[ { "id": 206728, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 5, "title": "RAS-1973", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT FOR 1972 -\n\nHON. TREASURER'S REPORT FOR 1972 -\n\nTHE LIBRARY, 1972 -\n\nARTICLES:\n\n \n Page\n \n \n \n 1\n Transactions of the China Medico-Chirurgical Society, 1845-46 — H. A. RYDINGS\n \n \n 11\n The Yaumatei Typhoon Shelter, Hong Kong, 1900-1915 A. J. S. LACK\n \n \n 13\n The Kam Tin Gates PETER WESLEY-SMITH\n \n \n 28\n Early Steamships in China-A. D. BLUE\n \n \n 41\n \n \n \n 45\n Persians, Arabs and Other Nationals In T’ang China CHIU LING-YEONG\n \n \n 58\n Swatow (Ch'auchow) Horizontal Stick Puppets - HELGA WERLE\n \n \n 73\n Five 19th Century Kwangtung Art Catalogues CHUANG SHEN\n \n \n 85\n \n \n\nREPRINTED ARTICLES\n\n \n Legends and Stories of the New Territories: Kam T'in SUNG HOK-P'ANG (with a memoir of the author by Lo Hsiang-lin)\n 111\n \n\nNOTES AND QUERIES\n\n \n Notes on Chinese Temples in Hong Kong — CARL T. SMITH\n 133\n \n \n 'Ling Chih' at Canton, 27th May 1886 Hai Ju; Ming Patriot, Spark for Revolution and God\n 139\n \n \n KEITH STEPHENS\n 144\n \n \n Another Volontieri Map? -\n \n \n \n William Thomas Mercer (1822-1879) Hong Kong's Poet Laureate? HENRY JAMES LETHBRIDGE\n 146\n \n \n Old Bills of Lading (McMullen Collection) — H. A. RYDINGS\n 151\n \n \n Visit to the Sukhothai Sites in Thailand — MICHAEL SMITHIES\n 154\n \n \n Deep Bay Marshes\n 163\n \n \n \n 168\n \n\nBOOK REVIEWS\n\n \n \n 169", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206736, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 13, "title": "RAS-1973", "content_text": "7\n\nList of activities arranged during 1973:\n\n8 January\n\nMr. James C. Y. Watt\n\n\"Recent archaeological discoveries in China” (illustrated)\n\n23 January\n\nMr. Pracha Guna-Kasem\n\n1-6 February\n\nMr. James C. Y. Watt\n\n21 February\n\nMr. Michael Smithies\n\nPanel presentation on \"The culture of Thailand\" prior to the Society's tour to Thailand.\n\n26 February\n\nMr. Michael Smithies (Organizer)\n\nArt and archaeological tour to Thailand (Bangkok, Pitsanuloke, Sukhothai, Srisachanalai).\n\n7 March\n\nDr. C. M. Turnbull\n\n\"The impact of western education on the Straits Chinese\".\n\n19 March\n\nMr. Quing N. Yng-Wong\n\n“Acupuncture\"\n\n26 March\n\nDr. Dale M. Craig\n\n“Chinese instrumental music” (with performers playing on traditional instruments).\n\n31 March - 1 April\n\nMr. C. M. N. Sahay\n\n\"Moghul Miniature Painting\" (illustrated by slides).\n\n11 April\n\nAnnual General Meeting followed by a dinner\n\n29 April\n\nProfessor Brian Lofts (Organizer)\n\nSymposium \"The fauna of Hong Kong\" (with field trips).\n\nProfessor Murray Groves\n\n\"The Motu in the modern world: Social Change & Musical Styles among a seafaring people\" (illustrated with tape recording and slides).\n\nMr. Ian Watson\n\nVisit to the Sikh and Hindu Temples in Happy Valley.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206892, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 169, "title": "RAS-1973", "content_text": "NOTES AND QUERIES\n\nVISIT TO THE SUKHOTHAI SITES IN THAILAND\n\n163\n\nThe first overseas tour of the Hong Kong Branch of the Royal Asiatic Society went to Thailand from 1-6 February 1973. Twenty members took part.\n\nThe purpose of the tour was to visit the historical sites of Sukhothai, Srisachanalai and Kampengpetch in the centre of the country; these are the abandoned cities of the Sukhothai kingdom which asserted its independence from the Khmers about 1220, reached its apogée under Ramkamheng (r. ± 1275—1317), and declined after the foundation in 1350 of Ayuthia, which subjugated the northerly kingdom in 1378, when the Sukhothai king, Mahadharamaraja II, transferred the capital to Pitsanuloke to reign as a vassal of Ayuthia. The Sukhothai kingdom is famous for its export celadons which in recent years have found their merited place in world porcelain collections for their originality and texture.\n\nHowever, the tour first stayed in Bangkok and, using a converted rice barge, saw some old temple paintings in Dhonburi and Nonthaburi.\n\nWat Chalermprakiad on the Chao Phrya River is a picturesque and half-ruined temple built by King Rama III in memory of his mother. The temple is surrounded by a double wall, the inner one having square towers with circular openings showing the strong Chinese artistic and architectural influences in Siam during that king's reign (1824-1851). The building to the right of the central edifice is in a state of total ruin, but still has its original doors and windows with their lacquer and mother-of-pearl exteriors and their lotus-painted red and blue interiors. Those of the main building, which is in a far better state of preservation, are predominantly red and green. There is excellent stucco work over the doors and windows and broken porcelain is used for characteristic decoration on the roof lines. The rustic setting of the temple, with its teak kuti or monks' houses surrounded by rain trees and breadfruit trees dominated by the tapering white chedi in the centre, left a strong impression of dignified serenity.\n\nWat Po Bang O, off Klong Bangkrouay, is a small old temple also in rural surroundings which has interesting examples of original 18th century paintings with some 19th century overlay showing", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206893, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 170, "title": "RAS-1973", "content_text": "164\n\nNOTES AND QUERIES\n\ntraditional Buddhist scenes. Wat Suwannaram on Klong Bangkok Noi is one of the best known temples for murals. The building was constructed in the reign of Rama I and its paintings, dating from the time of Rama III, were executed by two artists, Luang Vichit Chetsada and Kru Khonpae, whose names have, unusually, come down to us. The wall inside the entrance illustrates the conquest of the Buddha over the spirit of evil, Mara, and the wall behind the altar shows the Buddha descending to the earth, the Traibhumi. At the upper levels on the long side walls are rows of orahan or followers of the Buddha, and between the windows the jataka tales, the stories of the last ten incarnations of the Buddha-to-be, are represented, the whole of the left-hand wall being given over to the very last jataka, the Vessuntarajataka, or renunciation. The paintings are remarkable for their delicacy and charm.\n\nSome more examples of traditional Siamese painting were to be seen in the collection in Krisnavara House, the home of the epigraphist and art historian Alexander B. Griswold, which was opened specially for the tour. Mr. Griswold's collection of rare Sukhothai porcelains and ancient stuccos and bronzes was much appreciated.\n\nThe Siam Society, a learned body established in 1904, has a traditional northern house, the Kamthieng museum, re-erected in one corner of its fine grounds. The Society was the setting for an introduction to traditional Siamese folk opera, likay. Especially for the tour, the Hom Huan troupe of actors performed with verve the story of Chantakorop. The prince of this name falls in love with a fickle girl Mora who has come from a magic casket and who agrees to be his wife, but she is then attracted by a bandit leader and enables him to kill Chantakorop. The prince is taken up to heaven by the god Indra, the bandit leader runs away from his new wife who is alone and hungry in the jungle. Indra, disguised as a bird, offers her food on condition she marries the bird. She agrees and is transformed into a gibbon as a reward for her fickleness.\n\nLikay is an old theatrical form, possibly of southern or Malay origin, but having by syncretism absorbed most other Thai theatrical forms including the masked dance khon. Once extremely popular, it is now dying out in the capital. It is rumbustious and bawdy, and incorporates popular songs, traditional dance and improvised dialogue. The costumes are gay, extravagant and imaginative. The small orchestra of six performed on traditional instruments.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206894, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 171, "title": "RAS-1973", "content_text": "NOTES AND QUERIES\n\n165\n\nments which were capable of delicate romance and noisy battle music.\n\nA tour through the large compound of the National Museum gave a perspective of the best examples of Thai art from the Dvaravati to the Ratanakosin periods. The latest discoveries of pots from Ban Chieng, thought to date from approximately 5,000 BC, were on display. In a museum as packed with treasures as this is hard to select any one piece as particularly outstanding; certainly the magnificent Avalokitesvara from Chaiya and some of the early Khmer pieces were much appreciated. The museum has the added advantage of containing the buildings of the former palace of the second king, which themselves are attractive and include the chapel of Buddhaisawan with its large lacquer cupboards and fine frescoes. The lavish carving of the royal funeral carriages, the rajarot, was also noted.\n\nThe group visited Suan Pakkard Palace in Bangkok, the home of H.R.H. Princess Chumpot of Nagara Svarga, whose large collection of antiques, including some fine Ban Chieng and Sukhothai pieces, is elegantly and informally arranged in adjoining traditional Thai houses modernised for contemporary living. The grounds also contain the only lacquer pavilion to survive the Ayuthia period; with its fine decoration it has been restored to its former grandeur. After visiting the palace the members of the tour were entertained to lunch by Her Royal Highness.\n\nPitsanuloke was used as a base for the visit to the Sukhothai area. In that city Wat Mahathat with its exceptional polished bronze statue of the Sukhothai period, Phra Buddha Chinarat, was seen. At Sukhothai itself some time was spent in the vast area of Wat Mahathat, strewn with ruined chedi, chapels and ante-chapels, where there is a number of stucco Buddha statues recently restored. The well-preserved Khmer style temple Wat Si Sawai, with its three symmetrical prang and double enclosure of brick and laterite was in its severity in marked contrast with the ebullience of Wat Mahathat. The ruins of Wat Trapan Ngoen and Wat Sra Si and their moats were noted, the massive walled Wat Si Chum was visited, with its vast and contemplative Buddha open to the sky surrounded by high walls with a hidden staircase in their mass, up which the adventurous climbed. The site of the ancient celadon kilns, Tao Turiang, was seen and Wat Saphan Hin, at the end of a long stone path up a hill from which it gets its name, offered a fine view over", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206895, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 172, "title": "RAS-1973", "content_text": "166\n\nNOTES AND QUERIES\n\nthe surrounding countryside reposing in the benediction of its large standing Buddha. The museum of Sukhothai also displayed a number of very fine pieces, not least the magnificent walking Buddha, phra lila, a purely Sukhothai invention.\n\nThe sister city of Srisachanalai is further to the north of Sukhothai but of the same period. It is famous for the Sangkaloke variation on Sukhothai celadons, and it is from there that the Chalieng wares came. To get to the site one has to cross the river Yom in a boat below the rapids; the ruins are visited on foot. The entire spread of the area was seen from the top of Wat Khao Phanom Pleung. Wat Chang Lom, with its stucco-on-laterite elephants around giving it its name, dates from the beginning of the Sukhothai period. Wat Chedi Chet Tao has among other chedi the characteristic lotus-bud finial which was also seen in Wat Mahathat in Sukhothai; as in that temple, too, there were also some good stucco remains, here, of a Buddha seated under a protecting naga. Wat Uttayan Yai is another ruined temple, and between it and the high city wall still remaining are the ruins of Wat Nang Phya, the walls of the chapel containing some delicate decorative stucco work. In the ruins of the palace is an interesting covered arched sanctuary,\n\nThe site of Kampengpetch lacks the hills of Sukhothai or Srisachanalai but is surrounded by denser secondary jungle which adds to the attraction of the area. Wat Chao Awat Yai has little of particular note apart from the deep rectangular pool before it from which the blocks of laterite were cut to erect the building. The elephants surrounding the central section of Wat Chang Rob are better preserved than at Srisachanalai and finer in their detail, and there is a stucco decoration of Bo trees and demons on the walls between them. Wat Phra Si Irayabot has in the middle of the jungle a vast laterite platform for a vihara and behind it a most unusual construction with four Buddhas placed round a high core in standing, walking, sleeping and seated positions. The first two are still in good condition but little remains of the last two. All these temples lie outside the old city walls, inside which are to be found the ruins of Wat Prathat and Wat Phra Keo, with their bare outlines of laterite Buddhas and fallen chedi. The new museum at Kampengphet was also visited by special arrangement and contains some exceptional pieces, notably an U-Thong Buddha and some torsos of Hindu deities which seemed to have found more favour in Kampengpetch than in the other cities of Sukhothai.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206896, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 173, "title": "RAS-1973", "content_text": "NOTES AND QUERIES\n\n167\n\nBy way of comparison, the tour also visited Ayuthia and saw the gigantic Buddha at Wat Phanan Cheong, by the river, and the ruins of Wat Yai Chai Mongkon, Wat Phra Sri Samphet, and Wat Phra Ram. The magnificent Wat Na Pramane in its peaceful country setting, with its elaborate carved pediment (the only one to survive the holocaust of the Burmese attack in 1767), its fine ceiling and remarkable bronze Buddha in kingly attire of the Ayuthia period in the main bot and the no less striking stone Dvaravati Buddha seated in the European fashion with its characteristically placid Mon face left a deep impression,\n\nBefore leaving Bangkok a visit was made to three representative temples of the Ratanakosin period, Wat Suthat, with its wealth of Chinese statuary and carved and gilded doors said to be the work of Rama II (the vihara was unfortunately closed and its murals could not be seen). However at Wat Borworniwes the unusual murals depicting scenes of western eighteenth century palaces introducing alien perspective were noted; the bot also contains the revered statue Phra Buddha Chinasara, a good example of Sukhothai statuary. The peaceful temple grounds with their canals full of turtles were in considerable contrast to the roaring city outside the temple walls. The better known Wat Benjamabhopit with its copies of various statues, including that at Pitsanuloke of which the original had been seen, was also visited. Most interestingly perhaps, on the last day the group visited the gold-leaf beaters' lane where for several days layers of gold are pounded by hand to produce the wafer-thin pieces which are applied on statues by the devout.\n\nIt should not be thought that the members of the tour remained aloof to daily life of contemporary Thailand; elements of this were seen at the weekend market at the Pramane Ground, and, in the country, working elephants, the pounding of rice flour in villages and the releasing of birds to gain merit in temple courtyards left their impression.\n\nIn what was effectively four very full days, a great deal was seen and much ground was covered (it took ten hours by bus to reach Pitsanuloke from Bangkok). The pace was intense but rewarding. The tour was considered culturally illuminating, revealing the many facets of the rich artistic heritage of Thailand.\n\nHong Kong, 1973.\n\nMICHAEL SMITHIES", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207815, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 203, "title": "RAS-1976", "content_text": "188\n\nMICHAEL SMITHIES\n\nthe minority dances like those the repetitious groupings of the Karen, but in the pwe, a complicated form of popular opera where the narrative of a traditional story is intertwined with a modern play which, reaching its end about two or three in the morning, then reverts to the rest of the pwe story. Pwe has everything for the villager wishing to take his mind off current cares, for it includes love songs, stories of handsome princes chasing after princesses who can wiggle their bottoms, often in contrary directions, with regal exquisiteness, and the strident orchestra gives the appropriate support to the stage. Mandalay is the great centre for pwe activities.\n\nThe Mon theme can be resumed in Thailand by a visit to Nakorn Pathom, a few hours drive from the city. Like Pegu, Nakorn Pathom is an ancient Mon centre, called Davaravati in Siam, and is thought to date from the 5th century. Just before arriving at the modern city, which was established in the 19th century, is the Phra Pathone; little remains of the original stupa which is probably the oldest Buddhist monument in Thailand. Nearby a kind of grotto has recently been erected by a deceased monk into which are inserted heads and objects found in the temple grounds; they are nearly all Davaravati period and some Buddha heads are of much beauty. Not far from this is the unimpressive brick remains of Wat Chulapathone which has however yielded considerable artistic riches in the form of terracotta bas-reliefs which were originally placed around its base. These illustrate Mon versions of the Jataka tales and are to be seen in the new museum to the south of the giant chodi in the town. Wat Pramane is a much-excavated brick ruin to the south of the city giving but a faint idea of its early importance. But the chief pride is the 19th century stupa erected over the original stupa that was Phra Pathom. The work of building the enormous tiled cupola was started by King Mongut, who discovered the original stupa when still a monk, and was continued by his son Chulalongkorn. The stupa may be higher than the Shwe-dagon in Rangoon but it cannot begin to compare in interest. At its base, on the upper terrace, are twenty-four small turrets with bronze bells for the faithful to ring. The projecting chapel to the north contains a venerated statue in the Sukhotai style, and in a detached prayer hall to the east is an excellent Davaravati stone Buddha seated in the European fashion. Also of interest in Nakorn Pathom is the Sanam Chan palace built by King Vachiravuðh", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208563, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 20, "title": "RAS-1979", "content_text": "the future we hope it may be possible to organise a small group to visit cultural sites in Thailand (e.g. Chiangmai, Pimai, Sukhothai and Ban Chiang). December might be particularly convenient in view of the projected Hong Kong-Chiangmai direct service by Thai International from April 1. Another small group may be able to visit South Korea at Easter 1980, in cooperation with the Korean Branch of the Royal Asiatic Society. Plans for these visits have to be made many months in advance and many members have found it necessary in the past to withdraw after initial arrangements have been made. Some sixteen members, for example, withdrew from the proposed Darjeeling-Sikkim visit after payment of deposits which were fully refunded. But this entailed a substantial amount of rearrangement of aircraft, hotels, ground transport, and so forth. Although recent and forthcoming excursions are arranged on a 'break even' basis for the Society, they are at considerably less cost to participants than for individual travel; and it may be necessary to consider levying some non-refundable service charge in future to protect the Society's financial interests. I would like to thank Dr. Shaw for all the time and effort he has put into these excursion arrangements and I am sure those who have participated would wish me to do so. Janie Thomas of Urbis Planning Design has also offered to include interested members of our Society in a trip she is planning for later this year to Shanghai and Peking. All except our very recently joined members have been circulated with information about her proposals.\n\nPublications\n\nWork continues for our proposed publication of photographs with text of old Hong Kong buildings. Many of the buildings photographed — by members of your Council and friends — have since been demolished. Mr. Tony Rydings has played a very active role in this project together with Mr. Ian Diamond. We are now, so to speak, on the home stretch in this publication project with approximately three-quarters of the text assembled and the photographs in place. We would like also to thank Dr. Solomon Bard, Executive Secretary, Antiquities and Monuments Section, Urban Services Department, for much material assistance with the project.\n\nThe 1977 Journal is now being distributed to all members, and Dr. Hayes has already submitted a draft list of contents for the 1978 issue which promises to have a great deal of interesting and", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 } ]