[
    {
        "id": 204511,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 143,
        "title": "RAS-1962",
        "content_text": "128\n\nCHAN, Dr. H. C.\n\n-\n\nCHAN, Hok-lam, William\n\nCHAU, Hon. Sir Tsun-nin\n\nCHENG, T. C...\n\nCHEONG-LEEN, Hilton ·\n\nCHEUNG, Oswald\n\n-\n\nCHING, Henry\n\nCHING, Joseph\n\nCHIU, Ling-yeong\n\nCHOA, Dr. Gerald H.-\n\nCLARK, Mrs. N. E.\n\nCOHN, Dr. A. J.-\n\nCOLE, Martin\n\n+\n\nCRANMER-BYNG, J. L.\n\nCUMINE, E.\n\n·\n\n-\n\n+\n\nT\n\nBank of Canton Building, 5th floor, H.K.\n\nc/o Dept. of History, Chung Chi College, Ma Liu Shui, Shatin, New Territories,\n\n8, Queen's Road, West, Hong Kong.\n\nc/o S.C.A., Fire Brigade Building H.K.\n\nG.P.O. Box 584, 310 Yu To Sang Bldg.,\n\nHong Kong.\n\n1002, Alexandra House, Hong Kong.\n\n9, Village Road, 1st floor, Hong Kong.\n\nc/o U.S. Consulate-General, 26 Garden\n\nRoad, H.K.\n\n167, Yee Kuk Street, 3rd floor, Shumshuipo,\n\nKowloon.\n\nQueen Mary Hospital, Pokfulum, H.K.\n\nc/o H.K. & Shanghai Banking Corpn., H.K.\n\n116, Leighton Road, Leisham Court, 6/F.,\n\n\"F\", Hong Kong.\n\n16, Conduit Road, Hong Kong.\n\nDept. of History, University of Hong Kong,\n\nHong Kong.\n\n14, Embassy Court, Hong Kong.\n\nCUMMING, Mount Stephen\n\ne/o Messrs. Butterfield & Swire, Union\n\nDAIKO, Paul -\n\nT\n\nDAVIES, Miss Ann Carol\n\nDAVIS, Dr. S. G.-\n\nDEANS PEGGS, Dr. A. -\n\nDENNYS, Miss Sylvia M.\n\nDJOU, G. G. -\n\nDONOHUE, Hon. Peter\n\nDRAKE, Mrs. F. S.\n\nDRAKE, Prof. F. S.\n\nL\n\nHouse.\n\nL\n\nP. O. Box 201, Hong Kong.\n\n■\n\nJ\n\nL\n\n+\n\nDRAKEFORD, Louis Samuel\n\nDUNCANSON, J. D. -\n\n+\n\nDUNT, Percy\n\nEDWARDS, O. P.\n\nENDACOTT, G. B.\n\nENGEL, Dr. D. -\n\n2, Friston, 15, Old Peak Road, Hong Kong.\n\nDept. of Geography and Geology, Hong\n\nKong University,\n\nc/o Education Department, Battery Path,\n\nHong Kong.\n\nc/o Economic Survey Section, 804 Man\n\nYee Bldg., H.K.\n\nc/o American International Assnce. Co., Ltd.\n\n12/14 Queen's Road, Central, Hong Kong.\n\nEducation Department, Battery Path, H.K.\n\n92 Bonham Road, Hong Kong.\n\nDept. of Chinese, Hong Kong University,\n\nHong Kong.\n\n25, Chatham Road, 11th floor, Front, Kin.\n\nc/o Barclays Bank (D.C.O.), 1 Cockspur\n\nStreet, London, S.W.1. England.\n\nP. O. Box 94, Hong Kong.\n\nc/o Hong Kong & Shanghai Banking\n\nCorpn., H.K.\n\nDept. of History, Hong Kong University,\n\nHong Kong.\n\n542 Alexandra House, Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
        "rank": 0
    },
    {
        "id": 205339,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 101,
        "title": "RAS-1967",
        "content_text": "94\n\nJAMES HAYES\n\npersons exercising a similar authority in the course of the century, but I have not yet learned who they were.\n\nCHAN FU-SHING (c.1800-60)\n\nChan Fu-shing (c.1800-60) was a Cantonese from the village of Sha Lo Wan on North Lantau. He was the eldest of three sons who were brought there by their mother at the beginning of the nineteenth century from Sai Heung not far from the District City of Nam Tau (about eighteen miles away by sea). The mother was presumably a widow. Why she came to Sha Lo Wan is not known -- perhaps a married aunt or sister lived there but when they did arrive it is more than likely that the family had no land of their own because of the circumstances of their coming and the fact that the oldest village clans claim a depth of settlement that indicates arrival in the 17th century.\n\nFamily tradition has it that the boy was put to work in a grocery store in the market town of Tai O six miles away. Being able and diligent he made himself indispensable to his employer and eventually became a partner in the business. By this means he obtained the small capital that was essential for speculation. He appears to have used this money to make loans to village people either at the customary high rates of interest -- documents show that 50% per annum was common -- or in return for mortgages of land. He was also able to buy land when the opportunity offered and gradually built up an estate for himself and his descendants. It was not a large one. By the time of the British lease the Chan family, all descended from himself or his brothers, owned 19 acres in and around Sha Lo Wan. Most, if not all of this property, must have come from Chan Fu-shing. It is interesting that almost half these fields were placed in common ownership in two ancestral trusts with one or more managers. This ensured that the land would not be divided into small segments every succeeding generation, and would not be at the mercy of a spendthrift or gambler. By way of an aside, it is, in my experience, unusual -- on Lantau -- for so high a proportion of land to be preserved in this way and this prescience must have been exercised by Chan Fu-shing. The Chans' ancestral hall, used as a village school for almost a century, was also due to Fu-shing and his money.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
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    },
    {
        "id": 206640,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 188,
        "title": "RAS-1972",
        "content_text": "182\n\nCo-location of deities\n\nKEITH STEVENS\n\nIn Fukienese temples in Singapore and Malaya, the T'ai Sui images are often seen with Hsuan Tien Ta Ti (***) or with the Goddess of Mercy (##). In Cantonese and Amoy temples there, the T'ai Sui images are occasionally to be seen with the medical deities Lu Tung Pin (†) or Hua To ($) and in one temple with T'ai Shang Lao Chün (LB).\n\nIn another Fukienese temple in Singapore a triad occupying the centre altar was said by the temple keeper to be three of the Nine Emperors (g). Two were positively identified, one as the second brother of the main deity Chiu Hwang ( ). He is black skinned, bare footed, with one foot on a fire wheel, has protruding eyes, black beard, and his hair is wound into a top knot. His two arms are at his side, otherwise he is very similar to Fa Chu Kung (✯✯2). The second identified image is on the right of the main deity, and he is, without doubt, Wang Tien Kung (1A). The third unidentified image on the left of the main deity could easily be T'ai Sui. He is black faced and bearded, a standing general in armour, holding a bell in his left hand and a sword in his right; he has three eyes, ear tufts of hair, and wears a Taoist crown.\n\nIn one Fukienese temple in Taipei, Yin Ch'iao was seen together with Ch'ü Kung Chen Jen (AA). (Plate 19)\n\nIn North China in Kalgan his second brother Yin Hung ( *) is a special deity said to save people from the \"fifteen bad deaths\". He sits on the opposite side of the central deity, the Jade Emperor (11), from Yin Ch'iao. Both brothers are naked and, surprisingly, have claws, beaks and wings. Grootaers10 says that Yin Ch'iao is never to be seen except as an attendant to the Jade Emperor. It would appear that either the local god maker in Kalgan did not know the identification features of Yin Ch'iao and has confused him with the Thunder God; or that there is a local legend which we do not know about; or thirdly that Grootaers misidentified the two attendants of the Jade Emperor.\n\nC. B. Day bought a hand-painted scroll in Hangchow, depicting five Buddhist figures and six Taoist ones. This pantheon chart included T'ai Sui Ti Chün ( *#*#) together with the San Kuan\n\n10 W. A. Grootaers, Rural Temples around Hsüan Hua (Folklore Studies vol. 10).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 208520,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 244,
        "title": "RAS-1978",
        "content_text": "Plate 17. The art of Shiwan sculpture a doctor removes a splinter from \n\nthe foot of a woodcutter.\n\nPlate 18. Porcelain figure of the goddess of mercy, Guan Yin, with mark \n\nof Shiwan potter Chen Weiyan.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 209977,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 236,
        "title": "RAS-1983",
        "content_text": "214\n\nand general merchant, who came to Hong Kong with his brothers when young. As the eldest, he controlled the family finances and the distribution of work. The second brother went on to Australia, and then returned to Hong Kong. The third brother was a small ship-builder, running his own sampan construction business near the old Kowloon City pier. The fourth brother was a policeman. The eldest Chan's son, my informant, succeeded him as manager of the temple on his death in 1925.\n\nDuring these years the temple's following had been steadily growing. It is reported that in the younger Chan's time, and before, over twenty villages of central and east Kowloon2 took a regular part in the religious celebrations conducted at the two temples. This represents a striking difference from the days, a century before, when the Goddess of Mercy shrine and temple were the private concerns of the small and unimportant Chu family of Tai Hom,\n\n3\n\nThis statement of interest is substantiated by the practices described to me by elders of villages in the area. Two managers, styled chik li (1) were provided by each village. Each year, some weeks before the main Kwun Yam festival, the chief manager called them together for a discussion as to whether the usual arrangements would be made. These consisted of chantings by nam mo lo (), the staging of the customary puppet shows for the four days and five nights usual in this region, and a dinner held in front of the temple the day after the festival. Upon agreement to proceed as usual, each village was allocated one or more subscription books, and the chik li or their helpers collected funds from those among their fellow villagers who wished to take part in the dinner and the general celebrations.\n\nThe chik li were not elected by the villagers: they seldom if ever were in the villages of this region. They came from among that body of working elders who managed the affairs of each village. They were either the elders themselves, or persons deputed by them. The Chairman of the body of chik li was selected through a procedure basically the same as that described for other temples and shrines in the Hong Kong region. All the village chik li gathered at the temple at a fixed day and hour. The divining blocks were cast an agreed number of times and the\n\n3",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 210296,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 267,
        "title": "RAS-1984",
        "content_text": "246\n\nCHOI CHI CHEUNG\n\nTable A. Name of the Objects of Worship\n\n  \n    1.\n    A Nan Chun Che *\n  \n  \n    2.\n    Buddha #N*\n  \n  \n    3.\n    Chia Ych Chun Che\n  \n  \n    ***\n    \n  \n  \n    4.\n    Kannon, the Goddess of Mercy\n  \n  \n    5.\n    Dragon Kings of the 4 Seas\n  \n  \n    6.\n    Representative of the Heavenly Kitchen 天厨使者\n  \n  \n    7.\n    Chin Kwong Wang\n  \n  \n    8.\n    Cho Kiang Wang thi\n  \n  \n    9.\n    Sung T'i Wang ✯E\n  \n  \n    10.\n    Wu Kwan Wang HE\n  \n  \n    11.\n    Yen Lo Wang\n  \n  \n    12.\n    Bien Chen Wang |\n  \n  \n    13.\n    Thai Shan Wang E\n  \n  \n    14.\n    T'u Shi Wang\n  \n  \n    15.\n    Pin Deng Wang\n  \n  \n    16.\n    Chuen Lun Wang\n  \n  \n    17-18.\n    The Courts of extreme happiness 極樂殿\n  \n  \n    19.\n    Kan Tsai Wang\n  \n  \n    20.\n    Wai Lo ##\n  \n  \n    21.\n    ?\n  \n  \n    22.\n    The Great Kings and Emperors 大王大帝\n  \n  \n    23.\n    The Lord of Pu-tu\n  \n  \n    24.\n    Ancestral Hall of all Lineages 各姓宗祠\n  \n  \n    25.\n    6 paths and 4 species 0%\n  \n  \n    26.\n    Wandering spirits of 4 directions 西方忘魂\n  \n  \n    27.\n    The 3 Pure Ones E\n  \n  \n    28.\n    Gods of the 3 levels\n  \n  \n    29.\n    ?\n  \n  \n    30.\n    Male and female orphan spirits 男女孤魂\n  \n  \n    31.\n    3 religions and 9 schools\n  \n  \n    32.\n    Million souls of the 3 levels 三界萬靈\n  \n  \n    33.\n    Office of the Yin and Yang H\n  \n  \n    34.\n    Lord 8th A\n  \n  \n    35.\n    Lord 7th\n  \n  \n    36.\n    Temporary resting place ✯✯S\n  \n\nQ 1-3 as told by the organizer of the Uji O Festival\n\nR\n\nET\n\nT\n\nH No. 7 to No. 16 were the ten courts of the Underworld. Informants always mention them without any difference from no. 17 and 18, as ‘Chigoku Juunoo' (M&E) or 'Chigoku” (Ten Kings of Hell, or Hell). 7 to 9, 10 to 12, 13 to 15, 16 to 18, were all made in one paper-made house (informants simply class them as Ming-che too) respectively.\n\nF Both 19 and 20 were regarded as the guardians of the festival. 19 for avoiding any meat, and 20 for keeping out evil and watching over the spirits.\n\nQ No one knew what it was\n\nT\n\nT\n\nGIF\n\nT\n\nQ No one knew what it was\n\nT\n\nT\n\nQ Told by the organizer of the Uji festival. It was also called T'ien Ti Tan (X).\n\nF Both 34 and 35 were the runners of Hell.\n\nH\n\n! \n\n! \n\n! \n\n¡",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 210297,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 268,
        "title": "RAS-1984",
        "content_text": "37. Ten Zo:\n\na. Nu Rai Fo Chu\n\nb. 6 paths and 4 species Kit\n\nc. The Heaven Honorific of origin 元始天線\n\nd. Dragon kings of the 4 seas 14.\n\ne. Male and female orphan spirits 男女孤魂\n\nf. The great Jade Emperor LAWS\n\n38. the City God WP!\n\n39. The Earthgod\n\n40. Chi-zo k\n\n41. T'ien Hau APE\n\n42-43. Generals Han and Ha\n\n44-45. T'ien Hau\n\n46. Kwan T'I IPEXY\n\n47-48. Kwan Ping and Chau Chan PPT-MAT\n\n49. Kwan T'I MÝ\n\n50-51. Kwan Yin (Kannon) 19:*\n\n52-54. The Earthgod sitt laY\n\n55-57. Tzi Nan Kung W E\n\n58. The Lord of the Heaven A^ L\n\n6 paper-made tablets were hung on a paper-made 5 colours lantern.\n\nIt was a Japanese term (see Soo, 1981: 59-60). Most of the informants\n\n247\n\ndid not know what it was and no one talked about it, and no offering was made to it, either.\n\nH Decoration, except the roof, was the same as the Ming-che.\n\nH\n\nRJapanese Earthgod\nRT'ien Hau's Guardmen,\nRThe substitutes of T'ien Hau.\nRThe main God of the Temple.\nRThe guardmen of Kwan T'i.\nRSubstitute of Kwan T'i\nRThe Goddess of Mercy and her substitute.\nRThe god and his substitutes.\nQThe name was a Temple's name. The god of the temple was Lu Tzu ( ) 56 and 57 were his substitutes.\n\nIn addition there was 4 paper-made messenger-and-horses (f†). One of them was burnt after every 'Reporting' ritual and the 'Thanking' ritual of the last day.\n\nNotes:\n\nQ = Incense bowl(s) and offerings only\n\nR = Porcelain Statue\n\nT = paper-tablet\n\nH = paper-made house\n\nF = paper-made figure\n\nP = painting\n\nL = paper-made lantern",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 211652,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 67,
        "title": "RAS-1989",
        "content_text": "42\n\nBoats. Pestilence Wang Yeh are also quite common on the altars of Fukienese community temples in Malaysia, Singapore and Indonesia having been carried there by emigrants.\n\nAlthough there are no Pestilence Wang Yeh on the altars of temples in Hong Kong and Macau, there are two deities bearing the same honorific, and also there is the concept of pestilence demons being exiled during a major festival. One of the two deities is the comparatively rare Cantonese cult deity, Chang Wang Yeh (E), consulted before building a house or fixing the date for a wedding. His image is to be seen on a side altar in a secondary hall in the Hung Hsing Temple in Wanchai, and again in another Cantonese temple in Waterloo Street in Singapore where his title is Chang Wang Lao Yeh. The other deity is K'ang Wang Yeh (E). He is one of the four life-size images at floor level before the main altar of the Northern Emperor [Chen Wu] in Mong Tseng Wei near Deep Bay in the New Territories. These four are known simply as the Four Generals and whilst the other three are relatively common deities from Chinese mythology, Hua Kuang, Chao Yuanshuai and Yin Yuanshuai, nothing is known in this temple about K'ang Wang Yeh.8\n\nThe Five Ubiquitous Ones, the Wu T'ung (F), formerly worshipped in North China as pestilence deities have been seen in Ch'aochou (Teochew) illegal squatter temples in Hong Kong but not in Taiwan. According to several temple keepers the Five are potentially harmful unorthodox (H) spirits and not beneficial spirits (#). One keeper added that the Five had been worshipped in Kiangsu and Chekiang provinces as well as by Ch'aochou people and that they were in some way connected with the roaming spirits of the tens of thousands soldiers killed during the wars which ended the Mongol (Yuan) dynasty and led to the founding of the Ming. The Five have no individual identities whereas the Pestilence Wang Yeh do have surnames.\n\nUnlike other deified Chinese, images of the Pestilence Wang Yeh are floated out to sea or burnt to carry away the pestilence demons associated with them. The nearest in comparison here would be the paper images of deities burned after major festivals such as the image of Kuan Yin, the Goddess of Mercy in her form as Ta Shih (±) the very ugly demonic form which she assumes to prevent lustful demons from assaulting her when visiting the Afterworld during her missions of mercy. Her image as Ta Shih in paper and bamboo is burnt to carry her over",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 214542,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 400,
        "title": "RAS-1998",
        "content_text": "369\n\nANOTHER DILEMMA FOR TODAY'S YOUTH IN\n\nCHINA\n\nKeith Stevens and Jennifer Welch\n\nDuring a recent RAS [HK BR] tour of the Museum of the Humen People's Resistance against the British in the Opium War [1840-1842] at Humen [Bocca Tigris], a small town about sixty miles south-east of Canton on the east coast of the Pearl River, we entered the old temple dedicated to the Northern Emperor [Bei Di] in the grounds of the Museum.\n\nThe main altars of the temple were not in any way unusual in that it had the central altar with the image of the Northern Emperor, Bei Di, and two flanking side altars, one dedicated to Lü Dongbin, the doctor in the group of the Eight Immortals and the second dedicated to Guan Yin, the Goddess of Mercy. However, there were two further glass cabinets, identical with the form of the main altar, one on either side wall. Against the wall, stage left, was an image of Lin Zexu,\n\nthe Imperial Commissioner despatched by the Emperor to Guangdong province in 1839 with instructions to stamp out the opium trade. His destruction of the stocks of opium held by British, American and other foreign traders led to the so-called Opium War [in British parlance, the First China War].\n\nThe cabinet against the temple wall, stage right, contained three images of Chinese officials involved in the War. They were Admiral Guan; The Governor of the Two Guangs and a General Chen who, captured by the British, is now remembered as the prisoner taken by his captives, together with his loyal horse, to Hong Kong where he died. Before both side cabinets, which had baldachin and silken hangings in front of the altar tables bearing honorifics as do temple altars virtually everywhere, were altar tables with red spirit tablets bearing their honorific titles, as well as offerings of fruit, bottles of wine and incense pots.\n\nWhat proved so interesting was the indecision manifest amongst Chinese visitors who, having not hesitated to bow and offer incense before the images of the three main deities, Bei Di, Lü Dongbin and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    },
    {
        "id": 215944,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 243,
        "title": "RAS-2002",
        "content_text": "177\n\n3 xii\n\nThe whole plan was discussed with RAC North, Secretary for Chinese Affairs and JA Fraser, Defence Secretary who agreed. When Harrop went to Chongqing the first person she contacted was her old friend from pre-war, Madame Soong Ching Ling.\n\nMadame Soong was the widow of Dr Sun Yat Sen, founder of the Chinese Republic and a former Hong Kong resident himself, and graduate of the Hong Kong Medical School which predated Hong Kong University. When Chiang Kai Shek and his extreme rightist faction won the power struggle for control of the National Government, Madame Soong moved to Hong Kong where she and other supporters of the left wing principles Sun had espoused were able to operate with more latitude. She headed an organisation known as the China Defence League which raised funds in support of the anti-Japanese war effort in China, and had connections with many left wing liberal groups, both within China and among the western intelligentsia in Hong Kong and China. This organisation was effectively a form of interface between the KMT Old Guard and more progressive groups. Agnes Smedley, Rewi Alley, Anna Louise Strong and other westerners with strong contacts with the Communist Party under Mao Ze Dong mixed in the same circles as Madame Soong and her supporters, which included Sun Fo, Dr Sun's son by a previous marriage. Sun Fo himself, though he lived in Hong Kong, frequently travelled to Moscow, ostensibly for 'medical treatment,' often staying for long periods. The league did humanitarian work, organising aid for the millions of refugees in Guangdong and in Hong Kong. Percy Chen, son of Dr Eugene Chen, Dr Sun's Foreign minister and close friend worked closely with this aspect of the League's activities. Chen was a socialist and would later declare for the Communist Party. Significantly, FW Kendall had worked with the league in organising programmes to cope with refugees. He himself was something of a refugee, having lost his livelihood in the same Japanese push in Guangdong. Contacts between this left faction of the Guomindang and British people in Hong Kong of a progressive frame of mind were also significant. Hilda Selwyn-Clarke, known as 'Red Hilda' not only for the colour of her hair, but for her politics, was part of this group, rather than a member of the conventional, highly stratified world of colonial society. Her husband may have been a member of the government administration but she did not subscribe to colonial or establishment values. Kendall also worked with Selwyn-Clarke, as did his Chinese wife, who was to be one of the Selwyn",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 76,
        "title": "RAS-2003",
        "content_text": "25\n\nYin. While Guanyin has compassionate mercy for those in need, it is Da Shi Zhi who possesses the power to actually carry out her acts of kindness. The San Sheng Dian houses by far the oldest of Longhua's three bronze bells, this one supposedly dating from 1132, which would also make it the oldest historic relic the temple possesses today. The hall itself dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1986.\n\nImmediately behind the San Sheng Dian is a walled garden with trees which unfortunately is closed to the public. Inside this walled garden is a fifth main hall, the Abbot's Quarters (Fang Zhang Shi), which is for the private use of the resident monks and their master, the Fang Zhang. It was the only hall which the monks maintained control of during the Cultural Revolution. Normally it is kept off limits to the public and cannot be visited. However, the author was able to steal a glimpse and found that the hall was furnished with rows of large armchairs, and lacked any large statues. Possibly it is a modern day form of the Meditation Hall (Chan Tang). At the far left end of the hall is a small office decorated with framed color photos of the temple's Buddhist leaders posing with Communist Party leaders such as Jiang Zemin.\n\nBehind the Abbot's Quarters is the sixth and final courtyard, and the sixth hall on the central axis, the newly built two-story Scripture Hall (Cang Jing Lou). This modern building holds most of the temple's few genuine relics, including a library of 7,000 Qing Dynasty volumes; a Ming Dynasty gold seal given to the temple in 1598 by the emperor Wanli (1573-1620); a Ming Dynasty gold-plated bronze Buddha statue; Tang Dynasty scriptures; and a copy of the Heart Sutra dating from the year 1098, the fifth year of the Zhe Zong reign (1085-1100) of Emperor Zhao Xu of the Northern Song Dynasty (960-1126). Exactly how these relics survived the destruction of the Taiping Rebellion, the lengthy military occupation of the Min Guo era, and the Cultural Revolution is unclear. Possibly they were donated to the temple sometime later. Unfortunately the public is not welcomed to visit this sixth hall, and the relics are kept hidden from view, although photographs of them appear in a recent pamphlet sold at the temple's bookstore.\n\nHidden in a seldom visited corner of the temple grounds on the east side of the Fang Zhang Shi's walled garden is a smaller garden",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    },
    {
        "id": 216318,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 77,
        "title": "RAS-2003",
        "content_text": "26\n\nwhich is open to the public, the Mu Ta Yuan, so named for the Tao Ming Chan Si Mu Ta, a broken stone tomb pagoda dating from the year 1667 in the reign of Emperor Kang Xi which stands in the centre. The Mu Ta is a hexagonal stone pillar on a lotus flower with a round stone ball balanced on top decorated with dragon images wrapped around it. Two faint inscriptions can be seen on either side of the pillar. Lying on the ground beside the Mu Ta is a broken piece of an ancient inscribed tablet. This is one of the original four boundary stones of Longhua's predecessor Kongxiang Temple dating from the year 1262 in the late Southern Song Dynasty (1127-1279). Near the Mu Ta are three stone statues of a mythical animal, the Si Ge Lin Shou. These broken stone remains may be the oldest relics on the site, but their age, origin, and significance seem a mystery. In one corner of this courtyard is a corridor connecting with the Longhua Hotel next door. At the rear of the courtyard is the monk's Dining Hall (Zhai Tang), not to be confused with the separate Vegetarian Restaurant (Su Cai Guan) intended for public visitors located on the right side of the Da Xiong Bao Dian beneath the sign of the large wooden fish (pang) hanging from the rafters.\n\nTwo long barracks-like halls run along almost the full length of the western side of the temple compound and are divided up into many small Buddhist chapels. The major ones include the Arhat Hall (Luo Han Dian), and the Goddess of Mercy Hall (Guan Yin Dian). The Luo Han Dian is a new addition to the temple, added sometime during 2002. It features small golden statues of 500 arhats or Buddhist saints. This chapel has become quite popular with worshippers, but one woman who had just finished praying mistakenly told the author there were 800 arhats, testimony to the newness of this innovation. The Guanyin Dian is on the left side of the fourth courtyard and features an impressive golden statue of Guanyin, who is depicted as facing in all four directions, and has 1,000 arms. Many of her hundreds of hands hold objects of special significance.\n\nIn between the Luo Han Dian and Guanyin Dian is yet another hall, seemingly nameless, which although devoid of architectural splendor does have three splendid gilded Buddha statues. These three include Sakyamuni Buddha (Shi Jia Mou Ni Pusa) in the centre, Manjusri (Wen Shu) on your left, and Guanyin on your right. The interior walls of this hall are literally covered with memorial slips of paper and photographs meant to commemorate lost loved ones. It is",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]