[ { "id": 205862, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 168, "title": "RAS-1969", "content_text": "162 \n\nNOTES AND QUERIES \n\nand symbolises pledge of Salvation or Nirvana. (Other Buddhist emblems and symbols often used in a similar way on bowls of this type are the sea-shell, the wheel and, above all, the vajra). Both the potting and decoration of these bowls point to the last years of the 15th century or very early 16th century.\n\nThe discovery of these blue and white bowls removes an apparent anomaly in the Ming archaeology of Hong Kong that is, if it can be said to exist at all. Previously, the only type of Ming pottery found in Hong Kong was a high-fired stoneware with an olive green glaze and a greyish body2, whereas the much more common blue and white porcelain had not been found at all.\n\nThe blue and white bowls provide the clue to the dating of the earthenware jars which are of a type not uncommonly found in the New Territories especially in the areas of Yuen Long and Sek Kong. These jars are generally of globular shape with wide shoulders, thin walls and a porous buff-coloured body with a brown slip coating on the outside. There are usually three or more lug-handles on the shoulder. Similar jars, dating from Sung to Ming, have been found near Canton, especially near Fat Shan where these pots were probably made3. Most of them have been found in cremation burial pits as containers for ashes or grave goods. These jars usually have covers of the same material and the covered jar, when used as ash containers, is often in turn placed inside a bigger covered jar or two large basins (one covering the other). It is thus most likely that the present jars and covers were used for similar purposes.\n\nIt is interesting to note that in recent excavations of a burial site in Pila, Laguna (Southern Luzon) in the Philippines, secondary cremation burials, with stoneware jars and covers, were found in the cultural layer which has been dated by C14 to the late 14th century or early 15th century, i.e. late Yuan or early Ming. Another point to observe is the question of whether the Shek Pik pots were broken deliberately at the time of the burial or by accident at a later date. In the excavations in the Philippines, large stoneware jars containing charcoal and charred fragments of human skeleton were often found smashed. The same phenomenon was also recently found in Thailand. According to the report on the Thai excavations, the practice of smashing pots in", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205863, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 169, "title": "RAS-1969", "content_text": "NOTES AND QUERIES\n\n163\n\nconnection with cremation burial was introduced by an \"iron-using people influenced by Buddhism”.\n\nThe present discovery is thus not only of interest to Hong Kong, it also serves to establish cultural links between south China and South-east Asia during the “Proto-historic” period of South-east Asia. It is hoped that this discovery will lead to more systematic work on the archaeology of the Ming period in Hong Kong.\n\nHong Kong, 1969.\n\nJAMES C. Y. WATT.\n\n+\n\nNOTES\n\n1 See J. W. Hayes, \"Preliminary Report on the Finds at Shek Pik” at pp. 122-124 of H.K.B.R.A.S. Vol. 2, 1962 elaborated by James C. Y. Watt and J. W. Hayes in \"Sung Finds at Shek Pik\" in Vol. I of the Journal of the Hong Kong Archaeological Society, (1969).\n\n2 These bowls are usually quite shallow with an incised pattern of vertical lines on the outside and often a stamped pattern in the centre. Kilns producing such bowls have been discovered in Wai Yeung county, about 100 kms. east of Canton reports in Kaogu 1962.8 and Kaogu 1964.4.\n\n3 Kaogu 1964.10. See also Kaogu 1962.2 and Kaogu 1965.6.\n\n4 Rosa C. P. Tenazas, A Report on the Archaeology of the Locsin University of San Carlos Excavations in Pila, Laguna. Manila, 1968.\n\n5 Wilhelm G. Solheim II. Archaeological Survey and excavation in Northern Thailand. Preliminary report on excavations at Ban Nadi, Ban Sao Lao, Pimai No. I. Honolulu, 1966. (Quoted by Tenazas, op. cit.)\n\n“KELLY AND WALSH”\n\nAll members of the Branch will have seen books bearing the name of this famous Eastern publishing house, and some may own a few of their many publications over the last century. Dr. J. R. Jones has contributed a note taken verbatim from an old book in his possession, which demonstrates the firm's long history. It reads:\n\nProbably the next oldest printing and publishing concern in Shanghai is Messrs. Kelly and Walsh, Limited, formed in 1876 by the amalgamation of two local booksellers, Kelly and Company and F. & C. Walsh. While this firm's main concern is bookselling, it also runs an important printing business, turning out high-class work of every description. It, too,", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206895, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 172, "title": "RAS-1973", "content_text": "166\n\nNOTES AND QUERIES\n\nthe surrounding countryside reposing in the benediction of its large standing Buddha. The museum of Sukhothai also displayed a number of very fine pieces, not least the magnificent walking Buddha, phra lila, a purely Sukhothai invention.\n\nThe sister city of Srisachanalai is further to the north of Sukhothai but of the same period. It is famous for the Sangkaloke variation on Sukhothai celadons, and it is from there that the Chalieng wares came. To get to the site one has to cross the river Yom in a boat below the rapids; the ruins are visited on foot. The entire spread of the area was seen from the top of Wat Khao Phanom Pleung. Wat Chang Lom, with its stucco-on-laterite elephants around giving it its name, dates from the beginning of the Sukhothai period. Wat Chedi Chet Tao has among other chedi the characteristic lotus-bud finial which was also seen in Wat Mahathat in Sukhothai; as in that temple, too, there were also some good stucco remains, here, of a Buddha seated under a protecting naga. Wat Uttayan Yai is another ruined temple, and between it and the high city wall still remaining are the ruins of Wat Nang Phya, the walls of the chapel containing some delicate decorative stucco work. In the ruins of the palace is an interesting covered arched sanctuary,\n\nThe site of Kampengpetch lacks the hills of Sukhothai or Srisachanalai but is surrounded by denser secondary jungle which adds to the attraction of the area. Wat Chao Awat Yai has little of particular note apart from the deep rectangular pool before it from which the blocks of laterite were cut to erect the building. The elephants surrounding the central section of Wat Chang Rob are better preserved than at Srisachanalai and finer in their detail, and there is a stucco decoration of Bo trees and demons on the walls between them. Wat Phra Si Irayabot has in the middle of the jungle a vast laterite platform for a vihara and behind it a most unusual construction with four Buddhas placed round a high core in standing, walking, sleeping and seated positions. The first two are still in good condition but little remains of the last two. All these temples lie outside the old city walls, inside which are to be found the ruins of Wat Prathat and Wat Phra Keo, with their bare outlines of laterite Buddhas and fallen chedi. The new museum at Kampengphet was also visited by special arrangement and contains some exceptional pieces, notably an U-Thong Buddha and some torsos of Hindu deities which seemed to have found more favour in Kampengpetch than in the other cities of Sukhothai.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207807, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 195, "title": "RAS-1976", "content_text": "180\n\nMICHAEL SMITHIES\n\ndevelopment from this, a temple built around a solid core. A narrow passage runs around the central core in which is set a niche containing the principal Buddha statue. The hollow temple, with immensely thick walls to support the weight of the vaulted roof, was in its early stages a core with the passage around and an antechamber or nave in front, usually on the eastern side. The stupa rising above the core could be of any shape, the Singhalese bell form or the stepped figured squares topped with a pinnacle, a form inspired by Pala architecture from India (particularly from one of the sacred Buddhist shrines at Bodh Gaya where the transformation of the Buddha took place). A development from this simple shrine is the Greek cross plan exemplified by the magnificent Ananda temple built by Kyanzittha, Anawrahta's son, in 1091. This still has the solid core but a double gallery around and antechambers on the axes of all four sides. A further development of this was where the whole temple was raised a level and the central core shifted slightly to contain and enfold the main Buddha facing east; the Thatbinnyu and Sulamani temples are good examples of this later style.\n\nOf the early buildings the Ananda is undoubtedly the most impressive, and the recent (mid-1975) earthquake, far from apparently damaging the building, has removed in parts the plaster and whitewash and shown the arching to be of bricks of alternating light and dark colours. The four main statues in the teaching posture have with overgilding lost their interest, but they impress by their size and the illumination from the hidden upper windows which show the Mon craftsmen as highly skilled technicians. The numerous glazed terracotta plaques ornamenting the base of the temple tell different Jataka tales (the lives of the hundreds of Buddhas before the Gautama Buddha and often taking the form of morality fables) and the small stone sculptures set in the internal walls tell the story of the life of the Gautama Buddha himself.\n\nThe terracotta plaques (the great invention of Pagan, as the distinguished archaeologist Bernard Groslier indicated in a lecture to the Hong Kong Branch of the Royal Asiatic Society at Pagan) can be seen at their best at the very late (1284) Mingalazedi temple, a little damaged by the earthquake, and the two Petleiks of the 11th century, where the exceptional series is preserved almost in entirety.\n\nThe early temples near Myinkaba are remarkable for their excellent preservation and for the quality of their decoration. One\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207809, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 197, "title": "RAS-1976", "content_text": "182\n\nMICHAEL SMITHIES\n\nwhitewashed, and any paintings there might have been are obliterated. The views from the upper floor, particularly over the river and the plain at sunset, are of remarkable beauty and peace. The Manabodhi is a late temple modelled on the Pala decorated spire. The Shwesandaw pagoda outside the old city walls is a solid stupa raised on five terraces and was the first built after the conquest of Thaton and nearby is the Shinbinthalyaung or sleeping Buddha of the 11th century; like most such images, being horizontal rather than vertical, it fails to impress and is too narrowly confined within its building.\n\nIn the village of Nyang-U is to be found the much-revered Shwezigon pagoda, which is believed to contain a bone and a tooth of the Buddha. It was started by Anawratha and completed by Kyanzittha. The gilded cone of the stupa cannot be seen at present as it is sheathed in a decorative and complex framework of bamboo scaffolding in order that repairs to earthquake damage can be carried out. The only noticeable damage was to the hti or gilded and jewelled ornamental umbrella at the top, which as Groslier pointed out were 18th and 19th century additions to temples of no archeological and little artistic consequence. However, the Shwezi-gon hti is currently displayed in a building on the ground floor and one can see the precious stones close to. Of more consequence is the magnificent Kubyaukki near Wetkyiin village. This is fairly late, dating from the early 13th century and relatively small, with a stupa in the Bodh Gaya form. Its importance lies in the very good state of preservation of the wall paintings, neatly lined up in rows and illustrating the Jataka tales with a Burmese inscription beneath each scene. The colours are still in very good condition. Unfortunately most of the paintings on the lower half of the nave were removed to Germany by Thomann at the end of the nineteenth century, but what remains in place is extremely fine.\n\nHtilomino, built in 1211, is a double-storeyed building like the Thatbinnyu. There is some excellent stucco decoration still on the building, particularly on the frieze below the cornice, the ornamental corner pilasters and the pediments of the arches. There are four Buddhas on the ground floor as well as the floor above. Like all the other temples, this was once painted, but little remains except some decoration on the vaulting. Sulamani and Dhammayangyi are located near to each other and are superficially similar, the former dating from 1183 and the latter from the middle of the 12th", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 211407, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 123, "title": "RAS-1988", "content_text": "Table 1: Genealogy of the Chan Family\n\nChan Tak Youg (Violet's great grandfather)\n\nChan Jok Jun\n\nGeorge, Harry, Henry\n\nChan Jok Chiu (b. 1845) m (1) Au (Violet's grandparents)\n\n(2) Leong\n\nYung Kam in Yim (First Paternal Aunt)\n\nGeorge Goon Hop (adopted) m (1) Auyoung\n\n(2) Liu\n\n \n Gladys Yung Hoy m Lan Kwai\n \n \n Claudia in George Murphy\n David, Michael\n \n \n Calvin m Barbara\n Jennifer, Jason, Jeffrey\n \n \n Kwock Wah m Mona Lew\n Paula, Donna, Marcha, David, Jonathan\n \n \n Lorna (adopted) m\n Lawrence, Paul, Yolanda, Twila-dawn, Keith, Robin\n \n\nChan Ping Wing (First Paternal Uncle) m Ching (Concubine: \"Small Aunt\")\n\nChan Po Ling m (1) Auyoung\n\n(2) Kan (Concubine: Kam)\n\n \n Linda, Judy, Lillian, Robert, Chi Fai, Anthony, m Dorothy (5 daughters)\n \n \n Rosita, m Robert Ting (1 child)\n \n\nChan Ping I (Second Paternal Uncle) m Auyoung\n\nToby in Louise Dung\n\n \n Melody m Johnson Chen, Carol m John Lee, Sonja in Tai Min Wan, Jade m Eddy Lin, Lloyd m Deborah, Lena m Jeffrey Lu\n \n\nHelen m Tong\n\nCharles (children)\n\nGeorgette m Lu Bing Leong (daughter) Moo Yun\n\nTing Cheong (2 sons, 2 daughters)\n\nMoo Sau\n\nChan Ping Yip m Jong (Violet's parents)\n\nRuth\n\nViolet m John Lew m\n\nMe Yuk\n\n \n Helen m (1) Edmund Tin Wai Tong\n \n \n Edmund Yee Sing m (1) Susan Loui\n Kevin\n \n \n (2) Gertrude Kristiansen\n Syrilyn, Clayton\n \n \n (2) Tso-yu Fu\n Lynnette Wen-chu\n \n \n Russell m (1) Lila Kung\n Dora m Tso-chien Shen\n \n \n Eugene m Nancy Chun\n Wendell, Celia\n \n \n (2) Susan Carter\n Russell\n \n \n Gilbert m Christine Liao\n Warren, Tabitha\n \n\ndaughter m Leong Ting Bau (Second Paternal Aunt)\n\nYung Yik m Auyoung (Third Paternal Aunt)\n\nSuk Jun, m So (4 sons, 3 daughters)\n\nSuk Num, (3 daughters, 1 son), Suk Chiu, (2 sons, 2 daughters) Chan Ping Lim (d. 1903) (Fourth Paternal Uncle)\n\nChan Jok Sau\n\nL-6 sons (including Dai Mec, Ngit Chiu and Dai Geng)\n\nChan Jok Sui\n\nNgit Chiu (adopted) d 1924 in Honolulu\n\nChan Jok King\n\nJu Dai, Dai Geng (adopted)\n\n99", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 212693, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 2, "title": "RAS-1992", "content_text": "2 7 JUN 1996\n\nG\n\nYONG\n\n*\n\nERRATA\n\nLILA\n\nPage 1 - Footnote should read: 'This article is somewhat long for the Journal, but in view of the level of scholarship and detail, it has been left at more or less its original length [Editor].'\n\nPage 153 - ignore the line of disjointed text at the bottom of the page.\n\nPage 198 - ignore the 13 lines of disjointed text at the bottom of the page.", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 } ]