[
    {
        "id": 208858,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 20,
        "title": "RAS-1980",
        "content_text": "PRESIDENT'S REPORT FOR 1979\n\n(Covering the period March 27, 1979- March 23, 1980)\n\nI am pleased to report tonight on your Society's activities over the past year and on our ongoing projects. During the period we organized twelve lectures which, because so many members and most of your Council are away from Hong Kong in the high summer season, were arranged mainly for the Spring and Winter months. There were two overseas excursions and one local tour. Let me briefly review the lecture programme first of all:\n\nTalks to the Society\n\nIn April 1979 two lectures were given. The first had Dr. Margaret Ng as our speaker: well-known in Hong Kong for her newspaper column, and also as a social philosopher concerned with different facets of the Chinese world-view. She spoke on \"A Chinese theory of Discontent\". The other speaker in April was Professor Rulan Chao Pian who talked to us once before, in 1975. She is presently visiting professor in Music at the Chinese University of Hong Kong and her talk, entitled \"A Musicological trip to China”, was related to a recent visit to China where she had lectured to the National Academy of Musicology at Peking.\n\nIn May Mr. Leonard Rayner lectured on \"Communism in the Association of South East Asian Nations”. Mr. Rayner who moved to Hong Kong from Singapore a few years ago is a journalist and perhaps best known to us for his regular column in the South China Morning Post. In June Professor D. W. Y. Kwok, who has been Director of the Asian Studies Programme at Hawaii for the past six years, spoke on \"The New Culture Movement in China”. Also in June, Dr. John Young of the Extra-Mural Studies Department of Hong Kong University, lectured on \"The Hong Kong-Canton Connection, 1905-1925”, at the same time sharing his experience with us of a research trip to Canton and pointing out the archival research opportunities which exist in that city. In October Rev. Carl Smith talked on \"The Amateur Dramatic Club (founded 1860) and the early history of Dramatic arts in Hong Kong.\n\nSince the new year we have had a relatively full programme. In January there were two lectures: one by the Rev. Father Harold Naylor who spoke on \"Wah Yan College; a case study of an Anglo-Chinese school directed by an Irish Jesuit\". Father Naylor has\n\nX",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    {
        "id": 210683,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 34,
        "title": "RAS-1986",
        "content_text": "17\n\nJOHN JOSEPH FRANCIS, CITIZEN OF HONG KONG, A BIOGRAPHICAL NOTE\n\nWALTER GREENWOOD\n\nV.H.G. Jarret writing about Francis in the South China Morning Post in the 1930s commented \"It seems strange that so well known a man should not be commemorated in any way”. When one considers the number of streets and roads in Hong Kong named after less prominent Government officials and businessmen the force of that comment will, it is hoped, be appreciated by the end of this essay.\n\nFrancis was born in Dublin in 1839, the eldest son of William Francis Aylward, an Inspector of Irish National Schools, and\n\nMr. Walter Greenwood J.P., M.A. (Cantab.), Barrister of Gray's Inn and the North Eastern Circuit, a Permanent Magistrate in Hong Kong\n\nAUTHOR'S ACKNOWLEDGEMENTS:\n\nThis essay was hurriedly researched and written in snatched hours and does not claim to be comprehensive, much less to do justice to Francis. I hope it may lead to interest in his life and career and I should be grateful if anyone who finds new information about him would send it to me at 26, Great Bounds Drive, Southborough, Tunbridge Wells, Kent TN4OTR. It is based mainly on skimming through newspapers and dipping into the standard histories of Hong Kong. I have also received generous help from many quarters. First I should like to acknowledge my gratitude to the staff of the Hong Kong Public Records Office for their ever friendly and willing help; my thanks go also to the staff of the Supreme Court Registry and University Library, the Secretaries of the Bar Association, the Law Society, the Jockey Club and the Volunteers, Mrs. Lisa Chee, Chairman of the Board of Directors of the Po Leung Kuk, Fathers Naylor, Pagani and Pittavino (for searching church records), Mr. Michael Clancy (for information about “Stonyhurst”), Mr. Carl Smith (for information about Francis' marriages) and Mr. Colin West (for arranging the cleaning of Francis' tombstone) in Hong Kong; the Parish Priest of All Saints Church, Borella, Colombo; Father Turner of Stonyhurst College; the staff of the Public Records Office, Genealogical Office and Public Registry in Dublin; Mr. Julian Walton of Dublin and Waterford (for supplying me with material about the Aylward family which he also presented to Dr. Ken Smith of South Africa for use in his biography of Alfred Aylward); the Editor of the Irish Ancestor, the staff of the Public Record Office, Royal Artillery Institution, University and Crown Agents in London; Mrs. Theresa Thom, Librarian of Gray's Inn; Mr. Leo D'Almada Q.C. in Portugal; Dr. Walter Mautsch in Germany; Mr. Nigel Osner in London; Pamela and Eric Russ in Bournemouth; my wife (for her patience whilst I practised my drafts on her); and Mrs. Mary Whitticase for her great kindness in typing my manuscript.\n\nCopyright Walter Greenwood 1986.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 211778,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 193,
        "title": "RAS-1989",
        "content_text": "168\n\nso called Christy's Minstrels --- a famous group in the United States, yet it may be doubted severely whether it was the same one that visited Shanghai.\n\nEight years later, the first company to come down to Shanghai from Hong Kong, where they had also been playing, was the one led by a Mr. C.R. Faylor. On February 10 1864 Lytton's The Lady of Lyons was on the bill as the opening piece, but the Herald thought it a failure in consequence of \"that portion of the company which had been collected in Shanghai and pressed into service\". How this is to be understood is not quite clear. Did Faylor's company consist of only a few actors, who were to be supplemented by local worthies? But then, who else could they be but amateurs, the darlings of the foreign community? However this may be, on May 9 at an evening in which also the \"Royal Shanghai Ballet d'Action\" [so far for fancy names!] participated, the \"celebrated comedy Nature and Philosophy or Eighteen Years Labour Lost” was given. As members of the company were mentioned Mr. and Mrs. C.R. Faylor, Mr. and Mrs. E. Yeamans and Major Pegus. Amateurs almost always adopted stage names in order to hide their real identity, but with professional actors it may be assumed these names were real.\n\n45\n\nA more substantial contribution to the amusement of the Shanghai public was made by Lewis' Dramatic Company. It was of Australian origin and the \"musical director and manager\" was Charles Edouin. Other members of the group were Tilly Earl, Mrs. Gill, Lizzie Naylor, Jenny Nye, T. Andrews, Henry Birch, J.B. Creswick, W.B. Gill and nearly the whole Edouin (or, rather, Bryer) family: Julia, Rose, John and Willie. Rose (1844-1925) married G.B. Lewis and became later an actress at, among others, the Maidan Theatre in Calcutta. Her brother Willie (1846-1908; his real name was John Edward Bryer) first appeared in public when he was six; after the tour to Australia, India, China and Japan he played in Melbourne, California, New York and London.46 In 1862 the \"Lewis' Equestrian Australian Troupe\" had visited the port with \"six of the best horses ever landed in China**,** but in 1864 the company had turned to drama and from October 6 until their departure in December an eight week season provided an unprecedented shower of farces, burlesques and even some quality pieces like Sheridan's The Rivals and the prison scene from Shakespeare's King John (Act IV, sc. 1), in which the role of prince Arthur was played by an actress, Julia Edouin, who took \"the house by storm\".48 The success of the company was apparently so great that they returned in March of the following\n\n47",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211779,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 194,
        "title": "RAS-1989",
        "content_text": "169\n\nyear after a visit to Hong Kong\" for another run of several weeks. As was usual with repertory companies of this kind their output was vast, ranging from Planché's The Invisible Prince to Shakespeare's Richard III from which the fifth act only (\"A horse! A horse! My kingdom for a horse!\") was given \"somewhat disappointingly\".\n\nOne other touring company is mentioned in the early Shanghai annals: the Thorne Company, which consisted of \"seven gentlemen and two ladies\" whose talents had been \"extolled by the Hong Kong press\", and which came to the Yangtze port in January 1865. Conflicting reports make it difficult to judge whether the group was praised as much in Shanghai as in Hong Kong. According to the Herald it had given a \"successful representation of the Octoroon (by Dion Boucicault, on January 11 1865) and announced a second performance for the 14th\". However, the Shanghai Commercial Record wrote that \"the patronage bestowed on the Thorne Troupe was extremely small. Indeed when they opened on Wednesday evening last (January 11) it was literally to an empty house, for we hear there was actually no one present to view the performance. The company were so disgusted that they left next day for San Francisco\". So many years later there is obviously no way in which we can verify either of these assessments, but it only stresses how unfortunate it is that the sources for the study of early Shanghai are not more abundant.\n\n152x\n\nA special feature of some of these travelling groups should be noticed, namely the existence of benefit performances. Benefits had been known in Britain from the late 17th century; generally speaking the net proceeds of such a performance went to a member of the company, but gradually it was realised that the system had more disadvantages than advantages\n\ne.g. actors were frequently paid low salaries because of the, often highly uncertain, supplementary income that could be derived from the benefits. One of the first to try to abolish them was Madame Vestris in the 1830s, but they existed well into the 1870s. Both the Faylor and Lewis companies had kept the custom. Thus it was announced that on November 26 1864 \"the benefit of J.B. Creswick under the distinguished patronage of the Consular authorities\" would be given; on December 9, \"Mr. H. Birch's benefit took place\", and so on for nearly every member of the company.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211826,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 241,
        "title": "RAS-1989",
        "content_text": "216\n\nR: Nearly five years after his last recital in Shanghai, Martin SIMONSEN returned to the port, this time as a member of \"Mr. Smythe's troupe\". There was also the novelty of a lady singer, Miss Amelia BAILEY, who \"could not fail to render the entertainment attractive even had her voice been less excellent than it is\". This was the last night of a series for which public interest had not been particularly large; only on July 31st had there been an \"excellent house\" and in a reproaching comment, the Herald trusted that the company would \"meet with more uniform support at Hong Kong, the residents of which are reputed more willing to put up with a little heat for the sake of an evening's amusement\". (NCH 1,8,1863).\n\nOctober 1863\n\nOn October 24, the North China Herald informed its readers that \"the Circus Company announced more than a year ago as upon its way to Shanghai has at length arrived and promises to be a valuable means of dispelling the ennui inseparable from winter in China\".\n\n17.10.-23.10.1863\n\nA series of promenade concerts by Miss Amelia Bailey (singing) and Marquis Chisholm (piano), as well as the Rhenish Band.\n\nTH: N.N. (H)\n\n7.11.-13.11.1863\n\nA continuation of the concerts mentioned above.\n\nR: In spite of the meagre support met in Shanghai, the Smythe troupe ventured to return in October after a visit to Nagasaki. This time the concerts were more rewarding - financially, for in November it was noticed that “Miss BAILEY has continued to draw crowded houses\" and that she has no reason to complain of the reception she has met in Shanghai\". (NCH 17.10, 24.10, 14.11.1863).\n\n10.2.1864 (Wedn)\n\nE.B. LYTTON: \"The Lady of Lyons\" (1838)\n\nT: Romantic comedy (5 acts)\n\nC: C.R. Faylor's travelling company\n\nTh: Olympic Theatre (H)\n\nR: The port was honoured by a visit of Mr. FAYLOR's theatrical company in February and May. This was after it had toured Macao (in December 1863; see BGM 14.12.1863) and Hong Kong. There it was highly successful, but the first performance in the Yangtze city was unfortunately a failure in consequence of the ludicrous incompetence of that portion of the company which had been collected in Shanghai and pressed into service. The audience, moreover, was riotous in the extreme and displayed the worst possible taste in exciting themselves to increase the confusion on the stage\" (see also Survey, p. 22). (N.C.H. 13.2.1864).\n\n13.2.1864 (Sat)\n\nC. DANCE: \"Delicate Ground\" (1849)\n\nT: Comic drama (1 act)\n\nC. SELBY: \"A Lady and a Gentleman in a Peculiarly Perplexing Predicament\" (1841)\n\nT: Burletta (1 act)\n\nC: C.R. Faylor's travelling company\n\nTh: Olympic Theatre (H)\n\nR: It is not quite clear how many nights were given by the FAYLOR company. The Herald of February 27 states that **it still continues its performances\", but, in view of what had happened earlier, \"naturally enough has not been patronised by any of the ladies resident in the Settlement\". In May, it turns up again in the pages of the paper. (NCH 27.2.1864).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211828,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 243,
        "title": "RAS-1989",
        "content_text": "218\n\n1.4.1864 (Fri)\n\nR.B. BROUGH: \"Crinoline\" (1856)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"A Most Unwarrantable Intrusion\" (1849) T: Farce (1 act)\n\nN.N.: \"The Debut\"\n\nC: Messrs Shannon and Phillips with an amateur company\n\nTh: N.N. (H)\n\nR: Not too enthusiastically the Herald wrote that \"had Messrs PHILLIPS and SHANNON been better supported the performance would probably have proved a more decided success\". Must it be supposed that the amateurs were locals, who were otherwise so much lauded? (NCH 2.4.1864).\n\n4.4.1864 (Mon)\n\nRepeat of 30.3.1864,\n\n18.4.1864 (Mon)\n\nFirst performance by a Portuguese Amateur Dramatic Corps. TH: N.N.\n\nR: This first performance by a local Portuguese company was considered favourably: \"the arrangement of the costumes and acting were all good and amply rewarded a visit even by those who may not understand the Portuguese language\". (NCH 23.4.1864)\n\n25.4.1864 (Mon)\n\nJ. OXENFORD: \"Retained for the Defence\"\n\nT: Farce (1 act)\n\nC.S. CHELTNAM: \"A Lucky Escape\" (1861)\n\nT: Comic drama (1 act)\n\nT.J. WILLIAMS: \"On and Off\" (1861)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTH: N.N. (H)\n\nN: Second performance of the season\n\nR: This second Volunteer Corps night drew a crowded house and the reporter was pleased to see that \"a majority of the lady residents were among the audience\", the more so as they \"by their presence contributed to inspire the performers with the desire to excel which led to such complete success\". No names were given in the review, but in A Lucky Escape “it would have required very sharp eyes to detect that the actress [who personated Louise] was, in fact, an actor\". Here the truth is finally revealed! In On and Off he/she took the part of Letitia equally well. (NCH 30.4.1864)\n\n9.5.1864 (Mon)\n\nN.N.: \"Nature and Philosophy or Eighteen Years' Labour Lost\"\n\n(The only piece with this title in HED is one that had its first night on 18.4.1876. However, Brown, \"A History of the New York Stage\", Vol. I, p. 235 mentions a performance of this play on June 1 1833).\n\nG. COLMAN Jr: \"Love Laughs at Locksmiths\" (1803)\n\nC: C.R. Faylor's travelling company\n\nF: Comic songs, dance, music\n\nTh: Olympic Theatre (H)\n\nR: Casts:\n\nNature and Philosophy:\n\nBrother Philip: Major Pegus\n\nRenaldo: C.R. Faylor\n\nEliza: Mrs. E. Yeamans\n\nGertrude: Mr. E. Yeamans",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211829,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 244,
        "title": "RAS-1989",
        "content_text": "219\n\nColins: Mrs. C.R. Faylor Love Laughs at Locksmiths Robin: Mes. C.R. Faylor\n\nJuliac: Mrs. E. Yeanians\n\nDame Durden: Mr. E. Yeamans.\n\nPaddy Druden: C.R. Faylor\n\nOnly an advertisement for this performance was published in the Herald of May 7. The stage often has its own laws as to the gender of the participants. In amateur theatricals, men dressed up as women à l'outrance, whereas in a professional company like the present one male characters were personified by ladies and vice versa!\n\n14.5.1864 (Sat)\n\nPerformance by the amateurs of the Royal Artillery.\n\nNo titles of plays recorded.\n\nTh: N.N. (H)\n\nR: NCH 21.5.1864\n\n17.5.1864 (Tue)\n\nRepeat of 14.5.1864.\n\n26.5.1864 (Thur)\n\nJ.M. MORTON: “Whitebait at Greenwich\" (1835)\n\nT: Farce (1 act)\n\nC. MATHEWS: \"Little Toddlekins” (1852)\n\nT: Comic drama (1 act)\n\nJ.M. MORTON: “Poor Pillicoddy” (1848)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Epilogue spoken by R.C. Antrobus, commander of the S.V.C.\n\nTh: N.N. (H)\n\nN: Final performance of the season\n\nR: For the occasion Edward LAWRENCE, who was a \"practitioner at Law and Notary Public” according to the “Shanghai Almanac for 1862”, had written an epilogue which was read by the commander of the S.V.C., Robert Crawford ANTROBUS (member of the Municipal Council 1864-1865). And, as if to give more weight to its reception, the Herald added that “many of the ladies joined in the applause” (NCH 28.5.1864).\n\n28.5.1864 (Sat)\n\n**An Evening at Home**: \"Songs interspersed with anecdotes and conversation of the most lively description”.\n\nC: Mr. J.R. Black\n\nTh: Olympic Theatre (H)\n\n31.5.1864 (Tue)\n\nAs on 28.5.1864.\n\n3.6.1864 (Fri) As on 28.5.1864.\n\n13.6.1864 (Mon)\n\n\"An Evening at Home - Great Jacobite Night\" by Messrs. J.R. Black and Marquis Chisholm. Performance of the play The Advantages of Bonnie Prince Charlie or the Rising of 1745 (No piece with this title appears in HED), as well as ballads and songs (including 'Vi ravviso from Bellini's \"La Sonnambula\", act 1).\n\nTh: Olympic Theater (H)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211834,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 249,
        "title": "RAS-1989",
        "content_text": "224\n\nF. TALFOURD: \"A Household Fairy\" (1859)\n\nT: Domestic sketch (1 act)\n\n\"Aurora Floyd\".\n\nHED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' \"Dictionary of the Drama\" mentions W.E. SUTER.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of J.B. Creswick\n\nR: NCH 26.11.1864, advertisement only\n\n3.12.1864 (Sat)\n\nL.B. BUCKINGHAM: \"Take That Girl Away\" (1855)\n\nT: Comic drama (2 acts)\n\nJ.M. MORTON: \"A Capital Match\" (1852)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of Miss Lizzie Naylor\n\nR: NCH 3.12.1864, advertisement.\n\n9.12.1864 (Fri)\n\nBenefit of Mr. Henry Birch of the Lewis Company.\n\nNo titles of plays were mentioned. (NCH 10.12.1864)\n\n10.12.1864 (Sat)\n\nFarewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864).\n\nR: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th \"home sweet home\" was preferred; \"the unfavourable state of the weather prevented many ticketholders from putting in an appearance\" (NCH 10.12.1864)\n\nNovember and December 1864\n\nPerformances by the \"Christy Minstrels\".\n\nTh. N.N.\n\nR: Another travelling company that visited the port in these months were the \"Christy Minstrels\" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). \"No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion\" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864).\n\n22.12.1864 (Thur)\n\nPerformance by the Portuguese Amateur Dramatic Corps.\n\nR: It was \"as usual largely attended\" (NCH 24.12.1864).\n\n28.12.1864 (Wedn)\n\nR.B. BROUGH: \"Medea\" (1856)\n\nT: Burlesque (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211835,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 250,
        "title": "RAS-1989",
        "content_text": "225\n\n\"Lady Audley's Secret\", for which HED lists the following authors: C.H. HAZLEWOOD (1863), G. ROBERTS (1863) and W.E. SUTER (1863).\n\nC: Shanghai Amateur Burlesque Company\n\nTh: N.N. (I)\n\nR: For the first time we have at our disposal another source than the \"North China Herald\" for reviews of the Shanghai theatre, viz. the \"Shanghai Commercial Record\". In general, though, the reports were in the same vein as those in the Herald had been, but sometimes more information was given and different accents set. Hardly so for tonight's pieces: they \"reflected great credit on the talent of the performers and their endeavour to provide for the amusement of their fellow exiles has we are sure been highly appreciated\" (SCR 7.1.1865). The Herald only published an announcement (NCH 24.12.1864).\n\n11.1.1865 (Wedn)\n\nD. BOUCICAULT: \"The Octaroon\" (1859)\n\nT: Drama (4 acts)\n\nC: Thorne (travelling) Company\n\nTh: Lyceum Theatre (1)\n\nR: Sometimes the availability of two sources does not make it easier to make a judgement about the truth of things. What to think e.g., of the following reports on the Thorne Company: The Herald was short in its weekly summary of 14.1.1865: \"The Thorne Company have given a successful representation of the Octoroon at the Lyceum Theatre and announce a second performance for this evening\" (i.e., Saturday). In contrast, the Shanghai Commercial Record reported in its issue of January 25: \"We have had another theatrical troupe here, calling themselves the Thorne Troupe. But whether it is that Shanghai has had too much of this class of entertainment lately, or that the pressure of the times is so great that people do not care to attend the Theatre, we cannot say. Both these causes combined probably to render the patronage bestowed on the Thorne Troupe extremely small. Indeed, when they opened on Wednesday evening last [this should read January 11 - JH] it was literally to an empty house for we hear there was actually no one present to view the performance. The company, as well they might be, were so disgusted that they left next day for San Francisco where we sincerely trust they will be more successful\" Cf. however, Survey, note $2.\n\n14.1.1865 (Sat)?\n\nAs above?\n\n4.2.-10.2.1865\n\nConcert by Mr. Desvachez and Signor Enrico Grossi. Th: Town Hall of the French Concession\n\nR: The violinist DESVACHEZ returned to Shanghai, this time accompanied by the bass singer Enrico GROSSI who had earlier, in December 1863, performed with the Faylor Company in Macao (see BGM 14.12.1863). The concert had called for favourable comment at the hands of our music critic” — indicating that a more detailed review had appeared in the North China Daily News (NCH 11.2.1865).\n\n15.2.1865 (Wedn)\n\nAnnual Volunteer Concert by the Volunteer Band and the \"Shanghai Amateur Quartet Club**.\n\nTh: Shanghai Club\n\nR: The Commercial Record of 22.2.1865 gave the following impression of this concert: \"The Volunteer Band was assisted by the Shanghai Amateur Quartette Club and several gentleman amateurs. The large room in the Club House was lent for the occasion and we were glad to see it well filled. The gay uniforms of the Shanghai Mounted Rangers, mingled with the more sober dress of the Volunteers gave the room a very gay",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211837,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 252,
        "title": "RAS-1989",
        "content_text": "227\n\nA. DUMAS: \"Camille\"\n\nT: Drama\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: The drama Camille, an English adaptation of Alexandre Dumas' \"La Dame aux Camélias\" was, in the eyes of the Commercial Record (5.5.1865) \"singularly unfitted for the powers of the performers. Miss Rose EDOUIN acted with her usual ability but as the heroine is a character almost impossible to render we must not object where we cannot praise”. Miss Jenny NYE starred in the farce Which is Which? written by a member of the company, Mr. GILL, who himself was a “capital low comedy actor”.\n\n28.3.-5.4.1865\n\nJ.B. BUCKSTONE: \"The Flowers of the Forest\" (1847)\n\nT: Musical drama (3 acts)\n\nJ.B. BUCKSTONE: “Isabella or Woman's Life\" (1834)\n\nT: Drama (3 acts)\n\nD.W. JERROLD: \"Black-eyed Susan\" (1829)\n\nT: Musical drama (3 acts)\n\nT.J. WILLIAMS: \"Nursery Chickweed\" (1859)\n\nT: Farce (1 act)\n\n\"Kenilworth\", possibly by A. HALLIDAY and F. LAWRANCE (1858)\n\nT: Burlesque\n\n\"Mr. and Mrs. Peter White\", anon. (1854)\n\nT: Farce (1 act)\n\n\"Rob Roy”, Numerous pieces with this title are listed in HED. i.a. by W.H. MURRAY (1818) and C.H. HAZLEWOOD (1864).\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: More than the Herald, the Record went into a rather detailed description of the Lewis season. Thus about Flowers of the Forest it wrote that there was \"an energy of revenge predominating all through the play while the occasional glimpse of pathos, combined with the jovial jocularity of the gipsys, tone down the otherwise tragic situations. Miss Rose EDOUIN, Miss NAYLOR and Mr. CRESWICK acted with power and well restrained manner“, Mr. CRESWICK “possesses great dramatic force and expresses himself well. His manner is somewhat stiff, but appearances before larger and more requiring audiences will obviate this habit\", \"His voice is good but somewhat monotonous of lone\" (SCR 5.5.1865).\n\n8.4.1865 (Sat)\n\nW. BROUGH: \"Perdita\" (1856)\n\nT: Burlesque (1 act)\n\nJ.B. BUCKSTONE: \"A Lesson for the Ladies” (1838)\n\nT: Comedy (3 acts)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Rose Edouin's benefit\n\nR: NCH 22.4.1865: no review,\n\n11.4.1865 (Tue)\n\nJ.B. BUCKSTONE: \"A Dead Shot\" (1827)\n\nT: Farce (1 act)\n\nJ. KENNEDY: \"Sweethearts and Wives” (1856)\n\nT: Burlesque (3 acts)\n\nC: Lewis A.D.C.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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        "rank": 0
    },
    {
        "id": 211838,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 253,
        "title": "RAS-1989",
        "content_text": "228\n\nTh: Lyceum Theatre (1)\n\nN: Rose Edouin's benefit\n\nR: SCR 22.4.1865; no review.\n\n1.4.1865 (Tue)\n\nJ.B. BUCKSTONE: \"A Dead Shot\" (1827) T: Farce (1 act)\n\nJ. KENNEDY: \"Sweethearts and Wives\" (1823)\n\nT: Comedy (2 acts)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Mr. T. Andrews' benefit\n\nR: SCR 22.4.1865; no review.\n\n13.4.1865 (Thur)\n\nJ.B. BUCKSTONE: \"The Rough Diamond\" (1847) T: Farce (1 act)\n\nH.J. BYRON: \"The Bride of Abydos\" (1858)\n\nT: Burlesque extravaganza (1 act)\n\nJ. OXENFORD: \"I couldn't Help It\" (1862)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Julia Edouin's benefit\n\nR: SCR 22.4.1865: no review.\n\n15.4.1865 (Sat)\n\nH.J. BYRON: \"The Maid and the Magpie\" (1858)\n\nT: Burlesque burletta (1 act)\n\nThe Daughter of the Regiment\n\nNumerous pieces with this title are mentioned in HED; possibly by E. FITZBALL (1843; new version in operatic style (1847)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Miss Tilly Earl's benefit\n\nR: SCR 22.4.1865; no review.\n\n17.4.1865 (Mon)\n\nH.J. BYRON: \"The Babes in the Wood\" (1859)\n\nT: Burlesque (1 act)\n\n\"Aurora Floyd\". For possible authors see 26.11.1864,\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Miss Lizzie Naylor's benefit\n\nR: About \"Aurora Floyd\"\n\nthe Record was very satisfied and it thought that it exhibited the Company to the best advantages. CRESWICK as Hargreaves acted one of the most repulsive characters ever put on the stage with consummate tact. Aurora allowed ROSE EDOUIN to be seen to advantage; and in one or two scenes her acting rose to a high point of dramatic effect. Mr. GILL as Grub was capital and was assisted excellently by Miss NAYLOR who as Mary sustained one of her best characters. This lady acts such pieces with a spirit and ease seldom seen and reminds us strongly of Miss Saunders\" (SCR 5.5.1865). The reference to Miss Saunders may have been to Ann Mathew Saunders, died 1891; or Charlotte Saunders, d. 1899.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211840,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 255,
        "title": "RAS-1989",
        "content_text": "230\n\nN: J.B. Creswick's benefit\n\nR: For the second time a scene from Shakespeare could be seen in Shanghai: now it was act V from Richard III in which the king is confronted with the ghosts of his victims, lights his enemies ('A Horse! A Horse! My kingdom for a horse!') and is finally killed. In what kind of version it was played must be a matter of conjecture, although the worst days of adapting, cutting and rewriting Shakespeare's dramas were over. The Record found it \"somewhat disappointing. Richard was too declamatory and an evident appearance of striving for effect predominated\". Who personated the role of Richard III was not stated, but as it was Mr. CRESWICK's benefit it may have been him. The Frantic Husband went off well, with Tilly EARL as the \"Injured wife\". Miss NYE as Mrs. Alibi and Mr. GILL in the leading parts (SCR 5.5.1865).\n\n27.4.1865 (Thur)\n\nNo titles were given, but probably:\n\nJ.H. PAYNE: 'T was (* (1825)\n\nT: Farce (1 act)\n\nJ.T. RODWELL: \"The Young Widow\" (1824)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Miss Nye's benefit\n\nR: Miss NYE was described by the Commercial Record as a \"ladylike and pleasing actress\" who had a good house. \"The performance was light and amusing. She acted neatly and with pleasing unconsciousness of doing so. This actress will some day occupy a position which will still further develop her as a personifier of light and agreeable parts\" (SCR 5.5.1865).\n\n28.4.1865 (Fri)\n\nM. BARNETT: \"The Serious Family\" (1849)\n\nT: Comedy (3 acts)\n\n\"Cinderella\"; by H.J. BYRON? T. TAYLOR!\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (D)\n\nR: In Cinderella, a burlesque, Miss NAYLOR once again “looked and acted with well assumed demeanour\" one of the ugly sisters of the heroine. The latter part was possibly played by Mrs. GILL, \"the most accomplished of the troupe. She pays great attention to dress (...) and there is a quiet repose in her manner that is not easy to attain and only adds to the effect and spirit of her acting“. Miss Tilly EARL also took one of the parts; she was \"vivacious and fascinating\". Only the singing was \"not so good as usual, but one of the fair warblers was suffering from a cold\" (SCR 5.5.1865).\n\n29.4.1865 (Sat)\n\nH.J. BRYON: \"Aladdin or the Wonderful Scump\" (1861)\n\nT: Burlesque extravaganza (1 act)\n\n\"The Lady of Lyons\". Arthur either LYTTON or BYRON.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: This was the farewell performance of the Company as well as Mr. Henry Birch's benefit. BIRCH was described as \"an old hand on the boards of the theatre. He has acted with many well known celebrities and to a certain extent still retains the manner of a school now almost extinct. The Company had left a good impression, although the Record's critic occasionally thought the actors deficient in making “a lucky hit by the casual introduction of a remark. They depend in some instances too much on the prompter and considering the case they act with one another this should not be\" (of the Herald's\n\nPage 255\n\nPage 256",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    }
]