[
    {
        "id": 215082,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 178,
        "title": "RAS-2000",
        "content_text": "135\n\nCelestial Stems, in the form of the Five Planetary deities, and the other five their counterparts according to the Five Elements. As an example we shall look at just one of the Five Planetary deities, the first stem, Jia, together with its counterpart humanised form the element Wood. The individual Planetary deity portrayed, Jia, is carrying a dish of peaches and is identified as Jupiter. This is the same deity as the one seen elsewhere with the small arms and hands emerging from the eye-sockets. A second wall dedicated to the Lord of the Southern Dipper, Nan Dou Xingjun, depicts the other Five Planetary deities and their counterparts.\n\nReverence of, and Ritual and Sacrifice to Taisui\n\nEach of the sixty Taisui is a guardian of the individual year, and is regarded as the deity in charge of his particular year responsible for the happiness of mankind, and for births and deaths during that year. Chinese place their offerings on the altar before or under the image of Taisui bearing their cyclic year-date of their birth. When such cyclical characters are used they are interpreted from a chart held by the temple keeper who is able to read off the year. In the City God temple in Yau Ma Ti in Jiulong, each of the sixty images which stand in serried rows down a side wall, is an identifiable deity but without its individual name or title being displayed. In Chinese folk religion temples in both Cambodia and Thailand, Taisui is presented with offerings 30 days after the safe birth of a child to ensure that a full life span is pre-ordained. In several of the Macau temples, slips of red paper have been pasted above each of the sixty images identifying the year and title of each of the Taisui. In other places, a number of characters on the front face of the base of each image identify which year of the sixty-year cycle the particular image represents, and in two temples at least, presumably for simplicity's sake, the number of the year is clearly written in ordinary characters.\n\nIn Hong Kong and South-east Asia, devotees place placatory offerings of spirit money under the image which bears the two characters for their year of birth of the sixty in the cycle, together with an oral request for a good year. Such piles of paper spirit money are a sure identification of the Taisui cult. These wads of \"hell\" paper money, either printed notes on the Bank of Hell25 or gold paper \"ingots\"26 [sheets representing offerings of precious metal], are placed beneath",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 216092,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 391,
        "title": "RAS-2002",
        "content_text": "325\n\nPeninsula and Oriental Line had four passenger ships: the Chusan, the Carthage and the Corfu. I sailed on the Royal Mail Ship Canton. As a newly joined Hong Kong government servant I went on half pay as soon as I stepped on the boat. It took 31 days from Southampton to Hong Kong.\n\nIn first class one dressed every night for dinner, except the first night and nights in port. With a long voyage some passengers were like bears with sore ears. For others there were games like deck quoits, dancing, the ceremony of \"crossing the line\" and shipboard romances. Others were seasick. Regarding romance the pretext for \"Romeo\" at night was to take a girl up to the boat deck to show her the Southern Cross. One lady boasted: 'I was taken up twice on one night and both men pointed to the wrong constellation!'\n\nThere were sea birds and flying fish to watch out for, and some wonderful sunsets in the Indian Ocean. Just as the brilliant sun dipped below the horizon you could occasionally see a green flash. Looking over the ship's rail at night one could frequently see phosphorescent, microbial animal and plant life in the tropical waters. Sometimes one could see this when one flushed the toilet in the darkness of one's cabin.\n\nAt Port Said gilly gilly men (Egyptian magicians) were allowed on board to entertain passengers. Or you could go ashore, visit the Pyramids and elsewhere, and catch the ship at the other end of the Suez Canal (that was the way people travelled on the so-called overland route, before the Suez Canal was completed in 1869.)\n\nAden, with low taxes, was a good place for shopping. Or one could visit the museum there to look at a stuffed Manatee with its broad, flattened tail. Fond of sitting on rocks, these sea creatures were said to have provided the substance for seamen's tales about mermaids. Other customary ports of call for British passenger ships were Bombay, Colombo, Penang and Singapore. P. & O. ships were manned partly by lascar seamen with stewards from the Portuguese Goa. There was a splendid array of cuisine with China, Indian and Ceylon teas. The Indian curry cook could serve a different curry for every lunch of the 31-day voyage.\n\nSome Britons preferred to travel on foreign ships which were not",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    }
]