[
    {
        "id": 204682,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 163,
        "title": "RAS-1963",
        "content_text": "NOTES AND QUERIES\n\n147\n\ncome right out in favour of a Portuguese source. It is indeed very likely that this is a spelling etymology which might never have arisen if the modern Portuguese orthography lingua (with u = English w) had been used in Johnson's day. It is fairly certain that the o in the earlier spelling, lingoa, had the value of English w in eighteenth century Portuguese.\n\nOn the other hand, it may be that we should still look to a Portuguese etymology for lingo, but not an etymology drawn from the written standard language of the seventeenth or eighteenth centuries but rather to the oversea Portuguese creole (and pidgin) dialects as recorded over the centuries. I have consulted the studies on the Indo-Portuguese dialects by Dalgado available in Hong Kong, including his valuable Glossário Luso-Asiático and find lingo as the form given for tongue, language, in the parts of India and Ceylon where varieties of Portuguese were and still are spoken. Elsewhere I find the form linga reported from the Cape Verde Islands.\n\nIn most cases this lingo should probably be pronounced lingu, more or less as in educated metropolitan Portuguese where the final may be voiced, unvoiced or even silent. The form used in Macao in the nineteenth century has been recorded as lingu and the pronunciation of this word by some of the older Portuguese people in Hong Kong at the present time could be so represented. Parallel development may be seen in the Cochinese, Javan, Malaccan, Cape Verdean and Macanese forms agoļagu vis à vis standard written água, and lego and tabu for légua and tábua respectively registered in several Luso-Asiatic dialects.\n\nThe earliest reference to lingo recorded in the OED is for 1660 in New Haven Col. Rec. (1858) II, 337: \"To wch the plant [= plaintiff] answered that he was not acquainted with the Dutch lingo.\" Various dictionaries note later references in Congreve and Sheridan: “Well, well, I shall understand your lingo one of these days, cousin; in the mean time I must answer in plain English.\" (Congreve, Way of the World, A. IV, sc. I); \"I have thoughts to learn something of your lingo before I cross the seas.\" (Congreve); \"He is a gentleman of words; he understands your foreign lingo.\" (Sheridan, St. Patrick's Day, I).\n\nWIRI",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
        "rank": 0
    },
    {
        "id": 208715,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 172,
        "title": "RAS-1979",
        "content_text": "The Maryknoll Mission, Hong Kong 1941-46\n\n145\n\ninterest in the Church on the part of the people. At the same time, Father Tom Brack was assigned to Hong Kong with the task of refurnishing the partially vandalized Stanley House. After four years in the hands of the Japanese Army, less than ten rooms could be adequately furnished. He flew to Canton from Chungking, via Shanghai, by U.S. Army planes and by the S.S. Fat Shaan, from Canton to Hong Kong. On his arrival, he reported that the Stanley House looked just the same as it did in pre-war days. There was no structural damage, and the only external signs of war were some chipped bricks caused by sporadic machine gun and rifle fire. The interior, of course, was quite different and needed a great deal of renovating, repairing, repainting, and restoration of the furniture and equipment which had practically all been burned or looted. Father Tennien, when he arrived shortly after the cessation of hostilities, had done a great job of repairing the floors and making some new furniture under no little difficulties, as materials were hard to come by at the time. However, there still was much to be done before the house could be considered as restored to its former self.\n\nThis work comprised the making of all new altars, room furniture, repair of windows, doors, and floors, and, in other words, to restore all that had either been carried off or destroyed by invaders. The hardwood floors had also been badly scarred in many places, as the Japanese soldiers used to cook their food on small stoves placed directly on the wooden floors.\n\nAt this time, there were as yet no transportation facilities in the Colony, except for the tramways in the city proper, and only a few buses in Kowloon. All the other buses had either been shipped away or destroyed. So, in order to get to town, one had perforce to thumb his way along the road. After a while, however, Father Brack got hold of a weapons-carrier which did yeoman service for quite a while.\n\nOne of the earlier visitors to Stanley was Father John Joyce, who arrived from Kong Moon in a small motor launch, but because he had no passport, he had to stay overnight in the launch and talk his way through Immigration officials the next morning. Free to enter Hong Kong at last, he had to thumb his way to Stanley like everyone else. Had he come a bit later, some new jeeps bought by Father Tennien through the good offices of Father Sheridan in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 209594,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 251,
        "title": "RAS-1982",
        "content_text": "229\n\nBut things changed with the appearance of Mrs. Ayres* on the amateur stage in 1879 in the production of Sheridan's \"The School for Scandal\". Two other ladies were courageous enough to join her. Mrs. Ayres used the stage name of Mrs. Bernard. The other ladies were listed as Mrs. Hockey (Mrs. Atwell Coxon) and Madame Chervau (probably Mrs. Vaucher).\n\nAt every performance Mrs. Ayres received enthusiastic notices: On her appearance in 1880 in \"New Men and Old Acres\", the reviewer said,\n\nIt is an unqualified pleasure to see this gifted lady on the stage. Her ease, grace and perfect action are something wonderful and her power to depict character amounts to something like genius. She was the gay, true-hearted girl of eighteen to the life; and as she portrayed the joys and sorrows of the English girl, she swayed the audience to tears and laughter as she willed.\n\nIn a production given a year later, it was noted,\n\nThis power to move the feelings of an intellectual and intelligently-critical audience is not given to many amateurs, especially to ladies who kindly consent to promote wholesome public recreation in this way; but Mrs. Bernard has certainly given the most conclusive proofs that such may be achieved in this direction and it is hoped that the example thus shown by her and the other ladies who have taken part in these innocent enjoyable entertainments will be followed by others.\n\nHer last performance in Hong Kong was in September 1883 when she appeared in \"She Stoops to Conquer\". As usual, the reviewer was enthusiastic.\n\nOne great advantage enjoyed by Mrs. Bernard is her apparently perfect confidence in her own powers. The result of this confidence is an ease, naturalness and accuracy in her acting, which must be envied by other amateurs who have not graced the boards as often as Mrs. Bernard. Mrs. Bernard also gets an excellent conception of the roles in which she plays, bringing out all the points and idiosyncrasies of the characters she is representing.\n\n* Probably wife of Dr. P.B.C. Ayres, Colonial Surgeon 1873-1897.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209595,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 252,
        "title": "RAS-1982",
        "content_text": "230\n\n!\n\nCARL T. SMITH\n\nINNOVATIONS\n\nIn 1886 a musical sketch was introduced entitled “Cups and Saucers\". It was written by George Goldsmith, Junior, as a satire against the craze of the day for collecting blue and white china at exorbitant prices. There were only two characters, one male, one female, the latter played by Mrs. Fraser-Smith, wife of the editor of the Hong Kong Telegraph. It contained the song \"Foo-chow chan aring, ching a ring China”.\n\nThe Club announced another serious production for 1888, \"The Rivals\". There was the inevitable comparison with the earlier performance of \"The School for Scandal\".\n\nWhen it was announced that the A.D.C. had resolved to play Sheridan's comedy of \"The Rivals\", many residents entertained the feeling that they had undertaken too much, although against this idea it could well be argued that the performances here of \"The School for Scandal” were most enjoyable, it was argued that Sheridan's masterpiece was placed before the Hong Kong public when the A.D.C. was in the heyday of its existence. Furthermore, the successions of costume and scenery possible in \"The School\" were not available in “The Rivals\". Looking at both of these performances, however, and taking into account the gorgeousness of scenery and dressing in \"The School\" as well as the exceptional ability of several of the actors who have passed away from these shifting scenes, we do not find that the A.D.C. did an unwise thing in deciding upon \"The Rivals\". The Amateurs and the public have had their share of burlesque and of modern pieces of late; and it was, we think, a healthy change to come back to the legitimate comedy of the last century.\n\nThe reviewer noted that two of the actors in \"The Rivals\" were well on their way to filling up a gap left by the retirement of Mr. Hockey (Mr. Atwell Coxon) and Mr. Treab (Mr. Beart), an accomplished comedian. One of the newcomers was Mr. James Whittall, later to become a taipan at Jardine Matheson and Company,\n\nA first of a series of Christmas pantomimes was staged in 1889. It had \"splendid spectacular effects, light and appropriate",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209607,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 264,
        "title": "RAS-1982",
        "content_text": "242\n\nCARL T. SMITH\n\n1 Dec. 1852 - first performance of amateurs under new management.\n\n12 Feb. 1853 — Victoria Amateurs.\n\n\"Twice Killed\" farce (John Oxenham, 1837) \"Slasher and Crasher\" farce (J. M. Morton, 1848)\n\n19 Mar. 1853 meeting at Victoria Theatre for purpose of forming a Corps Dramatique to arrange for another performance at an early date.\n\n20 Apr. 1853 \"Animal Magnetism\" farce (Mrs. E. Inchbald, 1758)\n\n\"A Kiss in the Dark\" farce\n\n19 May 1853 last night of season of Victoria Amateurs.\n\n\"Time Tries All\" dramatic drama (J. Courtney, 1848) \"Toothache, or The Prince and the Chimney Sweep\" farce\n\n1853/54 27 Oct. 1853\n\nMeeting at Victoria Theatre of those interested in theatricals to make arrangements for the coming season. (I found no notice of any performance for this season).\n\n1860/61 3 Jan. 1861 \"Still Waters Run Deep\" (T. Taylor, 1855)\n\n1861/62\n\n1862/1863\n\n29 Jan. 1861 new theatre, Hong Kong Amateur Theatre, performance by officers and gentlemen who have organized this establishment:\n\n\"A Bachelor of Arts\" (P. Hardwicke, 1853) \"A Nice Firm\" (T. Taylor, 1853)\n\n25 Feb. 1861 performance of Gentlemen Amateurs Mon. last.\n\n28 Mar. 1861 theatrical season drawing to close. Appreciation to the Committee. Difficult to see how the Amateur Theatrical Company could have managed without aid from the garrison.\n\nDec. 1861 - first performance of season:\n\n\"Cool as a Cucumber\" (M. W. B. Jerrold, 1851) \"The State Secret\" (A. Snodgrass, 1821, or T. E. Wilks, 1836) in same commodious erection as served so well for last year's performances,\n\n23 Jan. 1862 second public performance of Hong Kong Amateur Theatre:\n\n\"Not a Bad Judge\" comic drama (J. R. Planche, 1848) \"The Critics\" facetious tragedy (Sheridan, 1779)\n\n1862 season\n\n\"Cramond Brig\" (W. H. Murray, 1826)\n\nDec. 1862 The theatre a reproduction of last year's design. \"Uncle Zachary\" comic drama (John Oxenford, 1860) \"Fearful Tragedy in Seven Dials\" (Charles Selby, 1857)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209610,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 267,
        "title": "RAS-1982",
        "content_text": "245\n\n26 May 1875 \"An Unwarranted Intrusion\" farce (J. M. Morton, 1868)\n\n\"Alladin\" burlesque (J. S. Bryon, 1861) 1863, 1867, also given\n\n1875/76\n\nno production on record.\n\n1876/77 11 Nov. 1876 \"The Field of the Cloth of Gold\" (Wm. Brought, 1868)\n\n19 Feb. 1877 \"Alladin, or the Wonderful Scamp\" (J. S. Bryon, 1861)\n\n8 May, 1877 \"Not Such a Fool as She Looks\" (H. J. Bryon, 1868) given in 1873.\n\n1877/78\n\n7, 12, 13 Jan. 1878 \"The Boots at the Swan\" farce (Charles Selby, 1842)\n\n4 Feb. 1878 \"Still Waters Run Deep\" Tom Taylor comedy; given in 1862.\n\n1878/79\n\napparantly no production this season.\n\n29 Dec. 1879 \"The School for Scandal\" (Sheridan, 1777) first appearance of women in casts of the amateurs.\n\nMar. 1880 \"Porter's Knot\" (J. Oxenford, 1858)\n\n\"The Critic\" (Sheridan, 1779) - second act.\n\n27 Apr. 1880 \"New Men and Old Acres\" (T. Taylor and A. W. Dubourg, 1869)\n\n1870/80\n\n1880/81\n\n11 Nov. 1880 repeat of \"New Men and Old Acres\"\n\n1 Mar. 1881 \"A Wonderful Woman\" (C. Dance, 1849)\n\n\"The Area Belle\" (W. Brough and A. Halliday, 1864) given in 1867.\n\n18 Mar. 1881 \"The Cup of Tea\" (author unknown, 1866) \"A Happy Pair\" (S. T. Smith, 1868) two characters only screen scene from \"School for Scandal\" (Sheridan, 1777)\n\n1881/82\n\napparantly no production this season.\n\n1882/83\n\n23 Jan. 1883 \"The School\" (T. W. Robertson, 1869)\n\n1883/84\n\n25 Sept. 1883 \"She Stoops to Conquer\" (O. Goldsmith, 1773)\n\n7 Dec. 1883 \"The Wedding March\" eccentricity (W. S. Gilbert, 1873)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209611,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 268,
        "title": "RAS-1982",
        "content_text": "246\n\n1884/85\n\n1885/86\n\nCARL T. SMITH\n\n16 Dec. 1884 \"Still Waters Run Deep\" comedy (T. Taylor, 1855) given in 1862, 1878.\n\n17 Dec. 1885 \"Chiselling\" farce (J. J. Dilley and J. Albery, 1870) \"Nine Points of the Law\" (T. Taylor, 1859) in 1878.\n\n18 Feb. 1886 — \"The Overland Route\" (T. Taylor, 1860) second performance of season.\n\n1886/87\n\n9 Mar. 1886 \"Weak Woman\" (H. J. Byron, 1875) benefit with Canton Amateurs for burned Canton Theatre.\n\n7 Apr. 1886 — \"Heads or Tails\" (J. Palgrave Simpson, 1854) \"Chiselling\" farce (Dilley and Albery, 1870) given in 1885,\n\n18 Nov. 1886\n\n\"A Widow's Hunt, or Everybody's Friend\" comedy (J. Sterling Coyne, 1859)\n\n30 Dec. 1886 — \"Cups and Saucers\" musical sketch (G. Grossmith 1878) \"Our Wife\" comedietta (J. M. Morton, 1850)\n\n13 Apr. 1887 — \"A Comical Countess\" (Wm. Brough, 1854) \"Our Soldiers\" comedy (H. J. Byron, 1873)\n\n1887/88 8 Nov. 1887 \"Withered Leaves\" comedietta (J. W. Broughton, 1875) \"The First Night\" comedy (J. M. Maddox, 1853) \"The Rivals\" (Sheridan, 1775)\n\n17 Jan. 1888\n\n1888/89\n\n1889/90\n\n1890/91 apparently no production this season.\n\n26 Dec. 1889 last performance Mar. 1890 - 1 Christmas Pantomime: \"Ali Baba and the Forty Thieves\"\n\nGrand\n\n26 Dec. 1890 --- \"Ali Baba and the Forty Thieves\" pantomime 30 Mar. 1891\n\n- \"The Two Roses\" (J. Albery, 1870)\n\n1891/92\n\n24 July 1891\n\n1864) \"David Garrick\" comedy (T. Robertson,\n\n26 Dec. 1891, 23 Jan., 20 Feb. 1892- Christmas Pantomime: \"Beauty and the Beast\"\n\n27 Feb., 1 Mar, 1892\n\n21, 30 Apr. 1892\n\n+ \"Betsy\" (F. C. Burnand, 1879) \"Turned Up\" (or \"Too Much Married\") comedy, (M. Melford, 1886)\n\nPage 268",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 211776,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 191,
        "title": "RAS-1989",
        "content_text": "166\n\nin their own language. On April 18 1864 the first evening took place at which “the arrangement of the costumes and acting were all good and amply repaid a visit, even by those who may not understand the Portuguese language”. Two more performances are recorded of this company (October 15 and December 22 1864).\n\nWith respect to the financial side of the societies' activities not too much can be said with certainty. Expenditure included the rent of a godown to be fitted up as a theatre, scenery, etc. (see below: V. The Theatres). Evidently, entrance fees covered part of these expenses, the members themselves probably paid an annual amount, and furthermore there are some indications that at least a number of performances were for subscribers. Thus, speaking about an amateur evening on February 13 1863, the Herald added that a repeat would take place on the 17th at \"which the public that is non-subscribers will be admitted\". Earlier, in 1859, in a letter to the Editor, a \"Member of the A.D.C.\" complained about the liberties taken by some residents with the subscription circulars: “A wag has amused himself (and himself only) by converting quite a large number of 5 tael subscriptions into 15 and has thereby caused not only great confusion, but some unpleasantness”.36\n\n―\n\n―\n\n3\n\nSuch confusion could easily be tolerated in the all too numerous farces that were put up on the stage, but when it came to realities it was clearly considered to be just as well as to put them down...\n\nGarrison theatricals\n\nFrom time to time the season was enlivened by non-resident amateurs, Naval vessels of several nations that called at the port of Shanghai were sometimes the scene of an unusual crowding of merchants and marines when performances were given on board ship. Thus on October 8 1857 the \"Union Theatrical Company of the U.S.S. San Jacinto\" delighted the public with three farces.37 A year later, September 28 1858, the crew of H.M.S. Retribution entertained a large portion of the foreign community: The quarterdeck was converted into a rotunda tastefully decorated with national and other flags raised nearly to the height of the mizzentop forming a spacious and airy salon. The stage, raised to a convenient height for the audience, was adorned with a well-executed proscenium, the orchestra being in front, all en règles\".38 The piece selected was even of a higher quality than the usual fare, viz. Sheridan's",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211778,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 193,
        "title": "RAS-1989",
        "content_text": "168\n\nso called Christy's Minstrels --- a famous group in the United States, yet it may be doubted severely whether it was the same one that visited Shanghai.\n\nEight years later, the first company to come down to Shanghai from Hong Kong, where they had also been playing, was the one led by a Mr. C.R. Faylor. On February 10 1864 Lytton's The Lady of Lyons was on the bill as the opening piece, but the Herald thought it a failure in consequence of \"that portion of the company which had been collected in Shanghai and pressed into service\". How this is to be understood is not quite clear. Did Faylor's company consist of only a few actors, who were to be supplemented by local worthies? But then, who else could they be but amateurs, the darlings of the foreign community? However this may be, on May 9 at an evening in which also the \"Royal Shanghai Ballet d'Action\" [so far for fancy names!] participated, the \"celebrated comedy Nature and Philosophy or Eighteen Years Labour Lost” was given. As members of the company were mentioned Mr. and Mrs. C.R. Faylor, Mr. and Mrs. E. Yeamans and Major Pegus. Amateurs almost always adopted stage names in order to hide their real identity, but with professional actors it may be assumed these names were real.\n\n45\n\nA more substantial contribution to the amusement of the Shanghai public was made by Lewis' Dramatic Company. It was of Australian origin and the \"musical director and manager\" was Charles Edouin. Other members of the group were Tilly Earl, Mrs. Gill, Lizzie Naylor, Jenny Nye, T. Andrews, Henry Birch, J.B. Creswick, W.B. Gill and nearly the whole Edouin (or, rather, Bryer) family: Julia, Rose, John and Willie. Rose (1844-1925) married G.B. Lewis and became later an actress at, among others, the Maidan Theatre in Calcutta. Her brother Willie (1846-1908; his real name was John Edward Bryer) first appeared in public when he was six; after the tour to Australia, India, China and Japan he played in Melbourne, California, New York and London.46 In 1862 the \"Lewis' Equestrian Australian Troupe\" had visited the port with \"six of the best horses ever landed in China**,** but in 1864 the company had turned to drama and from October 6 until their departure in December an eight week season provided an unprecedented shower of farces, burlesques and even some quality pieces like Sheridan's The Rivals and the prison scene from Shakespeare's King John (Act IV, sc. 1), in which the role of prince Arthur was played by an actress, Julia Edouin, who took \"the house by storm\".48 The success of the company was apparently so great that they returned in March of the following\n\n47",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211796,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 211,
        "title": "RAS-1989",
        "content_text": "186\n\nwho evidently had no 'tender cares' to occupy them, manfully maintained their seats in front, and remained so spellbound as to forget entirely the courtesies of gallantry and good breeding. We are of opinion that a perusal of Lord Chesterfield's 'Hints' might be a useful exercise for such as have no innate impulses to enable them to understand and practice what is conveyed in the phrase 'Place aux Dames' when those fair patronesses choose to honour public entertainments with their presence\".\n\n129 Once front seats were shunned by ladies, but that was not the case in mid-century Shanghai. In the Regulations to be Observed on the Evenings of Performances at the Shanghae Theatre printed in the North China Herald of February 14, 1857, it was even stipulated that, \"after the front row had been set apart for the exclusive accommodation of H.B.M. Consul and the French and American Consuls, the seats numbered 2 to 6 will be reserved for ladies, and the gentlemen who escort them.\"\n\nVII. The Plays\n\nFrom the references above, and even more from the Calendar of Performances, it will be clear that the dramatic fare in Shanghai consisted for the greater part, nay for nearly one hundred percent, of pieces that could easily amuse the people. That is to say: farces, comediettas, burlesques, melodramas, burlettas, musical comedies or whatever name may be invented for the genre. There is no space here, nor is it within the scope of this Survey, to give an analysis of these plays, so I shall keep myself to some general remarks.\n\nMost pieces that were performed dated from the 19th century, but there were some from the previous one, like Henry Carey's The Dragon of Wantley (1737), a short three-act opera with music by John Frederick Lampe which burlesqued the Handel style works which were then in vogue (but hardly a century later); and James Townley's (or was it David Garrick's?) High Life below Stairs which one rather antiquarian critic thought \"worth whole bales of farces of the 'Box and Cox' pattern\". Sheridan's The Rivals (1775) was also on the programme several times (although not on that of the local amateurs) but it is remarkable (and, considering the travesties that were common, maybe just as well) that a classic comedy like Goldsmith's She Stoops to Conquer was not tackled.\n\n130\n\nOf contemporary authors the most prolific was John Maddison Morton and it should cause no surprise that his plays took top of the bill: no",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211817,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 232,
        "title": "RAS-1989",
        "content_text": "207\n\nplays; the wood scene we thought very effective and true to nature\". This is one of the few times that at least some slight attention is paid to the staging of a piece. (NCH 8.5.1858).\n\n28.9.1858 (Tue)\n\nR.B. SHERIDAN: \"The Rivals” (1775)\n\nT: Comedy (prologue, 5 acts, epilogue), and two other, unnamed, light pieces\n\nC: Officers of H.M.S. Retribution\n\nTh: On board ship\n\nR: This must have been a long night for in addition to Sheridan's The Rivals (a full-length five-act comedy in which Mrs. Malaprop was played by \"Mrs. Taylor\") there were two other light pieces of which the titles have not been recorded. Small wonder then that \"our reporter did not wait to see as the hour was late and he had to rise early to see the comet\" — which had first been observed on September 15. (NCH 2.10.1858)\n\n2.10.1858 (Sat) and\n\n6.10.1858 (Wedn)\n\nConcerts by Mr. Martin Simonsen, violin, and some local amateurs.\n\nProgramme:\n\nCharles Auguste DE BERIOT (1802-1870): Seventh air with variations, Martin SIMONSEN: \"Sounds from Home\", Heinrich Wilhelm ERNST (1814-1865): **Andante” (= Elegie?), N. PAGANINI: \"Carnival of Venice\", Some German songs.\n\nTh: Theatre Royal (C)\n\nR: That the scarce recitals by professional musicians did not draw the same public attention as the amateur actors has already been pointed out in the Survey. On October 2 the attendance was not large, but for the sixth \"a considerable improvement\" was observed and it was hoped there would be a full house on the 12th so that the artist would not be left **with cause to regret his visit to this remote place”. The critic, \"'T.\", gave himself an air of the specialist when he wrote that \"though we do not find any attempt at the dignity and breadth of style which are the characteristics of the greatest performers of the age, we are glad to recognise an execution at once brilliant and lively and in some respects really astonishing\"; and he regarded Mr. SIMONSEN as \"a worthy member of that particular school of which De Bériot was one of the brightest ornaments (De Bériot was a famous violinist who had been forced by illness to end his career in 1852). It must be assumed that the writer had heard other musicians in Europe — where else? — with whom he could draw a comparison. These were the days without radio, gramophone or compact disc! He was apparently a lover of more serious music, for he added wrily: \"We presume it is necessary occasionally to introduce pieces of a light and striking character, but for our own part we deprecate the production of such solos as 'Life on the ocean' **. As to those who assisted Mr. SIMONSEN \"T.\" found it **creditable to this small Settlement that it can produce so able and numerous a body of amateurs who evidently study music for its own sake. We venture to ask them to persevere — it is a science which will amply reward its followers, which will repay a thousandfold its earnest students\". (NCH 9.10.1858). In well-to-do circles in Britain a musical education was considered a mark of good breeding and probably a number of residents had acquired their instrumental skill in youth. Others could profit from the piano lessons that were advertised in December 1858: they were given \"at moderate charges\" and persons interested should apply to \"D.D. at Mr. W.H. Moore's, Hongkew\". Why all would-be artists in Shanghai were so mysterious about their true names remains an enigma. The initials D.D. do not suit any of the residents in the *Shanghai Almanac for 1858'. W.H. Moore is listed in it as a pilot.\n\nT",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211833,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 248,
        "title": "RAS-1989",
        "content_text": "223\n\nharmonium by D.H. ENGEL\n\n17. \"Eupeidee\" (German student song and chorus) Th: Olympic Theatre (H)\n\nR: An advertisement only was published in the Herald of 29.10.1864. From it we learn that tickets could be obtained at the premises of Hiram Fogg & Co (ship chandlers, general store and auctioneers; one of the oldest foreign firms in Shanghai, located at the southern end of the Bund); Hall & Holtz (see 29.6.1864); A.A. Hayes Jr (Olyphant & Co, Nanking Road, ex Park Lane); and Herbert Cope (Geo Barnet & Co, Kiangsi Road (ex Church Street) and Hankow Road (ex Custom House Road)). It also becomes clear that there were at that moment at least two theatres in the Settlement: the Lyceum and the Olympic. The programme is interesting for the number of composers which have now been forgotten (Silcher, Kücken, Becker, Werner, etc.) and the piano arrangements of well-known opera arias.\n\n12.11-18.11.1864\n\nW. BROUGH: “Conrad and Medora” (1856)\n\nT: Burlesque pantomime (1 act)\n\nJ.B. BUCKSTONE: “Married Life\" (1834)\n\nT: Comedy (3 acts)\n\nJ.W. MARSTON: \"A Hard Struggle\" (1858)\n\nT: Domestic drama (1 act)\n\nW. SHAKESPEARE: “King John”, prison scene (Act IV, scene III)\n\nFurthermore:\n\n“Cinderella”, possibly by H.J. BYRON (1860) or T. TAYLOR (1845).\n\n\"Wonder\"; no contemporary pieces are listed in HED; only: Mrs. S. CENTLIVRE: “The Wonder. A woman keeps a secret” (1714) and H. CAREY: \"A Wonder or an honest Yorkshireman\" (1735).\n\nC: Lewis A.D.C.\n\nTh: N.N. (E)\n\nR: The Lewis company continued to draw large houses and ventured even to put a Shakespeare scene on the programme, from King John. It proved to be \"the hit of the week\". In it starred Miss Julia EDouin and Mr. Henry BIRCH: \"The acting was perfect. Miss Julia EDouin doing the fullest justice to the character of Prince Arthur and indeed taking the house by storm!\" (NCH 19.11.1864).\n\n19.11.1864 Sat\n\nH.J. BYRON: “Aladdin or the Wonderful Scamp” (1861)\n\nT: Burlesque extravaganza (1 act)\n\nC: Lewis A.D.C.\n\nTH: N.N. (U)\n\nN: Benefit of Miss Tilly Earl who played the role of Aladdin\n\nR: NCH 26.11.1864\n\n23.11.1864 (Wedn)\n\nR.B. SHERIDAN: \"The Rivals\" (1775)\n\nT: Comedy (5 acts)\n\nC: Lewis A.D.C.\n\nTH: N.N. (P)\n\nN: Benefit of Mrs. Gill who played the role of Mrs. Malaprop.\n\nR: NCH 26.11.1864\n\n26.11.1864 (Sat)\n\nH.J. BYRON: \"Aladdin or the Wonderful Scamp” (1861)\n\nT: Burlesque extravaganza (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211850,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 265,
        "title": "RAS-1989",
        "content_text": "240\n\nRODWELL, James Thomas Gooderham (d. 1825)\n\n\"A Race for Dinner\" (15.4.1828). P: Announced in March 1854 but not performed. \"The Young Widow or A Lesson for Lovers\" (1.11.1824), P: 27.4.1865\n\nSELBY, Charles (1802?-1863)\n\n\"The Boots at the Swan\" (5.4.1843). P: 14.12.1865\n\n**A Fearful Tragedy in the Seven Dials\". P: 15.2.1860\n\n**A Lady and a Gentleman in a Peculiarly Perplexing Predicament\" (9.8.1841), P: 13.2.1864\n\n**The Unfinished Gentleman'' (1.12.1834). P: 17.6.1865\n\nSHAKESPEARE, William (1564-1616)\n\n\"King John\" (1594–1596). P: 12.11.-18.11.1864 (Prison scene, Act IV.1 only) **Richard III\" (1592-1593). P: 26.4.1865 (Act V only)\n\nSHERIDAN, Richard Brinsley (1751 1816)\n\n**The Rivals\" (17.1.1775). P: 28.9.1858; 23.11.1864\n\nSUTER, William E. (1812-1882)\n\n? \"Lady Audley's Secret\" (22.2.1863). P: 28.12.1864\n\nTALFOURD, Francis (1827-1862)\n\n\"A Household Fairy\" (24.12.1859), P: 26.11.1864\n\nTAYLOR, Tom (1817-1880)\n\n? \"Cinderella\" (12.5.1845). P: 12.11.-18.11.1864; 28.4.1865 \"Still Waters Run Deep\" (3.3.1856). P: 23.4.1857; 15.3.1860\n\nTOBIN, John (1770-1804)\n\n? \"The Honeymoon\" (31.1.1805). P: 19.4.1865\n\nTOWNLEY, Rev. James (1714-1778)\n\n\"High Life below Stairs\" (31.10.1759), P: 21.4.1851\n\nWEBSTER, Benjamin Nottingham (1797-1882)\n\n? \"Aurora Floyd' (11.3.1863). P: 26.11.1864; 17.4.1865\n\n? \"The Golden Farmer or the Last Crime\" (26.12.1832). P: 8.10.1857\n\nWILLIAMS, Thomas John (1824-1874)\n\n\"Nursery Chickweed\" (12.11.1859), P: 28.3-5.4.1865\n\n\"On and Off\" (6.6.1861). P: 25.4.1864\n\nAPPENDIX II\n\nAn alphabetical list of plays staged in Shanghai 1850-1865\n\nThe Adventures of Bonnie Prince Charlie or the Rising of 1745: N.N.; 13.6.1864.\n\nAladdin or the Wonderful Scamp: H.J. Byron; 2.9.1864, 19.11.1864, 29.4.1865,\n\nAnything for a Change: C.W. Brooks; 15.5.1854.\n\nApartments: W. Brough; 23.3.1853.\n\nThe Area Belle: W. Brough & A. Halliday; 30.9.1865.\n\nAttic Story: J.M. Morton; 6.5.1852.\n\nAurora Floyd: C.S. Cheltnam? C.H. Hazlewood? J.B. Johnstone? B. Webster? 26.11.1864, 17.4.1865.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211853,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 268,
        "title": "RAS-1989",
        "content_text": "Richard III: W. Shakespeare; 26.4.1865.\n\nThe Rivals: R.B. Sheridan; 28.9.1858, 23.11.1864.\n\nA Roarer: N.N.; 19.4.1865.\n\nRob Roy; C.H. Hazlewood? W.H. Murray? 28.3.-5.4.1865.\n\nA Roland for an Oliver: T. Morton Sr; 23.2.1852. Roofscrambler: G.A.à Beckett; 12.12.1850.\n\nThe Rose of Castille: A.G. Harris; 8.10.-14.10.1864. The Rough Diamond: J.B. Buckstone; 13.4.1865.\n\nThe Serious Family: M. Barnett; 8.10.1857, 2.6.1859, 23.3.1865, 28.4.1865. Siamese Twins: G.A.à Beckett; 5.5.1853.\n\nA Silent Woman: T.H. Lacy; 29.6.1864.\n\nSink or Swim: T. Morton Jr; 16.2.1857.\n\nSlasher and Crasher: J.M. Morton; 21.2.1856.\n\nStill Waters Run Deep: T. Taylor.; 23.4.1857, 15.3.1860. Sweethearts and Wives: J. Kenney; 11.4.1865.\n\nTake that girl away: L.S. Buckingham; 15.2.1860; 3.12.1864. Time tries all: J. Courtney; 5.5.1858, 10.5.1860, 21.3.1865. To Paris and back for £5: J.M. Morton; 10.5.1860, 21.3.1865. The Turned Head: G.A.à Beckett; 27.1.1853.\n\nTurn out!: J. Kenney; 10.11.1865, 20.11.1865.\n\n'T Was I: J.H. Payne; 27.4.1865.\n\nThe Two Bonny Castles: J.M. Morton; 22.3.1854, 8.5.1865.\n\nThe Unfinished Gentleman: C. Selby; 17.6.1865.\n\nUrgent Private Affairs; J.S. Coyne; 5.5.1858.\n\nUsed Up: D. Boucicault & C.J. Mathews; 26.1.1852, 27.1.1853, 18.2.1857.\n\nThe Wandering Minstrel: H. Mayhew; 24.5.1865.\n\nWhere There's a Will There's a Way: J.M. Morton; 26.3.1863.\n\nWhich is which?: W.B. Gill; 27.3.1865.\n\nWhitebait at Greenwich: J.M. Morton; 23.1.1856, 16.2.1859, 26.5.1864.\n\nThe White Horse of the Peppers; S. Lover; March 1863, 16.3.1863.\n\nA Wonder: H. Carey S. Centlivre?: 12.11.-18.11.1864,\n\nWoodcock's Little Game: J.M. Morton; 14.12.1865.\n\nThe Young Widow: J.T.G. Rodwell; 27.4.1865,\n\n243\n\nPage 268",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 214844,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 259,
        "title": "RAS-1999",
        "content_text": "226\n\nconcerning the Opium Question and have come to the conclusion that we have no right to date the present eruption to that cause, as we have been insulted, our Trade interfered with, and British subjects have been maltreated long before Opium was mentioned and we have only been too tardy in seeking redress.” Letter of August 21st 1840 from Chusan, from “An Artillery Officer in China, 1840-1842”, Blackwood's, 1964, p. 80.\n\n\"The Cree Journals, The Voyages of Edward H. Cree, Surgeon R.N., as Related in his Private Journals, 1837-1856 Edited and with an Introduction by Michael Levien. (Exeter, Webb & Bower, 1981), p. 117.\n\n12\n\nAs, e.g. in Bingham, op.cit., Vol.I, p. 187: \"Captain Elliot assured the Chinese, by proclamations in their language, that no harm was intended to the peaceable inhabitants by the present expedition; that it was caused by Lin's bad treatment of the English; and that the force would only act against the mandarins, officers, and soldiers of the government.\"\n\n13 Bingham, Vol.II, p.171, and Jack Beeching, The Chinese Opium Wars (Hutchinson of London, 1975), p.129.\n\n14 Beeching, p.149. They had done the same in Lower Burma in 1824-26 (George Bruce, The Burma Wars 1824-1886 (London, Hart-Davis, MacGibbon, 1973) pp.33-35.\n\n15 See Michael Howard, George J. Andreopoulos and Mark R. Sheridan (Eds), The Laws of War, Constraints on Warfare in the Western World (New Haven, Yale University Press, 1994), chapter 6, \"The Age of Napoleon”, in which Gunther Rothenberg wrote (p.97) that \"Professional soldiers were well aware of the laws and customs of war between civilized states, and by and large observed them,” and that despite atrocities and violations, their \"basic existence and validity” were never challenged.\n\n16 The most notable example being the firing of a salute of minute guns by the flagship, HMS Blenheim, when Admiral Kuan's body was recovered by his family after the battle of the Bogue in January 1841: see Bingham, Vol.II, p. 151, and Beeching, p. 128.\n\n18\n\nBeeching, pp. 147, 151. Wyndham Baker in Blackwood's p.79. By way of comment he added, “The",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    }
]