[ { "id": 206412, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 229, "title": "RAS-1971", "content_text": "NOTES AND QUERIES\n\n203\n\nin the upper Aberdeen reservoir area, known to me, that may also have been connected with charcoal burning.\n\nIt would assist if walkers who come across pits of this nature would be kind enough to report them to me, with a map reference, in order to build up information on this little known subject.\n\nOne last point. Herklots asks why kilns are located so high up on the hill sides. Village people have reminded me that there is no point carrying wood down to a kiln when it is easier to put the kiln near the wood supply and carry the charcoal down to the village or the shore.\n\nHong Kong, 1970.\n\nJAMES HAYES\n\nWHAT INSPIRED SIR JOHN BOWRING'S HYMN?\n\nProf. Carrington Goodrich's reference to the hymn \"In the Cross of Christ I glory\" (Notes & Queries, JHKBRAS Vol.9(1969) pp.151-2) is interesting and although it shows that John Bowring wrote the hymn before he ever visited Macao, the tradition of a very close connection with the ruins of Macao's San Paulo is a very strong one.\n\nI have personally heard from two very knowledgeable persons that Bowring was a great admirer of the old church:\n\nMr. Henry Hyndman was a local resident who was particularly interested in the personalities of old Macao. He was born in 1828, educated in Macao and then Singapore, and worked in Hong Kong and Shanghai before he retired to Macao. In the final stages of his life (he lived to be 98 years old) it gave him great pleasure to talk about the people he knew, among whom was Sir John Bowring, who visited Macao frequently from 1849 to 1859. Mr. Hyndman recalled seeing the English visitor at the foot of the ruins and of how, later, after he was Governor of Hong Kong, Sir John's name came to be associated with the hymn.\n\nIn 1927 to 1928, Sir Cecil Clementi, then Governor of Hong Kong, used to visit Macao and on one occasion at dinner in the residence of the Governor of Macao, Sir Cecil spoke of his youth", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206413, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 230, "title": "RAS-1971", "content_text": "204\n\nNOTES AND QUERIES\n\nin Macao, when he was a Cadet of the Hong Kong Civil Service, some thirty years earlier, and of how he had heard of Sir John's friendship for Macao and of his association with the Church of San Paulo and that it had had some influence on the hymn.\n\nProf. Hugo Brunt, whose account of San Paulo is so well liked,* tells me that he is rewriting the article and adds that he was told by Mr. T. Bowring, then Director of Public Works in Hong Kong, about the influence of the ruins on his grandfather.\n\nIt is not surprising that so many people, not making an effort to trace the date of the first publication of the hymn, were led to believe that it was written after Sir John Bowring had actually seen the ruin, but we are indebted to Prof. Goodrich for pointing out the facts.\n\nHowever, I have come across a reference which may serve to shed some light on the subject. There is a reference to the hymn in Rev. W. T. Keeler's Romantic Origins of some Favourite Hymns, London, Letchworth Printers, 1947, where mention is made that although the hymn was first published in 1825 the fourth verse was added after 1859. It is not impossible, therefore, that Bowring could have been impressed with the close appropriateness of his hymn to the Cross surmounting the old ruin at Macao and this could have explained how his name came to be associated with the ruin.\n\nCanberra, 1971.\n\nJ. M. BRAGA\n\n* Journal of Oriental Studies 1-2 (1954-55) p. 344 seq.\n\nCEREMONIES OF PROPITIATION CARRIED OUT IN CONNECTION WITH ROAD WORKS IN THE NEW TERRITORIES IN 1960\n\nEditor's Note. Early in 1960, road widening took place at Hiram's Highway which links the Clear Water Bay Road with Sai Kung Market. Objections to the work were received from villagers of Pak Wai, where the existing road passed behind the village fung shui grove and from Sai Kung Market where the road passed behind a family's ancestral hall. In accordance with usual Government practice, due notice was taken of these legitimate objections, and payments were arranged for ceremonies to offset the adverse influences which those concerned feared would result from disturbing the two locations.", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 213920, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 272, "title": "RAS-1996", "content_text": "250\n\n+ Cf Zelenino Sarmento «A Igreja de S. Francisco» in Conero do Ribatejo, N° 3 531 (20) de Dezembro de 1958). This article, in spite of being noted by Joaquim Verissimo Sertao in Santarém Historia e Arte, 2 a edição, Santarem, 1959, p 146 and cited in the bibliographical guides Santa ém Subsídios para uma Biblio-grafía Santarém, 1971 and Santarém Achegas para uma Biblio-grafia [the title on the cover of this work reads: Novas Achegas para a Bibliografia de Santa ém] Santarém, 1979, has been lost sight of (However it has been republished in a collectanea of his publications and writings by the Câmara Municipal de Santarém in 1993 with the title Histona e Monumentos de San-ta ém, at pas 55-62) The urn was known to Gerard Pradalié and is cited in his thesis Saint-François de Santarém (Université de Toulouse-Le Murail, 1972, at p 68), of which a copy can be seen in the Biblioteca Municipal de Santarém, and which has been translated to Portuguese and published by the Câmara Municipal de Santarém in 1992 with the title O Convento de São Francisco de Santarém In this publication (and in the thesis) he shows no knowledge that Martim Afonso de Melo had anything to do with China (he is mentioned at p. 94 of the publication and p. 68 of the thesis) Vítor Serrao, who wrote the Preface to the translation, shows no knowledge of the urn in his Santarém, Lisbon, 1990 and asserts (at p. 34 of the cited work) that Martim Afonso de Melo was figura grada do Santo Offc to without proof\n\n* We need only cite two nobiliários in the Biblioteca Municipal de Santarem: that of Diogo Gomes de Figueiredo, Tomo 9, pas 445-447 (call number 2/6/36) and that of Jorge Saler de Mendonça (e outros), Tomo 15, folios 1191 and v (call number 35/3/15) Various nobiliários found in other libraries might be cited D Branca Coutinho is buried in the same capela of Santa Ana and a copy of her sepulchial inscription, in which she is noted as wife of Jorge de Melo, can be found in Ignacio da Piedade e Vasconcelos, op. cit, p 202 She is Martin Afonso de Melo's mother\n\n* Ch my Martim Afonso de Mello Captam-Major of the Portuguese fleet which suited to China in [522 being the Portuguese text of two unpublished letters of the National Archives of Portugal. Bethesda, Maryland. 1972 and Joao Paulo Olivena e Costa's «Do Sonho Manuelino ao Realismo Joanino Novos Documentos sobre as relações luso-chinesas na terceira decade do Século XVI», Studia, N° 50. Lisbon, 1991, pas 121-155 He would have been virtually viceroy of China, independent of the governor of India, it all had gone according to plan\n\n7. It is curious to observe in Piedade e Vasconcelos' version of the inscription D. Maria Henriques is said to be the nora (daughter-in-law) of Martim Afonso de Melo In the nobiliários that I have seen she is said to be his wife This is certainly the case The Chancelaria of D Joao III (Doações, Livro 14, folio 19V), proves that she was indeed the wife of Matum Afonso de Melo In the original inscription in the part where the word mulher (wife), or some form or abbreviation thereof should appear it is unfortunately broken away", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 215415, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 192, "title": "RAS-2001", "content_text": "-reinfo\n\n141\n\nbrackets, enclose a window. Typical Late Renaissance ornaments and geometric designs of various kinds, such as spheres on pedestals, top the entablature and pediment.\n\nJesuit Churches in India\n\nPerhaps the most ingenious exploitation of the motif in India was by the Jesuit Fathers, whose building schemes form such an important part of the history of art of Colonial Iberian architecture in Asia and the Americas. It can be seen not only on the façade of the now vanished collegiate church of São Paulo in Velha Goa, but also in the Church of their College of São Paulo in Baçaim.\n\nThe Arch of Triumph decoration of their Baçaim church is of great interest for my main argument because at least one art historian has noticed its structural similarities to that of retables. David M. Kowal's recent article implies that not only the façade of the Baçaim collegiate church, but also that of Velha Goa should be so considered and he describes them as \"retable-like.\" Not all art historians would classify any of the church fronts in Portuguese India as retable-façades, including those of the Jesuits, although it is difficult to dismiss D. Kowal's claim for these two churches.13\n\nThe name of the church at Baçaim, built between 1561-1579, is actually Nome de Jesus (Name of Jesus). Its large Arch of Triumph indeed resembles those appearing in a number of Renaissance retable-façades in Southern Spain, such as that of the church of St. Elizabeth, in Seville.\n\nAs far as the Arch of Triumph motif itself is concerned, the most important sixteenth-century example in India may be seen in the Church of São Paulo in Velha Goa. Moreover, one could take 1560, the year when building of the new college and church of São Paulo were initiated, as signalling a more ambitious phase in the Society of Jesus' architectural projects in India.\n\nWhen it was completed in 1572 São Paulo was not only the first major church built by the Jesuits in India, it was also one of the most masterful Portuguese churches in Asia, attesting to the importance that the Jesuit fathers attached to it.15 Its association with St. Francis Xavier", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215429, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 206, "title": "RAS-2001", "content_text": "155\n\nimpressions and variations of this image circulated at the time in Europe; 26 the Jesuit fathers had actually been instrumental in introducing similar prints to the East. Apart from prints, Charles Boxer, amongst others, has remarked how the Portuguese had carried retablos with them to Japan.27 It therefore seems equally plausible that related altarpieces might have been present in the minds of the artists of the façade.\n\nBesides the mentioned attributes, the unknown programmer of the decoration also incorporated themes from St John's Book of Revelation 12.1 and 12.3 (John 12.2 was by now conveniently glossed over in artistic representations of the theme), as well as from other sources.\n\nSuch a sophisticated and theological knowledge of Marian themes reveals the mind of a programmer ingenious enough to merit a few words. Although the identity of its author is unknown, Carlo Spinola, the architect of Madre de Deus and the artist Giovanni Nicolao, director of the art school in Japan, come immediately to mind. But I think one should also consider Dom Diogo Correa Valente as another possible candidate for authorship, mainly on account of the contents of his library in the College of St. Paul.28\n\nThe Jesuit Diogo Valente was the learned but controversial Bishop of Japan resident at the College of São Paulo from 1619 to 1624, years when the façade was probably being redesigned and its construction begun. In 1624 Dom Diogo had to leave for Goa in a hurry under the shadow of the violent quarrels that agitated Macao because members of his own order had apparently partisanly elected him as Bishop of the city. But he returned again as Bishop in 1630 and so remained until his death three years later. When he was buried in the chancel of the church of Madre de Deus the decoration of the frontispiece must have been in progress. However, this is a question that can only be settled by future research.\n\nSymbolic Meaning\n\nThe interpretation of symbols relating to Mary (and the other images) is a fascinating but complex subject that cannot be discussed in detail here. However, it is worth considering some of those adorning the façade to get a sense of their poetic and mystical quality.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215433, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 210, "title": "RAS-2001", "content_text": "159\n\nExtremo Oriente. Vol. 1. Tomo 1. Em Tomo de Macau, (A.H. de Oliveira Marques editor). Fundação Oriente. 1998, p.489. More recently also M. Nishiyama, \"The Church of St. Paul in Macao under the Transformation of Portuguese Architecture in their Colonies\"; a paper presented in the Modern Asian Architecture Network conferences held in Macao, 22-26 July, 2001.\n\nTo the best of my knowledge only two other papers on the Church of St. Paul's agree that its façade is a retable-façade. See G. Couceiro, \"The Church of the College of Madre de Deus\", and F.A. Baptista Pereira. \"A Conjectural Reconstruction of the Church of the College of Mater Dei', as well as C. Guillén-Nuñez's commentaries to both papers; all in Religion and Culture: An International Symposium Commemorating the IVth Centenary of the University College of St. Paul, Macao, 28 Nov.-1 Dec. 1994, Cultural Institute of Macao, and Ricci Institute. Uni. of S. Francisco, Macao, 1999, pp. 177-248. G. Couceiro's paper was adapted from his PhD thesis. \"L'Eglise de Notre-Dame de l'Assomption (ou de St. Paul) à Macao et L'Art de la Compagnie de Jesus en Chine: Art et Adaptation\". Ecole Pratique des Hautes Etudes (en Sorbonne), IV Sect. Sciences Historiques et Philologiques. It has been recently published as A Igreja de S. Paulo de Macau. Lisbon, 1997. Baptista Pereira's paper was published in As Ruinas de S. Paulo. Um Monumento para o Futuro / St. Paul's Ruins. A Monument Towards the Future, (bilingual exh. catalogue), Setúbal, 1994, pp. 63-85. Although both these papers missed or ignored a number of important arguments by previous researchers on the subject, including the original dedication of the church, the iconography of the decoration and my identification of the façade as a retable-façade, they have informative sections on the ground plan of the church and other points. Videira Pires first pointed out that the original dedication of the church was to the Assumption. Vid. B. Videira Pires, “Igrejas e Cemiterios Antigos de Macau (1)\", Religião e Patria, Ano XLVIII - No. 14, 15 Abril, 1962, p. 214 and p. 216.\n\nPioneering writings on the façade, its decoration and artists begin with J.F. Marques Pereira, \"Em prol de umas ruinas (A proposito do frontespicio do Collegio de S. Paulo, em Macau)'', in Ta-Ssi-Yang-Kuo, Archivos e Annaes do Extremo-Oriente Portugues, Lisbon, 1899-1902, Serie I, II, pp. 483-92. This is followed by J.D. Francis's article, \"Macao's San Paolo, A symbolical Ruin”, The Macao Review, Macao, 1930, pp. 3, 14. J.D. Francis first noticed that the iconography of the façade was a didactic sermon in stone. After these studies came those of J.M. Braga, \"A Igreja de S. Paulo”, Boletim Eclesiástico da Diocese de Macau, April 1932, pp. 246-7. M. Teixeira, A fachada de S. Paulo, Macao, 1940.\n\nMacau e a Sua Diocese, Macao, 1956, III, pp. 178-81, passim.\n\nPage 210\n\nPage 211", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215434, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 211, "title": "RAS-2001", "content_text": "160\n\nM. Hugo-Brunt, \"An Architectural Survey of the Jesuit Seminary Church of St. Paul's, Macao\", Journal of Oriental Studies, Vol. 1, No.2, July 1954, University of Hong Kong, pp.1-21. J.B. Bury, \"A Jesuit Façade in China\", The Architectural Review, VI. CXXIV, No. 743, London, Dec. 1958, pp. 412-3.\n\n\"Macao's St. Paul”, in Actas do III Colóquio Internacional de Estudos Luso-Brasileiros, II, Lisbon, 1960, pp. 30-6. A version of the latter, first delivered in 1957, is found in J.B. Bury, \"A Igreja de São Paulo”, Arquitectura e Arte no Brasil Colonial, São Paulo, 1991, pp. 154-61. With few exceptions Chinese gazetteers of the Ming and Ching Dynasties seem to have ignored the façade altogether.\n\n3 Guillen-Núñez, Cesar, \"Some observations on the architecture of the Jesuits in the Orient\", in St. Paul's Ruins. A Monument towards the Future, (bilingual Portuguese-English exh. catalogue, directed by F.A. Baptista Pereira), Lisbon-Macau, September-December, 1994, pp.49-53. Unfortunately, in this catalogue part of the original English text is corrupted by numerous typographical errors. There is however an excellent Portuguese translation, although a few lines of the original have been misinterpreted.\n\n+ For the dimensions of St. Paul's façade vid. Hugo-Brunt, op. cit., p. 9. plates 2-10, and plate 13.\n\n5 The Travels of Peter Mundy in Europe and Asia, 1608-1667, Hakluyt Soc., London, 1919, III, Part I, pp. 162-3.\n\n6\n\nReynaldo dos Santos, Historia da Arte em Portugal, III, pp. 34-6. R.C. Smith, The Art of Portugal, p. 86.\n\nThe literature on Spanish and Portuguese retable-façades is extensive but often only found piecemeal in more general works on Spanish and Portuguese architecture. Two pioneering researchers were B. Bevan, History of Spanish Architecture, London, 1938, p. 135; and G. Kubler, in Kubler and Soria, Art and Architecture in Spain and Portugal and their American Dominions, 1500-1800, Penguin Books, 1959, p. 1. It should be noted that in the latter San Gregorio's façade is wrongly described as that of the chapel, rather than the College of San Gregorio.\n\nThe following is a selected sample of other important writing on these structures. A. Rodriguez G. de Ceballos, La Iglesia y el Convento de San Esteban de Salamanca, Salamanca, 1987. F.Checa, Pintura y Escultura del Renacimiento", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]