[
    {
        "id": 206843,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 120,
        "title": "RAS-1973",
        "content_text": "114 \n\nSUNG HOK-P’ANG \n\nto Kam T'in he was much taken by it, considering the people were more friendly and honest than those of his own country, and it was said that he came to live there in the 6th year of Hoi Po (HT) A.D. 973 of Sung dynasty. During the 8th year of Shing Fa (APC) A.D. 1472 of Ming dynasty when the Kam T'in people revised their family tree, they added a note which cast doubt on the veracity of this, and instead they were inclined to believe that Tang Foo (#) the great grandson of Tang Hon Fat was really the first to come to Kam Tin, and that he transferred the bones of his father, grandfather and great-grandfather to Kwangtung from Kiangsi. Be that as it may, and although there is no actual proof that one or other was the original Tang to settle in Kwangtung, Tang Hon Fat remains a \"first ancestor\" as his is the oldest Tang grave near Kam T'in. It can be found at Ah Kai Shaan (Y), Waang Chau (H) village.\n\nSix generations after Tang Hon Fat there were two brothers, Kwai (3) and Sui (). Kwai had two sons called Yuen Ying (* ) and Yuen Hei (†), both of whom left Kam T’in and founded branches of the family elsewhere. Sui had three sons, Yuen Ching (元祯), Yuen Leung (元亮) and Yuen Woh (元和). The first and last of these also left for other districts but Yuen Leung remained behind, and the Tangs in Kam T’in to-day are his direct descendants. These five cousins were known as the \"Five Yuens\", and after their death their descendants who by then were scattered in various parts of China built an Ancestral Hall, common to all the Yuens, called To Hing T'ong (*). It is at the South gate of the district city of Tung Koon (✯✯), on the Kowloon-Canton railway not far from Sheklung (). In the hall Tang Hon Fat has been given premier place, but the \"Five Yuens\" are venerated in the same way as he and Tang Yue are, as being \"first ancestors”.\n\nAs mentioned before, Tang Foo, the great grandson of Tang Hon Fat is said to have found the sites for the graves of his father, grandfather and great-grandfather, himself. They were all acknowledged as being lucky places by the \"fung shui\" men, who were, of course, consulted. That of Tang Hon Fat is called Yuk Nui Paai T'ong (£#*) jade girl reverence; and his son's grave which is on Yuen Long Hill (₪), is called Kam Chung Fau Tei () gold bell cover ground. The grave of Tang Foo's father is called Poon Yuet Chiu T'aam (#AM) half moon shine lake,\n\nPage 120\n\nPage 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206844,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 121,
        "title": "RAS-1973",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 115\n\nand is on a hill named Hau Tei (#) king crab ground, near the village of Ch'ai Waan Kok (A) Ts'uen Waan ( ) district. The tablet has a poem engraved on it written by Paak Yuk Shim (1) a poetical genius of the Sung dynasty. He was also famous for his paintings which were highly admired among Chinese Scholars. Legends have attributed to him magical powers, and he is supposed to have appeared and disappeared in all the famous mountains from Tung Koon, San On and to the east of Kwangtung.\n\nHe received the title of \"Tsz T'sing Chan Yan” (**^^) from the emperor Sung Ning Tsung (#). Biographies of him were recorded in Tung Koon Yuen Chi (£) Ch'iu Chau Foo Chi (M) and many other books. The poem on the grave was remarkable for the curious allusions that were made in it to the future. It runs:-\n\n1. 長伸左手接星羅,\n\n2. 走攬青衣濯碧波,\n\n3. 深夜一潭星斗現,\n\n4. 裏頭容萬船過。\n\n5. 有人下得朝陽穴,\n\n6. 十三年內登科,\n\n7. 若是世人尋不得,\n\n8. 囘頭轉問釣魚哥。\n\nThis can be roughly translated as follows:\n\n1. \"Put out the left hand as far as Sing Hill,\n\n2. running as far as to Tsing I island wash it in the green waves.” These two lines refer to the position of the grave.\n\n3. \"In deep night one harbour all the stars appear.”\n\nAlluding to the lights of Hong Kong harbour in the future.\n\n4. \"Inside harbour there will be ten thousand ships passing to and fro.\n\nThe trade that was to come to Hong Kong.\n\n5. \"If any one can find the proper site of the grave\n\n6. in thirteen years' time his descendants will pass the highest degree of Government examinations.\"\n\nThis came true in so far as the Tang family were very successful in passing examinations and some of them became high officers and men of rank.\n\n7. \"If people in the world try to find, and are unable to find it\n\n8. turn your head round and ask the young fisherman.\"\n\nReferring to the grave again. When Tang Foo was finding the place for the grave the local villagers pointed out to him a stone known as the Fishing Stone which helped him to decide on the site.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206845,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 122,
        "title": "RAS-1973",
        "content_text": "116\n\nSUNG HOK-P'ANG\n\nTang Foo's own grave is well known, as it was mentioned in the \"To Shue Tsap Shing\" (4) a large encyclopaedia of 10,000 volumes written in the 4th year of Yung Ching (£) A.D. 1726 of Tsing dynasty, by order of the Emperor. The volume which refers to the grave is known \"Chik Fong Tin” (*) and it says, \"Tang Foo's grave is in Ab Kai 鄧符墓在横洲丫髻山 Shaan, Wang Chau\".\n\nEven if it is accepted that Tang Foo was the pioneer in settling at Kam Tin, or Kwai Kok Shaan as it was then called, there is very conflicting evidence as to when he actually went there. Although his grave-stone records that he passed the Tsun Sz (±) degree, Government civil examination in the 2nd year of Sung Ning (##) A.D. 1103 of Sung dynasty, there is no record of it in the lists of people who passed the Government examinations (Suen Kui Piu ***), in the annals of Canton, Kwong Chau Foo Chi (✯✯), Tung Kwoon, Tung Koon Yuen Chi (4) or San On, San On Yuen Chi (##) which points to the fact that Tang Foo passed his examinations in Kiangsi before coming to Kwang-tung.\n\nEach of the three books mentioned above has a biography of Tang Foo. On the other hand, it is known that after Tang Foo had held the office of district magistrate of Yueng Ch'un (1★-) district and had been promoted to \"Naam Hung Sui\" ( ) he retired to live in Kwai Kok Shaan, and built a famous school there called Lik Ying Tsai () which was mentioned among “The hundred poems of Po On (Po On Paak Wing (*)\" by Yung Ping(), where it was stated that during Sung Ling time A.D. 1102-1106 Tang Foo lived in Kwai Kok Shaan and founded a school called Lik Ying Tsaai (A) and kept a lot of books in the library.\n\nThis book has unfortunately been lost, and only two poems are still in existence, neither of which deal with the school. Yung Ping was a native of Tung Koon. He was \"Tak Tsau Ming Tsun Sz” (*★21) in the 8th year of K’in To ($) A‚D, 1172 of Sung dynasty.\n\nAnother learned scholar, Fok Wai () of Naam Hoi () district, wrote a long article named Lik Ying Tsaai Kei (4) giving an account of the school. During the reign of Shun Hei ( # ) A.D. 1174-1189 the emperor caused Fok Wai to be admitted to the T'aai Hok (*) (Imperial College) as being a \"man possessing the eight virtues.\" Paat Hang Aff.\n\nOnly one other scholar...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206852,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 129,
        "title": "RAS-1973",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN\n\nthe Emperor Sung Kwong Tsung (***). After her death her eldest son Lam (†) took a letter that she left behind to Sung Kwong Tsung, who ordered that honours should be paid to the dead princess, the name of Wong Kwu bestowed on her, and a thousand Chinese acres of cultivated land given to Lam, the income from which to be spent on her grave for customary rites and worship. The To Shue Tsaap Shing which was written in the 4th year of Yung Ching (£) of Ts'ing dynasty, A.D. 1726, mentions the fields as being still used for this purpose.\n\nThe princess was very famous for her humility. When she first came to Kam T'in she willingly helped to do the servants' work in the house, and showed no pride in her high birth. There are two sentences referring to her in a poem written by the poet Kan Sz Leung (MA) which run:—\n\n1. 金枝玉葉無人偶,\n\n2. 凄絕農家執箕帚。\n\nwhich roughly translated read:\n\n1. Gold branch jade leaves no one dare to make a pair with.\n\n2. Sad utmost farmer family hold dustpan and broom.\n\nWhen the princess became very old a site for her grave was chosen by a famous \"fung shui\" man named Lai Paak Shiu (16 #). He selected a hill called Sz Tsz Shaan (#) in Shek Tseng (#) near Shek Lung, which was supposed to resemble a lion, but he first asked her if she would prefer to be buried on the lion's head or its tail. She asked what difference it would make, and she was told that if her grave was on the head her descendants would be very great men; but if on the tail they would be more humble people, perhaps officers of low degree, and, although prosperous, none would succeed to high rank. The princess at once said, “I do not want my descendants to become great. They could never be as high as an Emperor's daughter, and yet even I was in danger of my life. I wish them to enjoy the red rice and the shiny scale fish (the unhusked rice and herrings, farmers' food). If they have that they should be content.\" So she was buried on the lion's tail, and two more sentences were written about her,\n\n1. 紅米之飯錦鰍魚,\n\n2. 田家風味甘有餘。",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206853,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 130,
        "title": "RAS-1973",
        "content_text": "124 \n\nSUNG HOK-P’ANG \n\n1. Red raw rice cooked and shining scale fish, \n\n2. Farmers' simple good fare delicious and lasting. \n\nThe grave has two names Sz Tsz Kwan K’au ($*$*£*), Lion playing ball; and Ts'o Mei Shui Chue (44), long grass hanging down pearl. When Lai Paak Shiu was having the grave built he put a brass tablet behind the stone one, with the following words on it. \"Three hundred years hence, an ignorant young man named So (#), who knows nothing about \"fung shui”, will want to alter the way this grave faces. If he is allowed to alter it, not only will the Tang family have trouble, but So himself will have bad luck”. The existence of the tablet was unknown until the prophecy on it came true. Three hundred years later when the Tangs were having a period of bad luck and unsuccess, they decided that something was wrong with the \"fung shui\" of the princess' grave. They consulted a young man named So, and at his instigation started to alter the position of the grave. When the stone tablet was removed, the brass one was revealed and in terror So advised them to leave the grave alone. \n\nIn the 50th year of Hong Hei (R) of Ts'ing dynasty, A.D. 1711, the Tang family were repairing the grave when they discovered several sham tombs underneath the ground. This was the custom in ancient China when burying royalty, as by this means it was hoped to prevent their enemies from desecrating the real tomb. The oldest stone tablet that we can find to-day, was put up in the 19th year of Shing Fa (A) of Ming dynasty, A.D. 1483, which gave the dates of the birth and death of the princess. In this tablet was also found the statement that the grave was first made in the 6th year of Shun Yau (*) of Sung dynasty, A.D. 1246, but there is no record of the first stone tablet nor any of the tablets erected before A.D. 1483. After the general repairing of the grave in A.D. 1712 a new stone was erected, but as the dates on the previous one were not considered to be correct, none were written on the stone. \n\nThe princess' husband Tang Tsz Ming was received with honour by the Emperor and had the title of Shui Yuen Kwan Ma (✯✯ #) bestowed on him. It was the custom in China to give the title Kwan Ma to the husband of a prince's daughter. Tang Tsz Ming's grave was made on a little hill called Fat Au Leng ( ##₪) # ). It can easily be seen to this day almost opposite the Au Tau Police Station on the other side of the road to Sheung Shui. It has recently",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 207097,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 168,
        "title": "RAS-1974",
        "content_text": "162 \n\nSUNG HOK-PANG \n\nbeam into a new dragon boat. When it was launched into the water, a strange thing happened. The boat flew up into the air, and immediately a great quantity of treasure, gold, silver and precious stones fell into the boat from the sky. When it was full the boat came down to the water, and the people were able to empty it. Then it flew into the air again, and came down again with fresh supplies of treasure. This happened many times until there were untold riches for the Tangs. A few years later, they chose another lucky day and erected a new beam and the hall was completed and given the name Loi Shing Tong1. It still exists in Shui T'au Village2, on the left-hand side of Hung Shing Kung (plate 20, figure I. H.K.N., VI, Nos. 3 and 4. “Hung Shing Kung,—the oldest temple in old Ch'an T'in.\") under the name of Ts'z T'ong Tsai (small ancestral hall).3 \n\nThen followed many years of prosperity for Kam T'in until times of trouble came to all the countryside and the family had to abandon the village temporarily on account of bandits. Before leaving Kam T'in, however, they buried there what remained of the treasure. This story was handed down from generation to generation more as legend than true fact. During the Ham Fung4 (咸豐) years, 1851-1861, of Ts'ing dynasty, a man called Tang Paak Luk (鄧伯祿) of Kam Hing Wai (錦慶圍) farmed the land where the treasure was supposed to be buried. One day he sent a labourer, Ch'an A Faat (陳亞發) to work in the particular field, and in the evening Ch'an returned to the farmer's house with a gold rope which he declared he had dug up. Everyone was very pleased at first, but gradually it appeared that bad luck had come with the rope. The farm beasts began to sicken, many died and then the farmer's family became ill. So the rope was re-buried without more ado, and prosperity was at once restored to Tang Paak Luk. \n\nAnother story is of a very poor farmer who at a different time rented the same ground. One day he dug up a brick that shone brightly in the sun. As he examined it, thinking it must be silver, he carelessly dropped it on his foot, and broke his big toe. Being too poor to pay for a doctor or even to buy curatives, the farmer gave the brick to his wife to break up, and they found that it was without doubt real silver. So the wife was able to buy medicine and consult a doctor with the aid of the brick, but it was not until all the brick \n\n1 Plate 31 at rear of this Volume.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207103,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 174,
        "title": "RAS-1974",
        "content_text": "168\n\nSUNG HOK-PANG\n\nthe heart in his mouth went off with it. The villagers gave chase but after a while there was a terrific gust of wind and the dog disappeared.\n\nThe present Kam T'in is divided into two distinct districts. The South, Naam Wai (南圍) was originally a large common or open space of grassland; the North, Pak Wai (北圍) was hilly country surrounded by mangrove swamp. The principal villages of Naam Wai are Kat Hing Wai (吉慶圍) the first village on the right-hand side as one approaches from the main road, which was built by Tang Paak King (鄧伯經) and two other men during the Shing Fa years 1465-1487 of Ming Dynasty; Wing Lung Wai (永隆圍) the village at the end of the road on the left-hand side, facing the open green where football is now nearly always in progress, which was started by Tang Shiu Kui (鄧紹舉) and seven others; and T'aai Hong Wai (泰康圍) the large walled village on the left just before one reaches the Cottage Hospital, which was founded by Tang Ts'ung (鄧聰) and four other contemporaries. Later on during the civil wars of the Hong Hei years 1662-1722 of Ts'ing dynasty these three villages were walled to protect the inhabitants from marauding bandits and soldiers. Tang Man Wai (鄧文蔚) and Tang Kaai Yuet (鄧啟悅) built the wall of T'aai Hong Wai; Tang Sui Ch'eung (鄧瑞昌) and Tang Kwok Yin (鄧國賢) built that of Wing Lung Wai and Tang Chue Yin (鄧珠彥) and Tang Chik Kin (鄧積堅) walled Kat Hing Wai. About the same time Tang Yuet Man (鄧悅民) of Kat Hing Wai and Tang P'ooi Hing (鄧培慶) of T'aai Hong Village both formed the village of Kam Hing Wai (錦慶圍), which is on the north of Kam T'in market; and Tang Chau Man (鄧秋文) of Kat Hing Wai built the village of Ko Po Ts'uen, on the left-hand side of the main road, on the west of Kam T'in market. These walls in many places are in a wonderful state of preservation to-day. Kat Hing Wai and Taai Hong Wai have very strong iron chain gates, and a tablet fixed in the wall outside the gateway of Kat Hing Wai explains the story of them. It can be roughly translated as follows:\n\n\"The inscription on the tablet of Kat Hing Wai:—\n\nSince Foo Hip, the ancestor of our family Tang who was a Government officer, came from Kiangsi to Kwang Tung in the years of Sung Ning of Sung dynasty, we lived in both waais (villages)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207104,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 175,
        "title": "RAS-1974",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n169\n\nSouth and North of this country; later, when the number of descendants became very many, we lived apart in the two waais T'aai Hong and Kat Hing; round both of these waais were built tall walls and deep ditches were dug round them. We think that the idea of doing this by our ancestors, was to protect our houses and guard them against robbers only. When during the 25th year of Kwong Sui of Ts'ing dynasty, on Kei Hoi year, i.e. A.D. 1899, the Government of Ts'ing leased the South part of Sham Chan to the British Government, in that time, the Ts'ing Government did not inform the people of this beforehand, so when the British army arrived, the ignorant people of the country were inflamed by some persons and arose to resist them, the people of our waais being afraid to be disturbed, in order to avoid them they shut the iron gates firmly. The British army suspecting that bad characters were hiding inside, then assaulted and made the gates open. After they went into the Waai, they understood that the people inside were all good men and women, so did not give them any bad treatment, but just had the iron gates taken away. Now, the 26th descendant, Paak Kau, represented the people of these waais to petition the Hong Kong Government, asking the Government to bring the matter before London, and have the iron gates returned, and re-hung as before. All the expenses were paid by the Hong Kong Government. We also thank H.E. the Governor, Sir Edward Stubbs for his presence at the ceremony; from this can be seen the deep kindness and great virtue of the British Government, and shows that our people are pleased and sincerely submitted, therefore we specially carve the above on the tablet, in order to remember and never forget this kindness.\n\nGreat Britain, May, 26th, 1925\n\nChinese Republic 14th year, on Yuet Hoi year the \"yuen\" 4th month, 5th, the lucky day.\n\nwe carved.'\n\nAnother ancient wall in the South district is Naam T'eng (†4) where the silver came to and where Tang Naam had his house. It is to be found to the South of Kat Hing Wai, but no houses are left inside. The North district, Pak Wai, has two villages, Shui T'au (\"The head of the stream\") and Shui Mei ( ) “the end of the stream,\" Tang K'ei Fong ( ) and Tang K'ei Wah ( ) both from T'aai Hong Tsuen were the first persons who lived in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207120,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 191,
        "title": "RAS-1974",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n185\n\nLei King T'ong (A) is another ancestral hall, and can be found by the side of the main road through Kam T'in. It was built for Tang Ng Shaang (£) (see H.K.N. VII, p. 36).\n\nI Tai Shue Yuen (**) is the new school building built instead of the Man Ch'eung Kok (M) (see H.K.N. VII, p. 256) and is situated in Shui T'au village.\n\nChau Wong Yee Kung Ts'z (M), (=214) (plate 20) is a hall that was built to record the merit of Viceroy Châu Yau Tak (♬) and Governor Wong Loi Yam (*). After the Ming emperors were expelled from China, an officer of the Ming army named Cheng Shing Kung (4) attacked the coast of South China, using Formosa as his base. All the people in sympathy with the Ming dynasty, along the coast helped him, so as the Manchu government had no navy to send against him, an order was made that all the inhabitants of the coast were to be moved inland for 50 Chinese miles. Later they were moved again for another 30 miles and for seven years, A.D. 1661-1668, the New Territories were deserted. The fields were unattended and allowed to lie fallow, and the buildings fell into disrepair. At the end of that time the people made representations to the Governor and Viceroy, and it was through the mediation of these two men, with the Emperor that the people were allowed to go back to their own land. The full account of this story is very long, but it is hoped to devote an article to it later on.\n\nI have to thank Mr. Tang Paak K'au (1) and Mr. Tang Wai T'ong (**), both elders of Kam T'in, for their co-operation and help in obtaining access to the numerous documents that it has been necessary to consult before this series of articles could be attempted. Also Mr. Tang Ch'ong Yip (##) a teacher in Kam T'in, who gave invaluable assistance in searching out references, copying out paragraphs from books in the possession of various villagers, and deciphering inscriptions from stone tablets. Unfortunately Mr. Tang Wai Man (✯) another elder who showed great interest in these articles and helped considerably, died a few months ago, and is unable to see them completed. Lastly, I am much indebted to Mrs. Herklots for her help in writing these articles in readable English.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207221,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 292,
        "title": "RAS-1974",
        "content_text": "Plate 31. (Left). Hung Shing Kung. The oldest temple in old Ch'an T'in.\n\nPlate 32. (Right). Laan Paak Wai. The oldest building in the locality, built by one of the Yuen's, before they left Kam Tin.\n\nPlate 33. Kat Hing Wai. A corner of the old wall. To the left of the photograph is Kam Tin Cottage hospital, and San T'suen.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207259,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 27,
        "title": "RAS-1975",
        "content_text": "A HONG KONG SPIRIT-MEDIUM TEMPLE\n\n19\n\npremises of a specific temple rather than conducting them in his own or a client's home.\n\nThe Hong Kong spirit-medium temple may be either a humble structure of makeshift materials, akin to a squatter hut, or an ornate edifice constructed and maintained at considerable expense. Our study concerns a cult whose temple falls into the last-mentioned category. Completed in early 1975 and constructed at a cost of over HK$200,000, the temple is itself a major indicator of the cult's current prosperity. Below we discuss that temple and its cult, with particular attention to spatio-temporal setting, personnel, and ritual.\n\nThe Spirit-Medium Temple: Spatio-Temporal Setting\n\nThe temple is situated on a small hill immediately behind several residential blocks of the Tsui Ping Road Resettlement Estate in the urban-industrial district of Kwun Tong. The temple structure itself is, in fact, only a part of a larger complex which includes a small, one-storey office building, a partially enclosed stage, several outdoor shrines, and a paak ka chi “or Hall of One Hundred Sur-names”. The last-mentioned structure was under construction at the time this paper was written. In marked contrast to the crowded conditions that prevail in the adjacent Mark I estate, the temple complex occupies over 4,000 square feet of land.\n\nThe temple bears the horrific title of its patron deity Tai Wong Ye, which translates into English as \"The Great Ancient King\". It is a common title bestowed on deified mortals who were seldom in the literal sense \"Kings\" but were more often officials of various grades in Imperial China. To better understand the origin and present circumstances of the spirit-medium cult, it is necessary that we briefly trace the history of the Tai Wong Ye and his temple.\n\nThe patron deity of the present-day cult is reported to have been, during his mortal life, an official of the Tang Dynasty surnamed Lei. After his death, he was awarded the honorary title of Man Chung Kung. Temple personnel usually refer to him as \"Lei Man Chung Kung\". The Old Tang History contains the biography of a stateman bearing the surname Lei and the given name Uen-yuen. After death, he was given the title Man Chung Kung by the emperor in recognition of his outstanding loyalty to the emperor, his filiality towards parents and kinsmen, and frugality",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 208078,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 117,
        "title": "RAS-1977",
        "content_text": "SOCIAL ORGANIZATION AND CEREMONIAL LIFE OF TWO MULTI-SURNAME VILLAGES IN HOI-PING COUNTY, SOUTH CHINA, 1911-1949\n\nYUEN-FONG WOON*\n\nThe two villages to be discussed in this paper are: Na-loh Ts'uen (###) of Lo-yeung Heung (✯✯) and Lung-tsai She (** #) of Tsung-long Heung () both in Hoi-p'ing County (BI *) of Kwangtung Province in South China.1†\n\nNa-loh Ts'uen was a richer village and had a longer history of settlement. It was founded about 1350. This village was on the outskirt of the general area known as T'oh-fuk (4) which included four Heung—Lo-yeung, Chung-miu († $), Ling-uen (✯) and Ng-wing (). These four Heung were dominated numerically as well as economically by the Kwaan (§§) lineage,2 with its ritual centre at Kwong-ue Ancestral Hall (***) in the intermediate market-town of Che-hom (). Na-loh Tsuen itself was multi-surname: there were one hundred Kwaan families and sixty Oo (*) families in the village.\n\nLung-tsai She was separated from T’oh-fuk by six li (two miles) and was part of Ts'ung-long Heung. Between T’oh-fuk and this village were the Oo lineage of Ue-leung Heung (f), the Chau () lineage of Hin-kong Heung (L) and the Wong () lineage of Paak-hop Heung (). The village was founded about 1500. There were about 200 inhabitants: eighteen Kwaan families, twenty Wong families and four Tang (4) families. It was not known when the Tang and the Wong came, but the Kwaan founder was Yan-waang Kung (#) who came from Na-loh some 160-170 years ago when the latter village had become over-populated.\n\nBoth villages had ritual ties with the Kwong-ue Ancestral Hall at Che-hom. The Kwaan at Na-loh had an ancestral hall of its own, but the elder members went to Kwong-ue Ancestral Hall to take part in the annual rites there. The Kwaan in Lung-tsai She did not have an ancestral hall of its own, but the elders also attended rites\n\n* Dr. Woon is on the faculty of the Department of Sociology at the University of Victoria, Victoria, B.C.\n\n† The residents of both villages were Punti speakers.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208551,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 8,
        "title": "RAS-1979",
        "content_text": "197 \n\nwere killed by the guerrillas. The occasion highlighted the importance of the Chamber of Commerce in Sai Kung Market. Local people could not come out to fetch water, and Mr. Lei Shiu Yam and Mr. Lok Kau Kei of the Chamber of Commerce were given permission to distribute water to the shops and the households.97 \n\n\"Smuggling\" \n\nThe fundamental cause that gave rise to smuggling on a massive scale in Sai Kung in the years of the occupation was the rice shortage in Hong Kong. Before the War, Hong Kong imported much of its rice from South-east Asia. The outbreak of the War disrupted supply from this source, hence a shortage developed. Rice was abundant across the border in China, in Sha Yue Ch'ung on Mirs Bay and in Wai Chau. But trade was forbidden between these guerrilla-held places in China and Japanese occupied Hong Kong. The trade that developed had to be regarded as \"smuggling\".98 \n\nThere were three kinds of people involved, and the first was the \"travelling merchant\" (shui haak). Not all \"travelling merchants\" were engaged in smuggling rice. Mr. Shing of Mang Kung Uk, who was a \"travelling merchant\" with little capital, bought secondhand clothes from the pawnshops in the city, and carried them on foot to Sha Tau Kok. From Sha Tau Kok, he went into China. Then he would buy fish from Yim T'in, in China, which he sold in Lung Kong, also in China. He did not travel by boat because, as he put it, “Only rich people could take the boat.\"99 \n\nMr. Chan T'in Po of Yim Tin Tsai was also a \"travelling merchant\". He bought secondhand clothes in Sai Kung Market. He said this had to be done carefully without the notice of the Japanese. He would carry the old clothes himself to To Kwa Ping, where he would take the boat to Sha Yue Ch'ung. The boat was operated by someone from a nearby village. He would sell his goods at Sha Yue Ch'ung or Kw'ai Ch'ung, and return to Yim Tin Tsai with oil, rice, or sugar. Mr. Lau Lui Faat of Pak Kong Au was also a \"travelling merchant\" on this route. He said he usually boarded the boat at night, and sometimes he came back with cash.100 \n\nHe",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 210757,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 108,
        "title": "RAS-1986",
        "content_text": "91\n\nlanterns affixed on the posts shone on Shek O and Tai Long Wan people.\n\nThe priests and ritual representatives visited the faan-gon posts and made offerings three times a day in a procession called haang-chiu (audience procession). When I followed one of those processions in Shek O, however, I discovered that not all four of the faan-gon posts were erected at the corners of the settlement. The first faan-gon post in Shek O visited by the haang-chiu procession was between the school playground and the quarters of the cleansing unit of the Urban Services Department. One of the local members of the procession volunteered the information that the post was set up there because three years ago a fatal accident took place at the spot. Two young boys who lived in the quarters of the cleansing unit were playing there when a stone pillar fell down suddenly and killed both of them.\n\nV. The local gods\n\nThe Tin Hau was represented by her wooden image at the centre of the altar. Behind the image was a piece of red paper on which the titles of ten local deities were written. With the exception of the Sea Goddess (shui sin) of the small temple at one edge of Shek O Beach, they were Baak-gung and Daai-wong earth gods of Tai Long Wan, Shek O, and Seung Wai. One of them, styled jang-paang daai-wong (earth god of the stakenets), was a reminder of the former fishing activities of the local residents. Many others had probably existed for the protection of villagers in fishing and farming. The change in land use is evident in the reply given by Mr. Wong, the local leader, when asked where the god's place was. He said, \"Below the number 10 alley of the Westerners' residences of Tai Long Wan,\" linking the god with the change that had taken place in the locality. He gave the same description for the location of another god, the Earth god of the Banyan Tree Place. For the Seung Wai daai-wong, he explained that it was below no. 1 alley, which had become a residential area for Westerners. It used to be the villagers' settlement which was removed to Shek O for the construction of the golf club. There were also three gods whose names were not known to Mr. Wong. He believed that those were from Hok Tsui, the village which joined in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 210766,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 117,
        "title": "RAS-1986",
        "content_text": "100\n\nCHAN WING HOI\n\nNOTES\n\nBesides \"three-day jius\", there are more elaborate “five day jiu” celebrations in the New Territories.\n\nThe annual ritual takes place typically in Chiu Chau, Wai Chau and Hoklo settlements to make offerings to uncared-for dead spirits.\n\n1 The oldest dated object in the Tin Hau Temple, which housed the main god of the festival, was about one hundred years old. I shall refer to this again later.\n\n6\n\nThere could have been more than one \"chairman\".\n\nProbably part of the golf club, or otherwise a similar establishment.\n\nTanaka Issei 田仲一成, Chugoku saishi engeki kenkyū 中国祭祀演劇研究 (Tokyo: Institute of Oriental Culture, University of Tokyo 1981) p. 891.\n\n7 The Fuk-Wai-Chiu immigrants had their own gods and their operas in the Tin Hau festival. According to Tanaka, eleven or twelve gods other than Tin Hau were sacrificed to (op. cit., pp. 891-3). One of them, the Daai Wong Paak Gung of Naam Bin Chyn, is attributed by Tanaka to the Hoklo residents. Tanaka also points out that the Fuk-Wai-Chiu members of the organizing committee were alone responsible for a special part of the festival, that is, the performance of Wai Chau and Chiu Chau operas.\n\n8 Piu-sik are usually carried on frames at a height far above that of the audience in a parade. Because of the rain during the procession this time they stood in a lorry instead.\n\nAbout half of the gods sacrificed to in the Tin Hau Festival, including the Fuk-Wai-Chiu deity mentioned above, were not found among the spirit tablets in the jiu festival.\n\n10 \"Picking green\". In this case the two lions competed in capturing a bank note hanging near the entrance to the house.\n\nGlossary\n\nChoi Paak Lai 蔡伯勵\n\nchoi-cheng 採靑\n\nDai Wong (Ye) 大王(爺)\n\nba-wong-dei 霸王地\n\nChiu Chau 潮洲\n\nbaai-chaam 拜懺\n\nBaak Mou Seung 白無常\n\nBaak-gung 伯公\n\nBak Dai 北帝\n\nBao'an 寶安\n\nbui 杯\n\nbin-ngaak 匾額\n\nChai Wan 柴灣\n\nChan Wa 陳華\n\nCheung Chau 長洲\n\nDaai Si (Wong) 大士(王)\n\ndaai-gat 大吉\n\ndiu-lau 碉樓\n\nDongguan 東莞\n\nfa-laam 花籃\n\nfa-paai 花牌\n\nFaaigou jeungdaai ...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 211484,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 200,
        "title": "RAS-1988",
        "content_text": "176\n\nMemories of teachers in other departments remain with me. Dr. Douglas Scott, whom I had for English, extended himself to get me oriented in my first few weeks at the university and several years later, gave Bung Fong a free ride to the West Coast. I enjoyed Dr. Lawrence Fossler, a tall and large-framed German, for his great sense of humour and his ability to make German classes interesting. Pharmacology under Dr. Lyman was my most relaxing course because he had an easy manner in teaching. Although Physics is generally difficult for some, I surprised myself by doing well in it. My Waterloo was Organic Chemistry, which I eventually passed by the skin of my teeth. Because I had little social life, except on rare occasions when friends of Mrs. Johnson included me at their gatherings, my contacts in school fulfilled most of my need for companionship.\n\nThe depression which began in 1929 was still on in 1932, and jobs were hard to find. I accepted a position to teach senior biology under a three-year contract with the True Light Middle School at Paak Hok Tung in Canton. This was a prestigious high school supported by the Presbyterian Mission. Its principal, the Rev. Stephen G. Mark, had known me when he was pastor of the Beretania Chinese Church in Honolulu, where I had done some volunteer work and where I had taught English at night to Chinese male immigrants. On my way to China I stopped over in Honolulu for about two months as the guest of the Tong Phongs, who had welcomed Mother and Dora into their home following Ruth's death. Helen and her husband were also living in her in-laws' home at that time.\n\nMother, Dora and I obtained third-class special passage on the Empress of Japan, sharing a room with Pyun Kyau Zane Minn and her mother. There were many Chinese young men and women on board, some returning to their native land and some going to China for the first time to study at Lingnan University or Yenching University. Among the Hawaiian passengers were Hung Wo Ching, Irma Tam, Deborah and Joseph Kau, Bunny and Ethel Au, Sing Chang, Kim Tet Lee, Emma Tenn, and Ellen Lo. A favourable exchange rate, a sense of identity with their roots and a desire to contribute to the progress of China motivated many American-born Chinese to go to China.\n\nMy three years in China were interesting and enlightening, but one...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211917,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 332,
        "title": "RAS-1989",
        "content_text": "TABLE 1.2 Partial Genealogical Chart of the First Branch of the Dang Lineage of Kam Tin\n\nYam\n\nGeneration\n\n16\n\nChing-Lok (Ching Lok Tong)\n\nWan-Guk\n\nWan-Gaan\n\nSan-Fung Saan-Chyun So-Hin\n\nNaam-Kai\n\nWan-Yu (Loi Shing Tong)\n\nGwong-Yu\n\n17\n\nSam-Chyun\n\nGing-Chyun\n\nFong\n\nHei-Ye\n\nGwai-Gok\n\nLei-Yun\n\nYun-Fan\n\nSing-Ngok\n\nPoo-Am\n\n19\n\n20\n\n21\n\n12\n\nLam-Mau\n\nJeung-Luk\n\nFuk-Chai\n\n23\n\n(Gwok Yia Jou)\n\nGwok-Yin\n\nYu-Chung Yu-Man Yu-Ji\n\n24\n\nLok-Sin Chiu-Yip Chiu-Yung Gwan-Leung Gwan-Haak\n\nSi-Daan\n\n25\n\n↓ ↓\n\n↓\n\n↓\n\n26\n\nYing-Yun\n\n27\n\n307",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211952,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 367,
        "title": "RAS-1989",
        "content_text": "342\n\nThe festival was estimated to cost a total of more than one million dollars. The opera cost $357,000, paper images $150,000, temporary structures $150,000, and the puppet theatre $110,000. The opera was paid for, as is the tradition, from the funds of two lineage trusts, those of the Naam-Kai jou and Ching-Lok jou. Each contributes $180,000. For the other expenses, each of the villagers paid a subscription of $300, with the no. 1 to no. 15 ritual representatives each paying an extra $500,\n\n50\n\nThe main participants were the Dang villagers of Kam Tin. For the purpose of organizing the jiu the villagers were divided into five gu sections. Each section corresponded to a village, except that the Tai Hong gu included, besides Tai Hong Wai, Ko Po, Kam Hing Wai, Tsi Tong Tsuen and Tai Hong Tsuen. Also taking part were the villagers of Ying Lung Wai, the settlement of the second branch of Hung-Yi's lineage outside the heung of Kam Tin. They paid half subscriptions and got the last three places among the 60 ritual representatives. Some of the non-Dang residents in the heung also participated. Those include the Sa Bui Leng villagers and post-War and later immigrants from China who operated farms and shops in Kam Tin. These \"outsiders\", however, could not become ritual representatives. The ritual representatives were to stand for all the villagers in the Taoist rites and in some of the rites the villagers performed on their own. There were also religious activities conducted by every household. At three points of the festival, i.e. the opening day, the main day, and the concluding day, every household came, family by family, to worship at the various ritual sites, and a priest visited each house on the last day to purify the family altar. In addition, each and every person was named in the ritual memorials which were read aloud and sent by fire to heaven, with a copy posted in the ritual area for all to read and check.\n\nMany other villagers in the area were also peripherally involved. They offered their congratulations by having fa-paai banners set up in the festival site, and by paying a formal visit to the site on the main day with their lion/unicorn dances. To wait to receive them the elders of Kam Tin lined up in cheung-saam,\n\nB. Ritual Area\n\nThe festival site was beside the Jau and Wong Temple. A large paang temporary structure was erected. Outside the main structure were three small linked temporary structures for first-aid, the fire services, and the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211954,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 369,
        "title": "RAS-1989",
        "content_text": "344\n\npolice. A cluster of smaller temporary structures were built to house the paper images of the Jade Emperor, the City God, the Daai-Si Wong and Baak Mou-Seung. The Daai-Si Wong, also known as Gwai-Wong (King of Ghosts) is a transformation of the goddess Gwun-Yam, who has a fierce appearance befitting his role in the ritual: to oversee the ghosts when they come for the offerings. The Baak Mou-Seung, literally the White Unpredictable, is one of the two Unpredictables, both members of the Underworld bureaucracy who take peoples' spirits when they are to die. Further away from the main paang was a larger structure for general gods, which was to house most of the gods invited from local temples and shrines.\n\nDecked out with many fa-paai banners from the villagers and outsiders, the main structure had several partitions. At the entrance in front were two huge paper images of two armed gods, who served as the supernatural guardians of the paang. Beside them were two horses with attendants, and a pair of lions. Furthest from the entrance was a stage divided into three sections, all facing the entrance. The middle one is the Taoist altar where the priests performed many of their rites. To the right was the altar for the Dang ancestors Hung-Yi and his two wives. On the left side was the puppet stage, on which plays were performed. On both sides of the central area of the paang were rooms for each of the five gu villages/groups of villages, plus Ying Lung Wai. On the same rows were two rooms for the guards for the festival site, one for guards drawn from the young men of Bak-Bin and the other from those of Naam-Bin. Nearer the front on the right side was a temporary altar for Gwun-Yam.\n\nOn the left side was a large partition dedicated to four separate groups of paper images, many with pottery/ceramic heads. The area was known as the yau-saan, a place to harbour ghosts. Each of these groups was divided into three levels. Two large groups depicted the ten Kings of the Underworld on the topmost level. Under the Kings on the middle level were ten shops, each with signs indicating the business: barber's, brothel, sundry goods shop, pawnshop, second-hand clothing, department stores (two), tailors, porters, and “cool” drinks. On the lower levels were some devils, ghosts under torture in the Underworld, and many shoppers. The subjects of the two other groups were more difficult to identify. One of them was labelled Zizhu Lin, “Purple Bamboo Grove”, the place associated with the Goddess Gwun-Yam. She and her male and female attendants were recognizable among the images on the topmost",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211962,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 377,
        "title": "RAS-1989",
        "content_text": "352\n\nF. Theatre\n\nAfter the seven-day rites period, the main paang was modified for use as the opera theatre. The raised area originally partitioned for the Taoist rites, puppet plays and the ancestral altar was converted into the opera stage. The ancestral tablet of Hung-Yi and the statue of Gwun-Yam were moved into the smaller paang for the general gods. The rest of the main paang became a raised audience seating area divided into left and right halves. The right half was for Bak-Bin and the left for the Naam-Bin. Here Bak-Bin included Ying Lung Wai. There was also a clear partition of each half into two sections. One section was for males and the other for females. Between the seating areas for Naam-Bin and Bak-Bin was a separate area, the front part of which was seating for guests, and the rear part of which was left empty, probably for standing audience.\n\n64\n\nIn the afternoon before the first opera performance, the rite of exorcism, Jai Baak-Fu, was performed by the opera players on the stage. To the accompaniment of percussion patterns played on large cymbals, gongs, and drums, a man in black fought with a yellow \"white tiger”. Although the opera troupe's ritual practice was to perform this ritual only at places where there had never been any theatrical performance before, the Dangs, for the sake of safety, made a special request and paid the troupe an additional fee to have the rite performed.\n\nThe allocation of theatre seats caused some conflicts among the villagers. I had been told that the seating was allocated on the morning of 24th December, and a chu was allocated seats according to its position in the jiu Memorial. A young man from Shui Tau told me that a fight almost broke out on account of the seating arrangements. There was hot disagreement between some youngsters of Wing Lung Wai on one side and those of Kat Hing Wai on the other. There were more than ten of these young villagers from each of the two villages who were quite ready to fight.\n\n65\n\nSome others solved their seating problems in a more peaceful manner. I learned about the case of a Kat Hing Wai family which was not one of the ritual representatives and had therefore been allocated seats very far from the stage. But the eldest son of the head of the family managed to purchase some seats for his parents to express his filial piety. Another Kat Hing Wai villager had asked him (the son) for a loan of a few",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211970,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 385,
        "title": "RAS-1989",
        "content_text": "360 \n\nof the Lineage, or his representatives, went to Ching-Lok Ancestral Hall for Hung-Yi. \n\nEach party took with them sets of paper clothing, fruit, tea, wine, yun-bou and a gong. \n\nI was told that the two officials Jau and Wong would be invited from the temple before the first five ritual representatives went to the Ling Wan Monastery. They departed for Ling-Wan Ji on a goods vehicle. A nun was there to meet them. The nun said that in the celebrations in the past they always heard the sound of the party's gong before the ritual representative's party arrived, this time the party was so quiet that she had no warning of their approach. (She had known that the jiu was to take place, though). \n\nA brief worship was conducted by the nun at the main altar. After that the paper clothing was burnt, and the ritual representatives made offerings of incense, tea, wine and a plate of vegetarian food. Then temporary spirit tablets of paper prepared in advance by the villagers for this occasion were each inserted into a piece of Chinese carrot and put on the altar table. There were a total of seven gods, including Gwaan-Dai, Fui-Sing, Choi-Baak-Sing-Gwan and Man-Cheung. Upon the suggestion of the nun, they added a temporary tablet for Gaam-jaai, a god to oversee observation of vegetarian diet. A concluding baai-san was accompanied by the villagers' gong and the nun's “chime”. Among the gods from Ling-Wan Ji, only Gwun-Yam was invited in the form of an image. \n\nNext the party went to the Pat Heung Temple. A woman of about 70 met them and the Kam Tin men explained that they were inviting the gods to see the opera and they would be brought back afterwards. The gods were Tin-Hau, Yeung-Hau, Gwun-Yam and Wa-Gwong. The woman instructed them to make an offering and burn yun-bou before they fetched the gods, which they did. Here they took no statue of the gods. \n\nThen they went to the Yuen Kong Temple. The ritual representatives had expected the presence of a temple keeper, probably for guidance. But none was to be found. Only Yeung-Hau and Bak-Dai were fetched, although the Kam Tin men made offerings of incense to the other gods of the temple too. After this the party went back to Kam Tin.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211978,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 393,
        "title": "RAS-1989",
        "content_text": "368\n\nSung, Hok-p'ang et. al. (1984), pp. 1-9.\n\n1973 \"Legends and stories of the New Territories: Kam T'in', JHKBRAS xiii, 1973, pp. 28-40.\n\n1974 \"Legends and stories of the New Territories: Kam T'in\", JHKBRAS xiv, 1974, pp. 160-185.\n\nTaga, Akigoro Tanaka, Issei\n\n1982 Chugoku Sofu no Kenkyu, vol. 2, Tokyo.\n\n1985 \n\nTsui, Bartholomew\n\nWatson, Rubie S.\n\nWolf, Arthur P. (ed.)\n\nA Chiu 亞潮(?) baai 拜 baai-san\n\nBaak Mou-Seung Ú Baak-Ging\n\nBaishe Zhuan\n\nLineage and Theatre in China. Interdependence of Festival Organization, ritual, and theatre in the lineage society of South China, Tokyo.\n\n1989 Village Festivals in China: Backgrounds of Local Theatres. Tokyo\n\nforthcoming\n\n\"Daojiao Yili ya Jishen Kiju zhijian de Guanxi”,\n\nforthcoming\n\n\"Taoist Ritual Books of the New Territories\".\n\n1985 Inequality Among Brothers: Class and Kinship in South China, Cambridge University Press.\n\n1974 Religion and Ritual in Chinese Society, Stanford.\n\nGLOSSARY\n\nchiu-gaan chiu-dou * Chiu-Yip #\n\nchu 柱\n\nChuk Yuen 竹園\n\nChung E\n\nChung Yeung 重陽\n\nChung-Saan\n\nU\n\nBak Bin 北便\n\nBak Dai 北帝\n\nbei 陂\n\nbong 榜\n\nBou-Dak Chi #AM\n\nbui\n\ncha-gwo 茶果\n\nChan Gau 陳九\n\nChan 陳\n\nchau-san\n\n+\n\nChenghua 成化\n\ncheun-ding\n\nT\n\ncheun-fu 巡撫 Cheung-Cheun Yun cheung-saam Chi-Naam Ching Ming U Ching-Lok\n\nChung-Yut Я\n\nchyun 村\n\nDaai-Si Wong ✰±\n\nDaai-Wong E\n\ndaai-yan ★A daai-yau daam\n\ndaam-jung da-jai 打仔 da-jiu 打醮 dan 躉 Dang 鄧\n\nDang Chung 鄧璁 Dao 道 da-saat\n\nDei-Jong Wong E",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211979,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 394,
        "title": "RAS-1989",
        "content_text": "deui-lyun dim-dang Wif ding-hau T`LI\n\nDongguan 東莞 dong-ji\n\nDung Ping Guk 東本局 faan\n\nFa-Gung Fa-Mou (EAEN\n\nfa-paai TEMP\n\nFau-Ng ởH\n\nFong 兒\n\nfong\n\nfong-jeung\n\nFu Qing (47\n\nfu 伏\n\nFu-Hip\n\ngwan-ma 郡馬\n\nGwok-Yin\n\nGwong-Yu\n\nK\n\nGwong-Yu Tong Gwun-Yam #E\n\nGyun 銷\n\nHa Tsuen 厦村\n\nHa Che 下崟\n\nhaang 坑\n\nha-fu F\n\nHak-Sa\n\nha-yan FA\n\nHei-Ye 起野\n\nheui-lok\n\nHeung\n\nheung\n\nFui-Sing !!\n\nFung Yuk-Daan MƒU!!\n\nGaai-Yut\n\ngaam-sang\n\nGai-Jau #\n\nheung-on\n\nHo fil\n\nhoi-dang EH hou 號\n\nHung-Fan Taam\n\ngam-taap\n\nGam-Tin\n\nGaozong h\n\nGau Ga Chyun **†\n\nhung-jeuk FL\n\nHung-Ji 孔子\n\nHung-Ji 洪贄\n\nHung-Sing #\n\nHung-Yi 洪儀\n\ngeui-yan\n\ngit-jing #7\n\nGit-Sau\n\ngu l\n\nGuangdong MAC\n\nGuangzong 光宗\n\nguk 榖\n\ngung-chou Y\n\ngung-sang\n\nGwaan-Dai BNR\n\nGwai-Ting\n\ngwai-waan\n\n(?)\n\nGwai-Wong\n\nE\n\ngwan 棍\n\nGwan-Haak 7K\n\nGwan-Leung R\n\njaap-fo 雜貨\n\nJai Baak-Fu Jan 鈞 Jan-Ting Jau M Jau-Man B jau-tung 州同 Jeung Hoi Jeung 張\n\nJeung-Luk A\n\njeun-si 進士\n\nJiangxi 江西\n\nJi-Ga Tong #18 2 Jik-Gin\n\njiu BE\n\nPage 369",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211983,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 398,
        "title": "RAS-1989",
        "content_text": "373\n\nMany Dangs attributed the deceased worshipped in their Altar for Heroes (Ying-Hung Chi) and those buried in the big grave known as yi-chung to the battle with the British in 1898. We found that the number of \"heroes\" for whom paper clothing were ordered for the jiu of 1955 is only 2 more than the 1895 figure, i.e. only two can be attributed to the 1898 incident.\n\nSee also Law and Lau (1985) about this dispute.\n\n19\n\nAccording to this informant the Dangs married villagers of Lam Tsuen, Tai Hang, Sheung Shui and places like Sha Tau across the border. Other Tangs who discussed the point included Tuen Mun and Gak Tin, a place of the Wong surname, also known as Fuk Tin, across the border.\n\n20 Another stone inscription dated 1786 recorded a similar case. Although it has been cited by many scholars as another rent dispute case that involved the Dangs of Kam Tin as the landlords, I cannot find any of Dangs whose names appear in the inscription in other documents.\n\n21\n\nIn Kam Tin Historical Documents, vol. 2.\n\n11 The original expression is that the villagers were the diding of the Dangs. Diding refers to tax on land and persons.\n\n73 See also Kamm (1977:213-214) on other similar disputes.\n\n24 See Cheng (n.d.).\n\n25\n\nBesides the formal names that appear in local documents and present-day road signs and maps, many of these villages had other names that were used in everyday conversation.\n\n10\n\nFormal names\n\nKam Hing Wai\n\nKat Hing Wai\n\nPak Wai\n\nTai Hong Wai\n\nWing Lung Wai\n\nAccording to the jiu festival record of the year.\n\n\"Nickname\"\n\nGaak Seui Yun\n\nFui Sa Wai\n\nLaan Bak Wai\n\nTaan Wai\n\nSa Laan Mei\n\n27 Tanaka (1985:935-7), quoting A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories, Hong Kong, pp. 172-173.\n\nThe original expression was \"Tai Hong Wai and Tsuen\" and probably included only the part of Tai Hong Tsuen whose residents were considered Tai Hong Wai people.\n\n20\n\nKam Tin Historical Documents vol. 2.\n\n30 See the account dated 1966 in the Si Kim Tong genealogy.\n\n31 According to a descendant of Fau-Ng. The genealogical relationships among the ancestors he gave may be wrong.\n\n32 Ying Lung Wai is part of Shap Pat Heung, the group of villages which was involved in several disputes with the Kam Tin Tangs. It seems that the Ying Lung Wai Dangs join the Kam Tin Dangs only in the jiu festival and the worship at the Mau Ging Tong ancestral hall. I have not heard anything about its position in the disputes between Kam Tin and Shap Pat Heung.\n\n33 Sung (1974:168) says Tai Hong Tsuen. This is my interpretation.\n\n34 Ditto.\n\n35 Siu-Geui, with his father and others, made a new stone inscription for the grave of the wong-gu in 1483. Kei-Fong's will is dated 1562. (See the genealogy in Kam Tin Historical Documents vol. 1 for both.) Kai-Wa was born in 1494 (See inside text of his spirit tablet,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211984,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 399,
        "title": "RAS-1989",
        "content_text": "374\n\nwhich has been copied in an untitled manuscript in the possession of Mr. Dang Yu-Hing).36 Dang Kei-faan Genealogy in the Baker Collection of New Territories genealogies in the British Library.\n\n37 The elder was Dang Wing-Sau, the head of the lineage. I do not know which generation he was in. See Taga (1982:92).\n\n38 Translated in Sung (1974:177-179).\n\n39\n\n40 See table above and the genealogy in Kam Tin Historical Documents, vol. 1.\n\nProbably Dang Hei-Seui. See Sung (1974:166-168) and a genealogy of his segment included in Hugh Baker's Collection of Genealogies.\n\n41 Patrick Hase has drawn my attention to the importance of the monastery as central to the establishment Hung-Yi's descendants in Kam Tin, just as Ling To nunnery is to the Dangs of Ha Tsuen. The monastery and the earlier temple are a major element in the fung-seui of the Pat Heung valley and Kam Tin. The rivers important to irrigation in the area all flow from the mountain on which the monastery stands.\n\n42\n\n41\n\n44 I have not tried to find further information on this man in gazetteers.\n\nSee Sung (1973:112-113) for the Hung Sing Temple.\n\nThis was one of two stories. They were thought of as alternatives although there is no contradiction between them. I shall relate the other one later.\n\n45 I was told that the Juk-Yun Am used to be at the present site of the Gwaan-Dai Temple of Shing Mun San Tsuen, and San-Sin Fu near Shui Mei.\n\n46 Two items in Kam Tin Historical Documents vol. 2 were probably intended for this very grave. These were among the papers of Dang Ting-sam from the year 1873. The first was a request for donations towards the establishment of a charitable grave. The second was intended for a stone inscription. There is strong evidence that the charitable grave was established before the British came, although many present-day Dangs believe that those buried in the grave were those who died fighting against the British. The jiu festival record for 1895 included the Dei-Jong Wong of Tung-Fuk Tong among the gods to be invited, and an elder in his nineties remembered seeing gam-taap jars for bones when he was very small. He deduced that those must have been the remains of people who died before 1898, because one had to wait for many years he suggested ten — until the bones could be extracted after a first burial.\n\n47 A bin-ngaak (horizontal inscribed board) presented to the Buddhist altar at its completion included ten names who were believed to be the share-holders of the Tong. They were three Wan-Guk jiu descendants of Shui Mei: Baak-Cheung, Daat-Hung, and Jik-Hing; three brothers Yat-Wa, Seui-Chuen, Gam-Wa and two of their nephews, and Baak-Yi, all descendants of Wan-Gaan; and a Hin-Yiu of Kam Tin Shi.\n\n48 Plus a inscribed stone on the ground saying Naam-mo O-Mei-To-Fat, set up to offset the bad influences that caused traffic accidents near the stone.\n\n49 Hoi-dang for a village did not always take place at an altar for the God of Earth and Grain. In the Shui Mei case it took place at the Tin-Hau Temple.\n\n50 The elders made it clear that gu here does not mean “shares\".\n\n51 The subjects for these paper images were specified in the contract made with the craftsmen. The contract was included in the general record for the festival and was copied from the previous ones. But neither the organizers nor the contractor seem to have paid much attention to the details of the prescription.\n\n52 The object is probably more commonly known by the name dong 'an and is more often installed over the central area of the Taoist altar rather than in the backstage room. See",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212589,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 143,
        "title": "RAS-1991",
        "content_text": "the Buddhist hall. After this was finished close mourners changed into everyday, brightly coloured clothes. A meal was held in a restaurant. There were seven courses. About 50 people attended. Meat was served.\n\nThe immediate family members then went home and took a second bath with pomelo and wampee (variant spelling wampi) leaves to purify the water. Lucky packages were opened. Besides money they contained pieces of hibiscus, foo paak (†), a homonym also meaning wealth or riches. Another packet contained, in addition to money, a needle and thread, and a lady's hairpin, described as kat lei ( ). This is interpreted as pierce or sharp, also as lucky or profit. Anything that could bring bad luck, such as black objects, had been burned. Things that were brought home, for good luck, included white mourning shoes and white attire. These were known as tsoi paak (ĦĦ ), for ‘good luck'. The large photograph used at services was later hung in the dead woman's home. Some maintain it should be packed away or it can bring bad luck.\n\nAshes\n\nThe day after the fifth tsat the immediate relatives went to the funeral parlour to collect the ashes. Everyone expressed pleasure that these were 'fairly white'. They are often blackish. There was a short ceremony. Joss sticks and ‘gold bars' were burned, together with a rosette made up with yellow papers with blessings printed on them.\n\nAt Ching Chung Koon (Temple) permission to enter was requested from the two door (earth) gods. Everyone bowed three times. An orange was placed on each shrine. The niche selected two weeks earlier to hold the ashes of the dead woman, together with another alongside for her husband, was not too high so it was accessible. His remains were moved from another niche. The cost for each, in 1988, was $10,800, increased from $600 in 1966. (Business is thriving and extensions are continually being built to the columbarium.) The mother's niche number is '17' which can be interpreted, 'certainly you will get it.' The father's niche is '18', read as 'definitely will prosper'.\n\nThe mourners bowed three times to 'spirit neighbours' of father and mother and burned single incense sticks in all vases in that room. An effort was made not to offend and not sit on ledges in front of other",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 213375,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 197,
        "title": "RAS-1994",
        "content_text": "184\n\nIn its strict forms, fung shui does not involve the presence of a deity but in the rural villages in the New Territories, especially in the Hakka villages, a belief in fung shui is intimately interwoven with an older animistic belief in earth gods and tree spirits. Fung shui is intimately interwoven with the Tao and is an aspect of popular Chinese belief systems,\n\nThe comments and examples given in this account are taken from a doctoral thesis in social forestry carried out by the author on fung shui woods in the New Territories from 1990 to 1994 (Webb, 1995b). The study identified 337 fung shui woods in the New Territories from air photographs, examined the botanical composition of 60 woods, and carried out in-depth interviews with village representatives in 20 villages to determine how villagers used and perceived their woods today.\n\nOf great importance to the fung shui of a village are the shrines to the village spirits and earth gods. The earth gods have the generic name poo sat (good spirit), but may also have their own local names. For example, the earth god's name at the Tai Wong shrine of Ma Mat Wai near Fanling is 'Hin Tan'. The earth gods are territorial because they are thought of as spirits of the locality (genii loci) in which their shrine is situated. They are typically located by a large boulder or venerable banyan tree. The earth god, in its various forms, is seen as the presiding deity of the village, its protector and arbiter of disputes. Villagers will make offerings to them in return for favours at specific times (Burkhardt, 1958)\n\nThe earth gods may also be known generically as Tai Wong (great king) and Paak Kung (paternal great uncle), and are associated with shrines also bearing these names. At first sight and without local knowledge, it is often difficult to distinguish the two, but generally the former type of shrine is the more elaborate. The wealthier the village the more elaborate is the shrine, but no study has yet been done on styles of shrine in the New Territories. Just as village houses were constructed by travelling groups of masons (Hase, 1992), so village shrines may also have been built in the same manner, so that within any one district the shrines may display the same style of design.\n\nA Tai Wong shrine may have its own stone or cement platform with a similar \"armchair\" shape to that seen in the layout of traditional graves. On the altar, the focus of the shrine, often a special stone or inscribed plaque, may be provided with a roof. To one side of the shrine there may",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213376,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 198,
        "title": "RAS-1994",
        "content_text": "185\n\nbe a stone or brick fireplace in which paper money and other paper offerings are burned. Occasionally a Tai Wong may be dedicated to a particular deity, such as at Pak Kung near Sai Kung which has its Tai Wong dedicated to Tin Hau, protective goddess of fishermen. A large village may have its own Tai Wong, but it may sometimes be shared with other neighbouring villages of the same lineage, as occurs with the Lam Tsuen villages.\n\nThe Paak Kung shrines, of lesser importance, are more simply built, often no more than an \"archway\" arrangement of stones upon a flat rock, with perhaps wooden boards on which paper scrolls are pasted. In any village there would normally be several Paak Kung. The village of Pat Heung, for example, has around ten Paak Kung and earth god shrines.\n\nIn some cases, especially with the lesser ranked Paak Kung, the shrine may be the tree itself and is only marked by the presence of joss-sticks and porcelain cups for rice wine offerings, sometimes on a flat stone at the base of the tree. Examples of such tree spirit shrines may be seen by the large banyan trees behind Sheung Ling Pei, and the enormous camphor trees, Cinnamomum camphora, behind Sha Lo Wan, both on north Lantau. In both cases, the surrounding fung shui woods were felled by the Japanese during the Occupation in the Second World War, with the exception of these trees, which are now venerated for having \"saved\" the village. The camphor tree at Sha Lo Wan is one of the biggest in the Territory, with a girth of over seven metres.\n\nIn the New Territories, the fung shui tree par excellence is the banyan, Ficus microcarpa, which symbolizes longevity, fecundity, and perseverance in the face of adversity. Apart from its natural resilience in the face of typhoons, the ability of the tree to survive in an environment where wood has been at a premium is explained by Ng (1983). \"Its wood is gnarled and so cannot be used as timber, it will not flame and so cannot be used for firewood. Its very lack of useful properties ensures its invulnerability and survival. It is often favoured as a single fung shui tree, when it becomes the home of a local tree spirit and is given great respect and provided with offerings, so that it often appears to be a form of tree worship. The \"grandfather\" tree at Kuk Po is an example.\n\nSometimes the fame of a particular tree-dwelling earth god extends beyond the locality of the village. Near the village of Lam Tsuen, a venerable banyan is claimed to have a spirit which is especially efficacious.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213377,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 199,
        "title": "RAS-1994",
        "content_text": "186\n\nin matters relating to personal relationships. During Lunar New Year, hundreds of people come from all over the Territory, even from as far away as Aberdeen on Hong Kong Island, to offer prayers at the foot of the tree and to throw red and yellow prayer flags, attached to strings weighted with stones, up into the branches.\n\nOnly in four villages was it claimed that the special trees were the home of earth gods. At Lin Au, the large, old Cinnamomum trees were planted by the villagers when the settlement was founded in order to protect the shrine that was built to honour the ancestors. The earth gods have their home in the trees and also roam about in the wood. Lin Au and Sheung Tsuen were the only cases found where this was said to happen, but it may be that such a belief could have been more widespread in the past. At Pak Kong, a grove of six trees protects the Tai Wong shrine to Tin Hau beside which is a smaller Paak Kung that is used to worship the earth gods who live in the trees. Kuk Po is also an example of an ancestral tree which is also the home of the local earth god.\n\nIn most cases, however, the tree adjacent to the shrine is there simply to provide shelter. In the study carried out by the author, a variety of reasons were given as to why specific trees were protected and the commonest reason given was that the trees protected the important shrines of the village, which were both Tai Wong and Paak Kung shrines. The shrines were situated at important fung shui locations, usually protecting the entrance points of the village from loss of chi (good luck or prosperity) and affording protection from undesirable forces. The spirits live in the shrines rather than in the trees themselves. For example, at Tai Om, camphor trees protect each of the three Paak Kung shrines in the village and trees protect four of the principal shrines in Man Uk Pin. Such trees are commonly banyan, or camphor, although other species may be used. The commonest shrine trees found during the study were;\n\n  \n    Ficus microcarpa\n    Banyan\n    19\n  \n  \n    Cinnamomum camphora\n    Camphor\n    13\n  \n  \n    Euphoria longan\n    Longan\n    5\n  \n  \n    Gironniera nitida\n    \n    5\n  \n  \n    Litchi sinensis\n    Lychee\n    4\n  \n\nin addition to 26 individuals of other less common species.\n\n19",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213378,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 200,
        "title": "RAS-1994",
        "content_text": "187\n\nIn Ho Sheung Heung, the 'guarding star' at the entrance to the village is a bamboo. However, it is not always the case that a tree growing beside a shrine has any relationship to that shrine. At Ho Sheung Heung trees besides the southern Pauk Kung have no fung shui significance and have simply grown up there. At Tar Om trees near the main shrine have grown up in the seventy years since the shrine was built and have little, if any, fung shui importance. None of the villagers questioned thought that the fung shui woods had any sacred or spiritual value outside their fung shui importance.\n\nAnother important reason for the protection of large, old trees was that they had been planted by the ancestors. Examples are at Man Uk Pin, Ma Mat Wai, Ping Kong, and Ma Tsuek Leng. Few of these trees were individually venerated except for the 'grandfather tree' at Kuk Po which was planted by the founders of the village to honour the local earth gods.\n\nVillages often have examples of many types of fung shui tree. An example is the village of Sheung Wo Hang which has an inviolable fung shui wood in which all vegetation is protected, in addition to ancestorally planted trees which guard particular shrines and which reinforce certain fung shui locations, as well as earth god trees without shrines.\n\nIn some cases, shrines may not be dedicated to an earth god. At She Shan Tsuen in Lam Tsuen valley, a small shrine at the edge of the fung shui wood makes the spot at which hunters would gather to make offerings before the hunt. There is a parallel here with those shrines in the sacred forests of Nepal at which hunters gather to worship (Mansberger, 1991).\n\nBoth Tar Wong and Paak Kung shrines guard the important places and fung shui points of the village, such as the wells, irrigation dams, \"dragon veins\" and especially the entrances to the village. The latter are often marked by a Tar Wong shrine. Where a path or road leaves a village, invariably where an approaching path curves around the end of a fung shui wood, the site is known as \"the mouth of water\", (the flow of a road symbolising water). The site is often associated with a clump of bamboo, a large rock or a large camphor or banyan tree, or sometimes all three, known as a \"guarding star\" in fung shui terms, as it guards against excessive outflow of chi from the village.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213379,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 201,
        "title": "RAS-1994",
        "content_text": "188\n\nThese sites and their associated trees, which are usually of a great age and which villagers often claim were planted when the village was founded, are of fundamental importance to the fortunes of a village, more so than the fung shui woods themselves. In some villages, such as Ma Mat Wei, during the last war fung shui woods were felled so that rice could be bought for the impoverished villagers. The important individual fung shui trees, however, were never felled. Villagers will go to great lengths to protect these sites from private development and from government projects. Roads may be diverted to avoid harming such sites. While the importance of certain trees can be determined on fung shui principles, villagers who do not possess any fung shui knowledge may just call any tree they want to protect a \"fung shui tree\".\n\nShrines are in various states of repair or dilapidation according to the devotion and resources of the villagers and shrines may sometimes be completely rebuilt, such as at Tai Om where one of the main shrines was first built seventy years ago, but was rebuilt in the last few years and is surrounded by a small garden. Sometimes shrines may also be relocated, usually because of a road widening scheme, and the relocation of a shrine is a very serious fung shui matter. The relocation shrine at Wo Hop Shek, near Fanling, is an example.\n\nOccasionally a shrine may be abandoned, presumably due to a loss of efficacy by the residing deity. The Tai Wong shrine in the wood at Ho Sheung Heung is no longer worshipped, while it is the earth god, Fuk Tak Gung, who resides in the comfort of the village temple. There are also three Tze Jik shrines, which are more important than Paak Kung, protecting the village to the north, east and south. These shrines are particularly worshipped by farmers and protect the whole community.\n\nA typical layout of village shrines may be seen at Man Uk Pin, north east of Fanling. The Tai Wong shrine on the northern arm of the fung shui wood protects the whole village. The water spirit Paak Kung, by the dam on the stream which borders the fung shui wood, ensures the safety of the drinking water supply. There are also four other Paak Kung facing each of the four directions, with trees planted to protect them, including two within the fung shui wood, and one in the middle of the village. The villagers of Man Uk Pin take their spiritual protectors very seriously. Several villagers claim to have seen the spirit of Tai Wong himself while they were walking along the path at night. He was seen to be dressed in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213380,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 202,
        "title": "RAS-1994",
        "content_text": "189\n\ncourt robes and glided along the path only to disappear into the base of a tree once he drew parallel to the watcher. Villagers have also seen fires at the Paak Kung shrines even during rain\n\nThe village with the greatest number of shrines, out of the 20 villages examined in detail in the study, is Sheung Tsuen (Pat Heung). The more important Tai Wong shrine is housed in the 200 year old temple and is the governor of the village. There are also ten other Paak Kung and earth god shrines located around the village. Six of the Paak Kung protect the village at night while four earth gods of a lower rank are located in each of the four directions and are 'on duty' for twenty four hours a day as general security guards and to prevent people from becoming lost. All the shrines are worshiped on the first and fifteenth day of each lunar month and on major festivals\n\nWorship at the shrines varies from village to village, although it is common that worship is carried out on the first and fifteenth days of the lunar new year. Seven of the villages performed rites at their shrines at this time. Offerings may also be made with prayers at the main Chinese festivals, particularly during Lunar New Year and the Mid-Autumn Harvest festival, as well as at weddings, births and the birthdays of elders and ancestors and for general thanksgiving.\n\nSome villages have their own special ceremonies. At Ma Mat Wai, the Paak Kung shrine to the earth god 'Hin Tan' is worshipped on 'farmer's day' on July 14th and at the harvest festival on August 15th. The shrine at Pak Kong is worshipped on the birthday of the popular sea-goddess Tin Hay. The Hei Shą Fuk festival is only carried out at Wo Hop Shek, near Fanling, at the end of the last month of the lunar year and at the end of the first month of the lunar calendar. Each family in the village contributes $30 to buy pork which is cooked with vegetables on stoves built into the Tai Wong shrine. February 13th of the lunar calendar is the god Hung Shing's birthday in Ho Sheung Heung, which is even more important for the village than Lunar New Year. For three days before the god's birthday, an opera is held in front of the Tze Tong while a feast and dragon dance takes place on the day itself. In June a feast day is also held to commemorate two officials, Chou and Wong, sent by the Emperor to save the village from pirates. This may represent those officials who came to rescind the Imperial evacuation order in 1669. The festivals in Ho Sheung Heung are organized by the master of the temple but in other",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213551,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 147,
        "title": "RAS-1995",
        "content_text": "116\n\nof an English-based lingua franca\n\nIn the Gazette of September 9 1685, the following notice appears-\n\n\"That excellent, and by all Physitians approved, China drink, called by the Chinese Toha, by other nations Tay, alias Tee, is sold at the Sultaness Head, a coffee house in Sweetings Rents by the Royal Exchange, London.\"\n\nThe earliest recorded import of Tea by the East India Company is dated 1667. An early writer, in memoirs of 1726, relates-\n\n“I remember well how in 1681, I for the first time in my life drank Thee at the house of an Indian Chaplain, and how I could not understand how sensible men could think it a treat to drink what tasted no better than hay-water.\n\nThis quotation illustrates how, at the end of the seventeenth century, tea-drinking was becoming a social fad which eventually generated huge demands on European - and later American - China traders. Tea was, of course, readily available in India and the Arab world - but this particular fad grew around the Chinese teas - Bohea (Mou yi), Congo (Gung fu), Pekoe (Baak hou), Oolong, Souchong (Siu chung) and Hyson (Yue chin).\n\nThe manner of the tea trade is best understood from the books of William C. Hunter- \"Bits of Old China” (1855) and “Fan Kwae at Canton Before the Treaty Days\" (1882). Foreign traders were only permitted into Canton to trade during the tea season: they were required to retreat to Macau or further during the closed season. No foreign women were permitted into Canton and the lives and work of the traders were strictly regulated by imperial edict. The most comprehensive set of controls was brought in 1760, but this was little more than codification of regulations which had been in force for decades.\n\nThe tea trade, on the Chinese side, was carried out by licensed trading houses - the Hong Merchants. The merchants were incorporated in 1720. Foreign traders were allowed to Canton by specific sponsorship by the Hong merchants, who were personally responsible for their conduct.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 214728,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 143,
        "title": "RAS-1999",
        "content_text": "Transliteration\n\n芙的 Foo paak\n\n風水 Fung shui\n\n107\n\n金花 Kam fa\n\n利是 Lei shi\n\n時嘸佬 Naam moh lo\n\n暖符 Nuen fu\n\n祠堂 Shaat hei Tsz tong\n\n鹽符 Tun fu\n\n通勝 Tung sing",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    }
]