[ { "id": 206506, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 54, "title": "RAS-1972", "content_text": "48\n\nJ. L. CRANMER-BYNG\n\ntendent of Trade for the Northern Ports and Superintendent of Trade for the Southern Ports would find some material of use in this section of the six-point memorandum. For instance, it states that at Newchwang, the staple trade commodity is soya-bean cakes, but that this trade is not open to foreign ships. Details of the suggested method of collecting and reporting the customs revenues of this port are then given. At Tengchow, the memorialists state, an illicit foreign trade has been going on for a number of years, unbeknown to the Court. Now that it has officially become a treaty port, officials must be appointed to administer foreign trade there. As regards the five original treaty ports of Canton, Foochow, Amoy, Ningpo, and Shanghai, no changes in the regulations need be made. As regards the newly opened ports of Ch'iungchow, Swatow, Taiwan, and Tamsui, as well as Chenkiang, Kiukiang, and Hankow on the Yangtze, the governors-general and governors in whose jurisdiction these ports lie should jointly memorialize with the imperial commissioner at Shanghai concerning officials to be appointed to take charge of these places. Monthly reports on the volume of foreign trade at these ports are to be sent to the Tsungli Yamen and the Board of Revenue.\n\nSuggestions are also made for arrangements to be made for trade with Russia at the newly opened trading places of Urga, Kashgar, and Kalgan.\n\nAccording to the treaties, twenty percent of the duties on foreign trade are to be held for the payment of the indemnity. A counterfoil will be provided so that the total amount of revenue collected can be checked against the amount withheld.\n\nThe memorialists then return to the point they were making near the beginning of point 3 [as translated above].\n\nThus, the amount of foreign duty collected each year being clearly shown, the officials through whose hands it passes will be unable to enrich themselves through peculation. Not only will they be deprived of the means of living, they will secretly resort to other malpractices. It is further feared that wily clerks, when they see there is no money to be made, may provoke trouble, thus endangering the public interest. If we do not clearly lay down regulations providing them with expenses for transacting official business, we very much fear that unforeseen malpractices will arise. It is therefore proposed to request that an order be given to the superintendent", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206512, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 60, "title": "RAS-1972", "content_text": "54\n\nJ. L. CRANMER-BYNG\n\nCouncillors at Jehol at this time: Mu-yin; K'uang-yüan; Tu Han; Chiao Yu-ying. Information on all these officials can be found in Hummel, Eminent Chinese, especially in the biography of Su-shun. Their power relationships are discussed in Banno, China and the West, passim, but especially 55-56. The term \"minister of the imperial presence\" (yü-ch'ien ta-ch'en) is rendered by Brunnert and Hagelstrom, Present Day Political Organization, p. 28, no. 101, as adjutant-general.\n\nII Tengchow is on the northern side of the Shantung promontory. In fact it was not opened to foreign trade which was carried on at Yen-tai near Chefoo. S. Wells Williams, The Chinese Commercial Guide, 211-212. Ch'aochow was the old name for Swatow; Ch'iungchow is in Hainan. Taiwan City and Tamsui were ports on the island of Taiwan which came under the administration of Fukien province.\n\n12 Ch'ung-hou was appointed to this post by an edict of 20 January with the designation superintendent of trade for the Three Ports, with his headquarters at Tientsin. Hsueh Huan, governor of Kiangsu and acting imperial commissioner at Shanghai, was made responsible for the newly opened ports along the Yangtze and the coast to the south of it, by the same edict. As far back as 1844 the imperial commissioner at Canton was currently designated imperial commissioner for the Five Ports. With the addition of new ports it was made a concurrent post of the governor of Kiangsu in 1861, until 1868 when it was made a concurrent post of the governor-general of Liang Kiang residing at Nanking. In 1870 the post of superintendent of trade for the Three Ports was raised to an imperial commissionership and held concurrently by the governor-general of Chihli. It is not clear when the commonly used designations for these two posts viz: superintendent of trade for the southern ports and superintendent of trade for the northern ports were first used. Meng, The Tsungli Yamen, 40-41; Banno, China and the West, 233-5.\n\n13 Article 3 of the Convention of Peking between Britain and China refers. See W. F. Mayers, Treaties Between the Empire of China and Foreign Powers, 8. The phrase to avoid complications arising is a euphemism for 'to avoid peculation'.\n\n14 Tentatively we have translated the Chinese phrase hui-tan as counter-foil. Note 19 also refers.\n\n15 The term is fuyin. See Brunnert and Hagelstrom, Present Day Political Organization of China, 793.\n\n16 See Frank H. H. King, A Research Guide to China Coast Newspapers, 1822-1911.\n\n17 Translated in collaboration with Mr. Vei-Tsen Yang. Chinese text in Ch'ow-pan wu shih-mo, Hsien-feng, 72: 2-3. A second edict was issued on the same day, and on the same subject, to the Grand Secretariat. This edict was translated by T. F. Wade along with the six-point memorandum. Note 2 above refers.\n\n18 Not to be confused with the Russian Hostel nor with the language school for the Russians in Peking, both of which were often referred to in Chinese documents as O-lo ssu-kuan, thus making confusion likely with the Russian language school referred to here. See Meng, The Tsungli Yamen, 111, note 48.\n\n19 Lit. 'draw up a joint document'. Glossed by T. F. Wade as a paper signed by both parties showing that the amount deducted is in due proportion to the collection'. Translation of Peking Gazette in F.O. 17/352 p. 42.\n\n20 Presumably referring to Robert Hart, the Inspector General of the Chinese Maritime Customs Service, and the westerners serving under him. On the general subject of foreigners taking part in the administration of China after the middle of the nineteenth century see Fairbank, The Chinese World Order, 273-5; also Fairbank \"Synarchy under the Treaties\" in Fairbank (ed.) Chinese Thought and Institutions, 204-231.\n\nPage 60\n\nPage 61", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206643, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 191, "title": "RAS-1972", "content_text": "THREE CHINESE DEITIES\n\n185\n\nthe newly dead. Mara has a cleft head, ear-pressing tufts and protruding eyes. His skirt can be made of leaves and on occasions he has a staff in his right hand.\n\nTHE CULT OF FA CHU KUNG\n\nBackground\n\nThe localised cult of Fa Chu Kung appears to have originated in the areas of An Chi and Ying Ch'uen in Fukien Province and has been carried by emigrants to their new homes in Taiwan and South East Asia. Fa Chu Kung is renowned amongst his devotees for his ability to cure any illness, and is believed to be capable of such potent magic that many Chinese are fearful even to mention his name. In addition it is claimed in some areas that he is able to cause and stop rain at will, and in one Cantonese temple in Kuala Lumpur he is specifically prayed to for confirmation that a marriage in process of being arranged will be successful. A Fukienese temple keeper in Singapore, who was not too fearful to discuss the deity, confided that Fa Chu Kung is the powerful leader of a large group of gods which includes the Northern Emperor Hsuan Tien Ta Ti and has very many disciples. He also claimed that Fa Chu Kung is able to transform himself into anyone or anything and that Chinese spirit mediums can only approach other gods through Fa Chu Kung. Therefore Fa Chu Kung's goodwill and agreement are always necessary before any petition or prayers may be offered to any god apart from the supreme deity, the Jade Emperor.\n\nRecognition Features\n\nFa Chu Kung is more often to be found as a minor deity on an altar dedicated to another god rather than the main deity on an altar or of a temple. His image is very easy to recognise. The basic recognition features are his shiny black face and body, his unkempt hair and slightly protruding eyes; his unsheathed sword is held at the ready in his right hand and a red snake curls round his neck and shoulders and over his left arm. His black feet are bare and are resting on fire wheels, and finally his left hand is making a magical sign. This is made by his whole left hand stretched forward at waist level and pointing vertically with his index and little finger; his thumb and the other two fingers are pressed to the palm. The whole hand is twisted to face the right. Most images have all these", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 207177, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 248, "title": "RAS-1974", "content_text": "242\n\nBOOK REVIEWS\n\nAs to the dating of this Liu Chih-yüan CKT, the authors of the book now under review also have said nothing. Yet, in Thomas F. Carter's well-known work The Invention of Printing in China and its Spread Westward (revised by L. C. Goodrich, 1955, New York), chapter X, footnote 16, this incomplete CKT is acknowledged as being printed around 1300, namely in the early years of the 14th century.\n\nThis reviewer's third minor dissatisfaction concerns the neglected relationships between chu-kung-tiao and some other folk-literatures in China. According to a statistical account contributed by Professor Cheng Ch'ien, the Hsi-hsiang-chi CKT by Tung Chih-yüan has used 15 kung-tiao and 129 ch'ü-tiao. As Cheng has pointed out, at least 66 out of 129 of these ch'ü-tiao are derived from four different sources4. Jen Erh-pei5, on the other hand, presenting different statistics, has pointed out the origin of 28 ch'ü-tiao of chu-kung-tiao and also demonstrated the continuation of these ch'ü-tiao with reference to the Northern drama of the Yuan period, the Southern drama of the Yüan and Ming periods, the Tsa-chü play of the Sung, the Yuan-pen play of the Chin and Yuan periods. Furthermore, he has even added the chia-ch'u songs of Mongolia, the T'ang music in Japan, and the Sung music in Korea into his statistics. The \"Introduction\" of the Ballad of the Hidden Dragon would be more authoritative had the above quoted statistical studies in relation to the CKT study been fully utilized. Mention could also have been made of Chien Nan-yang's analysis of the relationship between the Lin Chih-yüan CKT and the pai-t'u chi6 — a southern drama written in the Ming period.\n\n* See Cheng Ch'ien, \"Tung's 'Western Pavilion, the Literary Link between the Tzu Lyrics and the Ch' Ballads of the Southern and Northern schools”, in Bulletin of the College of Arts, National Taiwan University, vol. II (Taiwan, 1951): 113-137.\n\n5 See Jen Erh-pei: “Chiao-fang-chi chien-ting” (Annotated edition of Chiao-fang-chi) (1962, Peking) pp. 197-254: Appendix II, “Ch'i-ming-liw-pien-piao” (A Table about the History and variations of the titles of Ch'u).\n\n6 See Ch'ien Nan-yang: \"Liu Chih-yüan pai-t'u-chi, On the Tale of a White Hare about Liu Chih-yüan”, in his Yüan ming nan-hsi kuo-liao. Some Brief Remarks on the Southern Dramas of the Yuan and Ming periods (1958, Peking), pp. 28-33.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207549, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 317, "title": "RAS-1975", "content_text": "NOTES AND QUERIES \n\n309 \n\nwith Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' (三娘). The 'Three Jesters' are called by the puppeteers the \"Three Brothers' (三兄弟) or, individually, the Great, Second and Third Wang Yeh.* \n\nSchipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (唐明皇) and to have taught the actresses of the Peach Garden (梨园), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai. \n\nSchipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh, 西秦王爷) or Hsi Ch'in Lao Wang Yeh (西秦老王爷), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (西秦王). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman (小哥) and less respectfully as The Old Boy (老郎). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the 'Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better founded than others. \n\nWang Yeh \n\nSchipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend \n\n* More often than not Wang Yeh (Imperial Princes) in Fukienese communities are epidemic deities.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208719, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 176, "title": "RAS-1979", "content_text": "CHINESE RELIGION REDISCUSSED\n\nJULIAN F. Pas*\n\nThis is a review article partially intended as a book review of Philip Baity's Religion in a Chinese Town1 but also as a reopening of the discussion on Chinese religion, with emphasis on the popular religion. The setting is Taiwan, but the subject can hardly be contained to this small island and somehow reflects the problems of religion in China as a whole.\n\nIn recent years there has been a revival of interest in the study of Chinese religion. This monograph by P. C. Baity is a most welcome addition to the number of more serious works on the topic and shall have to be taken into account by all future researchers. Based on field work carried out in Northern Taiwan (Tamsui and Peit'ou) between 1968 and 1970, the present work is a reproduction of the author's doctoral dissertation. His viewpoint is primarily anthropological: besides summarizing his field work results, he also offers a new way of interpreting the paradoxical relationship between the three traditional religions of China and \"the array of folk religious beliefs and practices which are characteristic of the great majority of people in both villages and towns.” (p. vii).\n\nAlthough the author has done his research carefully and provides us with a mass of new information and new insights, I still have serious reservations about his overall thesis: a new interpretation of the relationship between the three classical religions and the folk religion. In this review I shall summarize and evaluate each chapter in turn, offering a more synthetic presentation of my views on the author's new interpretation.\n\nChapter 1, \"The Development of Temples in the Field Area\" (pp. 15-53), sketches the development of temples in the area under study. From the time of immigration to Taiwan on a more significant scale...\n\n* Julian Pas is Associate Professor, Department of Far Eastern Studies at the University of Saskatchewan, Canada.\n\n1 Baity, Philip Chesley. Religion in a Chinese Town, (Asian Folklore and Social Life Monographs, vol. 64, edited by Lou Tsu-K'uang). Taipei: The Orient Cultural Service, 1975. (ix-307 pp.) U.S. $7.00.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208946, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 108, "title": "RAS-1980", "content_text": "76\n\nJOHN VILLIERS\n\nJapanese junks owned or commanded by Portuguese interlopers. Much of their cargo consisted of supplies such as wheat-flour, salted meat and fish, but also woven silk, screens, cutlery, arms and armour, and lacquer ware. Some of the supplies were used to furnish the ships sailing to Mexico. Payment was made by the Spaniards in silver rials and the Japanese traders took back raw Chinese silk, gold, deerskins, brazil-wood, palmwine, Spanish wine, glass and other European curiosities as well as old Chinese pottery and porcelain found in graves in the Philippines and used by connoisseurs of the tea ceremony.28\n\nThe Macaonese felt themselves threatened by this trade between Manila, China and Japan—particularly the re-export of Chinese silk from Manila—but they were of course keen to continue trading with Manila themselves. Portuguese ships, sometimes sailing from India via Macau, would come every year to Manila with African slaves, Indian cottons, spices, amber, ivory, precious stones, toys and curiosities from India, Persian and Turkish carpets, gilded furniture made in Macau and \"other commodities of great curiosity and perfection\".29\n\nIn 1624 the Viceroy rejected the petition of the Senado of Macau that the Manila voyages be officially sanctioned but the Macau-Manila trade in silk was sufficiently profitable to both sides for it to survive all bans. It remained in Portuguese hands and there were in consequence some who advocated Macau transferring its allegiance from Portugal to Spain.30 In 1625 the Spanish founded a settlement which they called La Santissima Trindad at Keelung on the northern tip of Taiwan, partly as a counterweight to the Dutch settlement of Fort Zeelandia established in Taiwan the previous year and partly as an entrepot for the Chinese silk trade which they hoped might eventually supersede Macau. The Governor of the Philippines, D. Fernando de Silva, stated in 1626 that the Dutch had already diverted much of the carrying trade in silk to Fort Zeelandia. \"This damage is clearly seen\", he wrote, \"from the fact that the fifty Chinese ships which have come to these islands have brought less than forty piculs of silk, whereas the enemy have 900 excluding the textiles and, if it were not for what has been brought from Macau the ships from Nueva España would have nothing to carry\". The short-lived Spanish attempt to lessen Manila's dependence on Macau ended with the fall of La Santissima Trindad to the Dutch in 1642.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208965, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 127, "title": "RAS-1980", "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n95\n\noriginated. K. Schipper's knowledge of the ritual is based on the Taoist tradition of Southern Taiwan; Saso on the other hand gathered his data in Northern Taiwan; so did Mr. Liu, who describes the chiao celebrated in Chung-li (Taoyuan district) and Shulin (Taipei district). Why is M. Saso's term different from Mr. Liu's? And why are there two different appellations in the first place?\n\nThere is no doubt that the two different names refer to the same ritual. One wonders only why neither of the three authors mentions the alternative designation. M. Saso seems to know the expression since his translation 'lighting of the new fire' makes more sense if chu-teng is taken as the Chinese substratum rather than fen-teng.\n\nThis terminology aspect would not concern us so much if it were not an indicator of the basic significance of the ritual itself. In any case, both fen-teng and chu-teng are merely partial designations of a ritual event that we have to examine in greater detail; since the ritual is composed of various successive acts, there is apparently no term available that would indicate all these events: so, each designation necessarily is pars pro toto.\n\nThe ritual is described in minute detail by K. Schipper (pp. 15-25) based on his personal observations made during a chiao festival in the village of Su-ts'u, Taiwan, on March 26, 1967. Five Taoist priests participated in the event, while 4 musicians and an apprentice formed the orchestra. Besides the exceptional visitor, there is a group of laymen representing the whole community. The ceremony takes place in the sacred area of the temple, usually on the first evening of the festival.\n\nThe ritual, as summarized by Schipper, is the first part of a threefold liturgy; the second part is called \"The Rolling up of the Screen\" (\"Enroulement du Rideau\"), the third part is 'Sounding of Bell and Chime' (\"Tintement solennel de la Cloche et de la Pierre Sonore\"). (Parts two and three are left out of the present discussion, but will return to focus in section three of this paper.)\n\nThe fen-teng ritual itself can be divided into five episodes:\n\n(i) an introduction with chanting of purification texts and solemn declaration of the high priest's ritual rank (ca. 5′40′′);\n\n(ii) the striking of the new fire: after invocation of the deities, the lights inside the temple are extinguished. Two assistant-priests", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208984, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 146, "title": "RAS-1980", "content_text": "114\n\nJULIAN F. PAS\n\ntraces its origin from one of those forms of sun worship.” As is clear from this quotation, de Groot only sees here a case of archetypal similarity, without speculating about the possibility of a more direct historical influence.\n\n25 See K. Schipper, Fen-Teng, p. 33.\n\n26 Guéranger, op. cit., p. 501:\n\n“dictum”.\n\n30 Ibid., pp. 508-9.\n\n“sanctifica”; “sanctificatum et bene-”.\n\n31 M. Saso, Cosmic Renewal, p. 73. K. Schipper does not tell us how the new flame is produced.\n\n32 Guéranger, op. cit., p. 503, f.\n\n** See text quoted on p. 11 and also end-note 20.\n\n34 My transl. of the Chinese text. See Schipper, Fen-Teng and Saso, Cosmic Renewal, pp. 73-74.\n\n35 See K. Schipper's detailed description of the rituals:\n\n(i) \"Enroulement du Rideau\": nos. (23)-37). This ritual lasts just over 35 minutes. (Le Fen-teng, pp. 25-27).\n\n(ii) \"Tintement solennel de la Cloche et de la Pierre sonore\": nos. (38)-(59): lasts ca. 33 minutes. (See pp. 27-32).\n\n36 M. Saso, Cosmic Renewal, p. 74, f.\n\n37 Actually they are not to be seen as three separate rituals but as three stages in one ongoing celebration.\n\n**M. Saso, (Cosmic Renewal, p. 74), says that a screen is only \"imagined\" and is \"rolled up\" by \"symbolic gesture\". This may be the custom in Northern Taiwan, but in the South a real screen is used which is actually rolled up during the ritual.\n\n39 M. Saso, Cosmic Renewal, p. 74.\n\n40 M. Saso, Cosmic Renewal, p. 75:\n\nFirst the metal bowl is struck 24 times: yang (Schipper: 24+1) then the wooden fish is struck 24 times; yin (Schipper: 29+1) then: both together are struck 36 times: yin and yang in harmonious union; then metal bowl again: 9 times; and finally wooden fish: 6 times.\n\nK. Schipper (Fen-Teng, p. 29) does not mention the striking of a wooden fish, but of the \"musical stone\", as indicated in the ritual text.\n\n41 See for instance E. Zürcher. \"Buddhist Influence on Early Taoism, A Survey of Scriptural Evidence:\", unpublished paper presented at the Third International Conference of Taoist Studies, Uterageri, Switzerland, Sept. 1979.\n\n42 Sources of information about Nestorianism in China are as follows: P. Y. Saeki, The Nestorian Monument in China (London, 1916); The Nestorian Documents and Relics in China (Tokyo, 1951); J. Foster, The Church of the Tang Dynasty (London, 1939); C. Eliot, Hinduism and Buddhism, III; S. Holth, \"The Encounter between Christianity and Chinese Buddhism during the Nestorian Period\", Ching-feng, XI (1968), 20-29; K. L. Reichelt, Truth and Tradition in Chinese Buddhism: T.-m. K’ung “Chugoku Keikyō niokeru Bukkyō teki Eikyo ni tsuite\" (The", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209161, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 64, "title": "RAS-1981", "content_text": "50\n\nLUBLRT SI IWART\n\nheterodox by the government, they often had to operate secretly. This was the case with the sects which belonged to the White Lotus tradition.\n\nAll three types of popular religious community have to be considered institutional forms of religions since it is primarily out of religious motives that people join these communities. Membership is not a matter of birth or belonging to a certain village or profession but demands the personal decision of each believer. In contrast to orthodox Buddhism and Taoism these popular movements as a rule have no ordained priesthood but are lay-communities1.\n\nWhile the above-mentioned renaissance of Buddhism and Taoism in Taiwan has been widely noted, these popular lay-movements have been somewhat neglected. One reason for this is probably that most of these popular religious communities operate only on a local or regional level. It is therefore very difficult to gain a comprehensive picture. We can be sure, however, that taken together the importance of these organizations in the religious life of present-day Taiwan is very great indeed15.\n\nIn the following I shall confine myself to one of the most interesting examples of such popular movements, the I-kuan Tao sect and cults with strong ideological connections with it. In the analysis I shall concentrate on those aspects which show the religious responses to modernization, rather than try to give an overall picture.\n\nI-Kuan Tao - a popular religious movement\n\nI-Kuan TaoT, which can be translated as \"the Way of the One that penetrates everything\", is the official name17 of a secret religious sect which is one of the offshoots of the well-known White Lotus sect Pai-lien chiao. Although officially prohibited by the government this sect flourishes under several other names everywhere in Taiwan. There is probably no place in Taiwan where I-kuan Tao groups cannot be found18. The success of this sect is really striking, taking into account that it was brought to Taiwan from the Chinese mainland only after the Second World War. On the mainland it was popular especially in the northern provinces during the time of the Japanese occupation19. But as late as the fifties the Communist government undertook several campaigns to fight this secret sect. It is not known to me whether it still exists on the mainland today20.\n\nOnly a few elements of the teachings and practices of I-kuan Tao", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209788, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 47, "title": "RAS-1983", "content_text": "25\n\nFirst we want to investigate the composition of the sangha. A convenient date to take as our start is 1949, when the present communist regime took control of the whole of continental China. Previous to that date, most of the monks in Hong Kong were Cantonese speaking. They lived in a few monasteries scattered throughout some isolated spots in the New Territories and in the rather inaccessible peaks of Lantao Island. There they practiced their religion quietly. Occasionally, they were asked to perform ceremonies for the dead. They were rather typical of the monks in traditional China. Like the majority of the monasteries in China, the ones in Hong Kong were not public monasteries (***) and were rather easy-going. However, it must not be thought that these temples were completely cut off from China. There was always a steady stream of contact with other monasteries.\n\nAfter 1949 a large influx of northern monks came with immigrants who tried to escape the communist regime. For a time they saturated local monasteries, but the majority have since migrated to Taiwan, Malaysia and elsewhere. Nowadays, northerners make up about half the total number of monks. Connections with South-East Asia and Northern America enable the monks to travel about rather frequently and this fact makes the Hong Kong sangha a rather fluid entity. Some of these northern monks came from renowned monasteries in central China and favoured a stricter life style. However, none of the temples in Hong Kong could maintain in full the system of public monasteries,\n\nThe coming of northern monks coincided with the beginning of certain developments in Buddhism unseen in previous ages. The unprecedented affluence created during the two decades 1960-80 was the material cause of these developments. Popular Buddhism flourished with the increase in population and wealth. Monks were increasingly sought to perform ceremonies over the dead () by well-to-do devotees and large sums of money were paid. Burial grounds in Hong Kong have become extremely scarce and expensive. The alternative to finding a burial plot or keeping cremated ashes within the equally crowded home was to deposit the ashes within a monastery. That way,", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209946, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 205, "title": "RAS-1983", "content_text": "References Cited\n\n183\n\nCh'en Kuo-fu\n\n1963 Tao-tsang yüan-lin k'ao. Peking: Chung hua Press.\n\nKeupers, John\n\n1977 \"A Description of the Fa-ch'ang Ritual as Practiced by the Lü Shan Taoists of Northern Taiwan,\" in Michael Saso and David W. Chappel, eds., Buddhist and Taoist Studies (Hawaii: The University Press of Hawaii).\n\nLiu Chih-wan\n\n1974 Chung-kuo min-chien hsin-yang lun-chi. Academia Sinica Special Monograph no. 22. Taipei: Academia Sinica.\n\nSaso, R. Michael\n\n1972 Taoism and the Rite of Cosmic Renewal. Pullman: Washington State University Press.\n\nStein, Rolf A.\n\n1979 “Religious Taoism and Popular Religion from the Second to Seventh Centuries\", in Holmes Welch and Anna Seidel, eds., Facets of Taoism: Essays in Chinese Religion (New Haven: Yale University Press).\n\nAPPENDIX\n\n1983 Cheung Chan Bun Festival\n\n長洲一九八三年(癸亥年)建太平清醮\n\nDate: May 16-20, 1983.\n\nPlace: Playground in front of the Bai-di temple\n\nA.\n\nTaoist Team: five Fukienese-speaking dao-shi, with Wei Guo-xin as the head dao-shi; five musicians, also Fukienese-speaking.\n\nMay 16\n\n13:00 Greeting the Gods\n\n20:00 First operatic performance begins on temporary stage adjacent to the Taoist altar.\n\nMay 17\n\n1:00 Beginning of Jiao-shi\n\nResidents of Cheung-chau begin the three-day fast\n\nOperatic performances continue, afternoon and evening shows.\n\nMay 18\n\nOperatic performance continues, two shows per day.\n\n12:00 Offering to the Gods\n\n15:00 Dotting of eye\n\nMay 19\n\n12:00 Vegetarian diet ends.\n\nMay 20\n\n10:00 Divide the Buns\n\n14:00 First day of Procession 第一天會景巡遊\n\nOperatic performance continues, two shows per day.\n\n14:00 Second day of Procession\n\nOperatic performance continues, two shows per day.\n\nFast ends.\n\nMay 21-22 Operatic performance.\n\nBeginning on May 17 and ending on May 22, Jiao-shi were conducted in three sessions each day, generally in the morning, afternoon, and evening.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210556, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 163, "title": "RAS-1985", "content_text": "144\n\nLattimore (1942)\n\nOgilvie (1969)\n\nRel. & Rit.\n\nToynbee (1971)\n\nWolf (1974)\n\nWolf (1976)\n\nWolf and Huang (1980)\n\nYang (1945)\n\nJOHN KARL EVANS\n\nR. Lattimore, Themes in Greek and Latin Epitaphs (Urbana, Ill., 1942)\n\n= R.M. Ogilvie, The Romans and Their Gods in the Age of Augustus (London, 1969)\n\nA.P. Wolf (ed.), Religion and Ritual in Chinese Society (Stanford, 1974)\n\n=\n\nJ.M.C. Toynbee, Death and Burial in the Roman World (London, 1971)\n\n=\n\nA.P. Wolf, “Gods, Ghosts and Ancestors”, in A.P. Wolf (ed.), Religion and Ritual in Chinese Society (Stanford, 1974), pp. 131-182\n\n=\n\nA.P. Wolf, \"Aspects of Ancestor Worship in Northern Taiwan\", in W.H. Newell (ed.), Ancestors (The Hague and Paris, 1976), pp. 339-364\n\n- A.P. Wolf and Chieh-shan Huang, Marriage and Adoption in China, 1845-1945 (Stanford, 1980)\n\n=\n\nM.C. Yang, A Chinese Village: Taitou, Shantung Province (New York, 1945)\n\nTranslations have been provided by the author for those passages quoted from the Greek and Latin.\n\n2 Cf. CIL 5.1813 (Gemona), where the formula has been shortened to N.F.N.S.N.C; Lattimore (1942), 84 n. 473 plausibly suggests that the second F has been carelessly omitted.\n\n3 The formula appears in slightly modified forms in such disparate communities as Lambaesis in Africa (CIL 8.3463 = ILS 8162), and Lactora in Aquitania (CIL 13.530 = ILS 8163).\n\n4 Epigr. Gr. 595 – IG Rom. 1.313. Cf. Epigr. Gr. 1117 (Bologna), and IG 14.2190 (Rome), where the translation of the Latin formula is still more precise. All of these despairing epitaphs are reminiscent of the teachings of Lucretius, and will remind students of Chinese philosophy of the views on life and death espoused by Wang Ch'ung (A.D. 27 - 97?). He also scoffed at the notion of consciousness after death: \"if we suppose that after death a man becomes a ghost, there would be a ghost on every road, and at every step. Should men appear as ghosts after death, then tens of thousands of ghosts ought to be seen. They would fill the halls, throng the courts, and block the streets and alleys, instead of the one or two which are occasionally met with.\" See A. Forke, Lun-Heng 1. Philosophical Essays of Wang Ch'ung, 2nd ed. rep. (New York, 1962), 193. It therefore follows that sacrifices are useless: \"ghosts and spirits are insensible of joy and anger. People may go on sacrificing to them for ever, or completely disregard and forget them, it makes no difference.\" (Forke 1.524). One Greek inscription, from Astypalaea, requests that food and drink not be brought to the grave, for \"corpses have no need for the things of the living:\" see J. Geffcken, Griechische Epigramma (Heidelberg, 1916), no. 209. Forke discusses the similarities between Wang Ch'ung and Lucretius at length (supra, 1.13-29); readers unfamiliar with Han philosophy will profit from the brief discussion of Wang Ch'ung in M. Loewe, Chinese Ideas of Life and Death: Faith, Myth and Reason in the Han Period (202 B.C. — A.D. 220) (London, 1982), 12-14, 35-36, 68-70, and 89-90.", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 211635, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 50, "title": "RAS-1989", "content_text": "25\n\nwhich is reserved exclusively for the occasion. The offerings must include red pork and two long stems of bamboo in leaf; these are laid out on special tables placed on small stools so that they do not touch the ground and be defiled.\n\nThe Jade Emperor's image has been noted on altars in nine temples in Hong Kong and in two in Macau. It is also to be seen on numerous altars throughout South-East Asia and in Taiwan. In Taiwan his image appears alone or with two or three attendants on a number of secondary altars and even on side altars. In Hong Kong he is the main deity in six of the nine temples and is the major deity on a secondary altar in the other three.\n\nThe most fascinating image of the Jade Emperor in Hong Kong is to be seen in the upper level hall of the Monastery of the Ten Thousand Buddhas in Shatin where he is flanked by two of his ministers. In a large number of temples in which he is the main deity the Jade Emperor is supported in this way by the two stellar deities, each in his own secondary altar flanking the main altar with the Jade Emperor. They are the Lord of the Northern Bushel and the Lord of the Southern Bushel, Nanpei Tou (jjdk-1-). There are also a number of images of attendants flanking the image of the Jade Emperor, and on occasions the Civil and Military Judges (Wenwu P'ankuan).\n\nHe is the main deity in a tiny temple near Shaukiwan on Hong Kong island, a tiny image in a small single-room temple occupied by one elderly lady, the temple keeper. The original occupants were refugees from Yunnan province in the early fifties, dead these many years. By the mid-seventies the temple was being kept spotlessly clean by the elderly lady who had been an amah to a long-departed English family. She explained that she had to earn her keep somehow, especially as her husband had already 'long time gone topside'.\n\nIn Penang people will tell you that the small red shrine outside their shop or house is dedicated to the Jade Emperor even though neither his name nor title is recorded anywhere.\n\nSupporting the Supreme Deity is a Board or Ministry of Thirty-Six Ministers, with duties to supervise junior celestial officials and clerks, whose images are rarely to be seen on altars though on temple murals all thirty-six are frequently portrayed. Their role is to control and run", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211640, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 55, "title": "RAS-1989", "content_text": "30\n\non an altar in a folk religion temple in Pongol in northern Singapore.\n\nIn the Feng Shen Yen I, mythical tales known to most Chinese, Yang Chien is described as the nephew of the Jade Emperor. Yang, also known as Erh Lang in some stories and in some temples, was a mythical general fighting for the legendary Shang (Yin) dynasty during the wars of the 12th century BC.\n\nAnother popular romance of the Ming, the Journey to the West, better known as the story of Monkey, tells of the incident when a heavenly being was exiled to Earth for re-incarnation as a punishment for assaulting one of the Jade Emperor's daughters. By mistake he entered the womb of a sow and was born half-man and half-pig and is now best known as Piggy, one of Monkey's assistants.\n\nThe Jade Emperor's festivals are celebrated on his birthday, the 8th and 9th of the first lunar month, and on the 6th of the eleventh lunar month, the anniversary of his ascension. In parts of Taiwan he is also feasted on the 24th of the sixth lunar month, and in South-East Asia on the 6th of the fourth, and fifth of the eighth lunar months. Though it is not a date on which humans especially revere the Jade Emperor, all the gods of Heaven assemble on the 19th of the first lunar month to pay their respects to him.\n\nHe is offered a feast on his birthday which includes duck and chicken, but must include pork. These offerings are placed on a table in the open, before the front entrance to the courtyard, together with candles and the large-size sticks of incense. Two whole sugar canes with leaves intact are especially popular offerings in Fukien communities to celebrate the escape of Fukienese who hid amongst the fields of cane to avoid being killed by an enemy. The survivors offered such canes to the Jade Emperor in thanks and the custom has persisted.\n\nIn general, routine offerings before the altar of the Jade Emperor consist of the standard three sticks of smouldering incense. However, offerings of a vegetarian feast are made to him in Hong Kong on the first day of the lunar new year, accompanied by the burning of spirit money. Not all families perform this ritual, many Hoklo and Hakka families prefer only to offer the basic vegetarian meal.\n\nThe Jade Emperor is usually accompanied on the altar by images of", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211652, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 67, "title": "RAS-1989", "content_text": "42\n\nBoats. Pestilence Wang Yeh are also quite common on the altars of Fukienese community temples in Malaysia, Singapore and Indonesia having been carried there by emigrants.\n\nAlthough there are no Pestilence Wang Yeh on the altars of temples in Hong Kong and Macau, there are two deities bearing the same honorific, and also there is the concept of pestilence demons being exiled during a major festival. One of the two deities is the comparatively rare Cantonese cult deity, Chang Wang Yeh (E), consulted before building a house or fixing the date for a wedding. His image is to be seen on a side altar in a secondary hall in the Hung Hsing Temple in Wanchai, and again in another Cantonese temple in Waterloo Street in Singapore where his title is Chang Wang Lao Yeh. The other deity is K'ang Wang Yeh (E). He is one of the four life-size images at floor level before the main altar of the Northern Emperor [Chen Wu] in Mong Tseng Wei near Deep Bay in the New Territories. These four are known simply as the Four Generals and whilst the other three are relatively common deities from Chinese mythology, Hua Kuang, Chao Yuanshuai and Yin Yuanshuai, nothing is known in this temple about K'ang Wang Yeh.8\n\nThe Five Ubiquitous Ones, the Wu T'ung (F), formerly worshipped in North China as pestilence deities have been seen in Ch'aochou (Teochew) illegal squatter temples in Hong Kong but not in Taiwan. According to several temple keepers the Five are potentially harmful unorthodox (H) spirits and not beneficial spirits (#). One keeper added that the Five had been worshipped in Kiangsu and Chekiang provinces as well as by Ch'aochou people and that they were in some way connected with the roaming spirits of the tens of thousands soldiers killed during the wars which ended the Mongol (Yuan) dynasty and led to the founding of the Ming. The Five have no individual identities whereas the Pestilence Wang Yeh do have surnames.\n\nUnlike other deified Chinese, images of the Pestilence Wang Yeh are floated out to sea or burnt to carry away the pestilence demons associated with them. The nearest in comparison here would be the paper images of deities burned after major festivals such as the image of Kuan Yin, the Goddess of Mercy in her form as Ta Shih (±) the very ugly demonic form which she assumes to prevent lustful demons from assaulting her when visiting the Afterworld during her missions of mercy. Her image as Ta Shih in paper and bamboo is burnt to carry her over", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211656, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 71, "title": "RAS-1989", "content_text": "46\n\noffered entertainments similar to those offered to deified humans such as opera, banquets and regular meals with tea and wine. Offerings to Pestilence Wang Yeh usually consist of incense, oil, tea, wine, cakes, cooked rice, vegetables and fruit and never meat, poultry or fish. In a number of temples images of the Pestilence Wang Yeh have 'hell money' placed under them, though this is possibly due to the devotees' desire to please and appease every god in the temple irrespective of their role.\n\nSeances are held in some Pestilence Wang Yeh temples with a medium communing with the Wang Yeh himself to discover the cause of a specific disease; that is, what the actual demonic attack consists of, so that the devotee may take all the necessary precautions.\n\nSome spirit mediums in Pestilence Wang Yeh temples perform their rituals and exorcisms under the watchful eye of the image or images of Wang Yeh brought to the temples by devotees from their own home altars.\n\nPestilence Wang Yeh have also been seen in temples in Kiangsi province bordering northern Fukien, though no reference to them in other areas adjacent to Fukien province has been noted in native or foreign travel or religious books.\n\nThe dates of Pestilence Wang Yeh festivals vary from temple to temple though a popular date is the 26th of the fourth lunar month; another is the 15th of the eighth lunar month. Each year during the fifth lunar month festival a 'plague boat' (Wang Ch'uan) made of paper or, in large communities, of wood, is laden with captured demonic spirits (the cause of disease) and pushed out to sea or set afire on the shore. This is a three-day event during which the Wang Yeh are entertained and feasted before the boats are despatched in flames together with their passengers, the demons. In practice images of the Wang Yeh and their wooden tablets remain in the temple and nowadays only paper tablets bearing the name of the Wang Yehs are despatched with the demons.\n\nIt has been the practice for a new small shrine to be set up in honour of the Wang Yeh wherever the boat drifts ashore. The Wang Yeh boat festival is rarely seen nowadays in Taiwan; it was popular elsewhere until fairly recently, for example it was seen in Malacca until the mid-thirties. In Malacca it was referred to as the Wang Kang and was held for the five days from the 21st of the tenth lunar month every", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211663, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 78, "title": "RAS-1989", "content_text": "53\n\nwere destroyed but at the end of the campaign (ca 1127 BC) Lu was made President of the Celestial Ministry of Epidemics () with his four disciples as his senior departmental officials. The coincidence of the number five, and of them dying from epidemics before their due date of death, suggests that these five might be the precursors to the Five Plague Gods of much later times. Lu is described as having red hair, a blue face, fangs and a third eye, and it is therefore not surprising that god carvers have used this description when making Wang Yeh, and a number of images of the Wang Yeh on altars in Taiwan and South-East Asia have blue faces, red hairs and fangs though none has been seen with a third eye. It was interesting to encounter a Hakka ancestral image on a public altar in northern Taiwan which had a bright blue face. This was explained to be so because the ancestor, a Mr Huang, was a Ta Jen, an alternate form of Wang Yeh, a worthy and not a Pestilence deity; but because many of the temples around had Pestilence Wang Yeh and their faces were blue, red or green, it had been decided that the worthy Mr Huang should have a blue face too.\n\nAccording to the Yeh Wang Yeh legend in Tainan, Yeh himself took part in fund raising to build his cult temple in Fukien province. He disguised himself as an old man and went to Fuchou to buy the wood necessary to build the temple and also sent instructions to the villagers in their dreams that he would like his effigy to be carved in camphor wood to be placed on the roof. This they had carved, and when it was delivered to the site the timbers for the temple's construction arrived without anyone appearing to have carried them there, leaving the villagers only the task of erecting the building.\n\nFishermen in 1795 found an unmanned bamboo raft near the island of Haifeng on which there was a tablet dedicated to Chang, Li and Moh, Three Wang Yeh. They built a shrine on the island dedicated to the three and later the tablets were moved to the present temple at T'ai Hsi in Yunlin county on the west coast of Taiwan.\n\nOther groups of five deities in Taiwan have similar and on occasions identical legends and are believed to be able to control or prevent epidemics. They too are also prayed to for a cure by the sick, and for the maintenance of good health by the hale and hearty. Temple keepers on occasions identify them as Pestilence Wang Yeh though they are not officially referred to as such. These groups include The Five Great Emperors of Fortune (Wu Fu Ta Ti), and the Five Efficacious Lords", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211668, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 83, "title": "RAS-1989", "content_text": "58\n\nTaiwan is dedicated to General Su. He is worshipped by Lukang traders of Quemoy (Chinmen) stock for protection. Two images of him stand on the main altar, one being the main image (Su Fu Ta Wang Yeh *) and the other a secondary image (Erh Wang Yeh Em). According to the temple keeper the latter was carved to satisfy the demand of worshippers for a portable image to take home for private reverence. A third image known as the San Wang Yeh (=E) was placed on the altar of a nearby branch temple (Fen miao). A number of branch temples dedicated to Su as a Wang Yeh, a Ch'ien Sui and as a General or Marshal (Chiangchun and Yuanshuai é) are to be found in many places in central and northern Taiwan.\n\nHis image on the main altar of his temple in Lukang portrays him as black faced and black bearded, a standard carving of a seated dignitary wearing a scholar's gilded cap. Before him are seated five other images, one is the portable image of him in the centre, flanked by the four minor Ch'ien Sui, Chiu, Liang, Chin and Ts'ai,\n\nIt is interesting to note that the deities in the temple at Lukang are colloquially referred to as Su Fu San Wang Yeh, The Three Su Wang Yeh. This despite them being but one person, and there being only two images in the main temple whilst the third is in a temple nearby.\n\nFinally, some dozen or so small images of standing soldiers in a V formation together with their commander crowd a secondary altar in the temple. They represent the army of General Su.\n\nThese four are examples of non-pestilence protective deities referred to as Wang Yeh; there are a few other deities, not protective deities as such, who are also referred to as Wang Yeh in Taiwan. A good example is the T'ang emperor Ming Huang, patron of actors and actresses, known also as the Prince of the Western Ch'in (Hsi Ch'in Wang Yeh Еƒ). He fled to Szechuan province in the far west of China after he abdicated which led to him being given this title. T'ang Ming Huang is probably best known to foreigners for his infatuation with the concubine Yang Kuei-fei which nearly lost him his throne.\n\nTo conclude, the large cult of Pestilence Wang Yeh, almost exclusively worshipped nowadays by the Fukienese and referred to simply as Wang Yeh has been confused over the years with other cults whose individual deities have borne the same honorific which, despite being protective", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212159, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 101, "title": "RAS-1990", "content_text": "78\n\nicon form on minor altars in Taiwan. These icons are understandable as portraits of Sun the 'Father of the Nation' appear with those of Chiang Kai-shek in offices, schools, barracks etc. where they were bowed to each morning as a sign of respect. Among the less literate and more superstitious it is not difficult to see how this has led to such icons appearing on altars with incense burnt before them.\n\nIn the mid-1960s, the Kuomintang organised a political demonstration in Cambodia on the 15th day of the seventh lunar month, the middle of the month during which Hungry Spirits return to the human world for thirty days. During the demonstration public sacrifices to the spirits of the victims of the communists in China were performed. There was also talk of deification of one or two but this came to nothing.\n\nIt has not been unknown for outstanding living persons to have a sanctuary built in their honour. The magistrate of Ch'ing-ho district in Hopei was such a man. He brought about a substantial reduction in taxes and other government levies and thus lightened the financial burden on a hard pressed people. In 1886, two years after he had been transferred to administer another district, the grateful populace of Ch'ing-ho built a shrine in his honour.\n\nIn Singapore in 1970 a new cult was founded near Woodlands on the northern tip of the island when the deity, Wu T'ien Chu, appeared to a Singapore Fukienese man in a dream. The deity explained to the Fukienese that he, Wu T'ien-chu [The Military Master of Heaven], was a mighty deity who had chosen the Fukienese man to become the 'Master Warrior' of his cult. He required a new bungalow to be converted into accommodation for the founder with the lounge becoming the altar hall. He told the Fukienese man that he would protect his devotees, cure their illnesses and bring them good fortune. A statue of the deity was carved in the likeness of the spirit as he appeared in the founder's dream and placed on the altar. The founder, the Fukienese man, explained that with his wide knowledge of all religions he encourages devotees from every nation and creed to worship in his temple. He explained that the world's most powerful deity is the Jade Emperor, with Sakyamuni, The Buddha, as his deputy. Next in seniority is Kuan Yin followed by Wu T'ien-chu who has a great many assistants and warriors under his charge, none of whom is ever portrayed in image form. He continued that the four pillars of the cult are \"the four gods (shen) of other religions, Buddha, Christ, the Pope and Mohammed”.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212160, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 102, "title": "RAS-1990", "content_text": "79\n\nHe repeated that his shrine catered for believers from all religions and added that his spirit medium is a Roman Catholic religious novice. Wu T'ien-chu, whose festival is celebrated annually on the 13th day of the ninth lunar month, is portrayed by an image of a seated mandarin with a red and a blue demon, one under each of his feet.\n\nExamination of the legends surrounding local deities who lived or died in the vicinity of present-day cult temples, or who are worshipped in one of their branch temples, reveals that they can be either distinguished citizens or ordinary people, often nonentities, but all now characterised as shen (spirits).\n\nA great many heroes and worthies, and tens of millions of ordinary people, live and die and are never deified, and those who are have been identified as such by their possession of ‘ling' (supernatural power) which can increase or wane depending upon a number of circumstances. 'Ling' can fade until the deity is deemed powerless by devotees and ignored or deposed, or the 'ling' can be renewed by ritual means.\n\nIt is readily understandable that major heroes of antiquity, revered nationwide for many centuries, are now worshipped for their accumulated power. They were powerful in life and since death their ability to protect and guide devotees has been well authenticated to the satisfaction of devotees. However, lesser deities, local heroes and worthies and especially the spirits of ordinary people, have to ‘earn' their deified status by result, and cults grow, wither and disappear entirely depending upon their ability to provide an adequate response to devotees' pleas and requirements. Some have become major deities within comparatively large communities; in Taiwan, for example, several have become the patron deities of immigrant groups from an individual county back on the mainland.\n\nWhereas it is reasonably clear why charismatic local heroes and worthies came to be deified, usually by public acclaim (though some have achieved sanctification by wealthy families pushing their ancestor's case) it is less simple to understand why some ordinary people and not others have been deified. It is even more perplexing why a few local thugs who originally had nothing going for them have also been deified. An excellent example of this is the cult of Liao Tien-ting in Pa Li, across the Tanshui River from Tanshui town in northern Taiwan. Liao, who was killed in about 1920, is now honoured with", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212802, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 111, "title": "RAS-1992", "content_text": "96\n\nCh'in-ch'ai Ta-ch'en ✯✯E : Imperial High Commissioner, a very senior appointment.\n\nEver Victorious Army ET: A European-officered Chinese force of the Imperial Army raised by the American, Ward, which ultimately, under the command of Colonel Gordon, assisted in putting an end to the Taiping Rebellion.\n\nExpectant... (Ho-ju) ✩A : A prefix indicating that an official was qualified and certified to take up duty in the post named.\n\nFan-t'ai #: A provincial treasurer known to foreigners as the Commissioner of Finance; charged with the fiscal or financial administration of a province.\n\nFormosa: The Portuguese name for the island of Taiwan.\n\nHakkas [Ko-chia] ** : One of the southern Chinese ethnic groups said to have migrated from northern China during the Mongol dynasty, ca the thirteenth century AD.\n\nHan-lin Yuan #: The Chinese National Academy, admission to which was the highest literary honour obtainable by a Chinese scholar.\n\nHo-shang : Buddhist monk or priest.\n\nHongkew : Site of the American Settlement in Shanghai, where Mesny later lived.\n\nHsien : Administrative district.\n\nHuang Ma-kua : The Yellow Riding Jacket. A high award from the emperor to his senior officials.\n\nImperial Maritime Customs: Chinese customs service with a foreign inspectorate largely able to control the collection of duties and taxes without the usual Chinese squeeze [q.v.]. Robert Hart became Inspector General in 1863.\n\nJingal (gingal): The Chinese blunderbuss. It was generally fired from a swivel fixed on a wall or wooden post, but sometimes it was fired with", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213063, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 131, "title": "RAS-1993", "content_text": "112\n\nduring which he acquired extraordinary powers having been provided with a set of secret prescriptions, exorcists and talismans by the major goddess, Hsi-wang Mu'. He was a Taoist Master, a vegetarian who never married and a philanthropic doctor who died at the early age of 58 having worn himself out in the service of his fellow men. A tale told by a Taiwanese related how Wu T'ao's father, Wu T'ung and his mother, née Huang, fled from their home in northern China, during the troubled times of the Sung, to a village near T'ung-an on the Fukien coast where they settled and built a thatched cottage. His mother realised after a dream that she had become pregnant by a famous deity and eventually bore a child naming him T'ao. In another version his mother conceived after she had dreamt that she had swallowed a white tortoise.\n\nWu T'ao, or as he is known in a number of temples, Wu Chen-jen [Wu the Perfected Man] is often claimed to have come from Ch'uan-chou in Fukien, although in SE Asia there have been several other cities and areas claimed by devotees to have been his birthplace, including T'ung-an, Swatow and Chang-chou [in practice, as we have seen, he came from a small village in the centre of a triangle between T'ung-an, Amoy and Chang-chou]. As Wu T'ao grew up he travelled far and wide studying Taoist disciplines and grew strong and healthy but remained celibate and vegetarian. A temple keeper in Singapore understood that by vegetarian it was meant that he could eat buffalo and goat meat but not dog.\n\nImages of Pao-sheng Ta-ti in general represent him as a black-bearded middle-aged man dressed in court robes and an imperial crown consisting of a flat mortar board with a bead screen hanging down before his face, and sitting on a dragon throne. There are a number of variations such as the scholar's gauze cap instead of the crown. His images are generally identifiable by the convention of the cuff of his left sleeve being clutched by the thumb of his right hand, with only this thumb visible. In Singapore where all carvers were aware of this convention such images are universal. However, the carvers all added that they were unsure whether such a convention was known elsewhere. It is, and in a number of temples in Taiwan the images of Pao-sheng Ta-ti have the right thumb just poking out of the right sleeve, although in Chia I the convention has added one finger to the thumb. In the majority of temples he is portrayed with small animals under his feet, said to be lions, whilst in two temples, both in Taiwan, he has two tiny tigers protruding from his clasped hands within the long sleeves of his robes.", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 138, "title": "RAS-1993", "content_text": "119\n\nhe was asked to come down from his cave to pray for rain. As he arrived the clouds opened and sufficient rain fell ending the lengthy drought. The grateful populace insisted that he should stay with them and many wanted to build him a house. However, he returned to his cave which he named Clearwater Cliff [Ch'ing-shui Yen] from the brook that flowed from a rock just outside his cave. Henceforth he was known as the Patriarch of Clearwater He died at the age of 65\n\nA third story, common to a number of deities, tells of Ch'en killing with his bare hands a large man-eating snake which lived in a cave on Ch'ing-shui cliff. He himself died in the struggle and turned black In another version he is said to have a black face following an incident in which a demon unsuccessfully tried to smoke Ch'ing-shui out of his cave, or in another variation the demons tried to cook him alive in his cave. He stepped out alive, arrested the demons and imprisoned them for ever in his cave He was later deified by the Jade Emperor Ch'ing-shui is also said to have been hermit in a cave called Ch'ing-shui in a cliff on the P'eng-lai mountain near Anhsi where, on his death, devotees built a shrine dedicated to him on the ridge above the cave.\n\nThe story told about his unusual nose has one or two variations but in general it relates how a robber cut off the nose from his main image in a fit of anger. It was picked up by one of the devotees who tried to reattach it but without warning, the nose disappeared After a short search someone noticed that it was now reattached. It is now said that whenever the deity is angered the nose disappears until his anger dissipates During the Franco-Chinese War [1884/1885] following the defeat of the French at Keelung in northern Taiwan, part of the invading force retreated to the old centre at Tamsui. The French troops were again repulsed by the Chinese under Sun Kai-hua who was assisted by local Chinese from the Manka district [now down-town Taipei] who brought along an image of their patron deity, Ch'ing-shui Tsu-shih. This led to a fifty year struggle in the law courts between the Chinese of Tamsui and those in the Manka as the Tamsui people had held on to the image refusing to return it. The Manka Chinese won in the end. The image is also known as the Drop-nose saint [Lo-pi Tsu-shih] after the nose on the image in the temple fell off every time something bad was said in his presence\n\nHe is famous for his extraordinary powers and is said to have been able to have conjured up rain during his lifetime whenever there was a", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213418, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 14, "title": "RAS-1995", "content_text": "I Jul 95\n\n19 Aug 95\n\n23 Sept 95\n\n18 Nov 95\n\nTraditional Trades and Crafts of Hong Kong - HK Museum of History (Exhibition)\n\nHeaven's Embroidered Cloths A Thousand Years of Chinese Textiles (Exhibition) - HK Museum of Art\n\nLife Under the Japanese Occupation 1941-45 (Exhibition) - HK Museum of History\n\nExhibition of Chinese Folk Art - HK University Museum and Art Gallery\n\nNew Territories Temples and Da Jiu at Kam Tin\n\n26 Nov 95\n\n16 Dec 95\n\nJade Exhibition - HK University Museum and Art Gallery\n\n13 Jan 96\n\nPrince of Wales Barracks and former HMS Tamar Site\n\n20 Jan 96\n\nVillages of the north eastern New Territories\n\n10 Feb 96\n\nWalk through the deserted villages of Sai Kung\n\n9 Mar 96\n\nMaritime Silk Route (Exhibition) - HK Museum of History\n\n16 Mar 96\n\nOrganic Farm on Lamma Island\n\nVisits outside Hong Kong:\n\n22/23 Apr 95\n\nDapeng, Xin'an County\n\n2/3 Feb 96 14/17 Mar 96\n\nBocca Tigris Forts of the Pearl River\n\nTemples of northern Taiwan\n\nSuch activity demands some very dedicated organisers and besides those already mentioned in the Activities Committee we are particularly grateful to Dr. Joseph Ting, Dr. Anthony Siu, Mr. John Wilson, Mr. Philip Bruce, Dr. Patrick Hase, Mr. David Sheil and Dr. Michael Lau for their help. Sometimes not all members can obtain places on these outings and I would like to say that we are quite willing to run the trip again provided we can find someone to assist in organising it. In fact, if any member is willing to propose any trip to somewhere of interest the Society will always be prepared to consider it.\n\nThere is one other activity to which I would like to draw your", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213621, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 217, "title": "RAS-1995", "content_text": "190\n\nher son would produce two images of the Patriarch if the son was cured. The son then produced the now famous Liu Tsu image, copying the mummified body, one small and one large, which have now been copied by most temples.\n\nThe Taoist Seven True Ones\n\nThe Taoist Patriarch Chung-yang founded the Taoist Ch'üan-chen sect during the Southern Sung dynasty. His seven disciples, enlightened ones, were known as the Seven True Ones (of the Northern school), though in some places, notably in Taiwan, it is believed that he and Ch'iu Ch'ang-ch'un were both only members of the group of Seven, and not the founder and senior member respectively. He and his seven disciples lived during the eras of the Southern Sung and Yüan dynasties, the 12th and 13th centuries AD. The Seven taught that meditation and exercises were the path to perfection through internal transformation of mind and body. Most of the Seven have not been noted in image form on altars, though tales of their lives, struggles and attainments to achieve the Tao are written up and available in a number of southern Chinese Taoist temples, though none have been encountered in Taiwan. The monastic headquarters of the Sect was first established in Shantung province, later moving to the Pai-yün Kuan in Peking. The tenets of the sect advocate the path to Tao through meditation and the transformation of mind and body rather than through physical exercises and the use of medicinal herbs. The secondary title of the Sect is the Golden Lotus Orthodox Belief, Chin-lien Tseng-tsang, reflecting the influence of Buddhism on the Sect.\n\nImages of Wang Chung-yang and of all Seven were noted in a major monastery in Shansi early this century, and are still to be seen in the temple at the base of Hua Shan in Shensi province.\n\nThese Seven Disciples or Taoist Masters, known as Chen-jen, were:\n\nThe first of the disciples is Ch'iu Ch'ang-ch'un, Ch'iu, the Perfect One of Eternal Youth. A master of alchemy and now a Taoist saint and Immortal, he lived towards the end of the twelfth century, the period of Tatar rule over China, and is renowned as the", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213797, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 149, "title": "RAS-1996", "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214009, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 78, "title": "RAS-1997", "content_text": "44\n\nthe news to Tsung-pao.\n\nAt this point the commander of the Liao army arrogantly demanded that the Sung forces surrender. Miss Mu, angered by the enemy commander's comment about the Sung general dallying with her and being afraid to fight, fired a single arrow which took the helmet off the enemy commander's head. She then fired a second arrow at his left eye but he had already turned to flee and it struck his armour instead. Her popularity and prestige soared and the Liao Khitan forces' morale plummeted. Miss Mu led her force to victory whilst Yang the Fifth killed one of the Liao commanders and Yang Tsung-pao another, leading their forces in a rolling battle which lasted all of twenty-four hours. The defeated Liao Khitan fled, broken, back north leaving the field to the Sung. Peace reigned for the first time for decades and lasted for the following ten years.\n\nFinally, we have the tales told in temples, individual stories told not only by temple custodians and devotees about members of the Yang family with the father, Yang Yeh, the main character, but also by professional tea-house story tellers. One might expect versions of the lives of the Yang family as related by temple staff and devotees would reflect the religious traditional tales of story tellers and theatrical stories. As will be seen this is not always so.\n\nYang Yeh, his wife, daughters and sons were deified for their heroism and loyalty to the Sung dynasty. Images of Yang Yeh, alone or with his wife, the Lady Yü, Yü Lao T'ai-chun, also known as Yang Ling-p'o, and with one or more of his seven [eight] sons, can be seen in two temples near the Great Wall in northern China as well as on Fukienese community altars in Taiwan and South-east Asia. Yang Yeh, when portrayed on altars, is also known as The Holy Prince of the Yang Family 楊老令公.\n\nIn the majority of Singaporean and Taiwanese temples the staff were quite clear in their own minds that the two major deities of the cult are Yang Yeh, the powerful general and father of the family, and his Fifth Son. Confusion over definitive identifications of images on altars has arisen out of this almost universal belief. The reason for the popularity in temples of the Fifth Son, rather than the greater hero, the Sixth Son, is almost certainly due to the Fifth's religious background.", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214011, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 80, "title": "RAS-1997", "content_text": "46\n\nappeared to the Sixth Son who was resting, weary and sick with over-work and revealed to him that Meng Liang had recovered the bones of another and gave the Sixth Son details of where his, the father's, body really lay. Meng Liang set out once more, disguised as a Tatar soldier and after a series of episodes the bones were recovered, but not before several of the Sixth Son's comrades had been killed or committed suicide. These deaths led the Sixth Son's condition to deteriorate and for his spirit to wander whilst he lay in a coma. The emperor's nephew on his way to visit him saw a tiger barring his path and shot and grazed it with the arrow. On reaching the bedside of the Sixth Son, who rallied at that point, the Prince was told that the tiger was the spirit of the Sixth Son roaming the hills and was duly appalled at the idea that he had nearly killed the Sixth Son. Despite all efforts, the Sixth Son's condition grew worse and soon he died, vomiting blood.\n\nIn another episode of the tea-house tales the ruler of the Liao Khitan planned to assassinate the Sung Emperor at a meeting to which the Sung Emperor had been invited at Chin-sha Nan. As the plan had been detected by the Eldest Son of the Yang family he disguised himself as the Sung emperor whilst the Second Son went as the Crown Prince, with the other brothers in attendance. In the event they in turn were recognised and in the ensuing fight the Second and Third Sons were killed and, apart from the Sixth and Seventh Sons, the others were captured.\n\nOne of several cult centres dedicated to the Yangs in northern China developed in a temple on the Buddhist holy mountain of Wu T'ai Shan, in northern Shansi province. There are at least three temples in Taiwan in which Yang Yeh is the main deity. And only in Taiwan are the Fourth, Fifth and Sixth sons collectively portrayed together on several altars with the collective title of the San Wang-tsu. In an old temple near Taichung the seven main images on the main altar represent the Seven Sons although, according to the temple keeper, the group did not include the father. However, the smaller portable images of the Seven on the front of the same altar had alongside them several other images which did include the Father, Yang Yeh, and the Mother, Yü Lao T'ai-chün, and a complete outsider, the mythological deity, Yang Chien [Erh Lang] who bears the same surname. The temple keeper explained that in about 1986 all nine main images, carved on the mainland many years ago and brought over to Taiwan, which at that", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214018, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 86, "title": "RAS-1997", "content_text": "52 \n\ndedicated to the 3rd century BC hero, Li Mu? Peasant memories have so frequently proved to have been selective and extremely partial to local heroes and as the famous battle fought by Yang Yeh in northern Shansi took place quite close to the site of the temple it would be understandable for them to assume rightly or wrongly that the temple had been dedicated to his son in those distant days before the temple was destroyed. And here is another problem. No one nowadays knew when the temple had been demolished, the best bet would seem to be during the Japanese campaigns of the 1930s.\n\nNOTES\n\n'The Khitan [in Chinese Ch'i-tan] were Tatars who adopted the Chinese name Liao for their dynasty, and were hunters from approximately the area now known as Inner Mongolia\n\n4\n\n༣\n\n\"General\" in Chinese used to be a generic term for the leader of an independent body of soldiers and was even used for leaders of village militia groups as small as a score or so\n\nHe was also known as P'an Hung and referred to in the novel as the Sung Imperial adviser Hung-yang Tung At the Hung-yang cave)\n\nThe Eldest Son was Yang Yuan-ping, the Second Son, Yang Yen-ling, and the Third, Yang Yen-kuang.\n\n*This cult is in no way connected with Yang Hou, whose images have been noted in eight temples in Hong Kong and Macau\n\n7\n\nA small temple in Taipei is dedicated to the Four Ambassadors [who crossed to Taiwan] from the Chin Lake in Ch'uanchou, and despite the main deities within all being pestilence Wang-yeh, and acknowledged as such by the temple keeper, they were also identified as four of the sons of Yang Yeh. The images were well-nigh impossible to discern with any clarity as the protective plate glass was extremely grimy.\n\n8 Werner also noted that Ch'an Shih-kung was a popular deity in Kiangsi province whose aid was sought by peasants for rain during prolonged drought. He added that pictures of the deity in monasteries showed him with a vermilion mark on his forehead and with a tiger crouched at his feet. Legend explained that a tiger which had menaced travellers had been ordered by Ch'an Shih-kung to desist, and it had followed him like a dog thereafter. It would seem that the deity noted by Werner was not in any way connected with Yang Wu Lang.\n\n9 In a small Singapore temple the following title was inscribed into a multi-deity tablet, even though no images of the Yang clan were present: Hsien-feng Yang Chiang-chun Chi-chiao Wang-yeh [The Fleet of Foot Vanguard General].", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214240, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 98, "title": "RAS-1998", "content_text": "61\n\nAppendix A\n\nDETAILS OF THE DEITIES WITH SINICISED SANSKRIT NAMES\n\nWHOSE IMAGES APPEAR IN THE GROUPS IN THE TWO TEMPLES IN THE WESTERN HILLS OF PEKING\n\nAND THE ONE IN NORTHERN TAIWAN\n\n1] Brahma [Mahabrahman] usually known in Chinese as Fan T'ien 梵天\n\nBrahma is the ancient Vedic creator and the Soul of the Universe, an impersonal being, chief of the Hindu gods and celestial spirits and the first in the Hindu trinity. He is usually paired with Indra [see Ti Shih below] though married to Sarasvati. It is believed that the Vedas sprang from Brahma's head.\n\nHe is known in China by several titles including Ta Fan T'ien-shen and Fan Wang as well as Ta Fan T'ien Wang. In India his image varies from place to place but frequently he is portrayed with four arms and four faces or heads. Over the centuries his worship slowly declined in favour of Vishnu and Shiva.\n\nHis image has been noted in a number of folk religion temples in China where he is considered to be one of the forms of the Jade Emperor. In several Buddhist monasteries he has been noted as one of the two attendants flanking Sakyamuni Buddha, the other attendant being Indra.\n\nIn a number of temples in southern China he has been represented as a bearded middle-aged man, standing, wearing long flowing robes, and either the standard Hanlin-style Chinese literati cap or the tiny Taoist crown. He can also be portrayed carrying a stylised incense-stick holder which looks very similar to the long-stemmed tobacco pipe. In some temples in central China he was depicted riding a swan.\n\nIn the Ta Pei Ssu in the Western Hills he is portrayed as an imperial minister, standing with a tablet held in both hands before his chest and dressed in a colourfully decorated robe and Ming decorated leather.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214319, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 177, "title": "RAS-1998", "content_text": "141\n\nbeen sacked in the memory of man. When the Taiping rebels came to the walls of Nanchang in the middle of the 19th century, they saw sitting on it the figure of a huge man swinging his feet in the moat. He was apparently selling sandals three feet in length to the beleaguered citizens. That was enough for the attackers who turned and fled. It was the figure of Xu Xianzhen. This, however, was not true of the Wan Shou Gong at Xi Shan which, according to temple records obtained by Professor Liang Hongsheng. These are quite clear that since the Furen Palace was first constructed there in 1743, it was destroyed by fire first in 1820 and again in 1856, after it had been rebuilt in 1848, by the Taiping rebels. It was again repaired in 1871 only to be destroyed once more nearly a century later by Red Guards,\n\nSomewhat surprisingly Xu has been seen on altars in Taiwan, Singapore and Malaysia, possibly carried there by immigrants from Fujian province, a province immediately to the south of Jiangxi. His is, however, a minor cult deity.\n\nAn image of Xu, one of the minor healers in a group of five, on the main altar in a temple in Hsinchu, in northern Taiwan, portrays him as a standard Daoist immortal with a sword and small Daoist crown. The gilded image is swathed in a golden robe and all that can be seen are his face and bald head, his black beard and one hand holding the sword aloft. He and the others are collectively revered by devotees as celestial doctors who reveal herbal prescriptions for devotees through a spirit medium. The senior celestial doctor in the group of five is Yang Zhenren, better known perhaps as Yang Zhensong; the other three junior doctors being Xuan Zhenren, Wu Zhenren and Sun Zhenren. The old temple keeper who had founded the temple and is now dead, came over to Taiwan in the 1930s bringing the cults with him from Nanping in Fujian province, some 200 miles due south of Nanchang.\n\nA temple in Singapore, opened in 1971, has Cuji Zhenjun\n\nas the main deity on its main altar. The temple keeper was in no doubt that this deity was Xu Sun, a famous Song dynasty doctor, who was portrayed as a black-bearded, seated Daoist, dressed in colourful robes and a scholar's hat, but without any unique characteristics. His image is flanked by two aides who have not been noted anywhere else:\n\nCishui Lingguan Dadi\n\n刺水靈官大帝", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214368, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 226, "title": "RAS-1998", "content_text": "192\n\nfunded for the temple.\n\nA logical progression, though always thought impossible in Mainland China, has been the deification of the late Chairman Mao. In Taiwan we have seen images of Chiang Kai-shek and Sun Yat-sen on altars, revered as are the scores of historical worthies and heroes, but the thought that one day an image of Mao Tse-tung would grace the altar of a Chinese temple was so far fetched as to be ludicrous. None the less, Reuters printed a picture of a peasant in a rural temple in northern Shansi in early 1996 standing before a life-size image of Mao on the altar. Another sighting, of the small white bust of Mao on a household altar in a village on the banks of a river in the upper reaches of Yünnan province during the summer of 1997, was easily explained. The altar bore no other images and it was through this village and across the village's bridge, during the Long March, that the Chinese Red Army passed leaving behind a strong folk memory.\n\nMao, it must be remembered, was revered as a god in his lifetime, with cadres and Red Guards bowing before his image during the Cultural Revolution, and reporting the day's activities. And it has not been uncommon for taxi drivers in some of the major cities during the late 1980s and early 1990s to carry pictures of Mao suspended from their rear-view mirror as a protective amulet, though this has been more of a gimmick, but the idea of a statue of Mao on the altar in present day China is still astounding.\n\nWhat is less strange, perhaps, is the description of a Mao image being carried at the head of a religious procession in Fukien province, providing \"legality\" for this ritual procession of deities. Posters portraying the main Central political leaders were also borne aloft at the head of the procession.3\n\nNo doubt there have been zealous cadres carrying out the anti-feudal, iconoclastic purges following the party line and, recalling the clue provided in the report on Hupei, it would seem more than likely that the large number of illegal temples and shrines destroyed are in fact the small rural shrines dedicated to the Earth God which farmers have in their fields. By and large, it has been quite obvious that in general people will continue to go to temples to offer prayers and incense, and that temples and the deities will thrive, or possibly simply survive.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214369, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 227, "title": "RAS-1998", "content_text": "193\n\nThese communist iconoclastic campaigns are by no means unique in Chinese history. Over the centuries one or other of the beliefs have found favour at the expense of others, temples have been razed, religious communities dispersed and images destroyed. Within the past century and a half we have seen the Taiping Rebellion of the mid 19th century which covered much of central-southern China; the Boxer Rebellion of the turn of the century in northern China; and the nationwide Anti-Superstition Campaign of the Republican Kuomintang in the late 1920s, all of which destroyed temples and their contents. From an historic preservation point of view it is worth recalling that temples within the two foreign colonies at the mouth of the Pearl River, held by Portugal and Britain, remained unscathed during these years and, in Macau for instance, some of the images and temples date back three to four hundred years.\n\nWe look forward then with great interest to see what will happen in the future to the urban and rural temples and shrines in Hong Kong and Macau. They are sure to survive though I have a horrible suspicion that sooner or later they might be converted to electronic devices.\n\nNOTES\n\nIt is not difficult to see how the confusion rose in Chinese minds. During the 19th and early 20th centuries Catholic and Protestant missionaries rarely co-operated and, in many places, actually denounced the other as heterodox. Also, the Catholic priests, berobed bachelors, with prayers and chants in a dead language, with church images and incense, were sufficiently similar to the Buddhists for the Chinese to empathise. Protestant missionaries on the other hand tended to be married and live isolated from their parishioners; they dressed either as pseudo-Chinese or in dark heavy western suits, and lived frugally whilst preaching of hell fire and damnation. To the Chinese these were two entirely separate religions.\n\nIf we take as a very rough estimate 6,000 temples in present day Taiwan where religious freedom is permitted and temples have been flourishing, then the figure of 20,000 in the coastal province in mainland China opposite to Taiwan across the Straits must include every possible shrine, never mind how small.\n\n3 I have to thank Professor K Dean of McGill University for this observation.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215021, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 117, "title": "RAS-2000", "content_text": "73\n\nmiles south of Kaohsiung in southern Taiwan. It was assumed that the twinning was linked in some way with the CLC cemetery but why a small town of Hokkien-speaking Chinese, ethnic Min Nan from Fujian province who during the era of the CLC were under Japanese colonial rule, would have any links with the deceased northern Chinese of the CLC, is hard to see. Perhaps the fishermen of Tungkang fled Shandong province ahead of the Communist advance in 1948 and settled there and have family memories of the labourers. Possibly some members of the CLC returned to China and they, or their off-spring, emigrated to Taiwan. Another possibility could be that they wished to remember and commemorate their fellow countrymen, now resting in a foreign country\n\nit is a subject for further investigation. Two characters are carved into the side of the plinth of one, Yidou which simply\n\n益都 means of Benefit to All.\n\nMy wife and I hope to return, to explore the area more fully as we have enjoyed our brief visits.\n\nMemorial\n\nIt is very surprising that after all the assistance the Chinese, together with their British officers and NCOs, rendered to the Allies, especially the British, there is still no specific memorial to them, whether they survived or died, other than the various cemeteries, mainly in Belgium and France, in which they lie buried. It is never too late to consider erecting a memorial at one of their major base camps, such as Noyelles-sur-Mer, but I suppose the Governments of the main countries concerned would not be interested in such a project.\n\nOn my\n\nvisits to World War I battlefields in Belgium and France, and if the opportunity arises for me to visit a cemetery in which members of the CLC, whether officers, NCOs or Labourers are interred, then I pay my respects, considering that, even though there may be few graves or many, I am honouring all who gave up their lives.\n\nFinale\n\nVarious articles, books and unpublished reminiscences have been used in the preparation of this article. It is not my intention, and never has been, for me to view the various files held at the Public Records", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215068, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 164, "title": "RAS-2000", "content_text": "121\n\nHong Kong having agreed that each of the sixty is a stellar deity in his own right with a title, formerly a human deified after his or her death; one temple keeper then gave as an example the Taisui of 1980 [EM KM] being Luo Dashou a legendary individual who at the age of eleven had obtained his degree and then lived for more than one hundred years. Others must have been similarly identified with legendary and mythical individuals, not only in Hong Kong but throughout China. The question remains, do they vary from place to place? or are they universal throughout China?\n\nAn image of Yin Jiao and known only as that and not as Taisui, is prayed to individually in a small private temple in Taipei, where he is portrayed as the fierce six-armed general, sitting, with a black beard, a third eye and ear-pressing tufts. Lone images of a fierce Taisui portrayed with six arms have been seen in a few temples apart from the one in Taipei including one in Penang. More commonly seen are lone images with the usual pair of arms, depicting him holding a bell in his left hand and a spear or long-handled sword in his right. One such image, in Tungkang in southern Taiwan, is identical with a gilded image on a rural temple altar in northern Malaysia. The hand-bell is claimed by god carvers to be an important attribute indicating as it does the passage of time.\n\nA further image, known only as Marshal Yin, stands at ground level in a rural temple at Mong Tsung Wai on the coast of the New Territories of Hong Kong at Deep Bay. He is portrayed as a martial figure holding a magic sword which at first glance looks like a truncheon, but without any unique characteristics. The temple keeper had no idea who he might be but as he is collocated with Hua Guang, Kang Wang and Zhao Yuanshuai, all characters from the Fengshen Yanyi, it is almost certain that he is Yin Jiao.\n\nImages of what in Cantonese and Fukienese community temples is often regarded as the typical Taisui of the group of sixty, but standing alone on altars nearly always portray him as a seated clean-shaven youth holding a bell12 or a scroll in his right hand. He is usually dressed in a green or gilt apron covering his chest and just below his waist only being secured by a cord around the back of his neck, and with a girdle around his waist. Those with scrolls are regarded as holding an administrative appointment and those with bells, silken shoes, fans,", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215080, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 176, "title": "RAS-2000", "content_text": "133\n\nchambers or tanks. The most famous of the early clocks was constructed in the then national capital, Kaifeng, about the time of the Norman Conquest of Britain, by Su Song [1020 - 1101 AD]. Su Song, born in Tongan county in Fujian province where he is still revered within the Su ancestral hall, created an astronomical clocktower in which he incorporated his mechanical clock, a celestial globe and an armillary sphere. The difference between water clocks until the time of Su Song and his invention was his creation of an escapement mechanism which controlled the regular movement of the small water tanks providing previously unheard of accuracy.\n\nThe Twenty-eight Constellations\n\nIn early China the visible stars were divided into 28 zones or constellations, referred to as lunar mansions. These provided manageable proportions of the heavens, with seven in each of the four directions. The selection of twenty-eight reflects the time it takes the moon to make a complete circuit of the stars, a fraction under twenty-eight days. Books describing such celestial spirits, printed in Taiwan, illustrate each spirit with a sketch showing the \"human\" form and giving its attributes. Although usually regarded as a group, in some places a number of these celestial spirits, always mythological, are referred to individually in legend or by ritual specialists. According to religious specialists each of the stellar deities of the Twenty-eight Constellations has a title and a specific role, the latter differing depending upon the individual ritual specialists or books.\n\nThe Pole Star was also the celestial base of the several deities, the main one being the Northern Emperor, also known as the Dark Warrior, Xuan Wu, one of the spirits of great antiquity who ruled one quarter of the universe. Each of the Thirty-six stars of the Plough was a legendary hero recorded in one of the numerous stories of the deification of and struggles between the deities. They are deities of good omen, whereas the Seventy-two Stars of ill-omen, without individual legends, are just that, stellar spirits of bad luck. The great popularity of the Northern Emperor has rested for many centuries on devotees' belief in the mighty magical powers with which he suppresses demonic forces with his Daoist Pole Star sect, Beiji Pai, of which he is the patron, centred at Wudang Shan in Hubei. Xuan Wu was the Lord of the northern sector of the 28 Lunar Mansions and as one of the Spirits of the Four", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215107, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 203, "title": "RAS-2000", "content_text": "160\n\nThe Emperor\n\nTang Ming Huang was the third son of the fifth emperor of the Tang. His personal name was Li Longji [AD 685-761], though popularly known as the Third Son, San Lang. He is now the patron of actors and professional musicians, worshipped backstage by Fukienese devotees in Taiwan and several places in South-east Asia. Prior to 1949 he was also revered throughout northern China as the patron of actors, actresses and musicians, with incense burnt before his altar prior to every performance [Photograph 1].\n\nHe succeeded his father who abdicated in his favour in 713, and ruled the country fairly. The first part of his reign approximated that of his great-grandfather, Tai Zong, in prosperity and glory. He began by economising and by 740 the country was reasonably prosperous. Being a man of the arts he surrounded himself by a brilliant court, welcoming such men as the poet Li Bo. It quickly became the most glorious period of Tang culture. He loved song and dance and he had built within his palace an area known as the Pear Orchard, Liyuan, to bring together the best actors and actresses, dancers and singers in all China. The title, Liyuan, later became a common designation for anyone who sang, acted or danced professionally.\n\nMany myths are particularly centred on Tang Ming Huang - and stories about him abound describing him as a very sociable man, fond of music and drama, with men and maidservants being trained as actors and musicians for whom he composed tunes. He also founded a school of dramatic art.\n\nThere are at least six temples in Taiwan dedicated to this deity, in Taipei, Taichung, Changhua and Kaohsiung where his festival is celebrated on or about the 24th of the sixth lunar month.\n\nAs a deity he is known by a number of titles, including Ming Huang Dadi 明皇大帝; Lao Lang Ming Huang 老郎明皇; Lao Lang 老郎; and in Beijing Xi Shen, the God of Happiness. In Sichuan, however, his images were simply referred to as the Bodhisattva Prince, Taizi Pusa and, as elsewhere, were worshipped backstage, principally to prevent actors and actresses from bursting out into uncontrolled laughter or forgetting their lines. He is the patron in", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215108, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 204, "title": "RAS-2000", "content_text": "161\n\nand the Fulu particular of two opera companies, the Xipi Pai and Erhuang Pai [or Fi Pai], the latter, the northern school, being especially dedicated to woodwinds3. In legend he is said to have had an emotional reunion with the soul of his dead concubine, Yang Guifei, in the palace of Guanghan on the Moon.\n\n4\n\nA tablet on a minor altar at the rear of a secondary hall in the temple of the City God in Hsinchu in northern Taiwan refers to him as Tang Xuan Zong, whilst his usual title in Taiwanese temples of the Lord of the Western Qin, Xi Qin WangyeE is not usually understood beyond Taiwan. There is no image, whereas in the Ma Tsu temple in Taipei a side altar is dedicated to him and his image, portraying him as a standard scholar-official with a black beard, is flanked by two very elderly male aides.\n\nIn South-east Asia images of the emperor have been seen in temples in Seremban and Ipoh in Malaysia, and in Singapore, in some of which he is simply referred to as Zunzhu Mingwang, the Lord Prince Ming, 尊主明王,\n\nAn image seen on the only altar in a side hall of the temple on Miaofeng Shan in Beijing's Western Hills and identified as Tang Ming Huang, is better known in the temple as the God of Happiness, Xi Shen [Photograph 2]. He is referred to as Liyuan Shen, and is portrayed as a smiling figure with beard and moustache, standing with his hands in a theatrical pose. His modern image is dressed in imperial yellow robes decorated with a large dragon and the whole body of the image is swathed in a red robe placed there by devotees.\n\nDisappointingly, there appears to be no image of the Concubine Yang on any altars. However, a modern [1996] tableau in an old temple, now converted into a theme-park, depicts in a series of life-size plaster images scenes ranging from the Tang Ming Huang's first sight of the Concubine Yang bathing, progressing through stages of his infatuation though ending before her death and his overthrow. This can be seen on a low hill overlooking the bend in the Yellow River at the south-western tip of Shanxi province, at a place known as Yang Guifei's pool. The main altar has the Tang Ming Huang and the Concubine sitting with her pouring wine for him. Before the altar stand three incense pots, a container holding fortune spills and plastic fruit as an offering and before", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215112, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 208, "title": "RAS-2000", "content_text": "165\n\nIn 755, during the revolt of An Lushan, Guo helped defend the capital, and in 760 he was despatched to recover territory from Central Asian barbarians and finally, three years after the Turfans [Uighurs] had captured the capital, Guo raised an army and drove them out, more by cunning than military force. The disasters which broke out during the declining years of the Tang Ming Huang emperor were suppressed chiefly by the vigour and determination with which Guo wrested province after province from the hands of the insurgents. He spent a considerable part of his life in warfare and was uniformly successful.\n\nHis images in temples in Northern and Central China usually portrayed him as an old mandarin, with a parted beard, both halves held separately in each of his hands, and with a tiered hat. Occasionally his image depicted him as an old man, sitting, with a long white beard and a white robe, carrying a ruyi sceptre engraved with the four characters for 'Everything shall be as You Desire'. According to one sect, the Jin Dan H., Guo is said to have founded the sect in collaboration with Lü Dongbin, the doctor of renown and one of the Eight Immortals. His image on altars in Sichuan was referred to as Cifu Tianguan14 where he was regarded as a God of Wealth.\n\nNo images of Guo have been noted on temple altars in Taiwan, Hong Kong, Macau or South-east Asia, though a temple in Haikang in Tainan county bears the hall title of Fenyang Dian and contains on its main altar not an image of him but one of a local provincial cult deity, Guangze Zunwang, the patron of the Guo clan.\n\nBoth Mesny and Timothy RichardR claim that Guo Ziyi was a follower of Nestorian Christianity, Mesny even claiming that Guo's name was carved on the famous Nestorian tablet at Xi'an.\n\nWe move on to images of the two major deified heroes of the era on temple altars who have had their historic figures embellished by tea-house story-tellers down the centuries include:\n\nZhang Xun✯ and Xu Yuan,F are heroes of renown and unique deities whose images have been seen on temple altars in Zhejiang, Taiwan, Hong Kong and South-east Asia [Photographs 6 and 7]. Both are protective deities worshipped particularly by the southern Fukienese, both within Fujian province and in southern Fukienese", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215348, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 125, "title": "RAS-2001", "content_text": "73\n\nseem to be in no way connected with the wife and mother of the Tang dynasty generals.\n\nAlthough her image is popular in South-east Asia where it is to be found as the main deity on secondary altars in both Chaozhou and Hainanese temples, it has also been noted in Taiwan, and in Hong Kong in four temples and a further one in Macau. She is the main deity in one Hong Kong temple, and the main deity on secondary altars in the other three and in Macau.\n\nShe is accompanied in many instances by two anonymous aides or maids, though in a Hainanese temple in Malate in Manila they are known as Li Laoxian Gu #t, and in Medan in Sumatra in a Hainanese temple by two guardian generals, General of the Iron Ox, Tieniu Jiangjun and the General of the Bronze Ox, Tongniu Jiangjun. [see below 6 a]\n\nWeng Zhong is yet another deity regarded by Hainanese as uniquely theirs even though his image was noted in several places across central China during the late 19th century. Weng Zhong lived during the Tang and is only known for one remarkable incident. He was suddenly showered with gold. He was born in Gansu province and was a poverty-stricken scholar who lived alone - however, his windfall, the cause of which has never been explained, has led him to be regarded by some devotees to revere him as a God of Wealth. His image has been seen in a temple near Haikou in northern Hainan, simply portraying him as a scholar, standing, dressed in his robes and holding a tablet in both hands before his chest. His full name was Weng Zhongru 翁仲儒.\n\n6: Images of Aides to deities\n\na] As we have seen the Iron Ox General, Tie’niu Jiangjun 铁牛将军 is a tamed demonic spirit and guardian of the major deity Lishan Shengmu. He has only been noted once, paired with her other tamed demonic spirit guardian, the Bronze Ox General, Tongniu Jiangjun 銅牛将军, on the main altar in a specifically Hainanese community temple in Jalan Rindu in Singapore, now long pulled down for urban development. This may, of course, be an entirely Chaozhou cult but revered also by the Hainanese devotees of the local community and", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216183, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 482, "title": "RAS-2002", "content_text": "416\n\nThere is one further chapter to the Assam tea story. In 1907 the Japanese introduced Assam tea to their colony of Taiwan in an effort to protect the Japanese green tea industry. This concern was justified; since the first shipment of oolong from Taiwan to the USA in 1869 Formosa's tea industry grew rapidly. (Zeng interview) Assam tea is still grown in northern Taiwan and consumed in the Chinese manner and has become a connoisseur's item for the modern Taiwanese Epicurean item with Fine Aged Assam Tea from Danshui [Tamshui] fetching high prices. (Ho interview)\n\nREFERENCES\n\nKit Chow and Ione Kramer, All the Tea in China, San Francisco, China Books and Periodicals, 1990. (Excellent reference with bilingual compendiums available at the Flagstaff Tea Museum)\n\nJason Goodwin, The Gunpowder Gardens; Travels through India and China in Search of Tea, Penguin, 2003 (Originally published in 1990 this entertaining and well researched travel book lacks end notes and an index)\n\nHo Chien, Ye Tang Tea Culture Research Institute, interview 8 Sept 03\n\nCharles Gutzlaff, China Opened; or, a display of the topography, history, customs, manners, arts, manufactures, commerce, literature, religion, jurisprudence, etc. of the Chinese Empire, London, Smith, Elder, 1838. (The Reverend Karl Frederick August Gutzlaff, for whom a street is named in Hong Kong, acted as a translator for Jardine's opium transactions up and down the China coast in exchange for being permitted to proselytize after hours.)\n\nSusan Leiper, Precious Cargo. Scots and the China trade, National Museums of Scotland Publishing, Edinburgh, 1997. (A beautifully illustrated panegyric)\n\nAnthony Wild, The East India Company, trade and conquest from 1600, London, HarperCollins illustrated, 1999\n\nZeng Zhixian, author and China Times tea correspondent, interview 8 Sept 03", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]