[
    {
        "id": 204325,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 93,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n89\n\n\"the second son of the third prince of Vaisravana, the Heavenly King of the North”(北方天王吠室羅摩那羅閣第三王子其第二之孫) and in this text Nata addresses Vaisravana as \"my grandfather\" (RAXXE). Furthermore, this legend appears also in 卷一 of the Ta-fang-pien-fu Pao-ên Ching (大方便佛報恩經) (ASENNUE), and as I have found another story about the \"reincarnation from the lotus\" also in that sutra, which is also similar to the description of No-cha's reincarnation in the novel, I think both these stories may have influenced the author besides the case cited above.\n\nThe story of No-cha's reincarnation and the combat between the father and son is a very dramatic one and it reveals again the literary gifts of the author:\n\nNo-cha's souls, being dispersed, had nowhere to go, drifting about in the air. They went directly to the grotto of the Immortal T'ai-I. Chin-hsia (金霞), the younger disciple of T'ai-I saw it at the entrance, came to the master and said, \"I wonder why No-cha is now borne on the wind and drifting about freely.' (Last paragraph, Ch.13 and first paragraph, Ch.14, Fêng-shên Yen-i.)\n\nWe know from the previous narratives of the novel that No-cha was an avatar of Ling-chu Tsu, the Intelligent Pearl. But why was he so named? I think the following paragraph from Ch.2 of the Nan-yu-chi may explain both this name and the last paragraph I have just quoted:\n\nThe Intelligent Light (Ling-kuang) was enveloped by the Purple Emperor (紫皇) with the magic weapon Nine-bend Pearl (九曲珠) and died in that Pearl. The souls of the Intelligent Light borne on the wind had nowhere to go, and were seen by the Celestial Honoured All-Merciful and All-Compassionate Marvellous-Delight (慈悲妙喜天尊) (NEVRXO) who was in his meditation in the Palace of Eight-scenes. Watching the souls drifting about, he thought...\n\nAs the Chinese character is monosyllabic, it is easy to pick out the character ling (靈) and chu (珠) from this paragraph to form a new name and give it to No-cha as his other title since the description of his reincarnation is partially derived from here. The story continues thus:\n\nThe Immortal (T'ai-I) charged No-cha, “This is your place no more. Return to Ch'ên-t'ang Pass and see your mother in dreams, request her to build a temple for you to dwell in on the Ts'ui-p'ing Hill (Green Screen Hill) forty li away from the Pass. Sacrifices will be offered to you for three years and after that you may be reincarnated. Go ahead and do not tarry.\" During the third watch of that night No-cha appeared in a dream to his mother, saying, \"Mother, my souls have nowhere to go and I have suffered bitterly. Pray",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
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    {
        "id": 204965,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1965",
        "page_number": 73,
        "title": "RAS-1965",
        "content_text": "66\n\n: JEN YU-WEN : \n\nIn the summer of 1958 a number of Chinese and Western historians, writers, poets, reporters and government officers accompanying the author, who had taken the principal interest in and had organized the research project, made three trips to the place to see and study the historic object. As a result of painstaking research and study, we are now able to decipher and read every character engraved there and to understand the exact meaning of the whole text. The full text is rendered more clearly on the opposite page.\n\nThe inscription and engraving were done by the Administrator of the salt field, Kuan-fu-ch'iang (Kwoon-fu-ch'eung) a place which is identified as present-day Kowloon Peninsula. The text describes the Administrator's full name and position, his visit to the site, the construction of the Stone Pagoda on South Fu-t'ang (the islet south of North Fu-t'ang now officially named Tung-lung Island), the repairing and renewing of these two places successively by several persons, the erection of another stone tablet (now disappeared), and finally, the elaborate repairs carried out by a local celebrity, Lin Tao-yi (Lum To-yi), who caused the text to be engraved on the rock on the aforementioned date.\n\nLin Tao-yi was also responsible for the construction of the Temple of T'ien-hou at North Fu-t'ang. The author, after visiting the place, had the privilege of being invited by some of his descendants in Kowloon to read their Genealogical Record mentioned above. It was found that Tao-yi's great-grandfather originally hailed from P'u-t'ien (P'o-t'in), South Fukien, and was the first ancestor of their clan to migrate to Kwangtung settling down in Kowloon sometime during the Southern Sung period. His own son had had two sons, Sung-chien (Ch'ung-kin) and Po-chien (P'ak-kin). The two brothers engaged in the transportation business with large sailing vessels between sea ports along the coast and Kowloon. Once while returning south they met with a typhoon near the Fu-t'ang gap. The ship was wrecked and sunk, but they held on to the matshed-cover of the ship which kept them floating. On the cover was a tablet of the Goddess Lin Ta-ku whom they had been worshipping aboard the ship. They tied their loosened hair to it and swam to South Fu-t'ang. Landing in safety they firmly believed that the Goddess had saved their lives and immediately made the matshed-cover",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653",
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    },
    {
        "id": 204969,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1965",
        "page_number": 77,
        "title": "RAS-1965",
        "content_text": "68 \n\nJEN YU-WEN \n\nas stated above, left Kuan-fu-ch'iang on the way to Ch'uan-wan (Ch'uen-wan) on the western shore of Kowloon in the year A.D. 1277, they stopped over at a place by the name of Ku-t'a (Ku-t'ab), or \"Ancient Pagoda.\" This fact had been recorded in some historical books, but where and what this place is has never been known, Now, with the revelation from this stone-inscription plus certain statements in the Genealogical Record of the Lin clan definitely referring to the Stone Pagoda, a sound conclusion can be drawn to the effect that Ku-t'a is identical to the present-day South Fu-t'ang, the northern shore of Tung-lung Islet. It is further reinforced by the fact that, according to tradition, local people used to call the said Pagoda by the name of Ku-shih-t'a (Ku-shek-t'ab) or “Ancient Stone Pagoda\" which was later abbreviated to Ku-t'a. With the discovery of the missing link a very knotty problem in the study of the itinerary of the last two emperors of the Southern Sung is rationally solved at long last, For this the value of this stone-engraving to historical scholarship is most pronounced. \n\nSecondly, from the standpoint of archaeology, this stone-engraving, done 690 years ago (1274-1965), is the oldest historic relic with a definite date in Hong Kong and Kowloon. (The history of Sung Wong Toi began three years later than this and the three characters were not engraved there until the Yuan Dynasty. The ancient tomb in Li-cheng-wu (Lee-chang-uk) appears to have a longer history, but the date is uncertain.) \n\nThirdly, from the standpoint of literature, its diction and sentences are excellent and the narration of no less than eight events in only 108 characters is terse and elegant. As a stone inscription, it should be ranked as an exemplary piece of literature of its kind. Moreover, the calligraphy possesses beauty, gracefulness and strength, being typical of the Sung style and akin to the penmanship of the celebrated poet, Su Tung-p'o. \n\nLast of all, considered as a work of art, the craftsmanship of the engraving is highly commendable. The cutting is deep and sharp, and even after having been exposed to the elements for nearly 700 years, almost all of the engraved characters remain intact. \n\nIn conclusion, this historic relic should by all means be regarded as a distinctive feature in the cultural history of Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653",
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    },
    {
        "id": 205026,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1965",
        "page_number": 134,
        "title": "RAS-1965",
        "content_text": "NOTES AND QUERIES \n\nTHE TSANG'S BIG HOUSE IN SHATIN \n\n125 \n\nThe Tsang's Big House, with its bluish bricks, green tiles, thick walls, strong iron gate, and a history of more than 120 years, is probably the oldest building in Shatin. It is fifteen minutes' walking distance from Shatin Market. \n\nThe Big House has an interesting history, which can only be touched upon in this note. Its site was formerly a deserted sandy beach near a Shatin hillside. The house was built by Tsang Kwan-man, who had immigrated from his native town in Wu-wah (24) to settle in Shaukiwan on Hong Kong Island. There he established himself in the stone quarry business, and soon became rich. Tsang later moved from the island which was ceded to Britain to live in Shatin, which then belonged to the District of Pao-an under Chinese jurisdiction. \n\nTsang used coarse sand to reclaim the beach from the sea, and built the Big House on the reclaimed site. Strong solid stones were used for the foundation, and bluish bricks for the surrounding walls, which were then plastered with the ashes of grass roots. Although it was built in traditional style, it is said to be no less strong and solid than modern skyscrapers constructed by machinery. \n\nWhen the Big House was first completed, it was inhabited only by Tsang and his wife. However, they employed many servants and workers to exploit the virgin land in the vicinity for productive purposes. They gave birth to six sons, and the descendants multiplied. The Tsang family on this site is now in its sixth generation. \n\nDuring the reigns of Emperors Chien-lung and Chia-ching in the Ch'ing Dynasty, the Tsangs often contributed gold to the Government in return for official titles. These were limited to a certain rank in the officialdom, and did not carry any definite appointment in authority or official duty, being somewhat similar to the title of Justice of the Peace conferred by the Hong Kong Government. With the official title the Tsangs were entitled to hang a guilded board in their Big House with characters Ta-fu ti (✯✯✯) carved on it, meaning \"The residence of an official,” distinguishing it from the houses of commoners.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653",
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    },
    {
        "id": 205282,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 44,
        "title": "RAS-1967",
        "content_text": "THE TRAVELLING PALACE OF SOUTHERN SUNG\n\n37\n\n\"the back seat\". But before accepting this interpretation, one must verify the identity of the Yunnan Lao with the aboriginal tribe dwelling in Kow-Joon speaking the same language.\n\n6 See my article \"The Southern Sung Stone-engraving at North Fu-t'ang\" in Journal of the Hong Kong Branch, Royal Asiatic Society, Vol. 5, 1965. At line 17 of the article \"before this date\" should read \"after this date\". The Chinese text on the engraven rock was given in my article, but was not accompanied by a literal translation, which now follows:\n\n[I] Yen I-chang of Ku-pien (K'ai-feng, Honan Province), being the administrator of this Field (namely, Kuan-fu Ch'ang), accompanied by Ho T'ien-chuch of San-shan (Foochow, Fukien Province), come to visit these two mountains (North and South Fu-t'ang). In the course of investigation, [I found, first, that] the stone pagoda (shih-ta, or colloquially called Ku-shih-ta and abbreviated to Ki-ta) at South T'ang was constructed in the 5th year of the reign of Ta Chung Hsiang Fu (i.e., of Emperor Tsen Tsung of Northern Sung, A.D. 1012). Next, Cheng Kuang-ch'ing of San-shan, piling up stones and chopping down trees, renovated the two T'angs. Again, T'eng Liao-chuch of Yung-chia (Wen-chou of Chekiang Province) continued the work. The ancient stone-tablet at North T'ang was established by Hsin P'o-ting of Ch'uan-chou (Fukien province) in the year wu shen but the reign [of what Emperor] cannot be ascertained. Now, Nien Fa-ming of San-shan and Lin Tao-i of this native place (i.e., Kowloon) continue the work. Furthermore, Tao-i can expand the former plan requesting [me] to establish another stone-engraving for commemoration [of the renovation]. Inscribed on the 15th day of the 6th lunar month in the year chia shu [i.e., 10th year] during the Hsien Shun reign (Emperor Tu Tsung of Southern Sung, A.D. 1274).\n\n7 Yuan Yuan, Kwangtung T'ung-chih, Haifang lüeh, chuan 2, kx. Ak Ma. 40%. Shu Mou-kuan, Hsin-an Hsien-chi, chuan 7, Chien-shu lüeh 建署累\n\n8 Ta-ch'ing Hui-tien, Kuan-chih kao. 76.\n\n9 Research notes by the late Sung Hsueh-p'eng (4) who had done much research work on the local history and geography of Hong Kong and Kowloon. A portion of the notes was generously recopied and given to me.\n\n10 Ibid.\n\n11 T'u-shu Chi-cheng, Chih-fang-tien (811A.AZ) records that \"This was the old engraving of Yuan times”.\n\n12 Chuan 18, Sheng-chi-lüeh BAY.\n\n13 Before 1941 there were three streets at this place, called \"Sung Street\", \"Ti (Emperor) Street\" and \"Ping Street\". (Apparently Emperor Ping was mistaken for Tuan Tsung (Shib). As the history of Southern Sung in Kowloon had been rather obscure, the mixing up of the two names was not very unlikely; even the Hsin-an Gazetteer made the same mistake. This whole area including the three streets was levelled during the Japanese occupation to facilitate the extension of Kai-tak airfield.\n\n14 See Jao Tsung-i, Kowloon yũ Sung-chi shih-liao ✯‡, ^*‡‡‡£ #, Hong Kong, Universal Book Co., 1959, p. 105.\n\n15 Wu Pa-ling, Sung-t'ai kan-chiulu 4*. *4434 in Sung Wong Toi, a Commemorative Volume, p. 108.\n\n16 By the side of the cliff a low-cost housing estate has been recently constructed south of the new Fu-ning Street (3##), east of the now Fuk-",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
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    },
    {
        "id": 205348,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 110,
        "title": "RAS-1967",
        "content_text": "LAND AND LEADERSHIP IN THE H.K. REGION OF KWANGTUNG 103\n\nmany Punti villages from \"squeezes\" formerly levied on them, \"especially the Hakkas\".\n\n13 The market town of Tai O had a land population of 2,248 and a boat population of at least several thousands, many of whom lived in mat-huts over the water and were therefore part of the settled population. Sessional Papers 1911, p. 103 (26 and 38). The Hong Kong Government's Administrative Reports for 1911, District Officer South, mentions 221 mat-shed permits in respect of pile huts in Tai O Creek. There were said to be 8 schools in Tai O or district at a New Territories School Census in April 1912, with an average attendance of 21. See Appendix G to Orme's Report in Sessional Papers 1912, p. 63.\n\n14 See for instance Hugh D. R. Baker, \"The Five Great Clans of the New Territories\" in JHKBRAS, Vol. 6 (1966), pp. 25-47 and his references at his note 9 to Sung Hok-pang's prewar articles in The Hong Kong Naturalist.\n\n15 The schedules of ownership attached to the Block Crown Leases for 1898 New Territories' villages show this general pattern of peasant ownership very clearly. They are kept in the District Offices of the New Territories Administration.\n\n16 A hint of the strength of superstition at this time is given by Orme, op. cit., paras. 97-98,\n\n17 They held, in addition, a considerable number of mortgages from Shek Pik people. Those recorded in the 1904 Block Crown Leases for the Shek Pik Valley may well be less in number than in 1899 because, in the intervening years, it was reported that mortgagors were making great efforts to recover unencumbered ownership, e.g., Sessional Papers 1902, Mr. Stewart Lockhart's 'Report on the New Territory for the Year 1901' p. 4. It is not entirely clear from the context whether this was a general reaction or limited only to New Kowloon,\n\n18 Hong Kong Government Gazette, 8 April 1899, p. 546 under the heading ‘Local Government in the Villages'. The information about there usually being four Tung in any administrative district comes from the former magistrate mentioned in the same paragraph of the text. He was in charge of ## and ✯✯ in Hupeh for part of the first decade of this century.\n\nWhere no sources are cited, the text is based on information obtained from old inhabitants, some of whom knew Cheung Kwong-chuen and Kung Fong-tsai personally, and from documents in Chinese relating to the land and money transactions of these two men and those of the third, Chan Fu-shing, that have been made available to me through the kindness of their present owners to whom I am much indebted for their courtesy and cooperation. I am also grateful for help with translation, especially to Mr. Chan Kwun-ngok, and for the ready help of many Lantau residents with my enquiries,\n\nAddition to Note 8. The quotation in the text comes from Professor Ho's \"The Examination System and Social Mobility in China, 1368-1911\", Proceedings of the 1959 Annual Spring Meeting of the American Ethnological Society, pp. 60-65.",
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    {
        "id": 207583,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 351,
        "title": "RAS-1975",
        "content_text": "342\n\nBOOK REVIEWS\n\n34 This observation is mainly based on the fact that the first poem from his own collection is entitled \"Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.”\n\n毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era).\n\n35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung\", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98.\n\n36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414.\n\n37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close.\n\n38 See Hu I: \"Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1.\n\n39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type.\n\n40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu \"Records of Members of the Fu-she Association\" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan.\n\n41 Hsieh Kuo-chen: \"Nan-ming shih-luch\" “A Brief History of the Southern Ming Period\" (1957, Shanghai), pp. 12-13.\n\n42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London).\n\n43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings\" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207971,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 10,
        "title": "RAS-1977",
        "content_text": "179\n\nAmong smaller villages, arrangements for co-operation often extended beyond the village itself. Hang Hau and nearby Seung Sz Wan, for instance, were closely involved in each other's celebrations. When there were celebrations in one village, members of the other village could come without invitation.44 Inter-village co-operative arrangements of one sort or another were sufficiently strong for most of the smaller villages to identify themselves as being parts of permanent village alliances. Tai Mong Tsai, Tai Po Tsai, Shek Hang, Tit Kim Hang, Tam Wat, Wong Mo Ying, Ping Tun, and She Tau formed the Paat Heung (Eight Villages); Nam Shan included also Fu Yung Pit, Kak Hang Tun, Keng Pang Ha, and Lung Mei; Pak Tam Chung included Pak Tam, Tsak Yue Wu, Wong Keng Tei, Sheung Yiu, Wong Yi Chau, and Tsam Chuk Wan; and Ngong Wo, Wo Liu, Shan Liu, Tai Wan, Tso Wo Hang, Sha Ha, Nam A, Wong Chuk Yeung, Long Keng, and O Tau formed the Shap Heung (Ten Villages). The Paat Heung had a joint school in Tai Mong Tsai; the Pak Tam Chung villages jointly worshipped the Great King earthgod near Sheung Yiu; the Shap Heung had its joint school in Tai Wan, and used to maintain collectively the T'in Hau Temple at Wong Chuk Yeung (now ruined). The larger villages, e.g. Ho Chung, Mang Kung Uk, Sha Kok Mei, Nam Wai, Tseng Lan Shue, and Pak Kong, were apparently not parties to such alliances, but regarded themselves as forming complete units in themselves.45\n\nInter-village disputes were not common, but there were some long-standing ones. Sha Kok Mei disputed with Nam Shan over tree-cutting rights. Nam Wai and Ho Chung fought over a quarrel that had started when the cows of one village damaged the crops of the other.46\n\nFestivals and customs\n\nThe major festivals in the village were the New Year, and the T'in Kei (birthday of Nui Woh, the Earth Goddess), Ts'ing Ming (spring worship at the ancestral graves), Dragon Boat, Tsat Tse (Seven Sisters), Mid-Autumn, Double-Ninth (autumn worship at the ancestral graves), and Tung Chi (winter solstice) festivals, the temple festivals of the local temples (in this area Ch'e Kung, T'in Hau, Koon Yam, and Hung Shing), the festivals of the local",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
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    {
        "id": 208769,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 226,
        "title": "RAS-1979",
        "content_text": "20 See note 13.\n\nNOTES AND QUERIES\n\n199\n\n21 See Ch'ing Hoi Fan Kei recorded in Chapter 33 of the Tung Kwun Yuen Chi ★★ 1911 edition.\n\n22 Chapter 125 of Kwong Tung Tung Chi (1822) stated, “The Shek She Fort of Tung Chung Kau, Tai U Shan, was built in the 22nd year of the Ch'ia Ching reign (1817). It was proposed and built by Viceroys Cheung Yau-koot and Yuen Yuen.' Chapter 130 of the same book recorded, \"In the 22nd year of the Chia Ch'ing reign, Viceroys Cheung Yau-koot and Yuen Yuen proposed to build eight guard-houses at Tung Chung Hau, and two fortresses, seven guard-houses, and an ammunition store at the foothill of the Shek She Shan. The proposal was carried out by Pang Chiu-lun, Reserve Prefect of Kwong Chow Fu. The eight guard-houses at Tung Chung Hau were those inside the Tung Chung Walled City. The two fortresses, with seven-guard-houses and an ammunition store at the foothill of Shek She Shuen formed the Shek She Fort of Tung Chung Kau.\n\n23 See Wong Pui Kai's \"Tung Chung of Tai Yue Shan\", published in Volume 86 of Tai Fung Pun Yuet Kan, ⭑「大公報·文教半月刊」第八十六期。\n\n24 Chik Lap Kok Island lies to the north of Tung Chung Bay. The island is famous for the production of granite used in building purposes.\n\n25 See note 22.\n\n26 See my article: \"The Cannons on the Wall of the Tung Chung Fort\", JHKBRAS vol. 18: 1978.\n\n27 See note 22.\n\n28 The stones of the wall had been taken away by the monks of Tai Tong Tsai ## for the building of the Ma Wan Chung Bridge. It is now called the Lai Luk Bridge.\n\n29 See note 22.\n\nTWO EXAMPLES OF CHINESE RELIGIOUS INVOLVEMENT WITH ISLAM\n\nAlthough Chinese folk religion and Islam have next to nothing in common, two examples of Chinese reaction to Islam are afforded to us in present day South East Asia; one in Singapore and Malaysia where the image of Muslim appears on Chinese altars, and the other in Thailand where a local Chinese folk religion cult has developed around a Chinese girl who killed herself because her brother was being converted to Islam.\n\nChinese immigrants brought their beliefs and their gods with them to South East Asia, but one further and special deity has been added to their pantheon. This is a Malay, depicted on the altar as having a very dark skin, often jet black, and wearing the Malay",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 209005,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 167,
        "title": "RAS-1980",
        "content_text": "NOTES AND QUERIES\n\n135\n\nmajor during the early K'ang Hsi period. He had taken part in the suppression of the disturbances led by Ng Shaam-kwai in the south. He was promoted to Yau Je or colonel and then to Ti Tu or brigadier of the Fukien Province. In the 56th year of the K'ang Hsi reign (1717), he was promoted to be Chuen Fu or Governor of the Kwangtung and Kwangsi Provinces.\n\nAt that time, pirates were disturbing the south coast of China, and the people there led a hard life. Yeung Lin lowered their taxes and improved their living. Two years later, in the 58th year of the Kang Hsi reign (1719), he was made Viceroy of the Kwangtung and Kwangsi Provinces. He then proposed to erect 126 forts, walled cities and guard-stations, and to strengthen the fortification of the coast by increasing the garrisons to 3991 men. His proposal was authorized, and in the first year of the Yung Cheng reign (1723), he was appointed to be Viceroy of Kwangtung specially responsible for all matters of the Kwangtung Province. He died a year later, (1724).\n\nTo conclude, the Fat Tong Mun Fort must have been built when Yeung Lin was Viceroy of the Kwangtung and Kwangsi Provinces, within the period between the 59th year of K'ang Hsi and the first year of the Yung Cheng reign (1720-1723). The fort guarded the Fat Tong Mun and had 8 cannon places and 13 guard-houses. A garrison of 25 soldiers under one pa-tsung or sergeant from the Tai Pang Battalion was stationed there. Then in the 15th year of the Chia Ch'ing Reign (1810), the fort was evacuated and finally abandoned.\n\nThe fort became a ruin, long neglected. It is now being excavated under the direction of Dr. Solomon Bard, Executive Secretary, Antiquities and Monuments Section, Urban Services Department, Hong Kong.\n\nHong Kong, January 1981\n\nANTHONY K. K. SIU\n\nNOTES\n\n1 Tung Lung Island was called South Fat Tong or Nam Fat Tong in the past. It lies to the east of Hong Kong Island and guards the eastern entrance to the Victoria Harbour.\n\n2 Chapter 4 of the San On Yuen Chi, Chia Ch'ing edition **縣志卷四**.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 210294,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 265,
        "title": "RAS-1984",
        "content_text": "244\n\nCHOI CHI CHEUNG\n\nSpring of 1662 the General gave him land in Uji to build the Temple. See “Fu Chin Hsien Chih Shu Lieh” (B) vol. 12, p. 14 (no date).\n\n24 See a copy of the contract for a house in the underworld in the Appendix to this article.\n\n25\n\n26\n\nKulp, D.H., Country Life in South China, pp. 145-148. The Figure-maker of the Kyoto Chinese Ghost Festival is, however, a Japanese.\n\n27 Several Japanese worked in the Kitchen, and two took care of the incense inside the Tao Ch'ang and other odd jobs like carrying things to burn etc.\n\n28 See the document printed in the Appendix from the introduction to the Pang.\n\n29\n\n30\n\nPlate 29. For the tablet in the \"Ancestral Hall\" see the drawing in the Appendix to this article. For the Ming-che see Plate 30.\n\n31 Plate 31.\n\n32\n\n33\n\nAs shown, for instance in DK-NR. Plate 32.\n\n34 See letter printed in the Appendix.\n\n35 Personal interview, Oct. 13, 1982.\n\n36 According to Li, in 1878, 357 Chinese lived in Kobe, 223 of them from Kwangtong and Kwangsi (Liang Kwang); 84 from Kiangsu, Chekiang, and Anhuai (Sankiang); and 50 from Hokkien. See Li Ta-shen, Shen-hu Ta-ban di Hau-chiao, May 15, 1943 (in the collection of the History Museum of the Kobe Chinese). Refer also to So Shi-sai, Fuku Sei no Pooru Unn, p. 12 ff. (unpublished thesis).\n\n37 Kobe Chinese News, Sept. 10, 1977. Kansai Chinese News, Aug. 25, 1978; Sept. 25, 1979; Sept. 1, 1981; Oct. 1, 1982. Until 1978, it was reported that the worshippers were mainly Hokkienese. But, from 1979 it was changed to \"Chinese worshippers from various places of Japan”.\n\n38\n\nOn the one hand, the festival adopted elements that belong to the Japanese, such as: the interpretation of the ritual of Lantern Floating, the Japanese being the mediators, and Japanese was the medium for interdialect group communication. On the other hand, if compared with the Ghost Festival in Uji, Kyoto, the latter is a purely Hokkienese festival. The organizers were Hokkienese, and so were the worshippers. Moreover, the Hokkienese themselves, not the Japanese priests performed the Reporting ritual at the Kyoto festival; there, Hokkienese, not Japanese, was the language for communication. Because of the primary identification or origins, the festival in Kyoto serves more social functions that do not appear in the Kobe festival, e.g. entan (to talk and arrange for marriage). The Ghost Festival in Kyoto is thus one of the 3 main yearly gatherings of the Hokkienese in Japan.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 211651,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 66,
        "title": "RAS-1989",
        "content_text": "41\n\nto cure a member of the family before being returned to the temple altar with an offering. This service is available in Wang Yeh temples where the main deity is a Pestilence Wang Yeh and the row of small portable images of Pestilence Wang Yeh on the altar table before the main altar is available for devotees. The individual images can be any one of those available from the altar itself or from the altar table. Which image should be taken is determined by the Pestilence Wang Yeh who reveals his decision through his spirit block response. In a temple on a Singapore housing estate, all five images had been borrowed and the altar was bare apart from the outlines of the bases of the Wang Yeh images in the dust. In a very few homes, an image of the Pestilence Wang Yeh is maintained permanently on the family shrine, having been carved specially for the family at their request.\n\nImages of the Pestilence Wang Yeh's consort have been seen on altars in several temples in Taiwan. In Lukang, in the Shun Yi temple, the main deity, Shun Fu Wang Yeh (**E**) is accompanied by five others, T'ien, Ting, Chu, Ma, and Chin (BT✯54), and his consort Shun Fu Wang Yeh Fujen (KƒÆÂ). All six Wang Yeh are regarded by the temple keeper as Pestilence Wang Yeh, and although the main deity's consort is offered incense by devotees, she is not approached for benefits. Sometimes the consort is simply a small image of a matron and merely known as Fu Jen Ma (AA) without a surname.\n\nIn a number of South-East Asian Chinese rural temples, both corrugated iron structures and shophouses, one or three (and never two unless one has been borrowed by a devotee) Pestilence Wang Yeh images have been noted interspersed between other unconnected deities, often in addition to the main deity, whoever that might be, in no particular order and in no way connected. This again is private enterprise on the part of the temple keeper, often a poor peasant who has taken advantage of a gap in the local requirement for protective deities and who started up his own small temple from which he obtains sufficient petty cash to keep the wolf from the door.\n\nGenerally speaking, the deployment of Wang Yeh temples has followed the progress of the spread of Fukien people within Taiwan and South-East Asia. The most densely deployed areas in Taiwan are the Pescadores and Tainan, and to a lesser extent in the Chia I, Yunlin, and Kaohsiung coastal areas. The origins of these temples are related to the traditional practice of 'Fang Wang Chuan', the setting forth of the Wang Yeh Spirit",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 73,
        "title": "RAS-1989",
        "content_text": "48\n\nOne of the more interesting Wang Ch'uan is in the Hai Ling Temple on the Pescadores. In Tainan there are some boats as big as small buses, and at the Ma Tsu temple at Lu Erh near Tainan, there is a multi-storey boat. The captains and crew of the large wooden models are portrayed by small images, the largest being the captain dressed in Ch'ing mandarin robes, seated in an open cabin on the aftercastle overlooking the whole junk. The crew consists of sailors manning the ropes and tiller, and marines with weapons including cannon. The captain (or comptroller) of the Pestilence Wang Yeh junk is sometimes portrayed holding a writing brush and scroll. One such image in Tung Kang is seated on a throne on a small altar table before his large and magnificent boat, smoking a real cigarette which smoulders down to a stub before being replaced by one of the temple staff.\n\nSimilar images make up miniature military units representing the armies of the Pestilence Wang Yeh; some dozen or so soldiers in V formation with a senior officer at the apex (see Plate 12). Such armies of the Pestilence Wang Yeh, to be seen only in Taiwan and not in South-East Asia, consist of tamed and therefore 'good' demons and are portrayed on side altars on a few temples only. One temple keeper explained that the Pestilence Wang Yeh soldiers were all difficult spirits of dead humans who had been beyond reform during purgatory, but who had been invited to join the army of the Wang Yeh on condition that they would obey orders implicitly, and in return they had been promised rehabilitation and even the possibility of rebirth to the human world should they toe the line. They are referred to as depraved or evil spirits (Hsieh shen 邪神).\n\nThe armies are led by generals and marshals under the overall command of the Wang Yeh. The armies referred to as 'The Office of Military Affairs' (Chung Chun Fu), the main defensive forces for the prefecture in the fight against the demonic forces, are represented in some Pestilence Wang Yeh temples by a single seated image of an anonymous general surrounded by a varying number of soldiers in varying robes and uniforms, each small group of six or eight representing subordinate formations and units. In the Wang Yeh temple at Nan K'un Shen the Wang Yeh army is called “The Grand Defender of the Office of Military Affairs (Chung Chun Fu Chen Shou)\".\n\nThe Pestilence Wang Yeh army in the temple at Hsi Yu on the Pescadores consists of a general in charge, (Assistant Regional",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 212920,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 229,
        "title": "RAS-1992",
        "content_text": "214\n\nBANDITS IN THE SIU LEK YUEN YEUK\n\nP. H. HASE\n\nThe operation and functioning of the New Territories Yeuk (Village Mutual Defence Alliance) is a particularly fascinating subject, since the Yeuk seem to have been the dominant political feature of the eastern New Territories area in the nineteenth century. For this reason, I felt it might be of interest to provide a translation here of a note received from the village headman of Tsap Wai Kon village, Mr Tsim Fo-sang (?) on an incident in the Siu Lek Yuen area, probably from the mid or late nineteenth century, as he remembers being told it by the elders of his village in his youth. The note illustrates a number of interesting points about the Yeuk. The incident is likely to be factual, since the heroes of the incident were Tsap Wai Kon men, and so the incident is likely to have been frequently spoken about there.\n\nAt that time there were bandits in the area. Most of these bandits came from Kiangsi. They came in bands of ten or twenty or more. Some were extremely skilled in martial arts, but, in addition to their strength, they had weapons and weighted chains (?). Wherever they went they caused great sorrow to the residents. They forced the residents to give them food or money, and so forth. Of these bandit incursions, the worst was at Siu Lek Yuen.\n\nThe Siu Lek Yuen Yeuk was formed by uniting together many villages, such as Tsap Wai Kon, Kin Tsui, Ngau Pei Sha, Siu Lek Yuen, Nam Shan, Shek Kwu Lung, Tai Lam Liu, Wong Nai Tau, Fa Sam Hang, Tai Che, Kwun Yam Shan, Mau Tso Ngam, Fu Yung Pit, Lo Shue Tin, and other villages.\n\nSince they had to oppose the vexations and attacks of the bandits, the villagers of the Yeuk agreed to meet once a year in a meeting called the 'Everyone Together' meeting (?). This arrangement was instituted solely because of the bandits. At the meeting everyone brought food piled up on wooden dishes. The dishes from every village were taken to a matshed, where everyone sat",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
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    },
    {
        "id": 213801,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 153,
        "title": "RAS-1996",
        "content_text": "124\n\nI am not sure if any link exists with some belief that descendants of those imitated in Mao Shan magic will have physical imperfection.\n\nThe villagers of Lin Au are of Zheng and Li surnames. According to Mi Li Fu'an, in his mid-60s, the Zhengs had two ancestral hails there. One represents the lineage which moved from Shing Moon, and the other, the one which celebrated the Fengchao, was from Luoding. Li said the latter never had a genealogy, and are not genealogically related to the other Zhengs. According to Li, both the Zhengs and the Lis have lived in Lin Au for nine generations. The only Zheng of the lineage from Luoding now living in the village is a young man who did not know about the practice, and others have emigrated to Germany and other foreign countries. The other Zhengs used to witness the rite and Li said the groom was to carry an incense burner (being in bat) until dawn, probably the end of the rite. Li also learned from the other Zhengs that a groom can have the rite performed only if his father did so, and usually the first and last sons of a man have the rite performed.\n\nIn my recent visit to Cheng Tau, Ha Hang and Shan Tau Kok, I have found little about those villages. Ha Hang, whose villagers are probably all of the Li surname, have two ancestral halls. Shan Tau Kok is a multi-surname village where the Zhengs form a separate cluster of houses which include an ancestral hall.\n\nThe contents of the document is in one of the priest's manuals. I do not have a copy and did not write down anything when he showed it to me because I thought I would be able to make a copy of the manual afterwards. This document may be the \"white [ordination] certificate\" mentioned by Guangdong Xinyu and the gazetteer mentioned above. In my recording of the rite of Fengchao, a series of ordination names were recited during one session. I have to check if those are ordination names of the priest's ancestors or those of the client's.\n\n* The genealogy bears the title of Chenst Yuanlia Zupa, included in the British Library's Baker collection of genealogies of the New Territories, but is referred to in some lists as the Genealogy of the Chens of Ting Kok and Ping Yeung. Ordination names are found first in the 87th generation of the first section, among some brothers and cousins who moved to Fujian and Guangdong provinces. The following helps to date the 87th generation. A son of a brother of the 79th generation ancestor obtained a jiren degree in the year 889. Some brothers of the 84th generation ancestors moved \"during the disorder [caused by the invasion of?] the Yuan\". The 89th generation ancestor is a jinshi of Yuan dynasty. I fail to see how the \"Founding Ancestor of Fujian\" Jingwang in the second section of the genealogy relates to ancestors in the first section. A third section of the genealogy named the same Jingwang (ordination name Nian Yi(1) Lang) as the \"Founding Ancestor of Changle\" county, who was a descendant of a 83rd generation ancestor and a 86th generation ancestor, the latter being a brother of an ancestor in the earlier section. Jingwang's sons also had ordination names. According to a preface dated 1618, Jingwang moved to Changle some 200 years before then, i.e., around 1400. An 8th generation ancestor in the 3rd section moved to Ding'an of Xin'an county, probably Ting Kok in the New Territories. A 4th section of the genealogy started with Gulong as a second generation ancestor of Changle, who, according to a note before the section, was the third son of Jingwang, the Founding Ancestor of Changle, although Guilong's name does not match any of those of the sons of Jingwang in the previous section. Some of Guilong's 9th generation descendants moved to Ping Yeung of the New Territories. No ordination names are found in this 4th section.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
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    },
    {
        "id": 214014,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 82,
        "title": "RAS-1997",
        "content_text": "48\n\nThe Fifth Son, Yang Yen-tet known most commonly as Yang the Fifth, Yang Wu LangB, is also known in individual temples as Marshal Yang, Yang Fu Ta-jen and Wu Shih-yeh. He was driven to despair by the occupying Tatar forces and became a monk on Wu T'ai Shan where he secretly performed great deeds in the forlorn hope that he could force the Tatars to leave China. After his death stories of his deeds spread and a separate cult grew up around his memory. There are at least seven temples in Taiwan in which the Fifth Son is the main deity, as well as being the main deity on secondary altars in numerous other temples. The Fifth Son is also known in Taiwan as Wang Kung, as well as by the Buddhist titles of Ta-te Ch'an-shih, Yang Fu Ch'an-shih and Ch'an Shih-kung禪帥公.8\n\nHis image also occupies a secondary altar in a nunnery on Wu T'ai Shan, the Wu Lang Miao where he is depicted as a Buddhist monk and is very popular with visiting Chinese tourists.\n\nHe is a minor deity on side altars in three temples in Macau, three in Hong Kong and in a number of temples in Singapore, Thailand, Malaysia and Indonesia. In Macau a temple keeper explained that the Fifth Son is prayed to everywhere as a protective deity and is not usually a deity from whom people normally sought other favours. However, it had become the custom in the Macanese temple for the deity to be asked for racing tips and for good luck in betting.\n\nThe three temples in Hong Kong were all Ch'ao-chou immigrant squatter temples built on the slopes above Kowloon [and now long gone, the temporary temples being demolished by the Hong Kong Government during rehousing projects] where he was known as the Vanguard General, Hsien-feng Chiang-chünoro.\n\nThe few images of Yang Wu Lang, as he is best known, have no unique identifying characteristics other than when he is portrayed as a Buddhist priest under his Ch'an title, sitting cross-legged and wearing the Buddhist tiara. One image only depicts him astride a horse, the legs of which are bound with numerous red threads by devotees seeking help, possibly due to misunderstanding by devotees as this practice tends to be limited to the Green Horse, the Messenger to Heaven [Lu.Ma].",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
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    },
    {
        "id": 214041,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 109,
        "title": "RAS-1997",
        "content_text": "76\n\n1\n\nright, government officials and village representatives have powers to grant or block the application In this essay, my study of the Pang villagers in Hong Kong's Fanling shows how their building rights have been re-defined to have their applications granted Benedict Anderson, Imagined Communities Reflection on the Origin and Spread of Nationalism (Revised Edition), London: Verso 1991\n\nIt is called small house in government's terms under the 1972 Small House Policy\n\nSee Hugh Baker, A Chinese Lineage Village, p. 154, Stanford: Stanford University Press 1968, Allen Chun, Land is to Live: A Study of the Tsu in a Hakka Chinese Village, New Territories, Hong Kong (unpublished PhD thesis, University of Chicago 1985), pp. 249-250, H. Nelson, \"The Chinese Descent System and the Occupancy Level of Village Houses\", p. 117, Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 9 (1969) pp. 113-121, James Watson, Emigration and the Chinese Lineage: The Mans in Hong Kong and London, p. 160, Berkeley: University of California Press 1975, and Rubie Watson, Inequality among Brothers: Class and Kinship in South China, pp. 106-110, Cambridge: Cambridge University Press 1985\n\nThe data presented in this essay was collected during my fieldwork in Fanling Wai from the end of 1993 to early 1995\n\n4\n\nT\n\n#\n\nPang Beng Fu (Ed.), Bao An Xing Fen Ling Xiang Peng Shi Zu Pu (The Genealogy of Surname of the Pang in Bao An Province), 1989\n\nIbid, p. 59.\n\nAt the end of the summer of 1950, approximately 700,000 Chinese arrived at Hong Kong as a result of the political unrest in China in 1949 Szczepanik estimates that the population of Hong Kong in 1954 was about two millions But there was yet another influx of an estimated 140,000 immigrants from China during 1955-56 See Edward Szczepanik, The Economic Growth of Hong Kong, pp. 25-27 London: Oxford University Press 1958\n\nAs Jones reveals, by 1981, more than one quarter of Hong Kong's near five million population are living in the new towns such as Tsuen Wan, Shatin and Tuen Mun See Catherine Jones, Promoting Prosperity: The Hong Kong Way of Social Policy, p. 242 Hong Kong: The Chinese University Press 1990\n\nSee Catherine Jones, op cit, Fong, Peter, K.W., \"Housing for Millions: The Challenge Ahead\", in Joseph Y.S. Cheng and Sonny S.H. Lo (Eds), From Colony to SAR: The Hong Kong's Challenge Ahead Hong Kong: The Chinese University Press 1996\n\n10 There are two lineage-based religious activities held in Fanling Wai They are Hong chao rite and Da jiao festival Hong chao rite is held annually by the Pangs in the name of the Fanling Pang lineage to placate deities in exchange for their protection of villagers' well-being (see Au Tat-yan and Cheung Sui-wai, \"The Hung Chin Ceremony in Fanling\" [Chinese], in South China Studies Vol. 1 (1994) pp. 24-39). Da jiao festival basically fulfills the same function of the Hong chao rite, but is held at ten-year intervals Through this elaborated and expensive five-day-four-night exorcising rite, the Pangs believe that their",
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    {
        "id": 214059,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1997",
        "page_number": 127,
        "title": "RAS-1997",
        "content_text": "94\n\nThe tunnel was driven at a rate of about 18 metres/week through granite - surprisingly the most serious problems encountered appear to have concerned the labour, rather than the tunnelling itself, on account of fung shui difficulties and the prevalence of malaria.\n\nTo finalise the KCR project, an 11.5km-long narrow-gauge (600mm) branch line was constructed in 1911-1912 from Fan Ling to Sha Tau Kok on the border, mainly using track and plant which had been utilized in connection with the building of the Beacon Hill Tunnel, and operated until 1928. The civil engineering work was relatively simple, the deepest cutting and embankments being about 5 metres. For most of the route the railway shared bridges with the adjacent road but beyond Wo Hang some six bridges and numerous culverts needed to be built.\n\nWater Supply\n\nThe original inhabitants and new settlers in 1841 obtained their water supply from hillside streams. To augment these sources the first five wells for the city water supply were sunk in 1851. In 1859, the Government realised that the old haphazard supply system was totally inadequate and, following a prize competition for the best plan, implemented a small reservoir scheme in the Pok Fu Lam valley, the dam being little more than a stream intake, from which water was conveyed in 1863 through a 250mm cast-iron pipe to tanks above the city of Victoria.\n\nFrom that time the history of Hong Kong's waterworks was a continual struggle to catch up with the needs of an ever-increasing population and virtually never succeeded until recent years (when the Territory's water shortfall was imported from China). The original Pok Fu Lam scheme was soon scrapped and a new reservoir, with its 11m-high earth dam and a much greater capacity (300 million litres), was completed further upstream in 1871 when the population had risen to about 125,000. The reconstruction of the supply conduit, by means of a brick culvert along the 150m contour (Pok Fu Lam and Conduit Roads), became operational in 1877.\n\nThe first stage of the Tai Tam scheme, the principal feature being a 40m-high masonry-faced rubble concrete dam, was completed in 1889",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214365,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 223,
        "title": "RAS-1998",
        "content_text": "189\n\nIn late 1997 in northern Shansi province whilst touring round village temples as well as those on high mountains it was soon apparent that the Cultural Revolution had laid the majority of village temples low and left them in ruined dereliction. However, Buddhist temples far from the cities had been more fortunate and these still contained undamaged images albeit in a poor state of care. Many of the village temples were being used as squatter residences usually for a single elderly person, with the walls crumbling, the roofs matted with grass and weeds between the roofing tiles, doors and windows agley and hanging on one hinge, and in a few places the images of the old deities still lying on their backs on the floor where they had been flung thirty years earlier by the Red Guards, and awaiting rescue. Villagers were still interested in their temples but have not the funds to do anything about renovation, at least for yet a while. The elderly remembered the gods and the majority had small cheap images, on their household altars or paper icons pasted to their walls, mainly of Kuan Yin and Kuan Kung.\n\nOne temple stood out as a born-again Buddhist establishment, with an in-house priest and several ladies ranging from very old to a young woman in her late twenties who all cared for him and hung on his every word. They were punctilious with their greetings and their constant invocation of O-mi-t'o Fu, as well as with their gentle pressure on their foreign visitors to feel the sanctity of the place and, in particular, of their priest. The temple, a recently refurbished building of wood and tiles on the site of a former temple, had no feel of age nor did it in any way bring to mind its former self, the building which had been destroyed during the Cultural Revolution. Sadly, it was a utilitarian construction with a few religious appendages, and similar in style to many an old village school with little if any of the sense of numinous felt in old temples.\n\nAlso during this visit to northern Shansi we came across the old temple which had been dedicated to Wu Lang. This was described in detail in Volume 37 in an article entitled the Yang family of Generals.\n\nMainland press reports during the years 1995-6 have frequently referred to provincial crackdowns on the construction of 'illegal' religious temples as well as the excessive building of tombs. Some regions, it was reported, had been seeking to promote tourism by engaging in superstitious activities on the pretext of respecting \"the traditional culture of the motherland.\" The People's Daily, the mouthpiece of the party, called for a complete ban on Chinese tourists paying homage at temples and monasteries, even though such practices have been tolerated",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 215117,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 213,
        "title": "RAS-2000",
        "content_text": "170\n\nThere would appear to be two minor generals also in this story. Several temples in the Chia I and Yunlin coastal strip of Taiwan are dedicated to the Three Princes, San Wangye Zhang, Li and Mo. These were identified in the temples as Zhang Xun with two of his subordinate generals, Li and Mo, both of whom died with him at Suiyang5 One temple keeper related the story of how Mo Ying15, whose real name was Gai TuoE, was one of the generals at the siege of Suiyang with Zhang Xun and his sworn brother, who committed suicide when Zhang was executed and quartered.\n\nTwo further minor soldiers, again generals who served under Zhang and Xu whose images have also been seen on altars in Taiwan and Fujian province beside those of Zhang and Xu, are Lei WanchunS, an image either with a black face with six or seven golden stars on it or with a red face, and Nan JiyunE, an image with a blue face.\n\nNothing is known about General Nan; however, General Lei Wanchun, a native of Hebei province, was a military officer who served under General Zhang Xun in the first half of the 8th century AD, commanding the garrison in the area to the north of Xi'an, within the loop of the Yellow River. During the An Lushan revolt Lei was besieged by rebel forces in Luoyang, the secondary capital of the Tang. He remonstrated with An's forces from the garrison walls accusing them of being traitors to the Tang and remained there even though six rebel arrows had struck him. He continued to exhort the rebels to surrender until his forces were overcome and he died with them. His image usually has six or seven spots on the face where, so it is claimed, the arrows pierced him. During the reign of the Qing Kang Xi emperor a military officer named Zai carried an image of Lei over to Taiwan where his cult developed and he is now revered in some dozen or so temples in and around the central plain of the West coast.\n\nA protective Wangye, a pestilence deity, in Jiali, a town just north of Tainan city, better known as the General of the Lei clan, Lei Fu Jiangjun, is the secondary deity on the altar of a small temple. The history as recorded in the temple explains that the original temple, having been badly damaged by an earthquake in 1862, was rebuilt and enlarged by devotees. During the hard labouring necessary to achieve their aim the spirit of the then main deity, General Lei, having transformed himself into an old man dressed in a feather coat, went",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215120,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 216,
        "title": "RAS-2000",
        "content_text": "173\n\ncharacteristics. Plopper in his Chinese Religion seen Through the Proverb : Shanghai : 1935 claimed that Lao Lang was also the patron of prostitutes.\n\nMeng Fu Langjun f. otherwise known as Langjun Ye, NB\n\nwhose\n\n{1\n\n24\n\n0\n\nimage has been noted in Lukang in western Taiwan, is the patron of the southern school of woodwinds.\n\nHe is known by this title which describes his position once he fled to the West from Chang'an ahead of the pursuing rebel forces.\n\nThis lengthy legend basically tells of the emperor's challenge to Zhang Tianshi to use his magic to stop the noise of heavenly music which, unbeknownst to Zhang was being performed by 360 musicians concealed in a cellar. Zhang stopped the music by killing the lot in one swoop with his magic. The emperor, horrified at what he had done, had them all deified as Plague Gods.\n\nZhi Nú is the Weaving Girl in the legend of the Weaving Girl and the Cowherd.\n\nMesny Wm. Mesny's Chinese Miscellany: Shanghai : 1899\n\nRichard T : The Secret Sects of China : The Chinese Inland Mission Handbook : 1896\n\nChaozhou is a city in eastern Guangdong province where their minority language is spoken.\n\nChuanzhou is a city in southern Fujian province and emigrants from both Chuanzhou and Chaozhou have settled in both Taiwan and South-east Asia.\n\n\"The discrepancies in dates is due to the varying versions provided by temple\n\n12\n\nattendants.\n\nA similar claim was made in Central China where the rain and crop deity, Doutian Yuanshuai BÆ, was believed to be an incarnation of Zhang Xun who, it was said, had intervened to assist the imperial forces during the Taiping wars ca. 1855 and had been awarded the title of Zhangwei\n\n13 Goodrich, A. S. : The Peking Temple of the Eastern Peak : Monumenta Serica : Nagoya : 1964",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    }
]