[ { "id": 205355, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 117, "title": "RAS-1967", "content_text": "110\n\nREV, MR. KRONE\n\nseveral times taking a cruise in his Tea-cup, the mountain was named after it “Poi-tou.' \n\n\"Poi-tou.\" Among the common people, however, the mountain is known by the name \"Shing-shan\", or holy mountain. The rough, barren, mountainous country I have described, has given birth to many superstitions and legends. Some of the huge stones on the hill sides are supposed to represent the tiger, the dragon, and the phoenix. The stones on some hills are said to have locomotive powers, and to pursue any adventurous traveller who attempts to mount their sides; other stones are said, when touched, to have the power of producing pains in the stomach, and others to emit white vapours from their surface. But these matters are of but little importance to us; of more interest are the caves which are found in some of the mountains. The most remarkable of these caves is near the market-place of U-shek-ngam, &, at the base of the mountain. For some centuries this cave has been used as a temple, and its aspect is so changed by the architecture and furniture which have been introduced, that one cannot get a good idea of its natural size and appearance.\n\nNatural History. Quadrumana, A number of small monkeys inhabit the island of Lintin; but this animal is not found in any other part of the district, though Chinese books relate that in former times they were found on 'Ng-tung, and most of the high mountains of the district.\n\nQuadrupeds, — The Chinese tiger, which seems to be a true tiger, is found about 'Ng-tung, and in the neighbourhood of most of the high mountains. It sometimes reaches a considerable size, weighing 200 catties, or 266lb. It feeds generally upon pigs and dogs, and the country people say it occasionally carries off a grass-cutter, but this seems doubtful. It is taken in traps, and is a great prize to its captor, as it will bring him in a sum of $150 to $200; for the bones are in great repute as a tonic medicine, and the flesh is eaten with the idea that the courage of the devourer is improved by the meal.\n\nMore than one species of deer, a fox, and a badger, have also been seen, and a large ant-eater -- the flesh of which is considered a delicacy, and is also supposed to possess medicinal powers. There are many snakes, and among them a large species of python, which sometimes grows to the length of twenty to twenty-four feet;", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 206425, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 242, "title": "RAS-1971", "content_text": "216\n\nBOOK REVIEWS\n\ncusp of the crescent\" (of the Praya Grande), deserves the derision of every collector.\n\nTheir description of \"the ambroidered (sic) phoenix plastron” conclusively proves the authors know nothing of the eight privileged classes in China. With this lack of knowledge they are in no position to comment on any portrait of a mandarin or hong merchant. To suggest that Gou Qua, a hong merchant, would take to the street as a fortune teller is quite impossible as he would lose face by such an act and never would paint himself in this situation.\n\nThe authors really know very little about Chinnery. They state \"Chinnery's forte was for portraits and these comprise the greater part of his oeuvre\". Pages later they quote him \"I have about 6,000 sketches of Eastern Scenery already - an invaluable collection, I assure you; but you see I am constantly accumulating”. They produce the completely unproven slur that one of the portraits he painted was of “a man of great wealth, an important qualification in the artist's philosophy as he was at his best when a generous fee had been agreed\". They also attempt, again with no proof, to attribute to him “occasional bouts of opium smoking”.\n\nIt is an error to say \"Russell & Co..... in turn came under control of Low Brothers of Salem\". W. H. Low, Senior was a partner 1830-1833. His nephew, A. A. Low, was a clerk 1833-1837, partner 1837-1840. W. H. Low 2nd worked as a clerk but never was a partner. The famous firm of A. A. Low and Bros. of New York, please, not Salem - was founded in 1841 by A. A. Low after he had retired from Russell & Co. It is a solecism to call the firm \"Russells\". It makes a good story only to the authors that \"W. C. Hunter\", later a partner in Russell & Co., “grasped sufficient of the local dialect to act as interpreter\". It is common knowledge that he specifically was sent to Singapore and Malacca to study Chinese.\n\nIt is inaccurate to state that Harriet Low, in her Diary, mentions seeing the double portrait of Dr. & Mrs. Colledge, plate 79, in London at Daniells' on 19 July 1834. She \"saw pictures of Mr. & Mrs. Colledge, not a single picture. Let us read further in the Diary: \"Ayok\" (the Low Chinese servant) \"burst into quite an hysterical laugh when he saw his father's face in Mr. Colledge's picture\". This is an obvious reference to the Chinnery portrait", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206902, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 179, "title": "RAS-1973", "content_text": "BOOK REVIEWS\n\n173\n\na fish-scale design all over the dress. But neither points out that the shiny most bluish satin simulates the metal of the armour and the scales simulate the plates of the armour. The back-flap is cut into strips and they obviously look and are arranged like tail feathers; feather-strips are hanging down from various parts of the costume. The generals bristle and ruffle their feathers with every movement, and while fighting they look like an enormous flustered phoenix in attack.\n\nMost opera costumes have so-called water-sleeves of white thin silk attached to the actual sleeve. They are like cuffs, open at the seam, and when they hang down, they almost reach the floor. These sleeves play a very important part in the technique of acting. Miss Halson only describes a few sleeve-movements like: using the sleeves to hide in embarrassment, or thrown up in bewilderment, that they are used as a muff in winter and as a fan in summer. Scott explains 100 different sleeve-movements and tells by which character they are used: e.g. in T'ou hsiu the two sleeves are flung out together, to the right, whilst the face looks left, which symbolizes making a decision or anger and is only performed by the Ching I or demure young woman. I would like to add that these sleeves are found in Chinese costumes already as far back as the Han dynasty about 2,000 years ago. The cuff was not added to the sleeve, but the sleeve itself was very long. It can still be seen in the blouses worn by Tibetans. In the art of Chinese dancing, the flowing of the sleeves are such an important part, that movements are often only directed to produce the desired flow. It expresses the Chinese love for flowing lines, very well known from their brush-strokes. Actually in both books I feel the absence of linking the descriptions of the appearance with its cultural background.\n\nAll faces are made up in Peking Opera. Older people and middle-aged ones have a natural make up, young men and women have the middle of their face powdered white, cheeks and eye-lids are deep magenta. But the most striking are the multi-coloured painted faces. They are only for male parts: warriors, generals, ministers and officials. Miss Halson suggests an origin for these: branded criminals tattooed their scars to disguise the marks. This is very far fetched. Her second explanation is that the actors wanted their faces to stand out. Any make up is of course to this end; but she did not hit the simple truth. Masks were used before the great step forward was taken when, recognizing the disadvantages", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207170, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 241, "title": "RAS-1974", "content_text": "BOOK REVIEWS\n\nHUA SHAN, THE TAOIST SACRED MOUNTAIN IN WEST CHINA ITS SCENERY, MONASTERIES AND MONKS. Foreword and 111 Photographs by Hedda Morrison, Introduction and Taoist Musings by Wolfram Eberhard, published by Vetch and Lee Ltd., Hong Kong, January 1974.\n\nVetch and Lee Ltd. have published many beautiful and outstanding books on Chinese culture in the past, and have just added another two to their record, both dealing with sacred mountains in China. The Vetch and Lee editions are well-produced bibliophile books with a dark-blue cloth hard cover engraved in gold with a phoenix, the emblem of the publishers, and a very heavy matt white paper is used, which adds to the soft quality of the black and white photographs.\n\nIn August 1935 Hedda Morrison, a photographer, and Wolfram Eberhard, a sinologue and serious student of Chinese culture, both living in Peiping at the time, visited the Hua Shan, one of the five sacred mountains in China. According to the foreword by Hedda Morrison, the excursion cannot have lasted longer than one to two weeks.\n\nConsidering the fact, it is remarkable that 110 photos of great artistic beauty and solid technical skill were produced in such a short period of time.\n\nThe photos are divided into three groups: 40 depicting the scenic grandeur of the five peaks of the Hua Shan and their various moods; shaded by clouds or shrouded in morning mist, or illuminated by bright sunshine with silhouettes of crooked pine-trees. Also, small temples dangerously stuck on cliffs, a ladder of steps cut into a sharp angle stone slab, top and bottom connected with an enormous iron chain to facilitate the ascent.\n\nThen are followed by a group of 24 photos with details of the monasteries, close-ups of the images inside, a mural of the god of thunder, and the graffiti of visitors, a perpetual calendar carved in a slab, embroideries representing shaman dancers, a monk dozing", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 208149, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 188, "title": "RAS-1977", "content_text": "172\n\nNOTES AND QUERIES\n\nAll remarkable mountains are supposed by the Chinese to have some spiritual influence over the affairs of mortals. The rough, barren, mountainous country I have described, has given birth to many superstitions and legends. Some of the huge stones on the hillsides are supposed to represent the tiger, the dragon, and the phoenix. The stones on some hills are said to have locomotive powers, and to pursue any adventurous traveller who attempts to mount their sides: other stones are said, when touched, to have the power of producing pains in the stomach and others to emit white vapours from their surface; of more interest are the caves which are found in some of the mountains (JHKBRAS 7(1967): 110).\n\n12. Krone writes of our own Castle Peak:\n\nThe mountain is reckoned one of the eight wonders of the Canton Province. Some of its large granite boulders are said by the priests to represent various mythological monsters; and several springs well up near the top, which are also esteemed supernatural wonders by the Chinese. The mountain is often visited by students and literati, and its wonders and beauties have been celebrated by them in many verses. The legends connected with the mountain seem not to be very clearly understood. (JHKBRAS 7(1967): 109).\n\n13. In the case of the more famous mountains of the Kwangtung province alone, mythology, legend and history have endowed them with fame over hundreds and even thousands of years. This is due in part to the constant visits of famous poets whose poems are so widely read over the generations that they alone are sufficient to make them sacred and immortal.* Yet our own lesser mountains seem to have had at least one such visitor. In the history of the T'ang family of Kam Tin we read of the famous Sung poet and painter PO Yu-sim, ‘Legends have attributed to him magical powers, and he is supposed to have appeared and disappeared in all the \n\nIn the introduction to his Anthology of Chinese Literature, Vol. 2 (New York, Grove Press Inc., 1972) Cyril Birch writes 'Scholar-officials were subject to a life of movement, and no one could travel very far without lighting on a place celebrated in the verse or prose of an earlier visitor. It might be a hilltop temple or a lakeside pavilion, a mountain pass or an ancient battlefield, a city gate or a particularly awesome cliff. (p. xxvi).", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208486, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 210, "title": "RAS-1978", "content_text": "194 \n\nNOTES AND QUERIES \n\nare in rural areas. The major Sheng Gong cult temple in Taiwan is in Taiwan City, from which place his portable image is taken by sedan chair to other cult temples in the vicinity to renew the efficacy of the images there. Evidence of the presence of his cult has been seen, too, by the writer in Sarawak, Brunei and Indonesia, in Thailand, Vietnam and Cambodia.\n\nSheng Gong is a comparatively little used short form for the local Fujian cult of Guang Ze Zun Wang (廣澤尊王) whose full personal name was Guo Zhong-fu (郭忠福) and who is equally well known as Guo Sheng Wang Gong (郭聖王公); hence the \"Sheng Gong.\" He has some half a dozen other titles but all with a very limited local use, apart from Bao An Zun Wang (保安尊王). This is occasionally included in the title of his temple (*\n\nas compared with the more popular title of the Phoenix Mountain Temple (鳳山寺). He should not be confused with another and entirely different Fujian local cult deity, Hui Ze Zun Wang(惠澤尊王)\n\nThe Saintly Guo's image is not difficult to recognise as it has certain characteristics which, whilst not individually unique, together identify him at a glance. He has a youthful, clean-shaven face; is seated dressed in robes over armour with his right foot raised parallel to the ground, pointing towards his left leg at knee height. His face is a dark red and he has protruding round eyes.\n\nThere are two images of the Saintly Guo in the one temple in North Point, Hong Kong. One is the main, large image swathed in embroidered robes donated by devotees, and the other is a small wooden carving on the main altar before and between Guo and his consort. Neither were easy to photograph, and therefore I have gone through some old photographs, the best of which is to be seen at illustration at the back of this volume.* In this photograph Guo is the main deity on the altar of a temple in Seremban, West Malaysia, flanked by two other images of another Fujian local cult, Fa Zhu Gong (法主公). Guo is prayed to for the usual blessings though in certain temples he is specifically looked upon as a healer of the sick, a protector of children and as a wealth god for businessmen. He is also the patron of those who bear the same surname as himself.\n\n* Plate 22.\n\nPage 210\n\nPage 211", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208487, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 211, "title": "RAS-1978", "content_text": "NOTES AND QUERIES \n\n195 \n\nGuo's cult centre was at Phoenix Mountain Monastery (4 +) near Nan An, a county capital some 15 miles inland from Chuan Zhou, the prefectural capital on the coast of Fujian province opposite Taiwan. Though Chuan Zhou lies only forty miles up the coast as the crow flies from Amoy, before the advent of buses travel between those two cities took several days. Immigrants to South-east Asia took the Saintly Guo with them, and wherever his temple is to be found you can be certain that the local populace includes a fair percentage of Nan An, Chuan Zhou and Amoy settlers. \n\nHe is usually seen on altars, as he is on the Hong Kong altar, sitting beside his consort and with his parents behind him and two unnamed male servants before him. \n\nHis festivals are celebrated on his birthday the 22nd of the second lunar month, and on the 22nd of the eighth lunar month, the day he was whisked away to Heaven and achieved Tao. \n\nGuo has two or three legends describing his origins and life. Some readers will have heard all or parts of these differing legends connected with various deities. The main one relates how Guo was born in Nan An district during the Sung Dynasty where he grew up with his poverty-stricken widowed mother. She worked as a maid for a rich but unpopular man who, as did all very rich heads of families, also employed his own feng shui specialist (a form of fortune adviser) who provided advice and plans for each day. The feng shui specialist foretold that the child Guo who worked as a goatherd, would have a great future, and would inherit everything from the rich man, as Guo's family had been pious, honest and good for three generations. The question posed by the rich man after he had heard this prognostication from the feng shui specialist was \"would Guo prefer to be a great man for one generation\", or \"ashes and incense forever?\" (In another version it was Emperor for one generation and Duke or King for many generations). The feng shui specialist secretly explained to Guo which was the best plot in the rich man's acres, the plot with the most auspicious characteristics. Here he was to bury the remains of his dead father. To obtain the plot Guo indentured himself to the rich man for a fixed period without the rich man realizing the auspicious nature of the site. After years of hard work Guo was able to bury his father in the plot, earning the", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 210994, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 56, "title": "RAS-1987", "content_text": "31\n\n- fort was built at the head of the beach.' Its strategic, administrative and economic position remained relatively insignificant until the British occupied Hong Kong Island in 1841. In 1843, after the ratification of the Treaty of Nanking, the hsün-chien (Assistant Magistrate) of the Hsin-an county, with administrative responsibilities for 491 villages, was transferred there.2 Also transferred there was the Commodore of Ta-p'eng, the chief military officer of the county, and the garrison was increased to 150.3\n\nIt soon became apparent that these measures were not enough. In 1846, Ch'i-ying, the Governor-General of Kwangtung and Kwangsi, further memorialized the imperial court pointing out the exposed position of the site, and suggested constructing a “walled-city” (tsai-ch'eng) mounted with cannon. He also proposed building offices and barracks, not only to provide accommodations for the civil and military personnel who had hitherto been billeted in private homes, but also facilities for drilling. Such measures, he felt, would have a “constraining effect” on the barbarian base in Hong Kong, and would greatly strengthen the coastal defence of the area.\n\nThe wall was completed in 1847, and the “Kowloon Walled City\" came into being.\n\nReports on the dimensions of the wall varied. As described by James Stewart Lockhart, who reconnoitred the newly leased territory in 1898, it formed a rough parallelogram measuring 700 ft. by 400 ft., enclosing an area of 6.5 acres. It was built of granite ashlar facing, 15 ft. in width at the top, and averaged 13 ft. in height. There were six watch towers and four gateways, with doors of wood lined with iron sheeting. Officially the main gate was the South Gate over which the four characters “Chiu-lung tsai-ch'eng” (Kowloon Walled City) were engraved, but it seems that the East Gate, which opened onto the market place, saw the most traffic. The parapet had 119 embrasures and an unknown number of cannon were mounted. At a later date, the wall was extended from the northern corners up the hill behind, forming the apex of a triangle at the top. The knoll, known both as White Crane Hill and Twin Phoenix Hill, had a number of romantic legends associated with it.4 With large boulders perched precariously on its slopes,", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211076, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 137, "title": "RAS-1987", "content_text": "112\n\nA HOKLO WEDDING\n\nVALERY M. GARRETT\n\nDuring one of our many visits to Sha Tau Kok with Roger, my Hoklo-speaking assistant, to seek out traditional Chinese clothing for the Hong Kong Museum of History, we learned that a wedding would take place on Tuesday, 24th May 1988, for one of the families living in the squatter area of Yim Liu Ha. This is a district within Sha Tau Kok populated by approximately 3,000 Hoklo people who were due to be transferred to new blocks of rural housing during the latter part of 1988 onwards.\n\nWe were advised to arrive early, and so at 9:30 am on the appointed day we made our way through the village. It was easy to spot the home of the bridegroom, a hundred yards down one of the narrow streets, for around the doorway was draped a narrow length of red cotton, while in the centre, hanging from the lintel, was a freshly cut leg of pork. This was the home of Mr. Lee Sau Choy (李壽財), aged 29, who lived with his parents, three younger brothers, and two younger sisters. His parents were former boat people who had come ashore and settled in Yim Liu Ha some thirty years ago, although his father had continued to go to sea until fairly recently. Mr. Lee worked in Fanling as a fireman, and it was near there, at Kwan Tei, that his bride lived, Miss Lai Miu Han (黎妙嫻), aged 27 and a locally born Cantonese.\n\nThe marriage had already been registered in Tai Po, and the question of dowry settled. This had been in two parts: the first was a sum of money paid directly to the bride's family of several thousand dollars; the second part consisted of some gifts of gold jewellery given to the bride which, combined with the bride's family's gift of jewellery, would be brought back to the bridegroom's home that morning.\n\nInside the house, on both the left and facing right wall, was hung a blanket known as hei-pei (喜被). Upon each blanket was stitched a cut-out double-happiness character in silver paper, with dragon and phoenix painted on it. Above the character on the blanket on the left-hand wall were stitched two rows of four $500 notes, while", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 212104, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 46, "title": "RAS-1990", "content_text": "23\n\n2\n\nChina: The Land and the People (New York, William Sloane Associates. 1948), pp. 152-153.\n\n3\n\nA most useful survey is given in chapter 4, Autonomous Hong Kong, 1972-1982, of Ian Scott's Political Change and the Crisis of Legitimacy in Hong Kong (London, Hurst and Company, 1989).\n\n4\n\nMy government service was mostly spent in departments and in direct contact with the population.\n\n5\n\nLin Yutang, My Country and My People (New York, Halcyon House, 1938), pp. 203-206.\n\n6\n\nMy The Hong Kong Region 1850-1911: Institutions and Leadership in Town and Countryside (Hamden, Connecticut, Archon Books, 1977) and The Rural Communities of Hong Kong: Studies and Themes (Hong Kong, Oxford University Press, 1983) are directed at this theme. See especially the Introduction to the former, at pp. 11-13. See also David Faure, \"The Hong Kong History Project”, Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 27 (1987), p. 261.\n\n7\n\nPersonal letter from Walter Schofield (1888-1968) dated 27 July 1962.\n\n8\n\nAustin Coates, Summary Memoranda on the Southern District of the New Territories, Spring 1955 (Unpublished). He was District Officer between May 1953 and July 1955.\n\n9\n\nEverard Cotes, Signs and Portents in the Far East (London, Methuen & Co., n.d. but 1907), pp. 110-111,\n\n10\n\nRev. R.H. Graves, D.D., Forty Years in China, or China in Transition (Baltimore, R.H. Woodward Company, 1895), pp. 18-19,\n\n11\n\nReginald F. Johnston, Confucianism and Modern China (London, Victor Gollancz Ltd., 1934), p. 66, citing Mencius, Book 1, Part 2, Chapter viii.\n\n12\n\n13\n\nStuart Schram, Mao Tse-tung (Harmondsworth, Penguin Books, 1967), p. 21.\n\n14\n\nHerbert Giles gives numerous examples in the chapter \"Democratic China\" at pp. 75-106 of his China and the Chinese (New York, The Columbia University Press, 1912). Many others are cited by Kung-Chuan Hsiao, Rural China, Imperial Control in the Nineteenth Century (Seattle, University of Washington Press, 1960), pp. 433-440.\n\n15\n\nI am uncertain whether this record was engraved on a stone which has since been lost, or whether it only ever existed on paper. Either way, the original is now lost, and I cannot now recall who was kind enough to give me a copy.\n\n16\n\nMy early lectures came from male and female indigenous New Territories villagers living in remote places at a time when modernization had not yet set in; it was seemingly part of the tradition.\n\n17\n\nIn Leonard A. Lyall, China (London, Ernest Benn. 1944). p. 99.\n\n18\n\nE.R. Hughes, The Invasion of China by the Western World (London, Adam and Charles Black, 1937), p. 157.\n\n19\n\nArthur H. Smith, China in Convulsion (Edinburgh, Oliphant, Anderson and Ferrier. 1901), Vol. 1, p. 6. Striving to convey to his readers and listeners the power of these teachings, he explained that ... the tenets of Confucianism, as a whole and in detail, [are] intellectually and psychologically appropriated by the Chinese as on a par with a law of nature.\n\n20\n\nYang Kang, Daughter, An Autobiographical Novel, (Beijing, Phoenix Books: Foreign Languages Press, 1988) pp. 225-226, and see also pp. 67-74, 80-83 of this fascinating book.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213299, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 121, "title": "RAS-1994", "content_text": "101\n\ndivine powers of nature. Design methodology and fung shui lore for buildings, much of which has been handed down from generation to generation, although not entirely rigid, can be as stringent as any building ordinance. Much is, however, intended as a guide. Some sociologists will tell you that fung shui can provide lessons even for present day western planners.\n\nOrder, logic and intuition have helped shape picturesque Chinese villages. Moreover, fung shui has sometimes restrained villagers from taking unwise ecological decisions. It has led to nurturing reasonably sound environmental practices and the establishing of well-planned settlements years ahead of their time,\n\nWhen choosing a site of a dwelling, using fung shui principles, the whole process of selection is ritualised and certain symbols are conventionally recognised. Nevertheless, owing to cultural or other differences, a Chinese may visualise something different in a tree or a boulder, such as the head of a dragon or the form of a phoenix, compared to an Englishman.\n\nA woman once retorted to the author\n\n“All cultures have their customs and beliefs. In Germany we dislike the number 13, breaking a mirror and so on. Customs have to be respected.”\n\nIn spite of such accepted differences Westerners sometimes make decisions, unknowingly, which may resemble to a degree Chinese fung shui. These decisions (later translated into acts such as placing certain objects in specific places) may be formulated by Caucasians either in a logical or intuitive way. The difference is, however, that, among the Chinese, such needs and instincts concerning fung shui have been identified and codified to form, over centuries, a properly documented system. Much is based on self-evident propositions.\n\nThe principles which regulate the cosmos, like the lunar calendar, are well understood. Some events are subjected to exact treatment in set ways. Experts sometimes, however, combine elaborate content and imagery with ingenious thought and intense feeling. These can result in geomantic hypochondria with a client going from one master to another to find in fung shui what he or she wishes to find. Fung shui can also act", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 214316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 174, "title": "RAS-1998", "content_text": "138 \n\nLegends surrounding the birth, life and death of Xu Sun are numerous, complicated and tangled stories. Just before his birth his mother is said to have dreamed that a golden phoenix dropped a pearl from its beak into her hand. A popular story claims that he was born either in Henan province or at Nanchang in Jiangxi, ca AD 240 where he lived out his life as a saintly doctor. Xu Sun passed the imperial examinations, became a prefect of a district and distinguished himself by his benevolence. According to some versions, his popularity was due to his power and ability to heal diseases using secret preparations. Others claim that he was an official who, having served in Sichuan province, died in about AD 293 or AD 374 when still only in his fifties. In another version, a typical mythological finale to a virtuous and extraordinary life, he died at the great age of 134 and was borne off to Heaven 'together with his wives, children, dogs, chickens and beasts'. \n\nMembers of the Daoist Jingming sect claim that he was the founder of the cult with its centre at the temple dedicated to him in Nanchang city. This no longer exists; however, a temple dedicated to him in the small town of Xi Shan [Western Hill] some twenty miles south-west of Nanchang, is the present cult centre. A large notice before his altar in the temple informs devotees that he lived during the Eastern Jin [317-420 AD] and during a twenty year struggle managed to solve the problem of annual flooding in the province and that he should be revered mainly for his success in water conservancy in northern Jiangxi, particularly around the Boyang Lake. The notice also claims that he lived for 136 years. \n\nHis cult centre in Xi Shan is now a bustling temple complex with two main halls and some four lesser halls set in large grounds. The two large main halls, side by side, are dedicated one to Xu and the other to the Jade Emperor. The inside walls of the hall dedicated to Xu are lined with some twenty or so anonymous minor perfected lords whilst the Jade Emperor's hall is lined by sixteen guardian generals, again unnamed. The Jade Emperor is flanked by four major Daoist deities, the philosopher Lao Zi; the founder of the Heavenly Master sect Zhang Daoling; the doctor of the Eight Immortals Lü Dongbin and the Northern Emperor, Zhen Wu. The main altar in Xu's hall bears two images of Xu, one tall gilded statue of Xu standing, and a smaller, portable image of him sitting swathed in red robes. Neither has any unique characteristic and he is depicted with a black beard, pink face and holding a tablet in both hands before his chest. He is attended by two youthful attendants.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 214, "title": "RAS-1998", "content_text": "179\n\nwas the decapitation of a Fox Fairy, possibly the wicked King's concubine, Dan Ji. In legend the spirit of a fox inhabits the body of a beautiful young woman who then bewitches and captivates men. When killed such woman immediately revert to their fox body origins. In the exhibit the young woman is standing and as the sword descends her head rolls off and rolls about on the floor before immediately reverting to its original position on her body. The boys were only too delighted to press the button to cause the head to roll again and again. Another was the birth of the Third Prince out of his caul. In legend he is born an apparent monster but after a swift slash with a sword the caul opens and the child emerges. Once more the boys played this for us several times.\n\nThis was possibly not the most ideal way to be introduced to the Fengshen Yanyi. A year or so earlier my daughter and I heard of the small temple dedicated to Zhou Gong, located at the foot of Phoenix Mountain in a rural area north of Qi Shan in Shaanxi province. We drove there to find in the main hall of a memorial temple, which had just been renovated, an image of Jiang Ziya flanked by two mythological deities, Na Zha and Yang Jian [see Note 8]. The first of the two, is a seven year old youth who caused havoc in Heaven and, better known as the Third Prince. He is nowadays the primary guardian of temple altars in Taiwan where his image stands on the altar table before the main altar. His is a traditional story tracing the age-old conflict between generations, and conflict of power and responsibility. Yang Jian has certain magic powers, which he used during the conflict but is also regarded as a potent deity who protects against demonic attack. He is often referred to as Er Lang, and he and his small dog are to be seen in a number of temples and in many he is regarded as the patron deity of dogs. The murals across the whole of the main hall's side walls depict episodes from the Fengshen Yanyi complete with Jiang Ziya first mobilising the deities of heaven to help the Duke Fa, and finally, the scene of the Investiture itself on the Terrace of the Investiture.\n\n10\n\nA number of temples in the central-west of China used to contain large gilded 'mountains', carved structures representing a mountain with crags and caves on which were superimposed a number of carved wooden gilded images of Daoist deities. The vast majority of these were also characters from the Fengshen Yanyi.11", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214476, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 334, "title": "RAS-1998", "content_text": "HMS \"Phoenix\" 1906 Typhoon Hong Kong\n\n \n302", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214969, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 65, "title": "RAS-2000", "content_text": "21\n\nTEA, IVORY AND EBONY: \n\nTRACING COLONIAL THREADS IN THE INSEPARABLE LIFE AND LITERATURE OF HAN SUYIN\n\nTERESA KOWALSKA\n\nHan Suyin, medical doctor and fierce Chinese patriot, is the grand dame and doyenne of Chinese writers, born and brought up in pre-communist semi-colonial Old China, and has devoted over fifty long years, in a splendid literary career, to the interpretation of her beloved and largely misunderstood motherland China to the Western world. In spite of perfect fluency in French, Mandarin Chinese and English, she decided to write in the latter language in order to reach the largest possible audience. Her ultimate intention has always been to build bridges of communication and understanding between East and West, and her much under-estimated artistic and intellectual contribution has added a non-Eurocentric reflection on modern history of the Far East and South-East Asia to the treasury of contemporary global thinking. Maybe the humiliating touch of quasi-colonial atmosphere in Peking of her childhood and adolescence spurred her to undertake this challenging task of becoming an outspoken ambassador of her nation in front of the outer, fairly prejudiced and occasionally hostile world. Her inner independence irritated many, provoking accusations of being a communist, or a communist sympathizer at least. The artist's answer to these unfounded objections and simultaneously her meaningful artistic as well as human credo is contained in the below cited fragment of Chapter Eleven from Phoenix Harvest, volume five of her powerful six-volume epic cycle on modern history of China:\n\nI have had to live by what was imprinted in my cells, remaining averse to and suspicious of high-flown abstractions, but totally engaged to that smell and savour and warmth, that feel of the tide, blood beat, which is for me the people of China. With others, exultant ideologies may have priority, but it has never been so with me. I shoulder and make do with systems, with ideologies. I am not committed to any. Only one thing concerns me: in the great sweep of history, will this or that system have been another step forward for the Chinese people? They are the only 'side' I am on.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 214975, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 71, "title": "RAS-2000", "content_text": "27\n\nTungtang):\n\nPapa gave in, and Rosalie [Suyin] and Tiza [her younger sister] went to the Catholic Chinese school; every morning there was half an hour of Bible story, and in this version St. Joseph and the Virgin Mary were Chinese, born in Shantung province.\n\nRosalie asked: “How can this be? The Western School says born in Judea, and the family were all Jews.\"\n\n\"That's what they say, but we here believe it is in Shantung,” replied the Chinese lay-sister who taught Catechism.\n\nRosalie was not happy, and talked to the other children about it, and three days later Mother Superior sent for her after school and told her to stop asking questions.\n\n“You must understand, my child, that the others don't know any better. They are Chinese.'\n\nThe devastating atmosphere of her childhood years made Han Suyin write a bitter paragraph in Chapter 11 (The End and the Beginning), taken from volume five, Phoenix Harvest. In this episode, she describes the family's difficult life in pre-revolutionary China:\n\nTheir [Han Suyin's parents'] decades together were of sorrow and pain and insecurity, of war and running away and making do; and seeing their children despised for being Eurasians. Only I had the courage (or the foolishness) to scream against the general contempt for Eurasians, \"But we are the future.\"\n\nIn her early teens, Han Suyin had the courage to think of a sky-high virtually impossible dream for a female Eurasian in pre-revolutionary China, namely of becoming a medical doctor. In order to at least partially finance these very costly studies, she first had to learn typing and shorthand writing, and then got a secretarial job with P.U.M.C. (Peking Union Medical College). At P.U.M.C., this child of barely fourteen was immediately confronted with inequality in payment for equal accomplishment, depending on the employee's racial status, white, Eurasian in various different proportions, or simply Chinese. In Chapter", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215399, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 176, "title": "RAS-2001", "content_text": "Peacock \n\nBALAUDAMA* (RAS \n\n* A*MMERMERAD \n\n125 \n\n. An emblem of beauty, sometimes used in place of the phoenix. The phoenix's appearance in Chinese history is common and “liable to glorify a peaceful reign or flatter a successful ruler\". The peacock's feather decoration was granted for meritorious services and contributions to charity. The feathers had 3, 2 or 1 \"eye\" according to the grade conferred. \n\n: Flower of riches and honour; emblem of love and affection; omen of good fortune, \n\nPeony \n\n牡丹花,代表富贵,所以又稱國色天香, \n\nPlum blossom: Purity, nobility, constancy, modesty. \n\nKAHA AA· KOAXAC \n\n懷若谷。 \n\nSilk \n\n: \n\nThe silkworm is an emblem of industry and its product is symbolic of delicate purity and virtue. \n\n蠶緣強勤,它產的絲象征純潔的德行。 \n\nSilver \n\nBrightness and purity, a measure of value. \n\n***COMK HAMUN - \n\nVine and grapes : Symbolises abundant harvest of all food crops. \n\nFuk (fu) : Luck, Luk (lu) : Prosperity; Sau (shou) : Longevity \n\n福:幸福、祿:富貴、壽:長壽 \n\nBibliography \n\nJulian Lloyd Webber. Beatrice Harrison: A Pioneering Spirit of Her Age. The Strad, December 1992, p.1172. \n\nMargery Perham and Mary Bull (eds). The Diaries of Lord Lugard. Vols 1-3. London: Faber and Faber, 1959. \n\nMargery Perham and Mary Bull (eds). The Diaries of Lord Lugard, Vol. 4. Illinois: North Western University Press, 1963. \n\nC. A. S. Williams, Outlines of Chinese Symbolism and Art Motives. Third Revised Edition. New York: Dover Publications Inc., 1976.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215726, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 25, "title": "RAS-2002", "content_text": "CONTRIBUTORS\n\nAndrew Abraham, is a noted Singaporean academic.\n\nPaul Bolding, works as a financial journalist at the news and information organisation Reuters in London. He has been with Reuters since 1974. He lived in Hong Kong from 1993 to 1997 and has travelled widely in Asia. Mr Bolding has previously worked in Europe and the Middle East including Brussels, Berlin and Nicosia. He is a co-author of the Insight Guide to Turkey (pbolding@onetel.net.uk)\n\nJulia Chan, is the Hon Librarian of HKBRAS and a member of Council (jlychan@hkucc.hku.hk).\n\nChohong Choi, obtained a B.A. in History from Queens College of the City University of New York, and an M.Phil. in History from the University of Hong Kong. He is currently a research assistant in the Department of Real Estate & Construction at HKU.\n\nThe late Arnold Graham, was an old China hand. He was well known for his steady stream of Letters to the Editor in Hong Kong under the pseudonym Ancient Gweilo (a play on his initials). He donated a large number of books to the Library of HKBRAS in 1994. He ultimately relocated to New Zealand where he passed away in 1996.\n\nPeter Halliday, was formerly an assistant commissioner with the Hong Kong Police Force and its chief information officer for over six years. He now heads his own information technology consulting and training company, Elite IT Services Ltd. He is the Hon Editor of HKBRAS and a member of Council (Peter.Halliday@e-liteitservices.com).\n\nPeter Hansell, is an active member of the Friends of HKBRAS in Great Britain.\n\nPaul Harrison, started his conservation career as a volunteer at Leicester Museum, U.K., in his school holidays. He has a B.Sc. in Archaeological Conservation and a M.Sc. in Archaeometallurgy from the Institute of Archaeology, now part of University College London. He has also worked for the Scottish Urban Archaeological Trust, the British School at Athens in Crete, studying an ancient Minoan City - Palaikastro - and Bradford University's Department of Archaeological Sciences. He was formally with the Central Conservation Division (Metals), Museum of History, Leisure and Cultural Services Department. He now heads his own conservation company, Phoenix Conservation Ltd., (paulehar@netvigator.com).\n\nxvi", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216033, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 332, "title": "RAS-2002", "content_text": "266\n\nand on as far as the coast of Africa bringing back treasures which included the first giraffe. These expeditions would have sailed past Zhenjiang and must have been a sight to behold.\n\nToday Zhenjiang is twinned with Tempe, near Phoenix in Arizona. Presumably there is a common factor linking these two places but whatever it might be has escaped me.\n\nHostile incursions up the Yangzi\n\nDown the centuries many raids by Japanese pirates on the eastern Chinese seaboard, some large scale but mostly small, led to the permanent awareness and terror amongst the Chinese along the coastline. The Yangzi estuary was not spared and on a number of occasions they even penetrated up River as far as Zhenjiang. Having been beaten off during the 12th century they reappeared in force during the early 13th century, and in 1419 they were beaten decisively and piracy stopped for a while. The Japanese were again defeated in 1542 by Yu Dayu, however, they reappeared in force in the Yangzi in 1550 capturing Zhenjiang before going on to threaten Nanjing. For three months they plundered the Zhenjiang area before retiring with their booty. For many a year the hills around the city each had beacons ready to fire to warn of impending Japanese attacks. - and by the end of the 14th century their depredations were recurring annually.\n\nA major incursion up the Yangzi was made in 1629 by a naval force despatched by Zheng Zhilong, the father of Zheng Chenggong, better known to foreigners as Koxinga and Taiwan's most famous hero. Koxinga was a child of destiny, a seagoing warlord who opposed and fought the newly-established Manchu Qing dynasty on the mainland from his base in Taiwan. He finally established a new mini-dynasty which ruled Taiwan for some twenty or so years. His father, Zheng Zhilong [1604-1661], had been a notorious Xiamen [Amoy] Chinese pirate chief who had made a fortune through his trading and piracy, raiding the shipping and settlements of south China with his fleet of pirate raiders and trading junks. The Ming authorities, to tame him, allowed themselves to accept his offer of service and were forced into making him an admiral and a marquis in charge of the suppression of piracy - and thus drew his teeth.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]