[ { "id": 209064, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 226, "title": "RAS-1980", "content_text": "194\n\nWILLIAM Y. CHEN\n\nKuan, Hsi. Wen-shih-chen-ching. Taipei, 1960. 關喜,文始真經,台北,自由出版社,1960.1v.\n\nLC. SA\n\nLu, Hsi-hsing. Nan-hua chen ching fu mo. Taipei, 1974. 陸西星,南華真經副墨,台北,自由出版社,1974.\n\n20\n\nLC, SA\n\nNan-hua chen ching. n.p., 1530.\n\n南華真經,郭象註,陸德明音義.n.p.,世德堂刊,1530.\n\nLC\n\n6 v.\n\nNoja Todokkyong. Korea, 1976.\n\n新鐸老子道德經,盧台俊譯解,什舍,弘新文化社,1976.\n\n290 p.\n\nLC\n\nRo-shi. Tokyo, 1973.\n\n老子,小川環樹訳註,東京,中央公論社,1973.\n\n157 p.\n\nLC\n\nRō-shi, Resshi. Tokyo, 1965.\n\n老子·列子.奥平卓,大村盆夫訊,東京,經營思潮研究會,1965. 286 p.\n\nLC\n\nSha-chou chu tzu erh shih liu chung. Taipei, 1971. 沙州諸子二十六種,台北,廣文書局,1971.1v.\n\nLC\n\nShima, Kunio, 1908– Rõ-shi kosei. Tokyo, 1973. 島邦男,老子校正,東京,汲古書院,1973.\n\n226 p.\n\nLC\n\nSo-shi. Tokyo, 1971-\n\n莊子.金谷治譯註,東京,岩波書店,1971-v.\n\nLC\n\nSo-shi. Tokyo, 1965.\n\n莊子,岸陽子說,東京,經營思潮研究會,1965.\n\n286 p.\n\nLC\n\nT'ai-i-chen-jen. T'ai-i pei-chi-tsun-ching Hun-yüan-i-ch'i miao-ching ho k'an. Taipei, 1971.\n\n太乙真人,太乙北極尊經,混元一炁妙經合刊.台北,自由出版社,1971.1v.\n\nLC. SA\n\nT'ai-shang-hsin-ching. Taipei, 1960.\n\n太上心經,玄元子輯,台北,自由出版社,1960.\n\n1 v.\n\nLC, SA\n\nT", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 210375, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 346, "title": "RAS-1984", "content_text": "325\n\nBOOK REVIEWS\n\nChina Among Equals: The Middle Kingdom and Its Neighbors, 10th-14th Centuries, edited by Morris Rossabi, Berkeley, Los Angeles, London: University of California Press, 1983, xiv + 419 pages.\n\nThis book is intended to show that China's long accepted self-view of its traditional foreign relations is not true: China did not always devise its own world order, neither did she rule out equality with any nation, the editor argues. Also, Professor Rossabi points out that China did not always treat foreign rulers and their envoys as subordinates or inferiors. It is the editor's explicit purpose to show that China was capable of conducting modern diplomatic negotiations and could accept the reality that China was only one among the many equals, at least during the Sung and Yuan periods.\n\nWorking under this general thematic guide, eleven authors set out to study different aspects of China's foreign relations during the period. The general impression one derives from reading these essays is that the relations between the Sung and other states covered a full-range of activities, and with the comprehensive nature of such relations, the Sung had to be realistic and rational, and had to abandon the time-honored myth that China, being the center of all-under-heaven, should play the key role of determining the terms of foreign relations. In general, China seemed to be quite willing to reverse such a “suzerain-vassal” relationship and readily to accept its neighbours as high in the hierarchy of the contemporary world order. This was especially true of China's uneasy relations with the state of Liao, carefully documented by Tao Jing-shen. That China was willing to accept the, to her, often humiliating arrangements was mainly because she benefited from a favourable balance of trade, a factor particularly evident from the pattern of its commercial relations with other states, studied in depth by Professor Shiba Yoshinobu.\n\nActually, the Sung was in the great tradition of ancient China's \"multi-state system\". As pointed out so eloquently by Professor Herbert Franke, the Sung was not unique in adopting \"the bilater-", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 214238, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 96, "title": "RAS-1998", "content_text": "59\n\nConclusion\n\nWe have been examining a particular arrangement of Indian Deva within two temples in the Western Hills of Peking. Each group has an image of the Bodhisattva Kuan Yin as the main deity within the Deva hall itself. Although monks explained that the images of deities down the side walls of the hall had been created in accordance with researches in old Buddhist books, there was no explanation why they should all have a Chinese rather than an Indian form. It has been suggested by devotees that the concept of the Deva might have reflected the Manchu dynasty's affinity with Tantric Buddhism, and perhaps Vedic beliefs or been brought by Lamaist monks during the late Ming but there is no evidence that this was so. Yet another devotee thought that when the images were first created during the early sixteenth century, Chinese craftsmen had a somewhat limited idea of the origins of the deities concerned and even, perhaps, no idea what the people of South Asia looked like and therefore made the images in the form of Chinese. An unanswered question is the presence of several deities within the groups of Deva whose origins were entirely Chinese without any connection whatsoever with Vedic Hinduism.\n\nA small number of individual images of deities with a Brahmanist origin have been seen on altars in temples in all Chinese communities; these however have not been at all widespread. Typically they were adopted by immigrant Chinese from native Buddhism. A remarkable example of a syncretic group of Buddhist, Hindu and Chinese folk religion deities is to be seen in a joint Buddhist, Hindu and Chinese folk religion temple in a quiet area of Angsila some sixty miles south of Bangkok. The three altars against the rear wall in the main hall of this temple are the Thai Buddhist altar, stage right with an image of Sakyamuni Buddha in its centre flanked by two other Thai Buddhist images. The central altar, the Hindu altar, contains one large image of Shiva [Siva], holding a trident and dressed in a robe and turban, and with several small unidentified images standing before him. And finally, the Chinese folk religion altar dedicated to T'ien Hou, the patron deity of sailors, with her small image on the altar, stage left, flanked by her usual demonic attendants, Thousand-Mile Eye and Following-Wind Ear. Devotees of all races pray before each altar in turn, usually beginning with the altar of their own culture and cursorily placing incense before the other two. In the temple forecourt are large brightly painted", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214240, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 98, "title": "RAS-1998", "content_text": "61\n\nAppendix A\n\nDETAILS OF THE DEITIES WITH SINICISED SANSKRIT NAMES\n\nWHOSE IMAGES APPEAR IN THE GROUPS IN THE TWO TEMPLES IN THE WESTERN HILLS OF PEKING\n\nAND THE ONE IN NORTHERN TAIWAN\n\n1] Brahma [Mahabrahman] usually known in Chinese as Fan T'ien 梵天\n\nBrahma is the ancient Vedic creator and the Soul of the Universe, an impersonal being, chief of the Hindu gods and celestial spirits and the first in the Hindu trinity. He is usually paired with Indra [see Ti Shih below] though married to Sarasvati. It is believed that the Vedas sprang from Brahma's head.\n\nHe is known in China by several titles including Ta Fan T'ien-shen and Fan Wang as well as Ta Fan T'ien Wang. In India his image varies from place to place but frequently he is portrayed with four arms and four faces or heads. Over the centuries his worship slowly declined in favour of Vishnu and Shiva.\n\nHis image has been noted in a number of folk religion temples in China where he is considered to be one of the forms of the Jade Emperor. In several Buddhist monasteries he has been noted as one of the two attendants flanking Sakyamuni Buddha, the other attendant being Indra.\n\nIn a number of temples in southern China he has been represented as a bearded middle-aged man, standing, wearing long flowing robes, and either the standard Hanlin-style Chinese literati cap or the tiny Taoist crown. He can also be portrayed carrying a stylised incense-stick holder which looks very similar to the long-stemmed tobacco pipe. In some temples in central China he was depicted riding a swan.\n\nIn the Ta Pei Ssu in the Western Hills he is portrayed as an imperial minister, standing with a tablet held in both hands before his chest and dressed in a colourfully decorated robe and Ming decorated leather.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214253, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 111, "title": "RAS-1998", "content_text": "74\n\nhim by priests he has been regarded by some foreigners as the patron deity of monks: he was and still is, however, the protector of the Buddhist Law before whom lots were drawn during the selection of the new abbot.\n\nSkanda, son of Shiva and brother of Ganesh [Tunhuang fresco] is a major protector, a destroyer of demons and a god of war, identical with Karttikaya.\n\nWei T'o in Japan is known as Idaten, whilst in Tibetan and Lamaist Buddhism he is known as Skanda: Wei T'o T'ien-shen ## [or in transliterated Chinese: Ssu-chien-t'o].\n\nAlthough the image in the Ta Pei Ssu is labelled in Chinese, Wei T'o; the well-produced and colourful Chinese guide to the Hall of the Bodhisattvas produced in Taiwan gives the title in Chinese as Wei T'o and in English as Skanda. Skanda according to Werner is the Hindu mythological god of war, usually known as Karttikaya. He is represented riding a peacock, holding a bow in one hand and an arrow in the other.\n\nHe has numerous appointments, all protective. Originally he was one of the Thirty-two Generals under the command of the Four Celestial Kings - Ssu Ta T'ien-wang (see 23 below). One such appointment is his rôle as Commander of the Heavenly Hosts, the head of the Heavenly Guard [one of the Twenty or Twenty-four Devas], the protective spirit or spirits of Buddhism and its sanctuaries. In the biographies of Hsüan Tsang, Wei T'o is described as the leader of all the kuei-shen [minor deities], and was charged by the Buddha who was at that moment on the point of entering Nirvana, with the protection of the Law.\n\nOfficially he is neither a Buddha nor a bodhisattva though commonly he is referred to as the latter and it is often claimed that for his zeal he was promoted to bodhisattva when he became the commander of the Four Diamond Kings [Chin-kang: see below]. His title would appear to be the Chinese form for the Sanskrit term \"Veda\", the body of sacred writings brought to India by invaders and from which Hinduism developed. However, it is generally said that his origin is uncertain even though, for example, Vitasoka, the younger brother of King Asoka", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214276, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 134, "title": "RAS-1998", "content_text": "97\n\nNOTES\n\nMacGowan J : Men and Manners of Modern China: T Fisher Unwin: London 1912\n\n2 Werner in his Dictionary of Chinese Mythology gives the Eight Classes of Dragon Kings as follows:\n\n3 Deva naga, Yaksha, Gandharva, Asuras, Garudas, Vinnaras, Mahonagas and Rakshas Soothill in his Dictionary of Chinese Buddhist Terms lists the Eight Classes of Supernatural Beings as follows: Deva, Naga, Yaksha, Gandharva, Asura, Garuda, Kinnara and Mahoraga.\n\nMajor well known Brahmanist deities not included in the groups of Deva in the Western Hills of Peking include Hanuman, Parbati and Ganesh.\n\n* A Student Interpreter: Where Chineses Drive : English Student Life in Peking Wm Allen & Co : London: 1885\n\n6 As with a number of titles the romanised spelling varies depending upon the form used and, as examples, we have Siva and Shiva, Pancika and Panchika. He is the esoteric cult Deva, a masculine form of the wife of Siva. He is the tutelary god of Mongolian Lama Buddhism, and is also said to be an incarnation of Vairocana for the purpose of destroying demons.\n\n7 Werner, ETC: A Dictionary of Chinese Mythology:\n\n8\n\n9 x stands for an illegible character. Although images iconographically look like the standard Buddhist image of the Temple Guardian, Wei T'o, they have been identified as being one of three Vedic deities. Lessing in his Yung-Ho-Kung [Stockholm 1942] and the Taiwanese guide to The Guan Yin Hall of the Ta Pei Ssu both identify Wei T'o's origin as Skanda whilst Soothill claims that he is Viharapala.\n\n10 Occasionally Yüeh T'ian-wang, that is the 12th century hero Yüeh Fei, takes the place of Li Yüan-shuai.\n\n\"Chin-se are the Five Primary Colours permutated in various ways to represent various ideas; also, a five coloured emblematic cord, a Brahman sign worn on", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214899, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 314, "title": "RAS-1999", "content_text": "288\n\nfront onto one street and back on to the street behind, thus, in a way linking two streets. All the houses are built of durable timber in a refined two-storey style. The front portion often serves as a boutique and the area behind is generally used as storage space. The interior living space has split levels with an inner courtyard open to the sky and a veranda linking several living quarters. One of the most remarkable features of these old homes is the diversity of their architecture. This varies greatly from one house to another in terms of space distribution, sculptural art, decoration and inner courtyard gardens. Space is utilized to the utmost. Walking in the streets of this beautiful and charming ancient town, a living vestige of the past, one can observe the influence of the architecture, sculpture and decorative Chinese and Japanese styles and the skills of the Vietnamese architects who have absorbed various influences and created something similar, yet somehow uniquely different.\n\nOur sixth day was spent in My Son Valley, 43 miles southwest of Danang. My Son was chosen as a religious sanctuary from the fourth century onwards. Many temples and towers were built here. Most were dedicated to kings and Brahman divinities, including the god Shiva who was considered the creator, founder and defender of the Champa Kingdom and the Cham royal dynasties.\n\nMore than 70 architectural works of different styles and eras once stood in this ancient valley but today less than 20 remain. Tragically, My Son fell within a “free-fire zone” during the American War and was almost completely destroyed by bombs. The French did the present restoration work. The Cham towers were ingeniously constructed of dried bricks stuck together with resin from the cau day tree. Once the tower was completed it was encircled by fires, which were kept well stoked for several days. The intense heat fired the whole structure completely melting and sealing the bricks and resin together to form a structure well able to withstand the combined onslaught of time and the elements - but unfortunately not 20th century bombs.\n\nOur tour ended in My Son and the next morning we left Danang for Hanoi and flew back to Hong Kong. I returned to Hong Kong with many emotions about Vietnam. It was once a tribal neighbour of China and the Chinese influence there was strong. I felt much affinity with the place and its people when I saw the tombs and I tried to interpret", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215767, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 66, "title": "RAS-2002", "content_text": "London: George G. Harrap, 1945.\n\nRitchie, Edmee Alice\n\nMy memoirs or good of its kind. [s.l.: s.n., n.d.].\n\nSecret notes on Japanese army\n\nNorth Melbourne: Victorian Railways Printing Works, 1942.\n\nThe Shanghai directory 1941: City supplementary edition to The China Hong List. Shanghai: The Office of the North-China Daily News & Herald, Ltd.\n\nShneider, Vladimir\n\nTraces of the ten. Beer-Sheva: V. Shneider, 2002.\n\nSmith, Arthur Henderson, 1845-1932.\n\nVillage life in China: a study in sociology. Edinburgh: Oliphant, Anderson and Ferrier, 1900.\n\nTicozzi, Sergio\n\nHistorical document of the Hong Kong Catholic Church. Hong Kong: Hong Kong Catholic Diocesan Archives, 1997\n\nVocational Training Council (Hong Kong) The Morrison Hill story [videorecording]. [Hong Kong: s.n., 199-.\n\nWaters, Dan.\n\nLunch beat [2 sound cassettes]. (Dr Dan Waters shares his in-depth knowledge and stories about Hong Kong's past in two episodes of radio programme The Lunch Beat.\n\n[Hong Kong: RTHK, 1998 - 2001].\n\nWay, Denis M. and Nield, Robert\n\nCounting house: the history of PricewaterhouseCoopers on the China Coast. Hong Kong: PricewaterhouseCoopers, c2002.\n\nWu, You-ru\n\nShen-jiang sheng jing tu. Shanghai: Hua bao zhai shu she, 1999.\n\nZhang, Yingjin\n\nlvii", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]