[
    {
        "id": 204360,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 128,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n124\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nNOTES AND QUERIES\n\nNote on a Collection of Chinese Books Presented to The Royal Asiatic Society by Sir George Thomas Staunton in 1824.\n\nAs a boy of twelve G. T. Staunton had accompanied his father, Sir George Leonard Staunton, on the Macartney embassy to China in 1793. During the long outward voyage young Staunton had learned some Chinese from two Chinese Catholic priests who were returning to China after studying at Naples. When Lord Macartney was received in audience by the Emperor Ch'ien-lung at Jehol on 14 September, 1793 young Staunton acted as his page. In 1798 he became a writer in the East India Company's Factory at Canton, in 1804 he was appointed a Supercargo, in 1808 promoted to the post of Interpreter, and in 1816 he became Chief of the Factory. In the same year he accompanied the abortive Amherst embassy to Peking. On the return of the embassy he settled in England and became a Member of Parliament. In 1823 he was active in founding the Asiatic Society.\n\nThe following letter was written by Sir G. T. Staunton to the Secretary of the Asiatic Society in 1823.\n\nSir,\n\nHaving in the course of my residence in China formed a considerable Collection of Chinese printed Books, and also of Manuscript Dictionaries, and other works of Europeans, calculated to assist the Student in the acquisition of a knowledge of the language and literature of the Chinese, I feel confident that I cannot more effectually promote the object I had in view making the Collection, namely, the more general acquaintance in this Country with whatever may be found curious or useful among the productions of the Chinese press, than by a respectful offer of the Collection to the Asiatic Society.\n\nMy wish is, that it should be preserved entire, and placed in such a situation as may admit of its being at all times readily accessible to the British and other Students of Chinese Literature, who may frequent this Metropolis, under such regulations as the Asiatic Society may deem it expedient to prescribe.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    {
        "id": 204732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 35,
        "title": "RAS-1964",
        "content_text": "26\n\nW. C. HUNTER\n\nFriday 12th\n\n1* at\n\nAt nine this morning received a letter from Macao dated the 8th, in answer to mine of the 5th; all quiet there but everyone ready to be off the moment any trouble was at hand. Delano received, enclosed in mine, a chit from Russell Sturgis which contained much news. The Hercules and Austen left for the Bogue on Tuesday last to deliver their opium and were to be followed by the Jane and Aeriel. The Chinese would only let two vessels come up at a time. The Good Success left Macao on the 9th for Madras, with despatches to the British admiral on the India Station, and the Rob Roy was to leave today for Calcutta. The Exchange sailed for Manila on the 8th; the Nar† Naples, Roza and Benuo Successo and Poppy had also sailed for Manila but the letter does not say if they took opium or not.\n\nMr. Inness was on board the Hercules with Alex. Matthews and Chay. Beal36. The Hercules and Austen had in all over 5,000 chests.\n\nGave two bottles of beer to the Se-Ying37 or lieutenants on guard in the second line of boats in front of the Factories. Had a long chat with several of the officers belonging to Name Hoe's guard relative to matters in dispute. They appear exceedingly friendly but take no interest whatever in what is going on,\n\nSaturday, 13, 1839\n\nLast night at 12 o'clock Captain Elliot received a communication from the Commissioner, dated in the morning from the Bogue, in which he requests that the opium ships might be ordered to come up and anchor close to Chinn-up to deliver the opium, instead of Lankeel where there was much inconvenience owing to rough water. He also said that the compradores and cooks were ordered to return but they have not come yet. However it will take some time for the order to be generally promulgated.\n\nMidnight I have just returned from a chat of three hours duration held at the Hoppo House or \"Custom-House Station\" at the water's edge opposite our Factory between two officers, one equal to a captain and the other to a lieutenant, the Custom-House Officer and myself. The Captain, who wore a crystal button, was\n\n*Two words illegible.\n\n† Part of ship's name illegible.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
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    {
        "id": 206247,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 64,
        "title": "RAS-1971",
        "content_text": "58\n\nHON EDITOR\n\nit were possible! This is the way to break up the wilderness Knowledge is the only ploughshare for the barren mind — and once the soil is prepared, the truth cannot fail to grow when cast into it. It has half-occurred to me that H. [Herschel] might amuse himself in a dull hour, scribbling a few pages of a Treatise for translation in this Chinese Series is the idea altogether ridiculous? Seriously, then, if it be worth one moment's thought — I can only say that I would make myself personally responsible for the strictest fulfilment here of every wish whatever that H. [Herschel] might express for my guidance in the publication; and there is the highest guarantee for its being turned into the most Classical Chinese pronounceable, in the names of Bridgman and Gutzlaff whose knowledge of the language is quite remarkable and the admiration even of Chinese Scholars. If not in this way, perhaps the Society may have your support or good wishes in some other—I commend it to you very warmly.\n\n**\n\nTO HIS BROTHER-IN-LAW, SIR JOHN HERSCHEL, 26TH JANUARY, 1836.\n\n44\n\nchel.\n\n•\n\n+\n\nI have done nothing meteorological whatever, Hers- All my own meteorological observations have been confined to blowing my\n\nnails on the house-top, like\n\na sparrow or stuffing my “hands\n\ninto my breeches pockets like\n\na crocodile\" — at the grey hour of\n\ndawn each morning; and think that I never experienced any cold so intense. It would be a noble climate at this season, but for the durance vile. How my fancy scampers on these occasions over the wild rocky hills around, that look so provokingly clear and near and dear to view by that unsheathed light! Well—I shall have a spell at Macao by and bye—the Chinese Naples! and shall I not enjoy it!\n\nTO HIS SISTER DATED 30TH NOVEMBER AND 3RD DECEMBER 1836 FROM THE SHIP “ASIA” AT SEA.\n\nHe had been very ill since 6th August with two successive abscesses and internal ruptures of the liver and had been laid",
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    {
        "id": 206250,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 67,
        "title": "RAS-1971",
        "content_text": "LETTERS FROM CHINA 1835-36\n\n61\n\nfor drawing quite a genius for it, as the Japanese have for music. I saw a Japanese book at Macao—their Encyclopaedia, a work in many volumes, full as it could hold of the most exquisite wood-cuts, about the size of this page [8′′ × 10′′]. And it is quite impossible that Art could excel the spirit, grace and truth to Nature, with which these pictures of birds, trees, flowers, animals, etc. were represented. The pictures of the beasts reminded me of the Antique (the drawings in the Museum at Naples) in the exquisite ease with which the creatures are exhibited in all their own natural attitudes; the nicest distinctions of species are observed, with wonderful accuracy and the execution is\n\nas spirited as any lithograph I ever saw. I particularly admired the disregard of mere finish in their work, but nothing could be more useful than the adherence to everything that constitutes life and character. The botanical drawings surpass description; the true love of beauty is to be seen in the charming simplicity and fidelity of these things. They cannot combine groups apparently. Nor were their attempts at landscape at all to be compared to their other drawings. But the real Genius of Art was there as obvious as in any work that ever came from pencil or chisel. The book was a great rarity—and not to be replaced. What a pity that no nation but the indolent and incurious Dutch should be allowed to visit Japan—and that even their intercourse should be so restricted and trammelled as it is!\n\nI am unfortunate in being shipped off from China as I am direct from my sick-room. There are many things I should wish to have enquired about before going home, and I should like to have taken home some of their books and works of\n\nart....\n\n•\n\n+\n\n77",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
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    },
    {
        "id": 207163,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 234,
        "title": "RAS-1974",
        "content_text": "228 \n\nNOTES AND QUERIES \n\nThe few houses on the southern side of Boundary Street, just completed for the Credit Foncier d'Extreme-Orient, were the only buildings around; further at the junction of this street with Prince Edward Road was 'Mignon', a small bungalow occupied by Miss Santos; the rest was either carved out of Chinese gardens or totally undeveloped. Across what was later on to become La Salle Road was a garden lot of some three acres which Brother Aimar had acquired lately from Mrs. Chan Kwing Min, the wife of the former Waichow war-lord [the present site of La Salle Primary School]; there was a small Chinese house on the grounds, in which the Canadian Sisters of Our Lady of the Angels, newly arrived in the Colony, resided temporarily. There was not a single house standing on the southern side of Prince Edward Road. \n\nThe locality was admirably situated, equally distant from Kowloon City and Kowloon Tong: two abundant reservoirs for a Chinese school population; and Homantin, where a large number of Portuguese families then resided. \n\nThe Hong Kong architectural firm of Messrs. Little, Adams and Wood was engaged to draw up plans. This was the same firm that had designed not long before the nearby Diocesan Boys' School. In their plans for the new College they incorporated features of ecclesiastical architecture that we do not find in the D.B.S. building, such as columned porticos and a domed chapel. The dome is one of the most interesting architectural features to be found in Kowloon. The Great Hall was said to be modelled after the Theatre Royal of Naples, and the mushroom columns in the open area under the Great Hall reminds one of the pillars under the demonstration building of the Medical Faculty in Paris. The buildings were designed to accommodate 700 pupils, 350 of these being Portuguese boys living in Kowloon, and as Brother Aimar remarked at the Foundation Stone Laying, “We thought it only right to provision, as in St. Joseph's, for an equal number of boys of Chinese parentage and for a boarding department.\" (South China Morning Post, Nov. 5, 1930.) \n\nThough the land was bought in 1924, the plans for the building were not approved until 1929. The following year Governor Sir William Peel laid the foundation stone. The building was first occupied for classes in December, 1931, and the following month",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
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    },
    {
        "id": 211787,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 202,
        "title": "RAS-1989",
        "content_text": "177\n\n'Tis not in mortals to command success\n\n89\n\nAnd that the actors had in general nothing to fear from the public has already been shown and is testified once more by a contemporary: \"The scenery was rude, the action imperfect, but a good-natured audience showed that charity which covers a multitude of sins and seldom failed to enjoy themselves\".\n\nV. The Theatres\n\n90\n\nThe localities in which all performances took place were adorned with high-sounding names like the Theatre Royal, the New Theatre Royal, the Olympic Theatre or the Lyceum Theatre. And though it is evident that in this way it was hoped to conjure up visions of their namesakes in the British capital, realities were quite different. It was only in 1867 that a theatre worthy of the name was opened in Shanghai; it was called the Lyceum Theatre, like its predecessor. But that was, as all the ones that went before, a mere refitted and redecorated warehouse, or, to use the local term, godown. Nevertheless, it is worthwhile to trace the vicissitudes of these \"Thespian Temples\".\n\nAs was the case with the theatrical companies that were formed anew every season, the \"pretty little theatres\" too had to be rented each year. This did not mean, however, that the buildings changed all the time; on more than one occasion the same godown was used for several seasons. Yet it is difficult to get a clear picture because the information given in the local paper is often very scanty with respect to addresses; in fact, in only one instance has a road been named, so one has to rely on other sources in order to establish the location of the theatres.\n\nA.\n\nSeasons 1850-1851 and 1851-1852: The Theatre Royal or New Theatre Royal (both names were used). No address can be fixed. For the opening performance of the season 1851-1852, on January 26, 1852, the theatre had been \"tastefully refitted and decorated; a very pretty drop scene of the Port of Leghorn added\". The painters were active this season, for on the evening of March 24 \"a new drop scene of the Bay of Naples adorned the proscenium\". The previous one had been \"transferred to decorate the walls of the theatre\". Furthermore, it was contemplated to \"paint a series of Italian scenery and in due time the whole theatre will...",
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    },
    {
        "id": 211803,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 218,
        "title": "RAS-1989",
        "content_text": "193\n\nC: Amateurs\n\nF: Prologue, music\n\nTh: Theatre Royal (A)\n\nN: First performance of the season\n\nR: The proscenium had been adorned with \"a very pretty drop scene of the Port of Leghorn\". The report was in general terms only; both pieces were cleverly and effectively sustained”, During the interval “a most effective Irish song was sung and the orchestra under the veteran melodist Sir George Smart gave unqualified satisfaction* (NCH 31.1.1852).\n\n23.2.1852 (Mon)\n\nT. MORTON: “A Roland for an Oliver\" (1819)\n\nT: Farce (2 acts)\n\n\"No!\" by W.H. MURRAY or F. REYNOLDS\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: Theatre Royal (A)\n\nN: Second performance of the season\n\nR: Tonight there was a \"numerous attendance of the beau monde, but not so much as on the previous occasion\". A Roland for an Oliver was \"an old established favourite and we need only say that the scenery was admirable, the ladies well dressed, the bride quite lovely and the whole went off amidst enthusiastic cheers and bursts of applause”. The other farce \"No!\" was \"replete with fun and sly sarcasm on unequal matches between lovely young wives and gentlemen rather the worse for wear\". Somewhat contradictorily the critic continued, \"it decidedly exhibited much more spirit than its precursor and was hailed accordingly with more enthusiasm and good will\".\n\nThere was also “a solo on the pianoforte by a young lady, her first appearance, as we believe, on any stage. The rapidity of her fingering, the clearness of her touch and what is so frequently wanting with many performers, her musical emphasis, were striking. We hear that the young lady graduated at the Conservatoire at Paris and her style is characterised by that brilliancy and distinctness so marked in performances at that capital”. No more was heard of this pianist; as to her name and career we are left in the dark. Was she the wife of a local merchant or a touring artist? Or was the \"lady\" in this instance too, a “gentleman\"?? (NCH 28.2.1852).\n\n24.3.1852 (Mon)\n\nG. COLMAN Jr: \"The Review\" (1800)\n\nT: Musical farce (2 acts)\n\nR. AYTON: \"The Rendezvous\" (1818)\n\nT: Operetta (1 act).\n\nC: Amateurs\n\nF: Music\n\nTh: New Theatre Royal (A)\n\nN: Third performance of the season\n\nR: For the occasion a new drop scene, depicting the Bay of Naples, had been painted. Apart from the plays \"a company of excellent jugglers amused the visitors, with a good display of surprising feats of sleight of hand\". Possibly these were Chinese, for in the announcement (NCH 20.3.1852) it was stated that there are several parties endeavouring to obtain Native Conjurers for the next theatrical night\".\n\nOf course the whole “went off with much eclat, the characters were well sustained and admirably dressed, the scenery as usual very good and the music first rate” (NCH 27.3.1852).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 213400,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 222,
        "title": "RAS-1994",
        "content_text": "210\n\nPollard, Samuel (1864-1915), In Unknown China a Pioneer Missionary Among Tribes in Western China, Philadelphia Lippincott, 1921\n\nPoussielgue, Achille, Voyage en Chine et en Mongolie de M de Bourboulon, Ministre de France, et de Madame de Bourboulon, 1860-1861, Paris L Hachette, 1866\n\nPowell, Lyle Stephenson, A Surgeon in Wartime China, Lawrence (Kansas) University of Kansas Press, 1946\n\nPower, William James Tyrone, Recollections of a Three Years Residence in China, including Peregrinations in Spain, Morocco, Egypt, India, London R Bentley, 1853\n\nPritchard, Earl H, Anglo-Chinese Relations During the Seventeenth and Eighteenth centuries, 1929\n\nPurcell, Victor, The Boxer Uprising, Cambridge Cambridge University Press, 1963\n\nRabe, Valentin H, The Home Base of American China Missions, 1880-1920, Cambridge (Mass) Council on East Asian Studies, Harvard University, 1978\n\nRachewiltz, Igor de, Papal Envoys to the Great Khans, London. 1970\n\nRasmussen, Albert Henry, China Trader, London Constable, 1954\n\nReed, James, The Missionary Mind and American East Asia Policy 1911-1915, Cambridge (Mass) Council on East Asian Studies, Harvard University, 1983\n\nReid, Archibald, From Peking to Petersburg, London E Arnold, 1899\n\nReinsch, Paul S, An American Diplomat in China, Garden City (New York) Doubleday, 1922\n\nRennie, David Field, Peking and the Pekingese During the First Year of the British Embassy at Peking, London John Murray, 1865\n\nRicalton, James, China Through the Stereoscope, a Journey Through the Dragon Empire at the Time of the Boxer Uprising, London Underwood, 1901\n\nRipa, Matteo, Memoirs of Father Ripa, During Thirteen Years' Residence at the Court of Peking in the Service of the Emperor of China, with an Account of the Foundation of the College for the Education of Young Chinese at Naples, translated by Fortunato Prandi. New York Wiley and Putnam, 1846\n\nRoberts, Frances Markley, Western Travellers to China, Shanghai Kelly and Walsh, 1932\n\nRockhill, William Woodville, The Land of the Lamas, Notes of a Journey, London Longmans, 1891",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
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    },
    {
        "id": 215049,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 145,
        "title": "RAS-2000",
        "content_text": "Entertainment at the open air theatre of the Labour Corps at Enaples, France\n\n23/6/1918\n\n(by courtesy of the Imperial War Museum, London, Q9007)\n\n101",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    },
    {
        "id": 215421,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 198,
        "title": "RAS-2001",
        "content_text": "147\n\nWork on it could only have started after the beatification of St. Francis Borgia at the end of 1624. His statue and that of St. Luís Gonzaga appear in niches on the second storey of the façade with pedestals only bearing the title beatus, not saints. Francis Borgia was only canonised in 1670 but had been beatified by Pope Urban VIII on the 23rd November 1624. Luis Gonzaga had already been beatified in 1605 (Figs 14.15).\n\nThe statues of Ignatius of Loyola and Francis Xavier also appear in the second storey and on their pedestals are given the correct title of saints. Both had been declared saints in 1622 with spectacular canonisation ceremonies in Rome, Spain and Portugal. We know from a 1644 Annual Letter written from the college in Macao that the façade was completed the year that this letter was dated. It seems therefore very probable that the frontispiece was constructed between 1625 and 1644 and that the impulse for its construction or reconstruction was very likely the canonisation of Ignatius of Loyola and Francis Xavier.\n\nThe initiative for founding the Macao College as the seat of the Japan missions, later expanded to include China, was due to Alessandro Valignano, the Father Superior and Father Visitor of the Jesuits in the East. As stated, the architect of the church was Father Carlo Spinola, an Italian from Naples. The reputed decoration of the façade at the hands of Chinese and Christian Japanese craftsmen was very likely carried out under the direction of Giovanni Nicolao, an Italian Jesuit painter from Nola. From this it is only too obvious that Italian Jesuits with a Late Renaissance mentality were highly influential in its creation, something characteristic of the historical period in question.\n\nJ.E. McCall, whose pioneering research is fundamental to the subject, has studied the activities of Giovanni Nicolao. Yoshitomo Okamoto, in his Namban Bijutsu, also gives important insights on Father Nicolao, who had actually opened a school of fine arts for young Japanese seminarians as apprentices in Western painting, printmaking and sculpture in various missionary colleges in Japan.19 But apart from Giacomo Niva, a Chinese-Japanese painter and the most brilliant of Nicolao's pupils, we hardly know the names of the other Chinese and Japanese artists who may have formed Nicolao's team in Macao. Unfortunately, this was apparently Jesuit practice at the time. Their famous annual letters sent from China or their Macao College, today",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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