[
    {
        "id": 205723,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 29,
        "title": "RAS-1969",
        "content_text": "CHINESE UNOFFICIAL MEMBERS OF COUNCILS\n\n23\n\nmerchants in this Colony. In all necessary measures to that end, I know that I can rely upon the whole-hearted support of this Council\". At the same meeting, the Senior Unofficial member, Sir Henry Pollock, paid the following tribute to Sir Shouson Chow and Robert Kotewall; \"During the last seven months, in particular, we have felt indebted not only to Sir Shouson Chow but also to his Chinese colleague on the Council. We, Sir, behind the scenes, can appreciate perhaps more fully than the general public the work of the Chinese members of this Council during the period I have referred to”. \n\nOn 9th July 1926, Sir Shouson Chow was also appointed the first Chinese member of the Executive Council, following the death of Sir Paul Chater who had served on that Council since 1896.26 Although the appointment was made on personal grounds, it was evident that political considerations also came in, viz., to pacify anti-British sentiment in China and to further encourage the loyalty of local Chinese towards Hong Kong. \n\nSir Shouson Chow served on both Councils until 1930, when he resigned from the Legislative Council. He continued, however, to be a member of the Executive Council until he retired in 1936. He died many years after the war, in 1959, \n\nWhen Lau Chu-pak retired from the Legislative Council in 1922, he was succeeded by Ng Hon-tsz who was born in 1877 and was compradore to Shewan, Tomes, Ltd. He was a director of the Tung Wah Hospital in 1907 and was a founder of the Tsan Yuk Hospital. He was at various times a member of the District Watch Force Committee, the Sanitary Board and the Council of the University of Hong Kong. He served in the Legislative Council for only two years and died in 1923 while in office. After his death, Sir Henry Pollock remarked at the Legislative Council meeting held on 10th May 1923 that Mr. Ng had always been a \"wise, sound and faithful councillor”. \n\nMr. Robert Kotewall, who succeeded Ng Hon-tsz as a member of the Legislative Council in 1923, was born in Hong Kong in 1880. Educated at the Central School as well as the Diocesan Boys' School, he was a noted English as well as Chinese scholar and was a very good speaker. After a distinguished career in the Hong Kong Government until 1916, he turned to business and",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 208393,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 117,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\nFREDRIKKE SKINSNES SCOLLARD*\n\nIn April of 1977 I had the opportunity to visit the pottery-producing town of Shiwan for the first time with the Oriental Ceramic Society tour. At that time for foreigners, group travel to China from Hong Kong still involved months of waiting for approval, and the individual trip needed for my own research of Shiwan pottery was an impossibility. The day spent in Shiwan however, was sufficient to establish a few acquaintances and to discover that fundamental archaeological research was in progress.\n\nIn May of the same year I gave a talk to the Oriental Ceramic Society titled \"Shiwan Reverberatory\". The reason for the choice of that title was that in ten years' experience studying Shiwan pottery, I have met with a great deal of resistance to the study of these wares. Art historians feel they are a coarse and unimportant local product with little esthetic merit, and even most non-specialists more often than not react with \"I just don't like it.\" In a first lecture on Shiwan pottery, I therefore did not expect to gain immediate converts to this art with a very different and unfamiliar esthetic. Rather, the choice of the title indicated that I felt the subject was worthy of much more attention, and that I hoped, over the next few years, my audience would have repeated opportunity to see and study Shiwan pottery, thereby slowly gaining familiarity with its esthetic.\n\nIndeed, over the last two years, more attention has been paid to these wares. In October of 1977, the Hong Kong Museum of Art in cooperation with the Leal Senado of Macau, staged an exhibition of 139 pieces and published a full colour catalogue. Mr. Lawrence Tam delivered an excellent talk to this Society on the subject, and Mr. Nigel Cameron critiqued the exhibition with his \"Second Thoughts on Shekwan\" in the South China Morning Post.1 At present, the Fung Ping Shan Museum of the University of Hong Kong, in cooperation with Guangzhou museums, is preparing a joint exhibition on Shiwan pottery for the fall of 1979.\n\n* Ms. Scollard holds Masters' degrees in the History of Art (Hawaii) and Chinese Literature (Chicago). She is Associate-in-Research, Centre of Asian Studies, University of Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208403,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 127,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208404,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 128,
        "title": "RAS-1978",
        "content_text": "112\n\nFREDRIKKE S. SCOLLARD\n\n12 Mai Xiaoxia (44), “Guangdong Xi Ju Shi Lue” (广东戏剧史略), Guangdong Wen Wu (广东文物) (1941) Vol. 8, pp. 141-185.\n\n13 Zhang Weichih (##), Guangdong Shiwan Tao Qi (广东石湾陶器), Guangdong Ren Min Chu Ban She (广东人民出版社) (1957) p. 47.\n\n14 Development and modernization in the town of Shiwan is discussed more fully in: Fredrikke Skinsnes Scollard, \"Modernization in Shekwan (*): From \"Pottery Capital\" to \"Comprehensive Pottery and Porcelain Production Base\", Conference on Modernization in China, University of Hong Kong, Centre of Asian Studies, October-November 1978. (In Press).\n\n15 Op. Cit. Ref. 10.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208561,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 18,
        "title": "RAS-1979",
        "content_text": "community which was the subject of his earlier book on New Territories' emigration.\n\nIn June Dr. Rosemary Quested, Senior Lecturer in Hong Kong University's Department of History and who is completing an historical study of Russia in Manchuria, spoke on the Russian Community there from the point of view of a Slavic counterpart to foreign communities in Hong Kong and Macao. Also in June we heard from Professor Wang Gungwu, well known for his work as professor of Far Eastern History and Director of the Research School of Pacific Studies at the Australian National University, Canberra. He gave us a most original talk on \"Rhetoric and Diplomacy in Sung Dynasty China\". After a break for the summer, when we find more and more of our members are out of Hong Kong, we continued in October with a talk by Dr. David Long, Professor of American History at the University of New Hampshire and at that time Visiting Lecturer in History at Hong Kong University. He spoke on American armed intervention at Canton in 1856. In November Ms. Fredrikke Scollard injected a more cultural note into the programme with a talk, illustrated with some very fine slides, on Shekwan pottery, Ms. Scollard who is currently engaged in research on this kind of pottery from Kwangtung, spoke of her work during three weeks in Canton and Shekwan, discussing also recent archeological research in Shekwan and introducing us to some of the contemporary artists working in that area.\n\nIn January Sir Raymond Firth, Professor Emeritus of London University and a very well known social anthropologist both for his work in Oceania and his contribution to the theoretical side of the discipline, talked about the social function of personal names: their purpose in identifying people in a variety of social roles, taking examples from different cultures. Also in January, Major Oliver Lindsay, author of a recent study of Hong Kong's war years, spoke on this subject illustrating his talk with slides. February brought another kind of subject to us with a talk by Dr. Stella Thrower, research fellow in biology at the Chinese University, on \"Food for Free\" in which she surveyed edible flora and fauna of Hong Kong. Hopefully it served of some practical use as well as general interest, with our rising cost of living. To end the programme for the year, Dr. Mary Turnbull, Reader in History at Hong Kong University spoke in the earlier part of this month on a subject\n\nviii",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
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    },
    {
        "id": 208882,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 44,
        "title": "RAS-1980",
        "content_text": "16\n\nKEITH G. STEVENS\n\noften picked out in green or left in their natural state, though very quickly they are covered with incense soot.\n\nTraditional temples in Hong Kong and Macau have two predominant styles of facade. The first has a verandah, which stretches from side to side across the front and is covered by the roof (Illustration 7). The second style, the more common, consists of a regular oblong plan with the entrance door and the section of the front facade which fronts the main hall, set back about two feet into the whole facade. The facade fronting the two side halls is usually windowless, though occasionally it is decorated with long murals at roof height (Illustration 8).\n\nThe verandah of the first style is occasionally enclosed in a low, open balustrade. Above it the roof is supported by a stone beam from each side wall, reaching to and resting on the vertical columns which flank the entrance. Stone animals occasionally grace the beams, and more often than not the wooden support beams which stretch from the facade to the vertical pillars are heavily carved or support carvings depicting Chinese social life. In some villages, the Deng Family clan temple at Ha Tsun for example, the carvings depict everyday life, such as fishermen wading ashore from their grounded boats. In other temples, under the eaves high above the long verandah, murals of scenes in three dimensions in Shekwan pottery decorate the facade.\n\nThe majority of temples in Macau are single-hall temples (a total of 19 out of 32). The main halls of the two largest traditional temples in Macau, the Lin Feng Miao and the Guan Yin Miao are much the same basic size as those in the large Hong Kong traditional temples. However, the side halls and annexes of the two Macau temples are considerably larger. The large main hall of the Lin Feng Temple in Almirante Lacerda, facing WNW and backing onto the hill Colina de Mong Ha, has a main altar with two secondary altars on either side and, in addition, a second main altar in the front of the court, facing the main entrance. The whole Lin Feng complex has four separate major altars. There are two in the main hall, one at the front and one at the back and one each in the two side halls (with the one to the east having a further altar in a separate room). The temple's two side halls, each with its own main altar, are more than likely looked upon as separate temples as they have their own Earth Gods beside their entrances.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 208890,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 52,
        "title": "RAS-1980",
        "content_text": "24\n\nKEITH G. STEVENS\n\nperhaps be recognisable. In one monastery near Tuen Mun very large murals depicting individual, fearsome soldiers were copies from sketches made in Peking many years ago but are only known as the \"Fierce Generals\".\n\nThe images of the deities on altars are frequently brightened with a red scarf or a large red rosette which covers the top of the head or hat of the images, with a ribbon hanging down on either side of the image to approximately waist height. Other decorations pinned into the hats of gods on the altars include long pairs of red and silver metal foil triangular rosettes. Cloth vestments are also commonly to be seen, made by elderly lady devotees as an act of piety and draped around the images of major deities.\n\nThere is a remarkable air of unkemptness about traditional temples. Things are stored flagrantly beside or under the altar without any regard for aesthetics. The clutter can range from bedding to broken furniture, plastic bowls to drying clothes, from spare tins of oil for the lamps to piles of old newspapers. Umbrellas hang on the wall, vests and underpants dry on the altar table edge, and everywhere there is a thick layer of dust.\n\nExternal decoration\n\nOutside decoration, usually very simple, consists of murals over the entrance, the flattish gable roof of dull, glazed tiles which on traditional temples more often than not leads up to an ornamented ridge piece. Exterior walls usually are of brick, granite or a combination of both which in some places have been whitewashed or have a cement finish.\n\nMany articles have already described traditional temple roof ridge external decoration, which is mainly of Shekwan pottery, with turquoise and golden yellow the two predominant colours. The decoration may only cover the horizontal ridge, though in quite a number of traditional temples it also covers the curved roof ridges joining the main ridge to the flank walls. The decoration on these ridges usually has a centrepiece consisting of a red ball (pearl) with dragons, fishes, cockerels and mythical creatures, interspersed with three-dimensional scenes from Chinese legend and myth. The roofs of smaller traditional unmanned, single room, coastal temples usually are without decoration, or if any attempt has been made it is stylized and very basic.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 210818,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 169,
        "title": "RAS-1986",
        "content_text": "152\n\nCARL SMITH\n\nDutch parentage from Malacca, who soon became dissatisfied and left for a more adventurous life at sea; J.H. Moore, born in Macau, who left after a few years, married a beautiful 15-year-old girl from Malacca and then took up newspaper editing and some unprofitable business ventures at Malacca and Singapore; and a student from overseas, William Hunter, an American.\n\nHunter's reminiscences of his days at Malacca indicate he enjoyed them. He studied hard, for it is no easy task for a foreigner to acquire competency in written and spoken Chinese. He enjoyed the companionship of J.H. Moore. When not studying they took long walks, explored the countryside, observed the ways of the people, joined in the excitement of local festivals and shared in the homely life of the missionary staff of the college.\n\nHe studied at the college for 18 months. He had arrived a boy of 12, he left a confident young man of 14. He returned to Canton where he continued studying under the direction of the Rev. Robert Morrison, but he also began learning the business of the counting house and godown. The firm to which he was apprenticed went into liquidation and Hunter returned to New York. But the \"China bug\" had bitten him, and when an opportunity came to return to China in 1830 under the patronage of Russell and Company, he eagerly accepted it.\n\nThis firm had a long history in China trade. Its roots go back to 1789; it took on the name Russell and Co in 1824. It was the largest of the American firms operating in China. It finally failed in 1891, though some members of the firm reorganised in Hongkong as Shewan, Tomes and Co. The latter is still operating in Hongkong.\n\nOne gathers from his reminiscences and references to him by others that he was a pleasant, agreeable, but not an aggressively ambitious person.\n\nWhen Hunter was visiting one of his former business associates in England, a young son of the family met him. Later he described Mr. Hunter as \"a handsome, courteous man with a brown face and white moustache, like a fine type of Anglo-Indian, and speaking Chinese for our amusement with so soft a voice that I have often",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
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    {
        "id": 212331,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 273,
        "title": "RAS-1990",
        "content_text": "250\n\ngenerating their own supplies, switched to Hong Kong Electric.\n\nIn 1924 there were 1,369 gas street lights, compared to 469 electric. By 1936, few gas lights remained.\n\nDuring the invasion, in December 1941, a small group of Hong Kong Electric engineers and other staff, a few of whom were veterans of Britain's past wars, held the Japanese at bay in the epic defence of the North Point Power Station. Casualties were heavy. Of these, Vincent Sorby, the general manager, later died of wounds in prison camp.\n\nExcept for early days and the war years, blackouts have totalled only two hours 50 minutes. One was caused by a fire at North Point Power Station in 1930, and another when a shoal of fish was sucked into the cooling system in the same year.\n\nChina Light and Power\n\nChina Light and Power is younger than Hong Kong Electric, and until it was established, apart from a few lamps, the streets of Kowloon went lightless at night. Robert George Shewan registered the company in 1900 (some records say 1901). His main business was as a partner in Shewan, Tomes and Company. Its predecessor was Samuel Russell and Company (liquidated in 1879), which started business in Canton in 1818, an American trading firm originating in Boston which merged with Perkins and Company, another American company, in 1842.\n\nLawrence (now Lord) Kadoorie, Hong Kong's first peer, was born in Hong Kong and raised in China. His father, who became Sir Elly Kadoorie, arrived in Hong Kong, via Bombay, in 1880 from Baghdad where his was one of the leading Jewish families. Lawrence Kadoorie joined the board of China Light and Power in 1930. Since then, he has been one of the driving forces in the company.\n\nChina Light and Power commissioned its first power station, at Hung Hom, in 1903. In 1989, the company supplied electricity to nearly 1,400,000 customers in Kowloon, the New Territories, Lantau, and some outlying islands. 'China Light' is not dealt with at such length here as Hong Kong Electric because it did not come into",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 213620,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 216,
        "title": "RAS-1995",
        "content_text": "The Sixth, Liu Tsu (NL) and last Patriarch of the Ch'an sect of Chinese Buddhism lived during the 7th century AD and is best known by his name in religion, Hui Neng (E). He is commonly called Ch'an-tsung Liu Tsu Hui Neng (AE). Hui Neng studied under the Fifth Patriarch, Hung Jen, in Hupei province, was chosen by him to be his successor and, as the Buddhist Law was by that time well established in China, Liu Tsu did not feel the need to proclaim his successor, in particular. He founded the “Sudden Enlightenment School\". He was born into the Lu family in Hsin-hsing county in Kuangtung province in 637. Stories are told about his upbringing in the province by poverty-stricken parents and as an illiterate youth his employment as a common labourer in the kitchen of the Fifth Patriarch. Also, whilst still a youth he amazed monks and nuns with his miraculous ability to understand the chanted sutras.\n\nIn 676 he took holy orders in the Kuang-hsiao Ssu in Canton, the temple where Ta Mo had stayed on his arrival from India some 150 years earlier, and insisted on working in the fields until old age prevented it. He was a great proponent of the saying he first created \"One day no work, one day no food\". A special pagoda was erected in the grounds of the temple and the hair shaved from the head of Hui Neng was stored there as a relic.\n\nHe died in 713 in the Kuo-en Monastery in Kuangtung where his corpse, which proved to be incorruptible, was enshrined. It was lacquered and looked for all the world as it did whilst still living. His mummified body is still kept in the Nan-hua Monastery, built by Hui Neng on Nan-hua mountain, a prime site some twenty miles from Shaoguan, north of Canton.\n\nThe Ch'an cult developed in the Nan-hua Monastery. Liu Tsu has been adopted by Buddhists as the protective genius of the province of Kuangtung and was, for example, successfully prayed to for rain in 1900 during a prolonged drought. His image still stands in the temple of the Six Banyans in Canton city, and has been seen on altars in Cantonese communities in SE Asia and in Hong Kong and Macau, and also in one of Hong Kong's clan associations as the patron of the Lu clan, with his image amidst slips and tablets dedicated to the departed Lu's.\n\nThe standard image of Liu Tsu, in the likeness of the mummified body, portrays him as an elderly monk, sitting cross-legged, head bent forward with his hands resting palms upward on his lap. In one or two images he is portrayed wearing the bodhisattva's five-leaf crown. One of the best-known Shekwan potters, Ch'en Wei-yen [18th century] had been ill for some time. His mother prayed to Liu Tsu and promised that",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
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    },
    {
        "id": 213837,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1996",
        "page_number": 189,
        "title": "RAS-1996",
        "content_text": "162\n\nbeen built in 1765. Since its establishment, the building has been renovated several times, in 1878, 1910, 1962, and 1978.7 The first recorded reconstruction, that is the one in 1910, is evident on the commemorative tablet installed on the interior wall of the temple. It is fortunate that the architecture through all these ages has retained its original style and character,\n\nThe temple, which can be considered a well-endowed and elaborate structure for its time, consists of three halls. In the main hall, a wooden idol of Houwang is installed at a shrine, covered with a canopy with the title \"Imperial Bestowed Loyal and Brave Marquis Yang\" (JAKE) written on each side. Clay statues of a civil official and a military official stand on the left and the right, respectively, as attendants to the local god. Enshrined in the side hall on the left are three spirit tablets. The one in the middle is for the pioneer villagers who established the temple; the one on the left is for those who donated the construction fee; the one on the right is for the men in charge of the reconstruction. In the side hall on the right, secondary divinities, such as mountain gods and earth gods, are enshrined. (See the floor plan of the temple.)\n\nThe facade of the temple is decorated by murals of scenes on walls and doors. On the left and right tips of the roof, there are streaked clay decorations in three dimensions. Figures of the martial arts, embellished with coloured glaze, are installed on the central ridge of the roof. It is recorded that these ceramic figures, of high quality workmanship, were manufactured at the well-known Shekwan kilns in 1910. In terms of structure and design, the Houwang Temple can be considered architecture of characteristic style. If the construction of a temple reflects the wealth of a community, Tung Chung's Houwang Temple seems to indicate that people there fared quite well before the locale declined into a periphery along with the shift of Hong Kong's economic core.\n\nIt is also surmised that a village coalition was being formed at the time of the construction of the Houwang Temple. As hundreds of immigrants moved into the New Territories after the \"Coastal Evacuation\" order in the early Ch'ing had been abolished, cult worship might have contributed to social integration and community building. Tung Chung's Houwang Temple, as mentioned above, is believed to",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
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