[ { "id": 211769, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 184, "title": "RAS-1989", "content_text": "159\n\nstill more because of the unsettled conditions in China during the 1850s and 1860s. Internal dissent manifested itself through the Taiping rebellion, in which Shanghai was threatened. The native city was occupied by insurgents during 1853-1855 and in order to prevent Imperial troops from threatening the neutrality of the Settlement, the recently formed Shanghai Volunteer Corps (which later, in the 1860s, gave some amateur dramatic performances) fought the Battle of Muddy Flat on April 4, 1854, a skirmish about which some Shanghailanders still spoke with unreserved pride fifty years later, but for which a performance of the dramatic corps had to be postponed for more than a month.\n\n―\n\nIn the early sixties, tension heightened again; in August 1860, the Taipings threatened the Settlement; 1861 was relatively calm, but in January and August 1862, the town was once more the target of the rebels. Foreign, mainly British, troops, however, had been brought down to Shanghai from North China, where they had been fighting another war, and with the aid of the Shanghai Volunteer Corps, as well as mercenaries, all attacks could be staved off. Early in 1864, the Taiping insurrection was definitely quelled,\n\nAll this was not without its consequences, of which only those pertaining to theatrical life need detain us here. It was not to be wondered that, as long as the Settlement was under the threat of attack, its foreign population had other matters to attend to than mere amusement, so in these years (1861-1862), there is an almost total eclipse of entertainment. Yet, no sooner had tensions eased somewhat than \"nightlife\" again appeared in full swing. The thousands of soldiers and marines had swelled the originally small population; as a result, this led, on the one hand, to amateur dramatics by the garrison forces; on the other, to an increased audience for travelling companies, which gave, for the first time in Shanghai's history, rather lengthy seasons.\n\nAs was mentioned above, the resident foreign population was fairly small, and this should not be forgotten during any discussion of cultural life in the Settlement. In 1846, the total number of foreigners was given as 120; five years later, the British census showed 256, of whom 38 were females; in December 1859, there were 495 male and 74 female westerners, whereas the census of March 1865, which incorporated the results of events in recent years, showed a total of about 2100 resident foreigners, increased by 1850 military (a number which had no doubt been still higher in 1863 and 1864) --- 160 women again formed a tiny", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211781, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 196, "title": "RAS-1989", "content_text": "171\n\nLocal amateur musicians\n\nThe resident amateurs, about whom \"Philharmonic\" was so full of praise, generally performed in combination with a professional artist — although there were exceptions. Thus, there was the amateur concert in aid of the Lancashire Relief Fund, mentioned earlier, on April 17, 1863, at which among others Beethoven's \"Egmont\" and Weber's \"Freischütz\" overtures were played on the pianoforte; furthermore, glees and songs were sung by a small choir of gentlemen. In November 1864, another charity concert was given, this time in aid of the repairs fund of the \"Hongque Free Episcopal Church\", organised by the \"Shanghai Vocal Quartette Club\".\n\nBut it was far more usual that a professional artist sought the assistance of some local amateurs in order to diversify the evening somewhat. Otherwise the chance was great that the public would be bored — despite the alleged love of Shanghailanders for music witness the remark in the Herald of October 1, 1864: \"people here hardly care to sit for two hours to listen to a performance on the violin, however well the instrument is handled; some variety is required\". So the instrumental recitals were alternated with vocal exertions by the amateurs, as e.g. on February 22, 1859, when the critic was dissatisfied with the main interpreter, Prof. Shonbrun, but on which occasion the amateur tenor solos were thought to be given \"with taste and feeling\". At a following performance of the same pianist he was again surrounded by singers one of whom even ventured to tackle the great tenor aria from Donizetti's Lucia di Lammermoor.\n\n62\n\nThe Germans, despite their small number (about 200 in 1865), were generally active in the cultural field. Even before they had their own Club, a Singverein \"Germania\" had been established as early as before 1859 although the regularity of the organisation may be doubted for, at one time, there was not even a conductor, resulting in an \"evident want of confidence and decision by which the general effect was much impaired\". Little was heard of it in subsequent years, but it may have been the fore-runners of the German \"Liedertafel\" which existed in the early seventies and which was then led by Mr. Hogquist.65\n\nGarrison music\n\nThe concerts that were given by the bands of the several military forces", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211784, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 199, "title": "RAS-1989", "content_text": "174\n\nunfortunate that practically always only their stage names are known, making it impossible for us to identify any well known local citizens who were maybe also active in the municipal administration or social clubs. Not all pseudonyms were as transparent as Mr. Beverley Newcome, Mr. Circular Roller and Mr. Pickwick, nor so ludicrous as **Mr. Caput as Head Manager, Mr. Work-em-hard as stagemaker and Mr. Llanfair P.G. as the stagesweeper,” but we can never be sure about the real identity of most actors. Still, in a few cases the true names of participants were given (see: Calendar, 13.2.1863, 26.3.1863). With the managers of the companies things stood no better: the names have come to us of a Mr. Doldrum, Horatio Buskin and Peter Proteus, but they are mentioned here merely for curiosity's sake. In some instances the performers were nothing loath to adopt the names of well known contemporaries. Thus the orchestra at a theatrical night was reputedly conducted by the “Veteran Melodist Sir George Smart,” who indeed was a conductor, organist and composer (1776-1867), certainly not in Shanghai but in Britain, where he had conducted, among other performances, the first performance of Beethoven's Ninth Symphony in 1826. Another example was the appearance of \"our old friend Mr Bravo Rouse\". Rouse, always nicknamed Bravo Rouse, had been the originator of the Grecian Saloon in 1838, the precursor of the music hall.77\n\n**76\n\nOne feature that should be highlighted is the absence of ladies on the stage until 1876. On April 18 of that year Shanghailanders witnessed their first amateur actress in T.W. Robertson's School.” Before that, however, there may have been attempts to break the male monopoly in the theatre, to judge from a short remark in the local satirical magazine **Puck, or the Shanghai Charivari”** in 1873: “We hear that the actresses of the Dramatic Club bitterly resent the movement that has lately been made by the ladies of Shanghai in the direction of amateur theatricals as they consider their rights infringed. We however think differently; the presence of these fair debutantes if of more frequent occurrence [my emphasis — JH] would tend to inspire the male actors, and while we should certainly have fewer sticks on the stage, we might have more matches”. Not that Shanghai in this respect lagged behind the amateur dramatic societies in other Far Eastern ports: Yokohama introduced women in 1878, Hong Kong in 1879 and Singapore in 1884.82\n\n20\n\nAs far as Shanghai is concerned the reason for the lack of women on the stage is not difficult to find. Their general paucity in the Settlement", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211819, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 234, "title": "RAS-1989", "content_text": "209\n\n1.3.1859 (Mon)\n\nConcert by Prof. Shonbrun, piano, and some local amateurs (i.a. the Germania Singing Club) Programme:\n\nNo piano works were mentioned, with the exception of \"Monastery Bells\".\n\nVocal works: Sir Henry BISHOP: \"The Pilgrim of Love\", Wilhelm SPEYER (1790-1878) a bass aria, G. DONIZETTI: \"The great tenor aria from 'Lucia di Lammermoor\" (presumably \"Tombe degli avi miei – Fra poco a me ricovero\" from act III). Th: (New) Theatre Royal (E)\n\nR Were Shanghailanders music lovers or not? One wonders for again \"we were sorry to find so small an audience assembled on the occasion\", but the wretchedly wet state of the weather had no doubt much to do with this\". As it turned out the efforts of Mr. SHONBRUN were disappointing (at least in the ears of one critic — and how they may differ in opinion everyone knows). In this case the skill and artistic feeling which would be highly respectable in an amateur reflect no especial credit on a professional player and though Mr. SHONBRUN performed several pieces pleasingly we missed that precision, that brilliant crisp fingering and particularly that general careful finish which should characterize the true master of his instrument\". The amateurs were more appreciated and the tenor singer even had to repeat his Lucia aria. For the first time the “Germania Singing Club\" is mentioned, although there must have been earlier performances as the Herald says \"the number of the singers on Tuesday was much smaller than on former occasions\". Obviously it was in a somewhat precarious state for even a conductor was missing and the reviewer was \"constrained to say, without wishing to be too critical on the performers of amateur music, that the Association has not kept up to the standard which it established for itself by former deeds\" (NCH 12.3.1859).\n\n2.6.1859 (Thur)\n\nM. BARNETT: \"The Serious Family\" (1849)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: \"Grimshaw, Bagshaw and Bradshaw (1851)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: (New) Theatre Royal (E)\n\nR: Very late in the season the last amateur night went off. And although the review was by no means scathing, the editor of the Herald thought it wise to add that \"the heat at the theatre was extremely oppressive and this may have much to do with the lukewarm manner in which our critic speaks of the performances\". The Serious Family was described as \"an admirable satire upon that morbid and mistaken feeling of piety which regards a smile as wantonness, condemns gaiety as sin and backsliding”, nevertheless **as a scenic representation it smacks too much of dullness\". The leading parts were put on the stage by Miss Minnie O'NETTE, who acted Lady Sowerly Creamly \"to the life\"; and Mr. TINTINNABULUM upon whom \"the action of the Comedy seemed chiefly to rest. His stage bearing is admirable and his intonation excellent, but we may perhaps be permitted to take exception to his brogue which, however good as an assumption, scarcely denoted one to the manner born\". Mr. PICKWICK exerted \"to the utmost his undoubted talents for light comedy as Charles Torrens; on the other hand darling Mrs. NESBIT \"scarcely found opportunity in the part of Mrs. Torrens for the display of that vivacity which forms her chief merit\". Mr. BRUSHWOOD (00 lacked something in the role of Aminadab Sleck, viz \"that racy appreciation of his part which usually characterizes him and the hat and garb of the puritan did not sit easily upon that comical little figure which has on previous occasions so often convulsed us with merriment\". In contrast Miss WALTERS “looked and acted extremely well, causing us much regret that a drama more adapted to the exigencies of the Corps did not form the chief attraction of the evening. About the second piece, Grimshaw,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211827, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 242, "title": "RAS-1989", "content_text": "217\n\n2.3.1864 (Wedn)\n\nPerformance by the amateurs of the Royal Artillery.\n\nNo plays are mentioned in the announcement (NCH 27.2.1864).\n\n4.3.1864 (Fri)\n\nPerformance by Mrs. Greig: \"dramatic reading and English ballad music” with the cooperation of Mr. Marquis Chisholm, piano, and the Rhenish Band.\n\nN.N. (H)\n\nR: This was an evening at which the Herald predicted that \"ladies may without impropriety be present\". Mrs. GREIG had had “a most successful career in India and the colonies\" and it was the first time she had come to Shanghai (NCH 27.2.1864).\n\n28.3.1864 (Mon)\n\nT. KORNER: \"The Governess\" (“Die Gouvernante')\n\nT: Farce (1 act)\n\nA.F.F. Von KOTZEBUE: \"The Harvest at Home\"\n\nN.N.: Bullrick at Kroll\"\n\nC: Amateurs of His Prussian M.S. Gazelle\n\nTh: On board ship(?)\n\nN: It is not recorded in which language these pieces were played: titles and authors are those given by the Herald. Of Kotzebue's play I have not been able to find a German equivalent. HED, however, mentions some plays with the same title by British authors: Thomas Parry (1848) and Charles Dibdin (1787), as well as some by unknown playwrights.\n\nR: Perhaps in some fear, the Herald noted with a sigh of relief that \"the evening passed off without a single contretemps\" (NCH 2.4.1864). Curiously enough the only ship in port with the name \"Gazelle\" was a British merchantman which had arrived there from Hankow on the 22nd.\n\n30.3.1864 (Wedn)\n\nM.W.B. JERROLD: \"Cool as a Cucumber\" (1851)\n\nT: Farce (1 act)\n\nJ. KENNEY: \"Raising the Wind\" (1803)\n\nT: Farce (2 acts)\n\nJ.S. COYNER: \"Duck Hunting” (1862)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Prologue, spoken by Commm. R.C. Antrobus\n\nTh: N.N. (H)\n\nN: First performance of the season\n\nR: After a brief period in which the actual names of resident-amateurs had been published, there was a reversion to the old practice of stage names, at least probably for most actors. A whole list was printed in the Herald (Messrs Talbot, De Jones, Robinson (were these latter two the same as those active in 1858?), Carnegie, Coke, Dolittle, Smith, Blister, Buttons, Bellingham and John; and Mesdemoiselles Olivia, Pipchin, Robinson and Sally), of whom only Mr. Talbot may have been genuine. As usual the female characters of the farces were played by men (\"prettier and more graceful amateur ladies than we have ever seen before\"), a generally horrid sight for the serious theatregoer. Not so for Shanghailanders for \"large numbers of residents who were desirous of obtaining admission were excluded for want of room” (NCH 2.4.1864). A detailed review had appeared in the Daily Shipping News of 31.3.1864, no longer available. Increasingly, instead of full reports, summaries from the daily edition were published until one has to resort entirely to the Daily News; of Survey).", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211841, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 256, "title": "RAS-1989", "content_text": "231\n\nattitude to such interpolations, 13.2.1863). The qualities of most players have already been touched upon; others were JOHN EDOUIN, “a capital dancer\"; his sister ROSE EDOUIN who, in burlesques, was \"not to be overlooked; there is a style about her which commands and her gesture is sufficiently theatrical to impose upon her audience where a little less or a little more demonstration might have failed.\" Mr. W.B. GILL whose acting was not \"thoroughly under command\", nevertheless had \"his place marked out for him and we hope some day to see him take up a leading position as a low comedian\". On the other hand Mr. ANDREWS was a useful actor who is careful in his parts does not do more than he needs to do\". The Company had had tolerably good houses and their departure was regretted for it was felt that Shanghailanders had seen \"perhaps the best company East of the Cape\". It went on to Foochow, Amoy and other southern ports. (SCR 5.5.1865).\n\n6.5.-12.5.1865\n\nTwo concerts by Mr. and Mme Simonsen (violin and singing resp.)\n\nTH N.N.\n\nR: For the first time since August 1863 Martin SIMONSEN came to the port, with his wife who was a singer, after recitals in Hong Kong. Rather disappointingly the first two concerts “did not draw very large houses\", but \"they were warmly applauded by all who listened to the spirit-stirring sounds of Mr. SIMONSEN's violin and the melting tones of Mme SIMONSEN's voice\", (NCH 13.5.1865).\n\n8.5, 1865 (Mon)\n\nPELHAM HARDWICKE: (= C. MATHEWS) \"A Bachelor of Arts\" (1853) T: Comic drama (2 acts)\n\nJ.M. MORTON: \"The Two Bonny Castles\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTh: Lyceum Theatre (1)\n\nR: According to both the Herald and the Record the pieces went off successfully (NCH 13.5.1865; SCR 22.5.1865).\n\n17.5.1865 (Wedn)\n\nConcert by Mr. and Mme Simonsen\n\nTh: Lyceum Theatre (1)\n\nR: In order to draw more people the admission charge at the Lyceum Theatre had been reduced to $3 with the result that a \"full audience was present” (NCH 20.5.1865). No programmes of these concerts were published.\n\n20.5.1865 (Sat)\n\nConcert by Mr. and Mme Simonsen, with the Band of the 67th Regiment.\n\nProgramme:\n\n\"Kathleen Mavourneen\" (song), **No not I** (song), C.A. de BERIOT: “Air varié”, N. PAGANINI: \"Carnival of Venice\", C.M. von WEBER: \"Aufforderung zum Tanz”, \n\n'Monastery Bells\", \"Valse de concert\" (song).\n\nTh: Lyceum Theatre (1)\n\nR: This was the last concert given by the SIMONSENS in Shanghai. According to the Shanghai Commercial Record it was a great success. Mme SIMONSEN sung the song \"Kathleen Mavourneen\" which \"literally “brought down the house\" (this must have been an exaggeration), after which she gave with great effect a very charming little skittish song “No not I'\". Her husband repeated some of the pieces he had performed seven years earlier (October 1858); Paganini's \"Carnival of Venice\" (with which the critic was \"not so much pleased\") and the variations by De Bériot. In addition \"he introduced one or two movements [into the Carnival of Venice? – JH] which we have", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 213189, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 11, "title": "RAS-1994", "content_text": "2 July\n\n7 July\n\n16 Sept\n\n5 October\n\n7 October\n\n21 October\n\n11 November\n\n9 December\n\n10 December\n\n16 December\n\nRescue Archaeology in Hong Kong Mr S.T Chin (This was combined with a visit to the Antiquities & Monuments Office)\n\nAnthony Lawrence Retrospective (This was combined with a dinner at the China Club)\n\nThe Coming Man 19th Century American Perceptions of the Chinese. Professor Philip Choy and Professor Marion Hom\n\nThe Lowson Diary A Record of the Early Phase of the Bubonic Epidemic in Hong Kong in 1894 Professor G H Choa\n\nTwo lectures on Vietnam. Dr Norman Owen and Dr Patrick Hase\n\nHong Kong's Wild Places - Changes through the Centuries Mr Edward Stokes\n\nDisappearing Trades and Artisans of Old Hong Kong\n\nShanghailanders. Colonial Attitudes and Informal Empire 1843-1943. Dr. R.A. Bickers\n\nBusiness in China An Historical Perspective (Held jointly with the South China Research Circle at the University of Science and Technology)\n\nCompetition and Organisation A Re-examination of Chinese Business Practices Professor Gary Hamilton\n\n1995\n\n20 January\n\n13 February\n\n8 March\n\nA Case Study of a Chinese Funeral Dr. Dan Waters\n\nAjanta Cave Paintings Mr Benoy K Behl\n\nAncient Monuments of Angkor Then Preservation and Future Dr Richard Engelhardt\n\nSome of the lecturers are here this evening as guests of the Society and I hope you will re-introduce yourselves to us, and members will welcome them in our midst. And on the subject of lectures and visits the Council is always very receptive to ideas - not only ideas but offers to lead a visit.\n\nLectures and activities are not however the only areas for which the Society is well known. We again make our views known to the public, we publish an annual journal, and the next one is likely to appear shortly: we celebrate anniversaries, and we will be bringing out a 35th anniversary publication, edited by Dr. Elizabeth Sinn entitled \"Villages\" with many original contributions by local members. We hopefully provide an impetus", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 214478, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 336, "title": "RAS-1998", "content_text": "ARNOLD GRAHAM 1905 - 1996\n\nDAN WATERS\n\n'No Names, No Packdrill, No Hard Words, No Soft Drinks'\n\n305\n\nBefore Arnold Graham left Hong Kong for New Zealand in 1994, he donated 515 books to our Branch library. Members of our Society remain grateful to Mr Graham for his generosity.\n\nIn late August 1996 his daughter, Mrs Rothay Woodcock, wrote to the Royal Asiatic Society to say her Father was ... just too tired to carry on any longer he literally just went to sleep.' His acute wit\n\n*\n\nremained with him to the end. He was born in Carlisle in 1905 and sailed for Shanghai in 1928. Like many Shanghailanders, in order to complete his full and interesting life, he was forced, when the People's Republic Government came to power in China, to move to Hong Kong in the early 1950s. There, he wrote letters to the Editor of the South China Morning Post under the pseudonym of 'Ancient Gwailo' (his own initials were also ‘A. G.').\n\nIn Hong Kong, as in Shanghai, he worked for the Gas Company and, later, as office manager for Binnie and Partners, civil engineers, on schemes like the Sek Pik Reservoir.\n\nAlthough he had spent the greater part of his life in cities, he always maintained the best place to find God is in a garden. As his daughter wrote, 'It is a pity he won't see the new spring leaves coming out on the trees backgrounding his garden or go down to sit by the sea again'\n\n+\n\nLater Mrs Woodcock wrote to ask if our Branch would like to have some of her father's photographs, maps and papers.\n\nIt is the end of an era. Today, few Shanghailanders (expatriates who lived for many years in Shanghai) are still with us. Sorting out the contents of the cardboard box that his daughter sent to our Branch I am hesitant. It is like intruding into someone's private life. There is a news-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214482, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 340, "title": "RAS-1998", "content_text": "309\n\nWhen the magic of that city cast its spell.\n\nYes, the magic of that city in the North we loved so well\n\nWith her songs and lovers, friends and laughter blest,\n\nWe will sing of our old Shanghai while voice and life shall last\n\nThen we'll pass and be forgotten with the rest.\n\nWe're poor little lambs who have lost our way\n\nAh-Ya-Ahya\n\nToday, there are few old Shanghailanders left. Many, like Arnold Graham, had a good innings. They have passed on but, as is quoted in Arnold Graham's obituary:\n\nDeath is nothing at all\n\nI have only slipped away into the next room...\n\nI am I, and you are you\n\n.\n\nWhatever we were to each other that we are still...\n\nI am but waiting for you, for an interval,\n\nSomewhere very near, just around the corner,\n\nAll is well.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215764, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 63, "title": "RAS-2002", "content_text": "Commercial & Credit Information Bureau\n\nThe Comacrib industrial & commercial manual: Shanghai, 1935. Shanghai: The Commercial & Credit Information Bureau, 1935.\n\n[Dan Waters RTVHK interview] [2 sound cassettes] [Hong Kong: RTHK, 1995],\n\nDavies, A.G.\n\nShanghailander. [s.l.: s.n., n.d.].\n\nDirectory and chronicle for China, Japan, Philippines, British Malay, etc. Hong Kong: Hong Kong Daily Press Ltd. Annual.\n\nEllinger, Geoffrey\n\nThe Ricksha clue. London: Herbert Jenkins Limited, c1931.\n\nFleming, Peter, 1907-1971.\n\nThe siege at Peking. London: Harper-Davis, [1959].\n\nGeil, William Edgar\n\nA Yankee on the Yangtze: being a narrative of a journey from Shanghai through the Central Kingdom to Burma. New York: A.C. Armstrong and Sons, 1904.\n\nGlover, Archibald Edward\n\nA thousand miles of miracle in China: a personal record of God's delivering power from the hands of the imperial Boxers of Shan-si. London; Hodder & Stoughton, 1937.\n\nHsiao, Chien, 1910-\n\nChina: but not Cathay. London: Pilot Press, 1942.\n\nHolzberger, Peter\n\nRecollections of an \"old China hand\". Hong Kong: Martin & Thomas, c1984.\n\n[Hong Kong heritage] [4 sound cassettes]\n\n[Hong Kong: RTHK, 19—].\n\nThe life of Shanghai. [Tokyo: Shobido Printing Office, 1934]. Kilburn, Richard S.\n\nliv", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]