[
    {
        "id": 205898,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 204,
        "title": "RAS-1969",
        "content_text": "198\n\nSU, Dr. Chung-jen*\n\nSU, Ming-hsuan\n\nSU, Samon\n\nSWIRE, A. C.*\n\nSYKES, Major A. E. -\n\nTALBOT, H. D. -\n\nTAN, Khek-seng*\n\nTANG, Mrs. Jack C. -\n\nTANG, Sir Shiu-kin*\n\nTANNER, R. F.\n\nTARARIN, P. A.* -\n\nTHOMAS, L. F.\n\nTHOMAS, T. H.\n\nTHROWER, Prof. L. B. ·\n\nTILL, The Very Rev. B.*\n\n+\n\nTISDALL, B.\n\nTOMLIN, Mrs. Ian\n\nTOOGOOD, C. W. -\n\nTORRIBLE, G. R.*\n\nTOWNER, J. A.\n\nTRISTRAM, M. P. W.\n\n+\n\nTSEUNG, Dr. F. I.\n\nTURNER, Sir Michael* -\n\nTYLER, Mrs. M. R.\n\nUHALLEY, Dr. S., Jr.\n\n·\n\n155, Blue Pool Road, Flat A, 1/F, H.K.\n\n45 Hankow Road, 9th Fl., Flat C, Kowloon.\n\nc/o Shanghai Commercial Bank Ltd., 12 Queen's Road, Central, H.K.\n\nc/o John Swire & Sons, Ltd., 66 Cannon Street, London, E.C.4, England.\n\nM.O.D. Chinese Language School, Lyemun Barracks, B.F.P.O.1, H.K.\n\nDept. of Geography, University of Hong Kong, H.K.\n\nA1, 7th floor, Villa Monte Rosa, 41A Stubbs Road, H.K.\n\n7C Bowen Road, Bowen Mansions, Apt., 402, H.K.\n\nRoom 1701, Central Building, H.K.\n\n27 Macdonnell Road, Room 32, H.K.\n\n623 N. Harper Avenue, Los Angeles, Calif. 90048, U.S.A.\n\nc/o Colonial Secretariat, Lower Albert Road, H.K.\n\nc/o The British Council, P.O. Box 753, Steuart Lodge, 154 Galle Road, Colombo 3, Ceylon.\n\n6-B, Alberose, 134 Pokfulum Road, H.K.\n\nc/o Morley College, 61 Westminster Bridge Road, London S.E.1, England.\n\n1 Garden Terrace, G/F, H.K.\n\n41D, Shouson Hill Road, H.K.\n\nc/o Oxford University Press, 5th floor, News Building, 633 King's Road, H.K.\n\nc/o The Hong Kong Club, H.K.\n\n57 Buxey Lodge, 37 Conduit Road, H.K.\n\nRating & Valuation Dept., Murray House, Garden Road, H.K.\n\nChina Building, 4th floor, H.K.\n\n\"Whispers\", Riversdale, Bourne End, Bucks, England.\n\n402 Tregunter Mansions, Old Peak Road, H.K.\n\nDept. of History, Duke University, Durham, N. Carolina, U.S.A.\n\n+\n\nLife Member\n\nPlease notify the Hon. Secretary of any inaccuracy",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    {
        "id": 206158,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 238,
        "title": "RAS-1970",
        "content_text": "231\n\nSTONEY, Mrs. G. S.\n\nSTOWE, C. -\n\n+\n\nAs above.\n\nUnknown.\n\nSTRICKLAND, Mrs. P. G. c/o Caldbeck Macgregor & Co., Ltd.,\n\nSU, Dr. Chung-jen*\n\nSU, Ming-hsuan\n\nSU, Samon\n\n+\n\nSULLIVAN, Rev. J. G.\n\nSWIRE, A. C.* -\n\nSYKES, Major A. E,\n\nTALBOT, H. D. B.\n\nTAN, Khek-seng*\n\nTANG, Mrs. Jack C. -\n\nTANG, Sir Shiu-kin'\n\nTANNER, R. F.\n\nTARARIN, P. A.*\n\nTHOMAS, L. F.\n\n-\n\nTHROWER, Prof. L. B.\n\nTILL, Very Rev. B.*\n\nTISDALL, B. -\n\nTOMLIN, Mrs. Ian\n\nTOOGOOD, C. W. -\n\nTORRIBLE, G. R.*\n\nTOWNER, J. A.\n\nTRISTRAM, M. P. W.\n\nTSEUNG, Dr. F. I.\n\nTUCK, Miss Jean\n\n-\n\n-\n\nT\n\nUnion House, H.K.\n\n155, Blue Pool Road, Flat A, 1/F, H.K.\n\n45 Hankow Road, 9th Floor, Flat \"C\", Kowloon\n\nc/o Shanghai Commercial Bank Ltd., 12 Queen's Road, Central, H.K.\n\nMaryknoll Fathers, Stanley, H.K.\n\nc/o John Swire & Sons, Ltd., 66 Cannon Street, London, E.C.4, England.\n\nc/o M.O.D. Chinese Language School, Lyemun Barracks, B.F.P.O.1, H.K.\n\nc/o Dept. of Geography, University of Hong Kong, H.K.\n\nA1, 7th floor, Villa Monte Rosa, 41A Stubbs Road, H.K.\n\n7C Bowen Road, Bowen Mansions, Apt. 402, H.K.\n\nRoom 1701, Central Building, H.K.\n\n27 Macdonnell Road, Room 32, H.K.\n\n623 N. Harper Avenue, Los Angeles, Calif. 90048, U.S.A.\n\nc/o Colonial Secretariat, H.K.\n\n6-B, Alberose, 134 Pokfulum Road, H.K.\n\nc/o Morley College, 61 Westminster Bridge Road, London S.E.1., England.\n\n1 Garden Terrace, G/F, H.K.\n\n41D, Shouson Hill Road, H.K.\n\nc/o Oxford University Press, 5th floor, News Building, 633 King's Road, H.K.\n\nc/o The Hong Kong Club, H.K.\n\n57 Buxey Lodge, 37 Conduit Road, H.K.\n\nRating & Valuation Dept., Murray House, Garden Road, H.K.\n\nChina Building, 4th floor, H.K.\n\nThe Grantham Hospital, Wong Chuk Hang, Aberdeen, H.K.\n\nLife Member\n\nPlease notify the Hon. Secretary of any inaccuracy",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
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    },
    {
        "id": 207382,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 150,
        "title": "RAS-1975",
        "content_text": "BRIAN MORTON & P. S. WONG\n\npower. There is thus an advantage for an oyster farmer to possess a large family. Usually every member of the family participates in the work. Male members usually handle the more laborious procedures such as the laying of the cultch, the transfer of the oysters from one bed to the other and the harvesting of the oysters for resale. Female members may also participate in this work especially those young and strong enough--but more often they are in charge of separating the oysters from the cultch and the shucking and selling of the oysters. Younger members of the family assist with domestic chores.\n\nIn Deep Bay, the oysters are cultivated in the traditional manner i.e. by bottom-laying (*). This method involves the laying of cultch (*) on the muddy bottom to collect the oyster spat (#). The set oysters are then left to grow for one or two years in the breeding ground (*) before being transferred to the deeper fattening ground (†) for an additional period of one or more years prior to harvesting (#).\n\nElsewhere in the world various materials are used as cultch for the collection of spat. These include stones, shells, bamboo sticks (Cahn, 1950), lime coated roofing tiles or egg-crate fillers, cement dipped wood veneer rings or old fish nets (Needler, 1941; Quayle, 1969) and even sticks of the mangrove, Aegiceras majus (Roughley, 1922). In Hong Kong some ten years ago, rocks and shells (Plate 14; A, B) were most commonly used as cultch. The supply of rock from nearby shores has, however, been virtually exhausted. Consequently stones are now being replaced by concrete tiles (*) (Plate 14; C, D) or concrete posts (Plate 14; E, F). Stones and oyster shells of appropriate size and thickness are still collected and reserved as cultch whenever available. The oyster shells are first cleaned and placed in the sun for weathering prior to being used. Concrete slabs are made artificially at a cost of HK$500/10,000 (in 1974). Old concrete slabs or posts which remain unbroken after the oysters have been detached can be reused. They are cleaned to remove all fouling organisms and then dried in the sun.\n\nThe most important and labour intensive stage in the bottom-laying method of oyster culture is the collection of the spat (**). In Deep Bay oysters spawn from March to September when temperatures are high and salinities are low (Mok, 1973). As a consequence the cultch has to be laid within this period. However,\n\nPage 150\n\nPage 151",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 211815,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 230,
        "title": "RAS-1989",
        "content_text": "205\n\nN: First performance of the season\n\nR: Alter the usual doubts about the formation of a theatrical company for the season, two plays were given this evening. The theatre had been redecorated and there was a new drop scene, not quite to the liking of the critic though: \"however picturesque and attractive the drop scene may be it ought not to absorb the attention of the onlookers to the exclusion of other objects quite as attractive and much more interesting\". Considering how much stage furniture was normal at that time, this performance must have been very crowded!\n\nOne of the plays, Done on Both Sides, also came in for some sharp remarks, yet this time there was no public outcry in the Herald. But for the remainder the principal character, Henry Jasper (in A Bachelor of Arts) was most successfully personated by Mr. NEWCOME who greatly excelled his efforts on a former occasion and succeeded in placing himself in the foremost ranks of our genteel comedians. Not less finished and effective was the acting of Mr. PICKWICK, in the character of Mr. Thornton. It would, indeed, be difficult to conceive a more quiet and judicious representation of the intelligent, gentleman-like, elderly merchant and man of the world than this performer succeeded in giving. \"Mr. PICKWICK as one of the new members of the corps, we look upon as a decidedly valuable acquisition\". And of course there was that \"first star of the galaxy\" Mrs. NESBIT as Emma Thornton with her \"astonishing powers of portraying the multifarious and often uncomprehensible traits of character which make up that delightful enigma 'woman'\". In Done on Both Sides \"our old favorite Mr. BRUSHWOOD appeared in the character of Pygmalion Phibbs, a veterinary Surgeon\" (NCH 13.2.1858). For behaviour of some members of the public see Survey.\n\n16.3.1858 (Tue)\n\nJ.H. PAYNE: \"Charles the Second\" (1824)\n\nT: Comedy (2 acts)\n\nH. LILLIE: \"As Like as Two Peas\" (1854)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by Messrs Phu & Mor; a selection of overtures and operatic morceaux\n\nTh: Theatre Royal (C)\n\nN: Second performance of the season.\n\nR: Again one of the pieces, As Like as Two Peas, was not quite up to the standards of the reviewer: \"what was successful in creating laughter was due to the acting, certainly not to the play\". Mrs. NESBIT got some competition tonight for an \"actress of much promise made her debut before the Shanghai audience [Miss WALTERS – JHJ]. The lady-like manner and finished toilette of the new candidate created quite a sensation\". Payne's Charles the Second was far more to the taste of Herald: \"On this occasion the corps took a large step backward — not, we would for an instant wish to infer, in point of ability, but merely in point of time. Hitherto their efforts have been enlisted upon contemporaneous subjects upon the manners and custom of the present day (this was not quite true, see e.g. 21.4.1851 and 26.1.1852). Their characters have been taken from the sunny side of Regent Street or the genteel suburbs of Clapham and exhibited on the stage in the costumes to which the genius of living tailors has brought us, and which we, in our foolish vanity, may consider elegant and becoming, but which, it is mortifying to think, will furnish a subject of lively mirth and ridicule to our great-grandchildren. The comedy selected went back to the time of Charles II and was illustrative of the manners of himself and his court. The scenes were laid in Whitehall and Wapping; and the characters were the courtiers of the merry Monarch and the occupants of a hostelry. The mise-en-scene, considering the means the amateurs have at command, was very well arranged and the two royal and noble revellers, together with the attendant Page and Lady Clara, were dressed with great elegance and effect.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211816,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 231,
        "title": "RAS-1989",
        "content_text": "206\n\n(...) Our first favourite was Captain Copp. This is a glorious character and was performed faultlessly [by Benjamin BLUSTER-JH]. From the first moment we made his acquaintance until we took a reluctant leave of him, our heart was kept in a continuous glow by his honest face, his blunt, sea-faring manner; his rugged but kindly touches of feeling, harmonically blended together as they were by his ceremonial bursts of good humoured jollity. Every time he broke out with his favourite stave\n\n'In the time of the Dump\n\nWhen Old Admiral Trump'\n\nwe felt a strong inclination to hear more of it and were scarcely pleased with Mary for stopping it so abruptly. (...) Mary's taste in the choice of a lover was unexceptionable - a compliment which cannot be said with truth, of pretty girls generally. The page who was the favoured suitor deserved his good fortune: he played well and sung sweetly. It is some time indeed since we heard on the stage or elsewhere a song given with so much taste and expression (...). No wonder the pretty Mary melted under the influence of the mellow tones of such a music master\". And Mary? She was played of course by Mrs NESBIT who \"as usual placed before us a lively picture of the piquant and coquettish, but withal modest and pretty niece of the host of the 'Grand Admiral'; and she looked so enticing as to make some of those who were present and near us wish that they too were actors provided there was plenty of kissing in the play and such a delightful subject as herself to practice upon”. (NCH 20.3.1858). Again it should be stressed that all female characters were portrayed by men, which, paradoxically, probably allowed the critic to write in such a vein!\n\n5.5.1858 (Wedn)\n\nJ. COURTNEY: \"Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.S. COYNE: “Urgent Private Affairs\" (1856) T: Farce (1 act)\n\nW.B. RHODES: \"Bombastes Furioso\" (1810) T: Burlesque tragic opera (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Highflyer\n\nTh: Theatre Royal (C)\n\nN: Third and final performance of the season\n\nR: For a house that was \"crowded to the doors\" the curtain rose on a new drop scene **of a light and pretty character\". Once more Mrs. NESBIT could be admired, in Time Tries All, as Laura Leeson and \"too much credit could not be extended on her for the manner in which she brought before us the wilful, pettish but withal warm-hearted woman\". As her husband, Mr. Leeson, \"Mr. ROLLER was most successful; he has made for himself a 'spécialité' in this line of characters which it would be difficult to surpass or to replace. Mr. PICKWICK played the role of Matthew Bates and by **his judicious, quiet acting gained considerable and well-merited applause\". Mr. TINTINNABULUM (who also sung a \"pretty Irish ballad\") as the Hon Mr. Yawn \"was capital and exercised the propensity with which his cognomen so plainly gifts him with such arts as to make many of the audience strenuously follow his example\"; whereas Miss Fact and Mr. Tact found fit representatives in Miss WALTERS and Mr. BRUSWOOD. Some of the actors again appeared in the closing piece; Bombastes Furioso when Mr. Beverley NEWCOME impersonated General Bombastes, “a creditable performance, but the role was evidently not so well suited to the powers of that gentleman as other parts in which we have seen him\". King Artaxominous was taken by Mr. PICKWICK, Furbos by Mr. TINTINNABULUM and Destafina by Mrs. NESBIT. Concluding, the reviewer was \"especially pleased with the scenery of this and other",
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    },
    {
        "id": 211820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 235,
        "title": "RAS-1989",
        "content_text": "210\n\nBagshaw and Bradshaw, the critic had to admit that \"what it was all about we were utterly unable to discover\" (NCH 4.6.1859).\n\n15.2.1860 (Wedn)\n\nL.S. BUCKINGHAM: \"Take that Girl Away\" (1855)\n\nT: Comedy (2 acts)\n\nC. SELBY: \"A Fearful Tragedy in the Seven Dials\" (1857)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (F)\n\nN: First performance of the season\n\nR: The new theatre was only a small one and therefore it was announced in the Herald of February 11 that \"admission will only be given to ticket holders. Tickets will be distributed with the Bills to the various Hongs and any Gentleman who may be accidentally omitted will be supplied on written application to the Manager\". From time to time politics continued to turn up in the playhouse. It was the time of the English and French wars in China; the United States was not taking part in them, only sharing in the spoils, yet the following remark closed the review: \"We beg permission to observe that we should have been glad to have seen the 'Star Spangled Banner' floating over the proscenium along with the colours of France and England. All honour to the Anglo-French Alliance! But our American cousins form, in every respect, so important a section of this community that the absence of their flag on an occasion like Wednesday evening would seem to be a discourtesy of which we feel very sure that the worthy management never was intentionally guilty\". Tonight, and on March 15, the faces of Messrs. PICKWICK, BRUSHWOOD, and TINTINNABULUM as well as that of Mrs. NESBIT were absent from the stage; others like Miss WALTERS and Mr. PETREL had remained. Making their debut were Mr. ADOLPHE, \"gifted with both self-possession and a good voice\"; Mr. WITHAM who, as Cuttle (in Take that Girl Away) \"displayed a steadiness and a clearness of enunciation calculated to make him a valuable actor in 'utility' parts\"; and Mr. NATIVE whom the reviewer thought \"better fitted to shine as a sentimental than as a grotesque lover\". Miss WALTERS was \"dressed to perfection, played as well as ever (can we say more!) and was charmingly feminine\". In A Fearful Tragedy in the Seven Dials, there was the first night of Mr. C. AITCH as Slumpington for whom **a great future success in 'character parts' was predicted. These hopes were not realised, however, for I have not found his name again. For the umpteenth time, the Herald judged the pieces that were represented weak - to put it mildly. (NCH 18.2.1860).\n\n15.3.1860 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: \"Poor Pillicoddy\" (1848)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Imperieuse\n\nTh: N.N. (F)\n\nN: Second performance of the season\n\nR: This second night took place in a house that was \"crowded in every part\" and proved \"in every respect highly successful\". The \"Man on the Bund\" had no longer a say in the theatrical reports, and the piece about which he had been so dissatisfied (see 23.4.1857), Still Waters Run Deep got a far better critique now: \"in that scene in the second act in which the villain Hawksley is unmasked, the interest was raised to an exciting pitch and sterling dramatic ability displayed by the performers\". No actors were mentioned, but in Poor Pillicoddy, a \"young gentleman made his first appearance",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211821,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 236,
        "title": "RAS-1989",
        "content_text": "211\n\non any stage with ease and aptitude. And the part of the soubrette was acted \"in a manner for which we had not given the young lady who sustained it credit\" (NCH 17.3.1860).\n\n10.5.1860 (Thur)\n\nJ. COURTNEY: “Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.M. MORTON: “To Paris and back for £5\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the Germania Singing Club and the band of the 101st regiment\n\nTh: N.N. (1)\n\nN: Third and last performance of the season\n\nR: Time Tries All was a revival from 1858 and in it some of the old familiar faces could be admired again. This time Mr. TINTINNBULUM personified Matthew Bates and he \"threw an amount of grace and feeling into his acting that make us well regret his absence in the two former representations“. Mrs NESRIT gave a repeat of her Laura Leeson. One of the newcomers, Mr. ADOLPHE, “has assumed the character of negative instead of the positive villain of the last representation and almost succeeded in making us gape, so natural was his representation of that peculiar because catching disease\". Phunago BRUSHWOOD reappeared in To Paris and back for £5 and this farce offered **full scope to his laughter moving capabilities, both as to acting and costume\". There was music too, by the Germania Singverein – which reminded the critic “of their own charming Soirées Musicales\" (not recorded). However, the construction of the theatre was \"such as to mar to a considerable extent the effect of their well chosen and well executed pieces“ (NCH 12.5.1860).\n\n17.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nG. DONIZETTI: \"La Favorita\", D.F.E. AUBER: \"La Part du Diable\", overture, **Haydée” (an opéra-comique), fantaisie, George BOUSQUET (1818-1854); “Hélène” (waltz), DENEAUX: Mazurka.\n\nLocation: Headquarters of General De Montauban at Messrs. Rémi, Schmidt & Co French Concession. (NCH 16.3.1861).\n\n24.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nGURTNER: Pas redoublé, DUMAS: Ronde tyrolienne. D.F.E. AUBER: \"La Muette de Portici\", overture, G. ROSSINI: **[Il Barbiere di Siviglia” fantasia, D.F.E. AUBER: **Les Diamants de la Couronne\", overture, “La Brise”.\n\nLocation: as on 17.3.1861 (NCH 23.3.1861).\n\n31.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas.\n\nProgramme:\n\nBOSCH: Pas redoublé. C.W. VON GLUCK: \"Armide\", F.M.V. MASSE: \"La Chanteuse Voilée\", overture, G. ROSSINI: \"Mosè in Egitto”, chorus **Valse allemande“. GURTNER: \"France\" (polka).\n\nLocation: as on 17.3.1861 (NCH 30.3.1861)\n\nNovember 1861\n\nConcert by Signor Robbio.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211824,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 239,
        "title": "RAS-1989",
        "content_text": "214\n\nJacob Grimes: F. Shannons\n\nThese performances drew the largest audiences of the season\", which statement causes some surprise seeing that it had only just started. But the house was filled in every part and a good number of ladies in the dress circle graced the occasion, while the parterre was so crowded that many of the spectators had to stand\". Noteworthy were the scenery, painted by Captain Hamilton; and, in Crinoline Mr. PHILLIPS as the jealous husband “which would be considered excellent on the boards of the Adelphi” (NCH 14.3.1863).\n\n16.3.1863 (Mon)\n\nRepeat of the former.\n\n26.3.1863 (Thur)\n\nJ.M. MORTON: \"Fitzsmythe of Fitzsmythe Hall\" (1860)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Where There's a Will There's a Way” (1849) T: Comic drama (1 act)\n\nC: Amateurs (Local and British officers)\n\nTh: N.N. (G?)\n\nR: Casts:\n\nWhere There's a Will:\n\nDona Francesca: Mr. W. Hyslop (of Gibb, Livington & Co)\n\nDon Manuel: D.A.C.G. Ewing\n\nDon Lopes Avila: Mr. Raymur\n\nDona Blanche de Tavora: Mr. A. Broom (of Jardine, Matheson & Co)\n\nDon Scipio de Pompolino: D.A.C.G. Cooksley\n\nFitzsmythe:\n\nFitzsmythe: D.A.C.G. Cooksley\n\nHis wife: D.A.C.G. Hayter\n\nPenelope, their daughter: Mr. A. Broom\n\nFrank Tottenham: Mr. Raymur\n\nGregory, servant: D.A.C.G. Ewing\n\nIt was remarked about Mr. Raymur that \"this gentleman was of a backward turn in his orthography\". So a pseudonym after all; the hint though does not make it clearer. There is no Raymur, nor a \"Rumyar\" (which would be a very strange name indeed) in the \"Shanghai Almanac for 1862” — the last one available. Could it be Mr. E.I. Remier? Although the review of the 13th February had not been negative, tonight's performances were, in the eyes of the Herald. \"upon the whole an improvement on those of the first subscription night, and the audience expressed their approbation in a more decided manner, so that everybody seemed pleased with the evening's entertainment\", Where There's a Will There's a Way, an elegant drawing room play situated in 18th century Portuguese royal circles, \"was placed on the stage in a very creditable manner, considering the slender means and appliances as being tasteful, rich and, we presume, correct for the period, while the ladies looked quite charming in their elegant dresses; the whole apparently got up 'regardless of expenses as the London playbills have it\". In Fitzsmythe the best piece of acting was that of Mr. HAYTER as the old lady who, like Mr. Jourdain, was \"ambitious of having \"quality\" friends and finery, while in her domestic occupations she revelled in jam and soapuds The \"languishing Penelope\" of Mr. BROOM was also quite fascinating”. (NCH 28.3.1863).\n\n17.4.1863 (Fri)\n\nConcert by amateurs in aid of the Lancashire Relief Fund.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211825,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 240,
        "title": "RAS-1989",
        "content_text": "215\n\nProgramme:\n\nC.M. Von WEBER: \"Der Freischütz\", overture; by Messrs Essex and Ewing, piano. Sir Henry BISHOP: \"Foresters sound the cheerful horn“ (glee). Heinrich PROCH (1809-1878): \"Within the grove's deep shadow\", a song by Mr. J.P. Tate, W.A. MOZART: String quartet No 7 by Messrs Tate and Howell (violin). Ewing (viola) and Essex (cello). William HORSLEY (1774-1858); \"By Celia's Arbour\" (glee), F. MENDELSSOHN-BARTHOLDY: \"Andante, presto and allegro vivace\" (from?) by Messrs Essex and Howell. Ibidem: “Andante and finale\" (from?), by Messrs Essex and Howell, Sir Henry BISHOP: \"Sleep gentle lady\" (glee), William Vincent WALLACE (1813-1865); **The Bellringer\", a song by Mr. Essex, F. von FLOTOW: “Allessandro Stradella\", fantasia, by Messrs Essex and Howell, William HORSLEY: \"See the chariot at hand\", song, L. van BEETHOVEN: \"Egmont\", overture, played on two pianos by Messrs Essex and Ewing.\n\nTh: Theatre Royal (G)\n\nR: This was the first occasion on which the names of the amateur musicians who entertained the public were mentioned. Some can be traced in the **Shanghai Almanac for 1862”. others belonged to the military forces. Thus the names have come to us of the following gentlemen: H. Cope and E.C. Essex (both of Geo. Barnett & Co). D.A.C.G. Ewing. F.R. Gantwell (Silk broker), A.A. Hayes Jr (of Olyphant & Co), Howell, Inglis, J.M. Nixon (of Blain, Tate & Co). J. Priestley Tate (of Blain, Tate & Co; Municipal Council member 1861-1862) and J. Wheatly (of Reiss & Co). In general the Herald was very satisfied: \"It was pleasing to see the gentlemen who volunteered to throw aside for the nonce the cares of business and entertain con amore their less gifted fellow residents with a charming chamber concert. Everything was conducted in a quiet gentlemanly manner so that we imagined ourselves in a drawing room more than a theatre. There was no attempt at grandeur of display or extraordinary performance on special instruments which characterize too much the quasi-musical taste of the day where the composition of the author is sacrificed frequently to the execution of the performer and the audience is led to think more of the latter than the former\". These were rather stringent remarks for someone living in an area where very few opportunities arose to compare musical qualities of instrumentalists. Yet the argument of faithfulness to the author's or composer's intentions crops up from time to time and that was obviously regarded as important by the Herald. Unfortunately the acoustics of the theatre were not of the very best so that \"Mr. TATE's delicate tenor voice (in the song by Proch) could not fill the house sufficiently for all to hear the diminuendo passages of his beautiful voice\". (NCH 18.4.1863). The Lancashire Relief Fund had been established in order to help those in Britain who had become a victim of the stoppage of cotton imports from the Southern states of America (due to the Civil War), with the result that numerous labourers in the mills were laid off.\n\n29.4.1863 (Wedn)\n\nPerformances by the amateurs of the Royal Artillery.\n\nNo titles of plays were recorded.\n\nTh: Theatre Royal (G)\n\nR: In consequence of the \"great success\" a \"Second Fashionable Night” would be given on May 4th (NCH 2.5.1863).\n\n4.5.1863 (Thur)\n\nAs on 29.4.1863.\n\n1.8.1863 (Sat)\n\nThe last of a series of performances by Mr. Smythe's company. Soloists: Miss Amelia Bailey (singing) and Martin Simonsen (violin) Th. N.N. (H)\n\nPage 240\n\nPage 241",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211837,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 252,
        "title": "RAS-1989",
        "content_text": "227\n\nA. DUMAS: \"Camille\"\n\nT: Drama\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: The drama Camille, an English adaptation of Alexandre Dumas' \"La Dame aux Camélias\" was, in the eyes of the Commercial Record (5.5.1865) \"singularly unfitted for the powers of the performers. Miss Rose EDOUIN acted with her usual ability but as the heroine is a character almost impossible to render we must not object where we cannot praise”. Miss Jenny NYE starred in the farce Which is Which? written by a member of the company, Mr. GILL, who himself was a “capital low comedy actor”.\n\n28.3.-5.4.1865\n\nJ.B. BUCKSTONE: \"The Flowers of the Forest\" (1847)\n\nT: Musical drama (3 acts)\n\nJ.B. BUCKSTONE: “Isabella or Woman's Life\" (1834)\n\nT: Drama (3 acts)\n\nD.W. JERROLD: \"Black-eyed Susan\" (1829)\n\nT: Musical drama (3 acts)\n\nT.J. WILLIAMS: \"Nursery Chickweed\" (1859)\n\nT: Farce (1 act)\n\n\"Kenilworth\", possibly by A. HALLIDAY and F. LAWRANCE (1858)\n\nT: Burlesque\n\n\"Mr. and Mrs. Peter White\", anon. (1854)\n\nT: Farce (1 act)\n\n\"Rob Roy”, Numerous pieces with this title are listed in HED. i.a. by W.H. MURRAY (1818) and C.H. HAZLEWOOD (1864).\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: More than the Herald, the Record went into a rather detailed description of the Lewis season. Thus about Flowers of the Forest it wrote that there was \"an energy of revenge predominating all through the play while the occasional glimpse of pathos, combined with the jovial jocularity of the gipsys, tone down the otherwise tragic situations. Miss Rose EDOUIN, Miss NAYLOR and Mr. CRESWICK acted with power and well restrained manner“, Mr. CRESWICK “possesses great dramatic force and expresses himself well. His manner is somewhat stiff, but appearances before larger and more requiring audiences will obviate this habit\", \"His voice is good but somewhat monotonous of lone\" (SCR 5.5.1865).\n\n8.4.1865 (Sat)\n\nW. BROUGH: \"Perdita\" (1856)\n\nT: Burlesque (1 act)\n\nJ.B. BUCKSTONE: \"A Lesson for the Ladies” (1838)\n\nT: Comedy (3 acts)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Rose Edouin's benefit\n\nR: NCH 22.4.1865: no review,\n\n11.4.1865 (Tue)\n\nJ.B. BUCKSTONE: \"A Dead Shot\" (1827)\n\nT: Farce (1 act)\n\nJ. KENNEDY: \"Sweethearts and Wives” (1856)\n\nT: Burlesque (3 acts)\n\nC: Lewis A.D.C.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211855,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 270,
        "title": "RAS-1989",
        "content_text": "# BIBLIOGRAPHY\n\n245\n\n1. Archives:\n\n\"London Missionary Society\": Incoming Letters, Central China.\n\n2. Newspapers and Periodicals:\n\n**Boletim do Governo de Macao**, Macao, 1855-1865.\n\n\"China Mail\", Hong Kong, 1845-1860.\n\n\"North China Herald\", Shanghai, 1850-1867.\n\n\"Puck, or the Shanghai Charivari\", Shanghai, 1871-1873.\n\n*Shanghai Commercial Record*, Shanghai, 1865.\n\n3. Books and Articles:\n\nAdams, W. Davenport: \"A Dictionary of the Drama. A Guide to the Plays, Playwrights, Players and Playhouses of the United Kingdom and America from the earliest times to the present\", Vol. I (A-G) (no more published). Philadelphia, 1904.\n\nAppleton, William W.: \"Madame Vestris and the London Stage\", New York - London, 1974.\n\nBarr, Pat: \"The Deer Cry Pavillion. A Story of Westerners in Japan 1868-1905\", London, 1968.\n\nBlack, J.R.: \"Young Japan. Yokohama and Yedo. A Narrative of the Settlement and the city from the signing of the treaties in 1858 to the close of the year 1879\", Tokyo-London, 1968 (reprint of 1880-1881 edition).\n\nBoase, Frederic: \"Modern English Biography\", London, 1965 (reprint of the 1891-1921 edition).\n\nBooth, Michael (Ed): \"English Plays of the 19th century\", Volumes I and IV, Oxford, 1969-1973.\n\nBritish Museum General Catalogue of Books.\n\nBrown, T. Allston: \"A History of the New York Stage from the first performance in 1732 to 1901, 3 vols.; New York 1964 (reprint of 1903 ed.).\n\nBuckley, C.B.: \"An Anecdotal History of Old Times in Singapore 1819-1867, Singapore, 1902.\n\nCarse, A.: \"The Life of Jullien\", Cambridge, 1951.\n\nChesterfield, Lord: \"Advice to his son on Men & Manners in which the principles of politeness and the art of acquiring a knowledge of the world are laid down in an easy and familiar manner\", Chiswick, 1826.\n\nConolly, L.W. and J.P. Wearing: \"English Drama and Theatre 1800-1900. A Guide to information sources\", Detroit, 1978.\n\nCordier, Henri: \"Bibliotheca Sinica\", second edition; 5 vols.; Paris 1904ff.\n\nDavis, Jim (Ed.): \"Plays of H.J. Byron\", Cambridge, 1984.\n\n'Dictionary of National Biography\".\n\nDyce, C.M.: \"Personal Reminiscences of Thirty Years' Residence in the Model Settlement. Shanghai 1870-1900\", London, 1906.\n\nEngle, Gary D.: \"This Grotesque Essence. Plays from the American Minstrel Stage\". Baton Rouge, 1978.\n\nFétis, F.J.: \"Biographic Universelle de Musiciens\", Paris, 1864; Supplement by Arthur Pougin, 1880.\n\nFitzgerald, Percy: \"Principles of Comedy and Dramatic Effect\", London, 1870.\n\n\"The New Grove Dictionary of Music and Musicians\", London, 1980.\n\nHaan, J.H.: \"Origin and Development of the Political System in the Shanghai International Settlement\" in: \"Journal of the Hong Kong Branch of Royal Asiatic Society\", Vol. 22 (1982), p. 31-64.\n\nHaan, J.H.: \"The Shanghai Library: A history of the first foreign library in Shanghai\" in: \"Journal of the Hong Kong Library Association\", 1987.\n\nHartnoll, Phyllis: \"The Concise Oxford Companion to the Theatre\", London, 1972.\n\nHoward, Diana: \"London Theatres and Music Halls, 1850-1950\", London, 1970.\n\nPage 270\n\nPage 271",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 213206,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 28,
        "title": "RAS-1994",
        "content_text": "7\n\nGutzlaff was not unaware that his Union needed closer supervision. He appealed to German missionary societies to send out agents to assist him in his project. In response the Rhenish Missionary Society at Barmen and the Basel Missionary Society each sent two men in 1847. After a brief orientation period in Hong Kong, they were sent into China where they worked severally in areas where Cantonese, Hakka and Tiu-chau speakers lived. During the second Sino-British war they weathered out the war in Hong Kong and Macao. It was also the time when some took home leave. On the return of Rev. Rudolph Lechler of the Basel Missionary Society in 1861, he built a mission house, school and chapel at Sai Ying Pun. The church and school served the Hakka speaking community in Hong Kong. The congregation is now the present Kau Yan Church on High Street.\n\nThe Rev Heinrich Cocking, also a medical doctor, arrived in Hong Kong in 1855 as an agent of the Berlin Missionary Society. He opened a small dispensary and hospital in 1858 at the foot of Morrison Hill in Wanchai. It was principally for Chinese but German sailors were also treated there.\n\nAgents of the Berlin Ladies Mission for China opened a home for foundling children on the top of Morrison Hill. The Berliner Frauenverein für China had been organised in response to the Rev. Charles Gutzlaff's appeal for support for his vision of the speedy conversion of the Chinese nation. The home was moved to No. 1 High Street in 1861 where it had built a large building, which was named Bethesda. It was not far from the mission house and chapel of the Basel Missionary Society.\n\nBefore the removal to High Street of the Berlin foundling home, German speaking services were held on Sundays at their establishment on Morrison Hill. At an earlier time these services were held in a tavern on Queen's Road East operated by a German. The Rev. Philip Winnes, of the Basel Mission, reported in 1858: “In this manner, I preached until the sailors had enough, and that they had quite soon\". The Hong Kong Blue Books in their ecclesiastical returns list a place of worship for Europeans from 1871 at the chapel of the Berlin Mission House on High Street. A small chapel was built beside the foundling home in 1881. Its entrance was off Bonham Road. The services were moved to the hall of Union Church on Kennedy Road in 1902. They remained there until 1904 when they were moved back to the Bethesda Chapel where services were held.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
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