[ { "id": 205715, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 21, "title": "RAS-1969", "content_text": "CHINESE UNOFFICIAL MEMBERS OF COUNCILS\n\n15\n\nincluding a big reclamation project.14 The name of the company contained the names of the partners, \"Kai\" from Ho Kai and \"Tak\" from Au Tak. Hence the name of our airport may be taken as a name in commemoration of both Ho Kai and Au Tak.\n\nAlthough very westernized himself, Dr. Ho Kai always entertained a very sympathetic understanding of the Chinese masses. In May 1887 when the Government introduced the Public Health Bill, Dr. Ho Kai, to the surprise of his European friends, opposed it strongly as a member of the Sanitary Board. He accused the Bill of making the \"mistake of treating Chinese as if they were Europeans\" and argued that to improve standards indiscriminately would mean cutting down the available building space, and forcing rentals to go up,15 thereby causing great hardship to the poorer Chinese. Because of his opposition the Bill had to be amended substantially. This is only one example of why Ho Kai was so much respected by the Chinese community as its leader and forthright spokesman.\n\nIn addition to his interest in Hong Kong affairs, Ho Kai, like many educated Chinese of his time, was very much concerned with the modernization and reformation movements that were going on in China. On 8th February 1887, the China Mail carried a reprint of an article by Marquis Tseng Chi-tze, Chinese Minister to Great Britain and Russia, entitled \"China, the Sleep and the Awakening\". On 16th February 1887, Ho Kai published, under the pen-name \"Sinensis\", a long article in the China Mail refuting many points raised by Marquis Tseng. In subsequent years he wrote quite a number of articles, voicing his ideas on political and economic reforms in China, and refuting the views of such Chinese personages as Viceroy Chang Chi-tung and Kang Yu-wei, the reformer who aroused the ire of the formidable Empress Dowager. In 1897 he was offered a post in China by his brother-in-law, Wu Ting-fang.16 However, he went to Shanghai to have a look at things for himself and he decided to return to Hong Kong.\n\nIn 1895, when Dr. Sun Yat-sen, one of his students in the Hong Kong College of Medicine and founder of the Chinese Republic, started the Hsing Chung Hui, a revolutionary organization, in Hong Kong, he had the assistance and support of Dr. Ho Kai. Indeed Dr. Ho took an active part in planning some of the early abortive attempts in Canton to overthrow the Manchu Government.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205790, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 96, "title": "RAS-1969", "content_text": "90\n\nR. BRUCE\n\nLike Sakya-muni who became Gotama Buddha, he left the rich life of the Palace for the austerity of monkhood. His head and eyebrows were shaven, his dress was the yellow robe, his dwelling a cell in a city monastery. He shared the simple life of the most humble. Each morning he went into the streets to receive in a metal alms bowl gifts of food from the people. Each day the monks chanted the Pali sutras, studied, or practised meditation. It was a life of abstinence. No worldly wealth is allowed in the Order. It is absolutely forbidden to tell lies, to take any form of life, to gossip, to steal, to have any contact with women, to handle money, or to eat after mid-day. A monk's demeanour is important - how to stand, sit, walk, how to address people, and how to maintain that composure which is revealed in the face of Buddha's image in every Wat in Thailand.\n\nThe discipline was not irksome to Mongkut, and it became him as easily as the luxury of the Palace. He immersed himself in Buddhist studies and acquired a good knowledge of Pali, the language of the scriptures. He found in his research that there were serious gaps in the collections of texts and commentaries in Siam. At the young age of thirty-three, he had been in the Order three years. Mongkut became the Abbot of Wat Bowaniwate. He ordered many Pali books from Ceylon to repair the omissions in the Buddhist writings. But the most important part of his work as a monk was the reform and revitalising of the Order of monkhood itself.\n\nPrince Mongkut, the Abbot, found the observance of the code of conduct too slack. Some monks in Wat Po, the Temple of the Reclining Buddha, were even gambling and handling money. He set a new standard of discipline in his own Wat and then established a new sect within the Order. This was the Dharmayuta, the Followers of the Law, which survives today. The rules prescribed for this school of monks are far stricter than for the majority group, the Mahanikai, the Great Sect. Mongkut preached to the monks in his Wat and to the people, bringing a fresh interpretation of the Dharma, the Law, in place of what had become atrophied ritual. In creating a new sect among the monks, Mongkut did not bring about a \"Reformation\"; he left no cleavage among the followers of Buddhism. He re-inspired belief and disciplined practice. That this was done by a Priest, half-brother to the King and his likely successor, was doubly significant in a country where", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206517, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 65, "title": "RAS-1972", "content_text": "SIR JAMES HALDANE STEWART LOCKHART\n\n59\n\nent Chinese he was largely instrumental in reorganizing the District Watchmen Force (a body of watchmen paid for by voluntary subscriptions from the Chinese community) and he obtained the appointment of twelve leading Chinese gentlemen as a supervising committee; he remodelled the Po Leung Kuk (a voluntary association concerned with the welfare of girls and young women); and he helped in the reformation of the Tung Wah Hospital and strengthened its committee of management.11 He was active, then, in setting up a number of official Chinese committees, linked to government through their special relationship with the Registrar General's Department, of which he was head. The Registrar General in all cases was ex officio chairman of the committees.\n\nLockhart's views on the importance of the Chinese element in the population are to be found in a trenchant report he submitted in 1894 to the Governor, Sir William Robinson, 'on the subject of a petition addressed to the House of Commons praying for an amendment of the Constitution of the Crown Colony of Hong Kong.' This petition from Hong Kong taxpayers to the House of Commons owed its origin principally to the imposition upon the taxpayers in 1891 of an additional military contribution of £20,000 a year, a decision that irritated and excited particularly the European business community. In 1894 T.H. Whitehead,13 Unofficial Member of the Legislative Council and leader of the business faction, was granted six months' leave of absence from the Council and he took with him to England a petition signed by 363 members of the community — (in Lockhart's words) ‘284 British, 10 Anglo-Chinese, 3 American, 4 Portuguese, and 47 British Indians.' The petitioners sought the election of representatives of British nationality in the Legislative Council; freedom of debate for the Official members with power to vote as they desired; complete control in the Council over local expenditure; the management of local affairs; and a consultative voice in questions of an Imperial character.\n\nWith great dialectical skill Lockhart took the petition to bits and exposed the vacuity of its arguments. In his memorandum to the Governor he averred: 'Most of the taxes fall almost entirely on the Chinese. The only tax to which the British and other residents as a whole are subject in the same manner as the Chinese is the tax of 13 per cent levied on the rateable value of house", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 209803, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 62, "title": "RAS-1983", "content_text": "40\n\nOn the point of the monks' helplessness to alter anything themselves one can call to mind a monk's cynical remark that with respect to the reformation of the sangha, nothing would come of it unless it is passed into law by the government. 法輪,「華僧大會七大提案之剖親」香·V. 209 (1977), p. 20: 「如何改革僧伽制度, 這一點, 我覺得沒有通過政府立法程序, 是辦不通的。」Is this lack of a Buddhist central authority one of the contributing reasons why the government exerted control over the sangha by its institutions of monk-officials, ordination certificates and examinations?\n\n5.\n\n* op. cit., p. 19\n\n大頭儈, 「但寶延續問題, 十四」, 香, V.221 (1978), p. 5.\n\n11 白聖, 「我對佛制改革的意見」香, V. 209 (1977), pp. 11-15.\n\n1* 覺光, 「華僧革新勢在必行」, 香, V. 209 (1977), pp. 8-9, 21.\n\n1 火頭會「惟實延續問題, 十四」, 香, V. 221 (1978), p. 5.\n\n34 永惺・「佛教的延續問題」, V. 209 (1977), p. 16.\n\n* 源慧, 「有關華僧問題的討論」, V. 209 (1977), pp. 25-28.\n\n14 王聯章, 「培養後繼的我見」, V. 209 (1977)、pp. 36-37.\n\n** op. cit., p. 9.\n\n** See 廣義法師, 「慶祝衛塞節聲中勿忘(尼)的出路」, 香, V.164 (1974)、p. 6. and \"#98#, · 6 · V. 170 (1974) p. 8. See also the report of the activities of the Hong Kong Buddhist Association in 'SMWUA& IR ̧ · Ñ · V. 227 (1979), p. 36, and the Hong Kong Buddhist Journal, Hong Kong: The Hong Kong Buddhist Association, 1978. Although the Hong Kong Buddhist Association includes a significant contribution from laymen, monks also take active part in its work.\n\n* For example, see, ##4#RTIí, · ✯ · V. 225, p. 14, and★ · BEANS, · · V. 233 (1979) · pp. 3-6.\n\n30\n\n1 正安, 「佛學的新認識」, 香, V. 230 (1979), p. 4, section on 「鬼神思想的混合」.\n\n1 金明, 「佛教在太空時代扮演的角色」, 香, V. 230 (1979)・p. 12.\n\n22 Ibid. p. 13.\n\n18 Ibid.\n\nE op. cit., p. 4.\n\n26 op. cit., p. 4.\n\n20 歸耕盛, 「淨土宗的哲學觀和科學觀」, 否, V, 230 (1979), pp. 6-11 and 張通文, 「佛陀的正確宇宙觀」, 香, V. 232 (1979), pp. 6-8.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 212138, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 80, "title": "RAS-1990", "content_text": "57\n\nthem 'Persian monasteries' (Po-Ssu ssu §†). In order that the true origin of these so-called 'Persian monasteries' may be known, the monasteries in the two capitals are to be re-named 'Syrian monasteries' (Ta-ch'in ssu). The same change is to apply to the monasteries in other prefectures and districts.\n\nThis imperial decree seems to have been connected with a Nestorian mission from Mesopotamia which arrived in Ch'ang-an in 744, some months earlier, and received an impressive imperial compliment. We learn of this mission from the Sian tablet inscription:\n\nIn the third year [of the Tien-pao period], in the country of Syria (Ta-ch'in) there was the monk Chi-ho. Gazing at the stars he turned towards reformation; looking at the sun he came to do reverence to the emperor. The emperor decreed that the priests Lo-han, P'u-lun and others, seven in all, along with bishop Chi-ho, should cultivate merit in the Hsing-ching palace. The emperor then composed a motto for the monastery, and its name-board carried the dragon-writing. The precious ornament was like a gem or a kingfisher, and was bright with the vermilion glow of sunset clouds.'\n\nTwo separate sources, therefore, state that in 744 and 745 Hsuan-tsung showed interest in the official terminology of the Nestorian church in China. According to one source he ordered all Nestorian monasteries to be renamed; according to the other he supplied the Nestorian monastery in Ch'ang-an's I-ning ward with a sample of his calligraphy, in the distinctive vermilion ink reserved for emperors. Obviously the two accounts are connected. Chi-ho's mission, for whatever reason, resulted in a decision by the imperial authorities to have all Nestorian monasteries renamed 'Syrian monasteries'. The emperor also paid the Nestorian monastery in Ch'ang-an the compliment of personally writing out its new name, Ta-ch'in ssu § , 'Syrian monastery', for reproduction on the monastery's wooden name-board.\n\nThe change of name in 745 came at a time when the Chinese government was more than usually interested in western geography. Chinese armies had wrested control of the Tarim Basin from the", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212280, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 222, "title": "RAS-1990", "content_text": "199\n\nas this related to Chinese classical culture. Having been somewhat hesitant to suggest the possibility of a missiological approach which included a more positive role for Confucianism, Dr. Legge in his first years at Oxford became fully convinced that this was the most appropriate strategy for Christian missionaries in traditional China. In this way traditions known and respected in Chinese society, from the common people to the Confucian scholars who effectively ruled the provinces, could be used as bridges for presenting and highlighting the need of China and her people for the Christian fulfillment in salvation through Jesus Christ.\n\nThis was the keynote of Legge's controversial 1877 speech presented at the First General Missionary Conference in Shanghai. Because many missionaries came to China during this period in which \"gunboat policies\" brought legal access of missionaries to China, many also experienced strong opposition from the often corrupt and \"atheistic\" mandarins who ruled the areas in which they were active. In the minds of these missionaries, to advocate an alliance with this kind of a system was to advocate a dismantling of basic Christian convictions in theology and ethics. What appears to be a condescending view of the superiority of European culture in the writings of many missionaries was from their point of view the only means of supporting the kinds of reformations which Christianity would, they felt, necessarily involve in Chinese society. Their opposition grew out of their sense of the devastating practical compromises which would have to be accepted if missionary strategies accommodated the Qing Confucian system.\n\nThe consequences of Prof. Legge's support of an “original Confucian monotheism” in the early historical annals of the Confucian Classics were unwelcome to many missionaries. By referring to the classical Confucian texts as the basis for Christian missionary strategy, Legge was by extension accepting, they felt, the imperial palace — the arbiter of Confucianism as the final court of appeal for Christian missionaries. A further complication arose because the worship of Shangdi, the technical term Legge associated with the Christian God in the Chinese Classics, was a religion limited to an imperial monopoly. Legge hoped that this religion and its rites could be transformed into a Christian institution and extended across the whole of China.\n\nRather than approach China as outsiders with a foreign message,", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 215412, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 189, "title": "RAS-2001", "content_text": "138 \n\nbuildings. The Arch of Triumph motif is also found in Renaissance Spain, where the architect Alonso de Vandelvira seems to have been one of its main exponents.10 \n\nThe number of Arches of Triumph appearing at this time on the portals of both Spanish and Portuguese buildings at home and in the colonies is very large. It was particularly favoured in the decoration of church façades. We must remember that this is the period of the Counter-Reformation, or what some prefer to call the Catholic Reformation. Although architects could be flexible in their use of it, its more symbolic connotations for Spaniards and Portuguese in their newly conquered territories were, broadly speaking, mainly twofold: to celebrate their secular victories in battle and to celebrate the triumph of the Church over paganism. \n\nIn Spanish colonial architecture of the sixteenth century it appeared at a time when building decoration had not yet acquired the richer, more elaborate styles of the seventeenth and eighteenth centuries. Many of the buildings in question were often technically solid but with little exterior ornamentation and this particular motif often formed the most striking decorative element of the elevation. \n\nIn respect of Spanish Colonial architecture in South America, Dr. Valerie Fraser of the University of Essex, in the U.K., has brought the motif into disrepute. Dr. Fraser carried out a comparative study of contemporary sources and colonial church façades in South America. She came to the conclusion that in these colonial façades the symbolic meanings previously given to the motif by Italian Renaissance architects, such as triumph over death, etc., was gradually mutated into a symbol of Spanish cultural superiority.\" \n\nThe civilizations the Spanish encountered in the New World had no knowledge of the arch prior to the arrival of Europeans. After the Spanish Conquest their degree of cultural development came to be judged according to Spanish cultural values. Consequently, the employment of the Arch of Triumph in colonial South America served ideological as well as artistic purposes, expressing the perception the conquistadors had of the conquered. \n\nAlthough I cannot discuss the pros and cons of Iberian colonialism", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215426, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 203, "title": "RAS-2001", "content_text": "152\n\npair emerges at the back of the fourth storey. These six lions obviously served the same purpose as the gargoyles of Gothic churches, and may be void of iconographic meaning. In this case more important than classical orthodoxy for the Jesuits was evidently the incorporation and integration of Chinese and Japanese decorative motifs.\n\nPurpose of Decoration\n\nOne of the most striking features betraying the influence of retables is the profusion of religious symbols adorning the walls of the frontispiece, an esoteric hieroglyphic language growing in iconographic intensity as it moves towards the top. In purely architectural terms this richness of imagery appears to be mainly artistic and non-functional, and is not found to this extent in the decoration of more conventional church façades. However, it is something typical of Counter-Reformation altarpieces, one of its main purposes being a didactic one. Not only the structure, but also the decorative dialogue of the façade also reveals it to be a mixture of medieval scholasticism and Renaissance classicism.\n\nAnother characteristic of retables found in the façade is the hierarchy and progression of symbols and sculptured images that goes from bottom to top. For example, instead of the geometric decoration of the first storey, the second storey's bays display naturalistic bas-reliefs of palm trees. The bronzes themselves start with images of blessed and saints, above which appear those of the Virgin and Jesus.\n\nThe upper half of the façade consists of a third storey united to those below by carved volutes, and a fourth storey or attic joined to it by segmental brackets and crowned by a large pediment displaying the dove of the Holy Spirit.\n\nIn this upper half there are several Chinese inscriptions, further attesting to the didactic purpose of the decoration. Although these apparently were not the work of Chinese artists knowledgeable of calligraphy,25 they are quite legible and visible from the upper steps and the entrance courtyard below. There can be little doubt that their main purpose was to make the iconographic and calligraphic messages of the frontispiece, largely concentrated in the upper half of the façade, clear to the Chinese population and to potential Chinese converts.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215428, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 205, "title": "RAS-2001", "content_text": "154\n\nmost inscrutable of Roman Catholic mysteries. Of Eastern European origin, it was popularised in large numbers of altarpieces throughout Europe from the Late Gothic onwards.\n\nWhat made it so specific to Roman-Catholic ritual is the powerfully Eucharistic connotations given to it by Counter-Reformation theologians and retable programmers. From retables the theme passed to retable-façades, as seen in Santa Maria A Grande in Pontevedra.\n\nToday there are no angels crowning the head of the image of Mary as she soars to heaven, nor is there a half moon beneath her feet. But the impressive array of symbols carved on the bays, bases and end-volutes of the third storey show that many are attributes related not so much to the Assumption, as to a type of the Virgin known as the Tota Pulchra. Moreover, there is a closer correspondence between the latter and the image of Mary as the Immaculate Conception (Mary conceived by God without original sin, a controversial religious belief, at the time bitterly contested by the Dominicans). The name Tota Pulchra, by which this image is known to art historians is closely linked to the concept of immaculate. It is derived from a passage in the Canticle of Canticles singing the virtues of the beloved, in which King Solomon, the reputed author, proclaims: \"Tota pulchra es amica mea, et macula non est in te” (“You are wholly beautiful, beloved, and there is no stain in you”), (translation mine).\n\nIn all likelihood the artists of the frontispiece created their masterpiece from prints illustrating the attributes of the Tota Pulchra following a complex theological programme. Typical are the pediment reliefs of St. Paul's showing a sun and a moon, referring to the woman pulchra ut luna and electa ut sol, derived from The Canticle of Canticles and very similar to those depicted in contemporary prints (Fig. 24).\n\nA good indication that the artists copied or derived their images from such prints is the fact that not all the symbols of the Tota Pulchra originate in The Canticle of Canticles. Some evolved from the Litanies of the Virgin (including the more popular Litany of Loreto) and a number of Old Testament sources, such as Genesis, Ezekiel and the Book of Proverbs. These are also present in the decoration of the façade.\n\nWhat makes this supposition reasonable is that numerous", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215430, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 207, "title": "RAS-2001", "content_text": "156\n\nPopular Jesuit devotional manuals of the times prove useful. A good example is a 1617 book of poetry that was quickly disseminated after its author's death. The Officium parvum Immaculata Conceptionis, or Small Office, by the Spanish Jesuit St. Alfonso Rodriguez intersperses a brilliant cluster of Marian symbols amongst its prayers. Besides the Fountain, the Spotless Mirror, the Enclosed Garden and the Cypress, the Small Office also sings the praises of the Palm tree, the New Star of Jacob, the Eastern Door of the Temple of Jerusalem, the Port of Shipwrecks and others. Thus, the closed door underneath the decorative pyramid topped by a globe seen on the farthest right-hand bay of the façade can be equated to Rodriguez's porta orientalis of the Temple of Jerusalem, taken from Ezekiel, which remained ever closed after the Lord Yahweh had passed through it.\n\nOther carved symbols can be deciphered with other contemporary texts. For instance, one of the three left bay reliefs carved on the base of the third storey shows the seven-branched candlestick of the Jewish Tabernacle. Here it is reasonable to infer that this is a literary conceit typical of much of sixteenth century Mannerist literature in Europe. Thus, through allusion Mary's immaculate earthly body has been likened to a tabernacle and related to the Eucharistic mystery. This is because Mary carried the baby Jesus in her womb in the same way that the consecrated host is housed in a tabernacle, a cryptic simile known from Counter-Reformation religious literature.”\n\nSuch an interpretation is further confirmed by the reliefs decorating the section of the base of the third storey below the two adjoining bays, as well as the left volute. They show a stylised vine and a small monstrance amid branches with berries.\n\nThese reliefs correspond to the flowering plants that adorn the mirror on the right. Like the flowered pedestals of the columns, these plants seem to be more decorative than symbolic, depicting specimens of Chinese or Japanese flora in which Far Eastern artists have been encouraged to integrate more traditional painterly images with images of Western origin. As is the case with the gargoyles in the form of Chinese lions, they attest to the significant role played by Chinese and Japanese artists in the design and execution of the decoration of the church.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215644, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 421, "title": "RAS-2001", "content_text": "373\n\nCOINCIDENCE?\n\nJENNIFER WELCH\n\nKeith Stevens sent me the following anecdote from amongst his collection of notes on Chinese religion:\n\nTao Bing Taizi - The Earth Soldier Prince\n\nThe story is that of a young man in his early twenties, with the surname Cai, who was killed by local people near Kaohsiung during a trip he made away from his home village of Hu Tung in Yun Lin county in central Taiwan. He was buried where he fell, but later his family, who regarded him as a heroic youth, came and took some soil from his grave, and built a shrine in his honour back in Hu Tung. As time passed people who prayed at his shrine found that their prayers were answered, and as a result of this success he became a popular local god.\n\nIn the late 1890s, after the occupation of Taiwan by the Japanese, a troop of Japanese cavalry passed through the village of Hu Tung destroying crops as they went. The villagers were angry but too afraid to protest. The cavalry tethered their horses to the shrine, whereupon one of the horses neighed and dropped dead. This was seen as Cai punishing the Japanese both for destroying the crops and for desecrating his shrine by using it as a tethering post. The villagers considered that Cai had meted out retribution to the Japanese in this way so that they could not blame the villagers for the mishap.\n\nA few days after receiving this tale I took some visitors to see Beverley Minster, our local cathedral, founded before 1066, but a wonderful example of medieval architecture. On entering, an official offered to give us a guided tour, which included the 14th century stone canopied tomb of Lady Eleanor Percy, a truly beautiful work of exquisitely carved fruit, leaves, angel figures and symbolic beasts, where the central position is filled with a representation of the Deity raising the soul of a woman from her winding sheet. Our guide informed us that this was a rare surviving example of such medieval art in England, as in other churches similar depictions of Christ had been destroyed, not during the Reformation, but a century later by the Puritan Roundheads. We inquired how this carving had survived, and this is", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]