[
    {
        "id": 204306,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 74,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n70\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n(P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as \"saints from the West\"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief.\n\nThe amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi (\"Prince Hua-kuang or The Voyage to the South\") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi (\"The Four Travels\"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole\n\n* For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6.",
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    {
        "id": 204313,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 81,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n77\n\nprobably the pagoda was a mistake for the parasol originally held by Vaisravana, as stated in the Ekottarik-agamas (增一含經):\n\nThe heavenly king Vaisravana held in his hand a parasol of the seven treasures (七寶) over the Tathagata in the air to protect the Tathagata from dust and soil,15\n\nBut since the circulation of the Tantric sutras was more or less encouraged by the authorities in the Tang dynasty, the public accepted that legend without scepticism.\" According to a Tantric text, Nata (No-cha 哪吒) is the third son of Vaisravana, who attends his father and holds the pagoda with both hands. But on the twenty-first day of every month, when the son is charged to go on some mission, so that they have to separate, Nata gives the pagoda to his father. This is not at all a thrilling story and there is no combat. The author of the Fêng-shên Yen-i created his own story of No-cha, the third son of Li Ching, based upon his profound knowledge of religious beliefs and popular literature, and made No-cha one of the famous heroes in Chinese literature. In order to analyse the parts which are the creative work of the author and to explain from what sources some of his materials may have been taken, I divide the story of No-cha into several sections below.\n\n2. MU-CHA AND CHIN-CHA\n\nBefore the publication of the novel Feng-shên Yen-i and the prompt-book Ssu-yu-chi, No-cha's (哪吒) name was usually Na-cha (那吒) in many of the plays of the Yüan dynasty which preserved the original transliteration found in the Tantric sutras.17 In the Hsi-yu-chi (Ch.7), one of the \"Four Travels\", the second\n\nHi To P'in (TPE), 30, Ekottarikagamas, chian 22, The Tripitaka in Chinese.\n\n10 In the year A.D. 838 (3rd year of K'ai Chiêng), on the 15th day of the 12th month, Lu Hung-chêng (盧弘正) wrote an inscription for the image of Vaisravana in the Hsing-t'ang Monastery (興唐寺) describing him as \"having a sabre in his right hand, and in the left hand a pagoda.\" cf. Ku-chin T'u-shu Chi-ch'êng, Shên-I Tien, chian 91.\n\n27 In Yang Ching-hsien's Yang San-tsang Hsi-tien Ch'ü-ching, Scene 8, “Nacha San Tai-tzu\" (哪吒三太子); anonymous play Menglich Na-cha San Pien-hua (孟麗哪吒三變換) in the Ku-pên Yüan Ming Tsa-chü\n\n*Z9M) edited by Wang Chi-lieh (王季烈), Shanghai, Commercial Press Ltd., 1941; anonymous play Ting-ting Tang-tang P’ên-êrh-kuei (丁丁當當甕兒鬼), Act 1, \"Hê-lien Na-cha\" (黑面哪吒), Act 2, \"Na-cha Fa\" (哪吒法), the last two are influenced by Tantric works. Besides, Na-cha (哪吒) appears in many plays of the Yuan dynasty, not to mention the tune called Nacha Ling (哪吒令).",
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    {
        "id": 204448,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1962",
        "page_number": 80,
        "title": "RAS-1962",
        "content_text": "CHINA'S 35 MILLION NON-CHINESE\n\n69\n\nTable II lists the numbers of people in each ethnic group distributed by provinces in south and central China. In brief, the T'ai-related groups lead with some 10 million people at present. They are followed by the Tibeto-Burman related group with some 8.4 million, followed by the Miao-Yao related group with about 3.4 million. The greatest concentration of minorities in any one group is among the Chuang in the Tai group. The Chuang live in a compact body numbering some seven million in Kwangsi. The Miao, however, are the most widely distributed of all ethnic groups, being found in significant numbers in every province of south and central China except Kiangsi, although their chief strength is in Kweichow. Yunnan, by all odds, is the most complex province ethnically. Of the 30 national minorities listed by the Census for 1953, some twenty-four are found in Yunnan. This Census apparently may need considerable revision when the minorities are scrutinized more closely. Thus, it listed only 90,000 so-called T'u-chia, which was proclaimed to be a newly discovered ethnic group hitherto confused with Han Chinese and Miao because of their degrees of acculturation. A personal check by Fang Jen revealed over 300,000, and a still more detailed check in subsequent years disclosed that actually these were 549,000 that should be so classified and, from their original cultural traits, they belonged in the Yi-related group. They occupy an area in northwest Hunan.\n\n44\n\nThe Yi comprise so many sub-groups under different names (there are 40 sub-tribes in Yunnan alone) that confusion is understandable. In northwest Yunnan such sub-groups of the Yi as the Na-khi or Na-hsi and Li-su live in the region between the great bends of the Chin-sha river and the Burma border. In the western part of this region are the Nu, Tu-lung, and Ching-p'o, occupying parts of the Salween and Mekong drainage of north Yunnan. Farther south in the drainages of these rivers are the related La-hu and A-ch'ang. The Pai people, in a solid bloc on the plain of Erh Hai (Lake Erh), have been thought by some writers, including this one, to be a T'ai-related people, but are listed by Bruk as a Yi sub-group. In the west bank region of the Red river of Yunnan are the sub-group known as the Han-yi. The Yi proper are scattered over the three southwestern provinces,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
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    },
    {
        "id": 204876,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 179,
        "title": "RAS-1964",
        "content_text": "154\n\nNOTES AND QUERIES\n\nheard in Hong Kong also before the Chinese, and the Chinese form in which they have come down to us is merely a disguise, just as the common modern Arabic effendi, borrowed from Turkish, conceals quite effectively the high Byzantine military title of Avthentis which is itself the same word as the English authentic; and just as the modern Cantonese abusive expression for an Indian Mo-lo-cha10 disguises the honourable title of Maharaja. And who, for another example, would identify the Malay title dato in its Cantonese form na-tuk? The task of a student of comparative language in identifying words borrowed from tangential cultures is often far from easy.\n\nNOTES\n\n1 'ama, (Arabic); 'âmâh, (Hebrew).\n\n2 a-mraah, §, meaning father's mother,\n\n3 Draaibhaano, A#, the head of a foreign business house,\n\n4 Fhaabwronq, #£. That this was once used only of foreigners' gardeners is hinted by the fact that the old term frynn-dheng HT was never so used. Nowadays all gardeners are called fhaahwrong.\n\n5 fhaann, ⭑.\n\n6 Fhukgin-saarng, #44.\n\n7 Gwuuradim,\n\nA.\n\n8 jribmroo-gwor, I#4. The San On Yuen Chi lists this as a native fruit and says it is so named because it is used by women in difficult pregnancies (anti-scorbutic?). But see note 12,\n\n+\n\n9 Irok-fhaah-sbaanq, ✯✯✯. The author of the San On Yuen Chi seems unaware that this plant was an importation, a fact he notes in several other cases.\n\n10 Mho-lho-chaa, 44%, originally Я% ·\n\n11 Nraabdhuk, **\n\n12 nrenqmbung, #. However there are some facts about the lemon which are not easy to reconcile. The Britannica says it is a hybrid one of whose parents is probably a lime; and the Sanskrit for a lime is nimbu which looks a nearer relative of the modern than the ancient Chinese form. The commonest pronunciation in Cantonese is Irammbung. Also see 8.\n\n13 sayyid, (Arabic).\n\n14 shihnhaai, # like Madame, strictly correct only for the wives of foreigners, but in Hong Kong used now for any married woman.\n\n15 sritrawy, $# \"Boss\", now used for all employers,\n\n16 srizae, # a \"house-boy\" in a foreign family, Often mistakenly written 事仔,\n\n17 Thih-thiw, NE.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
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    {
        "id": 207372,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 140,
        "title": "RAS-1975",
        "content_text": "132\n\nRICHARD J. SMITH\n\nbecame American citizens,93 Meiji Japan held similar views and pursued similar policies. In short, China's response to the basic problems of employing foreign military men, although tinged with specific characteristics of Chinese political culture such as a special emphasis on personalistic relations, was reasonably enlightened, and not fundamentally different from that of other countries, Asian or Western.95\n\nChina's attempt to build a modern, Western-trained officer corps in the T'ung-chih period did not fail because the foreigners she employed refused to become Chinese subjects or to accept Chinese culture. It failed primarily because the Chinese did not use foreign military assistance in a systematic and sustained way, as did, for example, Meiji Japan. Plagued by continual foreign meddling, and unwilling to fundamentally restructure the existing military establishment with its carefully devised system of checks and balances, the weak Ch'ing government neglected to sponsor meaningful, centralized military reform, dooming itself to defeat at the hands of the Japanese in 1894-95.97\n\nNOTES\n\n1 See, for example, Edward Schafer, The Golden Peaches of Samarkand (Berkeley and Los Angeles, 1963), esp. p. 49, 291 note 75; Henry Serruys, \"Were the Ming against the Mongols settling in North China?,\" Oriens Extremus, 6 (1959), 136ff; etc.\n\n2 For the employment of foreigners under these circumstances, consult Wolfram Eberhard, Conquerors and Rulers (Leiden, 1965); Lei Hai-tsung, Chung-kuo wen-hua yû Chung-kuo ti ping [Chinese Culture and the Chinese Military] (Ch'ang-sha, 1940); Michael Loewe, Imperial China (New York, 1969), 182.\n\n3 Kuwabara Jitsuzo, “On P'u Shou-keng,” Memoirs of the Research Department of the Toyo Bunko, 7 (1935), 44-45; also Su Ch'ing-pin, (Liang Han ch'i Wu-tai ju-chi Chung-kuo chih fan shih-tsu yen-chiu) [Research on barbarian families residing in China during the period from the Han to the Five Dynasties] (Hong Kong, 1967), 2; Wai-ming George Yuan, \"Ko Son-ji (Kao Hsien-chih): A Korean in the Chinese Military Service,” Asea Yongu, 13.3 (1970), 160.\n\n4 See the forward to this work in Li Te-yü's collected writings, Li Wei-kung hui-ch'ang i-pin chih [The collected works of Li Te-yu] (Shanghai, 1937), chüan 2, 10-11 (consecutive pagination). The book is listed in the sections on literature in the T'ang-shu (2:20) and the Sung-shih (2:19a). All references to the dynastic histories are to the po-na edition.\n\n5 I have discussed these challenges and their implications in a forthcoming study entitled . (University of California Press).",
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    {
        "id": 211638,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 53,
        "title": "RAS-1989",
        "content_text": "28\n\nSheng Mu (玉皇聖母)\n\nOne of the more interesting arrangements is the main hall of the Temple of the Jade Emperor in Tainan. The Jade Emperor occupies the main altar with the San Kuan (Three major Taoist deities) immediately before him. On his left hand is his son, referred to as the Fourth Heir Apparent (Yu Huang Ssu Tien Hsia F) (see Plate 4) but without any personal name, and on his right is his grandchild, the Third Princess (San Kung Chu Niang, see Plate 5). According to the temple keeper she is the younger sister of the Jade Emperor's heir Yuh Huang T'ai Tzu, and her annual festival is celebrated before her altar on the 15th day of the third lunar month. The other children of the Jade Emperor are not represented. An image of the Jade Emperor's third daughter (see Plate 7), a princess whose name is not given, is the main deity on an altar in a temple in Pai Sha on the Pescadores Islands. On the same altar are four other princesses, said to be her sisters, but again without names. These four are lesser deities.\n\n10\n\nMrs. Goodrich was told by her Peking informant that Yen Kuang Niang-niang, the deity who watches over eyesight, was the sixth daughter of the Jade Emperor. Her image in the Temple of the Eastern Peak in Peking portrayed her carrying images of eyes in her hands. She has to be worshipped by a pregnant mother or her child will be born with incurable eye trouble.\n\nIn another temple on the Pescadores, the Lung Tu Temple in Makung, the Third Prince of the Jade Emperor is the main deity on one of the major altars. He is flanked by smaller images of the First, Second, Fourth, and Fifth Princesses (Ta, Erh, Ssu, Wu Kung Chu). This Third Prince Yu Huang San T'ai Tzu should not be confused with Na Cha, who is also referred to as the Third Prince (Nacha San T'ai Tzu). The third son of the Jade Emperor is portrayed as a seated, beardless, middle-aged man holding an unsheathed sword vertically before his chest and with his left hand raised to shoulder height making a mystic sign. He is wearing a high, round-topped cap with a bead-screen, and has four flags signifying his military rank in a rack across his back.\n\nThis same deity, Yu Huang San T’ai Tzu, has been noted with an image of the Taoist deity, the Saintly Mother (Sheng Mu) on a side altar in the main hall of a large folk religion temple in Manila.",
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    {
        "id": 211765,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 180,
        "title": "RAS-1989",
        "content_text": "155\n\n27\n\nAs noted above, 20,000 people a month used the Miu Keng pass. Probably as many again used the road from Ping Che to Kan Tau Wai, or started their journey within Ta Kwu Leng. 40,000 users of the ferry a month is a likely figure. Probably 25% of them carried goods. This represents more than $50 a month income, or about $600 a year. Even depreciating heavily for the salary of boatmen and costs of maintenance, $400 a year clear profit seems likely.\n\nThe date of this war was probably in the 1860s, as Faure, The Structure of Chinese Rural Society, op. cit., p. 104, shows.\n\n29 For the arrangement of the Yeuk, see map. The information in this section comes from Mr. Chan Yau-tsoi and Mr. Chan Wa-chun of Ping Yeung, Mr. Man Kam-muk of Ping Che, Mr. Yeung Choi of Fụng Wong Wu, Mr. Man Lei-wa of Tong Fong, and Mr. Hau Foh-tai of Law Fong, all very knowledgeable elders. I met them as a group, and include here only what they were unanimous in agreeing was the case. I would like to express my particular thanks to them for the several hours of discussion they had with me. As to Sai Ling Ha, this village, although it lay within the Ta Kwu Ling hills, supported Wong Pui Ling in the fighting, I was told. It had no part in the Luk Yeuk. However, when the Communists took over, most of the inhabitants of Sai Ling Ha crossed into Hong Kong, and set up homes in Ping Che. They were then allowed to become part of the Luk Yeuk, as part of Ping Che Yeuk. The account of the Luk Yeuk given here differs in detail from that given in Faure, op. cit., pp. 103-104.\n\n+1\n\n-\n\n30 The deaths are recorded in the \"Heroes Shrine\" () in the Tin Hau Temple at Ping Che, which was the community temple of the Ta Kwu Ling area. 23 names of the **Heroes who died in protecting the villages, who knew how to perform the duties of filial piety\", or the \"Heroes who defended the Yeuk\" as they are named in two inscriptions *澳四總鎮源樂友例段英雄履考之神位 and \"MX\") are recorded. Of these, 3 (all surnamed Chan) came from the Ping Yeung Yeuk, 4 (3 surnamed Tang and 1 surnamed Chau) from the Lin Tong Yeuk, 4 (1 surnamed Chau and 3 surnamed Lei) from the Lei Uk Yeuk, 4(2 surnamed Yiu and 2 surnamed Hau) from the Law Fong Yeuk, 2 (both surnamed Yip) from the Lo Shue Ling Yeuk and 4 (2 surnamed Wong and 2 surnamed Man) from the Ping Che Yeuk. One Law died he came either from Law Fong (Law Fong Yeuk) or Kan Tau Wai (Ping Che Yeuk). A Lau Ah-ngau (劉亞牛) also died -- he could have been from Wo Keng Shan (Ping Yeung Yeuk), where there was a tiny clan of Laus, or could possibly have been a servant, as his name suggests his name is entered last on the tablet. 23 deaths suggests very bloody fighting. It is unlikely that the population of the whole of Ta Kwu Ling in 1860 was higher than 1750 (representing an average village population of about 80, or perhaps 12 households), and the adult males could not have been more than a quarter of that (440). The young men of fighting age were probably no more than about 200. 23 out of 200 is about 11.5% deaths of those involved, which is a very high percentage. The population of the Ta Kwu Ling villages within the New Territories totalled 1441 in the 1911 Census (Sessional Papers, 1911, no. 17, Noronha & Lo, Hong Kong, 1911, \"Report on the Census of the Colony for 1911”, Table XIX p. 103 (32)).\n\n+\n\n-\n\nLoi Tung, with its lineage brethren of Lung Yeuk Tau, and the small villages between them, formed the Sze Yeuk (四約, “Alliance of Four''), which was, to a large degree, designed to ensure that the ancient enmity of the Tangs of Lung Yeuk Tau and Loi Tung with the Pangs of Fan Ling was tilted in favour of the Tangs. The Pangs supported the Luk Yeuk in its fight with the Cheungs this almost certainly means that the Sze Yeuk supported the Cheungs, as did Sheung Shui, the other ancient enemy of the Pangs. Man Uk Pin was a Yeuk of the Sha Tau Kok Shap Yeuk, as well as forming a part of the Sze Yeuk. The Shap Yeuk were dubious about the activities of the Luk Yeuk. Free travel between Sha Tau Kok and Sham Tsun was vital to the Shap Yeuk. With the Cheung Shan Kwụ\n\nPage 180\n\nPage 181",
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        "document_key": "RAS-1990",
        "page_number": 96,
        "title": "RAS-1990",
        "content_text": "73\n\nelements in the term 'Syrian brilliant teaching\". The expression ‘brilliant teaching' for Christianity occurs three times in the text of the Book of the Secret Peace and Joy, but there is no reference to Ta-ch'in.\n\nWe must conclude that, by the tenth century, the Nestorian monks at Tun-huang no longer used Adam's formula Ta-ch'in ching-chiao as punctiliously as they once had, although both Ta-ch'in and ching-chiao are found separately, and that a tendency to render proper names by transliteration from the Syriac had replaced the earlier policy of finding appropriate Chinese terms for them. Other examples of this tendency can be found in the titles of some of the thirty-five books listed in the Book of Praise: The Gospels (Syriac: evangelion) are the A-wan-chü-li-yung ching; the Epistles of St. Paul (Syriac: shlicha, the Book of the Apostle) the Shih-li-hui ching; the Book of Hosannas the Wu-sha-na ching; and the Book of the Cross (Syriac: tsuliba) the Tz'u-li-po ching. Although these are the titles, according to the Book of Praise, of books translated by Adam, it is difficult to believe that he would ever have allowed them to be given such meaningless names in Chinese. We have seen how much care he took in the Sian tablet inscription to make himself clear, and suitable Chinese titles could easily have been found for these books. But book titles, as we have already seen in the case of other Tun-huang manuscripts, are obvious targets for updating in the light of changing taste, and these Syriac-influenced titles were probably given to Adam's books by the Tun-huang monks in the tenth century. They lived on the fringes of China and were not writing for discerning scholars in the capital, as Adam was. They preserved the memory of their past glories under the leadership of men like Reuben and Adam, but a definite change of style had taken place since the confident days when the Sian tablet was erected. They were conscious that an era had passed.\n\n1\n\nNOTES\n\nHong Kong has a fine collection of bronze crosses from the Ongut region, worn by Nestorian Christians during the Yüan period, in the Fung Ping Shan museum of Hong Kong University. See F. S. Drake's article \"Nestorian Crosses and Nestorians in China under the Mongols\", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 2, 1962, pp. 11-25.\n\nHis Chinese name, given in the Sian tablet inscription, was A-lo-pen. It is suggested in Volume 3 of the Cambridge History of China that A-lo-pen is a transliteration of Reuben, and this seems to me as good a guess as any.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    {
        "id": 214257,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 115,
        "title": "RAS-1998",
        "content_text": "78\n\nthe Twenty-four Heavenly Lords. The Four, said to be brothers, are believed to have been born during the 11th century BC and are now protectors of Mi-lo Fo. The 16th century novel, Feng-shen Yen-i, describes the popular myths surrounding the defeat of the four Mo-li brothers during the legendary wars of the 12th century BC who fought with their magical weapons but whose main weapon was the white rat which devoured all enemies. However, Yang Chien, the nephew of the Jade Emperor and son of Li Ching [the General with the Pagoda] was swallowed by the white rat but once inside it he ate the rat's heart and at the same time transformed himself into the white rat which was unsuspectingly put back into its bag by one of the Mo-li brothers. Yang Chien stole out whilst the Four brothers were in a drunken sleep and stole the magic umbrella, whilst Na-cha who had fought and defeated them broke their magic jade ring. The Four lost heart, were defeated and slain. The war was followed by their canonisation by Chiang Tzu-ya who appointed them to the posts of the Heavenly Kings, controllers of the elements, from whom people sought protection from calamities.\n\nThere are standard images of all four of the Great Celestial Kings in both the Ta Pei Ssu and the Pi-yun Ssu.\n\nThere has been a certain amount of confusion over the colours, names, and titles of these guardians; even their characteristics and attributes vary from monastery to monastery. Confusion has arisen over the centuries due to non-Buddhist and even pre-Buddhist factors, with every combination to be seen, such as the General of the North with the Umbrella, the General of the West with the Rat or Mongoose, and so on. The most frequently noted observations are as follows:\n\n  \n    Taoist Titles\n    Symbol\n    Characteristics\n    Buddhist title\n    Sanskrit title\n  \n  \n    Mo-li Ch'ing\n    Magic weapons or Sword/lance or Jade Ring or Parasol\n    black face or black beard\n    Ch'ih-kuo T'ien-wang\n    Dhrtarastra 持國天王 or 東方大王\n  \n  \n    \n    [colours: blue/green] or Lyre/lute",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    },
    {
        "id": 214273,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 131,
        "title": "RAS-1998",
        "content_text": "94\n\nAh-hsü-lo Wang 阿修羅王\n\n[Asura]\n\nNa-lo-yen T'ien\n\n那羅延天\n\n[Narayana - son of Nara -the Original Man]\n\nMi-ta Chin-kang\n\n密達金剛\n\n[Guhyapati raja]\n\nT'i-t'ou Le-cha 提頭勒吒\n\n[Mo-li Hai - Dhrtarastra - Guardian of the East - one of the Four Diamond Kings]\n\nP'i-lo Le-cha 毘羅勒吒\n\n[Mo-li Hung- Virudhaka, Guardian of the South - one of the Four Diamond Kings]\n\nP'i-lo-po-cha\n\n毗羅博叉\n\n[Mo-li Ch'ing - Virupaksa - Guardian of the West - one of the Four Diamond Kings]\n\n[T'o-wen T'ien Wang - Mo-li Hung]\n\nP'i-sha-men T'ien 毗沙門天\n\n[Vaisravana, One of the Four Diamond Kings - the Guardian of the North - Bishamen]\n\n[Protector of Travellers in the train of the 1000 arm Kuan Yin]\n\nChin Ta Wang\n\n金大王\n\nChin-se Kung-ch'iao [Five-colour Peacock]\n\n金色孔雀\n\nMan Hsien-jen 滿仙人\n\n[Purna - The Fully-complete Immortal]\n\nMa-hu-lo Wang 摩虎羅王\n\n[Mahoraga]\n\nMa-ho-lo Nü\n\n摩和羅女\n\n[?]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214355,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 213,
        "title": "RAS-1998",
        "content_text": "178\n\namends. King Wu also held an audience at which he announced that certain Daoists and generals who had bravely fought and died should be regarded as heroes and revered as such. At that point a number of Daoist mythological heroes stepped forward and declared that as they were uncultured, having lived in the mountains and countryside, they now wished to return to report to their masters. They added that they were unable to accept honours or rewards as they had simply followed the orders of their masters. All seven left the Court, and the following day after a feast, they were reluctantly permitted to leave by King Wu.\n\nMy daughter, a friend and I during a visit to Song Shan in Henan province, one of the Daoist holy mountains, came across a large modern temple which, as we approached its entrance, looked real enough until we came to enter it. There were several young women in a uniform of sorts knocking a badminton cock around to while away the hours and, of all things, a turnstile. We then saw the name of the temple was Fengshen Gong, the Palace of the Investiture of the Gods, and entered wide-eyed wondering what could possibly be inside.\n\nOnce inside we were taken by our guide down a short corridor and out into what proved to be a massive wax-works, images of scenes from the Fengshen Yanyi as well as images of the major local deity, the Lord of Zhong Yüeh, the Lord of the Central Peak [Song Shan]. The exhibition, we were informed, had been built by the Tourist Board of the local city, Deng Feng, for Chinese visitors. Well over 200 images, mostly static but with some dozen or so automatons, lined the winding path leading through the large exhibition hall. With a not too subtle gesture our guide switched each on and off until, apparently bored by her foreign guests who spent quite some time at each exhibit, she abandoned us and returned to her badminton. The place was deserted apart from four small boys who were delighted to be alone with us and took enormous pleasure in switching on and off the various exhibits for our benefit without any guide being there to chastise them.\n\nScenes included the wicked Zhou Wang ascending his throne; Na Zha, the Third Prince, Causing Trouble with the Dragon King; Duke Fa [King Wu] subjugating Zhou Wang; the Terrace of the Investiture on which Jiang Ziya is reading out the decree canonising the heroes, and the Five Sacred Ones returning to Heaven. Several of the automated exhibits had the small boys in fits of giggles; one in particular",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214356,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 214,
        "title": "RAS-1998",
        "content_text": "179\n\nwas the decapitation of a Fox Fairy, possibly the wicked King's concubine, Dan Ji. In legend the spirit of a fox inhabits the body of a beautiful young woman who then bewitches and captivates men. When killed such woman immediately revert to their fox body origins. In the exhibit the young woman is standing and as the sword descends her head rolls off and rolls about on the floor before immediately reverting to its original position on her body. The boys were only too delighted to press the button to cause the head to roll again and again. Another was the birth of the Third Prince out of his caul. In legend he is born an apparent monster but after a swift slash with a sword the caul opens and the child emerges. Once more the boys played this for us several times.\n\nThis was possibly not the most ideal way to be introduced to the Fengshen Yanyi. A year or so earlier my daughter and I heard of the small temple dedicated to Zhou Gong, located at the foot of Phoenix Mountain in a rural area north of Qi Shan in Shaanxi province. We drove there to find in the main hall of a memorial temple, which had just been renovated, an image of Jiang Ziya flanked by two mythological deities, Na Zha and Yang Jian [see Note 8]. The first of the two, is a seven year old youth who caused havoc in Heaven and, better known as the Third Prince. He is nowadays the primary guardian of temple altars in Taiwan where his image stands on the altar table before the main altar. His is a traditional story tracing the age-old conflict between generations, and conflict of power and responsibility. Yang Jian has certain magic powers, which he used during the conflict but is also regarded as a potent deity who protects against demonic attack. He is often referred to as Er Lang, and he and his small dog are to be seen in a number of temples and in many he is regarded as the patron deity of dogs. The murals across the whole of the main hall's side walls depict episodes from the Fengshen Yanyi complete with Jiang Ziya first mobilising the deities of heaven to help the Duke Fa, and finally, the scene of the Investiture itself on the Terrace of the Investiture.\n\n10\n\nA number of temples in the central-west of China used to contain large gilded 'mountains', carved structures representing a mountain with crags and caves on which were superimposed a number of carved wooden gilded images of Daoist deities. The vast majority of these were also characters from the Fengshen Yanyi.11",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214358,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 216,
        "title": "RAS-1998",
        "content_text": "181\n\nmay be unremarkable, in Mao's China not all that long ago folk religion was taboo, and even in today's China that they offer such displays of the old deities without blatant propaganda is surprising.\n\nNOTES\n\n1 The Feng-shen Yen-i is usually attributed to Hsü Chung-lin who lived during the first half of the 16th century.\n\n2 The mythological gods of the Creation and pre-history are different from the “human” deities, the latter being canonised since the 11th century BC [and, indeed, up to the present day]\n\n3 Confusion between the new dynasty, the Chou and the last ruler of the Shang, Chou Hsin was so general that it became the convention for a while to romanise the name of the last ruler of the Shang as Tsou rather than Chou.\n\nDuke Fa of the Shang vassal state of Chou, the later King Wu [Wu Wang], the first emperor of the Chou dynasty\n\nFilial piety prohibited a son from bearing a higher title than that borne by his father. Should he acquire the throne it was necessary that the title should first be conferred on his father, dead or alive. We therefore hear of names like Wen Wang [the Emperor Wen] and Chou Kung, awarded to his father and brother respectively, these being the titles\n\n6 A mural portraying Duke Chou is one of the panels, together with others depicting Christ, Confucius, Lao Tzu and Mohammed, around the inside of the dome above the main hall of the cult centre temple of the I-kuan Tao at Nan Hua near Tainan.\n\n7 The only image of Pai Chien noted in today's temples is in Havelock Road in Singapore where he is one of the 24 Heavenly Generals.\n\n* The seven, who not long after this became Immortals, free from the cycle of rebirth and death, were:\n\nLi Ching\n\nThe Three Princes, Chin Cha, Mu Cha and Na Cha\n\nYang Chien\n\nWei Hu",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    }
]