[ { "id": 204592, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 73, "title": "RAS-1963", "content_text": "62\n\nJ. L. CRANMER-BYNG\n\nallow them to reside there temporarily is already improper. If by any chance they are allowed to occupy it permanently and build additional houses it would be all the more improper.\n\nWe have repeatedly explained this to him tactfully. According to the barbarians' statement, if they are not to reside at Prince I's palace they must be given Duke Ch'ï's palace in Ch'ang-an Street in the eastern part of the city. He still wants to build additional houses. Furthermore, he states that each year they are willing to pay a rent of one thousand five hundred taels. At present we are still attempting to dissuade him, and not to let them reside in a nobleman's palace. Instead we are looking for another palace for them. Whether they will listen to us or not we will act as occasion demands.\n\nIn a memorial submitted in the second year of the reign of the Emperor Tung-chih (1863) Prince Kung wrote: \"Prince Kung and others further memorialize that ever since England ratified the treaty in the tenth year of the Emperor Hsien-feng (1860) it has been using the palace of Duke I-liang as an official residence.\"\n\nAlso in a subsequent memorial about the French Legation buildings Prince Kung wrote: \"Moreover the English envoy, before withdrawing his troops inside the An-ting gate occupied the Palace of Duke I-liang on his own initiative*\" 自行” (i.e., without authorization from Chinese officials).\"\n\n* Chou-pan i-wu shih-mo ##** Hsien-feng, chüan 68, 2b-3a. Hereafter cited as IWSM.\n\n4 IWSM, T'ung-chih, chüan 20, 36a. I-liang was the fourth son of Mien-ch'ing ✈, [a direct descendant of the Emperor K'ang-hsi]. In the eighteenth year of Tao-kuang's reign he was created a \"general guarding the state\" of the third rank. In the first year of Hsien-feng's reign (1851-2) he succeeded to the title of “duke guarding the state\" # 2. In the eleventh year of T'ung-chih's reign he was granted the title of pei-tzu Я† (a Manchu title bestowed on the sons of imperial princes). He died in the thirteenth year of Kuang-hsü's reign (1887-8), Ch'ing-shih kao ***, Huang-tzu shih-piao 2 *** 'genealogies of the sons of the Emperors, 于世 piao 4, 9b.\n\nIWSM, T'ung-chih, chüan 20, 37a, column 5. The An-ting Men gate of established peace', is the easterly of the two gates in the north wall of the Tartar City, and the starting point of the road to Jehol. It was occupied by the British in 1860 who dragged their guns up the ramp and positioned them on the wall in order to command the city.", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 206985, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 56, "title": "RAS-1974", "content_text": "H. J. LETHBRIDGE\n\nEuropean expansion and domination that ended in 1914 provided a more richly fertile environment for this social type. Adventurers do not compose a social group held together by common beliefs or ideology like anarchists, bolsheviks or suffragettes; rather they are supreme individualists and their individualism and egomania asserts itself most brutally in periods of rapid social change, in periods of social dislocation, fluid social boundaries, disorder and political ambiguity. Adventurers surface in greater numbers, then, under particular social conditions; they can impose their will, in the short run at least, by force, bluff, imposture or sheer physical courage,56 either because their social audience is credulous or because their victims desire victimisation, as a martyr seeks martyrdom; for the need to be dominated is as strong sometimes as the urge to dominate. Domination means accepting constraints, and constraint may bring a measure of psychic security and peace.\n\nSouth-East Asia, Central and South America, the Wild West and the Pacific, all provided an ideal terrain for the adventurers' individual obsessions, whether it was the pursuit of power, wealth, status, excitement, luxury or sensuality. And these were areas, of course, where the white man increasingly exercised control, by means of his advanced technology and dominant culture. Mayréna in the land of the Moï and Morès in the Bad Lands of North Dakota, a frontier area only recently cleared of Sioux, lived outpost lives on the margin of civilisation—one became, briefly, the King of the Sedangs, the other, likewise, the Emperor of the Bad Lands. Conditions in these places were perfect for the seigneurial role they sought to play. Such conditions would not be found easily today.\n\nAt this time, two other factors favoured the adventurer class: respect for titles and poor communications. Mayréna succeeded in making dupes of several influential and wealthy persons because they were deeply impressed by his assumed rank—the 'King of the Sedangs' or 'le comte de Drey'. Morès was a nobleman and a grand seigneur by birth; the fact that his name and that of his noble house could be found enshrined in print in the Almanach de Gotha seduced people of lesser rank. The European bourgeoisie achieved economic and a larger degree of political power in the nineteenth century; this parvenu class, ostensibly resentful of social distinctions was, on the other hand, often mesmerised by titles of any kind. This was true even in democratic America: the shady thespians who", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207915, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 303, "title": "RAS-1976", "content_text": "288\n\nNOTES AND QUERIES\n\ntung for many years, and have also been regarded as founders of bird-and-flower14 painting in Kwangtung.\n\nWhen the quality of the 19th century Kwangtung paintings is compared with that of 19th century Taiwan painting, it is interesting to find that the former is certainly higher than the latter. Ho Chung's case can be cited in evidence. Ho Chung travelled from Kwangtung to Taiwan sometime in the 1850's,15 and later he was naturally taken by Taiwan art historians as a representative artist of Taiwan.16 Clearly, the Taiwan art history regarded this Kwangtung artist as an artist of Taiwan just as Kwangtung art history regarded some non-Kwangtung artists as artists of Kwangtung. It seemed that in order to substantiate a more advanced level, the local art histories written in Kwangtung and Taiwan were always in favour of treating artists from other provinces who had lived in these two provinces as their own artists.\n\nHistorically, in 1895, the Ch'ing Court turned over Taiwan to Japan, but as a matter of fact, the Japanese first went to Taiwan in 1874 which was some twenty years after Ho Chung had visited that part of China. As an artist, Ho Chung must have produced some paintings in Taiwan although he might have found that it was not as convenient as in his hall on the plum blooming mountain at Nan-hai. But ever since the 1850's there were possibilities that his paintings executed in Taiwan were not only wanted by the local lovers but also being collected by the Japanese living there. As a matter of fact, according to a Japanese work on Chinese painting and calligraphy written in 1865, one painting by Ho Chung, dated 1856 by the artist's own inscription, had already been housed as a treasure by a nobleman in Japan.17\n\nDuring the 19th century, Chinese paintings executed by Liang Yüan-chung and Liang Shen, both natives of Shun-te in Kwangtung, had been welcomed by overseas Chinese in Annam;18 the present-day Vietnam. However, with regard to Japan, it seemed that Ho Chung was the only 19th century Kwangtung artist being paid attention by collectors in that country. In the past, local art histories written for Kwangtung and Taiwan were unquestionably overlooked by scholars. Now judging the facts that Ho Chung's paintings were first welcomed in Taiwan and then appreciated in Japan, although Kwangtung paintings of the 19th century were less superior than the high-quality pictures done by Chiang-nan artists, yet to other areas adjacent to the continent of", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208071, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 110, "title": "RAS-1977", "content_text": "94\n\nL\n\nK. G. STEVENS\n\ncause of their infidelity behind. (White cords have no separate meaning according to the temple keepers concerned).\n\nThe larger and more permanent Green Horses are offered fresh vegetables which are not placed in or near their mouths but, rather frustratingly for the horses, balanced on their heads. The rider of the Green Horse is known as the \"Nobleman of the Green Horse\" Kuei Jen (†A), and although he is rarely depicted save on paper charms it is accepted that they are a pair who work together and never separately. A keeper of the Stone Nullah Lane temple in Hong Kong claimed that the Nobleman (the Kuei Jen) and his Green Horse are helpful persons to whom people turn in time of need. He then referred to the opposite, the Hsiao Jen, the “mean one\" who grumbles, carries tittle-tattle and is envious. The latter causes you unnecessary trouble such as loss of money. The helpful Nobleman shows you the way to fortune and the easy route through life. The beating of the \"mean ones”, described earlier, is to discard the bad luck such people bring.\n\nA few devotees, only encountered in Shamshuipo, believe that the Green Horse is capable of providing academic success for members of the devotee's family, as they reason that a nobleman on a horse must be both well-educated and an official, and that his support must inevitably bring success to youthful scholars.\n\nA few devotees pray to Green Horse before a journey and again after a safe return. An extension of prayer for the traveller's safety was described in one small temple in Kowloon where the keeper said that the Green Horse is a divine messenger who is asked to visit and inform close relatives far away, of the sender's well-being and bring back tidings of their lives and aspirations. The keeper rather surprisingly added that it was also his understanding that if children failed to obey their parents, the elders would petition the Horse to knock some discipline into them! In another temple, however, a keeper was quite adamant that the Green Horse is only a messenger used by the Gods to send messages to each other, and must never be approached by humans. Finally, in Shamshuipo and in Wanchai, the Green Horse and the Nobleman are prayed to by the out-of-work, as the couple have the reputation of speedily being able to find suitable employment for devotees.\n\nThere are other similar horses which should not be confused with the Green Horse. The first is the steed ridden by Kuan Ti, the", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208073, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 112, "title": "RAS-1977", "content_text": "96 \n\nK. G. STEVENS \n\npasted up on the upper lintel of the altar, or across the sides, where they remain until Spring-cleaning, or just drop off with time. They are called petitions, Pang (#). Another form of charm connected with the Green Horse is a simple postcard-sized piece of rice paper, block-printed in three colours, depicting a galloping green horse and his groom, on which is the petition (****). This is only used during the lunar New Year and, too, is burnt. One temple keeper very carefully folded such a paper inside a piece of red paper, producing a package no larger than a cigarette, ready for devotees to burn. \n\nOccasionally, green and red paper cut-outs are pasted on the Under Altar, or tied to the Green Horse's nose, head or back. These are said to represent \"messages\" from humans to the Gods asking for general benefits, and passed directly on by the Green Horse without going through a spirit medium or being dispatched by incineration. These \"messages\" without inscription are entrusted to the Green Horse at all times of the year. Although borne aloft to the Gods by the Green Horse, he is never expected to bring back a reply; the general benefits doubtless will manifest themselves in time. \n\nPaper charms obtained from the temple keepers, bearing printed prayers and pictures begging the Gods for safety, protection and blessings, are thrust into the belt or hands of the Local Wealth God or again tied to the back of the Green Horse. \n\nThe slips themselves go under the generic title for red ones of \"the Nobleman\", and for green ones of “Green Horse\". These are also regarded by many as charms to ward off demonic influence and not as messages, and are therefore pasted on certain altars and figures. \n\nOccasionally street shrines, such as the one on the corner on Taipingshan Street and Pound Lane, dedicated to the local Earth God (), have a further role as an Under Altar. The roof of the shrine and wall above it are heavily coated in red and green Green Horse and Nobleman slips which normally should be burnt. Many of the slips of paper are, in this case, pasted over the top of white or black cut-out papers which represent the Mean Ones, the Hsiao Jen. These appear in two forms; as individual human figures with large ears in black paper, and as white or black cut-out slips which look like carnival masks for a man with five eyes!", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208074, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 113, "title": "RAS-1977", "content_text": "UNDER ALTARS\n\n97\n\nWhen the Mean One's slips are pasted up they are promptly beaten with a shoe or slipper, and then, over them, are pasted the red and green slips representing the control exercised over them by the Green Horse and the Nobleman.\n\nOne form of the charm is a green paper cut-out horse about 24 inches long, mounted by a separate piece of red paper, cut out in the stylised form of a man. These are pasted in shrines to control the Mean Ones.\n\nOne word of warning for the iconographer. Confusion may arise in temples of Overseas Chinese communities beyond the shores of Hong Kong and Macau, particularly in Fukienese temples in SE Asia. In these there is no Under Altar as such, except in Cantonese communities in places like Kuala Lumpur. There is a separate altar which has no special title, on which there are two or more images whose general features are very similar to the Local Wealth God. They wear dunce's caps, have gaunt faces with protruding tongues and carry a fan each. In addition they carry either a chain and padlock, or a tablet permitting them to carry out an official arrest. These are the lictors of the City God whose task it is to arrest the souls of humans when the ill-fated day of death arrives, and then drag the soul before the Judges of the Underworld. Usually, one of the two images is a short man and the other, very similar to the Local Wealth God, is a tall man. The Cantonese do not appear to hold them in awe as do the Fukienese, and only depict these lictors on murals, paintings and sketches of the courts and punishments of the Underworld. Incidentally, in Yunnan, the demonic lictor of the City God was known as the \"Chicken Foot Demon\", because down to his knees he was as described, \"gaunt, with dunce's cap etc,\" but below his knees were two enormous chicken's claws. On the altar of these lictors in Fukienese temples one may see the occasional White Tiger and, very rarely indeed, a Green Horse. More frequently, the small image of Chao, the Wealth God Hsuan T'an can be seen astride or beside his tiger.\n\nOne exception to the latter is interesting. In Stone Nullah Lane in Hong Kong a larger than life image of Chao Kung-ming stands with three other deities before the main altar. Beside him is a minute tiger, the size of a kitten. The image of Chao is the only one in Hong Kong temples which is coated with red and green", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208075, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 114, "title": "RAS-1977", "content_text": "98\n\nK. G. STEVENS\n\ncharm papers, some new, but mostly faded and tattered. The temple keeper said that supplicants had stuck these on to ward off demonic influences, each being a plea to Chao to order his tiger to devour baneful demons. This image is not in the Disaster Altar but its function is exactly as though it were. According to the temple keeper it is an old image, pre-1840.\n\nThe cut-out red and green charms, called Green Horse and Nobleman, should not be confused with yet other red paper charms with cut-out holes in them, which are pasted annually on lintels of altars, temple doorways and shrines, thus reconsecrating them. These are called slips (piao) (*) and come in three sizes, small, medium and large (1-✯✯). Most of them bear a small square of gold paper pasted on them.\n\nAlthough only Taoist popular religion temples have Under Altars, there is also a Buddha who comforts “in time of calamity”, Yao Shih Fo (***) (whose full title includes the phrase “disaster” “Hsiao Tsai Yen Shou” (5* £**). He never appears in Under Altars.\n\nAnother \"Under Altar\"\n\nAnother small inset Under Altar at ground level, which is nearly always central under the main altar, is the altar to the tutelary deity of the temple, Ti Chu Fang (H). It is often called the Prosperity Hall and is unconnected with our study. It consists of a tiny open fronted \"box”, lined with red or orange paper, containing only one or two small red plaques dedicated to the tutelary deity (£* 五土龍神;護廟地主財神),(五方五土地主財神) or (前後地主 神財).\n\nIn one temple only, in Wanchai, a second altar under yet another side altar, contains a large image of the local Earth God (No2) which is normally on a side altar or beside the temple entrance. Behind him is pasted an orange paper bearing black characters describing the Earth God as the Controller of Wealth, and naming in a parallel row of characters the other major Cantonese Wealth God \"Ts'ai Po Hsing Chun\" (# $ £*) who is not represented by an image in this instance. This is a rogue disposition, doubtless ordered by a well-meaning but ignorant temple committee.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208253, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 292, "title": "RAS-1977", "content_text": "Plate No. 24. Green Horse and Nobleman, Paper Charms. (Darker papers in red, lighter in green)", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208256, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 295, "title": "RAS-1977", "content_text": "Plate No. 27. The earth god shrine in Pound Lane, Tai Ping Shan Street, above which Green Horse and Noblemen slips have been pasted over the white slips of varying shapes called the \"Mean Ones\".", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208259, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 298, "title": "RAS-1977", "content_text": "Plate No. 30. Green Horse and (red) Nobleman pasted on a shrine's internal wall, with the \"Mean Ones\" in black represented by upside down black human figures and black cut-out strips of a connected series of 'O's sometimes faded white.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 212743, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 52, "title": "RAS-1992", "content_text": "37\n\nWhilst he was absent from Hankow for two weeks in 1865, starting his new job [cotton broking], she left for Hunan and 'virtuous widowhood.' [Despite her apparently being with child by Mesny?]\n\nUnder another heading, on male offspring, Mesny related an incident which occurred when he would have been about forty. He was riding by a tent of a member of a Mongolian-Turki nobleman in Turkestan and it was an act of benevolence, says Mesny, to perform the agreeable function of adding a male child to the nobleman's family. The nobleman, a weak-looking old man with a strong Turkish woman of about forty years of age, had borne a daughter and been barren ever since. The husband, Mesny concluded, introduced us and left us together.\n\nImmediately after his capture by the Taipings in 1862 he was confronted by a Taiping chief, an Admiral, who, according to Mesny, welcomed him once he had realized that Mesny too was a Christian and immediately promised to make Mesny a Vice-Admiral in the Taiping navy commanding one of their vessels and give him the hand of one of his daughters in marriage. An old lady with great pull amongst the Taiping leadership who had befriended Mesny after he had repaired her musical box and her pistols, did not approve of Mesny marrying the Admiral's daughter as the girl had already been betrothed to two different men, both of whom had been killed in battle, a sign that she was unlucky and consequently should remain single. Mesny added, 'I had nothing to say in the matter, being as submissive in matrimonial matter as a lamb that is being led to slaughter.'\n\nIn 1896 he described another of his many adventures with the Taiping rebels in the mid-1860s when, as a captive, many of the Taiping ladies had been perfectly charming and very persuasive, offering him a wife or two from the large number of Taiping ladies in the Taiping king's palace and elsewhere. He added that he had told them that he had no intention of staying with the Taipings for a life time, and hoped to go back to his native land to get married there to a wife whose interests and sympathies would be nearer to his than those of any Chinese lady could ever be. He wrote this in 1896 and one can sense the regret in his tone that he ever did marry a Chinese woman as, at that stage in his life he was married for at least the second time, had two Eurasian children, and was kept at arms length by fellow expatriates in Shanghai where he lived at the time.", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 } ]