[
    {
        "id": 207178,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 249,
        "title": "RAS-1974",
        "content_text": "BOOK REVIEWS\n\n243\n\nNonetheless, despite these flaws in relating earlier scholarship on this subject and related studies, the real value of this book is that it is the first written in English and devoted to the chu-kung-tiao among Chinese folk literature.\n\nUniversity of Hong Kong, 1975.\n\nCHUANG SHEN\n\nTHE NINE SACRED MOUNTAINS OF CHINA, AN ILLUSTRATED RECORD OF PILGRIMAGES MADE IN THE YEARS 1935-36, by Mary Augusta Mullikin and Anna M. Hotchkis. Vetch and Lee Ltd., Hong Kong 1973, 155 pages, 22 coloured reproductions, 56 black and white reproductions, including 3 drawn maps, 10 vignette drawings and 13 pages of valuable index, where the Chinese characters are added to the Wade-Giles romanizations.\n\nThe book carries a short epilogue in which these two intelligent and enterprising ladies phrase the quintessence of their travelogue: by telling a story with the meaning that happiness is to have just enough for the most simple daily needs, to be free from worldly cares and to have the freedom to wander through the world at will. It was this view of life that gave them the stamina to visit, in just one year, the nine sacred mountains which are spread all over China under the prevailing, most adverse, conditions.\n\nTheir being able to artistically record their fresh impressions enables the reader to get a first-hand information through ink-sketches. Moods are conveyed by ink and wash, water-colour or pastel techniques. A. M. Hotchkis has produced 76 of the 88 illustrations. The other 12 are by M. A. Mullikin, including the sketch-maps. These illustrations depict with great skill the landscapes they travelled through, the various means of travelling they used, the mountains and the shapes of their trees, the monastic buildings in their surrounding scenery and their atmosphere and architectural details, temple interiors, and those who live and travel there, the monks and pilgrims.\n\nThe text is kept in the form of a diary which lets the reader closely follow each step in the realistic proportions of time and space, adding vivid descriptions of sights and sounds. The text transmits precise information by giving all the proper names in",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 215350,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 127,
        "title": "RAS-2001",
        "content_text": "75\n\nsouls (that is the Second to the Ninth as the First and Tenth Courts are basically administrative.)\n\nc] Yinya Ya Shuai\n\nThe Silver Tooth Vice-marshal, P, has been noted only in one temple, a popular religion rural shrine in a Hainanese community in Paya Lebar in Singapore now long gone due to urbanisation. It is a unique image, a stark and fierce black-faced soldier holding two magic “swords\" (whips) one in each hand and sitting astride a mythical animal, possibly a Qilin. He is portrayed as demonic and may well be an aide to a major deity, the main deity on the altar being Lei Zu. He was not venerated in his own right, though devotees did place incense before his, and every other image in the temple.\n\nThe Silver Tooth Vice-Marshal is co-located in several Hainanese temples with the White Tooth General, Baiya Zhongjiang, who is also a minor deity, an assistant and escorting-general to Doutian Yuanshuai (Lei Zu) and also known as Baiya Jiangjun. His image has been noted only in Singapore and Seremban on folk religion altars where he is portrayed standing on one foot, with his right foot raised behind as if running, and holding a flag bearing the character, ling [By Order] in his left hand. He has a stark white face. His image in a Hainanese community temple in Payar Lebar Crescent, now long removed for a housing development scheme, was referred to together with the Silver-Tooth Vice-Marshal as one of the pair of deputies to the main deity on the altar, Doutian Fushuai. In another temple, he was co-located on a Hainanese community altar with Wantian Zhushuai who was less starkly white-faced. His image, primarily revered in Henghua Hokkien communities in Singapore and Malaysia, was portrayed as the main deity in the Under Altar at the side wall of the main hall of the Nine Carps Temple [Jiuli Xian] in Singapore as a seated scholar dressed in a white robe and scholar official's cap, holding a triangular flag in his right hand and a red globe in his left.\n\nThe temple custodian knew nothing of the origins or legends of either the White Tooth Marshal or the Silver Tooth Vice Marshal.\n\n7: Deified Locals\n\na] Two separate women have been individually revered on altars",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    }
]