[
    {
        "id": 204364,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 132,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n128\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n  \n    CHING, Henry\n    9 Village Road, 1st fl., H.K.\n  \n  \n    CHING, Joseph\n    U.S. Consulate-General, H.K.\n  \n  \n    CHOA, Dr. Gerald H.\n    Queen Mary Hospital, H.K.\n  \n  \n    CLARK, Mrs. N. E.\n    H.K. & Shanghai Banking Corpn., H.K.\n  \n  \n    CLARKE, The Hon. A. G.\n    Colonial Secretariat, H.K.\n  \n  \n    CLARKE, B. A.\n    25-A Robinson Road, Top fl., H.K.\n  \n  \n    COHN, Dr. A. J.\n    116 Leighton Road, Leisham Court, 6th fl., H.K.\n  \n  \n    COOK, J.\n    522 Alexandra House, H.K.\n  \n  \n    CRANMER-BYNG, J. L.\n    Dept. of History, H.K.U.\n  \n  \n    CUMINE, E.\n    14 Embassy Court, H.K.\n  \n  \n    CUMMING, M. S.\n    Butterfield & Swire, H.K.\n  \n  \n    DAIKO, P.\n    P.O. Box 201, H.K.\n  \n  \n    DAVID, Mrs. M. C.\n    Dept. of Geography & Geology, H.K.U.\n  \n  \n    DAVIS, Dr. S. G.\n    Education Dept. Battery Path, H.K.\n  \n  \n    DEANS PEGGS, Dr. A.\n    Cheshire Wing Room 40, R.A.F., Little Saiwan, H.K.\n  \n  \n    DEVENISH, D. C.\n    S.A.C. 5100108\n  \n  \n    DJOU, G. G.\n    American International Assurance Co. Ltd., 12-14 Queen's Road C., H.K.\n  \n  \n    DORNHEIM, A. R.\n    U.S. Consulate-General, H.K.\n  \n  \n    DRAKE, Prof. F. S.\n    Dept. of Chinese, H.K.U.\n  \n  \n    DRAKEFORD, L. S.\n    25 Chatham Road, 11th fl. front, Kln.\n  \n  \n    DUNCANSON, J. D.\n    c/o Barclays Bank (D.C.O.), 1 Cockspur St., Lond. S.W.1.\n  \n  \n    DUNT, P.\n    P.O. Box 94, H.K.\n  \n  \n    EDWARDS, O. P.\n    H.K. & Shanghai Banking Corpn., H.K.\n  \n  \n    ENDACOTT, G. B.\n    Dept. of History, H.K.U.\n  \n  \n    FABER, Mrs. A.\n    10 Cooper Road, Jardines Lookout, H.K.\n  \n  \n    FABER, S. E.\n    1 Repulse Bay Road, H.K.\n  \n  \n    FISHER-SHORT, W.\n    102 MacDonnell Road, H.K.\n  \n  \n    FITZGIBBON, D. J.\n    P.W.D., Central Govt. Offices, Lower Albert Rd., H.K.\n  \n  \n    FUNG, The Hon. Ping-Fan\n    Bank of East Asia Ltd., 10 Des Voeux Rd. C., H.K.\n  \n  \n    GAIFFIER D'HESTROY, Baron P. de\n    Belgian Consul-General, 105 Hongkong & Shanghai Bank Building, H.K.\n  \n  \n    GALVIN, J. A. T.\n    c/o G. B. Godfrey, Esq., Jardine House, 13th fl., H.K.\n  \n  \n    GIBBS, Mrs. M.\n    48, Dina House, Duddell Street, H.K.\n  \n  \n    GILES, R.\n    Crown Lands & Survey Office, P.W.D., Central Government Offices, East Wing, 2nd fl., H.K.\n  \n  \n    GOLDNEY, Miss C. M.\n    H.K. & Shanghai Banking Corpn., H.K.\n  \n  \n    GOTTSCHALK, E.\n    6 MacDonnell Road, Apt. 15, H.K.\n  \n  \n    GUADAGNINI, Dr. P.\n    Italian Consul-General, 705 Chartered Bank Building, H.K.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 205723,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 29,
        "title": "RAS-1969",
        "content_text": "CHINESE UNOFFICIAL MEMBERS OF COUNCILS\n\n23\n\nmerchants in this Colony. In all necessary measures to that end, I know that I can rely upon the whole-hearted support of this Council\". At the same meeting, the Senior Unofficial member, Sir Henry Pollock, paid the following tribute to Sir Shouson Chow and Robert Kotewall; \"During the last seven months, in particular, we have felt indebted not only to Sir Shouson Chow but also to his Chinese colleague on the Council. We, Sir, behind the scenes, can appreciate perhaps more fully than the general public the work of the Chinese members of this Council during the period I have referred to”. \n\nOn 9th July 1926, Sir Shouson Chow was also appointed the first Chinese member of the Executive Council, following the death of Sir Paul Chater who had served on that Council since 1896.26 Although the appointment was made on personal grounds, it was evident that political considerations also came in, viz., to pacify anti-British sentiment in China and to further encourage the loyalty of local Chinese towards Hong Kong. \n\nSir Shouson Chow served on both Councils until 1930, when he resigned from the Legislative Council. He continued, however, to be a member of the Executive Council until he retired in 1936. He died many years after the war, in 1959, \n\nWhen Lau Chu-pak retired from the Legislative Council in 1922, he was succeeded by Ng Hon-tsz who was born in 1877 and was compradore to Shewan, Tomes, Ltd. He was a director of the Tung Wah Hospital in 1907 and was a founder of the Tsan Yuk Hospital. He was at various times a member of the District Watch Force Committee, the Sanitary Board and the Council of the University of Hong Kong. He served in the Legislative Council for only two years and died in 1923 while in office. After his death, Sir Henry Pollock remarked at the Legislative Council meeting held on 10th May 1923 that Mr. Ng had always been a \"wise, sound and faithful councillor”. \n\nMr. Robert Kotewall, who succeeded Ng Hon-tsz as a member of the Legislative Council in 1923, was born in Hong Kong in 1880. Educated at the Central School as well as the Diocesan Boys' School, he was a noted English as well as Chinese scholar and was a very good speaker. After a distinguished career in the Hong Kong Government until 1916, he turned to business and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 208291,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 15,
        "title": "RAS-1978",
        "content_text": "CONTENTS\n\nEDITORIAL -\n\nPRESIDENT'S REPORT -\n\nHON. TREASURER'S REPORT -\n\nTHE LIBRARY -\n\nPage\n\n1\n\n3\n\n9\n\n12\n\nArticles :\n\nThe Reform of Military Education in Late Ch'ing China, 1842-1895 -- RICHARD J. SMITH\n\n15\n\n41\n\nAltar Images from Hunan and Kiangsi KEITH STEVENS Is Face the Same as Li? — A critical note on Agassi and Jarvie, 'A Study in Westernization' MARGARET N. NG\n\n49\n\n0 Ancestors in the Spring -- The Qingming Festival in Central China GÖRAN AJMER\n\n-\n\n59\n\n(83\n\nThe Politicization of Chinese Craft Organization in Post World War II Hong Kong - EUGENE COOPER Shiwan Pottery Explored-FREDRIKKe Skinsnes ScollaRD\n\n101\n\nVillage Government in China [1933]—C. MARTIN WILBUR\n\n113\n\nWoodblock Printing, an Essential Medium of Culture Inheritance in Chinese History — DAVID H. S. CHAU\n\n175\n\nNOTES AND QUERIES:\n\n=\n\n国\n\n-\n\nMissing Maps: Sowerby's \"Sport & Science on the Sino-Mongolian Frontier\" - H. A. RYDINGS Brook's Gecko Found in Macau - J. D. ROMER Mud Skis or Scooter, Deep Bay, Hong Kong The Saintly Guo- KEITH STEVENS - The Immortal Fan - KEITH STEVENS\n\nAncestral Images - KEITH STEVENS StevENS Marble Hall Peter Wesley-Smith Distribution of Forts and Guard Stations on Lantau Island during the late Ch'ing period -\n\nThe Cannons on the Wall of the Tung Chung Fort, Lantau Island, Hong Kong\n\n-\n\nThe Fat Tong Mun Fort (or the Tung Lung Fort)\n\n-\n\n- 190\n\n191\n\n·\n\n-\n\n· 192\n\n-\n\n- 193\n\n-\n\nANTHONY K. K. SIU\n\nFirst Record of the Pelobatid Frog-J. D. ROMER Two Bibliographical Notices JAMES HAYES\n\nBOOK REVIEWS\n\n-\n\n-\n\n- 198\n\n200\n\n- 202\n\n205\n\n607 (09\n\n- 211\n\n- 213\n\n214\n\nV\n\nPage 15\n\nPage 16",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208393,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 117,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\nFREDRIKKE SKINSNES SCOLLARD*\n\nIn April of 1977 I had the opportunity to visit the pottery-producing town of Shiwan for the first time with the Oriental Ceramic Society tour. At that time for foreigners, group travel to China from Hong Kong still involved months of waiting for approval, and the individual trip needed for my own research of Shiwan pottery was an impossibility. The day spent in Shiwan however, was sufficient to establish a few acquaintances and to discover that fundamental archaeological research was in progress.\n\nIn May of the same year I gave a talk to the Oriental Ceramic Society titled \"Shiwan Reverberatory\". The reason for the choice of that title was that in ten years' experience studying Shiwan pottery, I have met with a great deal of resistance to the study of these wares. Art historians feel they are a coarse and unimportant local product with little esthetic merit, and even most non-specialists more often than not react with \"I just don't like it.\" In a first lecture on Shiwan pottery, I therefore did not expect to gain immediate converts to this art with a very different and unfamiliar esthetic. Rather, the choice of the title indicated that I felt the subject was worthy of much more attention, and that I hoped, over the next few years, my audience would have repeated opportunity to see and study Shiwan pottery, thereby slowly gaining familiarity with its esthetic.\n\nIndeed, over the last two years, more attention has been paid to these wares. In October of 1977, the Hong Kong Museum of Art in cooperation with the Leal Senado of Macau, staged an exhibition of 139 pieces and published a full colour catalogue. Mr. Lawrence Tam delivered an excellent talk to this Society on the subject, and Mr. Nigel Cameron critiqued the exhibition with his \"Second Thoughts on Shekwan\" in the South China Morning Post.1 At present, the Fung Ping Shan Museum of the University of Hong Kong, in cooperation with Guangzhou museums, is preparing a joint exhibition on Shiwan pottery for the fall of 1979.\n\n* Ms. Scollard holds Masters' degrees in the History of Art (Hawaii) and Chinese Literature (Chicago). She is Associate-in-Research, Centre of Asian Studies, University of Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208394,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 118,
        "title": "RAS-1978",
        "content_text": "GUANGXI\n\nYangjiang\n\nGUANGDONG\n\nGuangzhou\n\nNANHAI XIAN\n\nGuangzhou\n\nSha\n\nFushan\n\nwan\n\nHong Kong\n\nArea of larger map\n\nYANGJIANG\n\nXIAN\n\nHISTORIC SHIWAN SITES\n\nDONGGUAN XIAN\n\nJishi\n\nHONG KONG\n\nFUSHAN\n\nShiwan\n\nansh\n\nXiqiao\n\nAreas of recent excavation\n\nFigure 1. Map showing historic Shiwan sites. Insert showing areas of recent excavation is based on a map published in Wen Wu by Chen Zhiliang (***) (see Reference 2).\n\n102\n\nFREDRIKKE S. SCOLLARD",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208395,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 119,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n103\n\nMy own research on Shiwan has continued in the Department of Fine Arts and the Centre of Asian Studies over the past two and a half years. This included in March of 1978, the opportunity for a three-week individual study trip in Guangzhou and Shiwan. Encountering the concrete reality of what I had researched for so long, discovering a wealth of material I had no idea existed, while adjusting to completely different perceptions of life and study methods within a socialist system, heightened my sense of exploration. Hence the intent of the present lecture is to introduce, in a little more depth, a few of the problems explored on that trip.\n\nExploration across the border revealed that significant archaeological research relating to Shiwan had been carried on for a number of years. There was great excitement over these discoveries and I was warmed by the measure of trust placed in me by the researchers who, despite their own uncertainty, showed me the new discoveries before publication.2\n\nThe research itself calls for the re-thinking of traditional beliefs concerning the history of Shiwan pottery. These traditional beliefs can be traced back to two major written sources. In 1941, Li Jing-kang (*), principal of the Clementi Middle School in Hong Kong, wrote what was up until that time the most careful and logical account of Shiwan history, taking into account scanty written references, oral traditions, and actual objects available. His main source was a handwritten manuscript in the possession of “a certain gentleman in Fushan\". This manuscript recounted that Shiwan pottery began in Yangjiang Xian (縣), where due to the turmoil of war, potters migrating from the Jun (鈞) kilns in Northern Honan Province (河南), established kilns sometime in the late Southern Song dynasty (early 13th century). In the Ming period (A.D. 1368-1643), according to Li, these Yangjiang potters moved to the present location of the potteries in Nanhai Xian (Figure 1). Xu Zhiheng (#2), a Cantonese, and professor of Chinese literature at Beijing University in the early Republican period, recounts the same story and describes this so-called \"Yang-jiang ware\" as having sky blue-indigo blue-ash blue flambe (i.e. streaky multicoloured) glaze, which imitated Honan Jun ware.4 A group of wares which corresponded to this description were identified and placed on exhibition at the Fung Ping Shan Library in 1940.5",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208396,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 120,
        "title": "RAS-1978",
        "content_text": "104\n\nFREDRIKKE S. SCOLLARD\n\nArchaeological excavations to date have failed to uncover any flambe wares in Yangjiang Xian of the above-described type. In 1955, excavations instead indicated that pottery produced in Yangjiang Xian in the Song period (A.D. 960-1279), belonged to the green celadon tradition. Furthermore, even more recent discoveries in the vicinity of Shiwan town in Nanhai Xian at a location called Ji Shi (†), Northern Song (A.D. 960-1127) “dragon kilns” (i.e. sloping tunnel-like kilns) are found built on top of earlier Tang dynasty (A.D. 618-906) \"mantou kilns” (i.e. round bun-shaped kilns). (Figures 1 & 2.) In association with the Northern Song kilns have been discovered shards with an early type of blue flambe glaze. As the date of these shards is much earlier than the Southern migration of the Honan potters in the Southern Song period, the discoveries raise the possibility that this blue flambe glaze was an indigenous development and not stimulated by influx of Northern potters and techniques. Combined with the earlier excavation in Yangjiang Xian, where no flambe glaze of the Song period was found, archaeologists in Guangdong now seriously question the historical connection of Shiwan village in Yangjiang Xian with the present Shiwan village in Nanhai Xian.\n\nIn addition to the above discoveries, archaeological finds reveal a succession of kilns from the Tang site of Ji Shi (*) to the present day village of Shiwan as, over the centuries, the potters moved down the river closer and closer to Fushan municipality (†) which by the Ming and Qing periods (A.D. 1368-1912) had developed into an important commercial and handicraft centre.\n\nAs it developed, Fushan was no elite or scholastic art centre, but rather an unpretentious city of craftsmen with the pervasive idea that beautiful things could be made from waste materials. The town is said at one time to have had a population of over 300,000 which supported over 240 different types of business. The artists were famed for their skill in turning commonplace and useless materials into godlike creations. Clay and papier mache were moulded to look like old pottery, copper and jade; sesame seeds created figurines; silkworm cocoons made decorative flowers and grass. Every year at the time of the autumn festival, a competition was held in Fushan in which people vied to make the best \"autumn colours\" (i.e. paper handicrafts), not for the purpose of gaining fame or making money, but rather simply for the enjoyment of the people.*\n\nPage 120\n\nPage 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208397,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 121,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n105\n\nExploration around the modern city of Fushan reveals present-day continuation of the handicraft industries of painting (Plate 11), textiles, paper-cutting, papier mache, and of course pottery in the neighbouring town of Shiwan. The famed Ancestral Temple in a short distance from the Overseas Chinese Hotel, is full of the work of handicraft artists of the past, with excellent examples of metalwork (Plate 12), gilt wood carving (Plate 13), brick carving and papier mache, not to mention the rooftops which are covered with long and elaborate Shiwan pottery friezes (Plate 15).\n\nThe Shiwan potters' use of waste and inexpensive materials led to the development of a rather unique art aesthetic. The use of all different types of waste materials, in addition to being economical, was perfectly suited to the development of a wide range of colourful and variegated flambe glazes, which indeed has been unequalled. Descriptive names such as \"tiger skin\", \"leopard skin\", \"pomegranate red\", \"peacock's feather\", \"sesame seed\", etc., were bequeathed according to colour and configuration. In addition, the inexpensive pottery clay with a high content of sand was much more pliable and suitable for sculpture than fragile porcelain clay. Taking advantage of the nature of this material, the potters sculpted their vessels in high relief forms from plant and animal worlds (Plate 16).\n\nThe pliable pottery clay was also good for figure sculpture which became a Shiwan specialty. The potters soon found that if they left flesh areas unglazed, more detailed and warm human expression would result. For subject matter they drew on a wide range of characters from folklore, history and religion as well as the common man, in each case attempting to distill the nature of the individual into a small size artistic creation. Anatomic exactness was sometimes deliberately altered to better convey spirit.10 (Plate 7).\n\nThe superiority of Shiwan pottery sculpture over that of porcelain was recognized when in the late 1920's three of Shiwan's best artists, Pan Yushu (**), Chen Weiyan (), and Chen Zhi (*), were invited to the Jingdezhen (✯{1⁄2§4) porcelain potteries to sculpt figures. According to Silva Mendes, Macau barrister and Shiwan collector, who personally knew the potters, the results were not good because porcelain is not as adequate a material as clay for this type of work, (i.e. sculpture). A porcelain figure of the goddess Guan Yin (†) in a private Macau collection with the mark of Shiwan potter Chen Weiyan, verifies this point, displaying",
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    },
    {
        "id": 208398,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 122,
        "title": "RAS-1978",
        "content_text": "106\n\nFREDRIKKE S. SCOLLARD\n\nnone of the human warmth characteristic of Shiwan sculpture. (Plate 18).\n\nWith familiarity, this very human art then becomes so charismatic that it is often referred to as loveable. The sentiment was well expressed by one of the potters of the Republican period who styled himself “Liang Zui Shi” (#45) (literally Liang drunken rock). Literally translated, Shiwan means \"rock bay\". As Liang's son explained, the style actually referred to the fact that his father was \"drunk\" with “Shi” wan.\n\nIn addition to its handicraft art, in the Qing period Fushan was also the pivot centre for Cantonese opera. Every year between autumn and summer, opera companies from all over the province would come to Fushan to hold auditions. This activity involved the whole community and especially the Shiwan potters who drew material from it for their iconography and figure sculpture, and who in their long rooftop friezes preserved and immortalized this evanescent drama which was so much a part of their lives. (Plate 15).\n\nAccording to Fushan archaeologist Mr. Chen Zhiliang (陈志亮), these ceramic rooftop friezes had two meanings. On the one hand the gala opera scenes such as Jiang Tai Gong deifying the gods (姜太公封神), and Guo Ze Yi celebrating his birthday (郭子仪庆寿), unfolding on the rooftops were auspicious symbols. On the other hand they disguised the anti-Manchu sentiments of \"overthrowing the Qing and restoring the Ming\" (†). In his short history of Guangdong opera, one of Mai Xiaoxia's major thrusts is to reconstruct scattered evidence in emphasizing the opera's role, and especially that of the Guangdong branch, as a disseminator of revolutionary thought. With the fall of the Ming and the advent of the Qing dynasty, heads were shaved, dress and language changed, and the civil service examination system was proclaimed open. But actors and actresses were despised as people of the lower nine grades of society and were prohibited from taking the examinations. Mai describes the opera as being the one loophole in one hundred prohibitions in which everywhere was hidden significance of national revolution. Ming costumes were preserved, except for non-Manchu enemy barbarians who were dressed in Manchu clothing; themes of Song loyalists such as the Yang Family Generals were common. One thousand pieces, Mai says, shared",
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    {
        "id": 208399,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 123,
        "title": "RAS-1978",
        "content_text": "SIIIWAN POTTERY EXPLORED\n\n107\n\nthe theme of \"restoring rivers and mountains\" to the point of becoming formula, but no one complained.\n\nMai further describes how the Guangdong opera actors practised the martial arts of the Shaolin branch (*) and finally put this art to use when in 1854 their leader, the actor Li Yunmao (***) also known as Wen Mao () led three armies of actors to join the Taiping effort against the Manchus. These armies were destroyed along with the rest of the Taiping army, and in the aftermath, the Qing court issued an order forbidding the performance of Guangdong opera and had the actors' Qiong Hua (hortensia flower) Association Hall (1446) in Fushan burned to the ground.\n\nA gilt wood carved altar in the Ancestral Temple in Fushan, and a Shiwan frieze depicting the story of the Yang Family Generals, preserve in their carvings the significance of these events and their broader implications for a community not under the domination of a foreign Manchu government, but also besieged with Caucasian foreigners pressing for trade and territorial rights.\n\nThe Qing dynasty gilt wood altar carving has double meaning. The carving depicts the story of Tang dynasty Li Yuanba fighting the dragon colt (*£#£#6). On a second level however, the horse represents the unruly foreigners, and Li Yuanba, having the same surname, represents Li Wenmao. Verifying this are two hidden plaques hung above the scene which can only be seen from a crouching position. One reads \"Great Ming Mountains and Rivers\" (11) and the other \"Qiong Hua Hall\" (44), with the middle character Hua (4) substituted as disguise for the similar sounding Hua (*) of the Hortensia Flower (Qiong Hua) Association. Furthermore, according to Mr. Zhang Tao (**), curator of the Ancestral Temple, the characters on these two wood plaques were originally covered with extra slabs of wood and were only discovered while renovation was being done to the temple between 1971 and 1972. (Plate 14).\n\nIn addition to this gilt wood altar scene, a beautiful ceramic frieze depicting the story of the Yang Family Generals, Song dynasty loyalists, is displayed in the rear courtyard of the Ancestral Temple. In addition to this anti-Manchu theme (the Yang family's loyalty to the native Song dynasty during the period of barbarian Yuan conquest, symbolising the loyalty of the Chinese people to the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208400,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 124,
        "title": "RAS-1978",
        "content_text": "108\n\nFREDRIKKE S. SCOLLARD\n\nnative Ming dynasty while under barbarian Qing rule, close scrutiny reveals the presence of two men in European dress—a strange phenomena in a Song dynasty setting. According to the curator, this scene refers to an incident involving French aggression in the Fushan area. (Plate 19).\n\nA similar incident involving skirmishes between troops led by British Consul Harry Parkes and residents of Fushan led the Shiwan potters to create pottery urinals and pillows out of the likeness of Harry Parkes. Most of these were destroyed by British order, but in 1942 one was discovered and put on exhibition, attracting much attention.13 (Plate 20).\n\nWhile I was contemplating these earlier evidences of cross-cultural interaction in Shiwan, it seemed of great significance to the town members that I was the first foreigner to be driven around the entire town. This heightened my own sense of exploration. The town itself evidences stark contrast between modern construction and underdevelopment, panoramically revealed from the observation deck on top of the new five-story \"Pottery Capital Restaurant.\" To the northwest are seen a heavy concentration of pre-1949 red brick residential houses, some prominently displaying roofs with \"ears\" which used to indicate the residences of wealthier families. The background is dominated by shorter chimneys of the traditional \"dragon kilns\" (sloping tunnel kilns). To the southeast the contrast is striking, with new concrete residential buildings and factories under scaffolding, and the tall slender chimneys of modern continuous kilns crowding the sky. The people can clearly remember the layer of soot which previously covered the town and made houses difficult to clean, and appreciate the cleanliness of the new kilns. The town has had paved roads since 1958; to the northwest of the town a public park with an artificial lake is being built, and a new \"Pottery Capital Restaurant\" was opened in March of 1978 largely to meet the demands of increased numbers of tourists.\n\nInside the factories the differences in the rate of modernization are just as striking. While the daily utensil factories as a whole operate eight continuous kilns, Daily Utensil Factory No. III operates only four dragon kilns (one dating back to the Ming Dynasty became a protected monument in 1964). The Arts Factory, which hosts all the tourists visiting the town, includes two new and large modern buildings with a partially yellow-tiled roof. The Daily",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208401,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 125,
        "title": "RAS-1978",
        "content_text": "SHIIWAN POTTERY EXPLORED\n\n109\n\nUtensil Factory No. I makes use of many low buildings built just post-1949, as well as a few larger, more modern buildings, while in the grounds of Daily Utensil Factory No. III, the workers' residences consist of pre-1949 buildings in narrow alleyways. The new look of the town inspires optimism, while its old structures invite comparison with the past and are a constant reminder of its developing state.14\n\nJust as the town combines old and new, so the potters in the Fushan Shiwan Arts Pottery Factory combine a new work force with a preserved family tradition.\n\nIn 1952, two members from PLA \"propaganda units\" (i.e. publicity units), Zhuang Jia(4) and Zeng Liang(R), joined the newly established State-owned arts factory, under the tutelage of the two best-known artists in Shiwan at the time, Liu Quan(F*) for figure sculpture, and Ou Qian(§#) for animal sculpture. After 1958 there was a concerted policy of bringing in outsiders to build up the industry. Of the 21 designers in the design studio, seven came to Shiwan between 1961 and 1963 directly from specialized pottery training in technical or art schools. Four out of these seven have married spouses in the pottery business.\n\nAn examination of the designers' family trees, however, revealed the continuation of old family traditions and the beginning of new family traditions. Three old Shiwan families are represented in the design studio; two in the fourth generation (families of Liu Quan(#1), and Liao Hongbiao(A)), and one in the fifth generation (family of Liu Zemien(###), Plate 21). In addition, the sons of both former PLA members Zhuang Jia and Zeng Liang have joined the pottery industry, indicating that these new families are now thoroughly integrated into the industry and beginning new family traditions.\n\nFamily involvement appears to be characteristic of the industry as a whole. Of the 21 artists in the design studio there are three married couples, two brothers and three father and son teams. Seventeen of the 21 designers have family members in other aspects of the pottery industry at Shiwan.\n\nThese artists vigorously carry on the tradition of Shiwan ceramic art, continuing to sculpt historical and folklore figures in addition to personalities of contemporary society, both well-known ones",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208403,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 127,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208404,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 128,
        "title": "RAS-1978",
        "content_text": "112\n\nFREDRIKKE S. SCOLLARD\n\n12 Mai Xiaoxia (44), “Guangdong Xi Ju Shi Lue” (广东戏剧史略), Guangdong Wen Wu (广东文物) (1941) Vol. 8, pp. 141-185.\n\n13 Zhang Weichih (##), Guangdong Shiwan Tao Qi (广东石湾陶器), Guangdong Ren Min Chu Ban She (广东人民出版社) (1957) p. 47.\n\n14 Development and modernization in the town of Shiwan is discussed more fully in: Fredrikke Skinsnes Scollard, \"Modernization in Shekwan (*): From \"Pottery Capital\" to \"Comprehensive Pottery and Porcelain Production Base\", Conference on Modernization in China, University of Hong Kong, Centre of Asian Studies, October-November 1978. (In Press).\n\n15 Op. Cit. Ref. 10.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208519,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 243,
        "title": "RAS-1978",
        "content_text": "Plate 15. Shiwan ceramic rooftop friezes at the Ancestral Temple. The tower one depicts the story of the Yang Family Generals.\n\nPlate 16. Vase with tiger skin glaze and plum blossom branches in high relief sculpture.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208520,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 244,
        "title": "RAS-1978",
        "content_text": "Plate 17. The art of Shiwan sculpture a doctor removes a splinter from \n\nthe foot of a woodcutter.\n\nPlate 18. Porcelain figure of the goddess of mercy, Guan Yin, with mark \n\nof Shiwan potter Chen Weiyan.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208521,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 245,
        "title": "RAS-1978",
        "content_text": "Plate 19. Closeup of Shiwan frieze depicting the story of the Yang Family Generals with figure in European dress in the centre.\n\nPlate 20. Shiwan urn! sculpted in the form of British Consul Harry Parkes. Reproduction of the original sent to Beijing.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 210447,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 54,
        "title": "RAS-1985",
        "content_text": "KOWLOON.\n\nHONG KONG\n\nSham Shawan\n\nSok Kwu Wan\n\nYim Tin Tsai\n\nKau Sai\n\nLeung Shuen Wan\n\nBluff Island\n\nBasalt Island\n\nKAU SAI LAND SURROUNDINGS\n\nThis 1970 house was quite well adapted to its function, which was to serve as a hostel for children attending school, a home for the aged and the mothers with babies and toddlers, a sleeping and entertaining place for fishermen, and a store for fishing gear and other property. The front room, which contained benches, wooden chairs and at least one table, was used for receiving guests, chatting, playing cards and mah-jong, and, together with the street space outside on fine days, for working at the new source of income that the 'sixties had brought for the women - the making of plastic flowers. The rear compartments, little more\n\n35",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
        "rank": 0
    },
    {
        "id": 210818,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 169,
        "title": "RAS-1986",
        "content_text": "152\n\nCARL SMITH\n\nDutch parentage from Malacca, who soon became dissatisfied and left for a more adventurous life at sea; J.H. Moore, born in Macau, who left after a few years, married a beautiful 15-year-old girl from Malacca and then took up newspaper editing and some unprofitable business ventures at Malacca and Singapore; and a student from overseas, William Hunter, an American.\n\nHunter's reminiscences of his days at Malacca indicate he enjoyed them. He studied hard, for it is no easy task for a foreigner to acquire competency in written and spoken Chinese. He enjoyed the companionship of J.H. Moore. When not studying they took long walks, explored the countryside, observed the ways of the people, joined in the excitement of local festivals and shared in the homely life of the missionary staff of the college.\n\nHe studied at the college for 18 months. He had arrived a boy of 12, he left a confident young man of 14. He returned to Canton where he continued studying under the direction of the Rev. Robert Morrison, but he also began learning the business of the counting house and godown. The firm to which he was apprenticed went into liquidation and Hunter returned to New York. But the \"China bug\" had bitten him, and when an opportunity came to return to China in 1830 under the patronage of Russell and Company, he eagerly accepted it.\n\nThis firm had a long history in China trade. Its roots go back to 1789; it took on the name Russell and Co in 1824. It was the largest of the American firms operating in China. It finally failed in 1891, though some members of the firm reorganised in Hongkong as Shewan, Tomes and Co. The latter is still operating in Hongkong.\n\nOne gathers from his reminiscences and references to him by others that he was a pleasant, agreeable, but not an aggressively ambitious person.\n\nWhen Hunter was visiting one of his former business associates in England, a young son of the family met him. Later he described Mr. Hunter as \"a handsome, courteous man with a brown face and white moustache, like a fine type of Anglo-Indian, and speaking Chinese for our amusement with so soft a voice that I have often",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 212331,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 273,
        "title": "RAS-1990",
        "content_text": "250\n\ngenerating their own supplies, switched to Hong Kong Electric.\n\nIn 1924 there were 1,369 gas street lights, compared to 469 electric. By 1936, few gas lights remained.\n\nDuring the invasion, in December 1941, a small group of Hong Kong Electric engineers and other staff, a few of whom were veterans of Britain's past wars, held the Japanese at bay in the epic defence of the North Point Power Station. Casualties were heavy. Of these, Vincent Sorby, the general manager, later died of wounds in prison camp.\n\nExcept for early days and the war years, blackouts have totalled only two hours 50 minutes. One was caused by a fire at North Point Power Station in 1930, and another when a shoal of fish was sucked into the cooling system in the same year.\n\nChina Light and Power\n\nChina Light and Power is younger than Hong Kong Electric, and until it was established, apart from a few lamps, the streets of Kowloon went lightless at night. Robert George Shewan registered the company in 1900 (some records say 1901). His main business was as a partner in Shewan, Tomes and Company. Its predecessor was Samuel Russell and Company (liquidated in 1879), which started business in Canton in 1818, an American trading firm originating in Boston which merged with Perkins and Company, another American company, in 1842.\n\nLawrence (now Lord) Kadoorie, Hong Kong's first peer, was born in Hong Kong and raised in China. His father, who became Sir Elly Kadoorie, arrived in Hong Kong, via Bombay, in 1880 from Baghdad where his was one of the leading Jewish families. Lawrence Kadoorie joined the board of China Light and Power in 1930. Since then, he has been one of the driving forces in the company.\n\nChina Light and Power commissioned its first power station, at Hung Hom, in 1903. In 1989, the company supplied electricity to nearly 1,400,000 customers in Kowloon, the New Territories, Lantau, and some outlying islands. 'China Light' is not dealt with at such length here as Hong Kong Electric because it did not come into",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212505,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 59,
        "title": "RAS-1991",
        "content_text": "39\n\nthe Kuan Lineage in K'ai-p'ing County. Ann Arbor, Center for Chinese Studies, University of Michigan.\n\nWright, Arnold 1908 Twentieth Century Impressions of Hongkong, Shanghai, and other Treaty Ports of China their history, people commerce, industries, and resources London, Lloyd's Greater Britain Publishing Company. Ltd\n\nWu, Chang-chuan 1974 Cheng Kuan-ying A Case Study of Merchant Participation in the Chinese Self-strengthening Movement (1878-1884) PhD thesis Columbia University\n\nXia, Dongyuan. 1982 Zheng Guanying ji (Collected materials of Zheng Guanying) Volume I Shanghai, Shanghai Renmin Chubanshe\n\n1985a Wanqing yangwu yundong yanjiu (A study of self-strengthening movement of late Qing China) Chengdu, Sichuan Renmin chubanshe\n\n1985b. Zheng Guanying zhuan (A biography of Zheng Guanying) Revised edition Shanghai, Huadong Shifan Daxue Chubanshe\n\n1988a, Zheng Guanying ji (Collected materials of Zheng Guanying) Volume II Shanghai, Shanghai Renmin Chubanshe\n\n1988b. Sheng Xuanhuai zhuan (A biography of Sheng Xuanhuai) Chengdu, Sichuan Renmin Chubanshe\n\nXu, Dingxin 1991 Shanghai zongshanghui-shi 1902-1929 (A history of Shanghai Chamber of Commerce). Shanghai, Shanghai Shehui Kexueyuan Chubanshe\n\nYamagami, Kan'ichi 1938 Sekko zaibatsu-ron so no kihonteki kōsatsu (A discussion of Zhejiang financial magnates its basic observation) Tokyo. Nihon Hyōronsha\n\nYu, Qixing 1970 Wu Tingfang yu Xiangkang zhi guanxi (The relations of Wu Tingfang with Hong Kong). In Shou Luo Xianglin Jiaoshou Lunwenji Hong Kong, Wanyou Tushu Gongsi 255-78.\n\nZhang, Wenqin, 1984. Cong fengnan guanshang dao maiban shangren Qingdai Guangdong hangshang Wu Yihe jiazu de pouxi (From feudal official merchant to comprador An analysis of the family of howqua of the Guangdong hong merchants in the Qing). In Jindaishi Yanjiu 1984/3 167-97. 1984/4 231-53\n\n1989 Cong fengjian guanshang dao maiban guanliao Wu Jianzhang shilun (From feudal official merchant to compradorial bureaucrat An analysis and discussion on Wu Jianzhang). In Jindaishi Yanjiu 1989/5 31-54\n\nZhejiangji zibenjia de xingqi (The rise of Zhejiang clique of entrepreneurs) Edited by Zhongguo Renmin Zhengzhi Xieshang Huiyi Zhejiang-sheng Weiyuanhui Wenshi Ziliao Yanjiu Weiyuanhui Hangzhou, Zhejiang Renmin Chubanshe, 1986.\n\nZou, Yiren 1980 Jiu Shanghai renkou bianqian de yanjiu (A study of evolution of the population of old Shanghai) Shanghai, Renmin Chubanshe",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 214761,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 176,
        "title": "RAS-1999",
        "content_text": "140\n\neverything off just before dark. The AIS is full of naval personnel all trying to find accommodation and food. After a mad scramble, manage to find a bed and retire early, tired and hungry.\n\nThursday eleventh. Commander Millet OC AIS asks me to form antiaircraft and defence posts for Aberdeen as RAF only people with machine guns. I fix up four posts on the roof with tommy gun posts on the verandahs. The AIS makes a wonderful target being only half a mile from the naval dockyard. A hospital has been set up next door to the armoury. For breakfast we get one slice of bread and a little butter and tiffin is the same. For supper, if we're lucky, we get hot stew. Intensive bombing of Aberdeen harbour causing heavy casualties. How we curse the bombers and wish we had a few Gladiators which would make short work of them. Jap fighters are quite slow.\n\nFriday twelfth. Up early and drive in to HK. Buy food, cash a cheque and have a steak at Jimmies. Send cables to Pam and Mother. HK shelled from Kowloon. All our troops evacuated from Mainland. Hear that Walter Rosa, Dick Stanton, Houston Boswall and Bell who messed with us at Kai Tak have all been killed. Small party of Indians still fighting on Devils Peak. Royal Scots fired on in Nathan Road by Chinese fifth columnists using automatic weapons but Scots wipe the whole lot out. Chinese reported assisting Japs on large scale. Amazed at sinking of Prince of Wales and Repulse, also Jap successes against Americans. No one however doubts the final outcome and we realize that HK is only small fry in a tremendous issue.\n\nSaturday thirteenth. I set up antiaircraft positions on Bennetts Hill and Reservoir Hill with RAF personnel. CO goes to battle HQ, leaving me in charge. Dolly goes to Little Saiwan and the Colonel to Stanley. After much sweated labour get guns etc. in position. Whimpeys is in charge of Reservoir Hill and I of Bennetts Hill. I return to AIS for the night and at midnight there's a hell of a commotion and everyone is roused as the Japs are supposed to have landed on Aberdeen Island. Whole thing a farce and return to bed.\n\nSunday fourteenth. Set up positions on Bennetts and start digging holes in side of hill for billets. Junior and I dig like mad but, owing to rocks, make little progress. Quiet day except for a few air raids. Bed extremely hard and rain comes in.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
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    },
    {
        "id": 216164,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 463,
        "title": "RAS-2002",
        "content_text": "397\n\nThe result of the Confucian education is supposed to be the formation of a highly virtuous character....The chief energy of those who have taught it has been expended in the endeavour to give it practical effect on the individual, the family, and the nation.1\n\nIn regard to the depopulation at Shek Pik, it is curious how this was repeated at Tong Fuk, another old village four miles to the east, where the 198 persons recorded at the Colony Census of 1911 were survivors of the much larger population of some 700 persons claimed before the onset of disease sometime in the second half of the 19th century. Interviewed in 1971, the elders had been most emphatic about this, on the basis of information handed down by their fathers' generation... 'There was not a single empty or ruined house [before the epidemics struck],' or so they claimed. Later on, in the 1910s, when my oldest informants were then in their teens, the situation worsened again, with two persons dying every day. 'No sooner had we taken out one body for burial, than we had to start all over again.' As at Shek Pik, altered, meaning adverse, fung-shui was blamed for these disasters. 'For we Cantonese, fung-shui is vital,' stressed one of their number.\n\nThe caption to Plate 25, the rebuilt Tianhou Temple at Chiwan, Shenzhen, can be extended here. I omitted to mention the famous well, prominent in the foreground, with adjoining plaque,\n\nAs mentioned in the related text, the temple's long history and cultural importance had not saved it from destruction. By the end of the ten-year period of the Cultural Revolution (1966-76) only the foundations survived, and what remained of its historic buildings had been reduced in height and roofed over to provide barrack accommodation for a unit of the People's Liberation Army, still in occupation at the time of my first visit in 1983. The temple's fine stone and wood carvings had gone, along with the many donated fittings and repair tablets that would have been kept within its walls. However, one tradition had survived the decades of Communist ideology.\n\n'This was both the theory and the aim. However, Edkins concluded that despite the intention, 'it has not made them (the Chinese) a moral people. Many of the social virtues are extensively practised among them, but they exhibit to the observer a lamentable want of moral strength. Commercial integrity and speaking the truth are far less common among them than in Christian countries. The standard of principle among them is kept low by the habits of the people.'",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    }
]