[
    {
        "id": 207718,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 106,
        "title": "RAS-1976",
        "content_text": "\"PATTERNED BANDS\" IN THE N.T. OF HONG KONG\n\n91\n\n9 See John A. Brim, \"Village Alliance Temples in Hong Kong”, in Religion and Ritual in Chinese Society, Arthur P. Wolf, ed., Stanford, Stanford University Press, 1974, pp. 93-104.\n\n10 J. H. Stewart Lockhart, in his \"Report on the New Territory at Hong Kong\" (H.M. Stationery Office, 1900, p.6) states that different systems existed in Tai Po, Yuen Long, and \"Ts'ün Wan and other areas\".\n\n11 In my census sample of Kwan Mun Hau Village, only 15% of the wives of household heads were born in Tsuen Wan. However, 89% of the mothers and 69% of the wives of Village Representatives interviewed by Graham E. Johnson in 1969 were born in Tsuen Wan District. (Graham E. Johnson, Natives, Migrants, and Voluntary Associations in a Colonial Chinese Setting, unpublished doctoral dissertation, Cornell University, 1970.) The reason for the discrepancy between the two samples is not clear; it may reflect differences between leaders and ordinary people, or between Kwan Mun Hau Village and Tsuen Wan in general.\n\n12 Reported by Pat and Roger Howard, Canadians teaching in China.\n\n13 Reported by Graham E. Johnson in 1976.\n\n14 This was stated by Fei Hsiao-tung in an interview with Helga E. Jacobson and Graham E. Johnson in October 1976.\n\n15 There is, for example, no mention of a backstrap loom in the very comprehensive study China at Work, by Rudolf P. Hommel (The M.I.T. Press, Cambridge, Mass., 1969).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    },
    {
        "id": 209615,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 272,
        "title": "RAS-1982",
        "content_text": "250\n\nCARL T. SMITH\n\n1921/22\n\n-\n\nno production.\n\n1922/23\n\n1923/24\n\n12, 13, 18, 21 Oct. 1922 - \"I'll Leave it to You\" (N. Coward, 1920)\n\n26, 27, 28, 30 Dec. 1922, 1, 2 Jan. 1923 - \"The Tempest\" (Shakespeare)\n\n8, 10, 12, 15 Dec. 1923 \"R.U.R.\" (Rossum's Universal Robots) (Karel Capek, transl. by P. P. Silver, adapted by N. Playfair, 1922)\n\n1924/25\n\n25, 26, 27, 28 Feb. 1925 - \"French Leave\" (Reginald Berkely) farcial comedy\n\n13, 14, 15, 16, 17, 21, 22 Jan. 1925 - \"St. Joan\" (G. B. Shaw, 1923)\n\n1925/26\n\n2, 3, 4, 5 Dec. 1925 - \"A Little Bit of Fluff\" farce\n\n2, 3, 4, 5, 6 Mar. 1926 — “If” (Lord Dunsany, 1921)\n\n1926/27\n\n13, 15, 17, 18, 19 Nov. 1926 Dramatic Medley \"A Matter of Time\" (Ronald Jeans)\n\n\"The First and the Last\" (John Galsworthy, 1921)\n\n\"The Burglar and the Girl\" (Mathew Boulton, 1913)\n\n\"The Man in the Bowler Hat” (A. A. Milne, 1925)\n\n19, 22 Mar. 1927 \"The Last of Mrs. Cheyney\" - Frederick Lonsdale, 1925)\n\n1927/28\n\n19, 21, 22, 23 Nov. 1927 - \"Bulldog Drummond\" (H. C. McNeile and Gerald du Maurier, 1921)\n\n1928/29\n\n16, 20, 24 Nov. 1928 \"The Sport of Kings\" (Ian Hay, 1924) performed at Star Theatre, Kowloon.\n\n19, 21, 22, 23, 26 Feb. 1929 - \"On Approval\" (Frederick Lonsdale, 1926)\n\n1929/30\n\n22, 25, 26, 27, 28, 29 Mar. 1930 - \"And So to Bed\"\n\n1930/31\n\n12 Nov. 1930 — performance at Helena May Institute \"Snobs\"\n\n\"Half an Hour\"\n\n15, 17, 18, 19, 20, 21, 22 Nov. 1930 \"The Middle Watch\" a romance of the Royal Navy (Stephen King-Hall and Ian Hay, 1929)\n\n7, 10, 11, 13, 14 Mar. 1931 - \"Art and Mrs. Bottle\" (Benn W. Levy, 1929)\n\n\"Dear Brutus\" (James Barrie, 1917) last A.D.C. performance at the Theatre Royal, City Hall.\n\n14, 17, 18, 19, 20, 21 Nov. 1931\n\n1931/32\n\n―",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
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    },
    {
        "id": 211805,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 220,
        "title": "RAS-1989",
        "content_text": "195\n\nhis alarm allayed amidst the warmest applause from the audience for his clever and successful \"sell\". In addition the editor wrote that this Prologue afforded H. E. more valuable hints how to treat the Rebellion than all the suggestions that have been submitted to him since his arrival. Apparently Bonham was \"so much delighted that we are not without hopes a report on the performances may form the subject of his first despatch from Shanghae”. So much for modesty. As regards the performances themselves, the writer had it in confidence from a tall whiskered male who occupied a front seat disguised in a dress coat, that although Hong Kong theatre is now more conveniently lit up in the Victoria Theatre in acting Shanghae would not suffer by comparison\". \"That treaty port chauvinism was not lacking even at that early stage was made clear when the visitor insisted that our Head Actor has been brought from Hong Kong”. Despite his earlier lukewarm praise he must have made some sour remarks too, for the editor wrote that \"except as to the heroine, his critical skill was evidently at fault in discriminating the excellences of the other performers in Betsey Baker; and all he could be got to say regarding Apartments was something about Mr. and Mrs. Keeley having many worse imitators” (Robert Keeley, 1793-1869; and Mrs. Keeley (Mary Ann Coward), 1806-1899: famous British actors). (NCH 26.3.1853).\n\n5.5.1853 (Thur)\n\nG.A.A. BECKETT: \"Siamese Twins\" (1834)\n\nT: Farce (1 act)\n\nR. BUTLER: \"The Irish Tutor\" (1822)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of the Susquehanna\n\nTh: Imperial Theatre (B)\n\nN: Final performance of the season\n\nR: The close of the season by the amateurs who called themselves the \"Lily Troupe\" for a \"bumper house\"; with some “admirable music by the Band of Susquehanna\" — a steamer belonging to the U.S. Japan Squadron. (NCH 7.5.1853).\n\n8.3.1854 (Wedn)\n\nJ.M. MADDOX: “A Fast Train! High Pressure!! Express!!!\" (1853)\n\nT: Farce\n\nW.B. BERNARD: “A Practical Man\" (1849)\n\nT: Farce\n\nC: Amateurs\n\nP: Music\n\nTh: Tac Ming Theatre (C)\n\nR: At the start of the evening a, for part of the audience at least, unexpected treat was in store: “On the rising of the curtain a ludicrous incident quite upset our friend BUSKIN. He was set down to enact \"Colonel Jack Delaware\" (in A Fast Train — JH) but a storm met him as soon as he appeared on the stage and he was fairly hissed off when a stranger leapt over the footlights and announced his intention of supporting the character. The curtain dropped and after a short delay the volunteer Yankee came forward, dressed in the most extravagant fashion and took up the part with great spirit\". Was the leading actor-manager really taken by surprise? This could hardly be, and it must be assumed that it was, like the \"rebellion\" before, a set up. At any rate the \"interloping Yankee was enrolled in Buskin's company. The musical department was sustained by \"Messrs Thalberg and Koenig with their usual talent and success\". Both these noms de théâtre were after well known musicians: Sigismund Thalberg (1812-1871), a Swiss pianist and composer; and Friedrich Koenig, a German violinist. (NCH 11.3.1854).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211855,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 270,
        "title": "RAS-1989",
        "content_text": "# BIBLIOGRAPHY\n\n245\n\n1. Archives:\n\n\"London Missionary Society\": Incoming Letters, Central China.\n\n2. Newspapers and Periodicals:\n\n**Boletim do Governo de Macao**, Macao, 1855-1865.\n\n\"China Mail\", Hong Kong, 1845-1860.\n\n\"North China Herald\", Shanghai, 1850-1867.\n\n\"Puck, or the Shanghai Charivari\", Shanghai, 1871-1873.\n\n*Shanghai Commercial Record*, Shanghai, 1865.\n\n3. Books and Articles:\n\nAdams, W. Davenport: \"A Dictionary of the Drama. A Guide to the Plays, Playwrights, Players and Playhouses of the United Kingdom and America from the earliest times to the present\", Vol. I (A-G) (no more published). Philadelphia, 1904.\n\nAppleton, William W.: \"Madame Vestris and the London Stage\", New York - London, 1974.\n\nBarr, Pat: \"The Deer Cry Pavillion. A Story of Westerners in Japan 1868-1905\", London, 1968.\n\nBlack, J.R.: \"Young Japan. Yokohama and Yedo. A Narrative of the Settlement and the city from the signing of the treaties in 1858 to the close of the year 1879\", Tokyo-London, 1968 (reprint of 1880-1881 edition).\n\nBoase, Frederic: \"Modern English Biography\", London, 1965 (reprint of the 1891-1921 edition).\n\nBooth, Michael (Ed): \"English Plays of the 19th century\", Volumes I and IV, Oxford, 1969-1973.\n\nBritish Museum General Catalogue of Books.\n\nBrown, T. Allston: \"A History of the New York Stage from the first performance in 1732 to 1901, 3 vols.; New York 1964 (reprint of 1903 ed.).\n\nBuckley, C.B.: \"An Anecdotal History of Old Times in Singapore 1819-1867, Singapore, 1902.\n\nCarse, A.: \"The Life of Jullien\", Cambridge, 1951.\n\nChesterfield, Lord: \"Advice to his son on Men & Manners in which the principles of politeness and the art of acquiring a knowledge of the world are laid down in an easy and familiar manner\", Chiswick, 1826.\n\nConolly, L.W. and J.P. Wearing: \"English Drama and Theatre 1800-1900. A Guide to information sources\", Detroit, 1978.\n\nCordier, Henri: \"Bibliotheca Sinica\", second edition; 5 vols.; Paris 1904ff.\n\nDavis, Jim (Ed.): \"Plays of H.J. Byron\", Cambridge, 1984.\n\n'Dictionary of National Biography\".\n\nDyce, C.M.: \"Personal Reminiscences of Thirty Years' Residence in the Model Settlement. Shanghai 1870-1900\", London, 1906.\n\nEngle, Gary D.: \"This Grotesque Essence. Plays from the American Minstrel Stage\". Baton Rouge, 1978.\n\nFétis, F.J.: \"Biographic Universelle de Musiciens\", Paris, 1864; Supplement by Arthur Pougin, 1880.\n\nFitzgerald, Percy: \"Principles of Comedy and Dramatic Effect\", London, 1870.\n\n\"The New Grove Dictionary of Music and Musicians\", London, 1980.\n\nHaan, J.H.: \"Origin and Development of the Political System in the Shanghai International Settlement\" in: \"Journal of the Hong Kong Branch of Royal Asiatic Society\", Vol. 22 (1982), p. 31-64.\n\nHaan, J.H.: \"The Shanghai Library: A history of the first foreign library in Shanghai\" in: \"Journal of the Hong Kong Library Association\", 1987.\n\nHartnoll, Phyllis: \"The Concise Oxford Companion to the Theatre\", London, 1972.\n\nHoward, Diana: \"London Theatres and Music Halls, 1850-1950\", London, 1970.\n\nPage 270\n\nPage 271",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    }
]