[
    {
        "id": 204310,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 78,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n74\n\nR\n\nThe historical figure of Li Ching had long been admitted into the Taoist pantheon. He was, in the year 760, enshrined with Chiang T'ai-kung (B★A or Chiang Shang) as one of the ten famous historical generals. In the anonymous work, Li Wei-kung Pieh-chuan (A4), it is said, \"When Li Ching was poor, he took a journey in the valleys and stayed in a cottage. When it was mid-night there came a woman who handed him a vase and said, 'Heaven has instructed you to pour down rain ...' and as we know in the Buddhist legends that it is Virupaksha (not Vaisravana) who is the king of the nagas, we understand that even in the T'ang dynasty the popular mind could not properly distinguish the function of these guardians of Mt. Sumeru. In an inscription on a tablet erected in the Temple of Vaisravana in Ning-hwa District (LM), Fukien, dated about 920, we read,\n\nP'i-sha-mên (Vaisravana) is a Sanskrit word which means \"universal or much hearing\" (to-wên SH). He dwells on the north of Mt. Sumeru, in the crystal palace, and is the chief of yakshas,10\n\nFrom this narrative we see why in so many Chinese records it has become an undeniable fact that yakshas are believed to live at the bottom of the seas with the dragon-kings in marvellous crystal palaces loaded with wonderful treasures. The legends of these two heavenly kings have long been mixed in the popular mind.\" As Li Ching was such a famous historical hero, the Taoist priests could not forgive themselves if they failed to utilize his prestige. It is said in an anonymous work of the T'ang dynasty, Yuan Hsien Chi (E), that Li Ching was still alive in the epoch of Ta Li (766-779) and became a Taoist immortal, In addition to the book on military strategy attributed to him in the Bibliography of the Hsin T'ang-shu (MEBOXZ), the Taoist priests also ascribed to him some canonical texts dealing\n\n12\n\n• Hsin T'ang-shu (), Ch. 15, Li-yüeh Chih (M), 5.\n\n• Ku-chin Shuo-hai (546), Shuo-yüan Pu (R), Vol. chi (2) Also Tsung-shu Chi-ch'êng Ch'u-pien (£).\n\n10 See Ninghwa Hsien-chih (\"Annals of the Ninghwa District\") of the Ming dynasty, quoted in Ku-chin T'u-shu Chi-ch'êng (4), Shên-1 Tien (R), chüan 54. The essay was composed by Huang T'ao () for Wang Shen-chih (E).\n\n11 In the Ta-Tang San-tsang Ch'ü-ching Shih-hua (ERR), chüan 1, “...A\" (\"To-day, Vaisravana of the Indra Heaven, the Guardian of the North, will feed Buddhist priests in the Crystal Palace.\")\n\n12 Quoted in Chiu Hsiao-shuo (R), 2nd Series, Shanghai, Commercial Press Ltd., 1910.",
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    {
        "id": 205268,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 30,
        "title": "RAS-1967",
        "content_text": "THE TRAVELLING PALACE OF SOUTHERN SUNG\n\n23\n\nleft the country without a ruler, the ministers and generals, after consultation with their mother, the concubine Young, unanimously installed I Wang Shih as the Generalissimo of the state and his brother Kuang Wang Ping as his deputy. After a while, they decided to travel south by boat. When everything was ready for departure, the cunning premier Ch'en I-chung begged to remain behind, using the excuse that he must bury his mother who had just died in Wenchow. Everybody disliked him and took him for a coward. The impetuous and impulsive warrior Chang Shih-chieh thought up a cunning scheme: he ordered some of his soldiers to remove the coffin of Ch'en's mother and to place it on a ship. Consequently Ch'en had to follow, much against his will.\n\nIn the 4th month they arrived at Foochow, Fukien, In the next month they crowned I Wang Shih Emperor who thus became the last Sung emperor but one. He was then eight years of age. His posthumous name is Tuan Tsung, (*) by which I shall call him hereafter. From that month on, his reign was called Ching Yen (*). His younger brother Ping received the new title of Wei Wang (£), and his little sister, that of Princess of Tsin Kuo (+), while his own mother was properly honoured as the Queen Mother. They stayed in Foochow until the 11th month when news came that the Mongols were invading Fukien, so they sailed southward.\n\nAfter passing by Ch'uanchow (¥) and Amoy in Fukien and Ch'aochow (¶) (Swatow) and Chia-tsu-men (‡ƒ¶) (of Huichow) in Kwangtung, they entered the territory of Kwangchow-fu early in 1277. Passing by Mirs Bay (Ta-p'eng-wan (★*), northeast of Kowloon), the royal party probably went ashore for a short time to get a rest, since there remain a few historical sites by the names of Wang-mu chuang-t'ai (the Queen-mother's Dressing Table) and Wang-mu hsu (Queen-mother's Market). During the next two months they stayed at an island then called \"Mei-wei\". (This place at present is still unidentified.) In the 4th month (May 1277) the royal refugees landed at Kuan-fu Ch'ang accompanied by many descendants of former Sung emperors who had joined the royal party from different places along the coast.\n\nPage 30\n\nPage 31",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
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    },
    {
        "id": 205281,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1967",
        "page_number": 43,
        "title": "RAS-1967",
        "content_text": "36 \n\nJEN YU-WEN \n\nAt the close of Southern Sung, the last two emperors had to flee and seek refuge by the shores of the sea, from where they led a hundred thousand odd officials and soldiers in the noble endeavour to restore the empire. The Kuan-fu area, with the three big characters Sung Wong Toi still remaining, commemorates one of the last portions of Sung territory on which the two emperors stood. Shortly afterwards they met their ultimate defeat and the whole country was lost to a foreign tribe for the first time in China's history. But what we commemorate is not this unfortunate event in our national history; it is the spirit of nationalism and patriotism displayed in the last struggle of the Sung patriots for the recovery of the mother country.\n\nThe independence and freedom of China had a higher claim to their lives. This unconquerable spirit, expressed in the unceasing revolutionary efforts of the Chinese people to fight against the Mongols ever since the last days of Kuan-fu and Ya-shan, was finally crowned with success in the overthrow of the Yuan Dynasty less than 90 years afterwards. Today, when we pass through the ancient site of the Travelling Palace and look at the Sung Wong Toi monument, we see the symbol of this same spirit, which is the essential quality necessary for the survival of any nation on earth.\n\nNOTES\n\n1 This lecture is a condensation of my Chinese article Sung Kuan-fu Hsing-kung K'ou (†‡3hB) published in the Continent Magazine (†\nA), Taiwan, September, 1966.\n\n2 Such as Ch'en Chung-wei, Erh-Wang Pen-mo (RR#i, =±**), Shu Mou-kuan, Hsin-an Hsien-chih (Chia-ch'ing), Gazetteer of Hsin-an District (**T. **\n**BA), K'o Wei-ch'i, Sung-shih Hsin-pien (MM. ER #), Chang Hsu, Ya-shan Chih (HM, AJA), Nan Sung Shu (ET).\n\n* Mother Yu was never again mentioned in historical records; probably she had died.\n\n4 For references, details and discussions on the royal itinerary from beginning to end, see my treatise Sung-mo erh-ti nan-ch'ien nien-lu k'ou (**=*64***) in Sung Wong Toi, a Commemorative Volume (edited and compiled by myself), Hong Kong, 1960, pp. 122-174 (X£b444).\n\n5 It is alleged that there were eight mountain ranges spreading over the peninsula which look like running dragons (lung), and that when the boy Emperor stayed at the place, people pointed out that he himself represented the ninth, as an emperor was commonly believed to be symbolized by a dragon. But the more rational and reasonable interpretation for the origin of the name would be that there are altogether nine mountain ranges spreading over the peninsula. According to Hsi-nan I Chuan (§§ AM) in Hou-han-shu (**後漢書**), the Ai-lao-i (‡‡✯ aboriginal tribe Lao) in Yunnan Province called back “k'ou\" and seat \"lung\". Hence to them, Kowloon meant",
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    },
    {
        "id": 205282,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 44,
        "title": "RAS-1967",
        "content_text": "THE TRAVELLING PALACE OF SOUTHERN SUNG\n\n37\n\n\"the back seat\". But before accepting this interpretation, one must verify the identity of the Yunnan Lao with the aboriginal tribe dwelling in Kow-Joon speaking the same language.\n\n6 See my article \"The Southern Sung Stone-engraving at North Fu-t'ang\" in Journal of the Hong Kong Branch, Royal Asiatic Society, Vol. 5, 1965. At line 17 of the article \"before this date\" should read \"after this date\". The Chinese text on the engraven rock was given in my article, but was not accompanied by a literal translation, which now follows:\n\n[I] Yen I-chang of Ku-pien (K'ai-feng, Honan Province), being the administrator of this Field (namely, Kuan-fu Ch'ang), accompanied by Ho T'ien-chuch of San-shan (Foochow, Fukien Province), come to visit these two mountains (North and South Fu-t'ang). In the course of investigation, [I found, first, that] the stone pagoda (shih-ta, or colloquially called Ku-shih-ta and abbreviated to Ki-ta) at South T'ang was constructed in the 5th year of the reign of Ta Chung Hsiang Fu (i.e., of Emperor Tsen Tsung of Northern Sung, A.D. 1012). Next, Cheng Kuang-ch'ing of San-shan, piling up stones and chopping down trees, renovated the two T'angs. Again, T'eng Liao-chuch of Yung-chia (Wen-chou of Chekiang Province) continued the work. The ancient stone-tablet at North T'ang was established by Hsin P'o-ting of Ch'uan-chou (Fukien province) in the year wu shen but the reign [of what Emperor] cannot be ascertained. Now, Nien Fa-ming of San-shan and Lin Tao-i of this native place (i.e., Kowloon) continue the work. Furthermore, Tao-i can expand the former plan requesting [me] to establish another stone-engraving for commemoration [of the renovation]. Inscribed on the 15th day of the 6th lunar month in the year chia shu [i.e., 10th year] during the Hsien Shun reign (Emperor Tu Tsung of Southern Sung, A.D. 1274).\n\n7 Yuan Yuan, Kwangtung T'ung-chih, Haifang lüeh, chuan 2, kx. Ak Ma. 40%. Shu Mou-kuan, Hsin-an Hsien-chi, chuan 7, Chien-shu lüeh 建署累\n\n8 Ta-ch'ing Hui-tien, Kuan-chih kao. 76.\n\n9 Research notes by the late Sung Hsueh-p'eng (4) who had done much research work on the local history and geography of Hong Kong and Kowloon. A portion of the notes was generously recopied and given to me.\n\n10 Ibid.\n\n11 T'u-shu Chi-cheng, Chih-fang-tien (811A.AZ) records that \"This was the old engraving of Yuan times”.\n\n12 Chuan 18, Sheng-chi-lüeh BAY.\n\n13 Before 1941 there were three streets at this place, called \"Sung Street\", \"Ti (Emperor) Street\" and \"Ping Street\". (Apparently Emperor Ping was mistaken for Tuan Tsung (Shib). As the history of Southern Sung in Kowloon had been rather obscure, the mixing up of the two names was not very unlikely; even the Hsin-an Gazetteer made the same mistake. This whole area including the three streets was levelled during the Japanese occupation to facilitate the extension of Kai-tak airfield.\n\n14 See Jao Tsung-i, Kowloon yũ Sung-chi shih-liao ✯‡, ^*‡‡‡£ #, Hong Kong, Universal Book Co., 1959, p. 105.\n\n15 Wu Pa-ling, Sung-t'ai kan-chiulu 4*. *4434 in Sung Wong Toi, a Commemorative Volume, p. 108.\n\n16 By the side of the cliff a low-cost housing estate has been recently constructed south of the new Fu-ning Street (3##), east of the now Fuk-",
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    },
    {
        "id": 205943,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1970",
        "page_number": 23,
        "title": "RAS-1970",
        "content_text": "18\n\nL. CARRINGTON GOODRICH\n\nHsieh's proposal approved, the emperor appointed him editor, and associated with him a staff of 147 assistants. For seventeen months they toiled diligently; then, on December 13, 1404, they submitted to the throne the first draft, entitled Wên-hsien ta-ch'êng. The emperor, however, was not satisfied. He ordered work resumed, adding two other scholars as co-directors of the enterprise: Yao Kuang-hsiao (1335 - 1418) and Liu Chi-ch'ih (1346 - 1423). The staff too was enlarged to the number of 2,169. On December 14, 1407, Yao submitted the Wên-hsien ta-ch'êng once more to the emperor. By this time it had grown in size to 22,211 chüan, bound in 11,905 pên. His majesty showed his satisfaction by bestowing on it the title Yung-lo ta-tien. But it was still not quite finished. A year later he contributed a preface, now included in the table of contents (an additional 60 chüan), in which he used the phrase \"completed in the winter of our sixth year\" (i.e., 1408). In this preface the number of chüan is given as 22,937. (The table of contents, excluding its own 60 ch., gives the figure as 22,877 ch. in 11,915 pên.) Obviously the editors had added some 700 chüan in the interim between Dec. 14, 1407, and the writing of the preface (Dec. 17, 1408).\n\nThe original was stored in the Wên yüan ko, Nanking, and a copy began to be made ready for printing in 1409. The cost was found to be so prohibitive, however, that this plan was abandoned. Woodblocks for a small number may, on the other hand, have been engraved. (This is the assertion of the eminent official and collector, Tuan-fang (1861-1911), who informed Professor Paul Pelliot that at one time he had seen more than one hundred chüan in printed form.) Following the removal of the capital, the YLTT was taken in 1421 to Peking and stored in the Wên lou in the palace area. In May 1557 a fire destroyed three palaces in the imperial precincts. Happily this work survived; it was then shifted to the historiography office.\n\nFive years later (Sept. 11, 1562), because of the danger of another conflagration, Emperor Chu Hou-ts'ung (1507-67) ordered the making of another set, with the calligrapher Ch'eng Tao-nan in charge of more than one hundred scribes delegated for this service by the ministry of Rites. Other responsible persons were Kao Kung (1512-78) and Chang Chü-cheng (1525-82). As this work is essentially a mammoth",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
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    },
    {
        "id": 206795,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 72,
        "title": "RAS-1973",
        "content_text": "66\n\nCHIU LING-YEONG\n\nThe style of I-seng was of Iranian origin, in which modeled and shaded polychrome figures seemed to stand out in relief, or even to float free from their background. His style is believed to have influenced Wu Tao-hsüan and to be traceable in the caves of Tun-huang.\n\n35\n\nFrom Chinese sources, Ta Yü-chih had three paintings extant in T'ang period, namely: (1) Liu-fan tu; (2) Wai-kuo pao-shu tu (the six foreigners); and (3) Po-lo-men tu (exotic tree from foreign country); (the Brahmara). However, according to Hsüan-ho hua-p'u, there were seven paintings of Hsiao Yu-chih's work, kept by Sung Hui-tsung, namely:\n\n1. Icon of Maitreya 彌勒佛像一;\n\n2. Buddhist icon 佛鋪圖一;\n\n3. Buddhist followers 佛從像一;\n\n4. Buddhist followers from foreign country 外國佛從像一;\n\n5. Avolokitesvara 大悲像一;\n\n6. Vidyaraja 智;\n\n7. Foreigners36;\n\nThese seven masterpieces were kept by the Emperor in the Inner Palace. Some of I-seng's paintings are still kept by collectors either in China or America, like the Dancing girl of Kucha #✯✯; A Sitting God 坐神; Buddha under the Mango Trees 吉羅林果佛; and Drunken Monk 醉僧圖.\n\nThe Yu-chihs were also masters of mural-paintings. Some of their works can still be found in temples and pagodas in China. In the Sung period, their works were classified as shen-p'in (divine category). I-seng also introduced the 'iron-wire' line to China—the Western technique of using a line of unvarying thickness to outline figures.37 I-seng, according to Chang Yen-yüan, had brought new light to Chinese painting and made more paths for painters of the later generations to develop.\n\nCh'in Ming-ho\n\nAt th...\n\nIn the field of medical science in T'ang China, Professor Lo Hsiang-lin inclines to believe that Persians had made tremendous contributions, especially in surgical operations. In A.D. 683, a Persian known as Ch'in Ming-ho, performed a neurosurgical",
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    {
        "id": 207030,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 101,
        "title": "RAS-1974",
        "content_text": "NOTES ON THE SOURCES OF DE MAILLA\n\n95\n\nHis own writings may, however, have suffered just this fate, for the section of Ming-ch'ao chi-shih pen-mo dealing with the Tung-lin party is identical with Chiang P'ing-chieh's10 Tung-lin shih-mo✶✶✶✶. Hsieh Kuo-chen explains this as due to the fact that historians of the late Ming period freely exchanged their materials and copied each other, so that portions of a complete work were sometimes published by more than one man and under different titles.\n\n2. Chu Lin14 (T, Ch'ing-yen†) was a native of Shang-yü, Chekiang,11 who rose to be prefect of Nan-yang Honan, in 1690.12 The Ming-chi chi-lüeh •*#* (based on the Huang Ming t'ung-chi✯ of Ch'en Chien [1497-1567]) which he compiled, was published in 1696 in 16 chüan.13 As Wolfgang Franke writes, this is found in various editions, one of them being the T'ung-chien Ming-chi ch'üan-tsai ih # 124,4 which is cited as one of de Mailla's sources. The preface, dated 1696, was written by Chang Ying15 (minister of ceremonies in 1692, who served as grand secretary in 1699-1701),16 who is credited by the note with the publication of T'ong-kien-ming-ki-tsuen-tsai.\n\nThe Ming-chi chi-lüeh had an interesting history after de Mailla's time. In 1771 the ministry of ceremonies entertained a request from the Korean court for the \"correction\" of that portion of the Chi-lüeh pertaining to the palace revolution of 1623.17 But a search of the capital at this time revealed not a single copy for sale. The Board concluded that it was no longer circulating in China, and its recommendation that “the king be ordered to search for them18 in his own country and [if found] prohibit and burn them in order to stop doubts\" received imperial approval. Four years later the sending of a copy of the Chi-lüch to Peking to be burned occasioned a special imperial edict explaining why suppression was unnecessary, in which no mention was made of the objection raised by Korea.19\n\n3. It is true that Chung Hsing (T, Po-ching (k), a native of Ching-ling, Hukuang, who lived from 1574 to 1625, is generally credited with writing the first eight of the twelve chüan Ming-chi pien-nien %, which covered the years 1368-1627.19 But this is obviously out of the question as he died two years before the terminal date. Wolfgang Franke20 suggests that Chung Hsing may have left the work unfinished, or that, as he was primarily a poet, his name may have been \"used after his death by editors and",
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    {
        "id": 207917,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1976",
        "page_number": 305,
        "title": "RAS-1976",
        "content_text": "290\n\nNOTES AND QUERIES\n\ncareer, since this Nan-hai artist had continuously worked as a professional over half a century; and finally his works were mainly sold at a very reasonable price.\n\nNOTES\n\n1 See Chuang Shen: \"Some observations on Kwangtung paintings\" in Kwangtung Painting (1973, published by the Urban Council, Hong Kong), pp. 9-24.\n\n2 According to the 6th chuan of Ming-hua-lu, “Records of painting in the Ming Dynasty\", edited by Hsu Hsin in the early years of the Ch'ing Dynasty, Lin Liang was active in the Hung-chih era (1488-1505), mainly in the late 15th century.\n\n3 Chu Pi-shan was famous for his specially designed silver wine cup in the shape of a hollow tree. For a colour reproduction of such a cup, dated 1345 by Chu's own carved inscription, see \"The selected Handcrafts from the collections of the Palace Museum\", edited by the Palace Museum, (1974, Peking), pl. 34.\n\nA similar silver wine cup, also dated 1345 by Chu's own carved inscription, in the form of a boat made of a hollow tree in which Chang Ch'ien is seated, is owned by Lady David of London. For its reproduction, see Perceval David: Chinese Connoisseurship (New York, 1971), pl. 19C.\n\n4 The origin of this name seemingly inspired by a famous line of the 5th century poet Tao Chien, in the 5th poem of his \"Drinking wine\". This line reads:\n\n\"Culling chrysanthemums by the eastern hedge, 悠然見南山\n\nI see afar the South hills.\"\n\nFor the English translation of this poem, see Robert Kotewall and Norman L. Smith: The Penguin Book of Chinese Verse (1962, Middlesex), p. 9.\n\n5 In \"Lo-yu-yüan\", the mid-9th century poet Li Shang-yin (813-858) wrote:\n\n\"The setting sun has boundless beauty\n\nonly the yellow dusk is so near.\"\n\nSee also Robert Kotewall and Norman L. Smith; ibid, p. 25.\n\n6 See Wang Chao-yung \"Lin-nan hua-cheng-yueh\" 'A Brief Document on Kwangtung painting' (1927, Shanghai), chuan 10, p. 7.\n\n7 The most important literary man who loved plums during the Sung China was no one but Lin Pu (967-1028). As a native of Chekiang, Lin Pu lived in a mountain overlooking the West Lake of Hangchow. When he lost his wife he had not re-married. Having planted a lot of plum trees near his house, he began to regard the plum blossoms as his wife. For this blossom he had this famous line written:\n\n\"Your slanting shadow reflects on the clear, shallow lake 斜水清淺\n\nYour elusive fragrance floats about in the yellow of the evening moon”.\n\nFor the English translation of this poem, see Max Perleberg: Lin Ho-ching (1952, Hong Kong), p. 15.",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 46,
        "title": "RAS-1989",
        "content_text": "21\n\nto be regarded as such by mankind and to be revered only as the representation of that power. However, over the centuries, he has developed into a god in his own right, depicted as a gilded image of an emperor sitting on a throne, and is accepted by the masses as the ruler of the Heavenly bureaucracy.\n\nIn T'aishan in Shantung province it was claimed that the Jade Emperor in mortal life had been merely a learned doctor of medicine who had lived during the 12th century AD at the Sung court in Kaifeng. He attended the emperor Hui Tsung during a serious illness and saved his life with a miraculous cure. He was known as Chang Yu-huang, but, on his death, he, like many a hermit, was deified by imperial decree.\n\nBritish representatives met the imperial representative, Li Hung-chang in 1876 in the temple (Yuh Huang T'ing) dedicated to the Jade Emperor to the west of Yent'ai (Cheefoo) in Shantung province to arrange the Chefoo Convention. Another incident involving the British in North China and connected with the Jade Emperor concerned Sir Meyrick Hewlett of the China Consular Service at the turn of the century during the clearing up after the siege of the British Embassy during the Boxer Rebellion. He found in the house of Sir Ernest Satow, HM Ambassador in Peking, a tablet with a background of sky-blue, framed in rich gold and inscribed with the four characters in gold — 'Huang T'ien Shang Ti'. Prince Ch'ing identified it as an item from the Temple of Heaven which had been missing for more than a year. When Sir Ernest asked how to restore it to its rightful place, the Prince begged the Ambassador not to send it round to his palace as should it be placed in the entrance he could neither leave nor enter his home without kowtowing twenty-seven times before it. Another more enlightened official helped out by bearing it off at dead of night in a Peking cart to the vaults of a European bank where it awaited a favourable day for restoring it to the Temple of Heaven. Some thirty-five years later, Sir Meyrick, paying his farewell visit to Peking, visited the Temple of Heaven and asked the attendants whether he could see the tablet, kept with the other tablets sacred to the emperors of the Ch'ing dynasty in a small temple opposite the Altar of Heaven. They replied that this was quite impossible, since even in post-imperial Kuomintang days no-one was allowed to see it. Sir Meyrick related the story of its recovery, upon which the attendants agreed to show him the tablet together with the tablets to the 28 Major Constellations, to Thunder and Lightning, and to the other forces of nature, but said that the tablets to the emperors were all lost after their",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211660,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 75,
        "title": "RAS-1989",
        "content_text": "50\n\neach bearing a different surname. Depending upon which source you accept the maximum number of individual surnamed Pestilence Wang Yeh would appear to be a mere 106 or 132 out of the 360.\n\nThere are at least five or six different legends describing the origins of these spirits which vary enormously both in general and in detail with the most popular story heard repeatedly in Taiwan and South-East Asia being of 360 musicians deified by an emperor of China. Cautionary stories about the threat to the populace from the 360 Plague Gods were common throughout China but other than in Fukienese communities they were not referred to as Wang Yeh. In some versions the spirits of the musicians spread out all over China and in our major legend five particular spirits, deemed special protectors of the area, ended up in the Changchou and Ch'uanchou area of Fukien.\n\nThe different legends, in general, claimed that the group of Pestilence Wang Yeh were 'scholars killed by Ch'in Shih Huang Ti, the unifier of China in 210 BC, who ordered the burning of books and the burial of Confucian scholars'; 'T’ang dynasty literati who died as a result of the folly of the emperor T'ang Ming Huang (685-762AD)'; 'The 360 Ming literati who refused to serve the usurping foreign dynasty, the Ch'ing and hanged themselves, (mid-seventeenth century AD)'; 'The five scholars who killed themselves to save villagers from an infected well'; or, finally, are 'spirits of the man-in-the-street who died of plague and became Plague gods'.\n\nA few temple keepers claim that the Pestilence Wang Yeh are subordinate to the Lord of Mount T'ai and of the Underworld (T’aishan Ta Ti 泰山大帝).\n\nThe following are a number of the legends in greater detail. The first relates that during the reign of T'ang T'ai Tsung (627-649 AD) five scholars who had been unsuccessful at the imperial civil service examinations had stayed on in the capital living on what they could earn playing music. The emperor summoned them to the palace to play for him and had at the same time the Taoist 'pope' Chang T'ien Shih (Chang the Heavenly Master) in audience. The emperor wishing to test the 'pope's' magical powers ordered the musicians to play in the cellar whilst he told the ‘pope' that there were five demons in the basement. The 'pope' using his secret arts killed all five. The emperor was both appalled and ashamed of what he had caused and deified all five.\n\nPage 75\n\nPage 76",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 212153,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 95,
        "title": "RAS-1990",
        "content_text": "72\n\nin the Christian quarter of Baghdad, when Ch'ang-an and its glories were only a distant memory, and the Nestorian church in China proper was virtually extinct.\n\nIts tone is one of elegiac regret for an illustrious past, when the leaders of the Nestorian church had enjoyed access to the emperors of China; when Fang Hsüan-ling and Wei-cheng, two of the most powerful men in T'ai-tsung's court, had welcomed the first Nestorian missionary to China, and when the emperor Te-tsung had summoned a Nestorian archbishop to the imperial palace to translate the Christian scriptures into Chinese. The term 'brilliant teaching' does not appear either in the text of the Book of Praise or in the explanatory note, although there is a single reference in the note to our religion of Ta-ch'in'. The text of the Book of Praise lists, as we have seen, a number of books brought by Reuben to China in 635, including the Book of the Secret of Peace and Joy, the Book of the Origin of Origins, the Hymn in Adoration of the Holy Trinity, and the Hymn in Adoration of the Transfiguration of Our Lord. The manuscripts of the last three documents which have survived contain the term 'Syrian Brilliant Teaching' in their titles, but the phrase is omitted from the titles as given in the Book of Praise. Also, the term ching-feng (pure wind) is no longer used for Holy Spirit: instead we find a transliteration of the Syriac Ruha de Kudsha. The man who wrote the Book of Praise did so on a manuscript which contained a text of the Hymn in Adoration of the Holy Trinity with 'Syrian Brilliant Teaching' prominently displayed in the hymn's title. He nevertheless felt able to ignore this example of 'correct' usage in the Book of Praise.\n\nThere are a number of stylistic similarities between the Book of Praise and the Book of the Secret of Peace and Joy, which suggest that our manuscript of the latter, although deriving from a seventh century Syriac original translated into Chinese by Adam, was copied in the tenth century. Firstly, its title is exactly as given in the text of the Book of Praise, and does not contain the expression 'Syrian brilliant teaching', found in the other late eighth-century manuscripts. Secondly, as in the Book of Praise, a transliteration of the Syriac Ruha de Kudsha is used instead of the term ching feng to denote the Holy Spirit. Thirdly, both texts use an obscure transliteration of the Sogdian word for 'rock' in the proper name 'Simon Peter' (Chang-wan Chang-jia, 'Simon the Rock'), instead of adopting a straightforward Chinese equivalent. Fourthly, both texts use one only of the two",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212506,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 60,
        "title": "RAS-1991",
        "content_text": "40\n\nPRIVATE PATRONAGE OF SCHOLARSHIP AND LEARNING DURING THE MID-QING: \n\nRUAN YUAN AND THE SCHOLARS AROUND HIM* \n\nWEI PEH T'I \n\nThis paper is an initial essay towards a biographical study of Ruan Yuan (1764-1849), a major scholar-official and patron of scholars of the Qianlong, Jiaqing and Daoguang reigns. I hope that by examining the life and work of a competent and respected scholar-official of this era, 'the prime exemplars of any age'.1 I may be able to bring into focus the critical problems and atmosphere of early 19th century China, the two score or so years immediately preceding the Opium War after which traditional Chinese institutions and values began to change. I have been fortunate in being able to make use of the extant Qing archival documents and Ruan Yuan's own publications for this research.\n\nRuan Yuan left considerable literary remains. I have located 75 titles, including a number of monumental publications that carry his name as author, compiler or editor. There are also prefaces he wrote for his own and other scholars' works, indicating that at least he had known the content of them before publication. Impressive indeed as these achievements were, questions about Ruan Yuan's actual efforts arise.\n\n* I would like to thank the following libraries for allowing me access to their valuable collections in preparing this paper: Library of the National Palace Museum, the National Taiwan University libraries; the National Central Library; the Fu Ssu-nien Library of the Academia Sinica; The Library of the Chinese University of Hong Kong, the University of Hong Kong Libraries; the Rare Book Collection of the Beijing Library; the Oriental Manuscripts Collection and the Main Collection of the British Library, the Harvard-Yenching Library of Harvard University; the Gest Library of Princeton University; the Library of Congress; the New York Public Library; and Qing letters from the collection of the late Dr Wang Shih-chieh. I am also grateful to the following individuals for their help and comments on an earlier draft of this paper: Chang Ling-sheng, Ch'ang Pe-te, Chuang Chi-fa, Wang Ching-hung, Wang P'u and Wu Che-fu of the National Palace Museum (Taipei), Wang Junyi and Huang Aiping of the People's University; Ji Longwei of Yangzhou Teachers' College; Feng Erkang of Nankai University; Beatrice S. Bartlett, Iona Crook and Stephen Shott of Yale University; F.W. Mote of Princeton University; Elizabeth Sinn, Maureen Sabine and Shih Hsio-yen of the University of Hong Kong; and Deng Linyu and Xu Xiaohui of the Chinese International School of Hong Kong. Of course, they are not responsible for the errors contained in this paper. My gratitude also goes to the Department of History and Centre of Asian Studies of the University of Hong Kong. I have opted to use pinyin to accommodate a particular Chinese software program, but have left the Wade-Giles transliteration in quotations.\n\nPage 60\n\nPage 61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212530,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 84,
        "title": "RAS-1991",
        "content_text": "64\n\n28\n\n19\n\n3:0\n\nDavid Nivison, The Life and Thought of Chang Hsueh-ch'eng, (Stanford, 1866), 251\n\nIbid\n\nSee Si ku wei shou shu mu u yao, 5 juan, 1807 Ruan Yuan's bibliographical annotations on important books omitted from the Si Ku chuan shu. He had found these books in Zhejiang. The original memorials that accompanied these books and his annotations are in the Qing Archival Collection at the National Palace Museum (Taipei)\n\n31 Yi zheng Liu Meng zhan nian pu (Chronological account of the life of Liu Wen chi), 114-115.\n\n32 Arthur Hummel, Eminent Chinese of the Ch'ing Period, (Washington DC, 1943), 91\n\n33\n\n34 Yang Wensheng X, Si shi cao ji (1801), Preface\n\nLetter to Liu Taigong (1790-1855), dated 1802 Liu's daughter was married to Ruan Yuan's adopted son, Ruan Changsheng,\n\n34 Letter to Wang Niansun.\n\n36 Ruan Yuan blamed the errors on the fact that he had not had a chance to do the final proof reading before the book was printed.\n\n37 Ruan Yuan's letters written in old age, Ruan Wen da gong zhi shi hou jia shu, consisting of several dozen memos written to his family after 1838 when he retired from government service, serve to prove that Ruan Heng, always referred to as \"my younger brother\" but actually a distant cousin who had been adopted as heir to a half brother of Ruan Yuan's father, had taken care of Ruan Yuan's business and financial interests with the aid of a couple of clerks. These letters are in the Rare Book Collection of Beijing Library. I am grateful to Professor Wang Junyi and his staff of the Qing History Institute at the People's University who made it possible for me to have access to the collection in March 1991\n\n38\n\nI am not happy with the English translation \"tent friend\" or \"guest\"\n\nDing xian ting bi tan, 1:11a.\n\n40\n\n41 See, for instance, Ding xiang ting bi tan 3.52b-53a\n\nHai ning zhou zhi gao 4:3 shan, 11b-12b.\n\n42 Xie Guozheng, Jin dai shu yuan xue xiao zhi du bian quan kao (An inquiry into recent changes in the academies and schools of China), (Hong Kong, 1972), 2-18.\n\n43 Zhang Ying in Wen lan xue bao 2:1\n\nLin Bo tong, Xue hai tang zhi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 214367,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 225,
        "title": "RAS-1998",
        "content_text": "191\n\nindustry. It was common, so it claimed, for construction teams to hold Taoist rituals, including the sacrifice of oxen before work began.*\n\nOn the other side of the coin, according to the Bureau of Religious Affairs, about 200 Taoist temples have been re-opened to the public in China since the 1980s and seven Taoist provincial associations have been established. One of these temples is the former Taoist Cheng-i sect centre, the Heavenly Master Sect temple [T'ien-shih Miao] on Dragon and Tiger Mountain, Lung-hu Shan, in Kiangsi province. It was burned down in 1945 and work on rebuilding it did not begin until 1983. This consisted of the renovation of the main hall and the re-sculpturing of the images of the San Ch'ing, the Three Pure Ones, and fourteen other clay statues. Other sites nearby have also been renovated, including the Shang Ch'ing Palace, where the Immortals lived, and the Lien-tan Ch'ih, the Furnace [where pills of immortality were made]. It is interesting to read that both local and central authorities donated more than half a million yuan towards the project.\n\nAbout the same time as the iconoclastic campaign began, a ban was also imposed in Tsingtao, the port in southern Shantung, on the manufacture, sale and burning of funeral objects in a bid to curb a resurgence in superstition.\n\n...\n\nDespite all of these reports of the destruction of illegal temples and the crackdown on superstition, my daughter and I during the years 1995-1997 have visited a number of temples both urban and rural in remote areas of China as well as in cities and towns which, without doubt, fall under the category of superstitious religious establishments. We have not only been guided to several such temples by policemen but also in one instance we found the local party cadre actually lived with his mother inside a small popular religion temple. The only instance where a member of a temple staff had reason to explain that an activity was banned because it was superstition happened in the suburbs of Shanghai. When we asked why there were no oracular blocks on the altar with which to obtain the deity's answers to questions posed by devotees, we were told by the temple guardian that this particular practice was superstition and not permitted, whereas other routine rituals seen in temples in Hong Kong and Taiwan were. A Chinese scholar recently explained that in his view illegal temples are the structures built without permission because local State authorities have not had the quid pro quo erection of a village school, crèche or health centre paid for by the villagers with the same sum funded for the project as\n\nPage 225\n\nPage 226",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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