[
    {
        "id": 204965,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1965",
        "page_number": 73,
        "title": "RAS-1965",
        "content_text": "66\n\n: JEN YU-WEN : \n\nIn the summer of 1958 a number of Chinese and Western historians, writers, poets, reporters and government officers accompanying the author, who had taken the principal interest in and had organized the research project, made three trips to the place to see and study the historic object. As a result of painstaking research and study, we are now able to decipher and read every character engraved there and to understand the exact meaning of the whole text. The full text is rendered more clearly on the opposite page.\n\nThe inscription and engraving were done by the Administrator of the salt field, Kuan-fu-ch'iang (Kwoon-fu-ch'eung) a place which is identified as present-day Kowloon Peninsula. The text describes the Administrator's full name and position, his visit to the site, the construction of the Stone Pagoda on South Fu-t'ang (the islet south of North Fu-t'ang now officially named Tung-lung Island), the repairing and renewing of these two places successively by several persons, the erection of another stone tablet (now disappeared), and finally, the elaborate repairs carried out by a local celebrity, Lin Tao-yi (Lum To-yi), who caused the text to be engraved on the rock on the aforementioned date.\n\nLin Tao-yi was also responsible for the construction of the Temple of T'ien-hou at North Fu-t'ang. The author, after visiting the place, had the privilege of being invited by some of his descendants in Kowloon to read their Genealogical Record mentioned above. It was found that Tao-yi's great-grandfather originally hailed from P'u-t'ien (P'o-t'in), South Fukien, and was the first ancestor of their clan to migrate to Kwangtung settling down in Kowloon sometime during the Southern Sung period. His own son had had two sons, Sung-chien (Ch'ung-kin) and Po-chien (P'ak-kin). The two brothers engaged in the transportation business with large sailing vessels between sea ports along the coast and Kowloon. Once while returning south they met with a typhoon near the Fu-t'ang gap. The ship was wrecked and sunk, but they held on to the matshed-cover of the ship which kept them floating. On the cover was a tablet of the Goddess Lin Ta-ku whom they had been worshipping aboard the ship. They tied their loosened hair to it and swam to South Fu-t'ang. Landing in safety they firmly believed that the Goddess had saved their lives and immediately made the matshed-cover",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653",
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    },
    {
        "id": 205107,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 63,
        "title": "RAS-1966",
        "content_text": "58\n\nHERBERT FRANKE\n\nas if the court historiographers and recorders recognized the importance of the mission. The Western horse, at least, impressed Mongols and Chinese alike. It was, if not one of the Flemish battle horses, certainly much bigger and stronger than the native breed of horses familiar to the Mongols. The court painter Chou Lang was commissioned to paint a portrait of the horse. This painting was still extant in the eighteenth century when the Jesuit Father Gaubil saw it; the Catalog of the Imperial Collections compiled in 1815 lists it. There is no trace of that painting left, but in a time when so many and sometimes stunning discoveries are made in China and Chinese archives we should not give up all hope of tracing this pictorial evidence of Giovanni da Marignolli's embassy. Apart from painting, there are many passages in fourteenth-century Chinese literature where allusion is made to the gift of Western horses to the emperor. Many poets of that time wrote poems praising this kingly gift and extolling the horse which, as one poet says, stood out like a camel among the other horses in the Imperial stables. At least a full dozen writers can be found who considered this horse important enough to be the subject of a poem. Almost invariably, allusion is made to the famous \"Heavenly Horses\" brought to China under the Han Dynasty from the Western Regions by Chang Ch'ien. Then, as under Shun-ti, the gift of a Heavenly Horse was regarded as an auspicious omen for the Imperial house and the emperor in particular. All this is completely in accordance with Chinese tradition. If far-distant countries send tribute, this shows that the Mandate of Heaven truly extends to the end of the inhabited world. One wonders what Giovanni da Marignolli would have thought, being the representative of the Vicar of Christ on earth, if he had known that his embassy served as the subject for a display of Sinocentric sentiment and an exhibition of pro-dynastic loyalty. The lucky omen of the Heavenly Horses turned out to be of not much avail, however. A few decades later, the emperor had to flee to the Mongolian steppes when the Ming troops took Peking. It remains, nevertheless, quite surprising that so many Chinese poets (there is hardly a non-Chinese among them) went to the length of writing hymns of praise of the dynasty when nobody forced them to, and it seems that at least among the literati, there was not yet much anti-dynastic and anti-Mongol feeling. In any case, it is striking how much this incident is treated in literature in a traditional Chinese way.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
        "rank": 0
    },
    {
        "id": 205113,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 69,
        "title": "RAS-1966",
        "content_text": "64\n\nHERBERT FRANKE\n\nas in this case, fictional material to real persons. Their original personality image as given in the texts is therefore often obscured by a veil of conventional and sometimes even interchangeable topoi.17\n\nThe second example concerns a Yüan Dynasty play, the Sha-kou ch'üan-fu “To Kill a Dog in order to Admonish the Husband”. It could be shown that the plot of this play goes back to Near Eastern folk tale motif, that of the two brothers and the testing of their friendship. Also in this play the whole background is entirely Chinese, and at least one of the persons on the stage was a historical figure, a famous judge of the Sung Dynasty. But the similarity between the plot of the play and the Near Eastern folk tale (which also spread to Europe) is so close that allogeny, to use this term here, is ruled out. We may therefore assume that the story itself somehow found its way to China in Sung or Yüan times, and was adapted to a play.18 It is not impossible that other plays of the Yüan period will show similar influences in subject matter, but it would be premature to say anything definite because the study of Yüan plays has hardly begun in the West.\n\nTurning away from the more popular literature written in colloquial language to the traditional literary genres in the written language, we can be very brief. The literary activities of non-Chinese under the Yüan have long ago been studied by Ch'en Yüan who published his researches in 1923 and 1927, and Professor L. C. Goodrich has recently dealt with this problem, taking into account the pioneer work by Ch'en Yüan.19 Under the Yüan many writers of non-Chinese origin distinguished themselves as poets in Chinese and authors of Chinese works in general. This applies not only to Mongols, Uighurs and other Central Asians but also to Near Eastern Mohammedans and Christians. We have, under the Yüan, authors by the name of Sa’d-ad-daula, of Ya-ku (Jacob), of Shams, of Sadr and many others. In other cases the foreign names had been replaced by Chinese family names. One example is the case of Ting Hao-nien (1335-1424), who adopted the Chinese clan name Ting which sounded similar to the frequent Islamic appellation ad-Dīn “of the Faith” (e.g., Saif ad-Din, “Sword of the Faith”). One Nestorian Christian family called itself Ma which might be an approximate rendering of Syriac Mar, Master. They were of Turkish origin, coming from the Önggüt tribe that",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
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    },
    {
        "id": 205426,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 188,
        "title": "RAS-1967",
        "content_text": "BOOK REVIEWS\n\n181\n\nappendices. The first, Appendix A, is on the Chinese calendar, with a table of the twenty-four fortnightly periods,\n\nThe only criticism of this is the third column giving the approximate date in the Chinese calendar. This presumes New Year to fall on 20th February, the last possible day, throwing forward everything on an average by a fortnight.\n\nAppendix C, furnishing a list of the names of Fireworks, Pigeons, Popular forms of entertainment, Melons, Crickets, and Chrysanthemums is most intriguing. Valuable varieties of pigeons are the \"Toad-eyed grey,\" \"Square-edged unicorn\", and \"Wild duck of the Great Dipper\". Poets have similarly exercised their ingenuity in finding epithets for the Flower of the Ninth Moon for they include \"Purple Tiger whiskers\", \"Concubine of the Hsiao and Tsiang Rivers,\" and \"Wild Goose settling on level sand.\"\n\nIn short, Tun Li-ch'en has left us a vivid picture of life as it must have been lived in the capital for centuries before the violent impact of the western world. It was to change soon after. Within twelve years the Imperial fishpond, Wang Hai Lou, had filled up and was a snipe marsh, whilst in another decade it was walled-in as an experimental agricultural establishment. Again, the emancipation of women through the abolition of foot binding, and their escape from the purdah of the mud-walled compound killed all those forms of entertainment which could only be enjoyed in the home. The famous Shadow play, which he describes as bringing tears to women's eyes, was virtually extinct thirty years later, smothered by the cinema.\n\nTun's study of the human side of the ancient capital is an admirable supplement to the work of two foreigners who spent the best part of their lives there, namely — Arlington and Lewisohn's In search of old Peking.\n\nHong Kong, 1966,\n\nN DU BREUIL\n\nAs noted in the President's Report earlier in this volume Madame du Breuil, former Peking resident and a member of our Council, died in 1966.\n\nPRELUDE TO HONGKONG, Austin Coates. London, Routledge and Kegan Paul, 1966, pp. xi, 232. 40/-.\n\nIn view of the recent events in Macao and Hong Kong this book has a certain topical relevance. It covers the period from",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
        "rank": 0
    },
    {
        "id": 205803,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 109,
        "title": "RAS-1969",
        "content_text": "MING DYNASTY 'MOUNTAIN SONGS'\n\n103\n\nwritten by the literati rhymed often by academic fiat rather than in accordance with actual dialect pronunciations and the conversational styles which we know must have been spoken at the time.\n\nThis is not entirely the case since in the verses of the classical poets we often find deviation from the patterns of the rhyming dictionaries. Still the norm held true to the accepted versions, and as time passed the accepted version remained relatively stable while the living language went through a series of sound changes. There is even reason to assume that the earliest rhyming dictionaries may have preserved archaisms or dialect pronunciations, or otherwise mixed the information in a way that would complicate Karlgren's Ancient Chinese. For example, we know from the preface to the Ch'ieh Yün that this important rhyming dictionary was the product of an informal committee composed of members who represented several regional dialects. Presumably a situation like that might lead to a levelling process and the final results might be to some extent an overall pattern of several speech forms rather than a consistent recording of a single dialect.\n\nIn summary, the first proposition is that Ancient Chinese as now reconstructed should be paired with a proto-Chinese developed by the comparative method of modern linguistics. One can look forward to the time when the necessary spoken language data will be gathered and the preliminary reconstructions of individual Chinese proto-dialects will be completed. The second proposition is that the standard rhyming dictionaries can be expected to diverge in greater or lesser degree from any standard spoken language of their time. This second point suggests to the linguist that an ideal target for research might be poetry outside the intellectual, classical tradition. In other words, we can look to folk poetry since in that genre we will more likely be dealing with colloquial rhymes having no reference to the educated patterns of the rhyming dictionaries. This type of poetry would provide rhymes which are so useful in reconstructing earlier forms of Chinese, yet it would be much less likely to present some of the problems of the more artificial rhyming dictionaries. It is a safe assumption that original folk poetry would represent the everyday speech of the area from which it comes rather than any prestige second language of the educated class.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
        "rank": 0
    },
    {
        "id": 206686,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 234,
        "title": "RAS-1972",
        "content_text": "228\n\nBOOK REVIEWS\n\nThis book is one of the gems of a vast movement. Between the two world wars, Chinese scholars took a great interest in the study of ethnology and folklore. The two most important groups were in Peking University and in the Sun Yat-sen University of Canton. After the May Fourth Movement, Chinese intellectuals fought against their traditional culture and its Confucian interpretation, and looked toward the West.\n\nEthnology was one of the by-products of this new fashion for the Occident and Science. Dissatisfied with a mere copy of Western culture, some people realised at this time that they had, in China itself, a whole culture buried in scorn, which deserved to become part of modern culture. And the movement towards a mass culture, in the early thirties, used for propaganda both by left-wing intellectuals and by missionaries, saw it as a gold mine to be exploited.\n\nThis interest in folk culture was not something new in China. In the Ming dynasty, scholars scandalously proclaimed certain popular novels and plays to be masterpieces comparable to famous classics, while the staid scholars did not even grant them the dignity of literature. Moreover, in Chinese literary history, a keen interest in folk literature has periodically risen in attempts to revive a stereotyped academism. However, in the XXth century, this movement was brought about by ethnologists, and not by avant-garde scholars of literature.\n\nThis ethnological interest had a certain influence. Several modern poets used the tone of popular songs; Lao She studied the folklore of Peking and recalled it in his novels; Wen Yi-tuo used ethnological data to explain the Songs of Ch'u and thus gave more insight into this famous anthology than philological interpretations had ever done.\n\nAmong the materials brought by Chinese ethnologists, the Choice of \"Yang ke\" from Ting Hsien is now a classic, and its translation is very welcome. It was part of a general survey made by a team on rural life in that district, situated about 128 miles south of Peking. The original meaning of \"Yang ke\" is folk songs sung while transplanting the young rice shoots. But it took on a broader sense: short operas performed by amateurs in villages, with music and singing mainly drawn from folk songs. In Peking and elsewhere, these short scenes were sometimes sung by actors on stilts, in processions.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206793,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 70,
        "title": "RAS-1973",
        "content_text": "64\n\nCHIU LING-YEONG\n\nof tusks (ivory), hides, feathers (kingfisher) and hairs (skins) and that of fish, salt, clams and oysters can, on the one hand, meet the needs of the treasury and, on the other hand, satisfy the demands of the Chiang-hui region.27\n\nIt was due to the opening of the Ta-yü Ling Pass which enabled the Persians and Arabs to transport their goods from Canton to other centres without any difficulty. The convenience of transportation also enabled Persians and Arabs to move from one place to another; thus they were no strangers to many of the cities.\n\nIn the capital, life was more colourful than in any other cities. In T'ang times, there were two great markets in Ch'ang-an, the Tung-shih (the Eastern Market) and Hsi-shih (the Western Market). The Hsi-shih was also known as Chin-shih (the Gold Market), and the Tung-shih was also known as Chün-ming-men (the Bright Spring Gate).28 The Hsi-shih was more or less treated as the foreign settlement in the capital. There you could find all kinds of bazaars situated by the side of the main road. Wineshops employed exotically beautified Western girls with blue eyes and golden hair to serve their customers with rare wines in cups of amber or agate. Sweet singing and seductive dancing were also introduced in order to increase their sales.29 These blue-eyed and golden-haired beauties confounded our versatile poets. Li Po, on more than one occasion, dedicated his works to these beauties, like:\n\nThe zither plays \"The Green Paulownias at Dragon Gate',\n\nThe lovely wine, in its pot of jade, is as clear as the sky.\n\nAs I press against the string, and brush across the studs, I'll drink with you, milord;\n\nVermilion will seem to be grass-green when our faces begin to redden.\n\nThe Western houri with features like a flower\n\nShe stands by the wine-warmer, and laughs\n\nWith the breath of spring,\n\nDances in a dress of gauze!\n\n'Will you be going somewhere, Milord, now, before you are drunk.'30\n\nThe presence of these beautiful girls was the principal cause of the intoxication of many of these poets whose work enables us to trace the activities of the foreigners in China. In the T'ang period,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
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    },
    {
        "id": 207576,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 344,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n335\n\nIn brief, the contents of the writing on each composition of the first 10 leaves have been collectively identified by the author as prose written by seven well-known literary figures; T'ao Ch'ien (365-427), Po Ch'u-i (772-846), Liu Tsung-yüan (773-819), Wang Yu-ch'eng (954-1001), O-yang Hsiu (1007-1072), Su Shih (1036-1101) and Sung Lien (1310-1381).\n\nThe nature of those writings inscribed on the last two leaves of the same album seem quite different from the foregoing. The first inscriptions are all prose and their authors are historical figures; while those appearing on the last two leaves are poem and their authorship is obscure. The literary implications of the prose are all associated with a unified theme; life in the future is hard to know, thus it is more suitable to seek one's personal comfort by way of enjoying nature. In contrast, this theme in leaves 11 and 12 becomes very weak. Instead, remarkable fantastic literary allusions are demonstrated by the poets. After having differentiated the nature as well as the forms of inscriptions on the last two leaves from the first ten, Prof. Li concludes that those unidentifiable poems are most probably verses by Chin Nung himself. The reason that they have been written in an unrealistic manner is because the artist-poet was trying to use those poems to console himself for failing to pass the Po-hsüeh-hung-tz'u degree examination in Peking in 1736.\n\nThis conclusion is theoretically sound, yet it is not convincing; for the poems inscribed on 11 and 12 are not as easily unidentifiable as Prof. Li has claimed. Consequently, because of these poems the date of this album has to be changed. Therefore, the authenticity of this collection of 12 landscapes is also to be questioned.\n\nIn the mid-18th century, at Yang-chou, the richest economic center in China at that time,23 Ma Yueh-kuan (1688-1745) and his younger brother, Ma Yüan-lu (1687-1766?) were not only active as leading salt merchants but also as central figures in terms of their patronage towards literature and art. Amongst those who were closely affiliated to the Ma brothers, was a well-established poet, Li E (1692-1752). Although a native of Ch'ien-t'ang from Chekiang province, he happened to be the most important literary figure whenever he was in Yang-chou.\n\nWhen\n\nIn the winter of 1748, the 13th year of the Ch'ien-lung era, Chin Nung was doing his extensive travels in the north, seven poets,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207577,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 345,
        "title": "RAS-1975",
        "content_text": "336\n\nBOOK REVIEWS\n\nincluding Li E, accepted an invitation of the Ma brothers to go on a joint-tour to visit Chiao-shan, the famous island situated in the middle of the Yang-tze River near the present day Ch'en-chiang in Chiang-su province.24 For this trip, all members wrote some poems which were later put together, and titled as Chiao-shan Chi-yu Shih (hereafter to be abbreviated as Chiao-shan CYS), A Collection of poems Commemorating A Travel to the Chiao Island.25\n\nThose poems inscribed by Chin Nung on leaves 11 and 12 of the Drenowaltz album are, in fact, two poems written by two different poets of this joint-tour. The first poem, \"Watching the Moon on Chiao Island but being required in designing poem rhyme to use the word 'Sheng'\"26 is written by Li E. It is not only to be found in the Chiao-shan CYS but also in Li E's own collection of poems; Fan-hsieh Shan-fang-chi #### (hereafter to be abbreviated as Fan-hsien SFC), A Collection of Poems Composed in the Fan-hsien Mountain Studio.27 Similarly, the second poem which is entitled \"Watching the Moon in the Chiao Island but Required to have the word 'Yueh' in rhyme\"28 is composed by Ma Yueh-kuan. It is found in the Chiao Island Collection29 and also in Ma Yueh-kuan's own collection of poems, “A Small Collection of Poems by An Untrammelled and Elderly figure at A Sandy River\".30\n\nIn Vol. I, from p. 235 to the first line in p. 236, Prof. Li's English translation deals with Li E's poem; and, from line two onwards, the latter portion of the poem in English is Prof. Li's translation of the cited poem by Ma Yueh-kuan. To consider these poems by two identifiable poets as one is certainly incorrect.\n\nWith respect to the second inscription, treated by Prof. Li as a long poem of Chin-Nung, it is in fact, a collection of three different poems once again all written by Li E. In Vol. II Plate LXXXI-L which is a reproduction of the last leaf of the album, from line 1 up to the first four characters in line 8, the content is to be identified as the first poem by Li E and the title of the poem is read as \"Lodged in the Fo-jih Ching-hui Buddhist Temple\".31 In Vol. I, page 236, line 1 to line 12 of Prof. Li's English translation deals with this poem. Similarly, in Plate LXXXI-L, from the fifth character of line 8 up to the first five characters of line 17, this section of the inscription on leaf 12 is to be identified as Li E's second poem associated with the long title \"Getting up at dawn, monk Ch'e\n\nPage 345\n\nPage 346",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207914,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 302,
        "title": "RAS-1976",
        "content_text": "NOTES AND QUERIES\n\n287\n\nof incorruptness. The last name of Ho Chung's studio was T’ing-yü-hsien, that is, a pavilion for listening to the rain. The melancholy atmosphere of a rainy day, from the point-of-view of Chinese literary life, has been a special but poetic mood favoured by poets of Sung China in the 13th century. Transferring this sad feeling of listening to the rain as one of Ho Chung's studio names showed that this late 19th century Kwangtung artist certainly shared the Sung poets' feeling of melancholy.\n\nWith regard to Ho Chung's biography, due to the lack of information his life as an artist is not completely clear, although according to an art history written in 1927 and devoted to Chinese artists in Kwangtung, Ho Chung was over seventy years old when he died. Based on this clue, the chronology of this artist can be ascertained in general. There are 34 pictures all by Ho Chung in the Luis de Camoes Museum in Macau. Among them, a circular fan painting has been inscribed by the artist with the date Keng-tze ✯; a year corresponding to the 26th year in the Kwang-shü * era during the Ch'ing Dynasty, which in turn corresponds to the year 1900. This is a very helpful discovery, since if Ho Chung died around 1900 at the age of seventy-five, he might have been born around 1825. At any rate, Ho Chung must have been an artist chiefly active in the second half of the 19th century and presumably his late years touched at least the first one or two years of the 20th century.\n\nFrom the 17th to the 19th centuries, Chinese painting in Kwangtung certainly developed into a more fruitful stage than in the preceding centuries. Nevertheless, the artistic quality of these Kwangtung paintings was not only less significant than those of the Chiang-nan area, the centre of Chinese painting of that time\n\n- but also can hardly be compared with the standard of her neighbouring province, Fukien. For this reason, within these three centuries, artists who were not natives of Kwangtung and were also not first class artists of the Chiang-nan area, but whenever and wherever settled in Kwangtung, were always regarded by Kwangtung art historians as Kwangtung artists. For instance, Wang Hou-lai, a native of An-hui province settled at Pan-yü during the 18th century, was treated as a representative artist for Kwangtung landscape painting. Similarly, Sung Kwang-pao and Meng Chin-i, two artists of the Kiangsu province, lived in Kwang-",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    {
        "id": 208149,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 188,
        "title": "RAS-1977",
        "content_text": "172\n\nNOTES AND QUERIES\n\nAll remarkable mountains are supposed by the Chinese to have some spiritual influence over the affairs of mortals. The rough, barren, mountainous country I have described, has given birth to many superstitions and legends. Some of the huge stones on the hillsides are supposed to represent the tiger, the dragon, and the phoenix. The stones on some hills are said to have locomotive powers, and to pursue any adventurous traveller who attempts to mount their sides: other stones are said, when touched, to have the power of producing pains in the stomach and others to emit white vapours from their surface; of more interest are the caves which are found in some of the mountains (JHKBRAS 7(1967): 110).\n\n12. Krone writes of our own Castle Peak:\n\nThe mountain is reckoned one of the eight wonders of the Canton Province. Some of its large granite boulders are said by the priests to represent various mythological monsters; and several springs well up near the top, which are also esteemed supernatural wonders by the Chinese. The mountain is often visited by students and literati, and its wonders and beauties have been celebrated by them in many verses. The legends connected with the mountain seem not to be very clearly understood. (JHKBRAS 7(1967): 109).\n\n13. In the case of the more famous mountains of the Kwangtung province alone, mythology, legend and history have endowed them with fame over hundreds and even thousands of years. This is due in part to the constant visits of famous poets whose poems are so widely read over the generations that they alone are sufficient to make them sacred and immortal.* Yet our own lesser mountains seem to have had at least one such visitor. In the history of the T'ang family of Kam Tin we read of the famous Sung poet and painter PO Yu-sim, ‘Legends have attributed to him magical powers, and he is supposed to have appeared and disappeared in all the \n\nIn the introduction to his Anthology of Chinese Literature, Vol. 2 (New York, Grove Press Inc., 1972) Cyril Birch writes 'Scholar-officials were subject to a life of movement, and no one could travel very far without lighting on a place celebrated in the verse or prose of an earlier visitor. It might be a hilltop temple or a lakeside pavilion, a mountain pass or an ancient battlefield, a city gate or a particularly awesome cliff. (p. xxvi).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208347,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 71,
        "title": "RAS-1978",
        "content_text": "IS FACE THE SAME AS LI? \n\n55\n\nflexible, li is rigid and unyielding, and so societies interested in the same results—or what appears to be the same results, avidly turn to the cultivation of subtle techniques for manipulating face, leaving the narrow path of li to fanatics and moral people.\n\nThat is perhaps, incidentally, why Confucianism bears such strong marks of pride and not so much the marks of a shame sanction. Even its shame is based on pride. The most valued disposition in a Confucian man is his pride, or 'self-pride'. Literary history, biographies of scholars, officials and poets as well as evidence in daily contact with them leaves little room for doubt. This pride is not the same as face, because it involves severe self-criticism and an ideal self-image which is in operation not only when someone is looking, but even when no one is looking except oneself, and oneself is always looking. This ideal self-image rests on pride: the conviction that it is superior, that it hangs upon nothing except one's aspirations. To be superior one has to be superior to someone, and Confucian men have not pitched themselves only against foreigners or 'barbarians' but the ordinary people—the 'small people'—they live among. The small people are afraid of punishment, of public censure, of being shamed, but the superior man is afraid of not reaching his high ideal. The superior man judges himself not by the approval of his community but by the traditional ideal set by Confucius and in the sacred books of ancient sages. He is ashamed to see himself fall short of that ideal, but that he should adhere to that ideal stems from pride, from his aspiration to be a true elite.\n\nParallel in a Guilt-saintliness System\n\nIs there a parallel to the subterfuge relation between li and face in a guilt-saintliness system such as Catholicism? We have good reason to expect people to resort to subterfuges when hard-to-attain or unattainable goals are pressed upon them. Catholicism certainly presses upon its adherents the extremely high aspiration of saintliness such as expressed in 'You should be perfect, as your heavenly Father is perfect' on the one hand, and on the other of a scrupulous conscience able to detect the smallest sin and bring on the deepest feeling of guilt. The propagated lives of canonized saints act as the models constantly exhorting one to combine both and bring them to the very highest standards. It is easy enough to see the subterfuge, which is to take upon extravagant acts of piety rather",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208474,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 198,
        "title": "RAS-1978",
        "content_text": "182\n\nDAVID H. S. CHAU\n\nin print making for generations since Late Ming. To Hua Wu is a district in the city of Soochow. Fatshan is a town near Canton, also noted for its many temples, beautiful scenery and many other crafts. Prints made from these centers varied in style and printing technique, but only the prints made from Fatshan retain the ancient traditional forms, as Fatshan has been the supply center of folk prints for the Chinese overseas who have emigrated and settled down in South Asian countries for many generations. The folk prints used by Chinese people in Hong Kong were also supplied from Fatshan. There had been several woodblock printers in Hong Kong producing religious folk prints by using blocks supplied from Fatshan until fifteen years ago. Then, for economic reasons, some local printers closed down their business and the remaining ones turned to modern printing techniques by using machines.\n\nIn the nineteenth century modern printing techniques were introduced to China from Western countries, and eventually the use of woodblock for printing started to decline and began to vanish. The remaining woodblock printers only engaged in the printing of religious matter. When the Communists took over the government of China in 1949, almost all these printers closed down their trade. Those still in existence are mainly engaged in reproducing paintings of old masters. One is Wing Po Chai in Peking, another in Shanghai is styled To Wan Huen. There is also one left in Hangchow of Chekiang Province.\n\nThe usages of woodblock printing\n\nWoodblock printing had a wide range of usage in Chinese daily life. Besides printed books, calendars, folk prints and religious matter, woodblocks were used for printing stationery, account sheets, letter heads, calligraphic copy books, trade labels, posters, circular notices, playing cards, etc. The government's official documents, orders, legal contracts, etc. were also printed by using woodblocks. Decorated letter sheets had been in fashion in high society in the old days. High-ranking officials, noted families, wealthy merchants and literary scholars and artists had, for their own exclusive use, beautiful specially illustrated and coloured woodblock printed personal letter sheets for writing letters or poems. Card games were also popular in the feast gatherings of scholars, poets or artists. Monochrome, illustrated, woodblock-printed, paper playing cards",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 209679,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 336,
        "title": "RAS-1982",
        "content_text": "314\n\nBOOK REVIEWS\n\nofficials, poets and scholars at different periods to illustrate the diffusion of sinitic culture eastward along the Huang He and eventually southward into the Zhang Jiang delta, floodplain and the Red Basin. In spite of the effort, Chen does not add much to our knowledge of the pattern of expansion of the Chinese cultural realm. The discussions on the cities of China (chapter 3) and the urban development of Beijing (chapter 4) are highly descriptive. Apparently Chen has exhausted every possible data source available to him, and he has succeeded in presenting a very detailed discussion on the form and content of Chinese cities, but he leaves much untold regarding the processes involved in their evolution. The Loess Plateau and the Huang He (chapter 5) and the Great Wall and the Grand Canal (chapter 6) are significant and highly humanized landscapes in China. Again, Chen has been able to condense a mass of data into these short chapters which give a detailed chronological description of these landscapes. In connection with these subjects, it is unfortunate to note that the author has made little reference to other scholars who have researched extensively and written on similar topics: for instance, Professor Ho Ping-ti on the loess plateau of China, Professor Chang Sen-dou on the cities of China, Professors Owen Lattimore and Harold Wiens on the expansion of sinitic culture, just to mention a few.\n\nIt should be emphasized, however, that Chen is not offering a holistic treatment on the cultural geography of China, and he is aware of this. What he is offering is a look into the wealth of historical data that may be tapped for geographic studies on China; for instance, the value of local gazetteers (chapters 2 and 9) and records of exploration and travels (chapter 7) and the use of maps in the study of place names (chapter 8). At this point, this reviewer would query the logic used in arranging these topics and the relevance of including Chen's address as the concluding chapter in the book,\n\nThe book contains 32 maps of a remarkably high level of cartographic skill. However, 29 of them are confined to chapters on the migration of the cultural core and on Chinese cities. The bulk of the presentation then, suffers from a lack of illustration which would have added immensely in establishing coherence in an otherwise jumbled and often tedious mass of place-names and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
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    },
    {
        "id": 210066,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 37,
        "title": "RAS-1984",
        "content_text": "16\n\nJULIAN PAS\n\nFrom Sung times on, the blockprint method made the spread of temple oracles much easier. I also believe that once one temple started using the oracles, the practice must have spread as quickly as fire to other temples to attract worshippers and increase temple revenue. Nowadays the great majority of temples in Taiwan have sets of bamboo lots for the use of visitors. Few temples, mostly those of Buddhist affiliation, can afford not to include them in their paraphernalia, and even then many Buddhist temples do make use of them. Taking over a successful practice, however, does not necessarily mean downright imitation. Personal inspiration and possibly competition amongst the temples resulted in an incredible variety of oracle texts. These texts, written by diviners, priests and even poets share the same basic orientation or purpose: to give answers to people in distress or uncertainty. It is believed that when the worshipper shakes the container, the divine influence will make the right answer appear. Besides this one universal characteristic, each set of oracles has its own individual traits, as will be shown below.\n\nThe oldest set of oracles discovered so far probably dates from the Sung dynasty (ca. 1250) and was reprinted in 1958.1 In W. Banck's text edition, oracle no. 78 of that blockprint series has been reproduced; it is interesting to notice that in the interpretation given, the character kua | is used: this immediately links this oracle to the diagrams of the I Ching which are always called kua.\n\nLocal influences, individual tastes and the talents of their creators must have given each series its own particularities. Obviously competition among various shrines must have also influenced the authors. In modern times the rich variety of oracle sets is amazing: in W. Banck's collection 55 different sets are photographically reproduced: 46 sets were collected in Taiwan temples, the remaining ones are from Hong Kong (3), Macao (1), Malaysia (3), Bangkok (1) and even California (1). Besides these, I collected in Taiwan some other sets not included in Banck's collection. One wonders how many more sets were once in use in mainland temples, since the varieties found in Taiwan mostly reflect the situation in Fukien and in a more limited way in Kuangtung.\n\nThe Taotsang, the collection of sacred writings of the Taoists17 has preserved 7 or 8 oracle series, probably derived from other",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 210344,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 315,
        "title": "RAS-1984",
        "content_text": "294\n\nRODERICK O'BRIEN S.J.\n\nThis interest is unlikely to abate, as this complex and enigmatic man contributed so much to Australia in church, educational, and scientific works. He was a prolific correspondent, and his friends included governors, scientists, and poets — but also the poorest of his parishioners in rural Australia.\n\nIf any member who is interested in the history and personalities of Hong Kong has come across any reference to the visits of Fr. Woods, I would appreciate a letter.\n\nPage 315\nPage 316",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 211355,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 71,
        "title": "RAS-1988",
        "content_text": "47\n\nThe first was in the Magistrate's Amendment Ordinance of 1912. It empowered magistrates to deal with juvenile offenders up to the age of sixteen in a special manner so as to keep them out of gaol and association with adult criminals. Hong Kong, however, had no adequate provision for juveniles who needed custodial care.\n\nThe second provision concerned a section (26A) of the Offences Against Persons Ordinance passed in 1913. This provided protection against the ill-treatment, neglect or abandonment of children under the age of sixteen.\n\nThese provisions brought the Hong Kong law more into line with that of Great Britain in these matters, but there were still no provisions regarding child labour as such.\n\nMiss Pitts' speech on the welfare of children 1918\n\nMiss Pitts, a missionary of seventeen years standing in Hong Kong, fired the first gun in the direct attack on child labour. In December 1918 she delivered a speech to the Church of England Men's Society on the welfare of children in Hong Kong. She was the first woman to speak to the Society and to mark the event ladies were invited to attend. A newswriter called these innovations \"a sign of the times\".\n\nMiss Pitts spoke on five issues relating to child labour in Hong Kong: (1), the employment of children to carry loads to the Peak; (2), the conditions of children working in factories; (3), the question of domestic servants; (4), the lack of school places for children of school age; and (5), the need to bring pressure to bear on parents and guardians to send children to school. She estimated that only one-fourth of the children of school age attended school.\n\nShe then set out six concrete proposals to correct the situation: (1), the appointment of women inspectors for factories; (2), the framing of factory laws; (3), compulsory education, industrial and technical training for half the day; (4), establishment of free schools and provision of playgrounds where possible; (5), laws against selling children and the registration of servants; and (6), restricted immigration.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211356,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 72,
        "title": "RAS-1988",
        "content_text": "48\n\nThe proposals indicate that the problem of working children was closely connected with the need of adequate provision for education. This theme runs through all the subsequent discussion on child labour.\n\nAfter Miss Pitts had concluded, Mr. Bowley briefly commented on the absence of laws on child welfare in Hong Kong. The Anglican Bishop in proposing a vote of thanks to Miss Pitts congratulated the Men's Society for tackling social problems.\n\nProposals of Mr. Bowley to open meeting of Church of England Men's Society 1919\n\n—\n\nMiss Pitts' speech was followed a few months later by another made to the same society by Mr. Bowley. It set the legal framework for a general discussion of the subject in open meeting.\n\nMr. Bowley's remarks on \"Suggested Reforms for Women and Children in Hong Kong\" were prompted by the conviction that action should follow Miss Pitts' airing of the problem. He pointed out that Hong Kong was governed by the law in force in England in 1843 as it had been modified by local ordinance since then. In England there had been, in the years since 1843, much agitation which had resulted in social reforms. There was legislation regarding the employment of children in factories, their education, and safeguards to their health. Not much of the legislation passed in Britain had been incorporated into the Hong Kong law code.\n\nHe made various proposals which would bring Hong Kong law closer to that of Britain, bearing in mind that special problems existed where Chinese custom was different from England.\n\nHe referred to the need for registration of adopted children and child servants. The Bastardy Act passed in Britain in 1845 had not been made applicable to Hong Kong, hence fathers of illegitimate children were not liable for their support. Mr. Bowley proposed that the legal age of marriage should be raised from twelve to sixteen. Some action should be taken regarding education, for neither parents nor guardians were then responsible for the education of children. There was need for factory legislation. He pointed out that in Hong Kong \"children and women of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
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    },
    {
        "id": 211363,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 79,
        "title": "RAS-1988",
        "content_text": "55\n\nDr. Hickling suggested that the space required for each worker should be put at twenty square feet floor area. This suggestion was accepted. Another minor change was made by eliminating the word \"overtime\" in reference to work after 6 p.m.\n\n6\n\nThe editor of the Daily Press, in commenting on the proposals of the Sanitary Board, reviewed some of the steps which had led up to them: Miss Pitts' talk, followed by Mr. Bowley's statements at the meeting of the Church of England Men's Society. Their efforts were seen as examples of the good results \"that may flow from the discussion of matters of public concern by private individuals, and should encourage interest in local affairs\". The editor was confident the proposal would appeal to British pride, \"For every Briton in Hong Kong whose pride of race is based upon his country's efforts on behalf of humanity must hope that the resolutions passed by the Sanitary Board will be endorsed by the Legislative Council\". He believed that the enlightened members of the Chinese community would have no objections to them, as, in his opinion, they were extremely modest and were submitted in the interests of public health.\n\nThe editor recognised that the root of the problem lay in the Colony's educational efforts, but he contended that no matter how many schools were provided, there would not be enough “unless we are willing to educate the whole of South China\". A policy of unrestricted immigration made it impossible to make school attendance either compulsory or free.\n\nThe editor restated the views of Mr. Alabaster that it was better for the children to accompany their parents to work, so long as their little bodies are not strained beyond their endurance, as they would thus be both physically and morally better off than left to their own devices, and their earnings provided them with more food than they otherwise would have. He did advocate that some restriction be placed on the load they carried, as this responsibility could not be left to the parents' discretion.\n\nCase of Child Labour before the Magistrate\n\nApril 1920\n\nThe principles in the agitation for child labour laws had been a missionary and a solicitor, but in April 1920 a doctor publicly took up",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
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    },
    {
        "id": 211366,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 82,
        "title": "RAS-1988",
        "content_text": "58\n\nGovernment, but the Government had not at present a plan to create a post of Factory Inspector.\n\nThe Problem publicised in Britain\n\nMiss Pitts and Mr. Bowley both left Hong Kong for leaves in England in June 1919. During their stay they might have pushed the matter of child labour in Hong Kong, for in May 1920 there was published an article in the Child Guardian setting forth the situation of children in Hong Kong. This magazine was the organ of the National Society for the Prevention of Cruelty to Children. The recommendations proposed by Mr. Bowley at the meeting of the Church of England Men's Society already referred to were published on the first page of an issue of the magazine. These were accompanied by the comment, “Judging from the necessity of bringing such proposals forward, it may be imagined this British Colony is a long way behind in its treatment of children”. It was noted, however, that a great many influential people in Britain were worrying the Colonial Office on the subject. The editor surmised, \"the Governor must be having quite a busy time answering the inquiries of the Colonial Office in regard to these questions“.\n\nIn November 1920 a Director of the British National Society for the Prevention of Cruelty to Children asked the Secretary for the Colonies for an interview with Mr. Claude Severn, the Hong Kong Colonial Secretary who was on leave in England, to discuss with him the matter of the welfare of children in Hong Kong.\n\nParliamentary question\n\nDecember 1920\n\nMr. A. Davies in December 1920 asked in a Parliamentary Question if there was any legislation in Hong Kong controlling the type of work done by children, the hours they worked, or their employment in work injurious to their health. The Government spokesman replied that there was none, but the Governor was being asked for a report on the subject of child labour.\n\nAnother question was raised at a session soon after. Mr. Cope asked if the Secretary of State for the Colonies was aware that the resolution of the Sanitary Board passed in May 1919 regarding child labour had",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
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    {
        "id": 211368,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 84,
        "title": "RAS-1988",
        "content_text": "60 \n\nto a broader ideal, the Dominical Commandment “Thou shalt love thy neighbour as thyself\". It implied that the great active principle of Christianity was its social concern, and the essential of any civilization was unselfishness, or the triumph of Right over Might. \n\nHe made an appeal for the plight of women and children who were exposed to the full operation of the law of supply and demand **in all its ferocity\". \"But\", he asserted, \"the law of supply and demand is not a fetish which we must worship\". Nonetheless, he did not advocate excessive interference with economic forces. After all, he said, \"Freedom of trade and freedom of contract are the foundations of the success of the British Empire, and should not be interfered with when applied to competition\", but ‘a civilized community cannot regard human beings and human life and health as commodities\". \n\nHe then presented a list of proposals to correct the situation. They were for the most part the same as he had set forth in his speech in 1919. He suggested that, as a census was to be held soon, it should include a question on labour which would provide the number, ages and sex of workers in factories and workshops. Such data would assist in drawing up appropriate legislation. \n\nHis proposals were put before the meeting in the form of a resolution. There was some opposition to them. Mr. W. Jackson charged that their endorsement would only stir up trouble. He contended that the Church of England Men's Society was being used to breed industrial dissatisfaction. Mr. Crook contended that the whole matter had been greatly exaggerated. He asked, \"If it was true that so much 'sweating' existed, why was it so difficult to get caddies?” Mr. Jackson supported him stating that there was no 'sweated labour' in Hong Kong. To this Mr. Bowley replied, “I would rather rely on the opinion of ladies and gentlemen who have spent their lives working among the poorer classes in the Colony\" he was referring to Miss Pitts and the Rev. R. H. Wells, both missionaries of long standing who had supported the resolutions. “I think”, he continued, \"they would tell Mr. Jackson that the conditions of labour of the poorest classes in Colony are not satisfactory, I have been accused of cultivating the germs of unrest; they exist already; I am trying to find the best antidote to improve the conditions of the poor\".",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
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    {
        "id": 211369,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 85,
        "title": "RAS-1988",
        "content_text": "61\n\nHe testified that he, himself, had been in the Colony for twenty-eight years and had come into contact with Chinese of all grades and occupations. His admiration for them increased daily. The object of his efforts was “to encourage Europeans and Chinese to work together until this became an ideal Colony, and an example to the rest of the world”. This statement was greeted with applause from most present. The resolution was then put to the meeting and was passed, though there were a few dissenting votes.\n\nAppointment of commission\n\nWith increasing pressure both in Hong Kong and Britain, the Government appointed a Commission of Inquiry on Child Labour in March 1921. The Chairman was the Honourable S. B. C. Ross. Two Chinese were appointed, the Honourable Mr. Chow Shouson, a member of the Legislative Council, Hong Kong-born but a retired Chinese Government official who had extensive business interests in Hong Kong, and Mr. Li Ping, a wealthy Hakka contractor who had extensive property interests, especially in Sham Shui Po. Two missionaries of long experience were named to the Committee, Miss A. M. Pitts of the Church Missionary Society and the Rev. R. H. Wells of the London Missionary Society. The remaining member was a medical doctor, C. W. McKenny.\n\nMiss Pitts' speech 27 October 1921\n\nMiss Pitts gave a talk on the topic at the Helena May Institute on 27 October 1921. She had expected the report of the commission would have been published at the time of her lecture, for she planned to discuss the whole of it. As it had not yet been published, she confined herself to her own personal experiences rather than a full discussion of the situation on the basis of the findings of the report.\n\nShe took a soft approach. Though she had no doubt there was an urgent need for legislation, she thought it spoke well for the managers of factories that there were not more evils than did exist. Her experience had been that when suggestions were made to the managers for improvements, these had been met with sympathetic consideration, and, in most cases, action was taken. Nonetheless, she said, “Human nature being what it is, and having regard to the desire of the people who are poor to work as long",
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    {
        "id": 211370,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1988",
        "page_number": 86,
        "title": "RAS-1988",
        "content_text": "62\n\nas they can, it shows the need for some laws to help people in spite of themselves\". She realized that “the people one is trying most to help are the ones who will most rebel against it'. \n\nMiss Pitts appealed to Christian principles and the influence she believed they exerted. “I do think we should have a very strong Christian conscience on this matter. What is being done by young Chinese, by students and the younger leaders of the day, is really all the results of Christianity. It is Christianity that makes them see that women and children ought not to be oppressed and that money made at the expense of exploiting human strength is not money one would like exactly to possess.\n\nA columnist in the Hong Kong Telegraph who regularly provided \"Rambling Thoughts on Current Matters\" took exception to Miss Pitts crediting Christianity with all social advance. It was part of a new spirit, he said, which “in spite of wars and the brutality and bestiality attendant on wars, is steadily and ceaselessly at work\". He, however, commended the general remarks of Miss Pitts. He testified that the blunt manner in which she had dealt with the question of child labour had made him uncomfortable. He saw a hard road ahead of those who were advocating change. Something would be done only if they kept on shouting until they got near to being troublesome, for \"the only way to get things done in a place like Hong Kong is to make yourself almost a nuisance”. \n\nReport of the Commission on Child Labour\n\n15\n\nThe report of the Commission on Child Labour was placed before the Legislative Council on 27 September 1921. The Commission had collected evidence from ten factories. This showed that few children worked less than seventy hours a week. Most were on piece work. In a tobacco factory the children were on a time rate of twelve cents for a nine-hour day. There were no rest halls, eating rooms or wash houses.\n\nMr. Li Ping, a member of the committee, was commended for providing a school for small children whose mothers worked at his factory at Sham Shui Po. On the other hand, conditions were particularly bad at a glass factory where boys worked from 6 a.m. to 11 p.m. for a dollar a month plus their board and lodging.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
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    },
    {
        "id": 211374,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 90,
        "title": "RAS-1988",
        "content_text": "66\n\nthe Legislative Council.\n\nThe Attorney General introduced the Bill on 21 September 1922. He sounded a cautionary warning, saying that while action was needed, we must attack a problem of this kind very carefully and slowly”, because too much interference with the existing system would cause great hardship.\n\n1\n\nAt the second reading of the bill a week later the Governor stated that the Commission on Child Labour recognised it was inevitable that the regulations on the labour of children would impose hardship on the lowest economic group in Hong Kong, but this was the lesser of two evils, for if nothing were done the harm done to children would continue. He hoped that a general improvement in industry in Hong Kong would assist in alleviating any hardship caused by the new legislation; he noted that already adults were receiving higher wages.\n\nHe assured the Legislature that the Government was committed to expanding educational facilities and was investigating provision of better accommodation for the poor, thus cutting down their housing costs.\n\nHe particularly acknowledged the contribution of Miss Pitts and the Rev. Wells to the Commission's Report. He expected that the passing of the Ordinance would put a seal, as it were, on their work here in connection with the Chinese”.\n\nHe viewed the Bill as the beginning of a proper recognition of the *rights of both women and children in the industrial life of the Colony which has so long been considered desirable but which has not hitherto been very noticeable”.\n\nSeveral Unofficial Members spoke. The Senior Chinese member, the Honourable Mr. Chow Shouson spoke first. He said that he and his Chinese colleagues were in sympathy with the Bill, nevertheless they felt it should be noted that in their opinion if the Bill were passed as it then stood some poor families would be deprived of a part of other earning power. There was the possibility of an increase in juvenile criminals if children, who had formerly been working, were allowed to run wild in the streets.\n\nPage 90\n\nPage 91",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
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    },
    {
        "id": 212269,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 211,
        "title": "RAS-1990",
        "content_text": "188\n\nevaluation of Legge's overall scholarship would consequently demand expertise in a wide range of Chinese history, literature, and religion as well as awareness of his Christian background. Very few scholars have the background to provide a balanced account of Legge's achievements, especially given our modern love of specialisation.\n\nThe second pragmatic problem is that there are major obstacles in gaining access to all the materials. Oxford's Bodleian does not own all of Legge's library, because much of it was bought by Mr. Wilberforce Eames in 1899 for the New York Public Library. This, however, does not solve the problem, for in 1909 the New York Public Library sold more than half of this collection to the Case Memorial Library of the Hartford Theological Seminary in Hartford, Connecticut. These materials remained in Hartford until the mid-1970s, when most of them were sold once more to Pitts Theology Library of Emory University in Atlanta, Georgia. The total number of titles in this divided collection is nearly two thousand, including a large number of Chinese multi-volumed sets as well as a large number of sinological works and serials in many European languages. Many of these important sources still have Legge's notes in the margins, making them particularly valuable for revealing Legge's sources and his responses. Yet, for obvious reasons, there is no easy way to obtain access to these materials without travelling to all of these different locations. Furthermore, almost all of the earlier texts employed by Legge in the theological education of Chinese students in Hong Kong have apparently been destroyed by the humid climate.\n\nThe anti-missionary bias mentioned earlier has led to a third problem of some practical significance: Legge's lengthy professional career with the London Missionary Society has caused some scholars to suspect Legge's academic standards and competence in Chinese translation and in the evaluation of non-Christian traditions. A close look at his texts does show the strong Christian commitments underlying his work, but they are present in ways which do not substantially hinder a generally sensitive translation. Certainly Legge's philosophical commitments reflect the limitations of his age, but he was remarkably free of the conventions and biases which left far more disturbing marks in the work of some other scholars.\n\nFinally, a basic dilemma involving all sinological work in the 1990s is still the inaccessibility of many basic texts. Gradually, since",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212512,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 66,
        "title": "RAS-1991",
        "content_text": "46\n\nshi lue, 16 juan.\n\n17\n\nHistory and Statecraft: Chou ren zhuan, 46 juan, started between 1797 and 1799 but not completed and printed until 1810, was the first effort of any Chinese scholar to put in chronological order summaries of the lives and works of 242 Chinese and 38 non-Chinese astronomers and mathematicians, thus providing materials that made possible a systematic history of mathematics and its related field, astronomy, as well. Ruan Yuan also wrote biographies of scholars, including those who were not officials and therefore would not have been included in official compilations, in Guo shi ru lin zhuan and Guo shi wen yuan zhuan, 1810. Discourse on contemporary administrative issues included Liang Guang yen fa zhi (Salt administration in Guangdong and Guangxi), Hai yun kao, 2 juan (sea transport), 1805, Hai tang zhi, 30 juan (Coastal Gazetteer of Haining), and an essay putting forth his suggestions on the most efficient way to transport tribute grain, Liang chuan liang mi jie fa shuo, composed while he was director of grain transport.\n\nHistorical Geography: In addition to encouraging other scholars to compile provincial and local gazetteers, Ruan Yuan himself compiled two provincial gazetteers, Guang dong tong zhi, 334 juan in 1818-1822, and Yun nan tong zhi gao, 216 juan, in 1835, when he was governor-general in the respective provinces.\n\nBibliography: As a scholar, Ruan Yuan relished in collecting books. He made sure that cataloguing of well-known collections, such as that of the Fang Family in Ningbo, was brought up to date, in Tian yi ge shu cang shu mu, 4 juan, 1804. He established libraries that included Classical as well as contemporary works in the Lingyin Monastery (Hangzhou) and the Jiaoshan Monastery off Zhenjiang, and compiled catalogues for the collections. As director of studies in Shandong, he drew up a list of books for young students to peruse, Shan dong xue zheng Ruan Yuntai shi tong sheng shu mu, 1 juan.\n\n20\n\nLiterature and Other Collectanea: Ruan Yuan collected and published works of literally thousands of poets, including women and other social minorities, whose work would not have otherwise survived. Liang Zhe you xuan lu, for instance, contained 9,241 poems by 3,133 poets from Zhejiang, including 381 poems by 183 women poets, and 314 poems by 117 monks and priests, together with biographical notes of the poets. His own essays and poems are also published in Yan jing shi ji, 54 juan,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212518,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 72,
        "title": "RAS-1991",
        "content_text": "52\n\nZang Yungtang (1767-1811) had studied in Suzhou in 1793, the centre of Han Learning at that time, and was invited by Ruan Yuan to edit the classical dictionary, Jing ji zhuan gu. In 1800 he was asked again by Ruan Yuan to collate the Thirteen Classics. He stayed on Ruan Yuan's personal staff until 1802. After failing the Metropolitan Examination, he went into business; then joined the personal staff of Yi Bingshou (1754-1815), who was then the Prefect of Yangzhou, in 1804, to write about the topography of Yangzhou. From 1807 onwards, he went back on Ruan Yuan's payroll, compiling Wu Dai shi [History of the Five Dynasties] at the behest of Liu Fengao (1761-1830).\n\nQian Taxin (1728-1804) came from a scholarly tradition, a grandson and son of noted men of learning. After obtaining his first degree at the age of 17 sui, he became residential tutor in a family with an excellent library which he used extensively. After attaining the jinshi degree in 1754, he remained in Beijing where he became friends with Dai Zhen and Ji Yun (1724-1805) who later became chief editor of the Si ku chuan shu. He directed the Chong shan Academy in Nanjing, and joined Ruan Yuan on the dictionary project in Hangzhou. He was the author of the critical notes on Er shi er shi kao yi [Twenty-two dynastic histories], 100 juan, 1782. Ruan Yuan's subordinate wife, Liu Wenru (1777-1849) was to compile the same for Er shi si shi [Twenty-four dynastic histories].\n\nChen Shouchi (1777-1834) of Minxian, Fujian had started his career with Zhu Gui. Afterwards he joined the faculty of Gu jing jing she and the Fu Wen Academy. He was recruited to work on Jing fu and Hai tang zhi by Ruan Yuan. At a later date, he served as editor-in-chief of Fujian tong zhi [Provincial gazetteer of Fujian] and Li xian fang zhi [Local gazetteer of the Li District of Jiangsu]. His own essays on the Classics, with several letters from Ruan Yuan, were printed in Zuo hai wen ji [Essays by Chen Shouchi].\n\nChen Wenxu (1775-1845) of Hangzhou was a “student” of Zhu Gui, who introduced him to Ruan Yuan. Ruan considered Chen one of the foremost poets of the province, and appointed him to his personal staff. He gained expertise in sea transport, salt administration, grain transport and flood control. He helped Ruan Yuan establish a humanitarian social welfare policy, including famine relief. He collected a large number of women students. Both his subordinate wives were acknowledged poets.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 213083,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 151,
        "title": "RAS-1993",
        "content_text": "132\n\nwhen he was tired out or feeling angry and frustrated. However, he made some annotations at a later date, 1933, on some of the entries and these were written in very clear, tidy, and easily legible handwriting. He was then sixty-seven, two years before he died. The diary must have meant a lot to him that he should review it forty years after the events. Maybe it was then that he decided to bequeath it to posterity with the hope that it might see the light of day, one day. Lowson began his diary in January 1894 and stopped writing after July. It was in the three-month period from May to July that he recorded the day-to-day happenings in connection with the Epidemic. He put down some statistical and clinical data in the first few days but, afterwards, he wrote mainly about the development of the situation, the measures taken to handle it, and of even greater interest, his clashes with the authorities. By editing the diary's contents, it is possible to write a coherent account of the early phase of the Epidemic, and this is what I have attempted to do. Lowson had also kept several pages of the Hong Kong Weekly Press dated May, June, and July 1894, on which weekly summaries of the events related to the Epidemic were reported. Besides, I am most grateful to Dr. John Nicholls of the Department of Pathology, Hong Kong University, for giving me a copy of a Report Lowson submitted to the Governor dated May 16th. Incidentally, the handwriting in this Report was as good and clear as the annotations. From these other sources, I have been able to obtain further data and information to elaborate on some of the entries I have chosen to present.\n\nTo us, the diary came to life on May 4th. Lowson wrote that he went to Canton by night boat and mentioned seven names. It would seem that they were going there to play some match, for the next day, the 5th, he wrote 'Murray and Potts licked hollow.' However, in his Report to the Governor, he stated that his main purpose was to see for himself the state of affairs as there had been reports that bubonic plague had broken out there.\n\nMay 6th\n\nWent into town to see plague and saw a large number of cases\n\nMay 7th\n\nBack to Hong Kong. In Club 6 pm. Rumour of plague. Saw Ram who said not so and described what had occurred\n\nRam was E.A. Ram, who was acting sanitary superintendent, and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
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    },
    {
        "id": 215004,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 100,
        "title": "RAS-2000",
        "content_text": "56\n\nSpecial envelopes were printed for use by the CLC with a central red band and black printing in English, French and Chinese. In France this mail was posted in special boxes and transported by despatch riders to and from Noyelles. Mail between CLC companies in France did not require stamps or special envelopes.\n\nThe Imperial War Museum also holds two notebooks, written in literary Chinese, which may have been compiled by a clerk or labourer in his leisure time. There are random jottings with notes on, amongst other topics, the ancient political system in China, moral precepts, quotations from Chinese poets, lists of 95 individuals' names and places of birth, and also three letters.\n\nThese letters reveal the feelings of an ordinary man, rural and urban labourers, and his feelings for others. The first letter is addressed to the Kaiser and is a petition to end the war. It was written by 'Spiritual Man Yuan Chun'.\n\nTo the Great Emperor of the German Empire.\n\nThe war in Europe is a matter that does not concern us, the Chinese people, and as Your Majesty knows the world is full of people with greater talents than we have.\n\nHowever, as the ancients have said, a model emperor would be a brave warrior and merciful; however, if one loves war for its own sake and treats human lives as blades of grass, you will invoke the anger of the gods.\n\nWe Chinese came to Europe as neutrals, our aim is to make a paltry living; however, the war made our journey to Europe somewhat less than peaceful.\n\nAn examination of the world situation now shows that within the universe we are all one family, and a virtuous ruler would seize this opportunity to put righteousness before profit, to follow the will of the gods and the wishes of men, to stop the evil of the world and together with other nations create a new world. A virtuous ruler's name will be remembered for ten thousand generations, so why not halt your troops and select",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215256,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 33,
        "title": "RAS-2001",
        "content_text": "We were particularly fortunate in our next event, which took place in August 2001 in Salisbury, to visit the Cathedral and the Salisbury museum where we also heard a lecture by Patrick Hase on 'Traditional South China Agriculture.' To find this latter combination, i.e. Patrick in Salisbury in August and South China agricultural instruments in the Salisbury museum, may appear somewhat far-fetched; however, by the end of the fascinating and extremely well researched lecture and a visit to the museum to actually see the agricultural instruments, which formed part of the Pitts River ethnographic collection, there was no doubt that all members had experienced a day well worth it. Our sincere thanks go to Patrick for giving us his time and for educating us on a subject about which most of us knew absolutely nothing.\n\nThe Friends have for some time been trying to arrange a tour to Northern France to view the World War I battlefields, and in particular the Chinese Connection, when around 100,000 Chinese labourers were brought over from the Far East to support the war effort behind the lines. A number of them died in the process and are buried in the cemeteries. For various reasons the trip has not taken place except by the inveterate few, but we were fortunate in having the next best thing, i.e. a talk by Brian Fawcett, which took place on Saturday, 1st December 2001. Brian has been researching the Chinese Labour Corps for some time and the Friends were particularly fortunate to hear the results of his research and to see a short video/film of First World War relevant events. The fruits of his labour have recently been published in the 40th volume of the Journal of the Society, and Radio 4 in the U.K. will shortly be giving a half-hour programme on the subject.\n\nAnd our programme did not end there. Recently, on 16th February 2002, forty-five members and guests sat down to celebrate the incoming Year of the Horse at the Joy King Lau Chinese restaurant. Not only did we welcome Dr. Patrick Hase and his wife Aileen, who were fortunately in the U.K. again, but we also had Mr. and Mrs. S. F. Bailey (Bill), who was the first Chairman of the Hong Kong Arts Centre in the 1970's and 1980's, and was very supportive of the Society when it was a Constituent Member of the Arts Centre.\n\nNow, however, we are preparing ourselves for our next far-flung visit at the end of April to take place in Cornwall, when about twenty-five members will visit the Gardens (Caerhays, Trewithen, Pine Lodge,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    },
    {
        "id": 215431,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2001",
        "page_number": 208,
        "title": "RAS-2001",
        "content_text": "157\n\nOther Images\n\nA salutation in St. Alfonso's Office praises the palma patientiae and the cedrus castitatis. This allusion to both cedar and palm trees derives from Ecclesiasticus, 24, 17-18. When it comes to the date palms of the second storey, it is very much a part of the stock-in-trade immaculist symbols, particularly dear to southern Spanish poets and painters and also known from early prints, all praising Mary's Immaculate Conception. But these may equally refer to the triumph of the Society of Jesus, with the canonisation of its main protagonists, Sts. Ignatius of Loyola and Francis Xavier in 1622 and the recent beatification of Francis Borgia and Luis Gonzaga.\n\nIn the fourth storey or attic The Child Jesus raises his right hand and holds an empty left hand forward. The latter undoubtedly held the lost orb mentioned in the 1644 Annua. It is a pose and attribute typical of the kind of devotional religious image known as an infant Salvator Mundi, that is, Infant Jesus Saviour of the World. The type of \"Menino Jesus\" as Salvator Mundi was well disseminated in Portuguese colonies in the East during the seventeenth-century, as a large number of Indo-Portuguese and Chinese ivory statuettes, usually nude, tend to confirm. Here the Child Jesus is framed by reliefs of angels displaying the Arma Christi, or symbols of Christ's suffering on the Cross. According to Christian theology, the ironically named arma are the “weapons” Christ used in his earthly battle against evil in order to redeem humankind. They were profoundly mystical symbols popularised in devotional literature and images since Medieval times in Europe.\n\nThe pediment is decorated with the large bronze of the Holy Spirit, originally gilded and emerging from rays, with four stars framing it. Next to it are square slabs of the sun and moon, with which the iconography of the main image of the Assumption is finally brought to full completion.\n\nThe dove of the Holy Spirit hovers over both Mother and Child with wings far outspread in an image that seems uncannily like a visual illustration of the Holy Spirit in the opening lines of John Milton's Paradise Lost. As bronze sculpture it is impressive enough today; with its original gilding it must have appeared awe-inspiring to the citizens of Macao and to seventeenth-century and later visitors before the fire.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
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