[
    {
        "id": 204376,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 8,
        "title": "RAS-1962",
        "content_text": "3\n\n1847 and 1859 contained nothing by Chinese scholars since even by 1859 there were no Chinese able to write in English. In contrast Volumes I and II of the present Journal contain articles by Mr. James J. Y. Liu, Mr. Liu Tsun-yan, Miss B. T. Chiu, and Dr. T. Y. Li. The first volume was most ably edited by Mr. James Liu who is now a lecturer at the University of Hawaii. Another Chinese scholar, Mr. Ma Meng, is a member of the publications committee responsible for the present volume of the Journal. While in the past missionaries were responsible for a large number of articles in the former Transactions, the two volumes of the Journal so far published contain no contributions from missionaries, though it should be noted that Professor F. S. Drake spent thirty-eight years in China as a missionary, and for more than twenty of these years he was on the staff of Cheeloo University where he taught (in Chinese) first as Associate Professor of Education and later of Church history. Finally, whereas the earlier volumes contained very little on Hong Kong itself, in the current volumes published by the Society several articles have dealt with various aspects of the Colony. So far the subject matter of these articles has included archaeology, natural history (birds and flowers) and local history. This comparison may serve to emphasize the great contrast between Hong Kong then and now, and the great changes and developments which have taken place within the last hundred years. The Editorial Committee hopes to develop the study of Hong Kong in future numbers of the Journal.\n\nIt would be invidious to claim that the contributions printed in the Journal of the present Society are more learned or more weighty than those printed in the earlier period. But if one is full of admiration for the pioneering work of these early scholars, one may also feel a sense of pride in the vigorous scholarship and spirit of enquiry fostered by the Royal Asiatic Society in Hong Kong and exemplified in the first two volumes of the Society's Journal. We are particularly glad to welcome to the present volume a contribution written by a District Officer of the Colony about the New Territories. This is an encouraging sign and we hope to be able to print in future further articles and short notes about the life and customs of the people of Hong Kong.\n\nMr. Ma is Principal of the Language School in the Institute of Oriental Studies at the University of Hong Kong.",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
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    },
    {
        "id": 206191,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 8,
        "title": "RAS-1971",
        "content_text": "gramme of lectures, seminars and excursions and I should like to record our grateful thanks to those both members and visitors who contributed so willingly and so successfully to this fundamental part of our activities. Of these I should like to draw particular attention to the excursions. It takes not a little time and trouble to organize these, and a special word of thanks is due to those members who so willingly undertake these duties for us.\n\nThe following is the full list of our activities arranged during the year:\n\n12 January Professor S. Y. Teng \"Hung Jen-kan, Prime Minister of the Tai-ping Kingdom and his Reform Plans.\"\n\n16 March Commander F. Warrington-Strong, DSC, RN (Ret'd). \"Porcelain Manufacture in 18th Century China.\" (An Illustrated Talk)\n\n22 March All day excursion Visit to Tsun Wan Temples and Monasteries.\n\n24 March Captain Roger Pineau, USNR \"The Japan Expedition 1852-1855 of Commodore Matthew Calbraith Perry.\" (An Illustrated Lecture)\n\n6 April Mr. Frank Chippindale \"The Influence of Chinese Art and Furniture on Chippendale's Design.\" (An Illustrated Talk)\n\n18-19 April A week-end Symposium arranged by Professor L. B. Thrower of the Department of Botany, University of Hong Kong.\n\n3 May Mr. Roland W. K. Chow \"The Vegetation of Hong Kong: Its Structure and Change.\" (Demonstration and Talk, illustrated by slides) Peking Opera",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 206676,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 224,
        "title": "RAS-1972",
        "content_text": "218\n\nBOOK REVIEWS\n\ndilettante. Nevertheless, one would have wished for at least a reproduction of one of the many important Lan-t'ing rubbings which form such an important part of the book. The reviewer therefore begs the permission of the editor of this journal to reproduce one of the most interesting versions of the Lan-t'ing mentioned in the text; that of an early rubbing of the version caused to be carved by the Sung calligrapher Hsueh Shou-p'eng, supposed one-time owner of the ting-wu stone, from a T'ang copy of the \"original\".*\n\nChinese University of Hong Kong.\n\nNOTES\n\nJ. C. Y. WATT.\n\n1 For a critical account of the Tu-hui Pao-chien, see Yu Shao-sung's (***) Shuhua shulu chieh-t'i (#£###). \n\n2 Almost from the beginning, there have been scholars who were sceptical of the authenticity of the version which appeared at the beginning of the Tang and good copies of which have been handed through the centuries as being very near the original. However, up till the beginning of this century, sceptics have been \"laughed off the stage\" by \"those who know\". The controversy nevertheless continued. The last outburst was in 1965 when a series of articles appeared in the journal Wen-wu, which were sparked off by the discovery of the tombstone of one of Wang Hsi-chih's cousins. For the first time, the sceptics, led by a figure no less than Kuo Mo-jo himself (President of the Chinese Academy of Sciences and grand old man of letters in China), had the upper hand - with the help of archaeological evidence.\n\n* See Plate 31.\n\nLONG-TERM ECONOMIC AND AGRICULTURAL COMMODITY PROJECTIONS FOR HONG KONG 1970, 1975 and 1980, by The Economic Research Centre of the Chinese University of Hong Kong, 1969, 248 pp.\n\nReading this study puts one in mind of a music student patiently practising scales on a piano - an exercise, apparently pointless and ploddingly executed, yet with the virtues of keeping the student busy and contributing to some unseen attainment. The authors of this study, directed by Professor Tang, nowhere explain why they wrote it beyond stating that the U.S. Department of Agriculture paid them to make these commodity projections. Perhaps cash is regarded as a self-explanatory motive for academic research in Hong Kong. Nor does the conception of the study become any clearer to",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
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    },
    {
        "id": 206795,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 72,
        "title": "RAS-1973",
        "content_text": "66\n\nCHIU LING-YEONG\n\nThe style of I-seng was of Iranian origin, in which modeled and shaded polychrome figures seemed to stand out in relief, or even to float free from their background. His style is believed to have influenced Wu Tao-hsüan and to be traceable in the caves of Tun-huang.\n\n35\n\nFrom Chinese sources, Ta Yü-chih had three paintings extant in T'ang period, namely: (1) Liu-fan tu; (2) Wai-kuo pao-shu tu (the six foreigners); and (3) Po-lo-men tu (exotic tree from foreign country); (the Brahmara). However, according to Hsüan-ho hua-p'u, there were seven paintings of Hsiao Yu-chih's work, kept by Sung Hui-tsung, namely:\n\n1. Icon of Maitreya 彌勒佛像一;\n\n2. Buddhist icon 佛鋪圖一;\n\n3. Buddhist followers 佛從像一;\n\n4. Buddhist followers from foreign country 外國佛從像一;\n\n5. Avolokitesvara 大悲像一;\n\n6. Vidyaraja 智;\n\n7. Foreigners36;\n\nThese seven masterpieces were kept by the Emperor in the Inner Palace. Some of I-seng's paintings are still kept by collectors either in China or America, like the Dancing girl of Kucha #✯✯; A Sitting God 坐神; Buddha under the Mango Trees 吉羅林果佛; and Drunken Monk 醉僧圖.\n\nThe Yu-chihs were also masters of mural-paintings. Some of their works can still be found in temples and pagodas in China. In the Sung period, their works were classified as shen-p'in (divine category). I-seng also introduced the 'iron-wire' line to China—the Western technique of using a line of unvarying thickness to outline figures.37 I-seng, according to Chang Yen-yüan, had brought new light to Chinese painting and made more paths for painters of the later generations to develop.\n\nCh'in Ming-ho\n\nAt th...\n\nIn the field of medical science in T'ang China, Professor Lo Hsiang-lin inclines to believe that Persians had made tremendous contributions, especially in surgical operations. In A.D. 683, a Persian known as Ch'in Ming-ho, performed a neurosurgical",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 74,
        "title": "RAS-1973",
        "content_text": "68\n\nCHIU LING-YEONG\n\nbrother, Li Hsien and his sister Li Shun-hsien, also attained literary fame in late T'ang. Li Hsün's tz'u is very melodic and musical, Professor Lo Hsiang-lin points out that Li's work had stimulated the tz'u writing of the Northern Sung period.43\n\nLi Hsün, though a Persian, had activated the Pen-ts'ao and tzʼu writing of his time and also of the Sung Period.44\n\nChao Heng 朝衡\n\nChao Heng was a Japanese envoy who came to China with Chen-jen shu-tien A in A.D. 716. Chao Heng's original name was Abeno Nakamaro E. Chao Heng was his sinicized name. After reaching Ch'ang-an with Chen-jen shu-tien AA Chao Heng felt that Chinese culture was far superior to any other culture he knew, so he decided to stay in the Chinese capital and rendered his service to Emperors Hsüan-tsung and Su-tsung In Shang-yüan period (A.D. 760-762), he was sent to Annam as Tu-hu (Protectorate General). He died in A.D. 770.45\n\n#\n\nIV\n\nIt is interesting to note that foreigners in T'ang times had very high social standing in a multi-racial society and in the Court. Foreigners were not only offered senior posts in the government but also shared the responsibilities of policy-making for the empire.46 This, of course, was one of the reasons which led to An Lu-shan's 安祿山 rebellion.\n\nIt is mentioned earlier that Lu Chún had introduced the anti-foreign regulations when he was governor of Kuang-chou in A.D. 836. However, he also presented Li Yen-sheng, a Persian, to the Court in A.D. 847. Li was later given the title of chin-shih because of his literary achievement. It was a custom in Tang times to add two to three unusual surnames to the pass-list of the civil examinations which were held annually either in the capital or in the main cities. These unusual surnames were all those of foreigners. Those who were selected for inclusion in the pass-list were known as pang-huak.\n\nT'ang Emperors had shown no bias towards these foreigners in China. They even decreed, more than once, that Persians, Arabs and other nationals in Kuang-chou, Yang-chou and Ch'üan-chou",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206798,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 75,
        "title": "RAS-1973",
        "content_text": "PERSIANS, ARABS IN T'ANG CHINA\n\n69\n\nshould be well-treated.48 The Emperor based his policies on the principle of 't'ien-hsia pai-ch'uan kuei ta-hai' 天下百川歸大海 (all rivers in the empire enter the sea), and accepted everyone from different parts of the world, either to pay tribute to or to trade with China.\n\nThere is no doubt that Persians, Arabs, Turks, Japanese and others did enjoy their stay in China; and it is also an undeniable fact that T'ang emperors wished to befriend these foreigners. It is equally true that in such a highly Sino-centric society as the T'ang period, nobody felt that such a process of assimilation was untraditional or against the theory of Sino-centrism. In T'ang times, such a social pattern was a reality, not a myth, and its spirit may serve as a model for the future.\n\nNOTES\n\n* I wish to express my appreciation to Professor Woodbridge Bingham of the University of California, Berkeley (Visiting Professor in Chinese History, Centre of Asian Studies, University of Hong Kong 1970-71) for reading an earlier version of this paper, weeding out mistakes and suggesting improvements.\n\nAbbreviations used in the footnotes:\n\nCTS Chiu T'ang-shu\n\nHTS Hsin T'ang-shu\n\nTCTC Tzu-chih t'ung-chien\n\n1 In T'ang time, Islamic followers used to call the Chinese Tamghai, Tomghaj, Tonghaj, Tangas, Tubgao or Tapkao. Some historians believe that these were transliterations of T'ao-hua-shih. However, Kuwabara Jitsuzō suggested that these were derived from T'ang-chia-tzu. Cf. J. Kuwabara 'On P'u Shou-keng', Memoirs of the Research Department of the Toyo Bunko 2:1-79 (Tokyo, 1928), 7:1-104 (Tokyo, 1935). See also Chinese translation of this, with additional notes by Ch'en Yü-ching, P'u Shou-keng k'ao (Peking, 1954), pp. 103-109.\n\n2 Edward O. Reischauer and J. K. Fairbank, East Asia: The Great Tradition (London, 1958), p. 155.\n\n3 See Lo Hsiang-lin, T'ang-tai wen-hua shih (Taipei, 1963), pp. 54-87.\n\n4 Hsiang Tai, T'ang-tai Ch'ang-an hsi-yü wen-ming (Peking, 1957), pp. 24-25.\n\n5 Edward H. Schafer, The Golden Peaches of Samarkand: A Study of T'ang Exotics (Berkeley and Los Angeles, 1963), pp. 10-11. I must express my thankfulness to Professor Schafer's opus magnum; I have fully made use of Professor Schafer's work.\n\n6 See Chiu Ling-yeong, Superintendents of Customs in Canton during the Tang and Sung Dynasties (unpublished M.A. thesis, University of Hong Kong, 1963), Chapters 5 and 6.\n\nPage 75\n\nPage 76",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 206800,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 77,
        "title": "RAS-1973",
        "content_text": "PERSIANS, ARABS IN T'ANG CHINA\n\n71\n\n23 Ch'en Yu-ching, p. 19; Wang Gungwu1, 'The Nanhai Trade', Journal of the Malayan Branch Royal Asiatic Society, vol. 31, part 2, chapter 7, \"The Middlemen and the Spices 618-960 (II), (Kuala Lumpur, 1958).\n\n24 CTS, chüan 89; HTS, chüan 116.\n\n25 TCTC, chüan 203; Wang Gungwu, pp. 75-76. The passage from TCTC follows Wang Gungwu's translation.\n\n26 CTS, chüan 89; HTS, chüan 116.\n\n27 Tung Hao and others, eds., Ch'üan-Tang wen♬ X (A.D. 1814 edition), chüan 291.\n\n28 Hsiang Ta, pp. 38-39.\n\n29 Ibid., Schafer, p. 21.\n\n30 Wang Ch'i±1 ed., Li T'ai-po wen-chi4★ø̇ (A.D. 1758 edited), chüan 3, 'Ch'ien yu tsun-chiu hsing'☀☀f The Chinese version is as follows:\n\n嬰獒龍門之綠桐，玉壺美酒清若空口\n\n催舷梯往與君飲，看朱成碧顏始缸口\n\n胡姬貌如花，當爐笑春風，笑春風，\n\n笑春風，舞羅衣，君今不醉將安歸。\n\nThe translation here follows Schafer's.\n\n31 Hsiang Ta, pp. 41-47.\n\n32 Yüan-shih chang-ch'ing chiZAŁA (1929 edition), chüan 24, p. 5, 'Fa Chu'. After Schafer's translation. Schafer, p. 28.\n\n33 Liu Mau-tsaiA†, 'Kulturelle Beziehungen zwischen den Ost Türken (Tu-Küe) und China', Central Asiatic Journal 3:3:199 (The Hague and Wiesbaden, 1957-58). The dictionary is 'T'u-chüeh yü'*A* See Schafer, p. 285, n. 175.\n\n34 Cf. S. W. Bushell, Chinese Art, Victoria and Albert Museum Handbook (London, 1906), chapter 12; Osvald Siren, Chinese Painting (London, 1956) I, 71; Arnold Silock, Introduction to Chinese Art and History (Oxford, 1948), p. 181; Arthur Waley, An Introduction to the Study of Chinese Painting (London, 1923), p. 108; Jitsuzo Kuwabara, 'Zui-To-jidai ni Shina ni raiju shita seikijin ni tsuite'隋唐時代に支那に来往した番域人に就いて Naito Hakase Kanreki shukuga shukuga Shinagaku ronsoAKŁET#***$*£ (Tokyo, 1926; *ˆ†±‡ƒ), pp. 643-644; Chuang Shen#, 'Sui-Tang shih-tai Yü-tien tsu-chih chi fu-tzu hua-chia'MAARTA##, Lishih yü-yen yen-chiu-so chi-k'anAt*7*ƒƒ4N (Bulletin of the Institute of History and Philology), Extra Vol. 4, part I, pp. 403-454 (Academic Sinica, Taiwan, 1960).\n\n35 Schafer, p.\n\n36 Chuang Shen, pp. 408-416.\n\n37 Ibid., pp. 440-443.\n\n38 TCTC, chüan 203, p. 6415. For Ch'in Ming-ho and Li Hsün, I am indebted to Professor Lo Hsiang-lin's stimulating article 'Hsi-chu po-ssu chih Li Hsün chi ch'i Hai-yao pen-ts'ao'±Ùƒ±‡HZ‡❀$$‡ Symposium on Chinese Studies Commemorating the Golden Jubilee of the University of Hong Kong, 1911-1961. F. S. Drake, ed., (Hong Kong, 1964) II, 217-240.\n\n39 For Ch'ung ICTH, chüan 95 see Lo Hsiang-lin's article on Li Hsün; also",
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    },
    {
        "id": 207353,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 121,
        "title": "RAS-1975",
        "content_text": "THE EMPLOYMENT OF FOREIGN MILITARY TALENT: \n\nCHINESE TRADITION AND LATE CH'ING PRACTICE \n\nRICHARD J. SMITH* \n\nDespite China's persistent and often pronounced Sinocentrism, and her general distrust of aliens in the interior, the theoretically self-sufficient Middle Kingdom in practice had to make almost continual use of foreign military talents. This was true not only of conquest dynasties and periods when martial values were disesteemed.2 The expansive Chinese dynasties of Han and T'ang also employed barbarians in a great number of civil and military capacities. It has been estimated, for example, that at times more than half of the T'ang military posts were held by men of foreign origin.3 So pronounced was Tang Wu-tsung's appreciation for foreign administrative and military talents that he commissioned his minister, Li Te-yü, to compile the biographies of thirty foreigners from Ch'in to T'ang times who had rendered \"meritorious and loyal\" service to China. This two chuan work, no longer extant, bore the title I-yü kuei-chung chuan (Biographies of Foreigners Who Returned to Loyalty), emphasizing the idea that it was natural for outsiders to come to the fold of Chinese culture and offer their submission and service to the Middle Kingdom.4 \n\nWe do not know who the thirty individuals who \"left [their] distant lands and returned to China\" were, but there are several likely candidates. By looking briefly at a few representative foreigners in the Chinese military service, and examining the foreword to the I-yü kuei-chung chüan (preserved in Li Te-yu's collected works) and other evidence, we may gain some idea of the theory behind employing barbarian officers, as well as the circumstances under which they were engaged, the standards by which their loyalty was judged, and the means by which they were controlled. Such a survey provides the necessary backdrop for a discussion of Chinese policy toward foreign employees in the late Ch'ing period, when China faced unprecedented challenges both within and without.5 \n\nAlthough by 1860 at least a few Chinese had come to see that China was entering a new stage in her foreign relations, Chinese \n\n* Dr. Smith is Assistant Professor of History, Rice University, Houston, Texas.",
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    },
    {
        "id": 207569,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 337,
        "title": "RAS-1975",
        "content_text": "328\n\nBOOK REVIEWS\n\nof George Eumorfopolos edited by Professor Perceval Yetts is certainly representative; and with respect to the latter, a good example is the first volume of the catalogue about the Charles Seligman Collection, on Chinese, Central Asian and Luristan bronzes, edited by Professor Howard Hansford.\n\nProfessor Li's latest publication, although independently associated with a book title, yet, by its nature, should be classified as an illustrated catalogue about a private collection of Chinese art, since every item discussed by the author in Volume I and illustrated in Volume II is from the collection of Dr Charles Drenowaltz in Switzerland.\n\nVolume I consists of 15 chapters. I propose to give a brief summary for each chapter before presenting other remarks about this book in this review. Chapter I:\n\nChapter II:\n\nChapter III:\n\nChapter IV:\n\nChapter V:\n\n\"Introduction\", gives a general account of how European collectors built up their collections of Chinese art. It also gives a survey of the general development of Chinese painting. \"Figure painting: Persistences and Transformation of the past\", Here the central discussion is focused on figure paintings by Chao Liu (ca. 1350-1370) of the late Yuan Dynasty, and Hsieh Shih-chen (1487-after 1567), Chen Hung-shou (1599-1652) and Ting Yün-peng (b. 1547) of the Ming Dynasty; also Chao Yuan of the late Ch'ing Dynasty. \"Landscape painting of Ming and Ch'ing: A point of view\", serves as a general introduction to this branch of Chinese painting over some 500 years. \"The Wu School: Re-establishment of the Yuan Tradition\", emphasis is laid upon works by five literati artists of the Ming Dynasty; Shen Chou (1427-1509), Wen Cheng-ming (1470-1559), Lu Chih (1496-1576), Ch'en Kuan (ca. 1570-1640). In addition, works by artists of the school of T'ang Yin (1470-1523), and an album painting by an anonymous artist are also discussed.\n\n\"The Wu School in the Seventeenth century: A Host of Little Masters\", points of view are based on works by the following seven artists: Ch'en Kuan, Ch'en Huan (act. 1600-20), Chang Hung",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207583,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 351,
        "title": "RAS-1975",
        "content_text": "342\n\nBOOK REVIEWS\n\n34 This observation is mainly based on the fact that the first poem from his own collection is entitled \"Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.”\n\n毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era).\n\n35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung\", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98.\n\n36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414.\n\n37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close.\n\n38 See Hu I: \"Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1.\n\n39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type.\n\n40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu \"Records of Members of the Fu-she Association\" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan.\n\n41 Hsieh Kuo-chen: \"Nan-ming shih-luch\" “A Brief History of the Southern Ming Period\" (1957, Shanghai), pp. 12-13.\n\n42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London).\n\n43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings\" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    {
        "id": 208329,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 53,
        "title": "RAS-1978",
        "content_text": "MILITARY EDUCATION IN CHINA, 1842-1895\n\n59 Ibid. (Wang), 8.\n\n37\n\n60 Ibid. Wang notes that branch schools of the Tientsin Military Academy were established at Shan-hai-kuan and Wei-hai-wei.\n\n61 Ibid., citing LWCK, Memorials, 74: 25.\n\n62 Ibid., 8-9.\n\n63 Ibid., 7. On Li's financial difficulties, consult Wang, Hual-chin, 275-290; Spector, chapter 7.\n\n64 Wang, \"Pei-yang wu-pei hsüeh-t'ang,\" 9-12. The major problems, according to Wang, were: (1) The administrators of the academy were not well suited to their tasks (non-specialists); (2) the foreign instructors were arrogant, overpaid, unappreciative, and remiss in their teaching responsibilities; (3) heavy reliance on interpreters was inefficient and confusing; and (4) both academic and practical training tended to degenerate into formalism. Other problems included capricious grading, reports of cheating, and shortages and lack of standardization in equipment. For problems in China's other military and naval schools, consult Ayers, 108-113, 179-180, and John Rawlinson, China's Struggle for Naval Development (Cambridge, Mass., 1967), passim.\n\n65 Rawlinson, 163, 169; Ernst Presseisen, Before Aggression (Tucson, 1965), 140-141; NCH, September 21, 1894.\n\n66 For a summary of the fighting on land and sea, consult Liu and Smith, \"The Military Challenge.\"\n\n**\n\n67 See, for example, E. Bujac, Précis de quelques campagnes contemporaines (Paris, 1896), vol. 2; N.W.H. Du Boulay, An Epitome of the China-Japanese War, 1894-95 (London, 1896); Lieutenant Sauvage, La guerre Sino-Japonaise 1894-1895 (Paris, 1897); Richard Wallach, \"The War in the East,\" Proceedings of the United States Naval Institute, 21, 4 (1895); T. A. Brassey, ed., The Naval Annual (Portsmouth, 1895); Vladimir (pseudonym for Zenone Volpicelli), The China-Japan War (London, 1896).\n\n68 On the Japanese response to the war, see Donald Keene, \"The Sino-Japanese War of 1894-95 and Its Cultural Effects in Japan,\" in Donald Shively, ed., Tradition and Modernization in Japanese Culture (Princeton, 1971); also Jeffery Dorwart, The Pigtail War: American Involvement in the Sino-Japanese War of 1894-1895 (Amherst, Mass., 1975), 94-96.\n\n69 Professor Samuel Chu of Ohio State University is currently studying the Chinese response to the war, and has produced several illuminating but as yet unpublished papers on the subject. For the time being, the best available discussion of Chinese attitudes is Kuo Sung-p'ing, \"The Chinese Reaction to Foreign Encroachment\" (unpublished dissertation, Columbia University, 1953).\n\n70 See Liang Ch'i-ch'ao's critique, cited in Joseph Levenson, Liang Ch'i-ch'ao and the Mind of Modern China (Berkeley and Los Angeles, 1967), 111; consult also Kuo, 49-50, 81-83, etc.\n\n71 Cited in Li Chien-nung, The Political History of China 1840-1928, translated and edited by S. Y. Teng and Jeremy Ingalls (Princeton, Toronto, London and New York, 1956). See also Japanese Imperial General Staff, eds., History of the War between Japan and China (Tokyo, 1904), 1; 30-32.\n\n72 Rawlinson, 190.\n\n73 Liu Feng-han, \"Chia-wu chan-cheng shuang-fang ping-li ti fen-hsi,\" Chung-kuo i-chou, 829 (March 14, 1966) and 830 (March 21, 1966); CJCC,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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        "id": 212943,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1993",
        "page_number": 11,
        "title": "RAS-1993",
        "content_text": "Lectures:\n\n1993\n\n16 April\n\n14 May\n\n11 June\n\n9 July\n\n15 October\n\n30 October\n\n19 November\n\n26 November\n\n9 December\n\n1994\n\n21 January\n\n18 February\n\n11 March\n\n21 March\n\nChinese Opera Di S.Y Chan\n\nGrowing Up in China Mr Denis Bray\n\nNew Territories Poetry and Song Di Patrick Hase\n\nThe Li Family of Hong Kong Mr Frank Ching\n\nChinese Festivals in Hong Kong. Dr Patrick Hase based on video taken by Mr. Peter Lee\n\nMult-culturalism and Asia Asian Arts Society of Australia Dr. James Hayes\n\nEmigration from Hong Kong Dr. Elizabeth Sinn\n\nLaw as a Foreign Language Professor Derek Roebuck\n\nTriad Societies in Hong Kong Mr. Ip Pau-fuk\n\nWilliam Mesney. Mr Keith Stevens\n\nChinese Clothing An Illustrated Guide Mis Valery Garrett\n\nEternal Serenity Meaning of Architecture of the Chinese Buddhist Monastery Di Puay-peng Ho\n\nAncient Chinese Gold Dr Simon Kwan\n\nCrossing the Taklamakan Desert Mr Charles Blackmore\n\nVisits:\n\n1993\n\n3 April\n\n2 May\n\n22 May\n\n5 June/September\n\n25 June\n\n3 July\n\n30 September\n\nExhibition of paintings by Nancy Woo - Fung Ping Shan Museum, HK University\n\nJewish Cemetery\n\nMer Yung Tang Collection of Paintings by Chan Dai Chien Chinese University Art Gallery\n\nMarine Police Headquarters in Tsim Sha Tsui (two visits)\n\nJapanese Tea Ceremony - Fung Ping Shan Museum, HK University\n\nPicnic and outing to Yuen Tun Village Civil Aid Services Camp, Tar Lam Chung\n\nWo Hang Village to see making and letting off of paper balloons (Moon Festival)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
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