.\n    Colonial Secretariat, H.K.\n  \n  \n    HOOK, B. G.\n    Queen Mary Hospital, H.K.\n  \n  \n    HORTON, J. R.\n    U.S. Consulate-General, H.K.\n  \n  \n    HOWARD-WILLIAMS, E. D.\n    The British Council, 133 Gloucester Building, H.K.\n  \n  \n    HOWORTH, J. F.\n    Leigh & Orange, P. & O. Building, H.K.\n  \n  \n    HSIA Tung Pei\n    12 Ming Yuen Street W., 3rd fl. North Point, H.K.\n  \n  \n    HUANG Sheng-Fu\n    P.O. Box 9066, Kowloon City Post Office, Kowloon.\n  \n  \n    HUGHES, G. M.\n    American International Assurance Co. Ltd., H.K.\n  \n  \n    HUGHES, Mrs. G. M.\n    175 Sassoon Road, H.K.\n  \n  \n    HUGHES, Prof. W. I.\n    Dept. of Extra-Mural Studies, H.K.U.\n  \n  \n    HUNG, C. S.\n    19, Hec Wong Terrace, 1st fl., H.K.\n  \n  \n    INGLES, Miss J. M.\n    Government House Lodge, H.K.\n  \n  \n    JACOBSON, H. W.\n    U.S. Consulate-General, H.K.\n  \n  \n    JONES, Dr. J. R.\n    H.K. & Shanghai Banking Corpn. H.K.\n  \n  \n    KAMATH, F. M. de Mello\n    Commission of India, Tower Court, H.K.\n  \n  \n    KAY, B.\n    Flat 4, 52 Island Road, Repulse Bay, H.K.\n  \n  \n    KEOWN, W. C.\n    Butterfield & Swire, H.K.\n  \n  \n    KHAN, Dr. L. A.\n    M.O., Tai Lam Prison, N.T.\n  \n  \n    KIDD, S. T.\n    N. Kowloon Magistracy, Kln.\n  \n  \n    KILBORN, Prof. L. G.\n    Chung Chi College, Ma Liu Shui, N.T.\n  \n  \n    KIRBY, Prof. E. S.\n    2 University Drive, H.K.\n  \n  \n    KNOWLES, W. C. G.\n    Butterfield & Swire, H.K.\n  \n  \n    KNOWLES, Mrs. W. C.\n    G. Butterfield & Swire, H.K.\n  \n  \n    KRAMERS, Dr. R. P.\n    Tao Fong Shan, Shatin, N.T.\n  \n  \n    KUNG, Mrs. T. P.\n    8 Sunning Road, 2nd fl., H.K.\n  \n  \n    KVAN, Rev. E.\n    St. John's College, H.K.U.\n  \n  \n    KWOK Chan, The Hon.\n    Hang Seng Bank Ltd., H.K.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204747,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 50,
        "title": "RAS-1964",
        "content_text": "JOURNAL OF OCCURRANCES AT CANTON\n\n39\n\nwas persuaded to join the firm of Baring Brothers & Co. In 1873 he became senior partner of the house, finally retiring in 1882. (L.T.R.)\n\n24 Lin Tse-hsü's fate. Hunter long survived Commissioner Lin. Lin Tse-hsü was dismissed from office in 1840 and later sentenced to exile in Ili in Chinese Turkistan, where he remained for three years. He was allowed to return to Peking in 1845. He later served as Governor-General of Yunnan and Kweichow, and retired from office in 1849. He died in 1850 at the age of sixty-seven. (J.L.C.B.)\n\n25 Heang-shan (Heungshan). Former name of the District in which Macao lies. Re-named Chung-shan in honour of Sun Yat-sen. (J.L.C-B.)\n\n26 Morrison. John Robert Morrison (1814-1843) was born in Macao, the second son of Dr. Robert Morrison and his first wife Mary (née Morton). He had some schooling in England but at the age of twelve he came back to Canton with his father in 1826. He became a fluent Cantonese speaker as well as a Chinese scholar, and on the death of his father in 1834 was appointed Chinese Secretary to H.M.'s Commission in China. In 1838 he became, in addition, Interpreter, and in 1841 succeeded Elmslie as Secretary and Treasurer to the Superintendent of British Trade in China. In 1843 he was appointed Chinese Secretary and member of the Executive Council of the newly founded Colony of Hong Kong and was recommended for appointment, by the Governor, as Colonial Secretary. Before the appointment was approved, however, he died in Macao in August 1843, and was buried in the Old Protestant Cemetery there. (L.T.R.)\n\n27 Kwang Chow Foo. Kuang-chou fu The Prefect of the Prefecture of which Canton was the chief city. (J.L.C-B.)\n\n28 Kam Hay Hue. No such title. But I suspect Hunter intended to indicate the Namhoi Hien which title was sometimes written Nam Hoy Hien. See note 14. (J.L.C-B.)\n\n29 Pwan Yu Hue. Also written Punyu Hien. The magistrate having jurisdiction over the eastern part of Canton city and the District lying to the westward of the walls which included Whampoa and the foreign shipping there. (J.L.C-B.)\n\n30 Fearon, Samuel Turner Fearon was the second son of Christopher Fearon and Elizabeth Noad who were married on 14 May 1818 at the Streatham Parish Church. His father served as a midshipman at the Battle of Trafalgar and after being discharged from the Royal Navy he joined the Honourable East India Company's marine service. In this service he made a number of voyages to Canton and when he decided to take a shore posting there he brought his wife and family out with him. Samuel became a fluent Cantonese speaker and in 1838 was appointed Interpreter to the Canton General Chamber of Commerce. After the cession of Hong Kong he was appointed interpreter and clerk of the Chief Magistrate's Court and a couple of months later were added the duties of Notary Public and Coroner. Three years later he was appointed Assistant Magistrate of Police and on 1st January 1845 he became Registrar General and Collector of Revenue. In July 1845 he was granted a year's sick leave and while in England he was appointed Professor of Chinese at King's College, London, an appointment which he held from December 1846 until December 1852. (L.T.R.)\n\n31 Van Basel. Magdalenus Jacobus Senn van Basel, born in Groningen, Holland on 27 September 1808, was appointed clerk in the Dutch Consulate at Canton in 1826, and Vice-Consul in November 1831. He was later in partnership with G. M. Toe Laer and P. Tiedenan in the firm of Senn van Basel & Toe Laer & Co. In 1848 he became Collector General of Taxes",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
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    },
    {
        "id": 205029,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1965",
        "page_number": 137,
        "title": "RAS-1965",
        "content_text": "128\n\nBENHAM, Miss M. E. M. Harcourt Health Centre, Morrison Hill Rd.,\n\nBERTOVICH, Miss R. C.\n\nBERTUCCIOLI, Dr. G.\n\nBEVERIDGE, R. J.\n\nBIRNBAUM, Mrs. S. D.\n\n+\n\nBLACK, D.\n\nBLACKMORE, M.\n\nBLAKER, D. J. R. -\n\nBLATCHFORD, C. H,\n\nBLUE, A. D. -\n\nT\n\nBLUNDEN, Prof. E. C.\n\nBOAK, C. D.\n\nBOARD, D. B. M.*\n\nBODILLY, Mrs. M.\n\nBOLLMEYER, Mrs. H.\n\nBONSALL, G. W.\n\nBORDWELL, J. H.\n\nBORGEEST, G.\n\nBOXER, B.\n\nBOYD, J. D. I.\n\nBRAGA, J. M.\n\nBRAUN, F.\n\n7\n\nד\n\nBREUIL, Mrs. N. du\n\n-\n\nBRITTON, Mrs. N. M.\n\nBROMHALL. J. D.\n\nBROOKS, D. E.\n\nBROWN, Miss B.\n\nBROWN, Mrs. D. L.\n\n+\n\n-\n\n-\n\n+\n\n+\n\n+\n\nH.K.\n\nR.D. No. 1, Box 220, Masontown, Pa. U.S.A.\n\nItalian Embassy, Tokyo, Japan.\n\nUniversity Press, Hong Kong University, Pokfulum, H.K.\n\n7, Braga Circuit, Kowloon,\n\nLong Acre, Gullane, East Lothian, Scotland,\n\nDept. of History, H.K. University, H.K.\n\nc/o Gilman & Co., Ltd., P. O. Box 56, H.K.\n\nNew Asia College, 6 Farm Road, Kowloon.\n\nc/o World Wide Shipping, Cornes & Co., C. P. O. Box 158, Tokyo, Japan.\n\nMerton College, Oxford University, England.\n\nDept. of Modern Languages, H.K. University, H.K.\n\nc/o Education Dept., Battery Path, H.K.\n\n12A Mt. Nicholson Road, H.K.\n\nc/o W. F. Bollmeyer & Co. (H.K.) Ltd., Rooms 408-9 Yu To Sang Building, H.K.\n\nFlat 4-B, 3 University Drive, Pokfulum, H.K.\n\nP. O. Box 25, H.K.\n\nP. O. Box 1058, H.K.\n\nDept. of Geography, Michigan State Univ., East Lansing, Michigan 48824, U.S.A.\n\nc/o Political Adviser, Colonial Secretariat, H.K.\n\nP. O. Box 951, H.K,\n\n8 Kotewall Road, 4th floor, H.K.\n\n86, Main Street, Stanley, H.K.\n\n6 Peel Rise, The Peak, H.K.\n\nFisheries Research Station, The Fish Market, Island Road, Aberdeen, H.K.\n\nRadio Hong Kong, Mercury House, H.K.\n\nMedical Rehabilitation Centre, L. 254 Kun Tong, Kowloon,\n\nChatham Galleries, 103 Chatham Road, Kowloon.\n\n*\n\nLife Member\n\nPlease notify the Hon. Secretary of any inaccuracy",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653",
        "rank": 0
    },
    {
        "id": 207237,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 5,
        "title": "RAS-1975",
        "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nTREASURER's Report\n\nTHE LIBRARY: and the Library Rules\n\nTRANSACTIONS OF THE BRANCH :\n\nI\n\nPage\n\n1\n\n9\n\n13\n\n16\n\nA Hong Kong Spirit-Medium Temple-JOHN T. MYERS\n\nMerchant Organisations in Late Imperial China: Patterns of Change and Development-WELLINGTON K. K. CHAN\n\n28\n\nChina's Economic Planning and Changing Geography—CHIAO-MIN HSIEH\n\n43\n\n∞ NOA\n\n48\n\n61\n\n71\n\n88\n\nARTICLES:\n\nIncident between the Hong Merchants and the Super-cargoes of the British East India Company in Canton, 1811—J. L. Cranmer-BYNG\n\nThe Great Plague of Hong Kong-E. G. PRYOR\n\nNotes on Chiuchow Opera-Helga Werle\n\nCondition of the European Working Class in Nineteenth Century Hong Kong-HENRY JAMES LETHBRIDGE\n\nThe Employment of Foreign Military Talent: Chinese Tradition and Late Ch'ing Practice-RICHARD J. SMITH\n\n113\n\nThe Pacific Oyster Industry in Hong Kong-BRIAN MORTON AND P. S. WONG\n\nCaptive Surgeon in Hong Kong: the Story of the British Military Hospital, Hong Kong 1942-1945- DONALD C. Bowie\n\nNOTES AND QUERIES:\n\n...\n\nThe Pottery Kilns at Wun Yiu, Tai Po-J. W. HAYES\n\nThe Noon Day Gun-CARL T. SMITH\n\nThe German Congregation in Hong Kong until 1914-CARL T. SMITH\n\n139\n\n150\n\n291\n\n292\n\n292\n\n295\n\nBoat People's Ceremonies observed from Island House, Tai Po-D. AKERS JONES\n\n300\n\nThe RAS Photographic Survey in Hong Kong—H. A. RYDINGS\n\n311\n\nChief Marshal T'ien, patron of the stage, of musicians and wrestlers-East and South East China-K. G. STEVENS\n\n303\n\nChang Yu-tang and an old Hanging Scroll from Cheung Chau-FRANCIS S. Y. SHAM AND JAMES Hayes\n\nHung Hom: an Early Industrial Village in Old British Kowloon-Carl T. SMITH AND JAMES HAYES\n\nTyphoon Preparations in 1903\n\nBOOK REVIEWS\n\n318\n\n324\n\n327",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207381,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 149,
        "title": "RAS-1975",
        "content_text": "PACIFIC OYSTER INDUSTRY IN HONG KONG\n\n141\n\ning the largest agricultural area of Hong Kong—the Yuen Long Plain (†). Deep Bay is sheltered and with the large amount of silt brought down partly from the rivers draining into the bay and partly from the Pearl River, the whole area is very shallow. The depth of water never exceeds 6 metres. Consequently, a large expanse of shore is exposed by the receding tide. The oysters are cultivated on this muddy intertidal flat (Plate 13).\n\nThe hydrology of Deep Bay has been studied by Bromhall (1958), and more recently and in greater detail by Mok (1973), Leung et al (1975) and Morton and Wu (1975). As elsewhere in Hong Kong, Deep Bay is influenced by the north-easterly monsoon in winter and the south-easterly monsoon in summer. In winter, from November to February, the cool, dry north-easterly monsoon lowers the water temperature to around 10–15°C and maintains the salinity at a high level of 26–32%. In summer, from June to August, the water temperature rapidly rises to approximately 28–32°C. The cooling and warming of Deep Bay is enhanced and hastened by the shallowness of the water. The warm, wet south-easterly monsoon in summer brings heavy rainfall to southern China, increasing the discharge of the Pearl River, the Shum Chun River, the Yuen Long Creek and other small streams entering the bay. An additional source of fresh water is the direct runoff from the land. The water in Deep Bay is therefore greatly diluted, with the salinity reduced to 5–10% in summer. Consequently, typically estuarine conditions prevail within the bay, and with the influx of freshwater, the water is highly productive (Watts, 1973; Leung et al, 1975). The cool saline water in winter and the warm, almost fresh water conditions in summer are particularly suitable for the cultivation of the Pacific oyster.\n\nThe area of Deep Bay, on the Hong Kong side, is divided into a number of T'ong or village family (#) plots—six being the most frequently quoted number. The oyster industry in Hong Kong is being run on a family basis, with neither a large capital investment nor special organised planning. Each oyster farmer may own or rent several acres of oyster beds. The essential equipment an oyster farmer must possess is a sampan (✯✯), a wooden sledge (AU), a pair of tongs (##) and a shucking hammer (1). A small sum of money may be needed to buy new cultch—the artificial substrate upon which the oyster spat settles. The most important factor regulating the organization of the industry is the availability of man-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207388,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 156,
        "title": "RAS-1975",
        "content_text": "148\n\nBRIAN MORTON & P. S. WONG\n\nchi, 1966) by the application of anti-fouling paints. Undoubtedly the main disadvantage to this technique is that a large capital investment is required with high maintenance costs and a greater chance of damage and loss during a typhoon. As noted earlier oyster culture in Deep Bay is at present being run on a family basis lacking a large capital investment. The adoption of the more expensive raft method of culture would appear, under present socio-economic conditions, to be impossible. The setting up of a co-operative system by the oyster farmers concerned, together with an extension of the Government loan scheme for fisheries development to the oyster industry could enable the oyster farmers to obtain the necessary finance to improve the industry. With an available source of funds for investment and with further detailed research to determine the modifications required to ensure the success of a programme of modernisation in the special environment of Deep Bay, Hong Kong's oyster industry is not without a future.\n\nLITERATURE CITED\n\nBardach, J. E. and J. H. Ryther, 1968.\n\nThe Status and Potential of Aquaculture. American Institute of Biological Science, Washington, D.C. Vol. I (261pp.), Vol. II (224pp.).\n\nBromhall, J. D., 1958. On the biology and culture of the native oyster of Deep Bay, Hong Kong, Crassostrea sp. Hong Kong University Fisheries Journal, 2; 93-107.\n\nCahn, A. R., 1950. Oyster culture in Japan. The United States Fisheries and Wildlife Services Fisheries Leaflet, 383; 1-80.\n\nFurukawa, Atsushi, 1968. The raft method of oyster culture in Japan. In: Proceedings of the Oyster Culture Workshop (Ed. T. L. Linton). Marine Fisheries Division, Georgia Game and Fish Commission, Brunswick, Georgia, pp. 49-54.\n\nHong Kong Annual Departmental Report by the Director of Agriculture and Fisheries, 1953-54 to 1973-74. The Hong Kong Government.\n\nKnight-Jones, E. W., 1952. Reproduction of oysters in the rivers Crouch and Roach, Essex during 1947, 1948, 1949. Fishery Investigations, London, 18; 1-48.\n\nKorringa, P., 1947. Relations between the moon and periodicity in the breeding of animals. Ecological Monographs, 17; 347-381.\n\nLeung, C., B. S. Morton, K. F. Shortridge and P. S. Wong, 1975. The seasonal incidence of faecal bacteria in the tissues of the commercial oyster Crassostrea gigas Thunberg 1793 correlated with the hydrology of Deep Bay, Hong Kong. Proceedings of the Pacific Science Association Special Symposium in Marine Science, Hong Kong 1973; 114-127.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207389,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 157,
        "title": "RAS-1975",
        "content_text": "PACIFIC OYSTER INDUSTRY IN HONG KONG\n\n149\n\nMawatari, S. and T. Miyauchi, 1966. Studies for the improvement of Pearl oyster shell cleaning—1. Antifouling chemical coatings and their acceleration effect on shell growth. Miscellaneous Reports of the Research Institute for Natural Resources, Tokyo, 67; 54-66.\n\nMok, T. K., 1973. Studies on spawning and setting of the oyster in relation to seasonal environmental changes in Deep Bay, Hong Kong. Hong Kong Fisheries Bulletin, 3; 89-101.\n\nMok, T. K., 1974. Study of the feasibility of culturing the Deep Bay oyster Crassostrea gigas in Tung Chung Bay, Hong Kong. Hong Kong Fisheries Bulletin, 4 (in press).\n\nMorton, B. S., 1975. Pollution of Hong Kong's commercial oyster beds. Marine Pollution Bulletin, 6; 117-122.\n\nMorton, B. S. and K. F. Shortridge, 1976. Coliform bacteria levels correlated with the tidal cycle of feeding and digestion in the Pacific oyster (Crassostrea gigas) cultured in Deep Bay, Hong Kong. Malacological Review (in press).\n\nMorton, B. S. and R. S. S. Wu, 1975. The hydrology of the coastal waters of Hong Kong. Environmental Research, 10; 319-347.\n\nNeedler, A. W. H., 1941. Oyster farming in Eastern Canada. Bulletin of the Fisheries Research Board of Canada, 60; 1-83.\n\nQuayle, D. B., 1969. Pacific oyster culture in British Columbia. Bulletin of the Fisheries Research Board of Canada, 167; 1-68.\n\nRougley, T. C., 1922. Oyster culture on the George's River, New South Wales. Sydney, Technological Museum, Technical Education Series, 25.\n\nTschang, S., C. Y. Chi et al., 1962. Animals of Economic Importance of China. Marine molluscs. Scientific publisher, Peking.\n\n張靈,賽錄彥等,1962. 中國經濟動物誌,海産軟體動物. 科學出版社。\n\nWatts, J. C. D., 1973. Further observations on the hydrology of the Hong Kong territorial waters. Hong Kong Fisheries Bulletin, 3; 9-25.\n\nWong, P. S., 1975. The community associated with the Pacific oyster (Crassostrea gigas Thunberg) in Deep Bay, Hong Kong, with special reference to the shell borer Aspidopholas obtecta Sowerby. M.Phil. Thesis, University of Hong Kong.\n\nWood, P. C., 1969. The production of clean shellfish. Ministry of Agriculture, Fisheries and Food Laboratory Leaflet (New Series), 20; 1-16.\n\nYonge, C. M., 1960. Oysters. Collins, London.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 208819,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 276,
        "title": "RAS-1979",
        "content_text": "ORDINARY LOCAL MEMBERS\n\nMORGAN, Ms. V. Elaine, The Library, University of Hong Kong, HONG KONG.\n\nMORITZ, Mr. Frederick A., 4B, Sea and Sky Court, 92 Stanley Main Street, Stanley, HONG KONG.\n\nMORTON, Mr. R. J. McK., Legal Aid Department, 19/F Sincere Building, 173 Des Voeux Road C., HONG KONG.\n\nMOYLE, Mr. G. C., 64 Mile Taipo Road, NEW TERRITORIES.\n\nMULLOY, Mr. G. N., Flat C, 1 Homestead Road, The Peak, HONG KONG.\n\nNEWBIGGING, Mr. D. K., 35 Mount Kellett Road, The Peak, HONG KONG\n\nNG, Dr. Margaret N., Arts Mansion 5/F, Flat C, 43 Wongneichong Road, Happy Valley, HONG KONG\n\nNG, Miss Tonia, H.K. Tourist Association, Connaught Centre, 35/F, HONG KONG.\n\nNGUYET, Mrs. Tuyet, c/o Arts of Asia, 1309 Kowloon Centre, 29-43 Ashley Road, KOWLOON.\n\nO'HARA, Mr. Randolph, c/o The City Hall Library, Edinburgh Place, HONG KONG.\n\nOJEDA, Mr. J. de, Spanish Consul General, 1403 Melbourne Plaza, 33 Queen's Road Central, HONG KONG.\n\nONG, Dr. Guan Bee, Dept. of Surgery, University of Hong Kong, HONG KONG.\n\nORR, Mr. I. C., Room 506 Central Govt. Offices, Main Wing, Lower Albert Road, HONG KONG.\n\nOUTCH, Mr. W. T., c/o Essex Asia Ltd., 118 Austin Road, Tsim Sha Tsui, KOWLOON.\n\nOXLEY, Mr. C. W. B., District Office, Sai Kung, Sai Po Kong Govt. Offices, 792 Prince Edward Road, KOWLOON.\n\nPALMER, Mrs. R. M., 2 Old Peak Road, 2/F Front, HONG KONG.\n\nPARR, Mr. M. J., c/o Wardley Ltd, G.P.O. Box 8983, HONG KONG.\n\nPARRINGTON, Miss June, Arts Faculty Office, University of Hong Kong, HONG KONG.\n\nPARRY, Mr. Roger H., c/o The Marine Department, 102 Connaught Road C., HONG KONG.\n\nPAUL, Mrs. Anne Carse, 9 Jade House, 47C Stubbs Road, HONG KONG.\n\nPEACOCK, Mr. I. R., 5A Manhattan Tower, 63 Repulse Bay Road, HONG KONG.\n\nPERESYPKIN, Mr. Oleg P., P.O. Box 1382, HONG KONG.\n\nPICKARD, Mrs. Jane, Flat A6, 14 Shouson Hill Road, HONG KONG.\n\n249",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 209607,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 264,
        "title": "RAS-1982",
        "content_text": "242\n\nCARL T. SMITH\n\n1 Dec. 1852 - first performance of amateurs under new management.\n\n12 Feb. 1853 — Victoria Amateurs.\n\n\"Twice Killed\" farce (John Oxenham, 1837) \"Slasher and Crasher\" farce (J. M. Morton, 1848)\n\n19 Mar. 1853 meeting at Victoria Theatre for purpose of forming a Corps Dramatique to arrange for another performance at an early date.\n\n20 Apr. 1853 \"Animal Magnetism\" farce (Mrs. E. Inchbald, 1758)\n\n\"A Kiss in the Dark\" farce\n\n19 May 1853 last night of season of Victoria Amateurs.\n\n\"Time Tries All\" dramatic drama (J. Courtney, 1848) \"Toothache, or The Prince and the Chimney Sweep\" farce\n\n1853/54 27 Oct. 1853\n\nMeeting at Victoria Theatre of those interested in theatricals to make arrangements for the coming season. (I found no notice of any performance for this season).\n\n1860/61 3 Jan. 1861 \"Still Waters Run Deep\" (T. Taylor, 1855)\n\n1861/62\n\n1862/1863\n\n29 Jan. 1861 new theatre, Hong Kong Amateur Theatre, performance by officers and gentlemen who have organized this establishment:\n\n\"A Bachelor of Arts\" (P. Hardwicke, 1853) \"A Nice Firm\" (T. Taylor, 1853)\n\n25 Feb. 1861 performance of Gentlemen Amateurs Mon. last.\n\n28 Mar. 1861 theatrical season drawing to close. Appreciation to the Committee. Difficult to see how the Amateur Theatrical Company could have managed without aid from the garrison.\n\nDec. 1861 - first performance of season:\n\n\"Cool as a Cucumber\" (M. W. B. Jerrold, 1851) \"The State Secret\" (A. Snodgrass, 1821, or T. E. Wilks, 1836) in same commodious erection as served so well for last year's performances,\n\n23 Jan. 1862 second public performance of Hong Kong Amateur Theatre:\n\n\"Not a Bad Judge\" comic drama (J. R. Planche, 1848) \"The Critics\" facetious tragedy (Sheridan, 1779)\n\n1862 season\n\n\"Cramond Brig\" (W. H. Murray, 1826)\n\nDec. 1862 The theatre a reproduction of last year's design. \"Uncle Zachary\" comic drama (John Oxenford, 1860) \"Fearful Tragedy in Seven Dials\" (Charles Selby, 1857)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209608,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 265,
        "title": "RAS-1982",
        "content_text": "243\n\n12 Feb. 1863\n\nweek.\n\n30 Apr. 1863\n\nsecond amateur performance of season last\n\namateurs gave fourth performance on Wed.\n\nsubscription: 1863/64\n\n―\n\n17 Dec. 1863\n\n1864/65\n\n―\n\n1865/66\n\n―\n\nfirst performance\n\n\"Follies of a Night\" vaudeville comedy (J. R. Planche, 1842)\n\n\"A Kiss in the Dark\" given also in 1853.\n\n6 Feb. 1864 on 4th third subscription performance and on 6th third public appearance.\n\n31 Mar. 1864- fourth and last performance of season:\n\n\"Tailor of Tamworth\" (also known as \"State Secrets\", T. Wilks, 1836) given also in 1861. \"Alladin, the Wonderful Scamp\" burlesque (T. C. Bryon, 1861)\n\n16 June 1864\n\n___\n\npublic meeting resolved the Amateur Theatrical matshed should be kept up.\n\n13 Oct. 1864\n\nmeeting of those interested in Amateur Theatricals agreed to continue them in next season in usual way.\n\n2 Jan. 1865 a visiting professional group, the Lewis Company, gave first subscription night to the subscribers of the Amateurs\n\n9 Nov. 1865 check given to movement for organizing a new Amateur Theatrical Corp by non-attendance at public meeting. To be hoped they shall not collapse in consequence.\n\n1866/67\n\n3 Jan. 1867\n\nfirst\n\nat new Club Lusitano Theatre performance of season of Amateur Dramatic Society: \"Sent to the Tower\" farce (J. M. Morton, 1850) \"Alladin, or The Wonderful Scamp\" burlesque extravaganza (T. C. Bryon, 1860) also given in 1864.\n\n―\n\n4 Feb. 1867 second subscription night of Hong Kong Amateur Theatricals:\n\n\"The Area Belle\" farce (Brough and Halliday, 1864) \"Shylock, or the Merchant of Venice Preserved\" burlesque (F. Talfourd, 1853)\n\n1866/67\n\n7 Mar. 1867\n\n1867/68\n\nHong Kong Amateur Theatricals third subscription night:\n\n\"Slasher and Crasher\" (J. M. Morton, 1848) given also in 1853.\n\n\"Raising the Wind\" (J. Kennedy, 1803)\n\n23 Mar. 1867\n\nHong Kong Amateur Theatricals fourth subscription performance.\n\n—\n\n28 Sept. 1867 Hong Kong Amateur Theatrical Society propose giving five subscription performances this season.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209609,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 266,
        "title": "RAS-1982",
        "content_text": "244\n\n1870/71\n\nP\n\n1871/72\n\n1872/73\n\n1873/74\n\n—\n\n1874/75\n\n—\n\nCARL T. SMITH\n\n25 Nov. 1867 first performance of season at Club Lusitano Theatre:\n\n\"All that Glitters is not Gold\" comedy (J. M. Morton, 1851)\n\n\"Cox and Box, married and settled\" farce (F. C. Burnard and J. M. Morton, 1867)\n\n19 Dec. 1867 Hong Kong Amateur Theatrical Society second performance:\n\n\"Romeo and Juliet\" burlesque\n\n\"Little Toddlekins\" farce (J. Mathews, 1852)\n\n4 Nov. 1870 Amateur Dramatic Club first performance of season at Theatre Royal, City Hall.\n\n\"Diamond Cut Diamond\" farce (W. H. Murray, 1838) \"Orpheus and Eurydice\" burlesque (H. J. Bryon, 1863)\n\n20 Apr. 1871 \"I've Written to Brown\" farce (T. J. Williams, 1859) burlesque by Francis Talfourd.\n\n28 Apr. 1871 \"Ici, en Parlais Francais\" (T. J. Williams, 1859)\n\n\"Shylock, or the Merchant of Venice Preserved\" burlesque (F. Talfourd, 1853) also given in 1867.\n\n-\n\n26 Jan. 1872 - \"The Two Bonnycastles\" farce (J. M. Morton, 1851)\n\n\"Masanielle\" burlesque (R. B. Brough, 1857)\n\n21 Feb. 1872 - \"The Rifle and how to use it\" farce (J. V. Bridgeman, 1859)\n\n11 Apr. 1872 \"Castles in the Air\" comedy (T. W. Robertson, 1854)\n\nInstead of \"Castles\", the production may have been \"Caste\" by T. W. Robertson (1867)\n\n3 Jan. 1873 - \"Locked In\" farce (J. P. Wooler, 1870)\n\n\"The Cricket on the Hearth\"\n\n13 Feb. 1873 \"Kenilworth, or Ye Queen, Ye Earl and Ye Maiden\", burlesque\n\n13 Apr. 1873 \"The Blighted Being\" farce (T. Taylor, 1854)\n\n\"Checkmate\" comedy (Andrew Halliday, 1869)\n\n30 Oct. 1873\n\n1853)\n\n\"Plot and Passion\" (T. Taylor and J. Lang, 1853)\n\n15 Nov. 1873 \"The Spitalfield Hospital\" farcical comedy\n\n\"Not such a Fool as she Looks\" (H. J. Bryon, 1868)\n\n2 Mar. 1874 —— \"A Romantic Idea\" (J. R. Planche, 1849)\n\n\"The Steeple Chase\" (J. M. Morton, 1865)\n\n5 Apr. 1875 - \"Ticket of Leave Man\" (T. Taylor, 1863)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209610,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 267,
        "title": "RAS-1982",
        "content_text": "245\n\n26 May 1875 \"An Unwarranted Intrusion\" farce (J. M. Morton, 1868)\n\n\"Alladin\" burlesque (J. S. Bryon, 1861) 1863, 1867, also given\n\n1875/76\n\nno production on record.\n\n1876/77 11 Nov. 1876 \"The Field of the Cloth of Gold\" (Wm. Brought, 1868)\n\n19 Feb. 1877 \"Alladin, or the Wonderful Scamp\" (J. S. Bryon, 1861)\n\n8 May, 1877 \"Not Such a Fool as She Looks\" (H. J. Bryon, 1868) given in 1873.\n\n1877/78\n\n7, 12, 13 Jan. 1878 \"The Boots at the Swan\" farce (Charles Selby, 1842)\n\n4 Feb. 1878 \"Still Waters Run Deep\" Tom Taylor comedy; given in 1862.\n\n1878/79\n\napparantly no production this season.\n\n29 Dec. 1879 \"The School for Scandal\" (Sheridan, 1777) first appearance of women in casts of the amateurs.\n\nMar. 1880 \"Porter's Knot\" (J. Oxenford, 1858)\n\n\"The Critic\" (Sheridan, 1779) - second act.\n\n27 Apr. 1880 \"New Men and Old Acres\" (T. Taylor and A. W. Dubourg, 1869)\n\n1870/80\n\n1880/81\n\n11 Nov. 1880 repeat of \"New Men and Old Acres\"\n\n1 Mar. 1881 \"A Wonderful Woman\" (C. Dance, 1849)\n\n\"The Area Belle\" (W. Brough and A. Halliday, 1864) given in 1867.\n\n18 Mar. 1881 \"The Cup of Tea\" (author unknown, 1866) \"A Happy Pair\" (S. T. Smith, 1868) two characters only screen scene from \"School for Scandal\" (Sheridan, 1777)\n\n1881/82\n\napparantly no production this season.\n\n1882/83\n\n23 Jan. 1883 \"The School\" (T. W. Robertson, 1869)\n\n1883/84\n\n25 Sept. 1883 \"She Stoops to Conquer\" (O. Goldsmith, 1773)\n\n7 Dec. 1883 \"The Wedding March\" eccentricity (W. S. Gilbert, 1873)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209611,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 268,
        "title": "RAS-1982",
        "content_text": "246\n\n1884/85\n\n1885/86\n\nCARL T. SMITH\n\n16 Dec. 1884 \"Still Waters Run Deep\" comedy (T. Taylor, 1855) given in 1862, 1878.\n\n17 Dec. 1885 \"Chiselling\" farce (J. J. Dilley and J. Albery, 1870) \"Nine Points of the Law\" (T. Taylor, 1859) in 1878.\n\n18 Feb. 1886 — \"The Overland Route\" (T. Taylor, 1860) second performance of season.\n\n1886/87\n\n9 Mar. 1886 \"Weak Woman\" (H. J. Byron, 1875) benefit with Canton Amateurs for burned Canton Theatre.\n\n7 Apr. 1886 — \"Heads or Tails\" (J. Palgrave Simpson, 1854) \"Chiselling\" farce (Dilley and Albery, 1870) given in 1885,\n\n18 Nov. 1886\n\n\"A Widow's Hunt, or Everybody's Friend\" comedy (J. Sterling Coyne, 1859)\n\n30 Dec. 1886 — \"Cups and Saucers\" musical sketch (G. Grossmith 1878) \"Our Wife\" comedietta (J. M. Morton, 1850)\n\n13 Apr. 1887 — \"A Comical Countess\" (Wm. Brough, 1854) \"Our Soldiers\" comedy (H. J. Byron, 1873)\n\n1887/88 8 Nov. 1887 \"Withered Leaves\" comedietta (J. W. Broughton, 1875) \"The First Night\" comedy (J. M. Maddox, 1853) \"The Rivals\" (Sheridan, 1775)\n\n17 Jan. 1888\n\n1888/89\n\n1889/90\n\n1890/91 apparently no production this season.\n\n26 Dec. 1889 last performance Mar. 1890 - 1 Christmas Pantomime: \"Ali Baba and the Forty Thieves\"\n\nGrand\n\n26 Dec. 1890 --- \"Ali Baba and the Forty Thieves\" pantomime 30 Mar. 1891\n\n- \"The Two Roses\" (J. Albery, 1870)\n\n1891/92\n\n24 July 1891\n\n1864) \"David Garrick\" comedy (T. Robertson,\n\n26 Dec. 1891, 23 Jan., 20 Feb. 1892- Christmas Pantomime: \"Beauty and the Beast\"\n\n27 Feb., 1 Mar, 1892\n\n21, 30 Apr. 1892\n\n+ \"Betsy\" (F. C. Burnand, 1879) \"Turned Up\" (or \"Too Much Married\") comedy, (M. Melford, 1886)\n\nPage 268",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 210215,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 186,
        "title": "RAS-1984",
        "content_text": "165\n\nfamily ties are sufficiently strong for some Hong Kong beds to be cultivated by China-based farmers. The export of Chinese oysters to Hong Kong forms a large proportion of the total oysters consumed or re-exported in processed form. The cultivation techniques used are similar irrespective of the base of the farmer.\n\nThe total area of the oyster beds in Deep Bay is at present about 3100 ha.\n\nFigure 2 Historical Trend of Oyster Production\n\n  \n    Wet weight Tonnes\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    1600\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    Sources & Legend\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    Morton, B & Wang P(1978)\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    MOR. T.K (1974a)\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    Agriculture & Fisheries Department, Annual Reports\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    Love Pau Shan Oyster Industry Association\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    Sketchmap Arquupisnikutt Ganjdny\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    Otheral popports to Hong Kong\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    1500\n    1400\n    1300\n    1200\n    1100\n    1000\n    900\n    800\n    700\n    600\n    500\n    400\n    300\n    200\n    100\n    0\n  \n  \n    \n    \n    \n    \n    \n    1954\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    \n    58\n    62\n    66\n    70\n    74\n    76\n    78\n    80\n    \n    \n    \n    \n    \n    \n    \n  \n  \n    \n    \n    \n    \n    \n    \n    \n    Year\n    \n    \n    \n    \n    \n    \n    \n    \n  \n\nReorganized table for better readability:\n\n  \n    Year\n    Wet weight Tonnes\n  \n  \n    1954\n    \n  \n  \n    1958\n    \n  \n  \n    1962\n    \n  \n  \n    1966\n    \n  \n  \n    1970\n    \n  \n  \n    1974\n    \n  \n  \n    1976\n    \n  \n  \n    1978\n    \n  \n  \n    1980\n    \n  \n\nThe reorganized table is not directly derived from the original text, but it represents the data in a more structured format.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210229,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 200,
        "title": "RAS-1984",
        "content_text": "179\n\nMightycity Company Ltd and Messrs. Binnie & Partners (Hong Kong) for permission to publish this paper, and make free use of the information obtained in the EIA.\n\nAny views expressed are those of the authors.\n\nREFERENCES\n\nBinnie & Partners (Hong Kong) and Shankland Cox (1984) Environmental Impact Assessment of Land Preparation Aspects, Tin Shui Wai Development. Draft Evaluation Report.\n\nBromhill J.D. (1958) On the biology and culture of the native oyster of Deep Bay, Hong Kong, Crassostrea sp, HK University Fisheries Journal No. 2 pp 93-107.\n\nMok T.K. (1973) Studies on spawning setting of the oyster in relation to seasonal environmental changes in Deep Bay, HK. HK Fisheries Bulletin No. 3. Agriculture & Fisheries Dept pp 89-101.\n\nMok T.K. (1974a) Observations of the growth of the oyster (Crassostrea gigas Thunberg) in Deep Bay, Hong Kong. HK Fisheries Bulletin No. 4. Agriculture & Fisheries Dept pp 45-53.\n\nMok T.K. (1974b) Studies on the feasibility of culturing the Deep Bay oyster, Crassostrea gigas Thunberg in Tung Chung Bay, HK. HK Fisheries Bulletin No. 4. Agriculture & Fisheries Dept pp 55-67.\n\nMorris S. (1985) Preliminary Guide to the Oysters of Hong Kong Asian Marine Biology Vol. 2.\n\nMorton B. and Wong P.S. (1975) The Pacific Oyster Industry in Hong Kong. Journal of HK Branch of Royal Asiatic Society Vol. 15 pp 139-149.\n\nNanhai Ocean Research Centre (1978) South China Sea marine Organisms for medicinal use. Academia Sinica pp 62-64.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 211792,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 207,
        "title": "RAS-1989",
        "content_text": "182\n\n500 or 600 p.a.), without any prospect of being able to use it the subsequent season. Apparently it was also the custom to sell all the scenery, etc., at the end of the season and this too could only be done at a heavy loss (for 1865 it had cost Tls. 2,400 and fetched but Tls. 200).109 In order to investigate the feasibility of a permanent, i.e., stone, theatre, a provisional committee was appointed in September 1866.10 The chances of realising the object in view did not seem very rosy though. At a meeting of the committee held on November 10, 1866, it was decided that the \"circulation of a subscription list towards a permanent theatre should be deferred for the present\" and instead guarantors for the construction of a temporary theatre (i.e., one of wood, which was much cheaper) should be sought.11 In this they were successful and on November 16, it was announced at a meeting that Tls. 3,500 had been subscribed. This, however, was not deemed sufficient to cover all the expenses and an amended motion was adopted stating that instead of fitting up a godown, a temporary theatre, on the plans submitted to the meeting, be built and fitted up, provided a sum of Tls. 6,000 be guaranteed within a week\".12 And despite the rather severe limitations under which a number of merchants had to operate due to the collapse of the building boom - an adjourned meeting was informed on November 22 that this sum had indeed been guaranteed.\"\n\nThe new theatre would be built in wood and was designed by a local architect, Mr. William Kidner; originally it would contain 700 seats, but this was considered too much, 500 or 600 being enough. The firm of Dent & Co. showed itself willing to provide a plot of land for the sum of Tls. 250 annually and the cost of the theatre itself was estimated at Tls. 3,900. Some months later, on March 1, 1867, the wooden Lyceum Theatre opened on Yuanmingyuan Road* (later, Museum Road), with Morton's Whitebait at Greenwich and Faust and Marguerite (author not mentioned: F.C. Burnand?, T.W. Robertson?, J. Halford?).\n\nOne may well ask why the foreign residents had not found the courage and the money to erect a really “lasting structure\" for, naturally, wooden buildings were prone to fire and it should come as no surprise that the \"temporary'' theatre proved to be very temporary indeed, for on March 2, 1871, it burned down. Once again a substantial sum of money had been wasted on what turned out to be an ill-advised scheme. Sadder and wiser, it was finally decided in 1872 to construct a brick theatre on an adjacent site on Museum Road, stage entrance on Yuanmingyuan Road. On\n\n*This is the theatre marked \"b\" at Appendix III.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211803,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 218,
        "title": "RAS-1989",
        "content_text": "193\n\nC: Amateurs\n\nF: Prologue, music\n\nTh: Theatre Royal (A)\n\nN: First performance of the season\n\nR: The proscenium had been adorned with \"a very pretty drop scene of the Port of Leghorn\". The report was in general terms only; both pieces were cleverly and effectively sustained”, During the interval “a most effective Irish song was sung and the orchestra under the veteran melodist Sir George Smart gave unqualified satisfaction* (NCH 31.1.1852).\n\n23.2.1852 (Mon)\n\nT. MORTON: “A Roland for an Oliver\" (1819)\n\nT: Farce (2 acts)\n\n\"No!\" by W.H. MURRAY or F. REYNOLDS\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: Theatre Royal (A)\n\nN: Second performance of the season\n\nR: Tonight there was a \"numerous attendance of the beau monde, but not so much as on the previous occasion\". A Roland for an Oliver was \"an old established favourite and we need only say that the scenery was admirable, the ladies well dressed, the bride quite lovely and the whole went off amidst enthusiastic cheers and bursts of applause”. The other farce \"No!\" was \"replete with fun and sly sarcasm on unequal matches between lovely young wives and gentlemen rather the worse for wear\". Somewhat contradictorily the critic continued, \"it decidedly exhibited much more spirit than its precursor and was hailed accordingly with more enthusiasm and good will\".\n\nThere was also “a solo on the pianoforte by a young lady, her first appearance, as we believe, on any stage. The rapidity of her fingering, the clearness of her touch and what is so frequently wanting with many performers, her musical emphasis, were striking. We hear that the young lady graduated at the Conservatoire at Paris and her style is characterised by that brilliancy and distinctness so marked in performances at that capital”. No more was heard of this pianist; as to her name and career we are left in the dark. Was she the wife of a local merchant or a touring artist? Or was the \"lady\" in this instance too, a “gentleman\"?? (NCH 28.2.1852).\n\n24.3.1852 (Mon)\n\nG. COLMAN Jr: \"The Review\" (1800)\n\nT: Musical farce (2 acts)\n\nR. AYTON: \"The Rendezvous\" (1818)\n\nT: Operetta (1 act).\n\nC: Amateurs\n\nF: Music\n\nTh: New Theatre Royal (A)\n\nN: Third performance of the season\n\nR: For the occasion a new drop scene, depicting the Bay of Naples, had been painted. Apart from the plays \"a company of excellent jugglers amused the visitors, with a good display of surprising feats of sleight of hand\". Possibly these were Chinese, for in the announcement (NCH 20.3.1852) it was stated that there are several parties endeavouring to obtain Native Conjurers for the next theatrical night\".\n\nOf course the whole “went off with much eclat, the characters were well sustained and admirably dressed, the scenery as usual very good and the music first rate” (NCH 27.3.1852).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211804,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 219,
        "title": "RAS-1989",
        "content_text": "194\n\n6.5.1852 (Thur)\n\nJ.M. MORTON: \"Attic Story\" (1842)\n\nT: Farce (1 act)\n\nR.B. PEAKS: \"The Haunted Inn\" (1828)\n\nT: Farce (2 act)\n\nC: Amateurs\n\nF: Music, i.a. selections from Mozart's “Le Nozze di Figaro\" and other operas. Epilogue.\n\nTh: New Theatre Royal (A)\n\nN: Last performance of the season\n\nR: Again there was a new drop scene. \"A View near Palermo, a very pleasing view of an Italian villa with the bay and hills in the background\". The pieces were \"well performed and excited much merriment, especially the mistakes of the Attic Story\" (NCH 8.5.1852).\n\n27.1.1853 (Thur)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nG.A.A. BECKETT: \"The Turned Head\" (1834)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: Imperial Theatre (B)\n\nN: First performance of the season\n\nR: After not a little uncertainty about the state of affairs respecting the theatre, finally the management for the new season was laid in the hands of Horatio BUSKIN (a compound pseudonym: Horatio, from Hamlet; Buskin, the boot worn by Greek actors) who succeeded \"Doldrum\".\n\nFor a \"very good attendance graced by many of the beau sexe\" the evening \"came off with great éclat\" (NCH 22, 29.1.1853).\n\n23.3.1853 (Wedn)\n\nJ.M. MORTON: \"Betsey Baker\" (1851)\n\nT: Farce (1 act)\n\nW. BROUGH: \"Apartments\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Prologue; comic songs\n\nTh: Imperial Theatre (B)\n\nR: In the presence of the British Superintendent of Trade and Governor of Hong Kong, Sir George Bonham, Betsey Baker turned out to be \"a most decided and palpable hit, received throughout with shouts of laughter and applause\". Bonham was in Shanghai on his way to Nanking which had been taken by the Taipings on March 19. The Rebellion had a profound effect on the foreign community and although the Taipings enjoyed for some time a lot of sympathy, on this occasion they were satirised in a **most original and witty Prologue**: \"The Manager appeared before the curtain, in a state of intense excitement, informing the audience of mutiny in the corps! Dreadful consequences!! No performance!!! What could be done!? Then arose such a \"Row and Bobbery\" [Bobbery: an Anglo-Indian word meaning 'noise, disturbance' - JH] led by those who were in the secret and poor Horatio BUSKIN could scarcely be heard amidst the crash of broken glass and was almost unable to face the shower of oranges aimed at his devoted head. An amiable conspirator elevating himself on a bench expressed most loudly and eloquently his indignation at this state of affairs; however, after a parley with the Manager, he proposed a compromise, and the curtain was drawn up exposing the corps evidently in a state of 'Rebellion'. Fortunately they would listen to reason and the 'refractory members' agreed to 'go on' for this occasion, and the Manager retired with...",
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    {
        "id": 211806,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 221,
        "title": "RAS-1989",
        "content_text": "196\n\n22.3.1854 (Wedn)\n\nJ.V. BRIDGEMAN: \"I've Eaten My Friend!\" (1851)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"A Most Unwarrantable Intrusion\" (1849)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"The Two Bonny Castles\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: Tac Ming Theatre (C)\n\nR: Was the new member perhaps \"Mr Mercury WARREN\" who scored such a great success in I've Eaten My Friend! as Hezekiah Jellytop? \"The refined sensibility of the character was portrayed with a power and intensity which mark Mr. Warren as one of the true sons of Thespis. How shall we describe the horror when the internal evidence of a pie revealed a clue to the whereabouts of his departed friend\".\n\nIn the second piece, An Unwarrantable Intrusion \"the part of Ashplant was performed by a gentleman whose via comica and power of communication were unmistakable. He completely embodied the character and infused life and vigour into his conception of it**.\n\nUntil now, even the stage names of the actors had scarcely been mentioned in the reviews, but tonight we learn that in The Two Bonny Castles Messrs Bravo ROUSE, Mercury WARREN, and Horatio BUSKIN excelled as well as the ladies who acted with great spirit and sustained the dignity and elegance of the sex with most admirable effect\" (Bravo ROUSE was a borrowed alias).\n\n+\n\nAmong the musicians was again \"Herr KOENIG\" who \"brilliantly executed\" on, presumably, the violin. (NCH 25.3.1854).\n\n15.5.1854 (Mon)\n\nC.W.S. BROOKS: \"Anything for a Change\" (1848)\n\nT: Comedietta (1 act)\n\nJ.M. MORTON: \"Box and Cox\" (1847)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: \"A Grand Ethiopian Entertainment\" with the \"Virginian Minstrels\"\n\nTh: Tac Ming Theatre (C)\n\nN: These performances, the last of the season, had originally been announced for April 5; on that date would also have been played J.T.G. Rodwell's farce A Race for Dinner. The evening was postponed, however, because of the Battle of Muddy Flat on April 4, 1854.\n\nR: Some of the local celebrities definitely could not go wrong, witness the following remark in the Herald: \"As we dropped in for half an hour we cannot speak of the concluding (Box and Cox) but, as our favourite Mr. VERDENT and the clever Mr. WARREN enacted parts in it, we have no doubt it must have told on the audience\". Earlier that night Mr. Bravo ROUSE and Mr. WARREN had starred in Anything for a Change (probably as Swoppington and Honeyball).\n\n19.5.1855 (Sat)\n\nA \"Soirée Musicale Dansante\" by officers of the U.S.S. \"Powhatan\" with an \"Ethiopian Concert by the Minstrels of the Powhatan\" and a burlesque on Bulwer-Lytton's The Lady of Lyons. H.J. Byron wrote a burlesque with the same title, but according to HED, the first performance took place on February 1, 1858.\n\nR: In the Survey, it was pointed out that the officers of naval vessels sometimes entertained the local foreign residents. The first of these occasions occurred on board the Powhatan, an American warship that took part in the Japan expedition, on the eve of her departure.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211807,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 222,
        "title": "RAS-1989",
        "content_text": "197\n\nfrom Shanghai on the 20th. Despite that, the \"soirée\" was \"kept up to a late hour with great spirit\". The programme consisted of tunes by Dabney, de Costa and Tripp: one of them was called \"Japanese make yourselves ready\" (NCH 26.5.1855).\n\n23.1.1856 (Wedn)\n\nE. MAYHEW: \"Make your Wills” (1836)\n\nT: Farce (1 act)\n\nW. BROUGH: \"No 1 Round the Corner\" (1854)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: D\n\nN: Once more politics crept into the theatre since, due to the Anglo-French campaigns in the Crimean War, \"the proscenium was very tastefully emblazoned with the arms and ciphers of the Allies”. The drop scene now represented the \"Lake of Geneva with the far famed Castle of Chillon” (far famed because of Lord Byron's poem \"The Prisoner of Chillon\"). For a change the Herald allowed itself some criticism of the amateurs, but about the costumes only: \"We are perfectly aware of the great difficulties which beset the wardrobe department of the Theatre here, but still we think that two or three alterations might be made with advantage. It must be remembered that the assumption of a part on the stage requires the submergence of the individual into his assumed character. Proteus must not be more unlike his last shape than the actor must be unlike his mere self and the difficulty of effecting this is enormously increased by an appearance in every-day costume. In melodramatic pieces some decided change is absolutely necessary because success depends on the power of exciting the sympathies of the audience for the various situations of the actors and it is quite impossible that the desponding accents of one young gentleman or the grasping villainy of another (both of whom we know to be very good fellows and far from desponding or hypocritical characters) in the garb of 1856 can excite these sympathies. In Farce it is less important because the effect depends upon a successful appeal to our sense of the ludicrous and this may be done by situations which are quite within the range of every-day life. (...) It also struck us that a little more attention to the chronology of dress would be attended with increased effect; there were two or three anachronisms: for instance the mob cap of Mrs. Foreright (a most admirable 'make-up' by the way) hardly accorded with the modern elegance of Clara; or the venerable beard of the implacable Mr. Ireton with the modern costume of his disinherited son. It is astonishing how greatly unity in these matters adds to the effect of such performances and in spite of the difficulties of such performances and in spite of the difficulties of securing dresses we think a consultation between the Manager and the performers might produce a harmony which would be attended with the best effect”. The music too was thought to be \"ineffective\", but for the remainder it was, as usual, amusing, with Whitebait at Greenwich as the hit of the evening. The character of Buzzard — by no means a graceful one — was played with great effect and we heartily congratulate Mr. SLOWCOME upon the power he displayed\". In Make your Wills the reviewer could not \"forbear mentioning the excellent impersonation of Joseph Bragg by Mr CLAY\" (NCH 26.1.1856).\n\n21.2.1856 (Thur)\n\n—\n\nJ.S. COYNE: \"The Infanticidal Farce\" (1846)\n\nT: Farce (1 act)\n\nMrs. C.G.F. GORE: \"A Good Night's Rest\" (1839)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Slasher and Crasher\" (1848)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211809,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 224,
        "title": "RAS-1989",
        "content_text": "199\n\n-- it may, however, improve on further acquaintance but we had no other opportunity of judging during the evening\". The \"Turkophonini” could be heard in a solo with variations and it was deemed \"by far the most perfect and pleasing instrument of the two`. The Shanghai Redowa Waise (Redowa: a Bohemian dance) which had been \"composed expressly for this Concert and dedicated to the Ladies of Shanghai — as the programme informed us\", also performed on the Turkophonini was not thought of \"very highly”, but it convinced the reporter that \"the instrument is well adopted for that class of music\". Obviously not everyone in the audience was of the same view, for the editor wrote in the Herald of September 27: \"The critique of our reporter has been much discussed in fashionable circles and the correctness of his judgement as to the perfection of these new instruments questioned. Knowing his high attainments as a musician, we defer to his opinion. Matters of taste do not admit of dispute. De gustibus non est disputandum. We may all enjoy our own and as a second glass of wine enables us to pronounce better judgement as to its quality, so will this second performance (on September 29) by familiarizing us with the instruments enable us better to decide upon their excellence\". In Hong Kong the China Mail could not speak \"in very warm terms of praise at least as regards their suitability for solo performances\" (CM 21.8.1856). On the other hand it admitted that \"by men of cultivated taste M. Ali's talents are fully appreciated and it will be long ere those who have had the pleasure of listening to his performances will forget the sweet but powerful tones of the Turkophone or the duleet melody of the Grand Clarionet and Turkophonini\" (CM 16.10.1856). Ali Ben Sou Alle was assisted by local amateurs who played a number of pieces including two Rossini overtures on the piano; and \"very creditably\" sung Mendelssohn's \"The Fairest Flower\".\n\nThe evening was attended by a \"numerous audience, comprising the beauty and fashion of our Settlement'' (NCH 20.8.1856).\n\n29.9.1856 (Mon)\n\nA second concert by Ali Ben Sou Alle.\n\nNo review was published in the Herald, only an announcement (NCH 27.9.1856).\n\n18.2.1857 (Wedn)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nJ.M. MORTON: “Box and Cox\" (1847)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Prologue\n\nTh: N.N. (C)\n\n―\n\nR: The season opened both under the new management of \"Peter PROTEUS\" (again: a stage name, Proteus being an old Greek who could assume different shapes, as some actors are able to; also a character from Shakespeare's \"Two Gentlemen of Verona') and with a new theatrical reviewer in the Herald: \"The Man on the Bund\" (for the current season only). And although some months later he was heavily criticized because of some strictures he made about the choice of plays, in general his articles in a highly personal style were a mere continuation of the \"nothing but praise\" attitude that so prevailed. Thus Used Up was \"rendered with unquestionable ability by Mr. Peter Proteus, the manager\" who himself played Sir Charles Coldstream; and Mr. CLAY gave the part of the forlorn, but blunt and honest blacksmith Ironbrace with much skill and effect\". Making her debut Mrs. NESBIT impersonated Lady Clutterbuck: \"One would not have thought that so much deceit could lurk under so smooth and charming a face\". She brought to this part \"not only much cleverness and knowledge of the feminine heart but a very imposing person and decided good looks; and one could not help thinking the baronet might have stumbled upon a less pretty face in his",
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    {
        "id": 211811,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 226,
        "title": "RAS-1989",
        "content_text": "201\n\n+\n\nhimself uncomfortable, with one of the nicest looking creatures for a wife imaginable. (...) Mr. BRUSHWOOD did the 'green eyed monster' admirably and the character suited him well—we mean of course artistically. By a skilful arrangement the warmth of a kiss was made to be followed by Cool as a Cucumber. Did the manager intend this to impart a deeper meaning than is conveyed on the face of the \"play-bill\"? We have an esteem for him and hope not: for although a kiss is, sometimes, but the prelude of a coolness that surpasses even that of a cucumber, we would not have Mr PROTEUS openly hint as much\". This piece called forth all the powers of the manager himself, and so perfectly was the coolness of Mr. Plumper exhibited, whether as regards the criticism of Mr. Barkins' face or his sherry, that, had he stepped from the neighbouring ice-house directly upon the stage, he could not have looked cooler (this was a reference to the Commercial Hotel; see note 94) What a desirable companion he would make, we thought, for the hot weather, but Mr. Proteus must be so, indeed, in any weather. The playing was well sustained throughout and Mr. BRUSHWOOD did his best — and that was not a little — to fret and fume as ‘Old Barkins' — but we can scarcely say that he looked a heavy father\" (the heavy father was one of the specialist roles in a stock company). A Conjugal Lesson was \"decidedly the crowning piece of the evening and was performed with an amount of case and artistic ability which elicited loud and well merited applause\". And as the critic had evidently taken a fancy to \"Mrs. NESBIT” he continued that she “looked more fascinating and piquant than ever and quite won the hearts of the bachelor portion of the audience who were altogether at a loss to understand the bad taste of Mr. Lullaby who could stay away from such an attraction till three in the morning!” (NCH 28.3.1857).\n\n23.4.1857 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: “A Capital Match” (1852)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (C\n\n—\n\nR: That other favourite of the reviewer, Peter PROTEUS, had resigned and so the evening had to do without him. In the introduction to his report, the \"Man on the Bund\" referred to the playbill which informed him \"in capitals of vermillion that Still Waters Run Deep and of other matters besides in the like flaming manner”. About the piece he was not at all content: \"Muddy waters, however, as well as still, they turned out to be. This piece is one of those incongruous mixtures of French novel morality and English domestic life, which is as offensive and preposterous, as it is ludicrous. London milliners may persist in imitating the extravagances of French crinoline and superabundant circumference: they dress up our wives and sisters until they have destroyed every graceful curve they may have and make them look like balloons endowed with feminine heads and shoulders; and with a growl we may submit to this perversion of taste and whim of fashion. But when our playwrights, in their dearth of invention, ransack the repertories of the minor Parisian theatres for something new, which they themselves cannot originate, and stumbling upon the old and stale subject of Parisian conjugal infidelity, try to fit it into English social life, especially that of the middle class, the attempt excites at once our scorn and laughter, and ought, like monstrous bandorgans and other nuisances, to be put a stop to\". Small wonder then that in it \"there was much good acting thrown away. Mr. CLAY performed, throughout, the part he had undertaken, admirably. His conception of his character was good and was given with fidelity and ability. It was just how a blunt, honest Englishman might have been expected to act when, by some extraordinary chance, his domestic privacy is invaded by such a frenchified monstrosity as Captain Hawkesley. Mr. ROLLER too did the lean and slippered Pantaloon most successfully. His ease of manner on the stage and finished...",
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    {
        "id": 211814,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 229,
        "title": "RAS-1989",
        "content_text": "204\n\nPique delighted to honour, Marvellous is the ingenuity of Jack. Difficulties which would appal the ghost of Richardson* — that prince of theatrical improvisers, he makes nothing of it. Whether it be to prepare a great banquet hall or to erect a theatre, it is all the same to him and comes to his hands as readily as the marlin-spike. Huge guns disappear and hatchways vanish from the sight and are replaced by draperies and benches with all the quickness of enchantment. We sat looking around us at the proscenium, the footlights and the drop scene, representing a view on the late of Como, and fell difficult to remain in the belief that we were on board of one of H.M. 'ships of war' and not seated in a neat little theatre\". Thus far the impression of the surroundings.\n\nAbout the acting qualities the reviewer was equally in high spirits: in the Birthday, Captain Bertram R.N. proved to be “a gouty, choleric old gentleman, a very positive, perverse individual to boot and more than becomingly addicted to the occasional use of strong language\". All these little eccentricities were him forgiven, however, when \"we saw him yield to the impulses of nature and even felt a degree of alarm when he well nigh became smothered in the affectionate embrace of his loving and pretty — but somewhat bulky niece. (...) The songs of Dibdin appear to be no longer the prime favorites afloat they were half a century ago; and although we cannot but regret this, we were glad to find, from the specimens we listened to, that they have been superseded by not unworthy successors.\n\nThe trill of \n\nI've heard of foreign countries.\n\nThat are very fair to see\n\nBut England! dear old England!\n\nIs quite fair enough for me\n\nwas ringing in our ear, when it was joined in by notes of a different kind — the cheering notes, to wit, of the Dustman's Bell. We are quite converts to the doctrine that believes, for the moment, in the mimic scene which is enacting before us. How could we do otherwise at the sight of such a Dustman and such a Sally! It did one's heart good to look upon such a fresh, comely and good-looking face as Miss Sally's, and to hear the praise of it sung with such evident gusto by her honest lover in the lines:\n\nOf all the girls that dress so smart\n\nThere's none like pretty Sally\n\nShe is the darling of my heart\n\nAnd she lives in our Alley.\"\n\nRaising the Wind the reporter found not \"so brilliantly successful but not without its merit\".\n\nSumming up, his **still aching sides\" testified sufficiently to the \"care and trouble which the performers had taken to entertain their numerous audience'' (NCH 13.2.1858)\n\n10.2.1858 (Wedn)\n\nPELHAM HARDWICKE (= C. MATHEWS): \"A Bachelor of Arts\" (1853) T: Comic drama (2 acts)\n\nJ.M. MORTON: \"Done on Both Sides\" (1847)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by \"Messrs Phu & Mor\"\n\nTh: Theatre Royal (C)\n\n+\n\n* An allusion to John Richardson (1767?-1837), nicknamed \"the penny showman\"; in his performance of J.S. Knowles' (?) \"Virginius\" the ghost was the great effect (Dict. of Nat. Biogr., Vol. 48, p. 230-231).",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 233,
        "title": "RAS-1989",
        "content_text": "208\n\n12.10.1858 (Tue)\n\nConcert by Mr. Martin Simonsen\n\nN: No review was published.\n\nMr. Simonsen had also visited Hong Kong; there he had given his last recital on September 20, 1858 (CM 23.9.1858).\n\n16.2.1859 (Wedn)\n\nT: Comedy (2 acts)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Highflyer\n\nTh: Theatre Royal (E)\n\nR: For the first night of the amateur season \"a very numerous audience was collected and the presence of nearly all the beauty and fashion (we allude to the eccentricities [what may these have been? - JH] of masculine as well as to the elegancies of feminine costumes) of Shanghai imparted to the front benches a very brilliant appearance, which was further enlivened by the smiling faces of two or three laughing cherubs whom we detected nestling under the maternal wing\". For the occasion the drop pictured \"a very faithful (our travels in Italy enable us to state) representation of a most romantic spot on the banks of the Lago Maggiore\". Sink or Swim was found to be a \"dull plagiarism upon our old favourite 'Used Up'\" but it passed off with the utmost special due to the talents and exertions of the actors\", among whom \"Mr. PETREL's Mr. Scampley struck us as well conceived, a swindling roué's impertinence dashed by a sense of uneasiness\", Mr. FARREN (again a stage name after a London actor: William Farren, 1786-1861) sustained Lord Yawnley \"admirably\" and Mr. PICKWICK displayed as Adam Stirling all \"the quaint humour of his immortal ancestor\". Miss WALTERS, however, was thought to have been less fit for the part of Mrs. Stirling. She did not upon all occasions evince that grave decorum which usually characterises the British matron\". Morton's Whitebait at Greenwich was, as on January 23, 1856, a hit. This time Mr. PICKWICK took the part of Benjamin Buzzard in a \"quiet and most natural style of acting\". Mr. Phunago BRUSHWOOD - \"an actor of the Keeley-Robinson school, possessing a racy humour of his own\" played John Small and it was \"a gem of low comedy\". Of course there was Mrs. NESBIT, as well as Miss WALTERS whose portrayal of the servant maid came off much better than her Mrs. Stirling: \"we do not wonder at Mr. Buzzard's having been caught by her saucy face and bright complexion\" (NCH 19.2.1859). (Robert Keeley, 1793-1869, and Frederick Robson, 1821-1864, were both well known low comedians in Britain).\n\n22.2.1859 (Tue)\n\nConcert by Prof. Shonbrun, piano, and some local amateurs.\n\nTh: Theatre Royal (E)\n\n+\n\nR: The concert was given in the (New) Theatre Royal of the amateur dramatic corps, but acoustically it was not very satisfactory. No wonder that many of Mr. SHONBRUN's best efforts and most brilliant passages did not fully reach the audience\", an audience which was not very numerous in the first place, which too has its influence on the sound. For the following concert it was foreseen that \"a small scene will be erected and the wings closed in\".\n\nFor the time being the critic refrained from any strictures on the soloist, except that he hoped that \"on the next occasion Mr. Shonbrun will lead us to a higher class of pianoforte music than that put forward on Tuesday last\". It will come as no surprise that there was a eulogy on the amateurs who participated: \"the tenor solos were given with taste and genuine voice and the recall with which he was unanimously favoured was well merited\". (NCH 26.2.1859).\n\nT",
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    },
    {
        "id": 211819,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 234,
        "title": "RAS-1989",
        "content_text": "209\n\n1.3.1859 (Mon)\n\nConcert by Prof. Shonbrun, piano, and some local amateurs (i.a. the Germania Singing Club) Programme:\n\nNo piano works were mentioned, with the exception of \"Monastery Bells\".\n\nVocal works: Sir Henry BISHOP: \"The Pilgrim of Love\", Wilhelm SPEYER (1790-1878) a bass aria, G. DONIZETTI: \"The great tenor aria from 'Lucia di Lammermoor\" (presumably \"Tombe degli avi miei – Fra poco a me ricovero\" from act III). Th: (New) Theatre Royal (E)\n\nR Were Shanghailanders music lovers or not? One wonders for again \"we were sorry to find so small an audience assembled on the occasion\", but the wretchedly wet state of the weather had no doubt much to do with this\". As it turned out the efforts of Mr. SHONBRUN were disappointing (at least in the ears of one critic — and how they may differ in opinion everyone knows). In this case the skill and artistic feeling which would be highly respectable in an amateur reflect no especial credit on a professional player and though Mr. SHONBRUN performed several pieces pleasingly we missed that precision, that brilliant crisp fingering and particularly that general careful finish which should characterize the true master of his instrument\". The amateurs were more appreciated and the tenor singer even had to repeat his Lucia aria. For the first time the “Germania Singing Club\" is mentioned, although there must have been earlier performances as the Herald says \"the number of the singers on Tuesday was much smaller than on former occasions\". Obviously it was in a somewhat precarious state for even a conductor was missing and the reviewer was \"constrained to say, without wishing to be too critical on the performers of amateur music, that the Association has not kept up to the standard which it established for itself by former deeds\" (NCH 12.3.1859).\n\n2.6.1859 (Thur)\n\nM. BARNETT: \"The Serious Family\" (1849)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: \"Grimshaw, Bagshaw and Bradshaw (1851)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: (New) Theatre Royal (E)\n\nR: Very late in the season the last amateur night went off. And although the review was by no means scathing, the editor of the Herald thought it wise to add that \"the heat at the theatre was extremely oppressive and this may have much to do with the lukewarm manner in which our critic speaks of the performances\". The Serious Family was described as \"an admirable satire upon that morbid and mistaken feeling of piety which regards a smile as wantonness, condemns gaiety as sin and backsliding”, nevertheless **as a scenic representation it smacks too much of dullness\". The leading parts were put on the stage by Miss Minnie O'NETTE, who acted Lady Sowerly Creamly \"to the life\"; and Mr. TINTINNABULUM upon whom \"the action of the Comedy seemed chiefly to rest. His stage bearing is admirable and his intonation excellent, but we may perhaps be permitted to take exception to his brogue which, however good as an assumption, scarcely denoted one to the manner born\". Mr. PICKWICK exerted \"to the utmost his undoubted talents for light comedy as Charles Torrens; on the other hand darling Mrs. NESBIT \"scarcely found opportunity in the part of Mrs. Torrens for the display of that vivacity which forms her chief merit\". Mr. BRUSHWOOD (00 lacked something in the role of Aminadab Sleck, viz \"that racy appreciation of his part which usually characterizes him and the hat and garb of the puritan did not sit easily upon that comical little figure which has on previous occasions so often convulsed us with merriment\". In contrast Miss WALTERS “looked and acted extremely well, causing us much regret that a drama more adapted to the exigencies of the Corps did not form the chief attraction of the evening. About the second piece, Grimshaw,",
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    },
    {
        "id": 211820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 235,
        "title": "RAS-1989",
        "content_text": "210\n\nBagshaw and Bradshaw, the critic had to admit that \"what it was all about we were utterly unable to discover\" (NCH 4.6.1859).\n\n15.2.1860 (Wedn)\n\nL.S. BUCKINGHAM: \"Take that Girl Away\" (1855)\n\nT: Comedy (2 acts)\n\nC. SELBY: \"A Fearful Tragedy in the Seven Dials\" (1857)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (F)\n\nN: First performance of the season\n\nR: The new theatre was only a small one and therefore it was announced in the Herald of February 11 that \"admission will only be given to ticket holders. Tickets will be distributed with the Bills to the various Hongs and any Gentleman who may be accidentally omitted will be supplied on written application to the Manager\". From time to time politics continued to turn up in the playhouse. It was the time of the English and French wars in China; the United States was not taking part in them, only sharing in the spoils, yet the following remark closed the review: \"We beg permission to observe that we should have been glad to have seen the 'Star Spangled Banner' floating over the proscenium along with the colours of France and England. All honour to the Anglo-French Alliance! But our American cousins form, in every respect, so important a section of this community that the absence of their flag on an occasion like Wednesday evening would seem to be a discourtesy of which we feel very sure that the worthy management never was intentionally guilty\". Tonight, and on March 15, the faces of Messrs. PICKWICK, BRUSHWOOD, and TINTINNABULUM as well as that of Mrs. NESBIT were absent from the stage; others like Miss WALTERS and Mr. PETREL had remained. Making their debut were Mr. ADOLPHE, \"gifted with both self-possession and a good voice\"; Mr. WITHAM who, as Cuttle (in Take that Girl Away) \"displayed a steadiness and a clearness of enunciation calculated to make him a valuable actor in 'utility' parts\"; and Mr. NATIVE whom the reviewer thought \"better fitted to shine as a sentimental than as a grotesque lover\". Miss WALTERS was \"dressed to perfection, played as well as ever (can we say more!) and was charmingly feminine\". In A Fearful Tragedy in the Seven Dials, there was the first night of Mr. C. AITCH as Slumpington for whom **a great future success in 'character parts' was predicted. These hopes were not realised, however, for I have not found his name again. For the umpteenth time, the Herald judged the pieces that were represented weak - to put it mildly. (NCH 18.2.1860).\n\n15.3.1860 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: \"Poor Pillicoddy\" (1848)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Imperieuse\n\nTh: N.N. (F)\n\nN: Second performance of the season\n\nR: This second night took place in a house that was \"crowded in every part\" and proved \"in every respect highly successful\". The \"Man on the Bund\" had no longer a say in the theatrical reports, and the piece about which he had been so dissatisfied (see 23.4.1857), Still Waters Run Deep got a far better critique now: \"in that scene in the second act in which the villain Hawksley is unmasked, the interest was raised to an exciting pitch and sterling dramatic ability displayed by the performers\". No actors were mentioned, but in Poor Pillicoddy, a \"young gentleman made his first appearance",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211821,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 236,
        "title": "RAS-1989",
        "content_text": "211\n\non any stage with ease and aptitude. And the part of the soubrette was acted \"in a manner for which we had not given the young lady who sustained it credit\" (NCH 17.3.1860).\n\n10.5.1860 (Thur)\n\nJ. COURTNEY: “Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.M. MORTON: “To Paris and back for £5\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the Germania Singing Club and the band of the 101st regiment\n\nTh: N.N. (1)\n\nN: Third and last performance of the season\n\nR: Time Tries All was a revival from 1858 and in it some of the old familiar faces could be admired again. This time Mr. TINTINNBULUM personified Matthew Bates and he \"threw an amount of grace and feeling into his acting that make us well regret his absence in the two former representations“. Mrs NESRIT gave a repeat of her Laura Leeson. One of the newcomers, Mr. ADOLPHE, “has assumed the character of negative instead of the positive villain of the last representation and almost succeeded in making us gape, so natural was his representation of that peculiar because catching disease\". Phunago BRUSHWOOD reappeared in To Paris and back for £5 and this farce offered **full scope to his laughter moving capabilities, both as to acting and costume\". There was music too, by the Germania Singverein – which reminded the critic “of their own charming Soirées Musicales\" (not recorded). However, the construction of the theatre was \"such as to mar to a considerable extent the effect of their well chosen and well executed pieces“ (NCH 12.5.1860).\n\n17.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nG. DONIZETTI: \"La Favorita\", D.F.E. AUBER: \"La Part du Diable\", overture, **Haydée” (an opéra-comique), fantaisie, George BOUSQUET (1818-1854); “Hélène” (waltz), DENEAUX: Mazurka.\n\nLocation: Headquarters of General De Montauban at Messrs. Rémi, Schmidt & Co French Concession. (NCH 16.3.1861).\n\n24.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nGURTNER: Pas redoublé, DUMAS: Ronde tyrolienne. D.F.E. AUBER: \"La Muette de Portici\", overture, G. ROSSINI: **[Il Barbiere di Siviglia” fantasia, D.F.E. AUBER: **Les Diamants de la Couronne\", overture, “La Brise”.\n\nLocation: as on 17.3.1861 (NCH 23.3.1861).\n\n31.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas.\n\nProgramme:\n\nBOSCH: Pas redoublé. C.W. VON GLUCK: \"Armide\", F.M.V. MASSE: \"La Chanteuse Voilée\", overture, G. ROSSINI: \"Mosè in Egitto”, chorus **Valse allemande“. GURTNER: \"France\" (polka).\n\nLocation: as on 17.3.1861 (NCH 30.3.1861)\n\nNovember 1861\n\nConcert by Signor Robbio.",
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    },
    {
        "id": 211822,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 237,
        "title": "RAS-1989",
        "content_text": "212\n\n26.12.1861 (Thur)\n\nConcert by Signor Robbio, violin, and some local amateurs, Programme:\n\n4\n\nL. VAN BEETHOVEN; Trio for strings in E-flat opus 3, V. BELLINI: “Norma”, the aria 'Casta Diva' arranged for violin, C.A. DE BERIOT: Tremolo\", C. GOUNOD: **Meditation upon J.S. Bach's first prelude\", i.e., the famous Ave Maria, C.M. von WEBER: \"Der Freischütz”, cavatine (presumably \"Und ob die Wolke sie verhülle”, act III), arranged for cello and piano. Sir Henry BISHOP: \"Home sweet home\" (from the opera \"Clari, the maid of Milan'), Sr ROBBIO: \"Grande Valse Diabolique“, In addition: some quartet and solo singing by amateurs.\n\nTh: N.N.\n\nR: Today the second concert by the violinist Signor ROBBIO came off \"for a very large audience\". In November he had made his debut in Shanghai but because of a gap of three November issues in the file of the Herald I have been using no details can be given. Once more, however, the paper seems to have been discontented with the selection of the pieces. Not so tonight, with the exception of one composition by Sr Robbio himself, **a work of the Paganini school” of which the critic was evidently not a lover. About the interpretations by the violinist, though, there was but praise; e.g. \"he greatly charmed his audience by the power and feeling with which he executed the beautiful air from Norma, 'Casta Diva'\". So all was enjoyable, the more so as \"for the moribund piano used at the last concert a fine 'Broadwood' was substituted, which displayed to great advantage the admirable playing of the gentleman to whom St Robbio was so much indebted for his accompaniment\". One letter writer went even so far as to exclaim that such delights in Shanghai are indeed 'like angels' visits few and far between' \"' (NCH 28.12.1861).\n\nFebruary and March 1861\n\nPerformances by \"Lewis' Australian Hippodrome” Loc: Commercial House in Hongkew\n\n-\n\n―\n\nוי\n\nN: During the months of February and March \"Lewis' Equestrian Australian Troupe\" gave a large number of performances, of which the first one was announced for February 15 and the last for March 17. The public was entertained with horses and artists, among whom Mr. and Mrs. COUSINS, Mr. BARLOW, Senior RAPHAEL, Jessi GARDONI, **Austin Shanghai**, and “Little Ella\". For all, benefits were held in March. It was not the first time that the troupe had operated on the China Coast. In December 1859 they had visited Hong Kong (CM 15.12.1859, 22.12.1859).\n\n13.2.1863 (Fri)\n\nJ.M. MORTON: \"Our Wife, or the Rose of Amiens\" (1856)\n\nT: Comic drama (1 act)\n\nH\n\nA. MAYHEW & H. SUTHERLAND EDWARDS: The Goose with the Golden Eggs T: Farce (1 act)\n\nC: Amateurs (Local and British officers)\n\n13.2.1863 (Fri)\n\nJ.M. MORTON: \"Our Wife, or the Rose of Amiens\" (1856)\n\nT: Comic drama (1 act)\n\nA. MAYHEW & H. SUTHERLAND EDWARDS: \"The Goose with the Golden Eggs' T: Farce (1 act)\n\nC: Amateurs (Local and British officers)\n\nF: Music by the band of the 67th regiment\n\nTh: Theatre Royal (G)\n\nN: First performance of the season\n\nR: Casts:",
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    },
    {
        "id": 211824,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 239,
        "title": "RAS-1989",
        "content_text": "214\n\nJacob Grimes: F. Shannons\n\nThese performances drew the largest audiences of the season\", which statement causes some surprise seeing that it had only just started. But the house was filled in every part and a good number of ladies in the dress circle graced the occasion, while the parterre was so crowded that many of the spectators had to stand\". Noteworthy were the scenery, painted by Captain Hamilton; and, in Crinoline Mr. PHILLIPS as the jealous husband “which would be considered excellent on the boards of the Adelphi” (NCH 14.3.1863).\n\n16.3.1863 (Mon)\n\nRepeat of the former.\n\n26.3.1863 (Thur)\n\nJ.M. MORTON: \"Fitzsmythe of Fitzsmythe Hall\" (1860)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Where There's a Will There's a Way” (1849) T: Comic drama (1 act)\n\nC: Amateurs (Local and British officers)\n\nTh: N.N. (G?)\n\nR: Casts:\n\nWhere There's a Will:\n\nDona Francesca: Mr. W. Hyslop (of Gibb, Livington & Co)\n\nDon Manuel: D.A.C.G. Ewing\n\nDon Lopes Avila: Mr. Raymur\n\nDona Blanche de Tavora: Mr. A. Broom (of Jardine, Matheson & Co)\n\nDon Scipio de Pompolino: D.A.C.G. Cooksley\n\nFitzsmythe:\n\nFitzsmythe: D.A.C.G. Cooksley\n\nHis wife: D.A.C.G. Hayter\n\nPenelope, their daughter: Mr. A. Broom\n\nFrank Tottenham: Mr. Raymur\n\nGregory, servant: D.A.C.G. Ewing\n\nIt was remarked about Mr. Raymur that \"this gentleman was of a backward turn in his orthography\". So a pseudonym after all; the hint though does not make it clearer. There is no Raymur, nor a \"Rumyar\" (which would be a very strange name indeed) in the \"Shanghai Almanac for 1862” — the last one available. Could it be Mr. E.I. Remier? Although the review of the 13th February had not been negative, tonight's performances were, in the eyes of the Herald. \"upon the whole an improvement on those of the first subscription night, and the audience expressed their approbation in a more decided manner, so that everybody seemed pleased with the evening's entertainment\", Where There's a Will There's a Way, an elegant drawing room play situated in 18th century Portuguese royal circles, \"was placed on the stage in a very creditable manner, considering the slender means and appliances as being tasteful, rich and, we presume, correct for the period, while the ladies looked quite charming in their elegant dresses; the whole apparently got up 'regardless of expenses as the London playbills have it\". In Fitzsmythe the best piece of acting was that of Mr. HAYTER as the old lady who, like Mr. Jourdain, was \"ambitious of having \"quality\" friends and finery, while in her domestic occupations she revelled in jam and soapuds The \"languishing Penelope\" of Mr. BROOM was also quite fascinating”. (NCH 28.3.1863).\n\n17.4.1863 (Fri)\n\nConcert by amateurs in aid of the Lancashire Relief Fund.",
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    {
        "id": 211828,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 243,
        "title": "RAS-1989",
        "content_text": "218\n\n1.4.1864 (Fri)\n\nR.B. BROUGH: \"Crinoline\" (1856)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"A Most Unwarrantable Intrusion\" (1849) T: Farce (1 act)\n\nN.N.: \"The Debut\"\n\nC: Messrs Shannon and Phillips with an amateur company\n\nTh: N.N. (H)\n\nR: Not too enthusiastically the Herald wrote that \"had Messrs PHILLIPS and SHANNON been better supported the performance would probably have proved a more decided success\". Must it be supposed that the amateurs were locals, who were otherwise so much lauded? (NCH 2.4.1864).\n\n4.4.1864 (Mon)\n\nRepeat of 30.3.1864,\n\n18.4.1864 (Mon)\n\nFirst performance by a Portuguese Amateur Dramatic Corps. TH: N.N.\n\nR: This first performance by a local Portuguese company was considered favourably: \"the arrangement of the costumes and acting were all good and amply rewarded a visit even by those who may not understand the Portuguese language\". (NCH 23.4.1864)\n\n25.4.1864 (Mon)\n\nJ. OXENFORD: \"Retained for the Defence\"\n\nT: Farce (1 act)\n\nC.S. CHELTNAM: \"A Lucky Escape\" (1861)\n\nT: Comic drama (1 act)\n\nT.J. WILLIAMS: \"On and Off\" (1861)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTH: N.N. (H)\n\nN: Second performance of the season\n\nR: This second Volunteer Corps night drew a crowded house and the reporter was pleased to see that \"a majority of the lady residents were among the audience\", the more so as they \"by their presence contributed to inspire the performers with the desire to excel which led to such complete success\". No names were given in the review, but in A Lucky Escape “it would have required very sharp eyes to detect that the actress [who personated Louise] was, in fact, an actor\". Here the truth is finally revealed! In On and Off he/she took the part of Letitia equally well. (NCH 30.4.1864)\n\n9.5.1864 (Mon)\n\nN.N.: \"Nature and Philosophy or Eighteen Years' Labour Lost\"\n\n(The only piece with this title in HED is one that had its first night on 18.4.1876. However, Brown, \"A History of the New York Stage\", Vol. I, p. 235 mentions a performance of this play on June 1 1833).\n\nG. COLMAN Jr: \"Love Laughs at Locksmiths\" (1803)\n\nC: C.R. Faylor's travelling company\n\nF: Comic songs, dance, music\n\nTh: Olympic Theatre (H)\n\nR: Casts:\n\nNature and Philosophy:\n\nBrother Philip: Major Pegus\n\nRenaldo: C.R. Faylor\n\nEliza: Mrs. E. Yeamans\n\nGertrude: Mr. E. Yeamans",
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    },
    {
        "id": 211829,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 244,
        "title": "RAS-1989",
        "content_text": "219\n\nColins: Mrs. C.R. Faylor Love Laughs at Locksmiths Robin: Mes. C.R. Faylor\n\nJuliac: Mrs. E. Yeanians\n\nDame Durden: Mr. E. Yeamans.\n\nPaddy Druden: C.R. Faylor\n\nOnly an advertisement for this performance was published in the Herald of May 7. The stage often has its own laws as to the gender of the participants. In amateur theatricals, men dressed up as women à l'outrance, whereas in a professional company like the present one male characters were personified by ladies and vice versa!\n\n14.5.1864 (Sat)\n\nPerformance by the amateurs of the Royal Artillery.\n\nNo titles of plays recorded.\n\nTh: N.N. (H)\n\nR: NCH 21.5.1864\n\n17.5.1864 (Tue)\n\nRepeat of 14.5.1864.\n\n26.5.1864 (Thur)\n\nJ.M. MORTON: “Whitebait at Greenwich\" (1835)\n\nT: Farce (1 act)\n\nC. MATHEWS: \"Little Toddlekins” (1852)\n\nT: Comic drama (1 act)\n\nJ.M. MORTON: “Poor Pillicoddy” (1848)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Epilogue spoken by R.C. Antrobus, commander of the S.V.C.\n\nTh: N.N. (H)\n\nN: Final performance of the season\n\nR: For the occasion Edward LAWRENCE, who was a \"practitioner at Law and Notary Public” according to the “Shanghai Almanac for 1862”, had written an epilogue which was read by the commander of the S.V.C., Robert Crawford ANTROBUS (member of the Municipal Council 1864-1865). And, as if to give more weight to its reception, the Herald added that “many of the ladies joined in the applause” (NCH 28.5.1864).\n\n28.5.1864 (Sat)\n\n**An Evening at Home**: \"Songs interspersed with anecdotes and conversation of the most lively description”.\n\nC: Mr. J.R. Black\n\nTh: Olympic Theatre (H)\n\n31.5.1864 (Tue)\n\nAs on 28.5.1864.\n\n3.6.1864 (Fri) As on 28.5.1864.\n\n13.6.1864 (Mon)\n\n\"An Evening at Home - Great Jacobite Night\" by Messrs. J.R. Black and Marquis Chisholm. Performance of the play The Advantages of Bonnie Prince Charlie or the Rising of 1745 (No piece with this title appears in HED), as well as ballads and songs (including 'Vi ravviso from Bellini's \"La Sonnambula\", act 1).\n\nTh: Olympic Theater (H)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211834,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 249,
        "title": "RAS-1989",
        "content_text": "224\n\nF. TALFOURD: \"A Household Fairy\" (1859)\n\nT: Domestic sketch (1 act)\n\n\"Aurora Floyd\".\n\nHED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' \"Dictionary of the Drama\" mentions W.E. SUTER.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of J.B. Creswick\n\nR: NCH 26.11.1864, advertisement only\n\n3.12.1864 (Sat)\n\nL.B. BUCKINGHAM: \"Take That Girl Away\" (1855)\n\nT: Comic drama (2 acts)\n\nJ.M. MORTON: \"A Capital Match\" (1852)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of Miss Lizzie Naylor\n\nR: NCH 3.12.1864, advertisement.\n\n9.12.1864 (Fri)\n\nBenefit of Mr. Henry Birch of the Lewis Company.\n\nNo titles of plays were mentioned. (NCH 10.12.1864)\n\n10.12.1864 (Sat)\n\nFarewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864).\n\nR: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th \"home sweet home\" was preferred; \"the unfavourable state of the weather prevented many ticketholders from putting in an appearance\" (NCH 10.12.1864)\n\nNovember and December 1864\n\nPerformances by the \"Christy Minstrels\".\n\nTh. N.N.\n\nR: Another travelling company that visited the port in these months were the \"Christy Minstrels\" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). \"No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion\" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864).\n\n22.12.1864 (Thur)\n\nPerformance by the Portuguese Amateur Dramatic Corps.\n\nR: It was \"as usual largely attended\" (NCH 24.12.1864).\n\n28.12.1864 (Wedn)\n\nR.B. BROUGH: \"Medea\" (1856)\n\nT: Burlesque (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211836,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 251,
        "title": "RAS-1989",
        "content_text": "226\n\nappearance. The music selected afforded great satisfaction to the audience and was really very well performed. The violin solos by a gentleman Amateur of the place were most deservedly encored. Indeed we fancy few home concerts could show anything of the same sort much better. Amateur concerts we are sure rarely could\".\n\n23.2.1865 (Thur)\n\nConcert by Signor Enrico Grossi, assisted by Messrs Desvachez and Terry, and the Rhenish Band.\n\nTh: Astor House Hotel\n\nR: All professional artists performed without any government subsidies so they had every reason to look forward to as large an audience as possible. Signor GROSSI evidently was a freemason for the Commercial Record reported that \"his masonic relations produced for him a full house\" (SCR 8.3.1865). Freemasonry, which had been introduced in Shanghai in 1849, was rather widespread among the (male) foreign residents and the brethren who had turned up rewarded Sr GROSSI's \"efforts to please by frequent bursts of applause\" (NCH 25.2.1865). No details of the programme were given.\n\n14.3.1865 (Tue)\n\nConcert in aid of the Shanghai Volunteer Club fund.\n\nTh: Shanghai Club\n\nR: RCH 18.3.1865\n\n21.3.1865 (Tue)\n\nJ. COURTNEY: \"Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.M. MORTON: \"To Paris and back for $5\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTh: Lyceum Theatre (1)\n\nN: First performance of the season\n\nR: Not unexpectedly the Herald thought it \"needless to descant here upon the merits and talents of the Company\" (NCH 25.3.1865). The same pieces had been given on May 15, 1860.\n\n23.3.1865 (Thur)\n\nM. BARNETT: \"The Serious Family\" (1849)\n\nT: Comedy (3 acts)\n\nJ.R. PLANCHE: \"The Invisible Prince\" (1846)\n\nT: Extravaganza (1 act)\n\nC: Lewis' Australian Drama Company\n\nTh: Lyceum Theatre\n\nR: Lewis' Australian Drama Company had come back to Shanghai in early March (NCH 11.3.1865) for a second season of farce and comedy, but owing to difficulties in reaching an agreement with the Lyceum Theatre about the rent that was to be paid, the first night took place only on March 23 (NCH 18.3.1865). For the members of the Company see Survey; most of them appeared on the first night in The Serious Family. According to the Commercial Record (25.3.1865) \"the acting was very equal throughout and the admirable manner in which the different actors and actresses assisted one another contributed largely to their success\" - which seems to be a rather meaningless comment. The Invisible Prince, too, was put on the stage effectively and the mise en scene was very good.\n\n27.3.1865 (Mon)\n\nW.B. GILL: \"Which is Which?\"\n\nT: Farce\n\nL...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211841,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 256,
        "title": "RAS-1989",
        "content_text": "231\n\nattitude to such interpolations, 13.2.1863). The qualities of most players have already been touched upon; others were JOHN EDOUIN, “a capital dancer\"; his sister ROSE EDOUIN who, in burlesques, was \"not to be overlooked; there is a style about her which commands and her gesture is sufficiently theatrical to impose upon her audience where a little less or a little more demonstration might have failed.\" Mr. W.B. GILL whose acting was not \"thoroughly under command\", nevertheless had \"his place marked out for him and we hope some day to see him take up a leading position as a low comedian\". On the other hand Mr. ANDREWS was a useful actor who is careful in his parts does not do more than he needs to do\". The Company had had tolerably good houses and their departure was regretted for it was felt that Shanghailanders had seen \"perhaps the best company East of the Cape\". It went on to Foochow, Amoy and other southern ports. (SCR 5.5.1865).\n\n6.5.-12.5.1865\n\nTwo concerts by Mr. and Mme Simonsen (violin and singing resp.)\n\nTH N.N.\n\nR: For the first time since August 1863 Martin SIMONSEN came to the port, with his wife who was a singer, after recitals in Hong Kong. Rather disappointingly the first two concerts “did not draw very large houses\", but \"they were warmly applauded by all who listened to the spirit-stirring sounds of Mr. SIMONSEN's violin and the melting tones of Mme SIMONSEN's voice\", (NCH 13.5.1865).\n\n8.5, 1865 (Mon)\n\nPELHAM HARDWICKE: (= C. MATHEWS) \"A Bachelor of Arts\" (1853) T: Comic drama (2 acts)\n\nJ.M. MORTON: \"The Two Bonny Castles\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTh: Lyceum Theatre (1)\n\nR: According to both the Herald and the Record the pieces went off successfully (NCH 13.5.1865; SCR 22.5.1865).\n\n17.5.1865 (Wedn)\n\nConcert by Mr. and Mme Simonsen\n\nTh: Lyceum Theatre (1)\n\nR: In order to draw more people the admission charge at the Lyceum Theatre had been reduced to $3 with the result that a \"full audience was present” (NCH 20.5.1865). No programmes of these concerts were published.\n\n20.5.1865 (Sat)\n\nConcert by Mr. and Mme Simonsen, with the Band of the 67th Regiment.\n\nProgramme:\n\n\"Kathleen Mavourneen\" (song), **No not I** (song), C.A. de BERIOT: “Air varié”, N. PAGANINI: \"Carnival of Venice\", C.M. von WEBER: \"Aufforderung zum Tanz”, \n\n'Monastery Bells\", \"Valse de concert\" (song).\n\nTh: Lyceum Theatre (1)\n\nR: This was the last concert given by the SIMONSENS in Shanghai. According to the Shanghai Commercial Record it was a great success. Mme SIMONSEN sung the song \"Kathleen Mavourneen\" which \"literally “brought down the house\" (this must have been an exaggeration), after which she gave with great effect a very charming little skittish song “No not I'\". Her husband repeated some of the pieces he had performed seven years earlier (October 1858); Paganini's \"Carnival of Venice\" (with which the critic was \"not so much pleased\") and the variations by De Bériot. In addition \"he introduced one or two movements [into the Carnival of Venice? – JH] which we have",
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    {
        "id": 211844,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 259,
        "title": "RAS-1989",
        "content_text": "234\n\nin 1846 and kept by the London Missionary Society. (NCH 25.11.1865; SCR 24.11.1865).\n\n14.12.1865 (Thur)\n\nJ.M. MORTON: \"Woodcock's Little Game” (1864)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"Faint Heart never won Fair Lady\" (1839)\n\nT: Comedy (1 act)\n\nC. SELBY: \"The Boots at the Swan\" (1842)\n\nT: Comedy (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Prologue spoken by Edward Lawrance and Mr. Groom\n\nTh: Lyceum Theatre (1)\n\nN: First performance of the season by the S.V.C.\n\nR: Again only stage names were used in the review.\n\nIn Morton's piece, Woodcock's Little Game, Woodcock was played by Mr. DOLEFUL who had \"evidently elaborated the part with great care.\" His only drawback was \"a certain monotony in gesture\". Another central character was Mrs. Colonel Carver, \"inimitably performed by Mrs. St. CHAWLES. The majestic lady's make-up was characteristic and costly and many of her attitudes and tones reminded us of Miss Snowdon [Mary Jane Chippendale, 1837-1888; but she made her debut only in 1863 JH] whose imposing personation of similar female parts has assisted so many Haymarket triumphs\". Exceptionally some slight attention was also paid to the staging when the critic wrote about the second scene that the \"occasional glimpses of the whirling waltzers and partners-seeking promenaders were skilfully managed\". In Faint Heart never won Fair Lady Mr. DOLEFUL again took a leading part, that of Ruy Gomez. However, the Herald was not inclined to accept this gentleman's reading of the character without some exception, as a greater prominence might have been given to the comic element. Lightness, vivacity and élan are indispensable in all characters written, as this one was, for Charles Mathews. However, as he had appeared in a humorous part before, Mr. DOLEFUL was perhaps anxious to show his versatility\". Travesty abounded: \"The most difficult part was essayed by Miss SOFTLY [as Charles, the King of Spain, a role cast for an actress JH]. For a man to play a lady's part is hard, for a lady to play a man's part is not easy, but for a man to play a man's part as a lady would play it is hardest of all. Charles II, the mischievous, frolicsome schoolboy at large, newly awaking to a sense of royal responsibility, has been a favourite part with some of our cleverest and prettiest actresses and Miss SOFTLY held her own when compared with these formidable competitors\"\n\nAbout the Boots at the Swan the reporter confessed that \"we are inclined to think this piece has been acted enough\" (but hardly in Shanghai where it was on the boards for the first time). \"The elaborate mimicry of the inimitable ROBSON made the deaf Boots as popular with the London public as Sam Weller had been before him, but a peculiar talent alone can render Jacob Earwig interesting to an audience ten thousand miles away from the little theatre in Wych Street* (i.e. the Olympic Theatre in London). (Henry Morley wrote about Robson in this part, 1857: \"Mr. Robson, although deaf, is humorously wide awake. He is the Boots who is brisk and alive to all the humour of the street, who would be preternaturally knowing if he could but hear what people say. In word and look and action he is more the gamin than the simpleton. The extravagance of a most laughable farce is heightened by him to the utmost and there is not a long face to be seen while he is busy on the stage\"\n\n***\n\n136)\n\nBut, to continue with the Herald: \"FUNNYDOG, the new low comedian, is a valuable accession to the company. His stable yard dress, wooden attitude and imperturbable face formed a perfect study for Leech and Cruikshank, and the finish with which he played the long, and we confess to us tiresome, drunken scene shows",
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    },
    {
        "id": 211849,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 264,
        "title": "RAS-1989",
        "content_text": "239\n\nMORTON, John Maddison (1811-1891)\n\n\"Attic Story\" (19.5.1842). P: 6.5.1852\n\n\"Betsy Baker or too attentive by half\" (13.11.1850). P: 23.3.1853\n\n145\n\n\"Box and Cox: a Romance of Real Life\" (1.11.1847). P: 15.5.1854; 18.2.1857\n\n\"A Capital Match\" (4.11.1852). P: 23.4.1857; 3.12.1864\n\n\"Done on Both Sides\" (24.2.1847). P: 10.2.1858\n\n\"Fitzsmythe of Fitzsmythe Hall\" (26.5.1860). P: 26.3.1863\n\n\"Grimshaw, Bagshaw and Bradshaw\" (1.7.1851). P: 2.6.1859\n\n\"Lend me Five Shillings\" (18.2.1846). P: see p. 15\n\n\"A Most Unwarrantable Intrusion\" (11.6.1849). P: 22.3.1854; 1.4.1864\n\n\"Our Wife or The Rose of Amiens\" (18.11.1856). P: 13.12.1863; 17.2.1863\n\n\"Poor Pillicuddy\" (12.7.1848). P: 15.3.1860; 26.5.1864\n\n\"Slasher and Crasher\" (13.11.1848). P: 21.2.1856\n\n\"To Paris and back for £5\" (5.2.1853). P: 10.5.1860; 21.3.1865\n\n\"The Two Bonny Castles\" (25.11.1851). P: 22.3.1854; 8.5.1865\n\n\"Where there's a will there's a way\" (6.9.1849). P: 26.3.1863\n\n\"Whitebait at Greenwich\" (14.11.1853). P: 23.1.1856; 16.2.1859; 26.5.1864\n\n\"Woodcock's Little Game\" (6.10.1864). P: 14.2.1865\n\nMORTON, Thomas, Sr (1764-1838)\n\n\"A Roland for an Oliver\" (29.4.1819). P: 23.2.1852\n\nMORTON, Thomas, Jr\n\n\"Sink or Swim\" (2.8.1852). P: 16.2.1859\n\nMURRAY, William Henry Wood (1790-1852)\n\n146\n\n\"Diamond cut Diamond\" (19.6.1843). P: 12.12.1850\n\n? \"No!\" (14.11.1826). P: 23.2.1852\n\n? \"Rob Roy\" (10.6.1818). P: 28.3.-5.4.1865\n\nOXENFORD, John (1813-1877)\n\n\"I couldn't help it\" (19.4.1862). P: 13.4.1865\n\n\"Retained for the Defence\" (23.5.1859). P: 25.4.1864\n\nPAYNE, John Howard (1790-1852)\n\n\"Charles the Second or the Merry Monarch\" (27.6.1824). P: 16.3.1858\n\n\"'Twas I\" (3.12.1825). P: 27.4.1865\n\nPEAKE, Richard Brinsley (1797-1880)\n\n\"The Haunted Inn\" (31.1.1828). P: 6.5.1852\n\nPLANCHE, James Robinson (1796-1880)\n\n\"Faint Heart never won Fair Lady\" (28.2.1839). P: 8.10.-14.10.1864; 14.2.1865\n\n\"The Invisible Prince or the Island of Tranquil Delights\" (26.12.1846). P: 23.3.1865\n\n\"The Knights of the Round Table\" (20.5.1854). P: 24.5.1865\n\nREYNOLDS, Francis (1764-1841)\n\n? \"No!\" (16.5.1828). P: 23.3.1852\n\nRHODES, William Barnes (1772-1826)\n\n\"Bombastes Furioso\" (7.8.1810). P: 28.1.1851; 5.5.1858\n\nROBERTS, George\n\n? \"Lady Audley's Secret\" (28.2.1863). P: 28.12.1864",
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    },
    {
        "id": 211851,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 266,
        "title": "RAS-1989",
        "content_text": "241\n\nAurora Floyd Burlesqued: W.B. Gill; 19.4.1865.\n\nThe Babes in the Wood: J.H. Byron; 17.4.1865.\n\nA Bachelor of Arts: P. Hardwicke; 10.2.1858, 8.5.1865. Betsey Baker; J.M. Morton; 23.3.1853.\n\nBinks the Bagman: J.S. Coyne; 8.10.1857.\n\nThe Birthday: T.J. Dibdin; 9.2.1858.\n\nBlack-eyed Susan: D.W. Jerrold; 28.3-5.4.1865.\n\nBombastes Furioso: W.B. Rhodes; 28.1.1851, 5.5.1858.\n\nThe Boots at the Swan: C. Selby; 14.12.1865.\n\nBox and Cox: J.M. Morton; 15.5.1854, 18.2.1857.\n\nThe Bride of Abydos: H.J. Byron; 22.10.-28.10.1864.\n\nBullrick at Kroll: N.N.; 28.3.1864.\n\nCamille: A. Dumas Jr; 27.3.1865.\n\nA Capital Match: J.M. Morton; 23.4.1857, 3.12.1864.\n\nCharles the Second: J.H. Payne; 16.3.1858.\n\nCinderella: H.J. Byron? T. Taylor?; 12.11.-18.11.1864, 28.4.1865. The Colleen Bawn: D. Boucicault; 25.4.1865.\n\nA Conjugal Lesson: H. Danvers; 26.3.1857.\n\nConrad and Medora: W. Brough; 12.E.-18.E.1864.\n\nCool as a Cucumber: M.W.B. Jerrold; 26.3.1857, 30.3.1864, 4.4.1864. Crinoline: R.B. Brough; March 1863; 16.3.1863, 1.4.1864.\n\nThe Daughter of the Regiment: E. Fitzball? 15.4.1865.\n\nA Dead Shot: J.B. Buckstone; 11.4.1865.\n\nThe Debut: N.N.; 1.4.1864.\n\nDelicate Ground: C. Dance; 13.2.1864.\n\nDiamond cut Diamond: W.H. Murray; 12.12.1850.\n\nDone on both sides: J.M. Morton; 10.2.1858.\n\nThe Dragon of Wantley: H. Carey & J.F. Lampe; 26.1.1852.\n\nDuck Hunting: J.S. Coyne; 30.3.1864, 4.4.1864,\n\nThe Dustman's Belle: C. Dance; 9.2.1858.\n\nFaint Heart never won Fair Lady: J.R. Planché; 8.10.-14.10.1864, 14.12.1865.\n\nA Fast Train! High Pressure!! Express!!!: J.M. Maddox; 8.3.1854.\n\nA Fearful Tragedy in the Seven Dials: C. Selby; 15.2.1860.\n\nFitzsmythe of Fitzsmythe Hall: J.M. Morton; 26.3.1863.\n\nThe Flowers of the Forest: J.B. Buckstone; 28.3.-5.4.1865. Fra Diavolo: H.J. Byron; 15.10.-21.10.1864.\n\nThe Frantic Husband: N.N.; 26.4.1865.\n\nThe Golden Farmer: J.C. Cross? B. Webster? 8.10.1857,\n\nA Good Night's Rest: C.G.F. Gore; 21.2.1856.\n\nThe Goose with the Golden Eggs: A. Mayhew & H. Sutherland; 13.2.1863, 17.2.1863, 26.4.1865\n\nThe Governess (Die Gouvernante): T. Körner; 28.3.1864.\n\nGrimshaw, Bagshaw and Bradshaw: J.M. Morton: 2.6.1859.\n\nThe 'Green' Bushes: H.J Byron: 30.9.1865.\n\nA Hard Struggle: J.W. Marston; 12.11.-18.11.1864.\n\nThe Harvest Home: A.F.F. von Kotzebue; 28.3.1864.\n\nThe Haunted Inn: R.B. Peake; 6.5.1852.\n\nThe Heir at Law: G. Colman the Younger; 21.4.1851.",
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        "id": 211852,
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        "document_key": "RAS-1989",
        "page_number": 267,
        "title": "RAS-1989",
        "content_text": "242\n\nHigh Life below Stairs: J. Townley; 21.4.1851. The Honey Moon: W. Linley? J. Tobin? 19.4.1865. A Household Fairy: F. Talfourd; 216.11.1864.\n\nI couldn't help it: J. Oxenford; 13.4.1865.\n\nIII Treated Il Trovatore: H.J. Byron; 22.6.1864, 29.6.1864. The Infanticidal Farce: J.S. Coyne; 21.2.1856.\n\nThe Invisible Prince: J.R. Planché; 23.3.1865.\n\nThe Irish Tutor: R. Butler; 5.5.1853.\n\nIsabella: J.B. Buckstone; 28.3.-5.4.1865.\n\nI've Eaten My Friend: J.V. Bridgeman; 22.3.1854.\n\nKenilworth: N.N.; 28.3.-5.4.1865.\n\nKing John: W. Shakespeare; 12.11.-18.11.1864.\n\nA Kiss in the Dark: J.B. Buckstone; 26.3.1857.\n\nThe Knights of the Round Table: J.R. Planché; 24.5.1865.\n\nA Lady and a Gentleman in a Peculiarly Perplexing Predicement: C. Selby; 13.12.1864. Lady Audley's Secret: C.H. Hazlewood? G. Roberts? W.E. Suter?; 28.12.1864.\n\nThe Lady of Lyons: E. Bulwer Lytton; 10.2.1864.\n\nThe Lady of Lyons: H.J. Byron?; 22.10.-28.10.1864, 29.4.1865.\n\nLend me Five Shillings: J.M. Morton; see p. 15.\n\nA Lesson for the Ladies: J.B. Buckstone; 8.4.1865.\n\nAs Like as Two Peas: H. Lillo; 16.3.1858.\n\nLittle Toddlekins: C.J. Mathews; 26.5.1864.\n\nLove Laughs at Locksmiths: G. Colman the Younger; 9.5.1864,\n\nLove, Law and Physics: J. Kenney; 28.1.1851.\n\nA Lucky Escape: C.S. Cheltnam; 25.4.1864.\n\nThe Maid and the Magpie: H.J. Byron; 8.10.-14.10.1864, 15.10.-21.10.1864, 15.4.1865. Make your Wills: E. Mayhew; 23.1.1856.\n\nMarried Life: J.B. Buckstone; 12.11.-18.11.1864.\n\nMedea: R.B. Brough; 28.12.1864.\n\nA Most Unwarrantable Intrusion: J.M. Morton; 22.3.1854, 1.4.1864,\n\nNature and Philosophy: N.N.; 9.5.1864.\n\nThe Nigger Doctor and his Patient Patient: N.N.; 14.8.1856.\n\nNo!: W.H. Murray? F. Reynolds?; 23.2.1852.\n\nNo 1 round the corner: W. Brough; 23.1.1856.\n\nNursery Chickweed: T.J. Williams; 28.3.-5.4.1865.\n\nThe Octoroon: D. Boucicault; 7.1.-13.1.1865, 14.1.1865,\n\nOn and Off: T.J. Williams; 25.4.1864.\n\nOur Wife: J.M. Morton; 13.2.1863, 17.2.1863.\n\nPerdita: W. Brough; 8.4.1865.\n\nPoor Pillicoddy: J.M. Morton; 15.3.1860, 26.5.1864.\n\nA Practical Man: W.B. Bernard; 8.3.1854.\n\nPrincess Springtime: H.J. Byron; 10.11.1865, 20.11.1865.\n\nA Race for Dinner: J.T.G. Rodwell; announced but not performed. Raising the wind: J. Kenney; 9.2.1858, 30.3.1864, 4.4.1864.\n\nThe Rendez-vous: R. Ayton; 24.3.1852.\n\nRetained for the Defence: J. Oxenford; 25.4.1864. The Review; G. Colman the Younger; 24.3.1852.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211853,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 268,
        "title": "RAS-1989",
        "content_text": "Richard III: W. Shakespeare; 26.4.1865.\n\nThe Rivals: R.B. Sheridan; 28.9.1858, 23.11.1864.\n\nA Roarer: N.N.; 19.4.1865.\n\nRob Roy; C.H. Hazlewood? W.H. Murray? 28.3.-5.4.1865.\n\nA Roland for an Oliver: T. Morton Sr; 23.2.1852. Roofscrambler: G.A.à Beckett; 12.12.1850.\n\nThe Rose of Castille: A.G. Harris; 8.10.-14.10.1864. The Rough Diamond: J.B. Buckstone; 13.4.1865.\n\nThe Serious Family: M. Barnett; 8.10.1857, 2.6.1859, 23.3.1865, 28.4.1865. Siamese Twins: G.A.à Beckett; 5.5.1853.\n\nA Silent Woman: T.H. Lacy; 29.6.1864.\n\nSink or Swim: T. Morton Jr; 16.2.1857.\n\nSlasher and Crasher: J.M. Morton; 21.2.1856.\n\nStill Waters Run Deep: T. Taylor.; 23.4.1857, 15.3.1860. Sweethearts and Wives: J. Kenney; 11.4.1865.\n\nTake that girl away: L.S. Buckingham; 15.2.1860; 3.12.1864. Time tries all: J. Courtney; 5.5.1858, 10.5.1860, 21.3.1865. To Paris and back for £5: J.M. Morton; 10.5.1860, 21.3.1865. The Turned Head: G.A.à Beckett; 27.1.1853.\n\nTurn out!: J. Kenney; 10.11.1865, 20.11.1865.\n\n'T Was I: J.H. Payne; 27.4.1865.\n\nThe Two Bonny Castles: J.M. Morton; 22.3.1854, 8.5.1865.\n\nThe Unfinished Gentleman: C. Selby; 17.6.1865.\n\nUrgent Private Affairs; J.S. Coyne; 5.5.1858.\n\nUsed Up: D. Boucicault & C.J. Mathews; 26.1.1852, 27.1.1853, 18.2.1857.\n\nThe Wandering Minstrel: H. Mayhew; 24.5.1865.\n\nWhere There's a Will There's a Way: J.M. Morton; 26.3.1863.\n\nWhich is which?: W.B. Gill; 27.3.1865.\n\nWhitebait at Greenwich: J.M. Morton; 23.1.1856, 16.2.1859, 26.5.1864.\n\nThe White Horse of the Peppers; S. Lover; March 1863, 16.3.1863.\n\nA Wonder: H. Carey S. Centlivre?: 12.11.-18.11.1864,\n\nWoodcock's Little Game: J.M. Morton; 14.12.1865.\n\nThe Young Widow: J.T.G. Rodwell; 27.4.1865,\n\n243\n\nPage 268",
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    {
        "id": 212080,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 22,
        "title": "RAS-1990",
        "content_text": "EDITOR'S NOTE\n\nThe Author of the article \"Thalia and Terpsichore on the Yangtze. A Survey of Foreign Theatre and Music in Shanghai 1850-1865” (Vol. 29, pages 158-251), Dr. J.H. Haan, has drawn to the Hon. Editor's attention a number of typographic and other errors in the Article as noted below.\n\nPage 174 line 9 176, 30\n\n181, 28-29\n\n182. footnote\n\n191, 22-23\n\n192, 34\n\n192, 44\n\n192, 50\n\n198, 37\n\n198, 41\n\n199, 5\n\n205, 28\n\n208, 7-9\n\n212, 26\n\n212, 36-41\n\n214, 38\n\nto read \"(see: Calendar. 13.2.1963, 73.1863, 26.3.1863)**\n\ndelete brackets\n\n\"To such a humble mansion should resort\n\nSo by your usual bounty pray be led\n\nAnd build a lasting structure in its stead.\"\n\nonit\n\n“Allardyce Nicoll: A History of English Drama. I also found useful: W.G. Adams A Dictionary of the Drama\n\n**L.L.D. and A.S.S.\n\n\"they have spared neither trouble\n\n**(1737)**\n\nFrench since 1817)**\n\n**1814-1894**\n\n\"composed expressly\n\n**H. Lille\" \n\n16.2.1859 (Wedn)\n\nT. MORTON: \"Sink or Swim\n\nT. Comedy (2 Acts).... \n\n**TR62**\n\namit\n\n\"considering the slender means and appliances at command. We specially observed the costumes of the male characters as being tasteful, rich.............\n\n216, 37\n\nomit \"*p.22\"\n\n221. 25\n\nadd **(Thurs)**\n\n222, 28\n\nomit brackets\n\n227, 46-228, 3\n\nomit\n\n228, 7\n\n**J. Kenney**\n\n233, 46\n\n235, 19\n\n235, 27\n\n235, 29\n\n235,40\n\n236, 45\n\n239, 31\n\n239, 36\n\n**10.1.1865**\n\n\"^2.6.1859. 8.10.1859, 23.3.1865\n\n**28.3.1860**\"\n\n**26.1.1852. 27.1.1852. 18.2.1857**\n\nfootnote to read 139.\n\n*^5.5.1858. 10.5.60\"\n\n27.5.1824\"\n\n**14.12.1865**\n\nxxi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212298,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 240,
        "title": "RAS-1990",
        "content_text": "217\n\nhe testified that there was hardly a house in Victoria except the brothels - where he had not repeatedly been and where he was not known as a friend. See James Legge. \"The Colony of Hong Kong\", The China Review, op. cit., pp. 168-169. Unfortunately, these remarks were edited out of the reprint of this talk found in The Journal of the Hong Kong Branch of the Royal Asiatic Society 11 (1971), op. cit.\n\nSee n. 26\n\nM5 The impact and importance of Legge's life as a Non-Conformist academic has been summarized in my article in Ching Feng, “The 'Failures' of James Legge's Fruitful Life for China', op. cit. Another more general point about dissenting churches should be made: in late nineteenth century Great Britain, the academic circles of academics who were dissenters appear to have functioned as a contrapuntal voice in the mainstream of English society. The publication of The British Quarterly became an organ for dissenting viewpoints which illustrates this point. Another factor involved in the influence of dissenting believers was the fact that many of the children of these people married into major families within English society. A perfect example is one of Legge's daughters from his first marriage, Eliza, who married a gentleman who later became the first Inspector-General of the Chinese Maritime Customs, Horatio Nelson Lay. See Lindsay Ride, op. cit., p. 9.\n\nC\n\nSee the case of Dr. Wong Foon, London Missionary Society Archives. Letters from South China, dated April 12, 1856. Further discussion occurs in letters of October 12, 1859, April 14, 1860, and November 28, 1860.\n\n47 Legge's opposition to opium and coolie trades, among other problems, was stated publicly in his address at the Hong Kong City Hall in 1872. See \"The Colony of Hong Kong\", The Journal of the Hong Kong Branch of the Royal Asiatic Society, op. cit., pp. 190-191. In 1870, Legge had joined his Chinese pastoral colleague Ho Jinshan in promoting a petition which opposed the newly legalized gambling opened by the Hong Kong government primarily for the sake of revenue. Over one thousand two hundred names, most of whom were Chinese, signed the petitions presented to the government on February 21st and March 6th, 1871. See Hong Kong Government Office, Colonial Office Records, CO129/149, 5, pp. 188-197 and 8, pp. 208-234.\n\n100\n\nSee the letter addressed to James Legge by Sir W. G. Liddell, the appointed representative of Oxford University, dated February 27, 1875 (Bodleian Library archives). Liddell makes it clear to Legge in the letter that his Non-Conformist background should not be a source of turmoil if he were admitted to the University. Although the letter also includes the qualification that Legge's credentials indicate a person of high standing, the doubt in Liddell's mind about the character of anyone from a dissenting tradition is explicit. It may be the case, as Mary Dominica Legge claimed, that James Legge was the first non-Anglican professor admitted to Oxford after 1871, but I have not yet found a way to verify this.\n\n69\n\nR. F. Horton commented, however, that Prof. Legge's involvement with the Non-Conformist Union was minimal. See his comments in his text, An Autobiography (London: 1918).\n\n*0\n\nAmong those with whom Prof. Legge had some direct spiritual interaction was the famous Hegelian philosopher, T. H. Green. In a letter dated April 29 (no year, but probably 1879, when both men were on the provisional committee of Somerville College), Green responds to a lengthy rejoinder Prof. Legge had given to a book Green had written. Green had sent the letter because, apparently, the professor had treated him like an orthodox believer,\" and Green felt there was a sort of hypocrisy in allowing you to continue under that impression\". The letter ends with Green politely defending his philosophical position, but also mirroring some sense of challenge to alter his views which must have been expressed by Prof. Legge. This letter is found\n\n4\n\nIL\n\nPage 240\n\nPage 241",
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