[
    {
        "id": 212517,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 71,
        "title": "RAS-1991",
        "content_text": "51\n\ndistinguished scholars, Wang Chang (1725-1806) and Sun Xinyen (1753-1818) were invited by Ruan Yuan to serve as senior lecturers at the academy he established in Hangzhou, the Gu jing jing she.\n\nWang Chang, a man-of-letters with expertise in such diverse fields as the Classics, linguistics, Buddhist scripture, border warfare, and copper administration, had attained the jinshi degree in 1754 and had served as a clerk in the Grand Council. After a long career that included serving on the personal staff of Wen-fu (d. 1771), the Manchu President of the Board of Barbarian Affairs during the ten military campaigns of the mid-Qianlong reign, he retired to join Ruan Yuan in Hangzhou. Wang had been one of the three chief compilers of Ping ding liang Jin chuan fang lue [Official history of the Jinchuan war] 136+17 juan, printed 1800, and wrote a dozen or so major works of his own, including Yun nan tung zheng chuan shu [The complete work on copper administration in Yunnan], 50 juan, completed in 1787 (now listed as lost), Qing pu xian zhi [Local gazetteer of Qingpu], 40 juan, 1768, and Tai cang xian zhi [Gazetteer of Tai cang], 65 juan, printed in 1803, Shan sheng lü lie [Statutes and precedents of Shanxi province], 50 juan, c.1786, and many others.\n\nSun Xingen, a leading Classicist, specialist in astronomy, Buddhist scripture, geography and mathematics, never attained the jinshi degree but had passed the provincial examination in 1786. He was a friend of such noted scholars as Yuan Mei (1716-1798), Hong Liangji, Duan Yucai, Sun Zhizu, Gui Fu, Wu Yi and Wang Zhong. He met Ruan Yuan during the latter's tenure as director of studies in Shandong. Before joining the Gu jing jing she, Sun also served as director of the Jishan Academy, Hangzhou (1800) and in 1811 was appointed director of Zhongsan Academy in Nanjing. He participated in the compilation of several local histories but made his reputation as a Classical scholar by meticulously correcting the mistakes made throughout the centuries and publishing new editions of ancient texts. He compiled his own local histories — Lu zhou fu zhi [Gazetteer of Lu zhou in Anhuai], printed in 1803 and Sung jiang fu zhi [Gazetteer of Sungjing, including Shanghai], printed in 1819. His considerable literary works were collected in Sun Yen ru shi wen ji [Poems and essays by Sun Xinyen]. Sun was also a noted calligraphist, specializing in the seal script. His wife, Wang Cai wei (1753-1776), and a daughter, Sun Yi hui (married Xiao), both accomplished in poetry and literature, published poems.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212546,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 100,
        "title": "RAS-1991",
        "content_text": "80\n\nstage, the possibility was raised that the campaign would be expanded to other spheres and made nationwide, which would affect the economic reform and the open-door policy, the campaign was gradually brought to an end in early 1984.24 In the meantime, \"modernism\" in art was discouraged after an intense debate.\n\nFollowing a period of uncertainty, an air of relaxation emerged again and this air developed into a new policy to encourage freedom of artistic and literary creation. At the Fourth Congress of Writers held in early 1985, Hu Qili, a Politburo member and member of the secretariat, addressed the congress on behalf of the party central committee and called on the writers to write freely. In his speech, he claimed that **(artistic and literary) creation must be free.**\n\nThis policy of greater freedom was soon echoed in major literary journals. In 1986, this optimism even blossomed into talks of making strategies for cultural development. In an article in the Red Flag, Shanghai party secretary Rui Xingwen elaborated that socialist modernization should not be interpreted as being merely economic modernization: economic development must be accompanied by development in culture. He also advocated a more liberal approach to international arts exchanges.25 The position of Rui largely conformed with the efforts of artists and writers made before and the publication of this article showed that a new atmosphere of relaxation over cultural activities, started by Hu's speech, was still in place.\n\nAmerican attitudes\n\nI\n\nIn contrast with the situation in China, the government of the United States has much weaker control over political and cultural developments. An administration cannot influence domestic cultural development by direct or political means. Nevertheless, the U.S. government does exercise some control over its external cultural relations, through its handling of bilateral relationships with specific countries and through the USIA, an agency of the executive branch of the U.S. government which shoulders the responsibility for promoting American interests by cultural, educational, and informational exchanges. The government is also able to influence non-government organizations active in cultural exchanges to act along the same lines as the government pursues.\n\nSince 1949, cultural exchanges as a foreign policy instrument in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212566,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 120,
        "title": "RAS-1991",
        "content_text": "100\n\n22 Shaw, p. 297\n\n23\n\nHu Qiaomu\n\n24 Unlike the campaign to criticize Bitter Love, this campaign was carried out in all the media and in factories. Some books in university libraries stopped circulation. In the latter stage, some rural areas began to join the campaign. In such circumstances, Zhao Ziyang, a major advocator of reforms, condemned “some misconducts\" of the campaign in a largely publicized speech in May 1984 and formally terminated the campaign against \"spiritual pollution\n\n25 Rui Xingwen, \"Gaige shiqi de wenhua fazhan zhanlue wenti,\" (\"Issues on the Strategy for Cultural Development in the Time of Reform”) Hongqi (Red Flag), No 14, 1986, Pp 11-13.\n\n26 Kim. p. 122.\n\n27\n\nChou Wen-chung, \"The Center for US China Arts Exchange. Purpose,\" U.S.-China Arts Exchange Newsletter Spring 1980, p. 1\n\n28\n\nProgram Report 1980-1981, the Center for United States-China Arts Exchange. November 1980, p 1\n\n29\n\nIbid\n\n10 Michael H. Hunt, The Making of a Special Relationship, the United States and China to 1914 (New York Columbia University Press, 1983), p. 312\n\n30 Mo Fei, \"*'BSO' fang hua zhi xing” (“BSO's China Trip,'') Bianyicankao (Translated Reference), No. 4, 1979. pp. 57-60.\n\n要 By \"non-governmental sector\" I mean societies, institutions, agencies, troupes and companies which are not directly subordinated to the government As these organizations were not privately owned, they cannot be fitted into the concept of the \"private sector\" as used in the United States. However, these organizations were different from government organizations\n\n33 Hu Qiaomu, p. 159.\n\n14\n\nGuan Li, Renmin ribao, 13 January 1980, p &\n\n8\n\nLi Rong, \"*Hanlıu dang bu zhu chuntian de jiaobu\" (\"Cold Current Cannot Stop the Steps of Spring''), Dazhong dianying (Popular Film), November 1979, p 10.\n\n36 Tang Manchen, \"A Talk on Ballet,\" Beijing Foreign Studies University, Beijing, 14 April 1987\n\n37\n\nRobert Sherman, “A Musical Interlude in Peking.“ New York Times, 12 October 1980.\n\nP. I.\n\n38\n\nAs quoted in **Arthut Miller's 'Salesman Travels to Beijing,\" U.S.-China Arts exchange Newsletter, Summer 1984, p 1\n\n39 Shaw. p 115\n\nPage 1\n\n20Page 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212568,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 122,
        "title": "RAS-1991",
        "content_text": "102\n\n(1973. 10-1987. 3)\n\nKim, Samual S. ed. China and the World: Chinese Foreign Policy in the Post-Mao Era. Boulder: Westview press, 1984.\n\nKrasner, Stephen D. Defending the National Interest: Raw Materials Investments and U.S. Foreign Policy. Princeton, New Jersey: Princeton University Press, 1978.\n\nLi, Rong, \"Hanliu dang bu zhu chuntian de jiaobu” (“Cold Currents Cannot Stop the Steps of Spring\"). Dazhong dianying (Popular Film), November 1979, p. 10.\n\nLeung, Chi-keung and Steve S. K. Chin. eds. China in Readjustment. Hong Kong: Center of Asian Studies, 1983.\n\nLi, Jian. \"Gede yu Quede.\" (\"Praise and Shame.”) Hebei Wenyi (Hebei Literature and Art). June 1979.\n\nOksenberg, Michel. “A decade of Sino-American Relations.” Foreign Affairs 61 (Fall 1982), pp. 175-195.\n\nPaterson, Thomas G., J. Garry Clifford and Kenneth J. Hagan. American Foreign Policy. Lexington, Massachusetts: D. C. Heath and Company, 1983.\n\nPratt, Julius W. A History of United States Foreign Policy (2nd ed.). Englewood Cliffs, New Jersey: Prentice-Hall Inc., 1965.\n\nProgram Report 1978-1980 of the Center for U.S.-China Arts Exchange published in 1980 and the 1980-1981 report published in November 1981,\n\nRenmin ribao (Renmin Daily)\n\nRui, Xingwen. \"Gaige shiqi de wenhua fazhan zhanlue wenti.” (\"Issues on the Strategy for Cultural Development in the Time of Reform.\") Hongqi (Red Flag), No. 14, 1986.\n\nSchaller, Michael. The United States and China in the Twentieth Century. New York: Oxford University Press, 1979.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    }
]