[
    {
        "id": 205649,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 191,
        "title": "RAS-1968",
        "content_text": "186\n\nGILES, Herbert A.\n\nTHE LIBRARY\n\nChina and the Manchus. Cambridge, University Press, 1912. (Cambridge manuals of science and literature).\n\nGILES, Lionel.\n\nA gallery of Chinese immortals; selected biographies translated from Chinese sources. London, Murray, 1948.\n\nGODMAN, A., ed.\n\nThe attainment and ability of Hong Kong primary IV pupils: a first study. Hong Kong, University Press, 1964.\n\nGOODRICH, L. Carrington.\n\nA short history of the Chinese people. 2nd ed. London, Allen & Unwin, 1957 reprinted 1962.\n\nGRAHAM, Dorothy.\n\nThrough the moon door: the experiences of an American resident in Peking. New York, Sears, 1926.\n\nGRATTON, Henry Pearson, ed.\n\nAs a Chinaman saw us: passages from his letters to a friend at home. New York, Appleton, 1904 reprinted 1916.\n\nGRAY, Terence James Standus.\n\nAll else is bondage: non-volitional living [by] Wei Wu Wei [pseud.] Hong Kong, University Press, 1964.\n\nGRAY, Terence James Stannus.\n\nOpen secret [by] Wei Wu Wei [pseud.] Hong Kong, University Press, 1965.\n\nGRAY, Terence John Stannus.\n\nThe tenth man: the great joke (which made Lazarus laugh) [by] Wei Wu Wei [pseud.] Hong Kong, University Press, 1966.\n\nGRIFFIS, William Elliot.\n\nChina's story, in myth, legend, art and annals. Boston, Houghton Mifflin, 1901.\n\nGRUNWEDEL, Albert.\n\nMythologie du Buddhisme au Tibet et en Mongolie, basée sur la collection lamaïque du Prince Oukhtomsky. Traduit de l'allemand par Ivan Goldschmidt. Leipzig, Brockhaus, 1900.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
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    },
    {
        "id": 205789,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 95,
        "title": "RAS-1969",
        "content_text": "KING MONGKUT AND THE KINGDOM OF SIAM\n\n89\n\nBallestier did not meet the King and so never presented the President's letter. He was treated with little respect and left Bangkok in less than a month without a treaty or hope of one. Ballestier reported angrily to Washington that the only way to improve trade with Siam was by the threat or use of force. After he left, fear spread through the city that force might be used. Some teachers who had been instructing American missionaries in the Thai language thought it judicious to leave their employment, but all fear was soon to be removed. The old King died in 1851, and Prince Mongkut ascended the throne.\n\nIt was the beginning of a new era. From a long period of isolation, from suspicion and fear of Western merchants and sailors, Siam, in the fourth reign of the Chakri dynasty, turned to co-operation, free trade, and acceptance of the new civilisation. The change came quickly, almost as soon as the cremation ceremonies of Rama III were completed a year after his death. Emerging from a Buddhist monastery at the age of forty-seven, His Majesty Somdet Pra Paramenda Maha Mongkut, King Rama IV, proceeded to reform his kingdom and open new relations with the West.\n\nIn 1824, when he was twenty, Prince Mongkut had entered the order of monkhood. It was a custom, still sustained today, for all young men to enter the order for three or four months. That might have been the length of Mongkut's service as a monk, but just then, within two weeks of his entering the monastery, his father, King Rama II, died, and his half-brother was chosen for the throne. Mongkut decided to remain a Buddhist monk indefinitely. Out of disappointment? This may have been so, for his claim to the crown was stronger than that of his half-brother, Pra Nangklao. Mongkut was the eldest son of the King by a royal mother, and his half-brother, though seventeen years his senior, was the son of a lesser wife. However, in Siam, the succession is not necessarily according to strict rules of primogeniture, and in this instance, the choice by the Council of Nobles of Pra Nangklao seemed a wise one. He had had many years' experience in matters of state, often assuming duties for his father, who was more interested in poetry than politics. But if Mongkut was disappointed, monastic life suited him, and he remained a monk for the next twenty-seven years.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 205792,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 98,
        "title": "RAS-1969",
        "content_text": "92\n\nR. BRUCE\n\nknowledge of the language. English for Mongkut was the key to the new knowledge. What he had started with the French bishop he now continued more avidly with the American missionaries. Geography, mathematics and especially astronomy fascinated him and he found no inconsistency between Buddhism and science. He placed no obstacles in the way of the American Presbyterians who, like the Catholic Bishop, were invited to discuss religion and to preach their doctrine.\n\nHere then was an unusual Abbot of a Buddhist monastery in nineteenth century Siam; not that Buddhists are ever inimical to other faiths but Mongkut excelled in liberalism. As a devout and learned monk he had brought fresh inspiration and discipline to his religion. As a monk he had come to know his people and his country better than any of his royal predecessors. And because of his intellectual stamina he had acquired a greater knowledge of Western civilisation than any of his contemporaries.\n\nWhen Mongkut became King Rama IV in 1851 he had been a monk for twenty-seven years. The kingdom which he inherited was a feudal corner of Asia, an absolute monarchy in which the people were forbidden to look upon the face of the King. Slavery was common, polygamy normal. The economy was primitive, the population small, there were no roads and no schools. Except for a few missionaries and merchants there was practically no contact with the Western world, King Mongkut determined to change all this. Nobody urged him, there was no popular discontent, no demand for reform. He was his own most radical liberal.\n\nWithin a year of his accession decrees came from the Palace \"by Royal Command, reverberating like the roar of a lion\" which began the slow process of change. The people were invited to look at the King when he moved among them, not to shut their windows and run away. Citizens could send him petitions on any matter and he would investigate each complaint. He did not abolish slavery but he insisted on good treatment for slaves. Nothing was too detailed for him: he issued edicts on the safe construction of fire-places and ovens and the improvement of window fittings. To prevent disease he ordered that dead animals should not be thrown in the canals. He reformed the currency, replacing lumps of gold and silver with flat coins.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 211778,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 193,
        "title": "RAS-1989",
        "content_text": "168\n\nso called Christy's Minstrels --- a famous group in the United States, yet it may be doubted severely whether it was the same one that visited Shanghai.\n\nEight years later, the first company to come down to Shanghai from Hong Kong, where they had also been playing, was the one led by a Mr. C.R. Faylor. On February 10 1864 Lytton's The Lady of Lyons was on the bill as the opening piece, but the Herald thought it a failure in consequence of \"that portion of the company which had been collected in Shanghai and pressed into service\". How this is to be understood is not quite clear. Did Faylor's company consist of only a few actors, who were to be supplemented by local worthies? But then, who else could they be but amateurs, the darlings of the foreign community? However this may be, on May 9 at an evening in which also the \"Royal Shanghai Ballet d'Action\" [so far for fancy names!] participated, the \"celebrated comedy Nature and Philosophy or Eighteen Years Labour Lost” was given. As members of the company were mentioned Mr. and Mrs. C.R. Faylor, Mr. and Mrs. E. Yeamans and Major Pegus. Amateurs almost always adopted stage names in order to hide their real identity, but with professional actors it may be assumed these names were real.\n\n45\n\nA more substantial contribution to the amusement of the Shanghai public was made by Lewis' Dramatic Company. It was of Australian origin and the \"musical director and manager\" was Charles Edouin. Other members of the group were Tilly Earl, Mrs. Gill, Lizzie Naylor, Jenny Nye, T. Andrews, Henry Birch, J.B. Creswick, W.B. Gill and nearly the whole Edouin (or, rather, Bryer) family: Julia, Rose, John and Willie. Rose (1844-1925) married G.B. Lewis and became later an actress at, among others, the Maidan Theatre in Calcutta. Her brother Willie (1846-1908; his real name was John Edward Bryer) first appeared in public when he was six; after the tour to Australia, India, China and Japan he played in Melbourne, California, New York and London.46 In 1862 the \"Lewis' Equestrian Australian Troupe\" had visited the port with \"six of the best horses ever landed in China**,** but in 1864 the company had turned to drama and from October 6 until their departure in December an eight week season provided an unprecedented shower of farces, burlesques and even some quality pieces like Sheridan's The Rivals and the prison scene from Shakespeare's King John (Act IV, sc. 1), in which the role of prince Arthur was played by an actress, Julia Edouin, who took \"the house by storm\".48 The success of the company was apparently so great that they returned in March of the following\n\n47",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211833,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 248,
        "title": "RAS-1989",
        "content_text": "223\n\nharmonium by D.H. ENGEL\n\n17. \"Eupeidee\" (German student song and chorus) Th: Olympic Theatre (H)\n\nR: An advertisement only was published in the Herald of 29.10.1864. From it we learn that tickets could be obtained at the premises of Hiram Fogg & Co (ship chandlers, general store and auctioneers; one of the oldest foreign firms in Shanghai, located at the southern end of the Bund); Hall & Holtz (see 29.6.1864); A.A. Hayes Jr (Olyphant & Co, Nanking Road, ex Park Lane); and Herbert Cope (Geo Barnet & Co, Kiangsi Road (ex Church Street) and Hankow Road (ex Custom House Road)). It also becomes clear that there were at that moment at least two theatres in the Settlement: the Lyceum and the Olympic. The programme is interesting for the number of composers which have now been forgotten (Silcher, Kücken, Becker, Werner, etc.) and the piano arrangements of well-known opera arias.\n\n12.11-18.11.1864\n\nW. BROUGH: “Conrad and Medora” (1856)\n\nT: Burlesque pantomime (1 act)\n\nJ.B. BUCKSTONE: “Married Life\" (1834)\n\nT: Comedy (3 acts)\n\nJ.W. MARSTON: \"A Hard Struggle\" (1858)\n\nT: Domestic drama (1 act)\n\nW. SHAKESPEARE: “King John”, prison scene (Act IV, scene III)\n\nFurthermore:\n\n“Cinderella”, possibly by H.J. BYRON (1860) or T. TAYLOR (1845).\n\n\"Wonder\"; no contemporary pieces are listed in HED; only: Mrs. S. CENTLIVRE: “The Wonder. A woman keeps a secret” (1714) and H. CAREY: \"A Wonder or an honest Yorkshireman\" (1735).\n\nC: Lewis A.D.C.\n\nTh: N.N. (E)\n\nR: The Lewis company continued to draw large houses and ventured even to put a Shakespeare scene on the programme, from King John. It proved to be \"the hit of the week\". In it starred Miss Julia EDouin and Mr. Henry BIRCH: \"The acting was perfect. Miss Julia EDouin doing the fullest justice to the character of Prince Arthur and indeed taking the house by storm!\" (NCH 19.11.1864).\n\n19.11.1864 Sat\n\nH.J. BYRON: “Aladdin or the Wonderful Scamp” (1861)\n\nT: Burlesque extravaganza (1 act)\n\nC: Lewis A.D.C.\n\nTH: N.N. (U)\n\nN: Benefit of Miss Tilly Earl who played the role of Aladdin\n\nR: NCH 26.11.1864\n\n23.11.1864 (Wedn)\n\nR.B. SHERIDAN: \"The Rivals\" (1775)\n\nT: Comedy (5 acts)\n\nC: Lewis A.D.C.\n\nTH: N.N. (P)\n\nN: Benefit of Mrs. Gill who played the role of Mrs. Malaprop.\n\nR: NCH 26.11.1864\n\n26.11.1864 (Sat)\n\nH.J. BYRON: \"Aladdin or the Wonderful Scamp” (1861)\n\nT: Burlesque extravaganza (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211855,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 270,
        "title": "RAS-1989",
        "content_text": "# BIBLIOGRAPHY\n\n245\n\n1. Archives:\n\n\"London Missionary Society\": Incoming Letters, Central China.\n\n2. Newspapers and Periodicals:\n\n**Boletim do Governo de Macao**, Macao, 1855-1865.\n\n\"China Mail\", Hong Kong, 1845-1860.\n\n\"North China Herald\", Shanghai, 1850-1867.\n\n\"Puck, or the Shanghai Charivari\", Shanghai, 1871-1873.\n\n*Shanghai Commercial Record*, Shanghai, 1865.\n\n3. Books and Articles:\n\nAdams, W. Davenport: \"A Dictionary of the Drama. A Guide to the Plays, Playwrights, Players and Playhouses of the United Kingdom and America from the earliest times to the present\", Vol. I (A-G) (no more published). Philadelphia, 1904.\n\nAppleton, William W.: \"Madame Vestris and the London Stage\", New York - London, 1974.\n\nBarr, Pat: \"The Deer Cry Pavillion. A Story of Westerners in Japan 1868-1905\", London, 1968.\n\nBlack, J.R.: \"Young Japan. Yokohama and Yedo. A Narrative of the Settlement and the city from the signing of the treaties in 1858 to the close of the year 1879\", Tokyo-London, 1968 (reprint of 1880-1881 edition).\n\nBoase, Frederic: \"Modern English Biography\", London, 1965 (reprint of the 1891-1921 edition).\n\nBooth, Michael (Ed): \"English Plays of the 19th century\", Volumes I and IV, Oxford, 1969-1973.\n\nBritish Museum General Catalogue of Books.\n\nBrown, T. Allston: \"A History of the New York Stage from the first performance in 1732 to 1901, 3 vols.; New York 1964 (reprint of 1903 ed.).\n\nBuckley, C.B.: \"An Anecdotal History of Old Times in Singapore 1819-1867, Singapore, 1902.\n\nCarse, A.: \"The Life of Jullien\", Cambridge, 1951.\n\nChesterfield, Lord: \"Advice to his son on Men & Manners in which the principles of politeness and the art of acquiring a knowledge of the world are laid down in an easy and familiar manner\", Chiswick, 1826.\n\nConolly, L.W. and J.P. Wearing: \"English Drama and Theatre 1800-1900. A Guide to information sources\", Detroit, 1978.\n\nCordier, Henri: \"Bibliotheca Sinica\", second edition; 5 vols.; Paris 1904ff.\n\nDavis, Jim (Ed.): \"Plays of H.J. Byron\", Cambridge, 1984.\n\n'Dictionary of National Biography\".\n\nDyce, C.M.: \"Personal Reminiscences of Thirty Years' Residence in the Model Settlement. Shanghai 1870-1900\", London, 1906.\n\nEngle, Gary D.: \"This Grotesque Essence. Plays from the American Minstrel Stage\". Baton Rouge, 1978.\n\nFétis, F.J.: \"Biographic Universelle de Musiciens\", Paris, 1864; Supplement by Arthur Pougin, 1880.\n\nFitzgerald, Percy: \"Principles of Comedy and Dramatic Effect\", London, 1870.\n\n\"The New Grove Dictionary of Music and Musicians\", London, 1980.\n\nHaan, J.H.: \"Origin and Development of the Political System in the Shanghai International Settlement\" in: \"Journal of the Hong Kong Branch of Royal Asiatic Society\", Vol. 22 (1982), p. 31-64.\n\nHaan, J.H.: \"The Shanghai Library: A history of the first foreign library in Shanghai\" in: \"Journal of the Hong Kong Library Association\", 1987.\n\nHartnoll, Phyllis: \"The Concise Oxford Companion to the Theatre\", London, 1972.\n\nHoward, Diana: \"London Theatres and Music Halls, 1850-1950\", London, 1970.\n\nPage 270\n\nPage 271",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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