[
    {
        "id": 207809,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 197,
        "title": "RAS-1976",
        "content_text": "182\n\nMICHAEL SMITHIES\n\nwhitewashed, and any paintings there might have been are obliterated. The views from the upper floor, particularly over the river and the plain at sunset, are of remarkable beauty and peace. The Manabodhi is a late temple modelled on the Pala decorated spire. The Shwesandaw pagoda outside the old city walls is a solid stupa raised on five terraces and was the first built after the conquest of Thaton and nearby is the Shinbinthalyaung or sleeping Buddha of the 11th century; like most such images, being horizontal rather than vertical, it fails to impress and is too narrowly confined within its building.\n\nIn the village of Nyang-U is to be found the much-revered Shwezigon pagoda, which is believed to contain a bone and a tooth of the Buddha. It was started by Anawratha and completed by Kyanzittha. The gilded cone of the stupa cannot be seen at present as it is sheathed in a decorative and complex framework of bamboo scaffolding in order that repairs to earthquake damage can be carried out. The only noticeable damage was to the hti or gilded and jewelled ornamental umbrella at the top, which as Groslier pointed out were 18th and 19th century additions to temples of no archeological and little artistic consequence. However, the Shwezi-gon hti is currently displayed in a building on the ground floor and one can see the precious stones close to. Of more consequence is the magnificent Kubyaukki near Wetkyiin village. This is fairly late, dating from the early 13th century and relatively small, with a stupa in the Bodh Gaya form. Its importance lies in the very good state of preservation of the wall paintings, neatly lined up in rows and illustrating the Jataka tales with a Burmese inscription beneath each scene. The colours are still in very good condition. Unfortunately most of the paintings on the lower half of the nave were removed to Germany by Thomann at the end of the nineteenth century, but what remains in place is extremely fine.\n\nHtilomino, built in 1211, is a double-storeyed building like the Thatbinnyu. There is some excellent stucco decoration still on the building, particularly on the frieze below the cornice, the ornamental corner pilasters and the pediments of the arches. There are four Buddhas on the ground floor as well as the floor above. Like all the other temples, this was once painted, but little remains except some decoration on the vaulting. Sulamani and Dhammayangyi are located near to each other and are superficially similar, the former dating from 1183 and the latter from the middle of the 12th",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 207813,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 201,
        "title": "RAS-1976",
        "content_text": "186\n\nMICHAEL SMITHIES\n\nWith Pegu one is back to the culture of the early inhabitants of Burma, the Mons. Their original centre was around Thaton, further east than Pegu and this was certainly in existence by the 5th century AD. It was a Mon monk who had converted the Burmese King Anawrahta in the middle of the 11th century to Buddhism, and the king had requested certain relics and texts from king Manuha, who had refused. The result of the refusal was the destruction of the Mon kingdom but its cultural preeminence was recognised in the religion, architecture and art of early Pagan. After the fall of Pagan the Mons reestablished their kingdom, first at Mataram, and then, from 1369 at Pegu (Hanthawaddy or Hamsavati). They were temporarily ruled by the Burmese from 1539-1550 and again from 1551-1740; but Mon independence was due to be short-lived and the last king Binnya Dala was killed in 1747 by Alaungpaya and the Mons, like the Chams in Vietnam, then became a people without a country, though they still exist in large numbers in lower Burma near Moulmein and also in scattered villages in central Thailand.\n\nPegu is a day trip out of Rangoon, but as much as the present capital now reflects the condition of contemporary Burma, so Pegu is lost in its past. Its most famous sight is the Shwemawdaw pagoda, centred round a stupa with a broad stepped octagonal base and which is still taller than the Shwedagon in Rangoon. It is in many ways the palladium of Mon culture. Its foundation date is not known, but it was already raised in height by the Mon king Thamala in 825. In the twentieth century it suffered three severe earthquakes, and the present spire effectively dates from 1954 when restoration was completed. A number of ancient Buddha images was found when much of the stupa collapsed in the 1930 earthquake. Not very far from the Shwemawdaw is the spot where the two Hamsa birds alighted, one on the other's back, on a shallow spot in what was then the sea. The Hamsa is the symbol of the Mons and is also of course the mount of Brahma. This site is the Hinthagone, which now boasts a rather horrible modern shrine with vulgar paintings of hamsas but with a good view towards the Shwemawdaw. Hardly less vulgar is the reclining Buddha, the Shwethalyaung, reputed to be largest such image and certainly one of the ugliest. It was originally built in 994 but fell into disrepair and was restored in the 15th century. It was neglected again and became overgrown, to be rediscovered by a railway engineer at the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 207814,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 202,
        "title": "RAS-1976",
        "content_text": "THE ANCIENT MON--PAGAN, PERU & NAKORN PATHOM 187\n\nend of the last century. The iron shed that covers it exactly reproduces the architecture of railway stations at the turn of the century, and the quality of the decoration is likewise Burmese Victorian. The clumsiness of the feet, which are iconographically incorrect, does not however apparently disturb the local people in their veneration of the statue. The four-imaged Kyaikpan pagoda is much ruined; the Buddha's back on to a central solid square core. It was originally built by Dhammaceti (Damuazedi), a Mon king of great piety who reigned from 1472-1492. The images, of plaster on brick, have been much restored.\n\nRangoon was at first a Mon village called Dagon centred around the Shwedagon pagoda, the origins of which are lost in time. The shrine is said to cover a number of the Buddha's relics. The Mon king Binnya-U is recorded to have raised the height of the stupa to sixty-six feet in 1362. The present height of 326 feet was reached in 1774. The shape is that common in Burma, of a square base to the main terrace for the pradakshina, then the beginning of the bell after a square base with recessed edges: multiple mouldings, the bud and the hti follow. The whole is gilded where it is not actually covered with gold plates and the hti is gilded and encrusted in stones. Of perhaps greater interest are the innumerable baroque shrines round the bases of the stupa and the vast crowds of pilgrims coming for their devotions. By night the illuminated gold stupa is to be seen from the distance in impressive display.\n\nThere are no other monuments in Rangoon of interest; the Sule pagoda, reputed to be ancient, is a modern jumble. The bargaining in Scott's market or the buying in the diplomatic shop is more representative of the capital today. But the National Museum, consisting almost exclusively of the relics of Thibaw's regalia taken by the British and kept until quite recently in the Victoria and Albert Museum in London, have now been returned and are well displayed. They have often been described before; the luxury of the jewel-encrusted objects, the ornamental hamsa, and the robes are in complete contrast with the austerity and constraints of present day Burma.\n\nIn Rangoon can be seen a 'cultural show' representing various traditional dance forms. The uncourtly little jumps and hops in the classical dances are as surprising as they are interesting. But the soul of Burmese dance and entertainment is not in this, nor in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    }
]