[ { "id": 205112, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 68, "title": "RAS-1966", "content_text": "SINO-WESTERN CONTACTS\n\n63\n\ntestify to their Oriental origin, such as the lute (from Arabic al-lūt, \"wood”), and even in our century we have witnessed the spread of Negro jazz over the whole world. A similar development took place in China, and there are many passages in Yüan literature where foreign music and musicians are mentioned.15 In this connection we should perhaps save from oblivion the name of one of these musicians from the Near East. We find her name in the Ch'ing-lou chi “Records from the Green Bowers\", an anonymous work dated 1364 which gives a list of the most popular courtesans under the Yüan, together with a description of their accomplishments. Among these ladies of easy virtue we find one solitary girl from the Western Regions mentioned among her many Chinese professional sisters. She was a Mohammedan girl by the name of Miliha (or Maliha) praised for her sweet and clear voice and her skill in singing. She was, alas, not beautiful, but we are told that she was a superb theatrical performer. The author of the book once made her acquaintance and was duly impressed by her acting.16\n\nThere must have been many influences from Near Eastern folklore that reached China under the Yüan. I shall quote here only two examples. A well-known Near Eastern folk-tale motif, that of the honest loser, the greedy finder and the Solomonic judge, can be traced both in European medieval and Chinese literature. It reached Europe via Spain through the Disciplina Clericalis of Petrus Alfonsi of Toledo (thirteenth century A.D.), a work which contains many Arab stories and anecdotes that subsequently became immensely popular in the West. Boccaccio has not a few stories from the Disciplina Clericalis in his Decamerone and also at least one motif in Shakespeare's Merchant of Venice, that of the three caskets, comes from that source. The story of the loser, the finder and the judge can be found in European literature in many versions, the classical German version being J. P. Hebel's \"Der kluge Richter\". In China we find this story in a text dated 1360. Here the story is set in a typical Chinese environment and being given some additional touches typical of China. The most interesting feature is, however, that the Chinese text does not present the anecdote as a mere story but as a historical event. The clever judge to whom the final solution of the case is entrusted was a perfectly real person, a circuit prefect from Kiangsi Province. This shows the Chinese tendency to attach literary clichés and even,", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 211092, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 153, "title": "RAS-1987", "content_text": "128\n\nEquality would mean the abolition of “class legislation.” According to the papers the rumour of the Governor's intention to repeal such laws was \"the topic of conversation at almost every dinner table, and wherever people assemble for business or recreation.\" The uneasiness among the Europeans as to Governor Hennessy's next move presaged rough times ahead.\n\nA colonial, who titled himself \"Diner Out,\" expressed his opposition to Governor Hennessy's liberal policies. The writer viewed the rumours of the Governor's intention to abolish flogging and the pass system as a sure licence for crime. He predicted that foreigners \"enjoying frequently the hospitality of friends, it may even be at Government House, (will) find themselves obliged either to go armed to the teeth, as was the case only a few years back, or else remain unwilling prisoners in their own dwellings from dusk to dark.” Although it would not have served his cause, he could have added as the Chinese must under the present regulations.\n\nA correspondent “Grundy,” adding his bit to the discussion, suggested that if the night pass system was abolished “all invitations to dinner, if sent at all, shall thereafter bear the following P.S. - 'Please bring your boy and your revolver'.\"\n\nSome feared there were rough times ahead under Governor Hennessy's administration. “Anti-Bumptious\" wrote: \"I feel the storm clouds are gathering, and although there is very little likelihood of rioting as there was in the Barbados (where Governor Hennessy had formerly been) still the same stormy petrel spirit is at work, and will produce mischief.”\n\nFurthermore, according to a local editor, the Chinese really had nothing to complain of and there was no need to change the Government's relation to them. An editorial in the China Mail expressed this view:\n\n\"With Artemus Ward of the negro, we may fairly ask 'Who trod on him?' and the answer will readily be found in the growing wealth and commercial importance of the native community of Hongkong, the amount of weight now attached to their utterances", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211777, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 192, "title": "RAS-1989", "content_text": "The Rivals. 1861 saw some entertainment on board H.M.S. Scout, and in March 1864 there was a Prussian ship, the Gazelle, in port, and its amateur society performed three plays, two of which were by Kotzebue and Körner, whether in German or English is unknown, but the audience \"frequently expressed their approval by enthusiastic applause”. \n\nAs was stated in the introduction, there were times in the history of Shanghai when the Settlement was threatened from outside and foreign troops had to assist in its defence. Thus in the early sixties several regiments were brought down to the city. Both the British 31st and 67th regiment came out in 1861, to sail home in July 1863 and July 1865 respectively. The Royal Artillery started operations in 1862. After the military tasks had been largely completed in 1863, there was time left for whatever amusement could be organised — among these, of course, theatricals. Mid-March 1863 the amateurs of the 31st staged Lover's The White Horse of the Peppers and Brough's Crinoline \"before the largest audience of the season\".\" Some weeks later the Royal Artillery scored an equal success. Shortly before their return to England the 67th amateurs put on Selby's The Unfinished Gentleman on June 17, 1865, which was \"well attended and gave great satisfaction\".\" On more than one occasion the officers and local amateurs joined forces for the staging, for instance, of Morton's farces Where there's a Will there's a Way and Fitzsmythe of Fitzsmythe Hall on March 26, 1863 \"before a crowded audience of subscribers to the fund for defraying the expenses\".42 \n\nTravelling Companies \n\nUntil the heyday of theatrical entertainment in Shanghai during the years 1864 and 1865 only one professional company visited the city: On August 9, 1856 Messrs Baker, Woodward and Montgomery (\"formerly of the New York Serenaders\") advertised that they would give, on the 14th, a \"Grand Ethiopian Musical Soiree\" which “could not fail to please all lovers of fun and harmony\" and at which among others \"the sidesplitting Negro farce 'The Nigger Doctor and his Patient, or The First Lesson in Surgery' \"' would be performed. Ethiopian Soirees were another name for the minstrel shows given by blackened whites; they originated in the early 1830s and became hugely popular, especially in America, but later also in Britain,40 and to some extent in Shanghai too. These Ethiopian entertainments were given sometimes by amateurs (May 15, 1854) and sometimes by touring companies like the one mentioned above and later, in November and December 1864, by the", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211808, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 223, "title": "RAS-1989", "content_text": "198\n\nT: Farce (1 act) C: Amateurs\n\nF: Music\n\nTh: D\n\nR: This was the last theatrical entertainment organised by Horatio BUSKIN and he could look back on a successful \"career\" as manager. Only the music had flagged of late (tonight \"a buzz in a box near the proscenium represented the music — we were ten feet away from it and it was therefore lost upon us\" the days of \"Sir George Smart and Messrs Thalberg\" and \"Koenig\" were over).\n\n—\n\nTo make up for these shortcomings \"Mr. CLAY as Honeybun (in the Infanticidal Farce) was, as he always is, first rate\". In Slasher and Crasher the public witnessed the debut of \"Miss Polly DEXTER as Rosa, affording hope of a new evening star of the first magnitude\" (NCH 23.2.1856).\n\n14.8.1856 (Thur)\n\nN.N.: The Nigger Doctor and his Patient Patient or the First Lesson in Surgery\n\nT: Negro farce\n\nC: Travelling American Company (Messrs Baker, Woodward and Montgomery) Th: Old Theatre (C)\n\nN: The whole evening was announced as a \"Grand Ethiopian Musical Soirée\"\n\nR: An advertisement only was published in the NCH of August 9. In it the above mentioned gentlemen (formerly of the New York Serenaders) praised their performances as having been \"the theme of universal admiration during the past four years throughout the East Indies as well as the Australian Colonies\". In addition to the farce, the programme consisted of \"Negro songs, interspersed with willy saying and doings peculiar to the African race in America\".\n\n19.9.1856 (Fri)\n\nConcert by Ali Ben Sou Alle and some local amateurs.\n\nInstruments: Turkophone, \"Turkophonini\", clarinet, piano.\n\nProgramme:\n\nG. ROSSINI: Two overtures. V. BELLINI: Selections from \"La Sonnambula\". F. MENDELSSOHN-BARTHOLDY: \"The Fairest Flower\" (song). Some German songs, The \"Shanghai Redowa Walse\", Medley of English, Scottish and Irish airs. Th: N.N. (C)\n\nR: Tonight was the occasion of the first real concert in the Settlement's history. It was given by Mr. ALI BEN SOU ALLE, a Turk who, after a study at the Conservatoire de Paris, had been appointed Directeur de Musique de Marine in Senegal (which had been French since 1871) in 1844. In 1847 he returned to Paris to enter the orchestra of the Opéra Comique, but the following year he went to London where he found employment in the orchestra of Her Majesty's Theatre at the Haymarket. He learned to play some instruments that had been invented by Adolphe Sax, the Belgian musician (1814-1894) and thereafter he made an extensive tour to Australia, Java, Singapore, Manila and China (CM 16, 10, 1856). In Hong Kong and even Canton he had appeared in August and October 1856 (CM 7.8. 14.8. 21.8. 16.10.1856). In between he gave two recitals in the Yangtze port. In the Survey it has already been stated that the soloist entertained the public with performances on several instruments that had been rechristened Turkophone and Turkophonini: in reality they were the Saxophone and (probably) the soprano saxophone. Well may we ask how these instruments, which were only of recent origin (1840s), were received by an audience completely unused to their sound. The artist interpreted a selection from Bellini's \"La Sonnambula\" on the \"Turkophone\" and the critic wrote that \"the compass of the instrument is very great but we confess to some disappointment as regards its quality of tone, and correctness of tone also, in some few notes, and altogether we think it an imperfect instrument", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211893, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 308, "title": "RAS-1989", "content_text": "283\n\nBatavia Roads to carry to and fro from the ship to the shore. These boats are always used by ships in Batavia and are paid four rupees or guilders a day. They are pulled by four Malays except when the wind allows sailing. The head man came on board. They had plenty of rice and fish with them which they ate with their fingers, as all Musselmen do. They are regular Mohammedans,\n\nThe one who stayed on board could speak a little English, and on the next evening I got alongside of him to try what I could make of him. I asked him a few questions but could not understand his answers, so I thought I would give up. At last he said, \"You not know her! You not sabby her? Her name Roleston. Not you sabby Roleston?\" I was very much surprised, as you may imagine, to hear him repeat that name, and how to think of it I could not imagine. What, thought I, can he know about Roleston, and whoever could he be talking about? At last I made out that there is a mercantile house in Batavia of that name, who have a ship of the same name, and this man had served the ship with his boat only a few days before, during the time she was loading. He was a fine intelligent-looking man, for a Malay.\n\nThe captain became more unbearable every day. From morning to night it was nothing but curses, grumbling, bullying, and threatening.\n\nOn Saturday night, June 30th, we stopped off Amsterdam, a small island about 12 miles from Batavia. Here I sat on deck and with the glass looked over the island, which was about a quarter mile off. It looked very pretty by moonlight. There were several native huts on the shore and in the interior, and at night each had a light burning, which looked pretty among the trees.\n\nIt is very pleasant to be sailing among these islands, all covered thick with trees wherever there is room for one to grow. It is truly sailing as the poet says:-\n\nAmid the green islands of glittering seas\n\nWhere fragrant forests perfume the breeze.'\n\nOn Sunday, July 1st, we had several boats come off to the ship from parties in Batavia who were canvassing for trade and patronage. One of them brought a Portuguese, who from being born and brought up in the tropics was as black as a negro. He delivered his card, and was", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212374, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 316, "title": "RAS-1990", "content_text": "admit. They do not shy away from work, no matter how troublesome or strenuous it may be. They are not ashamed of any kind of labour, not even if it is as lowly or debased as may be, so long as they can make money.\n\nI should like to make a few remarks about the physique of the Chinese, before I continue with my description of their customs and way of life. The Chinese are the same size as Europeans, but they have less muscle power. They are slender and well-proportioned. The features of the face are in between those of a Negro and those of a European. The face is more angular than a European's, and comes closer to a right-angle than does a Negro's. The cheek-bone protrudes less than does that of a Negro, and the lips are less thick and protruding. The nose, as a rule, is flat and thick, the eyebrows and eyes are black, and the eyes are set obliquely, which means that they lie lower towards the nose than to the outside of the face. The hair is black, rough, and thick, but the growth of the beard is very slight. The colour of the face varies according to the different longitudes. In this region, the colour is mostly a pale ochre, which turns brown in people who live mostly in the open, and are exposed to the sun. No Chinese would be browner than a Portuguese who lives in Hong Kong — at least I have not seen any such.\n\nThe face of a Chinese shows little animation, or freshness. Partly, this is, surely, due to physical reasons, but, partly the reason is also that the places where they live are so dark, musty, and smoky. Besides, there is the fact that they never wash themselves in cold, but only in warm water. Furthermore, the rag with which they wash themselves is always grubby, or even dirty. After they have washed themselves, they always hang the rag in any odd place — very often in front of their house-door — and leave it there until they next need it. As soon as a child is born, it is straightaway washed in hot water. Later they do not seem to be washed in either warm water or cold water, because all the small children I have seen were, without exception, dirty and unclean.\n\nI should also remark that Chinese ladies are smaller than\n\nPage 293", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213549, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 145, "title": "RAS-1995", "content_text": "114\n\nof it are hard to come by One of the best-known sources in English, whose descriptions I shall speak of later, is Charles G. Leland. In his book, \"Pidgin-English Sing-song\" published in 1876, Leland polishes off his introduction to the language with the words:\n\n\"There are, in all, not more than thirty altogether foreign or strange words in ordinary use, and a number of these are familiar to all persons of the least general information. What remains can present no difficulty to anyone who can understand negro minstrelsy or baby talk\"\n\nTo the modern person who has not lived in the Pacific Islands or Papua New Guinea, Pidgin English brings to mind partly apochryphal stories of Duke-of-Edinburgh worship and terms like \"mixmaster-bilong-Jesus\" (a helicopter) and \"big-man-box-you-bash-him-teeth-he-cry\" (a grand piano).\n\nWe have set the background to the article. Before we go further, let's just remind ourselves what China Coast Pidgin English spoken in the later part of the last century really did sound like. Listen carefully for the baby talk.\n\n\"O-lo dim Hongkong sai hab dou-mat-ji man tok-gi Ying-li-sı a-la sim mai. Je-sı naau no hap gat; a-la daat man go dai. Je-si naau mai ding-ki you no gen hi-ya wan pr-si Chee-na man tok-gi long daat o-lo dim man sim, fa-san.\n\n++\n\nHistorical background\n\nMacau was occupied by the Portuguese in 1557. They had previously been trading with south China for many years from a place called, in Portuguese, Lampacau\n\nDr Graciete Batalha, who has carried out extensive research on the Portuguese dialect of Macao (Glossario do Dialecto Macaense, Instituto Cultural de Macau. 1988 from original articles published from 1971-1977), has formed the opinion that during this early period of the development of the Macau \"patoa”, the formative influence was not so much the way that Chinese people learned to speak Portuguese, but the manner in which the Macau Portuguese formed the habit of speaking to the Chinese in the Portuguese language.", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 } ]