[
    {
        "id": 207175,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 246,
        "title": "RAS-1974",
        "content_text": "240\n\nBOOK REVIEWS\n\nscholars, 10 articles by 5 Japanese scholars and 3 by 2 Europeans). According to this bibliography, the earliest study on Chu-kung-tiao seems to be an article by a Chinese scholar, Sun K'ai-ti written in 1932, while Japanese scholars' earliest study on the same subject is an essay written by Yoshikawa Kujiro in 1942.\n\nHowever, among Asian scholars' study on chu-kung-tiao literature, the earliest study on this subject should be credited to “Liu Ti-en shio-kyu tio kō” (A Study of the chu-kung-tiao of Liu Chih-yüan) written by Aoki Masaru. It first appeared in Shina Gaku (Journal on Chinese Studies), Vol. VI, No. 2, pp. 21–56 (Tokyo, 1932, March). Subsequently, the same article was included in the same author's Shina Bungaku Geijutsu Ko (Studies on Chinese Literature and Art), 1942, August, Kyoto (pp. 183-219). In this article, Aoki has not only analysed the written format of the chu-kung-tiao ballad but also compared the composition of Liu Chih-yüan CKT with that of pai-t'u-chi (Tale of a White Hare), a mid-14th century Chinese drama, once again written on Liu Chih-yüan's life stories. In addition, Aoki reproduced a plate to show the page face of the Liu Chih-yüan CKT.\n\nFour months after Aoki's article appeared in Shina Gaku, Ho Ch'ang-ch'ün's Chinese translation of Aoki's same article was published in the July-August issue of the Kuo-li pei-p'ing t’u-shu’kuan kuan'k'an (Bulletin of National Library of Peking) Vol. VI, No. 4, pp. 4603-4620 (1932, Peking). Undoubtedly, Aoki's study on Liu Chih-yüan CKT was regarded as both attractive and important. At this time Sun K'ai-ti's article on other chu-kung-tiao was also published in the volume VI No. 2 (pp. 4345-4350) of Bulletin of National Library of Peking.\n\nIn addition to Aoki Masaru and Ho Ch'ang-ch'ün, once again in 1932, Cheng Ch'en-to (1898-1958), one of the pioneer scholars of Chinese popular-literature also published a study on the same subject. This is the well-received article: “Sung-chin yüan chu-kung-tiao kao”, i.e., “Studies on the 'various mode' of the Sung Chin Yüan Periods\" which appeared in the first issue of the Wen-hsueh nien-pao (July, 1932, Peking). This massive study, occupying the first 78 pages of the cited journal, could in fact be treated as a monograph for this particular subject. In this essay, in addition to his study of the Structure of Liu Chih-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207816,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 204,
        "title": "RAS-1976",
        "content_text": "The Ancient Mon-Pagan, Peru & Nakorn Pathom 189\n\n(Rama VI) complete with Shakespearian house and a statue to his dog whom he suspected had been poisoned by jealous courtiers.\n\nThe Pagan theme of temple paintings, though of a different period, may also be taken up again in Dhonburi, across the river from Bangkok. Dhonburi was the capital between the fall of Ayuthaya in 1757 and the establishment of Bangkok in 1782 and boasts a number of old temples, many still having their original mural paintings. The little visited Wat Wai Thepnimit is lost amid sluggish canals and has paintings in good condition dating from the late 18th century. Like many of such temples, the scene above the main door inside represents the victory of the Buddha over the temptations of Mara; the scene behind the altar shows the division of the world into paradise, earth, and hell; and at the lower levels on the sides, between the windows, are the stories from the last ten Jataka tales, while above are serried rows of alternating orahan, or devotees, and yaksa or giants. In better condition, though in not so charmingly dilapidated a building, is the temple of Wat Chaiyathit, which can only be reached by a walk by narrow canals and a railway track. The well-known paintings at the fine Wat Suwannaram on Klong Bangkok Noi need little introduction. The small dual buildings of Wat Rumarin Ratchapaksi near Wat Dusit, bombed by accident in the last war, are now at last being repaired, though not before the weather has caused considerable damage to the quality of the paintings. One of the most impressive buildings to survive the passage of time and weather is the old library at Wat Rakhang, the Ho Trai. This has three rooms and was formerly part of a dwelling of General Chakri, the founder of the present dynasty, in the 18th century. He had it converted into a library for the temple after he became king. The carved entrance doors are magnificent, and the Ayuthia period lacquered library cupboards are in very good condition. The paintings, which had been much damaged by time and smoke from a fire at the temple, are now being restored. The scenes depict barely recognisable episodes from the Thai version of the Ramayana.\n\nBangkok does not lack evening entertainment, but there is not much that can rival the setting of Krisnavara House, with its collection of antiques beside the Chao Praya River, for a performance of the now rarely presented hoon krabawk, or stick puppet theatre. The figures are clothed in 19th-century court dresses and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 211829,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 244,
        "title": "RAS-1989",
        "content_text": "219\n\nColins: Mrs. C.R. Faylor Love Laughs at Locksmiths Robin: Mes. C.R. Faylor\n\nJuliac: Mrs. E. Yeanians\n\nDame Durden: Mr. E. Yeamans.\n\nPaddy Druden: C.R. Faylor\n\nOnly an advertisement for this performance was published in the Herald of May 7. The stage often has its own laws as to the gender of the participants. In amateur theatricals, men dressed up as women à l'outrance, whereas in a professional company like the present one male characters were personified by ladies and vice versa!\n\n14.5.1864 (Sat)\n\nPerformance by the amateurs of the Royal Artillery.\n\nNo titles of plays recorded.\n\nTh: N.N. (H)\n\nR: NCH 21.5.1864\n\n17.5.1864 (Tue)\n\nRepeat of 14.5.1864.\n\n26.5.1864 (Thur)\n\nJ.M. MORTON: “Whitebait at Greenwich\" (1835)\n\nT: Farce (1 act)\n\nC. MATHEWS: \"Little Toddlekins” (1852)\n\nT: Comic drama (1 act)\n\nJ.M. MORTON: “Poor Pillicoddy” (1848)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Epilogue spoken by R.C. Antrobus, commander of the S.V.C.\n\nTh: N.N. (H)\n\nN: Final performance of the season\n\nR: For the occasion Edward LAWRENCE, who was a \"practitioner at Law and Notary Public” according to the “Shanghai Almanac for 1862”, had written an epilogue which was read by the commander of the S.V.C., Robert Crawford ANTROBUS (member of the Municipal Council 1864-1865). And, as if to give more weight to its reception, the Herald added that “many of the ladies joined in the applause” (NCH 28.5.1864).\n\n28.5.1864 (Sat)\n\n**An Evening at Home**: \"Songs interspersed with anecdotes and conversation of the most lively description”.\n\nC: Mr. J.R. Black\n\nTh: Olympic Theatre (H)\n\n31.5.1864 (Tue)\n\nAs on 28.5.1864.\n\n3.6.1864 (Fri) As on 28.5.1864.\n\n13.6.1864 (Mon)\n\n\"An Evening at Home - Great Jacobite Night\" by Messrs. J.R. Black and Marquis Chisholm. Performance of the play The Advantages of Bonnie Prince Charlie or the Rising of 1745 (No piece with this title appears in HED), as well as ballads and songs (including 'Vi ravviso from Bellini's \"La Sonnambula\", act 1).\n\nTh: Olympic Theater (H)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212260,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 202,
        "title": "RAS-1990",
        "content_text": "179\n\nthe profession as a means to solve problems related to the management of the troupe and the theatre. Eventually such management rules were overwhelmed by the profession's religious sentiments and transformed to become an essential part of the employees' religious beliefs.\n\nHsu Francis L.K. 1983\n\nREFERENCES CITED\n\nExorcising the Trouble Makers. Magic, Science and Culture, Westport: Greenwood Press.\n\nChiao, Chien\n\n1986\n\n\"Beating the Petty Person: A Ritual of Hong Kong Chinese\" (in Chinese), in New Asia Academic Bulletin (Volume VI): Special Issue on Anthropological Studies of China, Hong Kong: New Asia College, The Chinese University of Hong Kong.\n\nWard, Barbara E. 1979\n\n\"Not Merely Players: Drama, Art and Ritual in Traditional China,\" in Man, March 1979.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    }
]