[ { "id": 206645, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 193, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\nb. Chang Kung Sheng Chün\n張公聖君\n\nC.\n\nd. Kung Sheng Chün\n公聖君\n\nFa Tze Chu\n法子主\n\ne. Fa Tze Wang\n法子王\n\n+\n\nf. Fa Tze Kung\n法子公\n\ng. Sheng Chih\n聖\n\nh. Min Shan Fa Chu\n閩山法主\n\nt. Wu Sheng Kung\n巫聖公\n\n187\n\naltar. Fa Chu Kung is wearing a gilt crown, and robed with red robes. Seen in Seremban and Kuala Lumpur, and in a famous Foo-chow temple in Singapore.\n\nSeen in a Fukien temple in Toa Payoh, Singapore, co-located with Chiu Kung Sheng Hou (II).\n\nA Fukien god carver says that this is the Cantonese name for him. However, this is normally the short title for the Ch'aochow rain deity Feng Yu Sheng Chih (風雨聖者).\n\nIn a Foochow temple in Singapore.\n\nSeen in a Fukien temple in Tampin in Malaya.\n\nOne temple keeper said that he is called Fa Chu Kung in all places in Fukien Province, except for Pu Hsien area where he is known as b. above.\n\nDisciples, attendants and other gods sharing the same altar as Fa Chu Kung\n\nWhen Fa Chu Kung is the main deity, he is to be seen either alone, or with his two brothers, or with his two or four attendants. If he is with a large group of major and minor deities, he is comparatively near to the main deity, often on the immediate left. The most frequent main deity with whom he appears is Hsüan Tien (太上玄天).\n\nFeast and Birthdays\n\nHis feast and birthdays vary with the place, town or city in which his temple is located. In Taiwan the most frequent date is", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206646, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 194, "title": "RAS-1972", "content_text": "188\n\nKEITH STEVENS\n\nthe 23rd day of the sixth lunar month. In Singapore and in Malaya the usual date is the 23rd of the seventh lunar month; but other comparatively common dates are the 6th of the third lunar month, the 18th of the fifth lunar month, the 26th of the sixth lunar month, and the 10th of the eighth lunar month.\n\nNames of his family\n\nFa Chu Kung's family name was Chang (**張**) and he was called Chang Kung (**昌公**). His two brothers are called variously:\n\na. Chang Kung (#2); red face; in Fukien temples\n\nb. Hsiau Kung(); pink face; in Fukien temples\n\na. Hung Kung (#2); pink face; in Fukien temples\n\nb. Hsiau Kung (2): white face; in Fukien temples\n\na. Chiang Chün Ye (*): red face; this last group was seen in a Cantonese temple in Seremban\n\nb. Fa Ch'ing(): white face; this last group was seen in a Cantonese temple in Seremban\n\nHis four assistants have been observed in one temple only, a Hengwa Fukien temple, and are called:\n\na. Liu 劉\n\nb. Lien 遵\n\nc. Chang 張\n\nd. ...\n\nHe has two main disciples:\n\nMa Ye: white faced; with a bell in right hand for punctuating prayers, and wearing a horse head hat.\n\nHu Ye: red faced; with a bottle in his left hand containing magic water for frightening demons, and wearing a tiger head hat.\n\nCommunity Groups worshipping Fa Chu Kung\n\nEach temple in which Fa Chu Kung has been observed has had a temple keeper, appointed by the temple committee or from whom he had purchased his franchise. The main community groups in which Fa Chu Kung is to be found are from the An Chi and Ying Ch'üen areas of Fukien province. Other community groups which have images to Fa Chu Kung are Foochow City, T'ung An and Heng Wa. He is to be seen in at least 34 temples in Singapore and", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206647, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 195, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n189\n\nMalaya, in nine of which he is the main deity. Twenty-seven of these temples are run by Fukienese emigrants or their descendants; one is run by Hakka, three by Cantonese, two by Ch'ao Chow and one by Hainanese. In Taipei all eleven observed images are in temples maintained by Ch'üan Chow emigrants. There are three Cantonese temples in Malaya in which he has been seen; one is in Seremban and two are in Kuala Lumpur. In one of the Kuala Lumpur temples he is to be seen beside a sand divination table; the temple keeper in the other said that he was a lesser deity donated by a Fukienese devotee. The Seremban temple had all three brothers seated together on an altar in a temple devoted to Hsuan Tien Shang Ti (玄天上帝).\n\nIn a Hainanese temple in Singapore there is a standing image of Fa Chu Kung with the usual unkempt hair, but he has only one foot resting on a fire wheel. He is the secondary deity in the temple, which is dedicated to Wen Chow Hou Wang (溫州侯王) who is a specifically Hainanese deity.\n\nIn one spirit medium temple in Singapore, where Fa Chu Kung is the main deity, the medium and the keeper are both Fukienese. The female medium speaks with a very deep voice, said to be that of Fa Chu Kung, and writes prescriptions for medicines dictated by him. To stimulate the spirit to reply, and thereby causing considerable interest to the spectators around the table, the female medium pauses between writing each prescription and extinguishes a lighted candle on the roof of her mouth.\n\nProfessor Wolfram Eberhard has confirmed that in his researches he has encountered this deity, the god of the cult of tea merchants localized in the areas of Ying Ch'üen (#) and Te Hui (德惠) whose birthday is on the 27th day of the 7th lunar month. Law suits were settled before this deity, who is mentioned in the Taiwanese folk almanac of 1963.\n\nMyths concerning the origins or deification of Fa Chu Kung\n\nMost temple keepers who have an image of Fa Chu Kung in their temples tell a different story about his origin. These tales do, however, contain certain common factors:\n\na. Fa Chu Kung is the head of all demons and is to be feared. His black face signifies his demonic origins. He warned all gods in the area of Ying Ch'üen in Fukien that the area was too\n\nPage 190 is missing\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 208486, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 210, "title": "RAS-1978", "content_text": "194 \n\nNOTES AND QUERIES \n\nare in rural areas. The major Sheng Gong cult temple in Taiwan is in Taiwan City, from which place his portable image is taken by sedan chair to other cult temples in the vicinity to renew the efficacy of the images there. Evidence of the presence of his cult has been seen, too, by the writer in Sarawak, Brunei and Indonesia, in Thailand, Vietnam and Cambodia.\n\nSheng Gong is a comparatively little used short form for the local Fujian cult of Guang Ze Zun Wang (廣澤尊王) whose full personal name was Guo Zhong-fu (郭忠福) and who is equally well known as Guo Sheng Wang Gong (郭聖王公); hence the \"Sheng Gong.\" He has some half a dozen other titles but all with a very limited local use, apart from Bao An Zun Wang (保安尊王). This is occasionally included in the title of his temple (*\n\nas compared with the more popular title of the Phoenix Mountain Temple (鳳山寺). He should not be confused with another and entirely different Fujian local cult deity, Hui Ze Zun Wang(惠澤尊王)\n\nThe Saintly Guo's image is not difficult to recognise as it has certain characteristics which, whilst not individually unique, together identify him at a glance. He has a youthful, clean-shaven face; is seated dressed in robes over armour with his right foot raised parallel to the ground, pointing towards his left leg at knee height. His face is a dark red and he has protruding round eyes.\n\nThere are two images of the Saintly Guo in the one temple in North Point, Hong Kong. One is the main, large image swathed in embroidered robes donated by devotees, and the other is a small wooden carving on the main altar before and between Guo and his consort. Neither were easy to photograph, and therefore I have gone through some old photographs, the best of which is to be seen at illustration at the back of this volume.* In this photograph Guo is the main deity on the altar of a temple in Seremban, West Malaysia, flanked by two other images of another Fujian local cult, Fa Zhu Gong (法主公). Guo is prayed to for the usual blessings though in certain temples he is specifically looked upon as a healer of the sick, a protector of children and as a wealth god for businessmen. He is also the patron of those who bear the same surname as himself.\n\n* Plate 22.\n\nPage 210\n\nPage 211", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208523, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 247, "title": "RAS-1978", "content_text": "Plate 22.\n\nThe main altar in a Seremban temple with the Saintly Guo the main cult deity.\n\nflanked by two images of Fa Zhu Gong, 1969", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 214016, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 84, "title": "RAS-1997", "content_text": "50\n\nin pairs on Min [Fukienese] community altars as offerings to the Jade Emperor, whose birthday is celebrated the following day and who had persuaded Yang to call off the pursuit.\n\nAn image categorically identified as the Seventh Son, Yang Yen-ssu has only been observed in one temple, in Medan in Sumatra, where it stands alone on a separate side altar simply marked, Yang Ch'i Yeh. He is portrayed as a black-bearded general, standing dressed in long yellow robes and holding a long staff but without any unique features. In a temple near Taichung where he is depicted together with the rest of his brothers he is inexplicably portrayed with a ferocious, decorated face and a bird's beak mouth. His black skin is decorated with a white [opera-style] face pattern, whilst the beak with a red edging is under a human nose. His eyes are staring, round and bulging, and he is holding an unsheathed sword at the ready. All in all, an extraordinary image which, whilst accepted and labelled as the Seventh Son by the temple staff, is completely out of character.\n\nFinally, in Seremban in central Malaysia, the temple keeper of a small rural temple pointed out a small standing figure of a soldier in armour at the rear of a crowded secondary altar. The image has no unique characteristic and could be any soldier/deity. The temple keeper identified him as Yang Sung-pao, a T'ang general who had been the protector of a Sung emperor. In Seremban he was also known as the Venerable Golden Lion, Chin-shih Ta-jen, as well as the Great General, Ta Chiang-chün.\n\nThe Eighth Son, Yang Pa Yeh, has only been noted on two altars in northern China despite the two Yang Family Daughters being numbered Eight and Nine, Yang Pa Chie and Yang Chiu Mei. These two daughters were involved in several battles fighting alongside the Sixth Son.\n\nPost Script\n\nChinese characters carved into a roadside rock beside the modern main road from the Fen River plain in northern Shansi to Inner Mongolia proclaimed that the nearby old temple had been dedicated to Wu Lang, the Fifth Son of the Yang. This was confirmed by a local peasant. The temple was in a col between two mountains, itself several thousand", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 215108, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 204, "title": "RAS-2000", "content_text": "161\n\nand the Fulu particular of two opera companies, the Xipi Pai and Erhuang Pai [or Fi Pai], the latter, the northern school, being especially dedicated to woodwinds3. In legend he is said to have had an emotional reunion with the soul of his dead concubine, Yang Guifei, in the palace of Guanghan on the Moon.\n\n4\n\nA tablet on a minor altar at the rear of a secondary hall in the temple of the City God in Hsinchu in northern Taiwan refers to him as Tang Xuan Zong, whilst his usual title in Taiwanese temples of the Lord of the Western Qin, Xi Qin WangyeE is not usually understood beyond Taiwan. There is no image, whereas in the Ma Tsu temple in Taipei a side altar is dedicated to him and his image, portraying him as a standard scholar-official with a black beard, is flanked by two very elderly male aides.\n\nIn South-east Asia images of the emperor have been seen in temples in Seremban and Ipoh in Malaysia, and in Singapore, in some of which he is simply referred to as Zunzhu Mingwang, the Lord Prince Ming, 尊主明王,\n\nAn image seen on the only altar in a side hall of the temple on Miaofeng Shan in Beijing's Western Hills and identified as Tang Ming Huang, is better known in the temple as the God of Happiness, Xi Shen [Photograph 2]. He is referred to as Liyuan Shen, and is portrayed as a smiling figure with beard and moustache, standing with his hands in a theatrical pose. His modern image is dressed in imperial yellow robes decorated with a large dragon and the whole body of the image is swathed in a red robe placed there by devotees.\n\nDisappointingly, there appears to be no image of the Concubine Yang on any altars. However, a modern [1996] tableau in an old temple, now converted into a theme-park, depicts in a series of life-size plaster images scenes ranging from the Tang Ming Huang's first sight of the Concubine Yang bathing, progressing through stages of his infatuation though ending before her death and his overthrow. This can be seen on a low hill overlooking the bend in the Yellow River at the south-western tip of Shanxi province, at a place known as Yang Guifei's pool. The main altar has the Tang Ming Huang and the Concubine sitting with her pouring wine for him. Before the altar stand three incense pots, a container holding fortune spills and plastic fruit as an offering and before", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215122, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 218, "title": "RAS-2000", "content_text": "An image of Tang emperor Ming Huang on the main altar of a small popular religion temple in Seremban, central Malaysia. Beside him, on his right hand but out of the picture, is an image of Hou Tu Furen, an early Chinese mythical Spirit of Earth.\n\n175", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215131, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 227, "title": "RAS-2000", "content_text": "184\n\nMarshal Tiandou is the patron of actors and a popular deity revered in particular by southern Fujianese. He is said to have been Lei Haijing, the doctor who accompanied the Tang emperor during his flight to Sichuan province during the An Lushan rebellion. After his death in exile his spirit remained with the emperor as his protector. This image, with the crab painted round his mouth, is in the same small temple in Seremban in central Malaysia as Tang Ming Huang.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215321, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 98, "title": "RAS-2001", "content_text": "46\n\nmuddy plats, eventually reached the first \"gun-house,\" as the crumbling fort was known to the Chinese. Finally, the passengers reached the Custom House and on to whatever accommodation they had reserved or could find in this very primitive European backwater.\n\nChinese immigrants from Hainan, along with those from Fujian, Guangxi, and Guangdong, flocked down to the foreign colonies of south-east Asia. Though integrated into the greater Han Chinese population of Singapore and Penang, as well as within towns and cities in North Borneo, Java, and Sumatra, even today Hainanese have remained in one or two linguistic pockets, such as is to be found in the area of Rengam and Kluang in southern Malaysia.\n\nOnly a few of all the Chinese temples visited in South-east Asia have been categorically identified as exclusively founded by Hainanese immigrants. Others, predominantly Hokkien, have a Hainanese altar stuck away in one corner, erected by the few local Hainanese, though two temples stood out, both in southern Malaysia, in which the images of the deities were predominantly uniquely Hainanese, though the temple custodians, the devotees, and the other images were all Hokkien. The picture gained from Hainanese staff and devotees in temples containing uniquely Hainanese images revealed the following minimum of temples being predominantly, if not entirely, Hainanese - six in Singapore, two in Penang, one in Kuala Lumpur, one in Seremban, and two in or near Kluang in southern Malaysia; on Sumatra, one in Medan and two in Palembang; on Java, one in Jakarta, one in Cirebon, and one in Semarang. There are several in Ha Tien in southern Cambodia and others scattered across southern Thailand. The strangest of all was the lone, small Hainanese temple on Bali.\n\nHainanese temple altars bear the usual accoutrements and have the same layout as altars in other Chinese communities, though, to generalise, with less clutter, particularly on altars in Hainanese Huiguan [community club houses]. Major China-wide deities, such as Guan Yin, Guan Gong, Hua Guang, City Gods, Earth Gods, and the Wealth Gods, are the same as in every Chinese community. There are also a number of predominantly Cantonese, Chaozhou, and even Minnan deities in many of the Hainanese temples both in Hainan and in South-east Asia, adopted from other immigrant ethnic groups, including Jinhua Niangniang, Caibo Xingjun, Fazhu Gong, Qi Tian Da Sheng, Longwei.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215332, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 109, "title": "RAS-2001", "content_text": "57\n\nnot orthodox spirits shen\n\nbut dark spirits. Yinshen, the ghosts of those who have died a violent death before their due date.\n\nChinese usually describe this group, in English, as the 108 Martyrs. They are never portrayed as images and tend to be regarded more as public worthies, folk hero \"ethnic group\" ancestors rather than deities. The tablet is very similar to the ancestral tablet and simply states that it is the 'Tablet to the One Hundred and Eight Brothers'. It is venerated and although the spirits of the brothers are occasionally asked for advice by devotees they are not usually prayed to for major requests or protection, although in Java in one temple the tablet was prayed to by seafarers before they set out on a long journey. Their festival, simple and not in any way lavish, is generally celebrated on the 15th day of the tenth lunar month, though in Singapore it is held on the 3rd of the eighth lunar month.\n\nThe question is, who were the One Hundred and Eight Brothers? Three separate versions of the story of their demise have each been recounted with great solemnity, conviction and confidence by temple keepers in Java, Thailand, Singapore and Malaysia, and even in a Chinese temple in Bali. In Penang the story centres on a junk-load of Hainanese immigrants heading for South-east Asia which never arrived. One version claims that they were mistaken for pirates and wiped out by the 'French' [sic] navy off Annam or the 'British' off Malaya again having been mistaken for pirates. Another version suggests that they were all drowned during a typhoon off the southern tip of what is now Vietnam, and yet another that they were annihilated by Chinese government forces off the Leizhou peninsular immediately north of Hainan when, again, they were mistaken for pirates.12 The third story is that they were the original immigrants from Fujian province who arrived in Hainan to settle but all died in Hainan from disease or at the hands of the aborigines. A twist to the version heard in Penang claimed that the typhoon which sank the junk in the South China Seas drowned all but one of the one hundred and nine aboard, one small boy being saved after days of drifting on wreckage. He then died in Malaya at a ripe old age.\n\n12\n\nOne hundred and eight is a secret symbolic number used by secret societies, and one of the Triad gangs in British Malaya was known as the 'One Hundred and Eight Society.' with a devotee in Seremban", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215350, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 127, "title": "RAS-2001", "content_text": "75\n\nsouls (that is the Second to the Ninth as the First and Tenth Courts are basically administrative.)\n\nc] Yinya Ya Shuai\n\nThe Silver Tooth Vice-marshal, P, has been noted only in one temple, a popular religion rural shrine in a Hainanese community in Paya Lebar in Singapore now long gone due to urbanisation. It is a unique image, a stark and fierce black-faced soldier holding two magic “swords\" (whips) one in each hand and sitting astride a mythical animal, possibly a Qilin. He is portrayed as demonic and may well be an aide to a major deity, the main deity on the altar being Lei Zu. He was not venerated in his own right, though devotees did place incense before his, and every other image in the temple.\n\nThe Silver Tooth Vice-Marshal is co-located in several Hainanese temples with the White Tooth General, Baiya Zhongjiang, who is also a minor deity, an assistant and escorting-general to Doutian Yuanshuai (Lei Zu) and also known as Baiya Jiangjun. His image has been noted only in Singapore and Seremban on folk religion altars where he is portrayed standing on one foot, with his right foot raised behind as if running, and holding a flag bearing the character, ling [By Order] in his left hand. He has a stark white face. His image in a Hainanese community temple in Payar Lebar Crescent, now long removed for a housing development scheme, was referred to together with the Silver-Tooth Vice-Marshal as one of the pair of deputies to the main deity on the altar, Doutian Fushuai. In another temple, he was co-located on a Hainanese community altar with Wantian Zhushuai who was less starkly white-faced. His image, primarily revered in Henghua Hokkien communities in Singapore and Malaysia, was portrayed as the main deity in the Under Altar at the side wall of the main hall of the Nine Carps Temple [Jiuli Xian] in Singapore as a seated scholar dressed in a white robe and scholar official's cap, holding a triangular flag in his right hand and a red globe in his left.\n\nThe temple custodian knew nothing of the origins or legends of either the White Tooth Marshal or the Silver Tooth Vice Marshal.\n\n7: Deified Locals\n\na] Two separate women have been individually revered on altars", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215360, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 137, "title": "RAS-2001", "content_text": "A tablet on a side altar in a Hainanese temple in Seremban, Malaysia, dedicated to the 108 Brothers.\n\n85", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]