[
    {
        "id": 206111,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 191,
        "title": "RAS-1970",
        "content_text": "186\n\nNOTES AND QUERIES\n\nthe small pre-war Yuk Wong (or Jade King) Temple, recently reconstructed, and to some open ground now occupied by a theatrical matshed erected for the Tam Kung festival where Wai Chau and Cantonese opera will be performed for the traditional five nights and four days. This is organised by the people of Ah Kung Ngam, and a small booth on the left-hand side of the road (going in) is plastered with large sheets of orange paper on which the names of all subscribers to this free opera have been written. Up to the war of 1941 and again after the Liberation, up to 13 years ago, my local informants say that puppet plays were held here, but the greater resources of a larger population have now enabled the local people to have opera troupes instead. Both Wai Chau and Cantonese opera are performed, and I was promised the former for the day of our visit.* Among the principal organisers are an old Hoklo fisherman of 75 who has lived at Ah Kung Ngam for nearly sixty years and two middle-aged Hakka men whose families have been settled there for 3-4 generations.\n\nAccording to the old Hoklo fisherman who first came to Ah Kung Ngam about 1911-1912, the Yuk Wong Temple was then 'a broken house with an incense burner'. He goes on to say that it was restored pre-war by a big subscriber.\n\nWalking back from Ah Kung Ngam (and later on, in passing by bus through Shau Kei Wan) the visitor will notice the abandoned quarry sites on the hillsides. The official yearly reports of the Hong Kong Government in the later 19th century (styled Blue Books) show that the Shau Kei Wan quarries were then much more important than any elsewhere on the Island and rivalled those in Old British Kowloon. We note, for instance, that there were 72 quarries operating there in 1872, 49 in 1881, and 51 in 1891.\n\n*The subject of the Wai Chau opera was taken from the San Kuo or Romance of the Three Kingdoms, one of the most famous novels in Chinese literary history. The episode which was the subject for this particular play, entitled \"An Expedition for Revenge\", can be read in English between pages 597-607 of volume 1 of C. H. Brewitt-Taylor's translation of the novel in two volumes published by Kelly & Walsh, Limited, Shanghai: Hong Kong: Singapore, 1925.\n\n†The old man is right in thinking it was before his time. A list of temples in CSO No. 296/95, an old Secretariat file now kept in the Registrar General's Department, lists three trustees, all named Cheung, for the Yuk Wong temple at \"A Kung Ngam\".",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 211477,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 193,
        "title": "RAS-1988",
        "content_text": "169\n\nBefore I started to go to school, we spoke Chinese exclusively at home, using the Heong Shan dialect, but I was able to understand much of the Nam Long subdialect (derived from Fukien Province) spoken in Father's village, and to speak it through the process of osmosis. Since my parents seemed concerned that their children become proficient in Western studies, my attempts to learn Chinese have been erratic and comparatively brief. Ching I Sun, a scholarly gentleman, conducted a small one-room neighbourhood school on Vineyard School and to him Father sent Ruth and me to study Chinese. It was learning chiefly by rote. When we were not memorizing aloud, we were practising calligraphy, something I did quite well. We did not attend school very long. Ruth went on to study under another teacher, Chang Garm Bo, but I did not resume studying Chinese until I was in my early teens when I went to Wah Mun School for a short time before transferring to Mun Lun School, where classes were held in the afternoons and Saturday mornings.\n\nOur programme here also included history, geography, composition, calligraphy and the classics. Once a week one of the teachers would entertain us with stories from the historical romances, the most famous of which was the Romance of the Three Kingdoms. I was very happy and proud to use the set of Ancient Classics that Father had used when a student in China, and he was pleased and patient in explaining the difficult passages.\n\nThe principal of Mun Lun School and some of the younger teachers were staunch supporters of the Loyalist Bow Wong Party, which supported the preservation of the imperial regime, and was opposed to the Revolutionary Party led by Dr. Sun Yat-sen, whose supporters favoured Wah Mun School for their children. The teachers were also anti-Christian and were always making derogatory remarks about Christians, referring to them as \"pigs, dogs and robbers\", and being immature and sensitive, I took it as a personal affront. One day when I was late arriving from high school, the principal humiliated me by stopping his teaching to write on the blackboard that I was late. Having been conditioned not to fight for my rights, I decided to quit Chinese school in order that I could continue my afternoon typing class without further anxiety. This was the extent, about four years altogether, of my formal education in Chinese. The kindly and benign attitude of some of the other teachers, such as Tsze, Yee and Seto, elderly and scholarly...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211519,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 236,
        "title": "RAS-1988",
        "content_text": "212\n\nagricultural calendar, this falls in September rather than July as in Yunnan. Needham was able to find no references from the north of China to hot air balloons, and this local custom in the New Territories may well be yet one more case of the New Territories villagers sharing with the South Chinese minority tribes a traditional practice not known to the Chinese north of the Kwangtung-Fukien mountains.\n\nP. H. Hase\n\n+\n\nNOTES\n\nJ. Needham Science and Civilization in China Vol. 4 Part 2, 1965, pp. 595-599\n\nI have not been able to spot any references to hot air balloons in the Romance of the Three Kingdoms, which contains most of what is told about Chuko Liang. The germ of the connection may be the night signal of seven lamps\" which Chuko Liang used at Ch'ishan (Chapter 103, Romance of the Three Kingdoms).\n\nDetail in this Note is taken from interviews with Mr. CHÔI Kam-chuen, retired village representative of Tai Wai, Sha Tin, and other Sha Tin and Tuen Mun villagers, and particularly with Mr. LEE, village representative of Wo Hang, Sha Tau Kok, and other Wo Hang villagers. My particular thanks are due to Mr. LEE Man-yip of Wo Hang.\n\n+ On the importance of those practices, which required the co-operation of village youths, see the author's \"Observations at a Village Funeral\" in From Village to City ed D. Faure, J. Hayes, A. Birch, Hong Kong 1984, pp. 129-163, espec. pp. 129-137, and also D. Faure The Structure of Chinese Rural Society, Hong Kong, p. 96.\n\nNeedham op. cit. The Yunnan hot air balloons are quoted by Needham from J. Goullart, The Forgotten Kingdom 1955, p. 178. The Yunnan balloons were fired by bundles of splintered pine twigs, and were able to fly for only a few minutes. The Yunnan balloons. like those in the New Territories, were made of paper pasted over hoops of split bamboo: presumably the hoop was a rim-hoop.\n\nA SILVER BRACELET WITH\n\nAN ANCIENT GREEK COIN FOUND IN WEWAK, EAST SEPIK PROVINCE,\n\nPAPUA NEW GUINEA\n\nA silver bracelet was found in the sand on a raised beach in Wewak, at a depth of approximately 0.5 m in disturbed ground.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 214350,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 208,
        "title": "RAS-1998",
        "content_text": "173\n\nTHE DEIFICATION OF HEROES FOLLOWING THE STRUGGLE BY THE VASSAL STATE OF CHOU TO OVERTHROW THE SHANG DYNASTY\n\nKEITH STEVENS\n\nThe lives of a great number of Chinese historical figures, heroes, worthies, bandits and revolutionaries, sovereigns and commoners over the centuries have become mythologized and the subjects of teashop story tellers. Their deeds and words have been fictionalised, themes known to the majority of Chinese. Some have found their way into religious life and become deified worthies. Many of these tales, ostensibly biographies of deities, are predominantly fantasy wedded with historico-fictional legends, a number of which comprise two or more volumes, others involve an enormous cast of heroes and worthies as well as scores of supernatural characters. Three major historico-legendary tales in particular have coloured popular religion beliefs. These are The Romance of the Three Kingdoms, The Journey to the West and The Deification of the Gods. Other works have also been sources of peasant knowledge about individual deities such as The Romance of the Sui-Tang [Sui-Tang Yanyi].\n\nWe are particularly interested here with The Deification of the Gods. [Fengshen Yanyi: a novel also known to foreigners as The Investiture of the Gods]. 'The Feng-shen Yen-i addressed the moral and philosophical question of the origins of the gods and is an unsophisticated version of history describing the overthrow of the dynastic house of Shang by the vassal Zhou which took place some 3,000 years ago, at a mythological time when the \"human\" gods were created. It has an overlay of Buddhism despite this religion in practice not reaching China until some thousand years after the overthrow of the Shang and the establishment of the Zhou and not incorporated into Chinese religious beliefs until the time of Christ. It is the story of the decline of a dynasty, the Shang, with its depraved, dissolute and brutal ruler, under the spell of a beauty, his concubine, leading at first to his ineffective attempts to subdue his vassal Zhou state, and later to the Zhou mustering its forces and allies to attack the Shang and lay siege to its capital.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    }
]