[ { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204938, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 46, "title": "RAS-1965", "content_text": "THE POPULATION OF CHINA \n\n39 \n\nshe is bound by every tie of duty to encourage and to patronize a concubine through whom his name may be preserved, and provision made that when he leaves the world honours will be done to his manes. One of the most popular of Chinese writers says, \"There are in the world wives who, never having borne boys nor nourished girls, even when the husband has reached the age of forty, prohibit his bringing home a concubine or entertaining a handmaid for the purpose of continuing his posterity\n\nthey look upon such a person with jealous hatred and malignant ill-will. Alas! do you not know how fleet is time! Stretch as you may your months and your years, they fly like arrows; and when your husband's animal spirits and vigorous blood shall be exhausted, then indeed he can never beget children, and you, his wife, will have stopped the ancestral sacrifices, and you will have cut off his generation; then repentance, though you may exhibit it in a hundred ways, will indeed come too late; his mortal body will die; his property, which you, husband and wife, have sought to keep together, will not descend to his children, but be fought for by multitudes of kindred and relations; and you will have injured not one person, - not your husband only, -- but even yourself; for who shall take charge of your coffin and your tomb? who shall bury you or offer sacrifices? Alas! your orphaned spirit shall pass nights in tears. It is sorrowful to think of. There are some wives who do control their jealousies, and allow their husbands to take concubines to themselves; but they do so (ungenerously) as if they were drinking vinegar, and eating acids; they beat Betty by way of scolding Belinda* - there is no peace in the inner house. But I beseech you to act as a prudent and virtuous woman. If you have no children, provide with openness and honesty a concubine† for your husband. If she bear him children, to you he will owe that the arteries and veins of his ancestral line are continued; his children will honour you as their mother, and will not this comfort you? Give not way to the malignant jealousy of a wicked woman! not a bitterness which you yourself must swallow.\"‡\n\n* Prepare Chang for Lee, i.e., they punish the concubine's servants to be revenged on the concubine.\n\n† Genesis, xxx 1-13.\n\nFrom the Perfect Collection of Household Gems.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 206755, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 32, "title": "RAS-1973", "content_text": "26\n\nPARSONS, Usher.\n\nH. A. RYDINGS\n\nDirections for making anatomical preparations. Philadelphia, 1831.\n\n\"Directions for anatomical preparations.\"\n\nPORTAL, Antoine, Baron.\n\nCours d'anatomie médicale. 5v. Paris, 1803. \"Cours d'anatomie médicale.\"\n\nRENNIE, James.\n\nAlphabet of medical botany. Edinburgh, 1834. \"Alphabet of medical botany.\"\n\nWARE, James.\n\nChirurgical observations relative to the eye. 2v. London, 1798. \"Ware on the eye.\"\n\nPERIODICALS\n\nAgricultural and Horticultural Society of India. Proceedings (and journal) 2v.\n\nAmerican journal of science. 6v.\n\nAsiatic Society of Bengal. Journal.\n\nBraithwaite's retrospect of practical medicine and surgery, v.12, 1845.\n\nBritish and foreign review, Jan. to April 1845.\n\nCalcutta journal of natural history.\n\nCalcutta Medical Society. Transactions. 2v.\n\nDublin journal of medical science. 5v.\n\nDublin medical press, Jan.-Oct. 1845.\n\nEdinburgh medical and surgical journal. 6v.\n\nGuy's Hospital reports. 2v.\n\nIndian journal of medical (and physical) science, no. 3-6 (and) seven issues for 1845.\n\nLancet, 1825-30, 1836-39, April 1844, Jan. 1845-14 Feb. 1846.\n\n*List of apothecaries. 6 yrs. between 1815 and 1837.\n\n*List of London surgeons, 1837.\n\nunidentified.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207038, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 109, "title": "RAS-1974", "content_text": "The monuments of Vientiane and Luang Prabang\n\n103\n\nwent to Bangkok and the temple in Vientiane lost its importance. It has been restored many times and is technically no longer a temple but a 'haw' or hall since services are not held and the building has been converted into a museum. At the entrance is a fine Dvaravati Buddha and there are several good examples of bronze Lao Buddhas with characteristic sharp, pointed noses both outside and inside the building. Among those inside is an elegant and extremely attenuated standing Buddha and two walking Buddhas. The restored pediments of the building are good examples of Lao woodcarving and so are the carved window panels.\n\nNearby is Vat Srisaket which is a quiet spot without having any particular artistic merit, though its galleries of Lao-style Buddhas, the carved ceiling of vihara and its naive frescoes of animals are worth seeing. The only other temple of note is Vat Ong Tu, near the market with good carving on the portal only in the Chiengmai style. The primitive wall paintings at Vat Oup Muong are a modern interpretation of the Ramayana but the temple is otherwise without interest; Vat Xieng Yuen and Vat Chantaburi, by the river Mekong, have peaceful and shady courtyards, and the temple of the Sankaraj, or Lao Supreme Patriarch, Vat Dong Mieng is remarkable mostly for its carving and hideous modern paintings.\n\nVientiane boasts the usual ministries of an administrative capital and a small modern royal palace for the occasions when the king comes from Luang Prabang. Modern Vientiane is largely without interest, the only building of note being the Monument to the Dead on the broad avenue leading to the That Luang; it is a top-heavy and as yet still incomplete miniature of the Arc de Triomphe. The teak-lined boulevards running parallel to the Mekong have a tranquillity which few capital cities can boast.\n\nThe difference between Vientiane and Luang Prabang is striking; the former has on occasions something approaching a bustle of modernity. Luang Prabang, a half-an-hour away by plane, is a century away in time. There are virtually no modern buildings, there is no traffic, and the ring of mountains around seems to keep the world away. The morning market is peopled by Lao villagers and Meo tribesmen, the latter heavy with silver and bright with colour; three soldiers look after a pig and half-a-dozen people watch a kettle boil on the side of the road. Local silk is offered at very low prices and the silverware is unusual. Luang Prabang is the", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207135, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 206, "title": "RAS-1974", "content_text": "200\n\nNOTES AND QUERIES\n\n1885), records the establishment of the temple about that time. It consists mostly of the names of the many contributors to the building fund, spread over several tablets. The tablet shows that a large number of persons contributed to the building fund, many of them presumably connected with the construction industry in Hong Kong in one way or another. They are grouped according to their home districts and include persons from no less than 22 districts (hsien) of the Kwangtung province including many from the districts round Canton, adjoining Hong Kong. A group from what may be Mangalore in India (????) is also listed among the subscribers.\n\nBesides the inscriptions inside the temple, there are 2 outside the building. One commemorates the establishment of a school premises by the Kwong Yut Tong in the 38th year of the Chinese Republic (1949-50). Another, earlier, one dated in the year (1924-25) explains the ownership of the land on which both temple and school stand.\n\nIt appears that, as Carl Smith relates above, the temple had been built on the land bought by the Chinese consortium in 1883, but that no deed had been drawn up between it and the temple's managers, then or later known as the Kwong Yut Tong. After Li Po Lung (son of the leading member of the consortium) sold most of his local property interests in 1921, the Tong's managers discovered that the temple site had been included in the sale. After discussion with the new owners the latter agreed to make over the land to the temple; that is, to the Tong. This satisfactory outcome is recorded in the tablet. The only point of difference between the tablet and the official records consulted by Carl Smith is that the records state that the new owners sold to the Tong for $4,222.40 whereas the tablet indicates it to have been a gift with a then market value of about $40,000!\n\nLu Pan (in the Northern romanisation) (??)\n\nAs is usually the case in China, Lu Pan was a mortal man become a god; and as is equally common, there are different versions of his origin. E.T.C. Werner in his Dictionary of Chinese Mythology (1961 reprint with introduction by Hyman Kublin; pp 281-282) gives the following account which, in its essentials, may be taken as typical of the life stories and miracles attributed to many Chinese deities.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207259, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 27, "title": "RAS-1975", "content_text": "A HONG KONG SPIRIT-MEDIUM TEMPLE\n\n19\n\npremises of a specific temple rather than conducting them in his own or a client's home.\n\nThe Hong Kong spirit-medium temple may be either a humble structure of makeshift materials, akin to a squatter hut, or an ornate edifice constructed and maintained at considerable expense. Our study concerns a cult whose temple falls into the last-mentioned category. Completed in early 1975 and constructed at a cost of over HK$200,000, the temple is itself a major indicator of the cult's current prosperity. Below we discuss that temple and its cult, with particular attention to spatio-temporal setting, personnel, and ritual.\n\nThe Spirit-Medium Temple: Spatio-Temporal Setting\n\nThe temple is situated on a small hill immediately behind several residential blocks of the Tsui Ping Road Resettlement Estate in the urban-industrial district of Kwun Tong. The temple structure itself is, in fact, only a part of a larger complex which includes a small, one-storey office building, a partially enclosed stage, several outdoor shrines, and a paak ka chi “or Hall of One Hundred Sur-names”. The last-mentioned structure was under construction at the time this paper was written. In marked contrast to the crowded conditions that prevail in the adjacent Mark I estate, the temple complex occupies over 4,000 square feet of land.\n\nThe temple bears the horrific title of its patron deity Tai Wong Ye, which translates into English as \"The Great Ancient King\". It is a common title bestowed on deified mortals who were seldom in the literal sense \"Kings\" but were more often officials of various grades in Imperial China. To better understand the origin and present circumstances of the spirit-medium cult, it is necessary that we briefly trace the history of the Tai Wong Ye and his temple.\n\nThe patron deity of the present-day cult is reported to have been, during his mortal life, an official of the Tang Dynasty surnamed Lei. After his death, he was awarded the honorary title of Man Chung Kung. Temple personnel usually refer to him as \"Lei Man Chung Kung\". The Old Tang History contains the biography of a stateman bearing the surname Lei and the given name Uen-yuen. After death, he was given the title Man Chung Kung by the emperor in recognition of his outstanding loyalty to the emperor, his filiality towards parents and kinsmen, and frugality", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208692, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 149, "title": "RAS-1979", "content_text": "122\n\nREVS. J. SMITH AND WM. DOWNS\n\nHotel. Well, we did justice to that meal! Sister Paul also lost no time in informing us that we had every hope of getting out of the Colony within a few weeks, and that even then she was working on our necessary passes and permits to go to Kwongchauwan. Right then and there we signed our forms, affixed our photographs (she, in her admirable foresight, had even these all prepared) and after the second group had arrived and carried out their part of the program, it was time to sit down to another real honest-to-goodness meal. Of course, these were still wartime meals, but we enjoyed them hugely. Then we trekked down to the bund, caught the eight o'clock bus to Aberdeen, and soon were knocking at the door of Bethany, where we were heartily welcomed by the Superior, Father Bos and Father Chaye, the Belgian priest, who, it will be recalled, was once our fellow-internee at Stanley. They were the only two priests in the House, and the rest of it was at our disposal. Our rooms were all prepared and we lost no time in getting under real covers and settling down to rest, after such an exciting and memorable day.\n\nThe next morning found us saying Mass at real altars in a real Chapel, and sitting down to breakfast table at which we enjoyed some of the food which again Sister Paul had previously provided. She had also very thoughtfully engaged a cook and a house-boy for us, and everything was shipshape.\n\nBethany is a sort of Rest House for sick and aged Paris Foreign missioners, and the scriptural inscription over its main portal is pregnant with meaning: \"Magister, quem amas, infirmatur” \"Master, he whom thou lovest, is sick.\" Just across from Nazareth is the Retreat House and Printing Press of the same society; it is situated on a knoll overlooking the beautiful South China Sea, and on the slopes of its hill are the graves of a hundred of its valiant missioners who have labored in almost all parts of the Far East. Its little Gothic chapel has a charm all its own, and must be redolent of memories for those who have spent some time within the walls of Bethany. Needless to say, we Maryknollers were delighted to have this haven of refuge and we are all more than grateful to the French Fathers who have been so uniformly kind.\n\nOn the Monday following our arrival, we went to the city in company with Father Troesch in order to secure our ration cards and to register our names and addresses with the proper precinct.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 210990, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 52, "title": "RAS-1987", "content_text": "27\n\nOur eyes looking out to sea and our hair streaming in the wind\n\nWe shall sail henceforth for the Sea of Darkness Cheerful and lighthearted as a young traveller.\n\nWe were departing for China with our hair streaming in the wind, and here is the Sea of Darkness. The worldwide ecological environment is in mortal danger in soil and sea, forests and atmosphere. The Third World is facing insoluble indebtedness, suburban youth is threatened with mass dereliction, our uncontrolled agricultural surpluses are unable to cope with hundreds of millions of famine-stricken people. Such is the Sea of Darkness before us. Some people, in Baudelaire's own words, may nevertheless be sailing for Darkness of Chaos with the light heart of a young traveller, fascinated by the achievements of computers, space technologies, high-tech communications and the like. I have met such people and they do exist, in China itself as well as in the West. But others are more careful, more demanding, more realistic in the long run, and not only among French intellectuals.\n\nLong ago, the French Catholic radical thinker Pascal was, just like so many of us, fascinated by the unique position of China in world history. He wrote in his sundry notes, his Pensées:\n\nHistorie de Chine quoi éclaircir\n\n- \n\n+ \n\n+ \n\n+ \n\nIl y a de quoi aveugler et de\n\nMais la Chine obscurcit, dites-vous. Et je réponds: la Chine obscurcit mais il y a clarté à trouver. Cherchez-la\n\n20\n\nThere is in China enough to blind us and enough to illuminate us.\n\nBut China makes things obscure, wouldn't you say! And I reply: China makes things obscure, but there is light to be found. Seek it out!\n\nYes, there is light beyond the Sea of Darkness. I thank you.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211631, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 46, "title": "RAS-1989", "content_text": "21\n\nto be regarded as such by mankind and to be revered only as the representation of that power. However, over the centuries, he has developed into a god in his own right, depicted as a gilded image of an emperor sitting on a throne, and is accepted by the masses as the ruler of the Heavenly bureaucracy.\n\nIn T'aishan in Shantung province it was claimed that the Jade Emperor in mortal life had been merely a learned doctor of medicine who had lived during the 12th century AD at the Sung court in Kaifeng. He attended the emperor Hui Tsung during a serious illness and saved his life with a miraculous cure. He was known as Chang Yu-huang, but, on his death, he, like many a hermit, was deified by imperial decree.\n\nBritish representatives met the imperial representative, Li Hung-chang in 1876 in the temple (Yuh Huang T'ing) dedicated to the Jade Emperor to the west of Yent'ai (Cheefoo) in Shantung province to arrange the Chefoo Convention. Another incident involving the British in North China and connected with the Jade Emperor concerned Sir Meyrick Hewlett of the China Consular Service at the turn of the century during the clearing up after the siege of the British Embassy during the Boxer Rebellion. He found in the house of Sir Ernest Satow, HM Ambassador in Peking, a tablet with a background of sky-blue, framed in rich gold and inscribed with the four characters in gold — 'Huang T'ien Shang Ti'. Prince Ch'ing identified it as an item from the Temple of Heaven which had been missing for more than a year. When Sir Ernest asked how to restore it to its rightful place, the Prince begged the Ambassador not to send it round to his palace as should it be placed in the entrance he could neither leave nor enter his home without kowtowing twenty-seven times before it. Another more enlightened official helped out by bearing it off at dead of night in a Peking cart to the vaults of a European bank where it awaited a favourable day for restoring it to the Temple of Heaven. Some thirty-five years later, Sir Meyrick, paying his farewell visit to Peking, visited the Temple of Heaven and asked the attendants whether he could see the tablet, kept with the other tablets sacred to the emperors of the Ch'ing dynasty in a small temple opposite the Altar of Heaven. They replied that this was quite impossible, since even in post-imperial Kuomintang days no-one was allowed to see it. Sir Meyrick related the story of its recovery, upon which the attendants agreed to show him the tablet together with the tablets to the 28 Major Constellations, to Thunder and Lightning, and to the other forces of nature, but said that the tablets to the emperors were all lost after their", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212255, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 197, "title": "RAS-1990", "content_text": "174\n\nmost important part is to fix a piece of ritualistic red sash to the black hat which is to be worn by the Deity of Fortune. Often a pair of gem fu TE (golden flower), which are made of thin metallic foil and used for decorating a deity's shrine, is placed on both sides of the hat, and sometimes the pair of \"wings\" on the hat are turned upright to imitate the hat worn by the deity Zung Kwae who is well known for his exorcistic power. In either case, the hat's peculiar features illustrate that the one who wears it is a deity and not a mortal. Once the hat is ready, troupe members should hide themselves and follow the taboo in an absolute manner.\n\nAfter putting on the appropriate costume, the actor who plays the Deity of Fortune paints his face black with only some white spots, and puts on the mock black beard. Another actor who plays the White Tiger dresses in the tiger costume, and gets the mask but does not put it on until he has to enter the stage. The actors then quietly offer incense at the shrine of the deity Wa Gwong #, who is the major patron of the Cantonese operatic profession. Often incense, fruit and meat are also offered at the shrines of the other patron deities of the numbers of the troupe, which are also placed on the same altar alongside the shrine of Wa Gwong. When the chosen time is approaching, the two actors wait behind the Tiger Gate at stage right. One of the backstage workers hands over the wooden staff to the actor who plays the Deity of Fortune. A string of firecrackers has already been tied to the end of the staff. Holding a joss candle, the worker stands close to the Deity of Fortune and is ready to light the firecrackers when the time comes.\n\nThe Performance of the White Tiger Ritual\n\nThe complete White Tiger ritual is described below and the key episodes are highlighted.\n\n1. With the lighting of the firecrackers and the playing of the gong, cymbals, drum and woodblocks, the Deity of Fortune holds the wooden staff upright, enters the stage from stage right, runs straight across the stage, enters the backstage, runs through the corridor at backstage right behind the backdrop and immediately re-appears onstage.\n\n2. After making a posture, known as zat ga loeng soeng (扎架亮相)", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212813, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 122, "title": "RAS-1992", "content_text": "320\n\nMESNY'S CHINESE MISCELLANY.\n\nThe total strength of the regiment is thus: One Colonel, one Second-Major, two Captains, four Lieutenants, four Sub-Lieutenants, two Sergeants, four Corporals, two Lance Corporals and about 650 to 700 men.\n\nThe strength of this regiment is, however, very much increased by over one hundred and thirty gun-boats and a score or so of old ones. Each new gun-boat is manned by one officer and nine men on a peace footing, to which are added one officer and five men in times of war. The old gun-boats have two officers and over twenty men each, and some of them cruise down in the neighbourhood of the Bogue Forts.\n\nThe new gun-boats thus give a complement of 1,300 officers and men in times of peace and over 2,000 in times of war, to be added to the strength of the above naval regiment, besides a proportionate number of commissioned officers.\n\n1439. PAN FEI-A favourite concubine of Tung Hun Hou, the last but one of the Sovereigns of the Ch'i dynasty, A.D. 499-501.\n\nThe practice of cramping the feet of Chinese girls is ascribed to her by some writers. Mayers says: \"She is celebrated for her beauty and grace, and it is related of her (but on untrustworthy grounds) that the practice of artificially cramping the feet was introduced under her auspices See Yao Niang. Her imperial lover is said to have uttered one day, when gazing at her performances in the dance upon a platform ornamented with golden lilies the amorous expression: 'Every footstep makes a lily grow!' and hence the term Chin Lien metaphorically used for the feet of women is said to have taken its rise. In allusion to the same traditions the expression Lien Kou (lily hooks) is also applied in celebrating this charm of woman-kind.\" The term Chin Lien really means Golden Lotus, not Golden Lilies, frequently translated by foreign writers, and in like manner means the term Lien Kou Lotus Hooks. I have often heard the nicely cramped feet of women described as I tui lien hua, i.e., a brace or pair of lotus flowers.\n\n1440. CHOU TICH CHÈN : The battle name of Chou-han the malicious. The rabid anti-foreign Hu-nan man, who has done so much harm to China and to the Chinese by stirring up animosity against foreigners instead of friendliness, adopted as a battle name the characters Tich-chen, which means True as Iron, or \"True as steel\" Chou Han has now fallen, and is ruined, and he is bound to die a miserable death, like everybody else who gets in the way of Christian progress. The following two characters-Tich-chen —may now be substituted for the two so boastfully selected by himself.\n\nHu-nan is bound to be opened to foreign trade and friendly intercourse with foreign nations. No mortal man even yet kicked against Christianity without hurting himself. Chou Han is as good as dead, or he ought to be dead.\n\n1441. AI YEH -The leaves of Artemisia Moxa, q.v. This is considered a lucky plant. On the fifth day of the fifth moon every family gets a few leaves to hang over the house doors. When dry and rubbed up it answers the purposes of punk or tinder, and may be lighted with flint and steel by striking fire over the punk in the usual manner. It is also burnt to drive away insects, or mosquitoes at least, and is very useful as such.\n\n1442. I-TS'AO-Healing Herbs, Medicinal Herbs, Drugs, Artemisia Moxa, q.v.\n\n1443. AI-HO-Punk made from the dry leaves of the Artemisia Moxa, q.v., and used as a cautery in various cases of disease, and burning the scars seen on the head of all properly initiated Buddhist priests. Each scar represents a vow to abstain from evil and perform good deeds.\n\nA full Index will be issued every Six Months.\n\nJan. 9th, 1896.", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213570, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 166, "title": "RAS-1995", "content_text": "135 \n\nyou would know what to do?” to which he replied, \"Maskee! he call'um my. My no go.\" \n\n53 too muchee trub \n\n66 look see Joss Pigeon. \n\n90 All man savee you long time. \n\n101 King-Qua: ...he would guarantee \"My makee secure\" \n\nKing-Qua shook everyone by the hand in great glee, and as we left the consulate together, said, “Just now can do. Man-ta-le look see sealee he too muchee fear,\" meaning that the Mandarin would be in a mortal funk at the sight of the consul's official seal. \n\n105 Tai-ping rebel Ho-a-luh.... He spoke very good pigeon English. \"My lun way, my go Hong Kong\" ... \"No cuttee head, he all same my lun way,\" (1852-1854) \n\n++ \n\n169 Quan-Shing (silk merchant). Te-loo-ly No. 1 curio. Mei-se A-le-fan you book. Te-loo-le No. 1 curio, only my China hav got too muchee more curio \"Cunning\", Note: this word in pigeon English was invariably used in the sense of “clever”, “intelligent\" or \"wise” \n\n183 (1806-1836). Nankin Jack, Curio merchant; of a map: \"This have Cheena country. Topside got Pih-Ching - large emperor house - my have see he. Bottom side belong Canton - plenty tea, silk, foreign gentleman hav got. Before, my sell-um ten dollar; just now, as you are olo flen, my sellum you one dollar.\" \n\n193 (1841) Chinaman. \"My show you. My long you No. 1 good flen. What for fightce\" Large Man-ta-le makee fightee, he please; s'pose to molla hav got fightee, you no putee plum you gun, my no puttee plum my gun, puttee fire physic (powder) can do very well, makee plenty noise, makee plenty smoke. My no spilum you; you no spilum my!\".. \"My chin-chin you stop littee, my go odder (t'other) sy!” .. \"My puttee head insi (inside) holo” \n\n278 (1837), Howqua. \"More better no go.\", he said; if an accident occurred, \"Man-te-le bobbery mee too muchee\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 214066, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 134, "title": "RAS-1997", "content_text": "101\n\nand cableway were dismantled. A further 850m-long cableway was also built about 1907 to transport foremen and miners, at that time constructing the Kowloon-Canton Railway Beacon Hill tunnel, to bungalows on a hill the other side of the valley from the north portal (most probably at Sha Tin Heights).", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214090, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 158, "title": "RAS-1997", "content_text": "126\n\nH\n\nד\n\nבר נ\n\nBowen Road Tunnel Portal discharging water from Tai Tam Reservoir, inscribed 1883-8 HK Museum of History, provisional Urban Council", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214427, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 285, "title": "RAS-1998", "content_text": "251\n\nThe Stanley Battery\n\nThe 9.2 inch three gun battery at Stanley Fort was probably one of the most modern of its kind in 1937 in spite of the fact that the guns were second-hand, having come from the batteries at Devil's Peak and Mount Davis. The Mark X 9.2 inch 28 ton Breech Loader was the premier coast defence gun at that time and was used extensively in all major defences. In the UK it was sometimes railway-mounted so that it could be moved about together with its ammunition wagon. Rail-mounted guns, before being fired, had to be secured with heavy iron guys known as chain pickets to stop them toppling over from the force of their recoil. In fixed guns like those at Stanley Fort, the recoil was absorbed by a spring accumulator mounted to the rear of the gun. The Mark X had been developed from the Mark IX in 1899. It had a single motion breech mechanism with an electrical or percussion firing mechanism. Its maximum range was 29,200 yards, which meant that the upper gun at Stanley, which was mounted on a traverser, could reach targets in Kowloon and also the Lema Islands to the south of Hong Kong.\n\nThe weight of the Mark X B.L. including breech assembly was 28 tons, and the weight of the cradle mounting nearly 130 tons. As previously explained, the guns were transported from their old batteries by sea, as the roads would not have supported such heavy axle loads. The transportation of the guns and the construction of their huge concrete bases would have been carried out by civilian contractors, but the actual installation of the guns would have been undertaken by the Royal Artillery using a special portal crane known as a gantry crane. The installed guns would have been disguised with huge camouflage nets draped over them, and protected from the weather when not in use by canvas tarpaulins. The concrete gunhouses built over the two lower guns by the Japanese were probably not bombproof casemates and would only have given the gunners protection from the weather and from strafing by enemy fighters. Judging by old photographs of the gunhouses, the arc of fire must have been severely restricted.\n\nThe Stanley Battery, situated at the south-east corner of the peninsula, was made up of three gun emplacements and a large number of magazines, bunkers, and other battery support buildings spread over a fairly wide area. Most of these structures are still in existence.\n\nPage 285\n\nPage 286", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214432, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 290, "title": "RAS-1998", "content_text": "256 \n\nOvand \n\n1799 \n\nParade Gibanj \n\nStutt \n\n11 Ta \n\nΤΡ \n\n45 Magazine \n\n150 \n\n44 Magazine, \n\n448 Magazine \n\nGUN HILL \n\n9.2 in gun \n\n49 Magazine- \n\nTHE STANLEY BATTERY \n\nMGP BOP \n\nLatrine \n\n61 Magazine \n\nRuin \n\nPH \n\n114 \n\nAA Bty (1941) \n\n100 \n\nTai Tam Tau \n\nCASL \n\nSuterie Grilion \n\n9,2 in gun \n\nsee DCRE/HK Dwg No. 681 \n\n9.2 in gun \n\n(SCP) CASL \n\nLEGEND \n\ngun emplacement \n\nSCP \n\nsearchlight command post \n\nbattery buildings \n\nPH \n\npower house \n\nCASL \n\ncoast artillery searchlight \n\nFP \n\nfootpath \n\nBOP \n\nbattery observation post \n\np-d \n\ngate \n\nTP \n\ntunnel portal \n\nMGP \n\nmachine gun post", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214708, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 123, "title": "RAS-1999", "content_text": "87\n\ninstruments.\n\nTwo native Cantonese speakers remarked at the ceremony that they each understood only about 10 per cent of what the priests were chanting. Thus, it was not always easy to follow exactly what was going on. This helps keep the priestly profession a closed shop. Priests are paid not only for performing ceremonies but also for knowing how to perform them.\n\nNote (see Plate 1) the five tun fu pots used to guard and protect each direction of the Chinese compass (including centre), with one talisman in each. These were later lined up in front of the matshed. After 'heaven and earth were made ready' messages to the respective gods were written on each strip of split bamboo (each about 75 centimetres long and four centimetres wide) after each strip, and the brush, had been purified by prayer and incense. The red paper horse at the front of the matshed acted as an emissary for letters, pleas and charms dispatched to heaven (Stevens: 1997, 121). The horse was constantly being blown over in the wind and one wondered, unless it could be anchored down in a secure way (which it never was), whether its magical powers would be affected. Anyway, few seemed concerned. During much of the ceremony ordinary villagers came in ones and twos and burnt joss sticks in front of Tai Wong Ye and his four henchmen.\n\nThe ceremony in the matshed lasted about one hour. After this was over we were bussed to an expanse of open ground not far from Lin Fa Tei (Lotus Ground), a 10-minute drive away. From here, we could see where the new railway tunnel's northern portal will be situated. A further ceremony took place not far from this spot, again officiated over by the same Taoist priests and attended by the same village elders, committee representatives, and government officials (see Plates 4 and 5). There was more chanting, more joss sticks and paper offerings were burned, and medium-sized roast pigs (brought from the ceremony inside the matshed) were presented up to the gods. Rice wine was again sprinkled on the ground for purification.\n\nIt was pointed out by a villager, who had lived in Britain for over 30 years and spoke fair English, that over 1000 village graves and burial urns had been moved to make way for the new tunnel. A small river had been filled in. In spite of the landscape having been considerably", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214732, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 147, "title": "RAS-1999", "content_text": "This shows a continuation of the main ceremony at the matshed held, this time, not far from where the tunnel portal is being constructed. Between the row of Taoist priests and the row of village representatives (the latter in Chinese long gowns) one can make out the roast pigs wrapped in paper. These were made short work of at the banquet which followed (Photograph courtesy of Antiquities and Monuments Office).", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214733, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 148, "title": "RAS-1999", "content_text": "This photograph was also taken near where the new railway tunnel portal will be situated. It shows the priests, the village representatives as well as the trumpeter. One village representative is burning joss sticks and paper offerings (Photograph courtesy of Antiquities and Monuments Office).\n\n112", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214976, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 72, "title": "RAS-2000", "content_text": "28\n\nFive of volume two, A Mortal Flower, she remarks:\n\nI was making fifteen dollars a month more than he [the Chinese male secretary] did. I had crossed the “Chinese\" line, I was on my way towards \"Eurasian\" pay, though a great deal below European pay. I never would attain the latter, unless I married a European, perhaps.\n\nThe subtle well-ordered differences in status and in pay even among Eurasians, where it depended upon being more, or less, Chinese, I learnt about during the two years I was a secretary at the P.U.M.C. But I had no sense of personal injustice because I was not there to stay, I was there to earn money while preparing myself for the University. I did not fight for wages, I merely found two extra jobs to do in my spare time, to increase my study fund quickly.\n\nPreparation for the University meant a lot of self-educational effort also, which in the simplest way could be attained by the passionate devouring of books. One of them was entitled Races of the World and included the following 'pre-medical knowledge' for the covetous young student (the same Chapter Five from A Mortal Flower):\n\nThere are four races in the world; white, yellow, red and black... the white race is distinguished by the characteristic that its BRAIN WEIGHT is the highest; the brain of the average white man weighs one thousand six hundred grammes, that of the yellow man one thousand four hundred, the red man's brain weighs one thousand three hundred and forty and the black man's round about one thousand two hundred...\n\nFurther, Han Suyin continues:\n\nThis account was illustrated by pictures, front and profile of skulls; with captions calling attention to “width of brow.” There were a few lines on mixtures. “Racial mixtures are prone to mental unbalance, hysteria, alcoholism, generally of weak character and untrustworthy...\n\n\"Oh God,\" I prayed, \"don't let me go mad, don't let my brain go, I want to study.”\n\n17\n\nThroughout her life, Han Suyin was to incessantly be confronted with racism, to a considerable degree the derivative of colonialism and", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215314, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 91, "title": "RAS-2001", "content_text": "39\n\nif they were already engaged to be married, to exchange gifts with their future affinal relatives. Flower Dawn was a day which marked young girls' attainment of womanhood. Ears were pierced for wearing jewellery and from this day, marking the same shift, adolescent women let their hair grow long to announce their entry into the world of female concerns.\n\nEarly spring in the plains and hills of Hubei and Hunan was a period of beginnings and anticipations. The return of life force in Nature was a process drawing from symbolic codes and involving various rituals, as well as giving rise to a sequence of practical concerns in the mundane work in the rice fields. It is in these spring days that we find the celebration of two different festivals, each in its own way attuned to the season: the festivals can be seen as mutually complementary, the two handling different dimensions of the same world.\n\nThe ritual activities on this day reflected a social grammar of reciprocity in which gifts—meat and wine—were expected to generate a response from the She. The counter-gift would be an abundance of rice in the fields in late summer. A cognate ritual procedure would be staged some weeks later, but this time the rites would engage the mortal remains of the individual dead and the combinations of ancestral graves that formed the stock of memorabilia of particular lineages. These rituals would aim at a similarly beneficial effect on the coming crops, but would also be forward-looking, inviting the dead to return to the living in early summer.\n\nThe She Day was celebrated on a date calculated according to the sun's movement through the celestial zodiac, a procedure providing a relatively stable seasonal appearance. Its ritual liturgy related the occasion to the yin cosmic principle and stressed a downward direction, further associated with female forces, darkness and death. It is interesting that this festival of clear yin associations was calculated in accordance with the movement of the sun, the foremost exposition of the male, life-giving and celestial cosmic principle of yang. The festival appeared on the first wu day after the Li Chun day. Wu is, as already mentioned, the seventh of the 'Earthly Branches,' which, apart from being used to represent cyclical time, was associated with the midday hour and the southerly direction. It seems that a conventional calendar discourse, by the use of the wu branch, tied celestial progress", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215414, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 191, "title": "RAS-2001", "content_text": "140\n\nhave prompted its choice.\n\nThe Arch of Triumph seen in the entrance to Baçaim Fort is another variant on the motif (Fig. 6). This example is in a style that, without generalising too much, could be said to have belonged to a Late Renaissance Iberian style in architecture. For self-evident reasons specialists have given it the name estilo chão (plain style) for Portuguese buildings and estilo desornamentado (unadorned style) for Spanish ones.\n\n32\n\nThin moulded pilasters frame a rectangle into which the entrance arch is built. The latter was framed by both moulded pilasters and paired Corinthian columns in the round, today missing. Topping the arch is an entablature with a low relief showing the royal arms of Portugal. Above it one may see a niche framed by coupled half-columns for an image of a Christian saint, a feature that differentiates it from a classical Roman Arch. The columns of the niche and the ones below stood on bases decorated with a simple diamond shape.\n\nThese two examples show a characteristic use of the motif in secular structures. But it is its use in religious architecture that is of greater relevance for this discussion. In this respect the Sé or Episcopal Church, Damão, shows one of the most illuminating examples.\n\nConstantino de Bragança, Viceroy of India, captured the Muslim city of Damão, which lies in the southern coast of Gujarat, in 1559. One of the most satisfactory uses of the Arch of Triumph in a plain style in India is to be found in the portal of the city's Sé or Episcopal Church (Fig. 7).\n\nThe charmingly provincial mathematical simplicity of its elevation consists of an acute triangle placed on a rectangle. The triangle in fact delineates a steep gable with a round window, while the rectangle on which it rests is the wall of the main façade. Its ground plan and interior are equally simple, the latter displaying picturesque whitewashed walls.\n\nThe only embellishment on the façade is the large Arch of Triumph, which stands austere in granite in front of the wall. It is quite similar to that of the ruins of Baçaim Fort, except that here paired classical columns on tall pedestals frame only the main arch. On the entablature above flat pilasters and a pediment, united to the lower storey by segmental", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215416, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 193, "title": "RAS-2001", "content_text": "142\n\nhimself, as well as the whole of their missionary activity in Asia and the Far East, including Macao, accounts for this. Sadly, as in Macao's Madre de Deus (which apparently was popularly called St. Paul's because of the Goa college and church), today only a pitiful ruin remains of this artistic and historic treasure, with merely a section of the entrance façade with its stone portal standing (Fig. 8).\n\nThe entangled history of the church's abandonment and final decay need not concern us here. But conveniently for my main arguments, the small section that does survive displays an Arch of Triumph integrated to the wall. Here engaged Corinthian columns, paired and elegantly fluted, standing on bases decorated with diamond-shaped reliefs and carrying a broken entablature frame the half-circular entrance arch. Artistically and technically this feature is close to the sophistication of Italian Renaissance architecture.\n\nSince neither the famous college nor its church survives, Mário Chicó attempted to reconstruct the latter by means of drawings based on contemporary descriptions. He believed it to be the prototype for one of two types of Indo-Portuguese churches. He also convincingly argued that of the two types that of the façade of São Paulo is the closer to Serlio and Italian Renaissance architecture.\n\nIn Chicó's published drawing the façade of the church is shown as having three storeys, plus a pedimented attic. The three storeys are divided into three bays by projecting pilasters with entablatures, with openings for entrances and square and round windows. There is a niche for a titular image in the attic, which is joined to the floors below by the pilasters of the middle bay and by volutes.\n\nIt's an imaginative reconstruction, especially the fact that the façade has comparatively little decoration. It relies for effect on the more purely abstract lines of the design and on the main feature of its decoration, its Arch of Triumph.\n\nThe artistic and symbolic potency of the motif and its application as decoration to the façades of religious architecture was one that was not actually initiated by either the architects or the religious members of the Society of Jesus in Italy, Spain, Portugal or India. Rather it was one that the Jesuits had readily accepted and were able to effectively", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215436, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 213, "title": "RAS-2001", "content_text": "162\n\n1993, p. 154. Morais, Carlos Alexandre de, Cronologia Geral da Índia Portuguesa, Lisbon-Macao, 1993. Ms. Amita Bairg, UNESCO heritage consultant on India, kindly provided number of churches and convents in 17th century Velha Goa.\n\n10 Arches of Triumph appeared in church portals at the time in Andalusia, in Southern Spain. For Vandelvira's career and famous treatise on architecture, see Barbé-Coquelin de Lisle, Tratado de Arquitectura de Alonso de Vandelvira, 2 vols. Albacete, 1977.\n\n\"V. Fraser. \"Architecture and Imperialism in sixteenth-century Spanish America”,\n\nArt History, 9, No. 3, Sept. 1986, pp. 325-35.\n\n\"The Architecture of conquest: building in the Viceroyalty of Peru, 1535-1633\", 2 volumes, Ph.D. diss., Uni. of Essex, Colchester, 1984.\n\n12 George Kubler's classic thesis on the plain style of Portuguese architecture forms the subject of his book, Portuguese Plain Architecture: Between Spices and Diamonds, 1521-1706, Middletown, Conn., Wesleyan University Press, 1972. For a recent discussion of this style, see Miguel Soromenhos' article, \"Classicismo, italianismo e ‘estilo chão'. O ciclo filipino\", in História da Arte Portuguesa, direcção Paulo Pereira, Volume 2, Lisbon, 1995, pp. 377-403. See in particular pp. 383-86.\n\n13 David M. Kowal, \"Innovation and Assimilation: The Jesuit Contribution to\n\nArchitectural Development in Portuguese India\", in The Jesuits, Culture, Sciences, And The Arts, 1540-1773, University of Toronto Press, 1999, pp. 482 and 488. It is somewhat ironic that D. Kowal uses the term \"retable-like\" for the\n\nportal decoration of the façade of São Paulo. Professor J.B. Bury dismissed an exact term in the first assessment of my MPhil thesis (see note 1) as not precise enough, one which I eventually gave up.\n\n14 See flap of vol. 2, in Barbé-Coquelin de Lisle, op. cit, for illustration of the\n\nseldom reproduced portal of Saint Elizabeth Church.\n\n15 Documenta Indica, (edited by Josef Wicki) Rome, “Monumenta Historica Soc. Iesu\", 18 vols, 1948-1988. For São Paulo, see vol. 4, pp. 726-27; vol. 8, pp. 584-86; vol. 9, p. 491. For an interesting reconstruction of the site of Church and College see, Schurhammer, G., Francis Xavier, vol. 8, Jesuit Historical Institute, Rome, 1980, p. 457.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216073, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 372, "title": "RAS-2002", "content_text": "306\n\nThe last mention of Mason in Hart's letters refers to Mason in 1897 having sent Hart his book The Shen's Pigtail or Other Cues of Anglo-China Life. Mason, wrote Hart, had been in low water at home and twice [Hart] had helped him. Mason was, added Hart, a clever fellow who, before the C'Kiang affair broke out, had just got himself on to the ladder of advancement, and in that matter [the Mason affair] he was to Hart's mind, the victim of mixed motives - he was curious, and he wanted to serve Hart, and got into a quicksand.\n\nHart was much kinder to Mason than ever Mesny would be. Mesny, in his Miscellany some ten years later, related in great detail, both from notes and from memory, the extraordinary story related above of being persecuted by Mason.\n\nMesny also wrote in his Miscellany [6 Feb. 1896] that he had gone through the evidence [on the Mason Case] in the British Blue Books and could not see how any mortal could come to any other than one of two conclusions - either Mason had been paid by the Chinese to get up a bogus scare [to create anti-foreign action] or that he was a mere maniac. Nine-tenths of his revelations had been unquestionably pure fabrication. At the bottom of the page, Mesny added, without offering any evidence, \"I am now fully satisfied that Mason was paid by the Chinese.\"\n\nOn an entirely different aspect of life in Shanghai, we read in a postscript from Mesny on the snobbish attitudes of the British in China that adds colour to our story. The British Consul in Shanghai held a party in May of 1899 to celebrate the birthday of Queen Victoria. Mesny wrote in his Miscellany that despite not receiving an invitation, a fact which confirms that he was ostracised by fellow Britons, possibly because of his wife or because he made a point of living among and mixing with Chinese, though it could also have been due to his very pro-Chinese stand, he turned up at the Consulate only to be turned away by the British police at the gate. This short note in the Miscellany describing the slight would appear to have been his method of getting his own back.\n\nAs with most small expatriate bodies, factions existed. Mason described in his 'Chinese Confessions', the problems of a 'British bachelor in the Imperial Customs Service in Zhenjiang, a small Customs", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]