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    {
        "id": 209701,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1982",
        "page_number": 358,
        "title": "RAS-1982",
        "content_text": "336\n\nBOOK REVIEWS\n\n(No. 92) are equally successful in giving new perspectives on the human life of Hong Kong.\n\nAll in all, this volume is recommended to anyone wishing to own a superbly produced volume of intelligently conceived and masterfully produced photographs of Hong Kong.\n\nP. H. HASE\n\nChukoku Saiki Yengeki Kenkyu (Ritual Theatres in China). By Issei Tanaka, Institute of Oriental Culture, The University of Tokyo, 1981, xvi + 926 pp, Index.\n\nThis impressive book contains the results of the author's researches during the period of ten years since he joined the Institute of Oriental Culture, University of Tokyo, in 1972. Trained as a sinologist, Prof. Tanaka started his study on ritual theatre in China from a historical viewpoint. Later his research focus shifted to field studies, particularly in Hong Kong. Between 1978 to 1981 he visited Hong Kong eight times and stayed here in total for eleven months. Most of the data presented in this volume are his field reports collected during his time in Hong Kong, and these form a mine of fascinating material which will prove to be of great value to many scholars.\n\nIn addition to presenting the field reports, however, the book analyses three aspects of ritual theatre in China. One of these is the origin of ritual theatre. Based on historical data, the author traces the process of transformation of ritual theatre from ancient times to the present. Through these studies, he points out that the original form of ritual theatre was aimed at exorcising or controlling evil forces or at celebrating beneficial forces and seeking their assistance. Theatre of this kind can still be found in Hong Kong. The ritual theatre of Hoklo and Ch'ao-chou people in Hong Kong are mostly performed for exorcising, i.e., these theatrical performances are mainly aimed at freeing orphan souls and wandering spirits. Cantonese ritual theatre, on the other hand, is of the latter type, celebrating the deities' birthdays and beseeching their blessing.\n\nThe second aspect is concerned with the social organization of ritual theatre. The author classifies Chinese local theatre,",
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    {
        "id": 210615,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1985",
        "page_number": 222,
        "title": "RAS-1985",
        "content_text": "203\n\n第二冊\n\n[伏以拜請\n\n+ +\n\n+\n\n]\n\nCopied from a reprint made for James Hayes by a priest who practised from a room in a housing estate in Tsuen Wan\n\n茅山來源 張法能傳 張子興書] 迎聖科 道安堂宣統貳年吉立\n\nCopied by Prof. Tanaka Issei at the Lam Tsuen ta-tsiu 1981\n\n第三册\n\n洪聖廟 宰西年 月號\n\n(洪聖廟釋氏借出之大悲懺[孔嶺村]1982年7月20日)\n\n仙巷庵\n\n蓮花經 (仙悲庵藏書)\n\n早晚課誦\n\n蓮花經 (孔嶺洪聖廟釋氏借出 一九八二年七月二十日)\n\n第四册\n\n調朝書 民國十四年抄 林道常置\n\n(林培先生藏 元宵洪朝文獻)\n\n晋今洒口神水蕩穢天尊...This is a text that the naam-mo priest 陳九先生 used in the 襬 斗 ceremony at the ta-tsiu in Lam Tsuen on 1/12/81\n\n引福堂蓮惜\n\nThis is a text that the naam-mo priest Mr. 陳九 used in the ji ceremony in the Lam Tsuen ta-tsiu on 1/ 12/81. I was told afterwards that the original belongs to Mr. 謝貴 北斗經 引福堂\n\n深圳文獻:\n\n第一册\n\n(以下各目皆為向西張子英先生藏)\n\n西溪家乘 扯年五月重修\n\n廣東城西湖街張瑞元堂鐫 張氏述善堂藏版\n\n(Mr. Cheung said this was presented to him by an American scholar, but confirmed this is their genealogy)\n\n契尼 光緒十六年\n\n稅契 民國十九年\n\n第二冊\n\n羅湖袁氏家譜 上卷 ·中華民國八年歲次乙未孟秋重鐫\n\n(Copied through kindness of Dr. James Hayes)",
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    {
        "id": 212109,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 51,
        "title": "RAS-1990",
        "content_text": "28 \n\nmembership of an alliance.\" \n\nIII. Studies on Jiao Festivals in Hong Kong: the 1980s \n\na. Trend \n\n18 \n\nThere are not as many studies of Jiao festivals in Hong Kong as in Taiwan. The earliest study in Hong Kong is probably Taylor's 1953 ethnographical essay on the Cheung Chau Jiao festival. The article was re-printed in every issue of the special annual bulletin for the Bun festival in Cheung Chau until the beginning of the 80s. The late Prof. B.E. Ward noticed very early the importance of the Jiao festival to the understanding of rural society. Her account of the festival itself, however, appeared only briefly in her introductory guide book on festivals in Hong Kong. Dr. James Hayes has also noticed the importance of the celebration during his studies on rural communities in the outlying islands and new towns in Kowloon. However, only some of the celebrations were given brief mention in his 1983 book. Mathias' study on the 1975 Kam Tin Jiao festival is probably the earliest comprehensive study of the festival. It is a pity, however, that it has not been published. Kani, Obuchi and Yoshihara are probably the earliest Japanese scholars to realize the significance of Jiao festivals in Hong Kong. Kani, in his study of boat people in Hong Kong regards the Jiao on Cheung Chau island as an event, like the Hungry Ghost Festival, to feed wandering ghosts. Obuchi, working with a Taoist priest, Mr. Chan Wah, studied the symbolic meanings of different Taoist rituals performed in the 1975 Shatin Jiao festival. Yoshihara in a section of his paper on religion in Hong Kong briefly described the 1977 Tai Wai, Sha Tin, event. Beginning in 1979, Tanaka and Segawa commenced active data collection on the festival. Tanaka began his extensive research in Hong Kong in 1979. At least 14 different Jiao festivals were recorded in his three books. Segawa joined the research later, from 1983 to 1985, and several articles have since been published in Japanese. \n\n20 \n\n22 \n\nThe nineteen eighties saw a growth in interest in Jiao festivals among local institutions and scholars. In 1980, students and lecturers of the History Department (Dr. D. Faure), the Sociology Department (the late Prof. B.E. Ward), the Anthropology Department (Dr. S.H. Wang) and the Music Department (the late Dr. B.C. Lu) of the Chinese University of Hong Kong [CUHK] began concurrent studies on Jiao",
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    {
        "id": 212121,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 63,
        "title": "RAS-1990",
        "content_text": "40\n\nDean. Kenneth “Revival of Religious Practices in Fujian: a Case Study in Pas. Julian F. (ed.) The Turning of the Tide: Religion in China Today (Hong Kong: Hong Kong Branch of the Royal Asiatic Society & Oxford Univ. Press, 1989), 72.\n\n4\n\nMr. Pang Cheng-chuen (Peng Zheng-chuen), interviewed by author, Fanling, Dec. 30. 1990.\n\nP\n\nDean. 54. A student of the University of Hong Kong told me on Feb. 3, 1991 that he saw, by chance, a Jiao festival in 1990. He could not recall the exact date and location. However, he was very sure, from the celebrating flower boards, that it was a Jiao festival.\n\nK\n\nIbid., 776.\n\nLiu Zhi-wan, Taibeishi Songshan qi an jian jiao jidian, Institute of Ethnology Academia Sinica Monograph, no. 14, (Taipei: The Institute, 1967). Besides Liu, the research team from the Academia Sinica included Song Lung-fei and Xu Jia-ming. Song's paper concentrated on aspects of folk architecture and decoration while Xu focused on the economic and social aspects. See Song Lung-fei \"Song-shan jian jiao jiao tan jianzhu di zhuan shi Yi shu\" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 157-217; Xu Jia-ming: \"Songshan jian jiao yu shequ\" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 109-153.\n\n4\n\nLi Zian-zhang. \"Daojiao jiaoyi di kaizhan yu xiandai di jiao” Sinological Researches 5 (1968): 261.\n\nIbid., p. 201.\n\nSaso, Michael R., Taoism and the Rite of Cosmic Renewal (Washington: Washington State Univ. Press, 1972), 34.\n\nLaw, Joan & B.E. Ward, Chinese Festivals (Hong Kong: South China Morning Post, 1982), 83.\n\nOkada, Yuzuru, Kiso Shakai (Tokyo: Kobundo, 1949).\n\nSee Brim, John A. “Village Alliance Temples in Hong Kong\" in Wolf. A.P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford Univ. Press, 1974), 93–103; and Suenari, Michio \"Sonbyo to sonkyo: Taiwan Hakka shuraku no jirei kara” [Village temple and village boundary: a case study of the Hakka communities in Taiwan] Bunka Jinna Gaku [Cultural Anthropology] (1985) 2:255-260.\n\n15 Ueno, Hiroko, \"Taiwan nanbo no osho to sonraku: Tainanken hito saishiken no sonraku aida kankei\" (Wang Jiao and villages in southern Taiwan: worshipping area and village relationship] Bunka Jinriú Gaku 5 (1988): 64-82.\n\n+\n\nTaylor, W.A. \"The Spirit Festival\" Bulletin of the Cheung Chau Bun Festival 1980 (Cheung Chau: n.p., 1980), 39-41. (reprinted from Wide World Magazine, Dec. 1953). The annual Cheung Chau Jiao festival is better known to westerners as the Bun festival because of the three tall \"bun mountains\" erected at the ritual area. The festival is the most studied Jiao festival in Hong Kong probably due to the fact that (1) the island is comparatively easy to get to, (2) it is celebrated every year and (3) it is widely publicized by the Hong Kong Tourist Information Bureau. Besides Tanaka's accounts (see note 36), see also Jonathan Chamberlain and Ian Lambot's photographic account. The Bun Festival of Cheung Chau (Hong Kong Studio Publications, 1990).\n\nדן\n\nI owe my interest in the Jiao festival to Prof. Ward who first introduced me to Jiao festivals in 1980. She then suggested that I participate in the Jiao festival in Kau Lau Wan.\n\nK\n\nLaw & Ward, 83-84.\n\nHayes, James W., The Rural Communities of Hong Kong: Studies and Themes (Hong",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212122,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 64,
        "title": "RAS-1990",
        "content_text": "41\n\nKong: Oxford Univ. Press, 1983), 156-160 & 163-164, on the Jiao festivals celebrated between 1964 and 1972 in Ma Tau Wai, Nga Tsin Wai, Tung Chung and Tai O.\n\nN Mathias, John R.G., Study of the Jiao: a Taoist Ritual in Kam Tin in the Hong Kong New Territories (unpublished D.Phil. thesis, Oxford University, 1977-78).\n\n#I Kani, Hiroaki, \"Hồn Kôn Chugokujin no shukyo shiso no ichidan nitsuite\" Shigaku 40, no. 2 & 3 (1967).\n\n22\n\nObuchi, Ninji, “Hon Kon no tokyo girei\" |Daoist ritual in Hong Kong] in Ikeda Sueri Hakase Koki Kinen Toyo Gaku Ronshu (Tokyo, 1980), 753-769.\n\n27 Yoshihara, Katsuo. \"Shukyo\" [Religion] in Kani Hiroaki (ed.) Motto Shiritai Hon Kon (Tokyo: Kobundo, 1984), 184-191.\n\n11\n\nSee note 37.\n\n14\n\nI have been told that Dr. Faure had a manuscript on the Jiao festival sent to a publisher in Hong Kong. However, due to whatever reasons, it has not yet been published. See also Hayes, 164, about Faure's book on Jiao festivals.\n\n36 I was probably the only researcher who participated in the 1980 Kau Lau Wan Jiao festival when I was first introduced by the late Prof. B.E. Ward and Dr. S.H. Wang to the Jiao festival celebrated by the fishing village. In October the same year, Dr. Faure and I attended the Jiao festival at Pak Kong, Sai Kung. In November, the late Dr. Lu Bin-chuan of the Music Department of CUHK, Dr. Lu's student Mr. Chan Wing-Hoi and I attended the Jiao festival in Fanling. Dr. Faure, Prof. Ward and Prof. Tanaka also came. The Jiao festival of Fanling and that of other areas are mentioned here and there in Faure's 1986 book. In December 1980 students of CUHK under the guidance of Dr. Faure, Dr. Wang and Prof. Ward started an ethnographical research on the Jiao festival in Ho Chung, Sai Kung. A detailed report of daily rituals was written by Lee Lai-mui and Cheng Shui Kwan, two CUHK students majoring in History and minoring in Anthropology. The report was sent to interested scholars. Unfortunately it has never been published. Two students of the CUHK at that time should perhaps be mentioned here: Chan Wing-hoi, who specializes in music and computer, was employed by the History Museum of Hong Kong to study the Kam Tin Jiao festival in 1985, a report of which was published in the Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989). Chan's master's thesis on folk music in Hong Kong also includes a chapter on the ritual music played by the Taoists at the Jiao festival. Chan also has an ethnography on the 1986 Shek O Jiao festival published in the Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. The master's thesis of Leung Chor-on, now Ph.D. candidate of Cambridge University, submitted to the Anthropology Department of the CUHK gives a good account of the ritual symbols of the festival. Chan, Leung and I held a seminar on Jiao festivals on Dec. 11, 1988 for the \"Research Circle of the Regional Society of Southern China\" focusing on musical, ritual and social aspects of the festival.\n\n27 Locally published works besides those by Faure and my own are:\n\n-\n\n(a) Chamberlain, Jonathan, \"Introduction” in Chamberlain J. and Iam Lambot The Bun Festival of Cheung Chau (Hong Kong: Studio Publication, 1990). This is largely a collection of photos. Chamberlain's introduction is very descriptive but no sources are quoted.\n\n(b) Chan Wing-hoi, “Observations at the Jiu [Jiao] festival of Shek O and Tai Long Wan, 1986\" Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. Chan recorded meticulously what he was told and observed about the 'settlement', the 'participants', the \"ritual site\", the \"local gods\" and the \"events\".\n\n(c) Xiao, Kuo-jian (Anthony K.K. Siu), Xianggang Xiandai Shehui [Pre-modern society of Hong Kong] (Hong Kong: Chung Wah, 1990), 86-97. Xiao attempts to illustrate three reasons why the communities in Hong Kong celebrate the Jiao. The first reason is to plead for fortune, to pay sacrifices to the gods, to drive away evils and to prevent\n\n4",
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    {
        "id": 212123,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
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        "document_key": "RAS-1990",
        "page_number": 65,
        "title": "RAS-1990",
        "content_text": "42\n\ndisasters. the second is for those who died because of plague. The final reason is to thank the benevolent governors Wang Lai-ren and Zhou You-de of the beginning of the Qing dynasty. In my opinion, all these reasons can be integrated into the first one.\n\n(d) Chan Wing-hoi \"The Tangs of Kam Tin and their Jiu festival\", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989) 302-375, a rich and detailed account of the lineage, its temples and villages, and the festival which draws them together.\n\nDr. Faure gradually switched his interest to the Pearl River Delta while Prof. Tanaka, as I was told, is now looking at Sichuan province. Talk on publishing a book on Hong Kong Jiao festivals has been going on for years by members of the \"Research Circle of the Regional Society of Southern China''. In 1990, the editorial board of the society set up a schedule to compile a book focusing on the Jiao festival. It is expected that papers on various aspects will be completed by the end of April 1991. (Correspondence from the society dated 28.12.1990)\n\nSchipper, Kristofer M., \"The Written Memorial in Taoist Ceremonies\" in Wolf, Arthur P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford University Press, 1974), 324,\n\nFor example, according to Chan Wing-hoi, villagers of Shek O celebrated their 16th Jiao in 1986 (Chan, 78). The Dengs in Kam Tin claimed to have celebrated their Jiao since 1684 (Tanaka, 918).\n\nSee for instance Basel Mission Archives, doct. Al-6, No. 51 (1869), and doct. Al-7, No. 51 (1870) and Der Evangelische Heidenbote, July 1867, in which a missionary describes how he was forced to go to the Magistrate to get his support before he could avoid having to pay his share of the Jiao expenses. All these cases are from Hsin An County. The Sha Tin poem will, it is hoped, shortly be published by Dr. P.H. Hase.\n\nThese two series are part of the 15 series of historical documents collected by Dr. D. Faure and others in the New Territories. Copies of the collections are kept in the libraries of CUHK, Hong Kong University, Sha Tin Regional Council Library, and Institute of Oriental Culture, Tokyo University.\n\n31\n\nTanaka Chugoku no Sozoku to Engeki [Lineage and Theatre in China] (Tokyo Univ. Press 1985), 608. Jiao festivals celebrated by the powerful communities in Hong Kong like Kam Tin, Ha Tsuen, Lung Yeuk Tau etc., were all performed by the Zhengyi Taoist group, led first by the late Master Lin Pei and now by Master Chan Kau. Another Zhengyi Taoist group is led by Master Chan Wah. However, many Taoist priests work for both groups. There are also other Taoist groups who performed for the Jiao festivals, like a Cantonese group which performed for Ho Chung and a Heklo group for Cheung Chau. In 1983, four out of five Jiao festivals were performed by monastery Taoists. It is not clear whether it was because of tradition or out of economic reasons. A comparison of the two Taoist groups has yet to be made.\n\n14 Choi Chi-cheung **Sho matsuri no jinmei risuto ni mirareru shinzoku ban'i” [Kinship as seen in the name lists of Jiao festival] Bunka Jinnú Gaku 5 (1988): 131, table L. 35 **Shinshi men\" [Section of Believers] in Fanling Wenxian (Historical Literature of Fanling) vol. 8. This brief account records details of the arrangement of the Jiao area, including the contents of couplets, names of deities invited, location and direction of matshed stages, and the sacrifices prepared etc.. See n. 32 for the depositories of Fanling Wenxian.\n\n36 See (1972) Lin Chuan [Lam Tsuen] Xiang Taiping Qingjiao huiyi jilubu in Dapu [Tai Po] Wenzian [Historical Literature of Tai Po] vol. 1. (see n. 32 for depositories)\n\n37 Tanaka Issei's three books, all published by the Tokyo Univ. Press are: Chugoku Saishi Engeki Kenkyu [Ritual Theatres in China] (1981), Chugoku no Sozoku to Engeki [Lineage and Theatre in China) (1985), and Chugoku Kyoson Saishi Kenkyu: Chihogeki",
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