[
    {
        "id": 208492,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 216,
        "title": "RAS-1978",
        "content_text": "200\n\nNOTES AND QUERIES\n\nANCESTRAL IMAGES*\n\nI have been fortunate enough to come across a most interesting book, \"Religious Art in Taiwan\" (in Chinese) by LIU Wen-san.† In it, amongst many other things, LIU describes several 17th Century wooden figures, some 18\" high, which he discovered on the Pescadores. His photographs show images of elderly people, devoid of any colour and ravaged by time. I have translated part of his short article on them as it amplifies my Note on ancestral images.\n\nThe Contemplative CHANG Pai-wan (張百萬)\n\nIn Taiwan, not only temples but also homes have gods and ancestral tablets. Ancestral worship, a major characteristic of Chinese culture, is to show gratitude to the ancestors for bringing us up, and to mould us so that we do not shame them. Some people even have images made of their ancestors. The writer visited the old home of the legendary CHANG Pai-wan, a poor fisherman who lived over 300 years ago, in Pai Sha on the Pescadores.\n\nOne day in a cave CHANG saw large numbers of black bricks and took a few home, only to discover that they were black gold bars. To prevent others from finding out, he took only a few bars home each day until after a month he had moved the lot into his small home.\n\nNow a wealthy man, he bought several hundred acres of land and the long string of bullock carts he owned filed past his home before dawn each day. Unfortunately they also had to pass the home of another rich man, a Mr. WU, who took CHANG to court for disturbing peace. The court case, a stalemate, led WU to suggest to CHANG that they see who was the richer of the two, the richer being the winner. The arrangement was for both WU and CHANG to take their gold to a nearby bay and one by one cast their bars of gold into the sea. Whoever was first to have no more bars left was the loser. CHANG emerged the winner.\n\n* To be read in conjunction with the article at pp. 47-54\n†台灣宗教藝術, 劉文三 (雄獅圖書股份有限公司) 台北 1976",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    {
        "id": 208493,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 217,
        "title": "RAS-1978",
        "content_text": "NOTES AND QUERIES \n\n201 \n\nCHANG'S descendants did not know his name, and so he was simply called by them Millionaire CHANG (...). When the writer first saw the images of CHANG and his family they were covered with dust and cobwebs. There was also a wooden carving of an award from the Emperor of that time. CHANG'S images in the bedroom, and parts of the other images, reflect the mood prevailing at that time. CHANG'S image in particular depicts him as a contemplative but determined old man.\n\nHis image depicts him seated, his forehead is high and long, his face too is longish; he has a slightly protruding jaw and thick lips which appear to be smiling. His head is inclined slightly to the left; his shoulders are level and his arms lowered with his left hand on the arm rest of the chair while his right hand rests on his lap. He wears the everyday robes of the man in the street, and despite the age of the image the carving is still well defined.\n\nThere was also an image of a female, probably his daughter-in-law, and another of a younger man dressed in official robes, perhaps CHANG'S son. Both these latter two have been carved by the same craftsman and probably at the same time. However, the image of CHANG is older. All in all, the three are rare works of art.\n\nThere are no descendants left of the CHANG family in the old house, and the images are worshipped by people in the neighbourhood. The writer found a woman of about 30 who claimed that she was one of CHANG'S descendants but she knew nothing about the legendary figure. Whether she was or not, the images are of great significance in Taiwanese folk art.\n\nA large number of people on the Pescadores 300 years ago were of Fukienese origin and whilst we do not know the ethnic origins of CHANG Pai-wan, it is probable that he was either of Fukienese or Ch'ao-chow origins.\n\nIn addition to the discovery of these 300 year old ancestral images, I have also seen a couple, husband and wife, carved in wood, seated on the front of the ancestral shelves in the Hall of Remembrance at the side of the Cheng Hoon Teng Temple in Malacca (See Plate 23). There is no identifying detail and the temple keeper was unable to say who they were.\n\nThe man, sitting together with and on the right of the woman on a high-backed bench with sides, is dressed in blue robes bearing",
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    },
    {
        "id": 210074,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 45,
        "title": "RAS-1984",
        "content_text": "24\n\nJULIAN PAS\n\n46, and 54) or in two temples (B-12, 38 and 55). In a few older cities or towns one finds the richest variety:\n\nTainan: Taipei: Lukang:\n\n5 different sets (cp. Banck, who has 9) 8 different sets (cp. Banck: 12)\n\n3 different sets (cp. Banck 6)\n\nIn Banck's collection are also included the Pescadores (P'eng-hu) islands: he has 6 sets from there, whereas I did not collect there at all. The great variety in older centres of immigrant settlements indicates that those sets were very likely brought to Taiwan from different \"mother-temples” (tsung-miao) in the mainland; whereas in later times newly constructed temples took over the more popular sets available in Taiwan itself. In Taiwan, the more popular a cult, the larger the number of “daughter-temples” (fen-miao) it produced: that would explain the popularity of B-1 and B-2.\n\nTo summarize my findings, I'd like to combine the data shown in tables 3 and 4 and then conclude with some final considerations:\n\nTable 5: Joint Survey of Temple Oracles in Taiwan\n\n  \n    B-I\n    2\n    3\n    4\n    6\n    7\n    8\n    9\n    Other B\n    Not in B\n    Not Avail.\n    Total\n  \n  \n    Confucian\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    1\n  \n  \n    Taoist\n    1\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    1\n  \n  \n    Buddhist\n    \n    2\n    \n    6\n    \n    \n    \n    \n    \n    \n    \n    2\n  \n  \n    \n    158\n    71\n    8\n    2\n    1\n    3\n    6\n    4\n    22\n    \n    28.10\n  \n  \n    \n    5\n    11\n    \n    \n    \n    \n    \n    \n    \n    \n    291\n  \n  \n    \n    1\n    2\n    \n    18\n    \n    18\n    \n    \n    \n    \n    \n    18\n  \n  \n    \n    186\n    81\n    8\n    2\n    7\n    3\n    6\n    4\n    24\n    \n    \n  \n  \n    \n    6\n    30\n    \n    \n    \n    \n    \n    \n    \n    \n    357\n  \n\nOne important remark concerns the representative value of this survey: in my view, the sample taken cannot be considered to have general validity, except with regard to table 1 (and perhaps tables 2 and 3). A more detailed and carefully prepared research would produce a more accurate knowledge of the spread of the oracles. Taiwan nowadays counts between 4,000 to 5,000 registered temples, and a large number of non-registered shrines. Among the latter group are literally thousands of T’u-ti-kung shrines, sometimes small roadside chapels or altar-like structures, which have no oracle sets available.\n\nPage 45\n\nPage 46",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 211638,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 53,
        "title": "RAS-1989",
        "content_text": "28\n\nSheng Mu (玉皇聖母)\n\nOne of the more interesting arrangements is the main hall of the Temple of the Jade Emperor in Tainan. The Jade Emperor occupies the main altar with the San Kuan (Three major Taoist deities) immediately before him. On his left hand is his son, referred to as the Fourth Heir Apparent (Yu Huang Ssu Tien Hsia F) (see Plate 4) but without any personal name, and on his right is his grandchild, the Third Princess (San Kung Chu Niang, see Plate 5). According to the temple keeper she is the younger sister of the Jade Emperor's heir Yuh Huang T'ai Tzu, and her annual festival is celebrated before her altar on the 15th day of the third lunar month. The other children of the Jade Emperor are not represented. An image of the Jade Emperor's third daughter (see Plate 7), a princess whose name is not given, is the main deity on an altar in a temple in Pai Sha on the Pescadores Islands. On the same altar are four other princesses, said to be her sisters, but again without names. These four are lesser deities.\n\n10\n\nMrs. Goodrich was told by her Peking informant that Yen Kuang Niang-niang, the deity who watches over eyesight, was the sixth daughter of the Jade Emperor. Her image in the Temple of the Eastern Peak in Peking portrayed her carrying images of eyes in her hands. She has to be worshipped by a pregnant mother or her child will be born with incurable eye trouble.\n\nIn another temple on the Pescadores, the Lung Tu Temple in Makung, the Third Prince of the Jade Emperor is the main deity on one of the major altars. He is flanked by smaller images of the First, Second, Fourth, and Fifth Princesses (Ta, Erh, Ssu, Wu Kung Chu). This Third Prince Yu Huang San T'ai Tzu should not be confused with Na Cha, who is also referred to as the Third Prince (Nacha San T'ai Tzu). The third son of the Jade Emperor is portrayed as a seated, beardless, middle-aged man holding an unsheathed sword vertically before his chest and with his left hand raised to shoulder height making a mystic sign. He is wearing a high, round-topped cap with a bead-screen, and has four flags signifying his military rank in a rack across his back.\n\nThis same deity, Yu Huang San T’ai Tzu, has been noted with an image of the Taoist deity, the Saintly Mother (Sheng Mu) on a side altar in the main hall of a large folk religion temple in Manila.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211651,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 66,
        "title": "RAS-1989",
        "content_text": "41\n\nto cure a member of the family before being returned to the temple altar with an offering. This service is available in Wang Yeh temples where the main deity is a Pestilence Wang Yeh and the row of small portable images of Pestilence Wang Yeh on the altar table before the main altar is available for devotees. The individual images can be any one of those available from the altar itself or from the altar table. Which image should be taken is determined by the Pestilence Wang Yeh who reveals his decision through his spirit block response. In a temple on a Singapore housing estate, all five images had been borrowed and the altar was bare apart from the outlines of the bases of the Wang Yeh images in the dust. In a very few homes, an image of the Pestilence Wang Yeh is maintained permanently on the family shrine, having been carved specially for the family at their request.\n\nImages of the Pestilence Wang Yeh's consort have been seen on altars in several temples in Taiwan. In Lukang, in the Shun Yi temple, the main deity, Shun Fu Wang Yeh (**E**) is accompanied by five others, T'ien, Ting, Chu, Ma, and Chin (BT✯54), and his consort Shun Fu Wang Yeh Fujen (KƒÆÂ). All six Wang Yeh are regarded by the temple keeper as Pestilence Wang Yeh, and although the main deity's consort is offered incense by devotees, she is not approached for benefits. Sometimes the consort is simply a small image of a matron and merely known as Fu Jen Ma (AA) without a surname.\n\nIn a number of South-East Asian Chinese rural temples, both corrugated iron structures and shophouses, one or three (and never two unless one has been borrowed by a devotee) Pestilence Wang Yeh images have been noted interspersed between other unconnected deities, often in addition to the main deity, whoever that might be, in no particular order and in no way connected. This again is private enterprise on the part of the temple keeper, often a poor peasant who has taken advantage of a gap in the local requirement for protective deities and who started up his own small temple from which he obtains sufficient petty cash to keep the wolf from the door.\n\nGenerally speaking, the deployment of Wang Yeh temples has followed the progress of the spread of Fukien people within Taiwan and South-East Asia. The most densely deployed areas in Taiwan are the Pescadores and Tainan, and to a lesser extent in the Chia I, Yunlin, and Kaohsiung coastal areas. The origins of these temples are related to the traditional practice of 'Fang Wang Chuan', the setting forth of the Wang Yeh Spirit",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 73,
        "title": "RAS-1989",
        "content_text": "48\n\nOne of the more interesting Wang Ch'uan is in the Hai Ling Temple on the Pescadores. In Tainan there are some boats as big as small buses, and at the Ma Tsu temple at Lu Erh near Tainan, there is a multi-storey boat. The captains and crew of the large wooden models are portrayed by small images, the largest being the captain dressed in Ch'ing mandarin robes, seated in an open cabin on the aftercastle overlooking the whole junk. The crew consists of sailors manning the ropes and tiller, and marines with weapons including cannon. The captain (or comptroller) of the Pestilence Wang Yeh junk is sometimes portrayed holding a writing brush and scroll. One such image in Tung Kang is seated on a throne on a small altar table before his large and magnificent boat, smoking a real cigarette which smoulders down to a stub before being replaced by one of the temple staff.\n\nSimilar images make up miniature military units representing the armies of the Pestilence Wang Yeh; some dozen or so soldiers in V formation with a senior officer at the apex (see Plate 12). Such armies of the Pestilence Wang Yeh, to be seen only in Taiwan and not in South-East Asia, consist of tamed and therefore 'good' demons and are portrayed on side altars on a few temples only. One temple keeper explained that the Pestilence Wang Yeh soldiers were all difficult spirits of dead humans who had been beyond reform during purgatory, but who had been invited to join the army of the Wang Yeh on condition that they would obey orders implicitly, and in return they had been promised rehabilitation and even the possibility of rebirth to the human world should they toe the line. They are referred to as depraved or evil spirits (Hsieh shen 邪神).\n\nThe armies are led by generals and marshals under the overall command of the Wang Yeh. The armies referred to as 'The Office of Military Affairs' (Chung Chun Fu), the main defensive forces for the prefecture in the fight against the demonic forces, are represented in some Pestilence Wang Yeh temples by a single seated image of an anonymous general surrounded by a varying number of soldiers in varying robes and uniforms, each small group of six or eight representing subordinate formations and units. In the Wang Yeh temple at Nan K'un Shen the Wang Yeh army is called “The Grand Defender of the Office of Military Affairs (Chung Chun Fu Chen Shou)\".\n\nThe Pestilence Wang Yeh army in the temple at Hsi Yu on the Pescadores consists of a general in charge, (Assistant Regional",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 212041,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 456,
        "title": "RAS-1989",
        "content_text": "Plate 7. The Image of the Third Daughter of the Jade Emperor in the Lung Te Temple on Pai Sha Island in the Pescadores.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212046,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 461,
        "title": "RAS-1989",
        "content_text": "清热量\n\nF\n\n雪保\n\n大约\n\nPlate 12. A miniature army: some 39 soldiers under a general on a side altar\n\nin a Wang Yeh temple on Hsi Yu in the Pescadores.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212047,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 462,
        "title": "RAS-1989",
        "content_text": "Plate 13. The image of the Pescadores Wang Yeh, Fan Fu Ch'ien Sui from the author's collection. The face is painted green stripes in white with red interspersed. He has a red beard and green hands.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 212658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 212,
        "title": "RAS-1991",
        "content_text": "193\n\nto and honouring the memory of Wang Te-lu, an Imperial fleet commander who helped clear the Straits of Formosa of pirates during the early years of the nineteenth century. The Wang Clan Temple in T'ai-pao village in Chia I county in central Taiwan was an elegant building first built during the late 19th century by the proud clan whose surname Wang Te-lu bore. It was rebuilt in 1979, this time a modern metal frame construction retaining the comparatively small single hall in which there is but one altar on which stands one large multi-ancestor tablet and three ancestral tablets. The flanking walls bear texts, with Wang Te-lu referred to in a number of the captions as Wang Ta-jen, i.e. His Excellency Wang, and paintings of Wang Te-lu stage left and of his primary wife stage right.\n\nAlthough we know little about Wang's early life apart from what has been retrieved from local folk memory which, as with all family recollections, is highly subjective and probably exaggerated out of all reality, we do have official records of the highlight of his life. This \"five minutes of glory\", depicted in a painting hanging in his Memorial Chapel illustrating the incident, was his victory over pirates who had been causing immense and terrible problems up and down the coasts of the southern provinces of Chekiang, Fukien and Kuangtung since the late 1790s. One pirate fleet in particular had sailed the Fukien coast under its dreaded Fukienese leader, Ts'ai Ch'ien. The Chinese Imperial naval commander, Li Ch'ang-keng, commanding the joint fleets of Fukien and Chekiang province, determined to suppress them, successfully defeated the pirates on a number of occasions but was killed in action in 1808, following which his two subordinate admirals, of whom Wang was one, were entrusted with continuing the task. Wang, in charge of the Imperial Fukien fleet, together with the Chekiang fleet under Admiral Ch'iu, fought the major battle in September 1808 near the Tai-chou islands off the Chekiang coast. The pirate fleet was destroyed with Ts'ai Ch'ien going down with his ship.\n\nWang was born and named Te-lu, literally meaning \"To become prosperous and happy\", in 1771, the thirty-fifth year of the emperor Ch'ing Ch'ien Lung, in Kiangsi's provincial city of Nanch'ang, and in later years acquired the courtesy name of Pai-ch'u, literally \"All Honours are concentrated within Him\"; and the literary name, Yü-feng, literally meaning \"The Jade Peak\". He died at the age of 71 in 1842 on the Pescadores, an archipelago in the middle of the Straits of Formosa, and having been borne in honour back to Taiwan, was buried in Hsin-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 212660,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 214,
        "title": "RAS-1991",
        "content_text": "195\n\nAgain according to folk memory pirates under Ts'ai Ch'ien raided the coasts of Taiwan plundering the towns from as far south as Lukang, up the coast to Tamsui, Keelung, Su-ao and even sailing up river to Manka [present day Taipei). However, strange to say they never attempted to loot the prosperous port of Lukang, possibly to avoid upsetting the merchants there who were already paying \"Danegeld\", and thereby provoking a major campaign against them, or because the pirates spent much of their time hiding along the coastal strip to the south of Lukang. Ts'ai Ch'ien provided the opportunity for Wang to take his place in history, as has been described above, when Wang, at the age of 37, killed the pirate leader and destroyed his fleet in 1808.\n\nIn 1842, during the First Opium War when it was feared that the British might attack and occupy the Pescadores islands, Wang, despite being 72, was asked to take charge of the fortifications. He died shortly after arriving there.\n\nThe large ancestral painting of Wang in the Clan temple portrays him sitting on a chair covered by a tiger skin, the finials of the chair's arms carved into dragon's heads. He is dressed in Court robes with a winter cap, a flared mandarin collar and a mandarin's string of beads. His rank is depicted by the button on his cap and the square on his chest; however, the badge shows a form of dragon, which is only worn by members of the extended royal family, or under certain circumstances by Imperial Censors, whilst his cap button is plain coral as worn by the first class of mandarin. His honour, the Peacock Feather with double eye is clearly shown. He has a white moustache and goatee beard and a thin, aged face. There is no indication that he was a military official, rather it would seem he was a civil mandarin.\n\nAlthough his wife by rights should have had the same chest badge as her husband, the mandarin square in her ancestral painting is not only a civil badge, with a crane denoting a first class mandarin, but the bird is facing in the wrong direction. In practice, however, bird emblems were common to wives of both civil and military officials. These items suggest that the paintings were made many years after Wang and wife had died, and that the artisan who did the work was unacquainted with the niceties of rank, working as he probably did in the wilds of central Taiwan on numerous ancestral paintings for 'nobodies'.\n\nOne final story about the importance of Wang to the people of Taiwan is patently untrue but reflects how folk tales become garbled with the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    },
    {
        "id": 213081,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 149,
        "title": "RAS-1993",
        "content_text": "130\n\nTo eradicate this focus of infection, it was resumed by the Government the following year. In the subsequent re-development, the old houses were demolished and replaced by new ones provided with windows, privies and space in front and behind as required by newly enacted legislation. Many other actions were taken to deal with the situation. The whole of Hong Kong was subjected to a thorough cleaning up. The laws related to public health were amended to impose strict measures against the Epidemic, including compulsory reporting and removal of patients. To enforce this, house-to-house search was conducted by British soldiers, against the violent objection of the Chinese community who regarded it as unwarranted intrusion into the privacy of their homes. Additional hospital facilities for the isolation of patients were hastily made and as the epidemic progressed, more had to be opened up from time to time.\n\nWithin the administration, responsibility for the health of Hong Kong was divided between the Sanitary Board and the Colonial Surgeon at that time. The membership of the Sanitary Board was as follows: the Registrar General, the equivalent of a Secretary for Chinese Affairs, as Chairman, the Surveyor General, the equivalent of a Director of Public Works, the Captain Superintendent of Police, the Colonial Surgeon, and five other members. After the Epidemic broke out, a Permanent Committee was appointed to recommend necessary legislation and bye-laws for taking vigorous action. In the post of Colonial Surgeon, the equivalent of the present-day Director of Health, was Dr. P.B.C. Ayres who had held it since 1872. Under him was Dr. J.A. Lowson, whose diary we are going to look into.\n\nJames Alfred Lowson was born in 1866. He graduated from Edinburgh University in medicine in 1888 at the age of 22. He came to Hong Kong, probably in or before 1892, because in October that year he represented Hong Kong at interport cricket in Shanghai. On the return trip, his ship, the S.S. Bokhara, was sunk off the Pescadores in a typhoon. He and one other member of the cricket team were among only twenty-five survivors out of about 150 passengers and crew on board. In 1894, at the age of 28, his posting was medical superintendent of the Government Civil Hospital, at the onset of the Epidemic. At that time, in the medical and health service, there were only three full-time medical officers, Dr. Ayres, Dr. J.M. Atkinson and Dr. Lowson, in that order of seniority, assisted by some private practitioners on a part-time basis. In the March 1st entry of his",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
        "rank": 0
    },
    {
        "id": 215357,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2001",
        "page_number": 134,
        "title": "RAS-2001",
        "content_text": "823\n\n29\n\nSu Shi, probably better known as Su Dongpo, the scholar-statesman and poet, whose image has also been seen here in a village shop-house temple at Makung on the Pescadores Islands.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    {
        "id": 215556,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2001",
        "page_number": 333,
        "title": "RAS-2001",
        "content_text": "283\n\nan important strategic port for merchants.\n\nIn the process of competing with Macao as the doorway to China trade, Hong Kong had its moments of hesitation. It had its own internal problems to solve during the three decades after 1841, such as building roads, houses, godowns, and having to provide an attractive and safe environment for trade. Only in 1875, after Hong Kong had developed into a port which was busy receiving Chinese junks from the north as well as Japanese vessels from the East and European steamers from the West was the first lighthouse at Cape D'Aguilar constructed to facilitate the navigation route leading to its harbour.\n\nShips from the West\n\nTo build lighthouses was a need formed by several elements. First, the marine navigation route from Europe to Asia used to go round the Cape of Good Hope off South Africa. In 1869, the Suez Canal was opened for navigation, shortening the distance between Europe and East Asia by 20 to 30 per cent as well as cutting the cost, facilitating more frequent sea traffic.4 Secondly, the Industrial Revolution in Europe increased drastically the supply of consumer goods which, in turn, demanded more and more large steamships with greater speed to carry them. Thirdly, shipping costs depend not only on the size and speed of the vessel or the time needed for the transportation. Part of the cost goes to the insurance against the danger of shipwrecks. The safe route with good navigation aids affected the cost of the goods directly. Because of the above elements, the demand for building lighthouses on the sea route to Hong Kong became more pressing with the increase of trade.\n\nOld lighthouses\n\nBefore the setting up of lighthouses in Hong Kong there were already lighthouses in nearby waters. On the Eastern approaches to the Singapore Straits Horsburgh Lighthouse was established in 1851.5 Off the west coast of Taiwan located on Xi Yu Island of the Pescadores/Penghu Islands, the Fisherman Island Lighthouse (Yureng Tao Lighthouse) was set up as early as 1778.6 In Macao, the Guia lighthouse (Farol da Guia), built in 1865, claims to be the oldest on the China coast. These lighthouses, however, did not provide enough help for\n\n7",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    },
    {
        "id": 215580,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2001",
        "page_number": 357,
        "title": "RAS-2001",
        "content_text": "307\n\nand Monuments Office and the Government Marine Department and to everyone mentioned in the text. Without their help this paper would not have been written. Special thanks are also due to Yip Kin-sang Superintendent of Aids to Navigation of the Marine Department. Thanks are also due to many other helpful people including Master Mariners Roger Parry and Alan Lack, Dr James Hayes, Simon Lord, Paul Brown, Phillip Bruce, Louis Thomas and S J Chan. This paper would not be complete without photographs and those published here are indeed rather special. For these, a very sincere thank you to Charles Slater.\n\nNOTES\n\nPart One\n\n1. T. Roger Banister (1932). The Coastwise Lights of China, Shanghai: Inspectorate General of Customs, Statistical Department.\n\n2. Lee Krystek - http://unmuseum.mus.pa.us/pharos.htm\n\n3. Trinity House - http://www.trinityhouse.co.uk/\n\n4. A day in history - http://www.sis.gov.eg/calendar/html/cl171196.htm\n\n5. It was named after James Horsburgh (1762-1836), an eminent hydrographer for the East India Company, author of the book Sailing Directions, which became the most widely used nautical directory of Eastern waters during the first half of the 19th century. He was also a Corresponding Member of the Russian Academy of Sciences. The lighthouse has a cone-shape tower painted with black and white horizontal bands. http://www.lighthouseclothing.com/database/searchdatabase.cfm.\n\n6. It was rebuilt in 1875 in the form of a white conical cast-iron tower with black trim. The 30-foot high tower with lantern constructed of oyster shells had a light visible for 20.5 nautical miles.\n\n7. T.R. Banister concedes that the claim is good only in its literal sense. '...if we except such primitive lights as the old open beacon at north-east promontory, or the ancient native light on Fisher Island in the Pescadores. The Tungsha Lightship, in the Yangtze Estuary, was established in 1855, and the Taitan Light was apparently first shown by the Chinese priests in 1863. But neither of these were exactly light [houses].'",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215805,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 104,
        "title": "RAS-2002",
        "content_text": "37\n\nforces to the north would tire themselves out trying to link up with the beachhead. Should the Chinese collapse in the face of a Japanese attack, then an Allied campaign to recapture Hong Kong would be jeopardized.\n\nJapan had an incentive to retain Hong Kong. Besides being a part of Japanese-held China, Hong Kong also lay just outside Japan's Inner Zone. This zone included Japan Proper, Korea, Manchuria, North China, Formosa, the Pescadores, the Ryukyus, and the Japanese half of Sakhalin Island. Well before the war, the British had already gained an appreciation that a Hong Kong in Japanese hands would augment the defence of the Inner Zone. Moreover, Hong Kong helped guard Japan's LoC to points west and her oil supplies in the Dutch East Indies. The Japanese could still afford to trade space for time by forfeiting many other parts of their Pacific empire to the Allies, but they were certain to defend their Inner Zone and the positions that anchored their LoC to and from it with the utmost vigour. If the Japanese lost Hong Kong, this would provide hope to people living under Japanese rule elsewhere, while it would send a message to the Japanese people that the war was proceeding unfavourably for them.\n\nBy late 1943, the Allies had gained the upper hand over the Japanese in the Pacific. It was the Allies who could dictate where the next move would fall. As China was still in the game, Allied planners began to take a closer look at the feasibility of a Hong Kong campaign. One opponent the Allies couldn't overcome, however, was Mother Nature, so heed was paid to Hong Kong's weather and how it could affect an Allied campaign there.\n\nA timeless enemy\n\nNature at its cruellest is a phenomenon that humanity's best efforts still cannot match. Even during a high-technology conflict like World War II, the weather proved to be as indomitable a nemesis as it had been throughout the history of war.\n\nWith World War II being fought over a greater expanse of the planet than any other war in history, its participants had to endure extreme variations in the weather, like the freezing cold of the Arctic and the Soviet Union to the sweltering heat of New Guinea, or the oppressive humidity of the South Pacific to the barren aridity of North",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    }
]