[
    {
        "id": 204327,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 95,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n91\n\nyou will be one of his vanguards. Well, I think I can do something for you in this matter. He ordered Chin-hsia to bring two stalks of lotus and three lotus leaves to him, and with them he made a human shape on the ground, using the stems to represent the joints and articulation of the bones, and set the seed of a golden pill in the middle. He employed his divine power and spoke the magic spells while he pushed No-cha's souls toward the lotuses, and suddenly there sprang up a young No-cha who was handsome and full of vitality, with a rosy complexion, red lips, intelligent eyes and was sixteen feet tall. Thus was No-cha reincarnated from lotuses. (Ch.14)\n\nAs I have said, in chuan 3, Lun-1 P'in (Discourses) of the Ta-fang-pien-fu Pao-ên Ching there is a Buddhist legend which can be summarized as follows:\n\nThe king of Varanasi (*) married Lady Doe-mother who conceived and gave birth to a lotus which was cast into a pond. The lotus then grew five hundred leaves and under each leaf a boy was born. When these five hundred boys grew up they became giants, each of whom was strong and brave enough to fight against a thousand men single-handed. These brothers, from the first one to the four hundred and ninety-ninth all forsook their noble life and became Buddhist priests. The youngest brother attained the fruition of a Pratyeka-Buddha ninety days later and, manifesting his miraculous powers, he preached the dharma for the benefit of his parents.\n\nThis can be cited as an illustration that the story about reincarnation from a lotus had a religious background. In the paragraph in chuan 2 of the Wu-têng Hui-yüan I have quoted, the last sentence of the text is “現本身,運大神通,為父母說法” (manifesting his original body and by his miraculous powers preached the dharma for the benefit of his parents), and now in this sutra the corresponding sentence is “...” which would make no difference in translation. We may consult Ch.27, \"King Resplendent and Buddha Thunder-voice\" (¥2) of the Lotus Sutra, in which the two sons of the king, Pure Treasury (*) and Pure Eyes (), worrying about their father's attachment to the heretical teaching which deviated from the right course, revealed to him some of their supernatural powers (...) and brought him to faith and discernment.3 So we may believe the original story that No-cha “rending himself asunder, gave his flesh back to his mother and his bones to his father”.\n\n3 \"The Lotus of the Wonderful Law\" (Saddharma Pundarika Sutra), translation by Prof. Soothill, Oxford, p. 256.",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
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    {
        "id": 204665,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 146,
        "title": "RAS-1963",
        "content_text": "132\n\nCLIVE ROBINSON\n\nHouse-boats are usually moored by the lakeside and it is possible to walk ashore into the fields across a plank. But one's chief means of transport is the shikhara which arrives each morning and remains until one has finished with it at night. A shikhara is the Rolls-Royce of gondolas full of soft cushions and gaily patterned pillows — and its crew of two young and cheerful Kashmiri is at your disposal all day to paddle swiftly and silently through the lotus-covered waterways to wherever you choose to go. On long expeditions, such as to Ganderbal three hours away, a crew of four is necessary especially if the day is hot.\n\nEach morning the tradesmen arrive by water: the postman, butcher, chemist, grocer and the florist. The latter, a picture with his boat covered from stem to stern in all the brilliant colours of the Valley's flowers. Hard for the ladies to resist! Later come the famous Srinagar dealers, also by boat. \"Mr. Butterfly\" with his exotically embroidered men's pyjamas and his exquisite sets of ladies' underwear; \"Suffering Moses\", renowned for his papier mâché ware; and, perhaps hardest of all to refuse, \"Subhana the Worst\". It was in Subhana's shop, after a large Persian lunch, that I once spent more money in one afternoon than (I trust) I am ever likely to do again.\n\nNagin, where we moored in \"Golden Gleam\", has a large house-boat, in the centre of the lake, from which one bathes or water-skis. And out of the lake the narrow water channels lead past floating gardens, orchards and meadows to Nishat Bagh and Jehangir's famous Gardens of Shalimar where we picnicked one afternoon sitting on Persian rugs and drinking tea out of a lovely samovar.\n\nBut it is wise to remember that the lotus-existence of life on a house-boat in Kashmir is an insidious one and each day it is harder to break the spell. The visitor is wise who says at the beginning how long it is to last and, if he is fond of mountains and the country, plans his expedition at an early date.\n\nThe local bus, complete with Kashmiris and their retinues of hens and pigs, took us to Pahalgam at the foot of the high mountains and there we found our camp already pitched.\n\nIt was by a stream at the end of the Liddar valley and within a stone's throw of the Prime Minister's summer lodge. Eight ponies were\n\nI",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
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    },
    {
        "id": 204820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 123,
        "title": "RAS-1964",
        "content_text": "HONG KONG BUTTERFLIES\n\n103\n\nTwo of the Hairstreaks (Thecladae) also have distinct seasonal differences. Arhopala centaurus, a recent discovery with a wing span of 55 mm. and royal blue in colour, has a broad black margin on both fore and hind wings in summer, and none in the dry season.\n\nIraota timoleon is deep Prussian blue in the wet season and the underside is chocolate brown with accentuated white markings. The winter form (maecaenas) is more violet in shade on the upperside, whilst the lower is chestnut and the white markings are greatly reduced.\n\nThe Curetis acuta varies more in the female than the male. latter is a brilliant copper in the wet season but, in the dry it is dulled by smokey scaling. The female, in the summer is a uniform black-brown with a few white scales in the centre of the wings. These are enlarged to big patches in the winter.\n\nHEBOMOIA GLAUCIPPE\n\nThe most spectacular of the Pieridae family is Hebomoia glaucippe, the giant orange tip, whose powerful flight cannot fail to attract attention. With a wing span of over three inches its speed is phenomenal, for one instant it passes one on the mid levels and on the next it is on the peak. The undersides of both sexes are much alike, and when the insect settles to rest on the underside of a leaf, dropping the fore wings within the hind, it is very difficult to detect.\n\nOn the wing, however, it is a very conspicuous object as it careers wildly about. Though fond of flowers it spends little time on them. It is one of the few butterflies attracted by the large violet blue convolvulus, which has a very deep bell requiring a long proboscis to extract the nectar. The uppersides of both sexes are creamy white with a black triangular patch at the apex of the fore wings nearly filled with six golden orange stripes separated by the veining. The female is distinguished from the male by seven triangular black patches on the hind wings, and similar marks on the border. There is little seasonal variation, variation, but the sub-apical orange stripes in the female are rather larger and broader in the dry form, and the undersides in both sexes are usually more heavily marked in the wet.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
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    },
    {
        "id": 208158,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 197,
        "title": "RAS-1977",
        "content_text": "NOTES AND QUERIES\n\n181\n\nHe must have come by boat as the record states that \"he left his boat at Tuen Mun - the present-day Castle Peak Bay - and rambled through the woods of the New Territories and visited many mountains. He fell in love with the scenery, and found many excellent grave sites for he was an accomplished geomancer.\"\n\nAfter he finished his official tour of duty in Yeung Chun County, he returned to his native home at Kiangsi and brought down the exhumed remains of his great grandfather TANG Hon-fat (#) and his great grandmother and those of his grandfather TANG Kun () and his grandmother to this area for reburial, presently the New Territories of Hong Kong.\n\nHe buried his great grandfather and great grandmother in a grave at a site called Yuk Nui Pai Tong (#), meaning \"the newly married girl is presented to her in-laws\", at a small hill near Wang Chau (#), Yuen Long. He also buried his grandfather TANG Kun and his grandmother in a grave the site of which is called Kam Chung Fook Fo (4ƒƒX), “the golden bell covers the flame”, on a small hill behind the present Pok Oi Hospital on the main road from Kam Tin to Yuen Long. Both sites were considered auspicious.\n\nWe do not know whether TANG Fu-hip's father TANG Yuk (e) was brought here dead or alive. He and his two wives were buried in a grave on a small hill not far from the Tsuen Wan District Office. The name of the site is called Pun Yuet Chiu Tam (*AR), “a half moon is shining over the water pond”.\n\nOwing to the proximity to the urban area and its easy accessibility, the Tang clan led by their elders come here every year on the 19th day of the Tenth Moon (lunar calendar) to pay homage to this ancestor.\n\nThe record does not tell us how TANG Fu-hip brought the bones of his ancestors from Kiangsi, whether by boat or by the overland route.\n\nWhen TANG Fu-hip died, he was buried in a grave he had chosen himself. The name of the site is called Sin Yan Tai Tso (^) “the grand seat of the fairy\", and it is located not very far from where he buried his great grandfather and great grandmother.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
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    },
    {
        "id": 212557,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 111,
        "title": "RAS-1991",
        "content_text": "91\n\nto reconsider its policy of importing non-action movies.\n\nThe relatively stable policies of the CFEIC do not mean they are rigid and lack flexibility. While leaving the basic policy of making everything politically safe intact, the CFEIC modified its policies to suit the development of the movie industry and the needs of the audiences whose level of appreciation is ever rising. During the 1981 film week, there was hardly any movie which reflected contemporary American life. As the situation changed, some movies reflecting contemporary American life began to be introduced. In the film week held in 1985, the United States could present what it considered the best of its movies: On Golden Pond, Kramer vs Kramer, The Turning Point and A Coal Miner's Daughter.\n\nConsequences\n\nThe previous discussion of Sino-American arts exchanges has provided a picture of how such exchanges were overwhelmingly dominated by political considerations by both governments, though sometimes the goals of the governments and the non-governmental-artist sector merged with each other unconsciously. Nonetheless, these exchanges produced unanticipated consequences. As arts exchanges were part of the broader framework of the Sino-American relationship since 1979, when exchanges were institutionalized, and the number dramatically increased, an analysis of the effect of these exchanges on the general relationship between the two countries is necessary. In this context, the frequent travels of performing groups, arts exhibitions and specialists between the two countries did create a feeling of intimacy in the period of 1979 and 1981.\n\nThrough the exchanges, the American government conveyed its intention to have a closer relationship with China. Compared with economic and technological relations, arts exchanges were only secondary in importance to both governments. They were even less important compared with strategic considerations. However, ties in the cultural sphere were something that Chinese and American leaders had to give a thought to, because they were expressions of a sound relationship which political leaders of both countries wanted to claim. Moreover, Chinese and American political leaders also needed cultural exchanges to maintain such a relationship. These exchanges might, too, be intended as a showcase to the Soviet Union in the triangular game of superpower",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 214609,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 24,
        "title": "RAS-1999",
        "content_text": "d) February 2000: A lively Chinese lunch at the suitably named Golden Dragon Restaurant in Gerrard Street, London, attended by 45 persons.\n\nFor the arrangement of these activities we again have to thank Rosemary Lee, Anita Wilson, Kirsty Norman, and Keith Stevens, all of whom really make this Friends Society bond and move forward. We are now looking at the future and we will have the pleasure of welcoming Prof. Hugh Baker, Professor of Chinese at SOAS to lecture on 27th May, at which time we will also have our annual general meeting. Unfortunately the proposed trip to visit World War I cemeteries and battlefields in Northern France and Flanders to examine Chinese graves has again had to be postponed due to the incompetence of the travel agent. However the Oxford weekend is still in the planning stages and it is hoped to visit Brian McElney's collection of oriental porcelain and artefacts in Bath.\n\nI close this report by sending you on behalf of the Friends in the UK all our best wishes for a successful annual general meeting and for the years ahead. It is very encouraging to read the newsletter and to see that the membership is at a high level; there is an enviable lecture and activity programme, and a steady stream of publications; for all of this we congratulate you.\n\nD.A.Gilkes, Chairman\n\nMarch 2000\n\nXXIII",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 212,
        "title": "RAS-1999",
        "content_text": "177\n\nquite the reverse. Richard Coyne (1999) has recently pointed to the romantic stream in digital narratives, which implicates them in notions of utopia through the discourse of the 'global village and the electronic cottage', the return to a tribal stage of freedom and a Golden Age equality, the ideal of preindustrial arts and crafts. It may well be, as Coyne argues, that such 'digital narratives', whether romantic or rationalist, necessarily provide spaces of interpretation rather than referring to contextual realities beyond language.\n\nPerhaps as part of a general tendency in anthropology away from getting dirty hands by doing fieldwork in local sites, my more recent research has tended towards a great interest in the power of the Internet, and its World Wide Web, to forge new ties of community between Hmong in France, Canada, Australia and New Zealand, French Guyana, Thailand, Laos, Vietnam and China (Tapp 1999). Of course the Hmong voices represented on the Internet are the voices of those most in the position of being able to represent themselves in this way; that is, the most educated, most literate, and those with computer access. Yet these representations of themselves, both those aimed purely at other Hmong and those aimed at others, are of considerable interest for the way they so often speak directly of the losses and separations suffered by the Hmong community as a whole, and the need to reunite and re-bond, the memories of particular households and the life in Laos or Thailand, or an ancestral home in China. Evans (1998) also draws attention to the power of these nationalist images of homeland among groups of overseas Hmong refugees from Laos.29 These are moving, and deeply felt, images, and they are not necessarily emanating from those Hmong with a particular political agenda, or even from those Hmong who individually left Laos themselves, but often from members of the younger generations, college students who cannot themselves recollect such pasts or places.\n\n20\n\nCoupled with the facts of overseas Hmong tourism to South East Asia and China, return family visits and the emergence of small-scale transnational businesses, we must I think see these Internet representations, these uses of the Internet together with other forms of telecommunication, as directly contributing to the formation of a new kind of Hmong identity and Hmong community, on a global scale, the kind of identity which more nearly approximates our understanding of a nationality or national group, perforce without a state or sovereign",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
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